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https://www.facebook.com/pages/Kona-Bay-Fabrics-SeattleBay-Fabrics-and-Asian-Fabric-Magazine/106593046936?ref=ts

Make the most of Asian Fabric

!"#$%&'$()#*+ Quilting and design ideas for inspired minds *TTVF r 70- *446&

PUBLISHER DPVHMBT &BHMFTPO QUILT DESIGNER & EDITOR Georgie Gerl ggerl@comcast.net Facebook: Georgie Gerl Designer

SPECIAL CONTRIBUTORS Melanie Formway Chang ASSISTANTS TO PUBLISHER DPSJT &BHMFTPO 1923â&#x20AC;&#x201C;2010 Cheryl Hamai BSJUUBOZ &BHMFTPO

SUBSCRIPTIONS Kona Bay Fabrics www.konabay.com /& SE 4U 3FENPOE 8"

ADVERTISING AND EDITORIAL INQUIRIES

$B'K&%!"%L!"B%'% MK!&DN *+%89:50%G?>?%21I% 5G--=?%2%6?.G-I%.-% =G2>?+ 7+%M-99-/%J>-6J.=+

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&BHMF 1VCMJTIJOH XXX 1VCMJTIJOH1FPQMF DPN & *OEJBOB "WF 4QPLBOF 8"

EDITOR AND ASSOCIATE PUBLISHER 7icki Dar nwwoman@mac.com GRAPHIC DESIGN liminalogy.com

Kona Bay Fabrics Š 2012 Asian Fabricâ&#x201E;˘ is produced six times a year

by Eagle Publishing for Kona Bay Fabrics.

The magazine accepts no responsibility for unsolicited manuscripts or artwork; they will not be returned unless accompanied by a stamped, self-addressed envelope. Š Kona Bay Fabrics. All rights reserved. No piece, in part or full, may be reproduced without permission.

&2012&!,-!.&'!/0-1 5

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Mesu Shudan Quilt (on right) appeared in Issue #19 featuring two different Geisha panel sizes and fan fabric, finished quilt measure 66” x 78”.

Orchid Wall Quilt (below) measures 21” x 30” the instructions appear in Issue #17.

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Scenes of Japan Bed Quilt (93â&#x20AC;? x 103â&#x20AC;?) from Issue #4 uses ten different fabrics in the elongated hexagon pieces, each fabric depicting a different element of Japan.

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Sharing the wonders of nature backpacking with her children are some of Georgieâ&#x20AC;&#x2122;s most treasured memories. Pictured below with her are Nicholas, Robert, Tony and Tiffany. The photo on the left is Georgieâ&#x20AC;&#x2122;s husband Tim with their children.

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!2012!"#$"%!&"'($) 13

What I Did with my Kona Bay fabric #!projects from our readers #

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#

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16!"#$"%!&"'($)!2012

Christy Ann Elamma quilt for Reiki teacher and friend

A book of six quilt patterns inspired by and created from Kona Bay Fabricâ&#x20AC;&#x2122;s new Shadowland Collection designed

by Jason Yenter. Quilt designs inspired

by Georgie Gerl.

nd Shadowla Col lect ion Q u i lt s

Yenter ed by Jason Fabric design ie Gerl rg ired by Geo Quilts insp

Book and Shadowland Collection fabric available in stores now

book review

!"##"$%&'() *"+,-."$/0()1"234"()

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!2012!"#$"%!&"'($) 21

Crisp autumn air welcomes in the fall colors of the season, extend the welcome into your home by making this table quilt or tablerunner.

Designed by Georgie Gerl

Shuukaku Table Quilt Cutting Chart & Material List Shuukaku Table Quilt (Shuukaku means harvest, crop)

%@” octagon (top to bottom and side to side) $%” octagon (diagonal measurement)

material list Backing #4 yards Batting %*” x %*” Cut First Cut strips as indicated in chart then cut smaller pieces listed from these strips.

Extra fabric will be needed for “Fussy Cut” pieces; amount varies depending on motif selection and fabric repeat.

!,-#".&),/*0&12,.*/*3%&4&5,#6,7* !"#$%&'( )*+(,-.'/01&12"34 5"&67$189:

!"#$%&'(%$ ! $

!*2” x $@” $ $2” x $@”

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#2” x $@” !^ !2” x $@” *

#2” x $2” !2” x &2”

a yard !"#$%&'/ )*+(,-D'+4: 521&6'(&&493

3 yard

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!,-#".&),/*0&12,.*/*3%&4&5,#6,7*

!^ !^ $ $

!2” x (2” !2” x &2” !2“ x #2” !2” x @2” $2” squares @2” squares !2” x #2” !2” x @2”

Featuring fabrics from the Korakuen, Falling Leaves, and Razzle Dazzle Collections.

Let’s Begin

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Making the Quilt 13& &I"J&$,"&@2M&:-)%+2&P&0F(-%"&1$&$,"&!2M& =& @2M&:-)%+2&Q&5+"2"&-0&08$J,3&O%"003&I"J& $,"&!2M&=&#2M&:-)%+2&Q&5+"2"&1$&(,+13&O%"003& L-R"&#$(%3 @2”

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Block 1

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$2” #2” Make $

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!2012!"#$"%!&"'($) 25

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Block 2

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92” !2”

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Fabric E $2” squares Fabric C #2” squares Fabric A !*2” x (2” Make $

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4"

Trim quilt outside border 4" from Block 1 corner for seam allowance to make an octagon top.

Finishing the Quilt 1!" "I(*" 17;C)'F" +71,);" /)$;$" )'*&" *%&" $=(76" /)$;$.!"#$%"/)$;$."*&F$*9$,"*&"-7C$"&'$" %*>"J" *)>"7//,&J)-7*$"17;C)'F"/)$;$!"4,$.."7'<"*,)-" 17;C)'F"*&"-$7.(,$"%*>"J"%*>!"

