CONTENTS:
PROFESSIONAL
4...... Argentina Modular Housing (Summer 2017)
01
10..... Sponge Suit (Summer 2017)
02
14..... Shock Therapy (Summer 2017)
03
18..... Carousel of Languages (Spring 2019)
04
CONTENTS:
ACADEMIC
22...... Social Bridging (Fall 2016)
05
34...... Continuous Ribbon (Spring 2018)
06
42...... Ridge Rider (Spring 2016)
07
46...... Fifth wave (Spring 2017)
08
56...... Pankow Spielhaus (Summer 2018)
09
66...... Jabel Mila (Spring 2019)
10
01
ARGENTINA MODULAR HOUSING PROJECT BY ERAY/ CARBAJO SUMMER INTERNSHIP 2017
Contribution: Rendering, Plan, section and elevational drawings Left: Block render (Keyshot) Right: Unit Renders (keyshot)
ARGENTINA MODULAR HOUSING
Left: Aerial view render (Maxwell) Right: Perspective view renders (Maxwell)
ARGENTINA MODULAR HOUSING
Left: TYPOLOGY D: 3 BEDROOM + 2 BATHROOM Plan Right: Elevation, Section
ARGENTINA MODULAR HOUSING
Left: Exploded Axon Right: Exterior Render
02
SPONGESUIT PROJECT BY ERAY/ CARBAJO SUMMER INTERNSHIP 2017
Contribution: Physical prototype model making
THE DESIGN
03
SHOCK THERAPY PROJECT BY ERAY/ CARBAJO SUMMER INTERNSHIP 2017
“With the idea to create a space for future of fitness, the concept introduces a room within a room, with a futuristic shell nested into a historic background” -Selin Eytan
Contribution: Early design, location surveying, 3dmodeling
SHOCK THERAPY “Curved X marks by URAStudio, float below the ceiling, unifying the force of the unknown and the inner power in “X-ercising”. The wood fiber mix cement panels used throughout the space attest the architectural vision in sustainability and social responsibility, having been sourced from forests that are sustainably managed” -Selin Eytan
04
CAROUSEL OF LANGUAGES FREELANCE WORK SPRING 2019
Contribution: REDESIGNING ORIGINAL LOGO FROM CAROUSEL OF LANGUAGES & 3DMODELING OF TOY SOUVENIR. Left: Detail render Right: full render, original logo, top view render
05
SOCIAL BRIDGING IN COLLABORATION WITH: ALEKSANDRA CHECHEL PROFESSOR| F.VETCHER FALL 2016 Freshman Dormitory proposal encompasses three main concepts: Bridging, Layering, and Sharing Sharing. Each has a relationship to an area of the final scheme and incorporates this in a variety of scales that take place throughout the process of exploration.
Left: Street view perspective Render Right: Model photos (front facade, massing, unit)
ANALOGUE IN DETERMINING THE LAYOUT OF THE ROOMS IN THE DORMITORY, WE USED THE ANALOGUE OF THE ERODED ROCK. ROCK NOT ONLY DOES IT HAVE POROSITY, BUT ALSO WHEN AGGREGATED ALLOWS FOR A MULTITUDE OF ACCESS POINTS AND SEAMLESS FLOW THROUGH SPACES.
Left: Analogue diagrams Right: Model photos
UNIT LOGIC The basic unit aggregation is based on the shared spaces. The communal space on each floor serves as the center around which the units surround the space. Each unit includes the two separate unit spaces (for two occupants) and the mid-space that is shared between four occupants.
Left: Interior unit renders, Single unit axon, Right: Unit 1 plan, Shared space plan, Unit 2 plan
DOWN TO SHARED SPACE
SHARED SPACE
UP TO SHARED SPACE
SOCIAL BRIDGING
Left;Ground floor plan Right: Section, elevation
SOCIAL BRIDGING
Left to right: Balcony level plan, Second floor plan, Third floor Plan
SOCIAL BRIDGING
Left: Detail wall section Right: Rendered views from entrance
Structu lin
06
ural element transforms while nking four designed urban interventions
CONTINUOUS RIBBON IN COLLABORATION WITH: TYLER KRUPPA PROFESSOR| T.ATAK ROME TRAVEL STUDIO |SPRING 2018 Walkway Structure design inspired by the structural continuity and industrial aesthetic of the rail system at Testaccio Slaughterhouse. This cultural complex, located in the central Spina of St. Peter’s Basilica in Rome, uses an existing Roman industrial precedent, re-designed for the eye of the public, .
