Welcome A special invitation to join us.
2013–14 Season
2013-14 Season MEPHISTOPHELES Arrigo Boito DOLORES CLAIBORNE Tobias Picker and J. D. McClatchy FALSTAFF Giuseppe Verdi THE FLYING DUTCHMAN Richard Wagner THE BARBER OF SEVILLE Gioachino Rossini SHOW BOAT Jerome Kern and Oscar Hammerstein II LA TRAVIATA Giuseppe Verdi MADAME BUTTERFLY Giacomo Puccini
“I fee
“I feel like I’m a part of a wonderful family.” – Y VONNE N. Subscriber since 2003
ra your ope m o r f e r get mo ere. ts you th help you e o g t s t n ie r a e w We a Half S ce —and n ie r e p x e ribing, and is by subsc
a enjoy oper reserv ing best way to e th t a it is about , th es e v Y . ie u el b yo le for We tr uly that possib s can ma ke ie er S lf a ings up aH ABLE Sav ats and D se t R es O b F e F th A cket ut some of r regular ti e iscounts, b v d t o a % re g 0 3 g n to g uaranteei u t o ur fa . A s k ab o ng a part o s ei e b c t ri u p o b a t plan! out it’s a lso d paymen excited ab e s d et n g t te a x e th y t communit anding tha e an underst ’s It Customiz opera. l— LEXIBLE are specia y F s ce n a h it rm s w earl these perfo Half Serie seem r t a u o th y es e ic th tra, vo hanges at full orches ticket exc er, high w o p r ei th hase. unrea l for ur seat me of purc ti yo e v a h u nd yo drama—a for a bite O NE rrive early A . ed rv W! DROP se E re ; N e n g a p am greater glass of ch For even to eat or a nce a rm fo er drop one ee pre-p flexibilit y, enjoy the fr e th in t o our Half or fi nd a sp era from y p o Opera Ta lk in e ’r You me of ple-watch. s at the ti e ri e S lobby to peo s who love ny of other purchase. the compa sound, es im ch e when th great art— mazed ! at and be a ta ke your se
1
ILDAR ABDRAZAKOV AND RAMÓN VARGAS
“When the lights go down and the curtain goes up I am still breathless, and I’ve been a subscriber for more than 50 years.” –RON G., Subscriber since 1957
2
sfopera.com/mephistopheles
Mephistopheles
ARRIGO BOITO Libretto by the composer
Boito’s emotionally thrilling, philosophically rich version of the Faust story features a witches’ Sabbath, angelic choruses of cherubs, and the most striking portrait of the Devil in the entire musical repertoire. The cast includes Ramón Vargas, a tenor “in ravishing voice” (Financial Times), as the philosopher who sells his soul to the Devil; the “luminous, compelling” Patricia Racette (Washington Post) as the woman he desires; and, in the vividly menacing title role, the “seductively malevolent” Ildar Abdrazakov, a “full-bodied bass-baritone” renowned for his “wonderfully evil portrayals” (The New York Times). Music Director Nicola Luisotti, acclaimed for his “passionate conducting” (San Francisco Examiner), is at the podium.
SAN FRANCISCO OPERA PRODUCTION
CAST
PERFORMANCES
Mephistopheles: Ildar Abdrazakov Marguerite, Elena: Patricia Racette Faust: Ramón Vargas
SEPTEMBER 6 8pm · 11 7:30pm · 14 8pm · 17 7:30pm 20 8pm · 24 8pm · 29 2pm
PRODUCTION
OCTOBER 2 7:30pm
Conductor: Nicola Luisotti Production: Robert Carsen Director: Laurie Feldman Designer: Michael Levine Lighting Designer: Gary Marder Choreographer: Alphonse Poulin
OperaVision in Balcony. See page 20. Approximate running time: 3 hours, 30 minutes including two intermissions San Francisco Opera production Sung in Italian with English supertitles
Company Sponsors John A. and Cynthia Fry Gunn are proud to support this production. This production is made possible, in part, by Opening Weekend Grand Sponsor Diane B. Wilsey, The Thomas Tilton Production Fund and Thomas F. and Barbara A. Wolfe. Major support for this production also provided by the Great Interpreters of Italian Opera Fund established by Jan Shrem and Maria Manetti Shrem. Nicola Luisotti’s appearance made possible by Jan Shrem and Maria Manetti Shrem, Chairs, Amici di Nicola of Camerata. Mr. Abdrazakov’s, Ms. Racette’s and Mr. Vargas’ appearances are made possible by a gift to the Great Singers Fund by Joan and David Traitel.olo quid quos seris dolupta tiores id molupta eium que nature offici dolupie ndignimus
NICOLA LUISOTTI
sfopera.com/claiborne
DOLORA ZAJICK
Dolores Claiborne An opera by TOBIAS PICKER Libretto by J. D. McCLATCHY · By arrangement with ANDREW WELCH
·
Based on the novel Dolores Claiborne by STEPHEN
KING
Commissioned by SAN FRANCISCO OPERA
Dolores Claiborne is willing to do whatever it takes to save herself and her daughter—even if that means taking a life. Stephen King’s haunting novel about a Maine housekeeper with a dark secret has been adapted into a highly anticipated world premiere by Tobias Picker, who “embraces opera as a populist art form” and “does so with undeniable skill” (The New York Times). The chilling work features a libretto by renowned poet J. D. McClatchy. George Manahan conducts a superb cast led by Dolora Zajick, a treasured performer “with a beautiful, house-filling voice. Every note she sings, every syllable she utters has been thought about profoundly” (The Wall Street Journal).