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!2012!"#$"%!&"'($) 27

Shuukaku Tablerunner Add a touch of Fall to other areas of your home by making this quilt for tables, or hang it on the wall. designer: Georgie Gerl

Shuukaku Tablerunner Cutting Chart & Material List Shuukaku Tablerunner 12!” x 51”

material list Backing ! yard Batting !&” x %%” Cut First Cut strips as indicated in chart then cut smaller pieces listed from these strips Extra fabric will be needed for “Fussy Cut” pieces; amount varies depending on motif selection and fabric repeat.

!,-#".&),/*0&12,.*/*3%&4&5,#6,7*

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28!"#$"%!&"'($)!2012

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$2” x $@”

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Making the Quilt

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!2” Make @ Block 2 92” !2”

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!2” Make @

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Japanese Comfort Food T

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32!"#$"%!&"'($)!2012

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TBB(L.D8(/5G(3.(2;;(/5G`45@?(/5G3D82(96B(@1.A1F(9BB(A9328(D6:1(@/..34-(!"#$%&'(%%)%)'*+,,'-#&.')%/%()+(0'1('2+3%'14' %0025 a.D8(9(@/911(9/.D63(.7(E9C28(.6(9(15;431F(.512B(;85BB12(3.(/9?2(9(,b(096=9?2-(c293(D6:1(342( @D879=2(@3983@(3.(EDEE12(96B(E.C./(5@(;.1B26(E8.A6<(9E.D3(Jd,(/56D32@-( $..?(342(.3428(@5B2(D6:1(;.1B26(E8.A6<(NdJ(/56D32@e220(=9?2@(=.>282B(A534(9(3.A21(D6:1(911(49>2(E226(=..?2B-( !0829B(.62(=9?2(A534(82B(E296(09@32(96B(3.0(A534(96.3428(=9?2-(`890(56B5>5BD911F(56(019@:=( A890(D6:1(F.D(982(829BF(3.(@28>2(342/-

!2012!"#$"%!&"'($) 33

!"#$%&'()*+%",*-.&-%%*/"'0$* !"#$!#%"&'#()*+,#*-.#),'("-*/# )',0,',-+,1# 2,(34-,.#5%#6,"'43,#6,'/

Bamboo Bed Quilt Cutting Chart & Material List Bamboo Bed Quilt 78” x 83”

material list Appliqué Leaves&&&4 yard each of six green fabrics Appliqué Bamboo Trunk 3 yard each of two brown fabrics Backing &4 yards Batting *^” x (!”

Lightweight Fusible Web #-$ yards Stabilizer Read Bamboo Quilt Tip (page 38) prior to cutting fabrics.

Cut First Cut strips as indicated in chart then cut smaller pieces listed from these strips.

Refer to Make it Simpler (page 41) for optional layout. !,-#".&),/*0&12,.*/*3%&4&5,#6,7* !"#$%&'( )*+(,-.'/$0"1 2"&34$5678

!"#$%&'(%$ # &1!2” x !*2”

Less fabric will be needed if using non-directional fabric & piecing the background fabric.

$8 yards !"#$%&'2 )*+(,-9'/:5&5;"<0 25$80$'='(>>;%?6@

!3 yards !"#$%&'/ GH(A,-I'F5;8 2;5&3'(&&07<

#6 yards

36!"#$"%!&"'($)!2012

)*+%&'(%$

( !%

@w” x $@” (binding finishes 2“) !” x $@”

#) @” x $@” %(@ @” squares @( !2” x $@” ^* !2” x %2” @(^ !2” x @2”

!,-#".&),/*0&12,.*/*3%&4&5,#6,7* !"#$%&'A +(BB,-.'C5DD 2;5&3'25$80$

!"#$%&'(%$

)*+%&'(%$

!( @2” x $@” @(^ @2” squares

!s yards !"#$%&'E )*+(,-9'F$007

#

!2” x $@” &$ !2” squares

4 yard

Featuring fabrics from the Korakuen, Shadowland, and Razzle Dazzle Collections.

Extra fabric may be needed for “Fussy Cut” pieces; amount varies depending on motif selection and fabric repeat.

Let’s Begin

Making the Blocks

!"#$%"& '$(& )"*+,& %"-.& -//& +,01%(21+$,03& 4"#"%%+,*& 1$& 5%$6"21& 7(11+,*& 78-%19& 2(1& :+%01& 7(10& 01%+50& -0& +,.+2-1".& +,& 28-%1& 18",& 2(1& 0;-//"%& 5+"2"0& /+01".& (,."%& <"=1& 7(10& #%$;& 18"0"& 01%+503& 4"#"%& 1$& >","%-/& ?,01%(21+$,0& @5-*"0& ABCADE& #$%& ."1-+/& 1"28,+F("& +,01%(21+$,03& G0"& -,& H22(%-1"& I"-;& H//$J-,2"0& -,.& H00";)/'& K+,"& L"18$.& -,.& -& 4MNJ+."& 0"-;& -//$J-,2"& 1$& 0"J&18+0&5%$6"213&O%"00&0"-;0&+,&.+%"21+$,&$#& -%%$J0&-0&+,.+2-1".&+,&"-28&.+-*%-;3

!"#$%& '(& )*+,-.& *& /,(($0$-#& 1,2$& 34,5#6& */741#& 84#1& *-/& 4-,#1& -$$/$/& #"& 8")95$#$& :"40&90"7$8#;&

Adding the Appliqué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

13& &P%-2"& -//& 5-11"%,0& $,& 5-*"0& WXCWY& $,& 5-5"%& 0+."& $#& /+*81J"+*81& #(0+)/"& J")& /"-Q+,*& 2 M& 05-2"& )"1J"",& 5+"2"03& 7(1& -55%$=+;-1"/'& 4 M& -J-'& #%$;& 1%-2"& /+,"3& L-S"& -55%$5%+-1"& ,(;)"%& $#& 5+"2"0& -0& ."0+%".3