Left: Aerial Axon view Right: structure diagrams (below, original,plan)
CONTINUOUS RIBBON
1.Palazzo Torina
2.S.Maria Tranpontina
3. Unive
4. Conciliazione Theater
5. Catholic Library
6. Hotel
7. House of Salvatorians
Left: Nolli investigation, Demolition Survey Right: Form Generation
rsita LUMSA Columbus
CONTINUOUS RIBBON
Left: Detail structure section Right: Structure plan view, structure below view
CONTINUOUS RIBBON
Left: Detail wall section Right: Rendered view from entrance
07
RIDGE-RIDER PROFESSOR | K. HOVENKOTTER SPRING 2016
The main focus of this project is creating a multitude of inhabitable spaces that correspond with the programs exploration. related to Horticultural exploration This would include Laboratory spaces in which users, mainly students, and researchers, may conduct their experiments as well as scientific research.
Left: Perspective section Right: Model photos
RIDGE-RIDER The topology of the original site is modified based on the placement of four spaces. The final shapes are based on four points within each circle that intersect with the topology. Ridges are aimed at being more controlled within the interior spaces.
Left: Local prototype diagrams Right: Plans
people.
08
THE FIFTH WAVE IN COLLABORATION WITH: RICHARD REYES PROFESSOR | J.LEA SPRING 2017 By analyzing the tides in plan and section, we delve deeper into the understanding of how our building can continue to relate to the site and what we can do to change and control the points of access. The tides can begin to hide parts of the building and interact in ways that begin to distinguish the programmatic situations that can arise, such as a 10 foot surge.
Left: Exterior render View Right: Model photos
THE FIFTH WAVE
Coastal Flooding g: off shore, low w pressure drriv rives ocean an w water inland nd Slightt circulation and d tropicall winds, clo clouds uds an nd p precipitation pr atio Degree: eg Flash ash as sh hF Flood watch watch w
Normal high g
1/2" - 6" (4" average)
We take advantage of the moments where the body and boat interface and create a new type of interaction as we do with the community and institution populations. This way we can see how the connection or even disconnection happens between water, boats, and people.
PHASE 1
PHASE 1
PHASE 2
PHASE 2
PHASE 3
PHASE 4
Torpical Torpica picca p c l Depress Depre pre es es ss sion: o W Wind ind in i cre creases reases e to o 2 kn nots ots Surface u windspeed windspe ed a at 20-34 kn k ots ts s
MINOR M NOR N NO OR O R FLOO FLO OODING O N NG
6" - 18" rise
Normal high g
PHASE 1
PHASE 3
MODER E ATE FLOODI OOD NG OO
PHASE P HASE 2
PHASE 3
PHASE 4
At this p point the windspeed po p increases c to 35 knots s and and is is now classifi classifi lassified ed as e sas storrm rm. The surrface winds T wind reach 35 to 64 4 kn knots ot and circul cul ulation ti intensif intensif ensi n ies. It is s at at this is p pointt tthat hat ha at our o buildi ding n ng g trans transforms, form reachi ea hing ng g its tipping tipp g p tip point oint and d takkes es the perfomativ perfomativ ma e role ro of a re efuge e center center t or safe hav ave en for the en e ccomm ommunit unity. y.