WORLD PREMIERE
CAST
PERFORMANCES
Dolores Claiborne: Dolora Zajick Vera Donovan: Elizabeth Futral Selena St. George: Susannah Biller Joe St. George: Wayne Tigges Detective Thibodeau: Greg Fedderly
SEPTEMBER 18 7:30pm · 22 2pm
PRODUCTION Conductor: George Manahan* Director: James Robinson Set Designer: Allen Moyer Costume Designer: James Schuette* Lighting Designer: Christopher Akerlind Projection Designer: Greg Emetaz* *San Francisco Opera debut Production contains adult language and themes.
4
· 25 7:30pm
· 28 8pm
OCTOBER 1 8pm · 4 8pm OperaVision in Balcony. See page 20. Approximate running time: 2 hours, 30 minutes including one intermission Co-production with Opera Theatre of St. Louis Sung in English with English supertitles The world premiere of Dolores Claiborne is made possible, in part, by The Andrew W. Mellon Foundation, the Koret Foundation and Tad and Dianne Taube. Additional support is provided by an award from the National Endowment for the Arts. Ms. Zajick’s appearance is made possible by a gift to the Great Singers Fund by Joan and David Traitel.
BRYN TERFEL sfopera.com/falstaff
GIUSEPPE VERDI · Libretto by Arrigo Boito Warmth, wit and wisdom abound in Verdi’s autumnal masterpiece, a tale of a foolish old man who enjoys a good prank—even when he is the target. Based on Shakespeare’s The Merry Wives of Windsor and Henry IV, this delightful comedy stars Bryn Terfel, the “definitive” Falstaff of our day (Chicago Tribune). In his “celebrated portrayal” of the title character, Terfel “commands the stage…making him the kind of irascible charmer you’d like to have a beer with” (The New York Times). Music Director Nicola Luisotti leads a splendid cast that also features Ainhoa Arteta, Meredith Arwady, Fabio Capitanucci, Francesco Demuro and Heidi Stober. Presented in celebration of the Verdi bicentennial year. PRODUCTION NEW TO SAN FRANCISCO OPERA
CAST
PERFORMANCES
Sir John Falstaff: Bryn Terfel Mistress Alice Ford: Ainhoa Arteta Nannetta: Heidi Stober Mistress Quickly: Meredith Arwady Fenton: Francesco Demuro Ford: Fabio Capitanucci* Mistress Meg Page: Renée Rapier
OCTOBER 8 8pm · 11 8pm · 15 7:30pm · 20 2pm 24 7:30pm · 27 2pm · 30 7:30pm
PRODUCTION Conductor: Nicola Luisotti Director: Olivier Tambosi Production Designer: Frank Philipp Schlössmann Lighting Designer: Christine Binder *San Francisco Opera debut
NOVEMBER 2 8pm OperaVision in Balcony. See page 20. Approximate running time: 3 hours i ncluding two intermissions Lyric Opera of Chicago production Sung in Italian with English supertitles Company Sponsors John A. and Cynthia Fry Gunn are proud to support this production. This production is made possible, in part, by Leslie and George Hume and The Bernard Osher Endowment Fund. Nicola Luisotti’s appearance made possible by Jan Shrem and Maria Manetti Shrem, Chairs, Amici di Nicola of Camerata. Mr. Terfel’s appearance is made possible by a gift to the Great Singers Fund by Joan and David Traitel.
5
sfopera.com/barber
Barber o Seville
The
GIOACHINO ROSSINI · Libretto by Cesare Sterbini
A strong-willed young woman outwits a lecherous old man with the help of a wily barber in this brilliant, joyous comedy featuring Rossini’s wittiest and most charming score. Two entrancing casts will be led by Resident Conductor Giuseppe Finzi: One features the “lively” Isabel Leonard with “a radiant lyric voice” (The New York Times); Lucas Meachem, who displayed “vocal brilliance” and “theatrical panache” as Don Giovanni (2011) (San Francisco Chronicle); and Javier Camarena, praised by Opera News for his “exquisite finesse.” The other cast features Daniela Mack, who sings Rossini “with technical command and expressive ease” (Opera News); the “smooth-voiced” Audun Iversen (The New York Times) and Alek Shrader, whose “bright singing” is matched with “matinee-idol good looks” (The New York Times).
NEW PRODUCTION
CAST
CAST
Figaro: Lucas Meachem Rosina: Isabel Leonard* Count Almaviva: Javier Camarena* Doctor Bartolo: Alessandro Corbelli Don Basilio: Andrea Silvestrelli Berta: Catherine Cook
Figaro: Audun Iversen* Rosina: Daniela Mack Count Almaviva: Alek Shrader Doctor Bartolo: Maurizio Muraro* Don Basilio: Andrea Silvestrelli Berta: Catherine Cook
PERFORMANCES
PERFORMANCES
NOVEMBER 13 7:30pm · 16 8pm
NOVEMBER 14 7:30pm · 17 2pm
DECEMBER 1 2pm 6
· 19 8pm · 22 8pm · 26 8pm
· 20 7:30pm · 23 8pm · 29 8pm
*San Francisco Opera debut OperaVision in Balcony. See page 20.
lle
sfopera.com/barberfamilies
“I come away emotionally high over the whole experience.” –LOIS B., Subscriber since 1992
PRODUCTION Conductor: Giuseppe Finzi Director: Emilio Sagi Set Designer: Lorenç Corbella* Costume Designer: Pepa Ojanguren* Lighting Designer: Gary Marder
Approximate running time: 3 hours i ncluding one intermission Sung in Italian with English supertitles Company Sponsors John A. and Cynthia Fry Gunn are proud to support this production. This production is made possible, in part, by San Francisco Opera Guild and Chevron.
*San Francisco Opera debut
The Barber o Seville orFamilies A perfect opera for families and new operagoers of all ages, The Barber of Seville for Families is a two-hour version of this season’s exciting production, sung in English with English supertitles. Exploration Workshops for Families will be presented by the San Francisco Opera Education Department prior to each performance. Sign up for E-Opera (monthly e-newsletter) at sfopera.com/eopera to receive updates.