13& &4"#"%& 1$& >","%-/& ?,01%(21+$,0& @5-*"0& ABCADE& #$%& I+;5/"& P%+-,*/"0& 1"28,+F("3& ]%-J&-&.+-*$,-/&/+,"&$,&18"&J%$,*&0+."&$#& 1J$& @M& :-)%+2& 7& 0F(-%"03& P8+0& J+//& )"& '$(%& 0"J+,*& /+,"3& O/-2"& $,"& ;-%S".& 0F(-%"0& $,& $,"&& @2M&:-)%+2&]&0F(-%"&-0&08$J,3&I1+128& $,& .%-J,& /+,"9& 1%+;& 4 M& -J-'& #%$;& 01+128& /+,"0& -,.& 5%"003& I"J& %";-+,+,*& ;-%S".& 0F(-%"&1$&5+"2"&-0&08$J,3&P%+;&-,.&5%"003& L-S"&1J$&8(,.%".&,+,"1'N0+=&(,+103

Fabric C @” squares Fabric D @2” squares Make 296

23& &I"J& $,"& !2 M& =& @2 M& :-)%+2& 7& 5+"2"& )"1J"",& 1J$& (,+10& #%$;& 01"5& ^& -0& 08$J,9& 28"2S+,*& $%+",1-1+$,& $#& (,+10& 5%+$%& 1$& 0"J+,*3& O%"003& L-S"& $,"& 8(,.%".& #$%1'N "+*813 !2” @2” Make 148

33& &I"J&$,"& !2M&:-)%+2&_&0F(-%"&)"1J"",& 1J$& & !2 M& =& @2 M& :-)%+2& 7& 5+"2"03& O%"003& L-S"&0"Q",1'N#$(%3&I"J&$,"&$#&18"0"&(,+10& )"1J"",& 1J$& (,+10& #%$;& 01"5& X& -0& 08$J,3& O%"003&L-S"&0"Q",1'N#$(%3

23& &Z+18& #(0+)/"& J")& 5-5"%N0+."& (59& #(0"&

@2” !2” @2”

1$& J%$,*& 0+."& $#& #-)%+2& 02%-50& #$//$J+,*& ;-,(#-21(%"%[0&+,01%(21+$,03&7(1&$,&1%-2".& /+,"3&

Make 74

!2”

33& &4"#"%& 1$& /-'$(1& $,& 5-*"0& \\C\\9& 1$& -%%-,*"& -,.& #(0"& -55/+F(T0& 1$& &!2 M& =& !*2M&:-)%+2&H&5+"2"3&L-S"&18%""3&:+,+08&-//& -55/+F(T&".*"0&J+18&;-28+,"&0-1+,&01+128&$%& ."2$%-1+Q"&01+128+,*&-0&."0+%".3&

Make 74

!2012!"#$"%!&"'($) 37

43& &I"J&1J"/Q"&(,+10&#%$;&01"5&Y&-,.&"/"Q",&!2M&=&%2M&:-)%+2&7&5+"2"0&1$*"18"%&-0&08$J,3& O%"003&L-S"&#$(%9&0+."&)$%."%&(,+103&I"J&18+%1"",&(,+10&#%$;&01"5&Y&-,.&1J"/Q"& !2M&=& %2M& :-)%+2&7&5+"2"0&1$*"18"%&-0&08$J,3&O%"003&L-S"&1J$9&1$5&-,.&)$11$;&)$%."%&(,+103 %2” %2” !2” !2”

Bamboo Appliqué Tips !2”

!2” !2” !2” !2” !2” !2” !2” !2” !2” !2” !2”

k%!AB%$)+(?$%2.<2.$.,)%(41. k(!>CDD%2.<2.$.,)%E'%F"+<<#,.$$GH%I'% F=.+()"G%+,0%J4"%F(4,;%(#5.G k(EKLD%2.<2.$.,)%)".%+2.+$%45%(#5.%)"+)% 2.<2.$.,)%=.+()"%F.9;9H%$<#2#)'+(H%/.,)+(H% 2/.:.691<(04F@5=91<(96B(563D5:>2Q k(JKM%2.<2.$.,)%;440%('*?%+,0%=.+()"

!2” !2”

k(JDLDN%2.<2.$.,)%;440%".+()" k(DKO>!%2.<2.$.,)%;24=)"%

!2”

k(NKND%2.<2.$.,)%;2.+)%('*? k(K'l(82082@263(02872=:.6

!2” !2” !2” !2” !2” !2” Make $ (sides) Make 2 (top & bottom)

38!"#$"%!&"'($)!2012

!"#$%&'#()%*+,%-.%/+0.%#,%+%1+2#.)3%45%%&'#()% @5P2@( 82/2/E2856;( 3493( E1.=?@( [65@42B( $#6.%/.+$'2.$%78%$&'+2.9%%:.$#0.$%1+23#,;% )".%$#6.%45%34'2%&'#()%34'%*+,%%<.2$4,+(#6.% 342( 6D/E28( .7( E9/E..@( 3.( 82L2=3( F.D8( 4=,% <.2$4,+(% /.$$+;.9% >.2.% +2.% $4/.% .7(342(/29656;@(9@@.=5932B(A534(B5\28263( ('*?3%-+/-44%+22+,;./.,)$@

k(!ADN!P%BND%2.<2.$.,)%+%<4=.25'(% -(.$$#,; Q22+,;./.,)% =#)"% 54'2% -+/-44$% =4'(0% -.% 2'0.% $#,*.% #,% R"#,.$.H% )".% =420% 542% 54'2%#$%*(4$.%)4%)".%=420%542%0.+)"9

Assembling the Quilt 13& &I"J&& !M&=& $@M&:-)%+2&!&01%+50&",.N1$N ",.& 1$& ;-S"& $,"& 2$,1+,($(0& ! MNJ+."& :-)%+2& !& 01%+53& O%"003& 7(1& 0+=& ! M& =& &!2 M&& :-)%+2&!&01%+503

Geisha Amongst the Bamboos: Inspirational Project

23& &H%%-,*"& -,.& 0"J& 1$*"18"%& #$(%& 0+."& )$%."%&(,+109&0+=&!M&=&&!2M&&:-)%+2&!&01%+509& -,.&18%""&-55/+F(T&(,+10&1$*"18"%3&O%"00& 0"-;0&1$J-%.&:-)%+2&!&01%+503