Storm tide Storm surge g
6" - 18" rise
Normal high g
PHASE 1
PHASE 4
PHASE 2
PHASE 3
PHASE 4
At the final phase, p wind s spe p ed exceed e 64 knots and pressure p rises. heavy precipitaiton and d sstrong winds w occur (eye wall) Here roads are totall floode oode ded d and an major j property p p y damage am m g takes kes p place. lace. The evacuation p plan is sp put ut into o pla p y and the incr creased sed a average v age tempera era ra ature ture ur is between e 4-5 degre ee degree rees sF F. Coast oastal astal stal ta Flo oo Warning ood Warning:: flood ooding o ing ng g iis occurin occuring and d imminen mmine minen nt (ex (expec exxpec exp ectted wit wi hin in 1 12 ho hours) ours ours)
Storm tide Storm surge g
6" - 18" rise
Normal high g
Left: Tidal phases Right: Model photo
PHASE 1
PHASE 2
PHASE 3
PHASE HASE 4
THE FIFTH WAVE
Top: Render view (boat storage) Bottom: Phase 4 section
THE FIFTH WAVE
Left: Detailed wall sections, movable partition wall system Right: Partition mobility
THE FIFTH WAVE
roof
MEP
facade
second floor
structure
Left: Exploded axon (top to bottom: roof, MEP, facade, second floor slab, structure system) Right: Interior renders (first and second floor)
09
PANKOW SPIELHAUS IN COLLABORATION WITH: DIMPLE ZHENG PROFESSOR | D. RICHTER BERLIN TRAVEL STUDIO | SUMMER
2018
THE AREA OF PANKOW CONSISTS OF TWO NEIGHBORHOODS SEPARATED BY TRAIN TRACKS. THOUGH THE SEPARATION DOES NOT SEEM SO GRAND, THERE IS MUCH DIFFICULTY TRAVERSING FORM ONE SIDE TO THE OTHER. IN AN ATTEMPT TO UNIFY THE NEIGHBORHOODS PHYSICALLY AS WELL AS SOCIALLY, WE PROPOSE A CULTURAL CENTER IN WHICH USERS OF ALL AGES AND SOCIOECONOMIC STANDING MAY COME TOGETHER IN THE FORM OF LEISURE.
Left: Campus Plan Right: Model photos (main net, module, bike entrance)
PANKOW SPIELHAUS ONE OF THE MAIN CONCEPTS THAT WE INCORPORATED WITHIN OUR PROGRAM WAS THAT OF THE BOTTOM UP OR “DO IT YOURSELF” DESIGN. THE MODULES ALLOW THE USERS TO TAKE CONTROL OF THE DESIGN AND SCALE TO WHICH THEY DESIRE, AS WELL AS REGULATING THE CAPACITY AT WHICH THEY CAN DESIGN.
Left: Module Diagrams Right: Exterior render views (net space, auditorium/gardens)
PANKOW SPIELHAUS
Left: Section through main net structure, Right: Axonometric and selected views
10
*
JABEL MILA
تل-أبيب אביב-תל
IN COLLABORATION WITH: THAI YASHAR PROFESSOR | C.DWYER & E.TRIBUS DEGREE PROJECT STUDIO| FALL 2018-SPRING 2019
Considering the necessity for public services in the realm of public space to displaced populations and the ongoing Israel- Palestine conflict, we’ve designed a library for the spoken word. This library will not only allow for self education, (as libraries have done for centuries) but it will be devoted to the learning of Arabic and Hebrew, as language is key to communication, (and the understanding of cultures) particularly for two populations, that although are in peace, still carry resentment and distrust.
* Jabel Mila meaning “mountain of words” is derived from the Arabic word JABEL meaning “mountain” and MILA which is hebrew for “word”
Site map with four main focal points of design
JABEL MILA The architecture becomes disorienting as it is a transition point from a dense urbanistic area that leads to an open space and the beach.
perfor per forman mance ce
librar lib rary y
market
Left: Detailed plan Right: Campus plan
MUTATIONAL MEDIUMS Using the Arch and Dome which are universally known, as well as the Tent typology, which is in particularly of great importance to Jewish and Arab cultures, a methodology was developed that allows for both the structural stability of the dome and arch, and the spatial and programmatic fluidity of the tent.
Left: Formal process Center: Flow diagram with focus on the four focal points Right: Dome and arch mutations
Dome, Arch, Market, and Tent typologies/ mutations
Top left: interior library view Top right: performance space view Bottom left: market view Bottom right: landscape view
JABEL MILA Eliminating the concept of a front and a back provides an unfamiliar experience, only to the point of which any visitor could feel equally as foreign.
Long section through sequence of spaces: landscape, library, performance space, market
MODEL PHOTOS
Top (left to right): mixed program study carrol model, performance space, market, dome/ arch mutation Bottom: Sectional model
ECOSCORE Lawrence Halprin’s RSVP cycles were used as a reference to developed a system of “scores” and sequences that would further the design by guiding and expressing how the occupant completes the spaces designed for them, in other words: Designing conditions of occupation rather than designing the occupation itself.
Ecoscore sequence of section through all programs
https://issuu.com/sarahdjanemortimer/dowwcs/sj_portfolio_2019