PERFORMANCES NOVEMBER 24 2pm · 30 2pm OperaVision in Balcony. See page 20. Approximate running time: 2 hours including one intermission Sung in English with English supertitles
Box Orchestra or Grand Tier Premium Orchestra or Grand Tier Dress Circle Balcony
The Barber of Seville for Families is not included on any Half Series.
ADULT $90 $60 $45 $35 $25
CHILD* $45 $30 $20 $15 $10 *18 and under
7
sfopera.com/dutchman
GREER GRIMSLEY
Flyin Dutchman
The
RICHARD WAGNER · Libretto by the composer
A condemned ship captain endlessly travels the seas in search of true love in Wagner’s hypnotic, achingly resonant tale. Patrick Summers, beloved by San Francisco audiences for his “eloquent musical leadership” (San Francisco Chronicle), will conduct an impressive cast led by Greer Grimsley, a veteran Wagnerian with “a sumptuously beautiful voice, smooth of silk, precise of text” (Opera News) and Petra Maria Schnitzer, who sings with “creamy tone, lyrical grace (a rarity in Wagner) and earthy top notes” (The New York Times). Petrika Ionesco, who brought “a handsome combination of grandeur and expressive intimacy” (San Francisco Chronicle) to Cyrano de Bergerac (2010), directs a production he has also designed. Presented in celebration of the Wagner bicentennial year.
NEW PRODUCTION
CAST
PERFORMANCES
The Dutchman: Greer Grimsley Senta: Petra Maria Schnitzer Erik: Ian Storey Daland: Kristinn Sigmundsson
OCTOBER 22 8pm · 26 8pm · 31 7:30pm
PRODUCTION Conductor: Patrick Summers Director: Petrika Ionesco Set Designer: Petrika Ionesco Costume Designer: Lili Kendaka Lighting Designer: Gary Marder Projection Designer: S. Katy Tucker
8
NOVEMBER 3 2pm · 7 7:30pm
· 12 7:30pm
· 15 8pm
OperaVision in Balcony. See page 20. Approximate running time: 3 hours i ncluding one intermission Co-production with Opéra Royal de Wallonie (Liège, Belgium) Sung in German with English supertitles This production is made possible by the Phyllis C. Wattis Fund for New Productions.
sfopera.com/showboat
ShowBoat an
Music by JEROME KERN · Book and lyrics by OSCAR HAMMERSTEIN II Based on the novel Show Boat by EDNA FERBER
“Ol’ Man River.” “Make Believe.” “Can’t Help Lovin’ Dat Man.” Few musicals have produced as many great songs as Show Boat, and none has proven more important, influential or eternally fresh. A moving saga of tender romance and poignant reconciliation, Show Boat is “full of opportunities for an ensemble of first-rate singers, actors and dancers to do justice to the magnificent Jerome Kern-Oscar Hammerstein II score.... And what a luxury to have a lush-sounding opera orchestra playing the original Robert Russell Bennett orchestrations” (Chicago Tribune). Francesca Zambello’s “smartly staged and handsomely designed” production (Chicago Tribune) brings to glorious life Edna Ferber’s classic tale. Patricia Racette, Heidi Stober and Nathan Gunn head a dazzling cast. “No one should miss it” (Chicago Sun-Times)!
COMPANY PREMIERE
CAST
PERFORMANCES
Magnolia Hawks: Heidi Stober Gaylord Ravenal: Nathan Gunn Julie La Verne: Patricia Racette Joe: Morris Robinson Queenie: Angela Renée Simpson
JUNE 2014 1 2pm · 3 8pm · 10 7:30pm · 13 8pm 19 7:30pm · 22 2pm · 26 7:30pm · 28 8pm
PRODUCTION Conductor: John DeMain Director: Francesca Zambello Set Designer: Peter J. Davison Costume Designer: Paul Tazewell Lighting Designer: Mark McCullough Sound Designer: Tod Nixon Choreographer: Michele Lynch
JULY 2014 1 8pm · 2 7:30pm OperaVision in Balcony. See page 20. Approximate running time: 2 hours, 45 minutes including one intermission Co-production with Lyric Opera of Chicago, Washington National Opera and Houston Grand Opera; presented through special arrangement with R & H Theatricals. Sung in English with English supertitles Company Sponsors John A. and Cynthia Fry Gunn are proud to support this production. Mr. Nathan Gunn’s and Ms. Racette’s appearances are made possible by a gift to the Great Singers Fund by Joan and David Traitel.
9
sfopera.com/traviata
SONYA YONCHEVA
La Traviata GIUSEPPE V ERDI · Libretto by Francesco Maria Piave
A woman must choose between the passionate entreaties of a father and son in Verdi’s moving tale of desire, duty and devotion. Two unforgettable casts bring this tragic tale of short-lived love to life: One features the “dusky and sensual” Sonya Yoncheva, who “oozes star quality” (The Independent, London); Saimir Pirgu, whose depiction of Alfredo is “right on vocally as well as dramatically” (Associated Press); and Vladimir Stoyanov, praised for his “warm, attractive voice” (The New York Times). The next is led by Ailyn Pérez, whose performance of the role was hailed as “an unalloyed triumph” (The Guardian, London); Stephen Costello, “an ascending voice in opera” (Philadelphia Inquirer); and the “triumphant” and “splendid” Quinn Kelsey (San Francisco Chronicle).