33& &L"-0(%"& F(+/1& 18%$(*8& 2",1"%& #%$;& 0+."& 1$& 0+."3& 7(1& 1J$& ! MNJ+."& :-)%+2& !& 01%+50& 1$& 18-1& ;"-0(%";",13& H%%-,*"& -,.&0"J&1$*"18"%9&1J$&)$%."%&(,+109&1J$& :-)%+2&!&01%+509&-,.&F(+/1&1$53&O%"00&0"-;0& 1$J-%.&:-)%+2&!3

43& &7(1& )-2S+,*& #-)%+2& 5+"2"& +,1$& 18%""& "F(-/&5+"2"03&I"J&5+"2"0&1$*"18"%&1$&;-S"& $,"&*^M&=&!@)M&-55%$=+;-1"&)-2S+,*&5+"2"3& O%"00&-,.&1%+;&1$&)-2S+,*&1$&;"-0(%"&*^M& =&(!M3&

53& &O%"00&)-2S+,*&-,.&F(+/1&1$5&1%+;;+,*& -//& "=2"00& 18%"-.03& 4"#"%& 1$& >","%-/& ?,01%(21+$,0&@5-*"0&ABCADE&#$%&:+,+08+,*& 18"& R(+/13& K-'"%& -,.& )-01"& )-2S+,*9& )-11+,*9& -,.& F(+/1& 1$5& 1$*"18"%3& `-,.& $%& ;-28+,"& F(+/1& -0& ."0+%".3& & 4"#"%& 1$& !+,.+,*&18"&R(+/1&-,.&)+,.&-0&."0+%".3& &

"@2( 342( #9/E..( UD513@( 9@( 96( 56@0589:.6( 3.( /+?.%=+((%&'#()$9% %%%% k( !212=3( 9( /.:7( 09621( .8( 198;2( 08563( 79E85=( +,0%*')%0.$#2.0%$#6.9% k( $D3( 3A.( @5B2( 90015UDS( E9=?;8.D6B( 79E85=( <#.*.$% F0.$#2.0% =#0)"% -3% (.,;)"% 45% *.,).2% <+,.(G% +,0% -420.2% $)2#<$% F0.$#2.0% -420.2% =#0)"%S%TU8G9% k( $D3( 7.D8( E.8B28( @3850@( 3.( /93=4( 09621( (.,;)"9%%%%%%%% k( !2A( 7.D8( =D3( E.8B28( @3850@<( 3A.( @5B2( -+*?;24',0% <+,.($H% +,0% *.,).2% <+,.(% )4;.)".29%V2.$$9% k(((R29@D82(A5B34(.7(D653(96B(=D3(3A.(E.8B28( $)2#<$% )4% )"#$% /.+$'2./.,)% +,0% $.=% )4% )4<% 96B(E.C./(.7(D653-(a82@@-(( k( ( %2728(3.(TBB56;(342(T0015UDS(M09;2@(,mQ(3.( +00%-+/-44%)4%&'#()%'$#,;%34'2%<2.5.2%/.)"409 k(%2728(3.()565@456;(342(nD513(96B(#56B56;(342( nD513(M09;2(WoQ(3.(=./01232(345@(08.p2=3!"#$%& '$()#*& +$,$-#%.% ;#1.$% <.2/#$$#4,% )4% =.0F(09;2@(qJ(96B(q,(3.(82BD=2(.8(26198;2( )./<(+).% $#6.$% +$% 0.$#2.0% )4% $'**.$$5'((3% =./01232(F.D8(08.p2=3-(

!2012!"#$"%!&"'($) 39

Bamboo Lap Quilt Cutting Chart & Material List

Bamboo Lap Quilt

Bamboo Lap Quilt

54” x 65“

Refer to Bamboo Bed Quilt step instructions and Bamboo Tip to make this lap quilt or refer to page 41 for a simpler version. designer: Georgie Gerl

material list Backing #3 yards Batting %(” x &)” Lightweight Fusible Web Stabilizer

Appliqué Leaves&&&8 yard each of six green fabrics Appliqué Bamboo Trunk 6 yard each of two brown fabrics !,-#".&),/*0&12,.*/*3%&4&5,#6,7* !"#$%&'( )"&*+$,-./

!"#$%&'(%$

)*+%&'(%$

@ %#2” x !*2”

!s yards !"#$%&') ),$/0$'1'(223%4-5

^

! yard

(

!"#$%&'9 )3,&*'(&&0.7

!* !&

@ yards !"#$%&'! )3,&*'),$/0$

@w” x $@” (binding finishes 2“) !” x $@” @” x $@” #^) @” squares !2” x $@” $) !2” x %2” !*) !2” x @2”

!@ @2” x $@” !*) @2” squares

! yard !"#$%&'6 ),$/0$'(&&0.7'84-"$0

6 yard

40!"#$"%!&"'($)!2012

@

!2” x $@” $% !2” squares

Making the Quilt 4"#"%& 1$& !-;)$$& !".& R(+/1& -55/+F(T& +,01%(21+$,09&5-*"&Ya9&-,.&&/-'$(1&$,&5-*"0& Yb& -,.& W\& 1$& -%%-,*"& -,.& #(0"& -55/+F(T0& 1$& %#2M& =& !*2M& :-)%+2& H& 5+"2"3& L-S"& 1J$3& :+,+08& -//& -55/+F(T& ".*"0& J+18& ;-28+,"& 0-1+,& 01+128& $%& ."2$%-1+Q"& 01+128+,*& -0& ."0+%".3

Make It Simpler Optional Layout

13& &4"#"%&1$&L-S+,*&18"&!/$2S&&$,&5-*"&Ya&1$& !"#$%&'()*+,-.$%/0'1#23%4$&$((-56%)'%0"*'7)% 0"J&,+,"&)/$2S0&-,.&"+*81&&!2M&=&%2M&:-)%+2& 8%9-$1$2%)'6$):$(3%;"#$%,-.$3