CLASSIC SAN FRANCISCO OPERA PRODUCTION
CAST
PERFORMANCES Pérez†
Violetta Valéry: Sonya Yoncheva*/Ailyn JUNE 2014 11 7:30pm · 14 8pm · 17 8pm · 20 8pm Alfredo Germont: Saimir Pirgu/Stephen Costello† Giorgio Germont: Vladimir Stoyanov*/Quinn Kelsey† 25 7:30pm · 29 2pm
PRODUCTION Conductor: Nicola Luisotti/Giuseppe Finzi† Original Director: John Copley Director: Laurie Feldman Set Designer: John Conklin Costume Designer: David Walker Lighting Designer: Gary Marder *San Francisco Opera debut
10
JULY 2014 5 8pm† · 8 7:30pm† · 11 8pm† · 13 2pm† OperaVision in Balcony. See page 20. Approximate running time: 3 hours i ncluding two intermissions San Francisco Opera production Sung in Italian with English supertitles Company Sponsor Mrs. Edmund W. Littlefield is proud to support this production. This production is made possible, in part, by the Burgess and Elizabeth Jamieson Fund, the Koret Foundation, Tad and Dianne Taube and United. Nicola Luisotti’s appearance made possible by Jan Shrem and Maria Manetti Shrem, Chairs, Amici di Nicola of Camerata.
f a father and son nforgettable casts s the “dusky Saimir Pirgu, ess); and The next is led ” (The Guardian, d the “triumphant”
sfopera.com/butterfly
MadameButter ly GIACOMO PUCCINI · Libretto by Giuseppe Giacosa and Luigi Illica
Puccini’s heartbreaking tale of innocence, betrayal and sacrifice returns in artist Jun Kaneko’s fresh, astonishing production, acclaimed as “visually daring while remaining true to the essence of the music and drama” (Opera Magazine). Patricia Racette is “exceptional…robust, nuanced and passionate” (The New York Times). “In her total dramatic identification with the role, she simply was Butterfly” (Seattle Times). Brian Jagde, whose “large, well-placed tenor sounded supple…virile…and tender” (Opera News) opposite Racette in Tosca (2012), is Pinkerton. The “effortless” (Financial Times) Elizabeth DeShong and “vivid, strong-toned” (San Francisco Chronicle) Brian Mulligan round out a superb cast.
PRODUCTION NEW TO SAN FRANCISCO OPERA
CAST
PERFORMANCES
Cio-Cio-San (Madame Butterfly): Patricia Racette Lt. B. F. Pinkerton: Brian Jagde Sharpless: Brian Mulligan Suzuki: Elizabeth DeShong
JUNE 2014 15 2pm · 18 7:30pm · 21 8pm · 24 8pm 27 8pm
PRODUCTION Conductor: Nicola Luisotti/Giuseppe Finzi† Director: Leslie Swackhamer* Production Designer: Jun Kaneko Lighting Designer: Gary Marder *San Francisco Opera debut
JULY 2014 3 7:30pm · 6 2pm† · 9 7:30pm† OperaVision in Balcony. See page 20. Approximate running time: 2 hours, 50 minutes including one intermission Opera Omaha production Sung in Italian with English supertitles Nicola Luisotti’s appearance made possible by Jan Shrem and Maria Manetti Shrem, Chairs, Amici di Nicola of Camerata. Ms. Racette’s appearance is made possible by a gift to the Great Singers Fund by Joan and David Traitel.Aximet pa aborepuda solorporest oditae plandisitia prempor siminventi am reratam quae ressenim eatur ra cusa dolendam delist quamusa nisquo et quiduciist qui ute aut et fugia
11
VerdiRequiem
The
Conduc ted by NICOL A LUISOT TI OCTOBER 25 8pm Conductor: Nicola Luisotti Soprano: Leah Crocetto Mezzo-Soprano: Margaret Mezzacappa Tenor: Michael Fabiano Bass: Vitalij Kowaljow San Francisco Opera Orchestra and Chorus
You
Music Director Nicola Luisotti, whose “focused and energetic conducting” propels Verdi’s music with “a breathless urgency” (San Francisco Chronicle), will celebrate the Italian master’s bicentennial with a performance of his Requiem—a sublime, thrilling work of high drama and deep solemnity. TICKETS: $25 / $35 / $60 / $85 / $100 / $135 / $175 / $250 This concert performance is not included on any Half Series. The Verdi Requiem is made possible, in part, by The Bernard Osher Endowment Fund. Nicola Luisotti’s appearance made possible by Jan Shrem and Maria Manetti Shrem, Chairs, Amici di Nicola of Camerata. Mr. Kowaljow’s appearance is made possible by a gift to the Great Singers Fund by Joan and David Traitel.
sfopera.com/requiem
Free Outdoor Events MEROLA’S SCHWABACHER SUMMER CONCERT Yerba Buena Gardens Saturday, July 20, 2013, 2pm merola.org OPERA AT STERN GROVE Sigmund Stern Grove Sunday, August 18, 2013, 2pm sterngrove.org SAN FRANCISCO OPERA IN THE PARK Sharon Meadow, Golden Gate Park Sunday, September 8, 2013, 1:30pm sfopera.com/park
12
WEBCOR BUILDERS PRESENTS OPERA AT THE BALLPARK AT&T Park The 2013–14 Season simulcast will be announced in Summer 2013. sfopera.com/simulcast
r Events
ER
m
E
pm
Your place is with us Join a co mmunity w h e re q u tradition ality is va is honore lued, d a n d ne w work is celebrate GREAT S d. AV
INGS Subscribe rs save up CUSTOM to 30% off single tick IZE YOUR et prices. SERIES H alf Series Save even more with subscribe exclusive rs can excha weekday series dis nge opera counts in s or p erforman Dress Circ Orchestra c e d le a te 2 , s Premium to fit preferenc 2 and Gra Tier Prem e and s c h nd ium 2 sec e dule, ri ght at the tions. For savings, tr time of th b e st y a Friday e initial ord night seri er. e s! PAY IN IN STALLME NEW! DR NT S A s k ab o u O P O NE t our ex te OPER A F o r u n lt d im e d ate flexib plan. Ord payment il er early to it y, drop one opera arrange e and afford from your as y able insta Half Series at llments! the time o NATHAN f the GUNN initial ord NO -FEE er! YoSTARS EXCHAN IN SHOW BOAT u c h o os e GE S the opera No-fee ad , a n d we a vance exc djust h a th nges for Half Serie e price. s subscrib e rs and jus $10 per tic t ket for day -of exchan See page 21 for cond ges. itions and ord ering pro
cedures.
IN THE PARK ate Park 1:30pm
ENTS K
ast will 013.
“Being a subscriber brings beauty into my life on a regular basis, and I help, in some small measure, to support its continuation.” –MARGO G., Subscriber since 2012
13
HALF SERIES
4 or 5 operas with discounts up to 30% and no-fee exchanges
Keep the same seats for each original performance in your series and enjoy the benefit of keeping your same seats from year to year. MORE BENEFITS FOR 2013–14 SEASON HALF SERIES SUBSCRIBERS At the time of the initial subscription purchase only, Half Series subscribers can: • Customize by arranging early exchanges for up to two performances per subscription. • Drop one opera from a series to create a 3- or 4-opera package. WEEKEND SERIES
H SERIES
I SERIES
K SERIES
L SERIES
N SERIES
O SERIES
W SERIES
14
BEST PRICES: SAVINGS UP TO 65%
Fridays
5 Friday Evenings
Mephistopheles
Falstaff
Barber
F Sep 20 8pm
F Oct 11 8pm
F Nov 22 8pm
Traviata
Butterfly
F Jun 20 8pm
F Jun 27 8pm
BEST PRICES AND SEATING AVAILABILIT Y
Fridays
4 Friday Evenings
Claiborne
Dutchman
Show Boat
Traviata
F Oct 4 8pm
F Nov 15 8pm
F Jun 13 8pm
F Jul 11 8pm
Saturdays
5 Saturday Evenings
Mephistopheles
Dutchman
Barber
S Sep 14 8pm
S Oct 26 8pm
S Nov 16 8pm
Butterfly
Show Boat
S Jun 21 8pm
S Jun 28 8pm
Saturdays
BEST SEATING AVAILABILIT Y 4 Saturday Evenings
Claiborne
Falstaff
Barber
Traviata
S Sep 28 8pm
S Nov 2 8pm
S Nov 23 8pm
S Jun 14 8pm
Sunday Matinees
ALL OPERAVISION SERIES 4 Sunday Matinees
Mephistopheles
Falstaff
Dutchman
Butterfly
Su Sep 29 2pm
Su Oct 20 2pm
Su Nov 3 2pm
Su Jun 15 2pm
Sunday Matinees
ALL OPERAVISION SERIES 4 Sunday Matinees
Claiborne
Barber
Show Boat
Traviata
Su Sep 22 2pm
Su Nov 17 2pm
Su Jun 1 2pm
Su Jun 29 2pm
Sunday Matinees
BEST SEATING AVAILABILIT Y 4 Sunday Matinees
Falstaff
Barber
Show Boat
Butterfly
Su Oct 27 2pm
Su Dec 1 2pm
Su Jun 22 2pm
Su Jul 6 2pm
(415 ) 864-3330
· sfopera.com
See pricing on pages 16 and 17.
unts up anges benefit of
WEEKDAY SERIES
B SERIES
s can: bscription.
C SERIES
E SERIES
SERIES
F
SERIES
S SERIES
T SERIES
X SERIES
BEST SEATING AVAILABILIT Y
Tuesdays
5 Tuesday Evenings
Claiborne
Dutchman
Barber
T Oct 1 8pm
T Oct 22 8pm
T Nov 26 8pm
Traviata
Show Boat
T Jun 17 8pm
T Jul 1 8pm
Tuesdays
5 Tuesday Evenings
Mephistopheles
Falstaff
Barber
T Sep 24 8pm
T Oct 8 8pm
T Nov 19 8pm
Show Boat
Butterfly
T Jun 3 8pm
T Jun 24 8pm
Weekdays
1 Tue Eve • 2 Wed Eves • 2 Thu Eves
Mephistopheles
Falstaff
Barber
W Sep 11 7:30pm
T Oct 15 7:30pm
Th Nov 14 7:30pm
Traviata
Show Boat
W Jun 11 7:30pm
Th Jun 26 7:30pm
Weekdays
BEST SEATING AVAILABILIT Y 3 Wed Eves • 1 Thu Eve
Claiborne
Dutchman
Barber
Butterfly
W Sep 18 7:30pm
Th Oct 31 7:30pm
W Nov 20 7:30pm
W Jun 18 7:30pm
Weekdays
ALL OPERAVISION SERIES 2 Tue Eves • 1 Wed Eve • 2 Thu Eves
Mephistopheles
Falstaff
Barber
T Sep 17 7:30pm
Th Oct 24 7:30pm
W Nov 13 7:30pm
Show Boat
Butterfly
T Jun 10 7:30pm
Th Jul 3 7:30pm
Weekdays
BEST SEATING AVAILABILIT Y 3 Wed Eves • 1 Thu Eve
Claiborne
Dutchman
Traviata
Show Boat
W Sep 25 7:30pm
Th Nov 7 7:30pm
W Jun 25 7:30pm
W Jul 2 7:30pm
Weekdays
BEST SEATING AVAILABILIT Y 2 Tue Eves • 2 Wed Eves • 1 Thu Eve
Mephistopheles
Falstaff
Dutchman
W Oct 2 7:30pm
W Oct 30 7:30pm
T Nov 12 7:30pm
Show Boat
Traviata
Th Jun 19 7:30pm
T Jul 8 7:30pm
RAINBOW SERIES
RBW SERIES
See S Series dates above
SEE SERIES
Weekdays
ALL OPERAVISION SERIES FOR PRICING
2 Tue Eves • 1 Wed Eve • 2 Thu Eves
The Rainbow Series provides patrons in the LGBT community with an opportunity to see world-class opera and meet new opera-loving friends at the same time. Rainbow subscribers enjoy two complimentary receptions launching the fall and summer series. sfopera.com/rainbow
15
PRICING FOR HALF SERIES HALF SERIES WEEKEND Balcony Side (BLS)
WAR MEMORIAL OPERA HOUSE Early exchanges and the drop-one-opera option are available only at the time of the initial order, by phone or in person only; not available by mail, fax or online. Early exchanges are sold unseated and seats are not likely to be the same as the original subscription seats. See page 21 for details. Deposited monies do not guarantee seating selections (for details, please see page 21). New subscriptions are sold unseated. If you have specific seating requests, including accessibility needs, please contact the Box Office. † Limited availability. Please provide alternate choice when ordering.