Assembling the Quilt 13& &I"J&&!M&=&$@M&:-)%+2&!&01%+50&",.N1$N",.& 1$& ;-S"& $,"& 2$,1+,($(0& !MNJ+."& :-)%+2& !& 01%+53& O%"003& 7(1& #$(%& !M& =& %#2M& & :-)%+2& !& 01%+503

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E ) + - " 3 # $ % & # 2 * 8 * 9 ) + * # 5 & + - ( = @#

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, + * . $ ' 0 & ( 0 6 & # 7 & 3 * " # = & > & 6 ( 0 - " 3#

8*3"-.-,&"$#76&"=#(.#$%&#(6=#*"=#"&4#-"#

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,+&*$-("# (.# 7(46'@# -",&"'&# 7(G&'# *"=# 06*$&'#)'-"3#*#$&,%"-O)&#,*66&=#;')-'%):# !2012!"#$"%!&"'($) 51

Remembrance of a tranquil garden scene will bring back warm memories throughout the frosty winter months.

Designed by Melanie Formway Chang

Through the Garden Window Quilt Cutting Chart & Material List Through the Garden Window 28” x 32“

Let’s Begin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

Making the Quilt 13& &I"J& $,"& !2M& :-)%+2& 7& 0F(-%"& material list Appliqué Flowers&&&2 yard Backing ! yard

Batting #@” x #^”

1$& $,"& !M& =& !2 M& :-)%+2& !& 5+"2"& -0& 08$J,3&O%"003&I"J&18+0&(,+1&1$&$,"& !M& =& @M& :-)%+2& !& 5+"2"3& O%"003& L-P"& #$(%3& !”

!2” !,-#".&),/*0&12,.*/*3%& 4&5,#6,7* !"#$%&'( )"&*+$,-./

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!$2” x !^2” !2” x !@2”

#

!2” x $@”

23& &I"J&$,"&!M&=&!@2M&:-)%+2&!&01%+5& @ @ @ @ @ $ @ @ $ @ @ $ $

!2” x &2” !2” x &” !2” x ^2” !2” x %2” !2” x %” !2” x $2” 1!2” x #2” !2” x #” !2” squares“ !” x !^2” !” x !@2” !” x @” !” x !2”

@ @ $ @2” x $@” $ !2” x $@” * $ !$

$” x @#2” $” x !(2” $” squares @2” x !(2” !2” x #” !2” squares !2” x !”

3 yard

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54!"#$"%!&"'($)!2012

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2 yard !"#$%&') (&&1.2'),$/1$

!2” !”

1$&$,"& !2M&=& !@2M&:-)%+2&H&01%+5&-0& 08$J,3&O%"003&L-P"&1J$3 !@2” !” !2” Make @

33& &I"J& $,"& (,+1& #%$;& 01"5& Q& )"1J"",& 1J$& (,+10& #%$;& 01"5& R& -0& 08$J,3&O%"003&L-P"&1J$3

Make @

43& &I"J& $,"& !$2 M& =& !^1 1 2 M& :-)%+2& H& 5+"2"& )"1J"",& 1J$& ! M& =& !^2 M& :-)%+2& !& 01%+503& O%"00&0"-;0&1$J-%.&:-)%+2&!3&I"J&18+0&(,+1& )"1J"",& 1J$& (,+10& #%$;& 01"5& S& -0& 08$J,3& O%"003&

53& &I"J&(,+1&#%$;&01"5&T&)"1J"",&1J$&@2M&=& !(2M&:-)%+2&7&01%+50&-0&08$J,3&O%"003& @2”

@2”

!(2”

63& &H%%-,*"& -,.& 0"J& 1$*"18"%& $,"& !2M& =& &M9&&$,"&!2M&=&#M9&!2M&=&%M9&-,.&$,"&!2M&=&$2M& :-)%+2&!&01%+509&-,.&18%""& !2M&=& !M&:-)%+2&7&

5+"2"0& -0& 08$J,3& O%"003& L-P"& 1J$& $,"& $#& "-28&U-%+-1+$,&,$1+,*&5$0+1+$,&+,&F(+/13 &”

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Bottom Row

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

!2012!"#$"%!&"'($) 55

73& &I"J&$,"&(,+1&#%$;&01"5&A&)"1J"",&$,"& $M&=& !(2M&-,.&$,"& @2M&=&!(2M&:-)%+2&7&01%+50&-0&08$J,3&O%"003&L-P"&1J$3&4"#"%%+,*&

1$&58$1$&$,&5-*"&VV&-,.&/-'$(1&$,&5-*"&VV&0"J&18"0"&(,+10&1$& 1$5&-,.&)$11$;&$#&(,+1&#%$;&01"5&W3 !(2” $”

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83& &H%%-,*"&-,.&0"J&1$*"18"%&1J$& !2M&=& #M&-,.&#$(%& !2M&=& !M& :-)%+2&7&5+"2"09&$,"& !2M&=& #2M9&&$,"& !2M&=& ^2M9& !2M&=& $2M9&$,"& !2M&=& &2M9&-,.&$,"& !2M&=& %2M&:-)%+2&!&01%+50&-0&08$J,3&O%"003& L-P"&1J$&,$1+,*&5$0+1+$,&+,&F(+/13 #”

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Make 2-Sides

93& &I"J&$,"&!2M&=&#M&:-)%+2&7&5+"2"&&1$&$,"&!2M&:-)%+2&!&0F(-%"& -0&08$J,3&O%"003&L-P"&#$(%3&H%%-,*"&-,.&0"J&1$*"18"%&1J$&$M& :-)%+2&7&0F(-%"09&1J$&(,+10&#%$;&18+0&01"59&-,.&$,"& $M&=& @#2M& :-)%+2&7&01%+5&-0&08$J,3&O%"003&L-P"&1J$3 #” !2” !2” Make $ @#2”

$”

Adding the Appliqué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

13& &^+18& #(0+)/"& J")& 5-5"%N0+."& (59& #(0"& 1$& J%$,*& 0+."& $#& #-)%+2& ,0'A$(% &"/(-1% 21("92% &'00'A-56% ;-,(#-21(%"%]0& +,01%(21+$,03& 7(1& -55%$=+;-1"/'&4M&-J-'&#%$;&1%-2"& /+,"& 1$& 0"5-%-1"& -%"-0& 18",& 2(1& "-28& 5+"2"& -/$,*& $(10+."& ".*"& $#& ;$1+#3&

23& &4"#"%%+,*& 1$& 58$1$& $,& 5-*"& WS&

$” $”

#$%& +,05+%-1+$,9& -%%-,*"& -,.& #(0"& -55/+F([0&1$&F(+/1&-0&."0+%".3&

33& &K-'"%& -,.& 2",1"%& & F(+/1& 1$5&

Make @

103&&I"J&$,"&(,+1&#%$;&01"5&D&1$&$,"&(,+1&#%$;&01"5&B&-0&08$J,3& O%"003&L-P"&1J$3&I"J&(,+1&#%$;&01"5&X&)"1J"",&(,+10&#%$;&18+0& 01"53&O%"003&

Make @

-,.& )-2P+,*& %+*81& 0+."0& 1$*"18"%& $,& )-11+,*& 5+"2"& @J%$,*& 0+."& $#& )-2P+,*& $,& )-11+,*E3& G0+,*& 1 4 MN J+."&0"-;9&01+128&-%$(,.&-//&".*"09& /"-U+,*& -& W!& $5",+,*& $,& $,"& 0+."& #$%& 1(%,+,*3& Y%+;& )-11+,*& 2/$0"& 1$& 01+128+,*& -,.& )-2P+,*& "U",& J+18& F(+/1&".*"03&7/+5&2$%,"%09&1(%,&%+*81& 0+."&$(19&-,.&5%"003&_-,.&01+128".& $5",+,*&2/$0".3

43& &Z(+/1& -0& ."0+%".& ;-P+,*& 0(%"& 1$& 2-128& -//& -55/+F([0& %-J& ".*"0& .(%+,*&18"&5%$2"003&

56!"#$"%!&"'($)!2012

NEW RELEASES | in stores this December

Flutter Friends

Kasa Collection

An assortment of stars twinkle in our night sky, randomly placed to leave open areas to showcase your favorite quilting.

Designed by Georgie Gerl

Seiza Bed Quilt Cutting Chart & Material List Seiza Bed Quilt

(Seiza means constellation)

81" x 103" !,-#".&),/*0& 12,.*/*3%&4&5,#6,7*

!"#$%&'* )3/*,-;'<:1%=6 ("&7=$6>:1

&2 yards

Featuring fabrics from the Korakuen and Kasa Collections

material list Extra fabric may be needed for “Fussy Cut” pieces; amount varies depending on motif selection and fabric repeat.

Backing &2 yards Batting *(” x !!!”

Cut First Strips strips as indicated in chart then cut smaller pieces listed from these strips

!"#$%&'( )*+*,-.'/01

! @@2” x $@” ! ! @ !@2” x $@” @ ! ! @ *2” x $@” ! ! ! ^ ^2” x $@” ! ! ! @ ! !% $2” x $@” ! $ @) @) ( #2” x $@” ! * $* ! !( @2” x $@” ! ! !^ @$) ^ @” x $@” !!@ # ^

@@2” x !^2” @@2” x !%2” !@2” x !*2” !@2” x !$2” !@2” x %” *2” x #)2” *2” x !*2” *” x !@2” ^2” x $*2”* ^2” x #$2” ^2” x #)2” ^2” x !*2” ^” x !@2” $2” x #*2” $2” x @^2” $2” x !!2” $2” x &2” #2” x @@2” #2” x *” #2” x %” #” x !@2” @2” x #*2” @2” x @^2” @2” x $2” @2” squares @” squares

*2” x $@” !! *2” squares @2” x $@” $$ @2” x $2”

*Extra yardage will be needed if “Fussy Cutting” pieces

!"#$%&'2 )3/*,-4'/01 (56&7'(6$10$

# $2” x $@” @) $2” squares @ #2” x $@” @) #2” squares 1!) @w” x $@”

!"#$%&'8 )3/*,-4'9$00:

s yard

60!"#$"%!&"'($)!2012

)*+%&'(%$

!3 yards*

!s yards *Fabric A Sew two ^2” x $@” strips together.

Press. Cut one ^2” x $*2” from this strip.

!"#$%&'(%$

# @

#2” x $@” @* #2” squares @2” x $@” @* @2” squares

Let’s Begin !"#$%"&'$(&)"*+,&%"-.&-//&+,01%(21+$,03&4"#"%%+,*&1$&5%$6"21&7(11+,*&78-%19&2(1&:+%01&7(10& 01%+50& -0& +,.+2-1".& +,& 28-%1& 18",& 2(1& 0;-//"%& 5+"2"0& /+01".& (,."%& <"=1& 7(10& #%$;& 18"0"& 01%+503&4"#"%&1$&>","%-/&?,01%(21+$,0&@5-*"0&ABCADE&#$%&."1-+/&1"28,+F("&+,01%(21+$,03&G0"& -,&H22(%-1"&I"-;&H//$J-,2"0&-,.&H00";)/'&K+,"&L"18$.&-,.&-&4MNJ+."&0"-;&-//$J-,2"& 1$&0"J&18+0&5%$6"213&O%"00&0"-;0&+,&.+%"21+$,&$#&-%%$J0&-0&+,.+2-1".&+,&"-28&.+-*%-;3

Making the Blocks

33& &I"J&$,"&(,+1&#%$;&01"5&T&)"1J"",&1J$&

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

"+*813& I"J& $,"& /-%*"& (,+1& #%$;& 01"5& V& )"1J"",&1J$&(,+10&#%$;&18+0&01"5&-0&08$J,3& O%"003& L-R"& #$(%& -,.& /-)"/& !/$2R& T3& !/$2R& ;"-0(%"0&!@2M&0F(-%"3 $2”

$2” @2”