Supertitles—English translations projected onto a screen above the stage—are visible from all seating sections.
H $99†
You Save
I
You Save
$47
$78†
$41
Balcony Rear (BLR)
$123
$222
$96
$179
Balcony Front (BLF)
$245
$229
$193
$193
Balcony Circle (BC)
$395
$190
$316
$161
Dress Circle 2 (DC2)
$395
$305
$316
$252
Dress Circle (DC)
$490
$210
$392
$176
Orchestra Ring (ORR)
$395
$215
$316
$181
Orchestra (ORC) or Grand Tier (GT)
$690
$400
$552
$325
Orchestra Premium 2 (ORP2) or Grand Tier Premium 2 (GTP2)
$690
$735
$552
$618
Orchestra Premium (ORP) or Grand Tier Premium (GTP)
$1,135
$290
$908
$262
Box Seats (BOX)
$1,480
$305
$1,184
$272
B
You Save
C
You Save
HALF SERIES WEEKDAY Balcony Side (BLS)
$95†
$24
$97†
$21 $51
Balcony Rear (BLR)
$115
$53
$119
Balcony Front (BLF)
$235
$109
$240
$102
Balcony Circle (BC)
$395
$110
$395
$100
Dress Circle 2 (DC2)
$395
$110
$395
$100
Dress Circle (DC)
$490
$129
$490
$120
Orchestra Ring (ORR)
$395
$110
$395
$100
Orchestra (ORC) or Grand Tier (GT)
$690
$182
$690
$175
Orchestra Premium 2 (ORP2) or Grand Tier Premium 2 (GTP2
$690
$531
$690
$505
$1,135
$86
$1,135
$60
N/A
N/A
N/A
N/A
Orchestra Premium (ORP) or Grand Tier Premium (GTP) Box Seats (BOX)
SUBSCRIBERS HAVE PRIORITY ACCESS to purc months before hase additional they go on sale tickets to the general publ the Verdi Requie ic, including ticke m and The Barb ts for er of Seville for Families. Purchase tickets to
16
performances no t included in yo family to any of ur subscription the season’s op series, or treat fri eras at discount subscribers may ends and ed subscriber-o exchange additio nly prices. As an nal (add-on) ticke added benefit, ts using subscrib er exchange pr ivileges. SHOW BOAT
FALL 2013 AND SUMMER 2014
(415 ) 864-3330 You Save
K
You Save
· sfopera.com L $94†
You Save
N
You Save
O
You Save
W
$21
N/A
N/A
N/A
N/A
$94 †
You Save
$41
$117†
$30
$179
$239
$103
$192
$81
$204†
$86
$204 †
$84
$192
$81
$193
$330
$148
$265
$110
$280
$127
$280
$116
$265
$110
$21
$161
$470
$124
$376
$92
$376
$101
$376
$92
$376
$92
$252
$470
$238
$376
$184
$376
$192
$376
$184
$376
$184
$176
$560
$148
$448
$112
$448
$120
$448
$112
$448
$112
$181
$490
$129
$392
$96
$392
$105
$392
$96
$392
$96
$325
$870
$225
$696
$176
$696
$181
$696
$176
$696
$176
$618
$1,355
$100
$1,084
$56
$1,084
$86
$1,084
$56
$1,084
$56
$262
$1,355
$100
$1,084
$56
$1,084
$86
$1,084
$56
$1,084
$56
$272
$1,695†
$118
$1,356†
$72
$1,356†
$100
$1,356†
$72
$1,356
$72
You Save
S & RBW
You Save
You Save
X
You Save
$21
$105†
$25
$82 †
$23
$103 †
$28
$44
$135†
$55
$104†
$46
$131
$57
You Save
E $95†
$21
You Save $20
$51
$115
$50
F $78† $96
T
$102
$235
$100
$193
$91
$260
$110
$203
$95
$255
$117
$100
$395
$100
$316
$90
$395
$100
$316
$90
$395
$110
$100
$395
$100
$316
$90
$395
$100
$316
$90
$395
$110
$120
$490
$120
$392
$105
$490
$120
$392
$105
$490
$129
$100
$395
$100
$316
$90
$395
$100
$316
$90
$395
$110
$175
$690
$175
$552
$147
$690
$175
$552
$147
$690
$182
$505
$690
$505
$552
$430
$690
$505
$552
$430
$690
$531
$60
$1,135
$60
$908
$74
$1,135
$60
$908
$74
$1,135
$86
N/A
$1,480
$80
$1,184
$87
$1,480
$80
$1,184
$87
$1,480
$103
ISABEL LEONARD STARS IN THE BARBER OF SEVILLE
SHOW BOAT
MEPHISTOPHELES
MADAME BUTTERFLY
17
2013–14 CALENDAR
sfopera.com/calendar
SEPTEMBER 2013 SUN
MON
TUE
WED
THU
1
2
3
4
5
EREV ROSH HASHANAH
8
Opera in the Park
9
10
16
17 Mephistopheles 18 RBW
M, O
Claiborne 23
7:30pm
24 Mephistopheles 25
C
2pm
D, F
8pm
R, T
SAT
6
Mephistopheles
A
8pm
13
7:30pm D, E
R, S 22
ROSH HASHANAH
11 Mephistopheles 12
1:30pm
15
FRI
14 Mephistopheles EREV YOM KIPPUR
Claiborne 19
7
J, K
YOM KIPPUR
8pm
20 Mephistopheles 21
8pm G, H
7:30pm
Claiborne 26
27
28
Claiborne
J, L
7:30pm
8pm
29 Mephistopheles 30
M, N
2pm
OCTOBER 2013 SUN
MON
TUE 1
A, B 6
7
8
A, C 13
20
M, N
14
Falstaff 21 2pm
27
Falstaff 28
W
2pm
WED Claiborne
2 Mephistopheles
8pm
X
Falstaff
9
3
4
10
11
D, E
7:30pm
Dutchman 23 8pm
29
17
18
24
Falstaff 25
R, S
7:30pm
RBW
30
Falstaff 31
X
7:30pm
D, F
SAT Claiborne
G, I
7:30pm
8pm
Falstaff 16
A, B
FRI
5
8pm
Falstaff 12
G, H
15
22
THU
8pm 19
Verdi 26 Dutchman Requiem J, K 8pm 8pm
Dutchman 7:30pm
Fast, Easy Exchanges Customized Half Series early exchange benefit: At the time of the initial subscription purchase, Half Series subscribers may arrange early exchanges for up to two performances per
subscription. See also “Drop One” on page 13. Available only at the time of initial order, by phone or in person; not available by mail, fax or online.