Make 8 Block 1

Fabric A @2” squares Fabric B @2” x $2” Make $$

23& &I"J&$,"&(,+1&#%$;&01"5&T&)"1J"",&1J$&

Make 4 Block measures !@2” square

@2M& :-)%+2& H& 0F(-%"0& -0& 08$J,3& O%"003& 43& &I"J&$,"&0;-//&(,+1&#%$;&01"5&V&)"1J"",& L-R"& 18+%1'N0+=3& I"J& $,"& *2M& :-)%+2& !& 1J$& @2M& :-)%+2& Q& 0F(-%"03& O%"003& L-R"& 0F(-%"& )"1J"",& 1J$& (,+10& #%$;& 18+0& 01"53& #$(%1"",3& I"J& $,"& /-%*"& (,+1& #%$;& 01"5& V& O%"003&L-R"&"/"U",3 )"1J"",&1J$&(,+10&#%$;&18+0&01"5&-0&08$J,3& @2” @2” O%"003&L-R"&0"U",3& @2”

@2”

Make #^

@2” @2”

*2” Make 1$

*2”

Make !!

Make 7

!2012!"#$"%!&"'($) 61

53& &L-R+,*&0+;5/"&1%+-,*/"&(,+109&0"J&#$(%& 73& &I"J&$,"&(,+1&#%$;&01"5&W&)"1J"",&1J$& @M& :-)%+2& H& 0F(-%"0& 1$& $,"& #2M& :-)%+2& Q& #2M& =& *M& :-)%+2& H& 5+"2"03& O%"003& I"J& $,"& 0F(-%"&-0&08$J,3&O%"003&L-R"&1J",1'N"+*813 /-%*"& (,+1& #%$;& 01"5& A& )"1J"",& 1J$& (,+10& #%$;& 18+0& 01"5& -0& 08$J,3& O%"003& L-R"& 1J$& -,.& /-)"/& !/$2R& V3& !/$2R& ;"-0(%"0& !*2M& 0F(-%"3 Fabric A @” squares Fabric D #2” square Make @*

63& &I"J& $,"& (,+1& #%$;& 01"5& W& )"1J"",& 1J$& #2M& =& %M& :-)%+2& H& 5+"2"03& O%"003& L-R"& 1J",1'N#$(%& @1",& J+//& )"& (0".& +,& 01"5& BE3& I"J&$,"&(,+1&#%$;&01"5&X&)"1J"",&1J$&(,+10& #%$;&18+0&01"5&-0&08$J,3&O%"003&L-R"&0"U",3 %”

*”

*”

#2” Make 4 Block 2

%” #2”

Make 24

Make 2 Block measures !*2”” square

83& &I"J&$,"&0;-//&(,+1&#%$;&01"5&A&)"1J"",& 1J$&#2M&:-)%+2&7&0F(-%"03&O%"003&L-R"&1",3& I"J& /-%*"& (,+1& #%$;& 01"5& A& )"1J"",& 1J$& (,+10&#%$;&18+0&01"5&-0&08$J,3&O%"003&L-R"& ,-.$3% Make 7

#2”

#2” #2”

Make 10

Make 5

62!"#$"%!&"'($)!2012

93& &L-R+,*&0+;5/"&1%+-,*/"&(,+109&0"J&#$(%& 113&&I"J&$,"&(,+1&#%$;&01"5&D&)"1J"",&1J$& @2M& :-)%+2& H& 0F(-%"0& 1$& $,"& $2M& :-)%+2& 7& $2M&=&!!2M&&:-)%+2&H&5+"2"03&O%"003&I"J&$,"& 0F(-%"&-0&08$J,3&O%"003&L-R"&1J",1'3 (,+1&#%$;&01"5&TY&)"1J"",&1J$&(,+10&#%$;& ):-2% 2)$9% "2% 2:'A53% C($223% ;"#$% ,-.$% "5D% /-)"/&!/$2R&S3&!/$2R&;"-0(%"0&@^2M&0F(-%"3 Diagram 11 !!2”

!!2”

Fabric A @2” squares Fabric C $2” square Make @)

$2”

103&&I"J&$,"&(,+1&#%$;&01"5&D&)"1J"",&1J$&

Make 1!)

Block 3

$2M& =& &M& :-)%+2& H& 5+"2"03& O%"003& L-R"& 1",3& I"J&$,"&(,+1&#%$;&01"5&B&)"1J"",&1J$&(,+10& &('!%):-2%2)$9%"2%2:'A53%C($223%;"#$%,-.$3 &2”

&2” $2”

Make 10

Make 5 Block measure @^2” square

Assembling the Quilt 13& &I"J&$,"&!/$2R&T&)"1J"",&$,"&#M&=&!@2M&

Make 5

:-)%+2&H&-,.&$,"&*M&=&!@2M&:-)%+2&H&5+"2"0& -0&08$J,3&O%"003& Diagram 12 #”

*”

!@2”

!2012!"#$"%!&"'($) 63

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Unit 1

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Unit 2

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64!"#$"%!&"'($)!2012

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66!"#$"%!&"'($)!2012

NEW RELEASES | in stores this November

Falling Leaves

Floral Legacy

general instructions

!"#$%"&!'()&*"+, Before You Begin We recommend washing and pressing your fabric prior to cutting it into strips and pieces. To help prevent fabric from fraying in the washer, clip corners at a 45 degree angle removing a small triangle piece.

Achieving a Perfect Block Accurate Seam Allowance Use 4”-wide seam allowance for all projects in this magazine unless otherwise stated. If seam allowances differ as little as z” assembling blocks will be difficult, especially when incorporating several block designs in a quilt. To check your seam allowances follow these steps.

Half Square Triangles

without breaking threads, continue this process to stitch additional units. Cut sections apart, press and continue with next step.

Fussy Cut This process is the selection and cutting of a particular motif pattern which is featured in a cut piece. Remember to center design and always allow for seam allowance.

Simple Triangles This is an easy way to make triangles from squares.