The general exchange period opens in mid-June 2013: • A ll subscribers: no-fee exchanges for subscription tickets or add-on tickets to another performance of the same opera. • F ull and Half Series subscribers: exchange to a different opera with no fee. All other series subscribers: exchange to a different opera for $10 per ticket, compared to $25 for nonsubscribers.
• S ubscribers may exchange tickets over the phone (please have your tickets in hand). • E xchange tickets in advance, at least 24 hours prior to the performance, subject to availability. There is a $10 fee for exchanges made on the day of the performance for all subscribers.
(415 ) 864-3330
· sfopera.com
om/calendar
NOVEMBER–DECEMBER 2013 SUN
MON
TUE
WED
THU
FRI
SAT
1
2
Falstaff
J, L 3
Dutchman
M, N
6
7
Dutchman
R, T 11
Barber 18
M, O 24
5
2pm
10
17
4
12
Dutchman 13
X
7:30pm
19
Barber 20
A, C
2pm Barber 25 for Families
26
B
2pm
8pm
Barber 14
R, S
7:30pm
RBW
F
Barber 27 8pm
8
7:30pm
Barber 15
D, E
7:30pm
Dutchman 16
G, I
Barber 21
22
7:30pm
G, H
Adler 28 Gala Concert 7:30pm
8pm
9
8pm
Barber
J, K
8pm
Barber 23
29
8pm
Barber 30 8pm
THANKSGIVING
Barber
L
8pm Barber for Families
2pm
DECEMBER
1
Barber
W
2pm
J U N E – J U LY 2 0 1 4 SUN 1
MON Show Boat
M, O
2
3
A, C
2pm
8
TUE
9
10
R, S RBW
15
Butterfly 16
M, N 22
Show Boat 23
W
2pm
29
Traviata 30
M, O
6
PRIDE
7
W
2pm
13
Traviata 14 2pm
24
A, C
2pm
Butterfly
17
A, B
2pm
Show Boat
WED
THU
FRI
SAT
4
5
6
7
8pm
Show Boat 11 7:30pm
D, E
Traviata 18 8pm
Traviata 12
G, I
7:30pm
Butterfly 19
D, F
7:30pm
Butterfly 25 8pm
13
X
Traviata 26
R, T
7:30pm
D, E
Show Boat 20 7:30pm
G, H
Show Boat 27 7:30pm
G, H
Show Boat 14 8pm
Traviata
J, L
8pm
Traviata 21 8pm
Butterfly 28 8pm
Butterfly
J, K
8pm
Show Boat
J, K
8pm
JULY
1
Show Boat
2
Show Boat
B
8pm
T
7:30pm
8
Traviata
9
X
7:30pm
15
3
R, S RBW
Butterfly 10 7:30pm
16
17
Letters denote subscription series (A, B, C, D, E, F…).
Butterfly
4
7:30pm
5 INDEPENDENCE DAY
11
Traviata 12
I
8pm
Traviata 8pm
18 19 Highlighted boxes denote opening performances.
High-definition video projection screens are featured on the Balcony level for this performance. Visit sfopera.com/operavision. For the most up-to-date calendar of events, visit sfopera.com/calendar. Original photos by: cover/Brett Coomer/Houston Grand Opera; Dan Rest/Lyric Opera of Chicago; Philip Groshong/Cincinnati Opera; Marty Sohl/Metropolitan Opera; inside front cover/Rozarii Lynch/Seattle Opera production of The Flying Dutchman; Ken Howard/Metropolitan Opera; p. 2/Robert Kusel/Lyric Opera of Chicago; p. 3/Terrence McCarthy; p. 4/Beth Bergman/Metropolitan Opera production of Il Trovatore; p. 5/Brett Coomer/Houston Grand Opera; pp. 6-7/ Marie-Noëlle Robert/Théâtre du Châtelet/Teatro Real production of The Barber of Seville; p. 9/Dan Rest/Lyric Opera of Chicago; p. 10/© Alain Hanel
Photography; p. 11/Tim Matheson/Vancouver Opera; p. 12/Terrence McCarthy; Cory Weaver/San Francisco Opera; p. 13/Tim Matheson/ Vancouver Opera; p. 17/Dan Rest/Lyric Opera of Chicago; Beth Bergman/Metropolitan Opera; Tim Matheson/Vancouver Opera; back cover/Terrence McCarthy Design: Mission Minded · www.Mission-Minded.com
19
Get closer to opera H Enrich your experience and learn more about the operas in your series.