Step 1 Draw a diagonal line on the wrong side of fabric square that will become the triangle. This will be your stitch line.

Step 1 Cut three 12” x 6” pieces of fabric from assorted scraps. Sew pieces together to make one 32” x 6” piece.

Press.

Step 2 Center strip should measure 1” x 6”. If piece measures differently check to see if seams have been pressed flat. If the piece still differs cut new strips and adjust seam allowance until you achieve the perfect stitch.

Pressing Press using steam or dry heat setting.

Always use an “up and down” motion since a side-to-side motion can distort the block or unit.

Assembly Line Method Use this method when making multiple pieces or blocks.

Step 2 Place marked square on fabric piece shown in construction step matching raw edges. Sew on drawn line and trim 4” away from stitching.

Fabric A- 2 2" x 2 2" Fabric B- 2 2" x 6 2"

Step 3 Press seams as indicated in construction diagram. Measure sewn piece to check accuracy.

Tip: There is a waste factor with this technique but you can stitch an additional 2” away from stitch line.

Cut piece between stitching saving the smaller version for some future project.

Diagram 3

Step 1

Position pieces right sides together, stitch unit.

Step 2 Align and sew the next unit

68

!"#!$%&!'(#) !"#!

This technique differs from the Simple Triangle method; you will be making two triangles at one time.

Step 1 Draw a diagonal line on the wrong side of one fabric square. Place marked square and one corresponding square right sides together. Sew a scant 4” away from drawn line on both sides, cut on drawn line, and press.

Fabric F- 2 2" x 2 2" Fabric D- 2 2" x 2 2"

Square to 2” Make 2

Step 2 Measure unit and trim as indicated in construction diagram.

Applique Technique Quick Fused Method This method joins fabric to each other with the use of fusible web. There are many types on the market and you will need to refer to manufacturer’s instruction for specific requirements. If quilt does not require laundering you can use heavy-weight fusible web and follow steps 1-4. If your quilt will require laundering use lightweight fusible web and follow all steps. Remember that appliqués when pressed to background fabric will be a reverse image from patterns provided.

Step 1 Trace all appliqué pieces on the paper side of lightweight fusible web leaving 2” space between pieces.

Cut approximately 4” away from traced line.

Step 2 With fusible web paper side up, fuse to the wrong side of fabric scraps following manufacturer’s instructions.

Step 3 Cut on draw line. Remove future project

paper backing, a thin film of adhesive will remain on fabric.

!"#"$%&'(#)*$+,*-.#)

Step 4 Referring to project photo, position and fuse all pieces of one appliqué design at a time onto background.

Tip: An Appliqué Pressing Sheet is very helpful when there are many elements to a design. Place your pattern (reverse image from pattern provided) under the pressing sheet as a guide.

Arrange pieces on sheet and press following manufacturer’s instructions.

Allow piece to cool, remove appliqué unit and arrange on background to fuse unit in place. If the piece is not cooled, the fusible web could remain on the sheet instead of the fabric.

Step 5 If using a machine, cut a piece of stabilizer larger than appliqué area and pin to wrong side of fabric.

Stabilizer is used to achieve an even stitch. Using a satin stitch, blanket stitch or other decorative stitching to secure appliqué in place. Start stitching from the background to the foreground. Option: use a hand embroidery stitch instead.

Hand Appliqué If project specifies quick-fuse you will need to reverse all patterns and add 4”- wide seam allowance. The steps that follow will add the seam allowance after pattern is traced onto fabric.

Step 1 Make a template of all pattern pieces and indicate where pieces overlap.

Place template on right side of selected fabric.

Step 2 Trace around template using a removable fabric marker. This will be your turn under guide. Cut out shapes approximately 4” beyond traced line.

Step 3 When layering and positioning pieces always work from the background to the foreground.

Step 4 Enter from the wrong side of applique shape bringing the needle up on the traced line. Using the tip of the

needle turn under a small portion of the fabric along trace line and secure with thumb. Using a blind stitch, stitch along folded edge to join piece to background.

Stitch is hidden under fabric.

Option 1 Step 1 Position binding away from corner leaving 8” free of stitches and aligning raw edges with the edge of the quilt. Sew using a 4”-wide seam.

Step 2 Stop sewing 4” from quilt top

Blind Stitch

Finishing the Quilt

edge and backstitch. Clip threads and turn quilt. Fold binding up at a 45 degree angle to create the mitered corner as shown.

Diagram 1

Backing fabric and batting should be 4”-8” larger than the quilt top. Press backing and quilt top trimming all excess threads from quilt prior to basting.

Step 1 Lay backing right side down, batting and quilt top (right side up) on top.

Step 2 Backing and batting need to

Step 3 Fold the binding back down aligning top fold with edge of quilt and matching raw edges. Start stitching 4” Diagram 2 for all corners. from quilt edge. Repeat

be taut prior to basting quilt. Start in the center and work out toward edges. You can hand stitch, pin or use a specialty tool to baste quilt together.

Step 3 Check batting instruction for quilting requirements. Hand or machine quilt as desired. Remove basting.

Binding the Quilt Two options are given for binding the quilt. For both options trim batting and backing 4” beyond raw edge of quilt, this will give fullness to the binding. Sew binding stripes end-to-end to make one continuous strip. Fold and press binding strips in half lengthwise with wrong sides together. To reduce bulk when joining strips, cut ends at 450 angle and sew together as shown.

Step 4 Determine length needed for binding strip ends, trim and sew ends together. Stitch binding to quilt. Fold binding to back of quilt, a diagonal fold will form at the corners. Hand-stitch binding to back of quilt.

Option 2 Step 1 Measure quilt through center from side to side. Cut two binding strips to this measurement. Sew to top and bottom of quilt matching raw edges with edge of quilt. Press binding away from quilt top.

Step 2 Measure quilt through center from top to bottom including the binding just added. Cut two strips to this measurement and sew to sides of quilt. Press.

Step 3 Fold top and bottom strips to the back and pin in place. Repeat for sides. Hand-stitch binding to quilt. /01/ !"#!$%&!'(#) 69

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