SFOPERA.COM
Read program notes and plot synopses, listen to audio clips and watch current production videos available prior to each opera’s opening night.
CONNECT WITH US sfopera.com/blog
PRE-OPERA TALKS Before every performance, charismatic music scholars present a 25-minute overview of the opera, with insights on the music, composer and historical background. Talks begin 55 minutes prior to curtain (except Opening Night, Sep 6, 2013). Visit sfopera.com/operatalks.
INSIGHT PANELS & OPERA PREVIEWS Learn about the season’s operas by attending informal Insight Panels featuring artists and personalities from the opera world, or by attending Guild Opera Previews that welcome musicologists and other experts for in-depth looks at upcoming operas. Visit sfopera.com/ insights or sfopera.com/previews.
JOIN BRAVO! CLUB Join BRAVO! CLUB and meet other operaloving, young professionals ages 21–40. Members enjoy events and ticket discounts throughout the year. Visit sfopera.com/bravo.
Other ways to save FULL SERIES 8 operas with discounts up to 30% and no-fee exchanges Enjoy a full season of opera! Keep the same seats for each performance, and enjoy the benefit of keeping your same seats from year to year.
Photo: Cory Weaver
OPERAVISION IN THE BALCONY Select performances feature high-definition video projection screens on the Balcony level, bringing audiences closer to the action on stage. Subtitles are shown at the bottom of each screen. Visit sfopera.com/operavision. To experience OperaVision look for the
symbol.
OperaVision is made possible by the Koret-Taube Media Suite. Series pricing with OperaVision performances include a discounted per-ticket service fee (Balcony Side $2, Balcony Rear $4 and Balcony Front $5) to offset the cost of this service.
(415 ) 864-3330
· sfopera.com
STUDENT AND TEACHER SERIES
OUT OF TOWN SERIES 2 or 3 operas
With discounts up to 50%
Designed to accommodate travelers—see two or three operas in two or three days! Enjoy seats in the same section for each performance, discounted up to 10% off single ticket prices.
For full-time students and teachers, select Half and Full Series are discounted up to 50%! Visit sfopera.com/edu.
How to order 1. F ind your package.
Choose from Series and Prices on pages 14–17.
2. C ontact the Box Office. PHONE (415) 864-3330 ONLINE sfopera.com
Le t u s h e lp you ge t the mos out of yo t ur order. CU
STOMIZE YOUR OR DER with “drop on e opera” early exch option by a ng e s o r to order (t the c alling or hese ticke visiting th t b e e Box O ffi n of order, e fi ts a re ce and are n only availa ot availab ble at the le by mail, time ARR ANG fa x o r online). E A PAYM ENT PL A Box O ffice N when yo to place yo u c all or visit ur order. the ADD TIC KETS to o ther perfo like the V rmances n erdi Requ ot in your iem and T subscripti he Barbe o n, CONSIDE r of Seville R MAKIN fo r Families. G A CON amazing a TRIBUTIO rt form on N. E n g a g a d ee per e with this deliver wo level. You rld-class p r investmen e rf ormances, bring ope t helps us train the st ra educati on to loca ars of tom communit l orrow, sc h o y events. ols and p resent fre e
IN PERSON San Francisco Opera War Memorial Opera House 301 Van Ness Avenue San Francisco, CA 94102-4509 BOX OFFICE HOURS Mon 10am–5pm Tue–Fri 10am–6pm Sat 10am–6pm (Saturday phones only, except during performance season)
3. E njoy
the show!
SUGGESTIONS AND NOTES—THE FINE PRINT • Select a second choice for your seating section, in case your first choice is not available. • Performances dropped or exchanged at the time of order will be permanently released from your series for this season; please provide alternate choices. Early exchanges are sold unseated and seats are not likely to be the same as the original subscription seats. • Checks will be deposited immediately and credit cards will be charged for the full value of your first choice or the full value of your first payment if you have chosen a payment plan. This is not a guarantee of seating. If your final seat assignment is your alternate choice, we will automatically refund or charge the difference due, as appropriate. • Please note that we will do our best to accommodate seating requests; however we cannot guarantee the availability of seating in any section or price level. If we cannot seat you in any of your choices, we will contact you to discuss an alternate section, seat, package or a full refund.
Seating priority is based upon subscription and contribution history, with greater consideration given to contributions. For information, please call (415) 551-6320.
Sennheiser amplification devices for hearing-impaired patrons are available. Headsets are available at the South Promenade coat check room.
New subscriptions, change requests, early exchanges and addon tickets are sold unseated.
If you have specific seating requests, including accessibility needs, please contact the Box Office.
If you do not receive an acknowledgment of your order by email or mail within 14 days, please call us at (415) 864-3330 (Mon 10am–5pm, Tue–Fri 10am–6pm).
Cast, programs, prices and schedules are subject to change. All orders are final. No refunds or returns.
Design Your Own Series will be available May 2013.
An $11 handing fee is charged per order.
21
CORPORATE PARTNERS
$78
San Francisco Opera is supported, in part, by a grant from Grants for the Arts/ San Francisco Hotel Tax Fund.
OUR 4 - OPER A PACK AGES START AT
You’re Invited
SEASON SPONSOR COMPANY SPONSORS Ann and Gordon Getty Foundation John A. and Cynthia Fry Gunn Franklin and Catherine Johnson Mrs. Edmund W. Littlefield Bernard and Barbro Osher Jan Shrem and Maria Manetti Shrem
Music Director
N I CO L A LU I S OT T I
General Director
DAV I D G O CK LE Y
sfopera.com · (415) 864-3330
War Memorial Opera House 301 Van Ness Avenue San Francisco, CA 94102-4509
SAN FRANCISCO OPERA
U.S. POSTAGE PAID
NONPROFIT ORGANIZATION