March 2020

2020 Design Trends WHIMSICAL DUTCH CHARM ON SIESTA KEY SIR DAVID BINTLEY BALLET’S FREELANCE KNIGHT

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CONTENTS features

50

50 WHIMSICAL DUTCH CHARM On Siesta Key

By Jae Hermann

61 DESIGNING THE FUTURE Nine Ringling College Teachers

By Ryan G. Van Cleave

75 SIR DAVID BINTLEY Ballet’s Freelance Knight

By Sylvia Whitman

81 2020 DESIGN TRENDS

By Jacqueline Miller

ON THE COVER Faculty from Ringling College of Art and Design.

81 10

SARASOTA SCENE | MARCH 2020

Photograph by Nancy Guth.

75

WINE WALK TO CA’ D’ZAN 2020

William Andrew Pogany (Hungarian, 1882–1955), Ballroom Ceiling, c. 1926.

MAR 20 • 6:00 – 10:00 PM Experience wine and food pairings, entertainment, and décor inspired by the house that John and Mable built. Sip and stroll across The Ringling grounds encountering tasting stations featuring wines served by experts from Total Wine & More paired with delicious bites from top local caterers, culminating in a dance party by the one-of-a-kind mansion on Sarasota Bay. Support the legacy of John and Mable Ringling and let the new 20s roar at Wine Walk to Ca’ d’Zan!

SPONSORED BY

Net proceeds will be directed to the Ca’ d’Zan Preservation Fund.

#WineWalk2020 TICKETS: $140 / $210 VIP

ringling.org or 941.358.3180

CONTENTS departments

46

SOCIAL SCENE 20 THE LIST

28 30 32 34 35 36

March Events Calendar

Harry Connick, Jr. Comes to the Van Wezel

PARTY PICS

By Gus Mollasis

Conservation Foundation Palm Ball

Making Mental Health a Must

Circus Gala

at JFCS of the Suncoast

Catholic Charities Ball

By Ryan G. Van Cleave

JDRF Night of Hope Gala BGCSC Steak and Burger

42 Michael Ritter Facilitating Jewishness

By Sylvia Whitman

46 Supporting Brunch on the Bay

112 POP CULTURE TO POWER Howie Tsui Speaks at the Ringling

By Sylvia Whitman

116 BEST SEATS

Performing Arts Calendar

122 GET INSPIRED Cultural happenings brought to

By Ryan G. Van Cleave

you by the Arts & Cultural Alliance

127 GUT INSTINCT

By Karen Brainard, M.D.

ON THE TOWN 38 THE FIND

of Sarasota County

125 LITERARY SCENE Three New Thrillers

By Ryan G. Van Cleave

129 LAUGHING MATTERS The One About the Technology Train

By Ryan G. Van Cleave

Be Green This Spring SPOTLIGHT

96 Hear and Now… And All That Jazz

scenesarasota.com

12

ARTS & CULTURE

A USF Sarasota-Manatee Tradition

INHEALTH

Be Informed Be Entertained Be SCENE

108 EDUCATION MATTERS

Sarasota Opera Gala

PHILANTHROPY

103

103 We’re All… “ Just Wild About Harry”

SARASOTA SCENE | MARCH 2020

By Gus Mollasis

38

Click to View Featured Models

from the publisher

I

I’M HAVING A LOVE AFFAIR WITH THIS TOWN—ITS SIGHTS, SOUNDS, VIBE AND PEOPLE. It stirs my imagination, fuels my passions, and powers my engine. I can’t imagine life being better anywhere else. Whether it’s the beauty of our waterfront, the artistic talents of our performers, the brilliance of our intelligentsia, or the savvy of our business leaders, we live in a remarkable community.

Thinking about my nearly two-year life in Sarasota has made me realize that you don’t just live a life here. You design a life around the multitude of things available to us every day. From exploring places and things to exploring the who, what, when, where, and why behind things, our opportunities for growth on many levels is tremendous. We are spoiled indeed!

Every month I continue to have several firsthand experiences that inspire and motivate. Through conversations with gala chairs, I’ve learned about the behind the scenes work that goes into pulling off successful major events. Attending rehearsals and talking to the directors and staff at some of our finest arts organizations has also given me a greater appreciation of the talent and hard work involved. I’ve talked to many local business owners and discussed their successes and challenges. And through all these experiences, there is always a common denominator. Philanthropy. It is always close to all of their hearts.

Since Sarasota Scene publishes the annual arts guide for the Arts & Cultural Alliance of Sarasota County, I had the pleasure of thanking the guide sponsors at a recent dinner held in a private dining room at Café L’Europe. The sponsors included several of the community’s top organizations and businesses. Arts Alliance executive director Jim Shirley provided great insight into our arts community discussing its tremendous cultural and economic impact and the importance of our continued support. It was a fun and informative evening!

As it is every year, the Circus Gala was also great fun with performances by circus professionals as well as the talented, skilled and highly entertaining performers from Sailor Circus aged 10 to 18. We were also treated to a performance by the gala chairs—Donna Koffman, Jaclyn Brunckhorst and Tammy Karp—who were magical in their performances and not giving up any of the secrets behind the magic!

Conservation Foundation’s Palm Ball was, as always, a stunning event at Bay Preserve. The Foundation takes on major projects to save land and delivers year after year. I had the pleasure of meeting Lee Ann Rodriquez, the Foundation’s new Director of Philanthropy. There are so many things happening there including lunch and learns, book clubs, exhibitions and more. Plus, there are several other great fundraising events, including Bourbon and Boots and the Sunrise Birding & Brunch in April.

A great time was had by all at the Boys and Girls Club of Sarasota County’s Steak and Burger event. Attendees got to dig out their western gear and whoop it up. We were reminded of how this organization shapes our children and prepares them for tomorrow. Former executive director Mack Reid received the Outstanding Alumnus award, and this year’s youth of the year, Marguerite, was chosen from a very strong field of contenders.

14

SARASOTA SCENE | MARCH 2020

A r t fo r y o ur flo o r

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from the publisher I don’t think I’ll soon forget the visit from Tim Tebow at the Catholic Charities Ball. He truly is an accomplished young man.

The event was inspiring, raised funds for a very worthy cause, and the dance floor was never empty.

Sarasota Opera’s winter season got off to a spectacular start with La Bohème and the seldom performed Romeo & Juliet. I learned that many patrons are reviving the tradition of wearing a kilt to the second opening to pay homage to Sarasota’s Scottish roots. Next season I’m dusting off my kilt in anticipation! Sarasota Opera’s The Color of Love Gala was terrific as were the performances.

Kudos to all who made that event such a great success!

Creating a Higher Standard Providing Exceptional Service & Quality Craftsmanship

The JDRF Night of Hope Gala benefiting juvenile diabetes was a first-time Scene sponsored event. We were encouraged to participate by our longtime friend Lisa Silvestri of Silvestri Travel.

What a truly worthwhile cause to help a disease that affects so many people. I had a chance to meet Easterseals CEO Tom Waters at the pre-party for the Easterseals Abilities Shining Luncheon.

I had no idea how its strategic alliance with other organizations enables Easterseals to provide comprehensive state-of-the-art services to all those it serves.

CERTIFIED INSTALLERS SPECIALIZING IN LARGE FORMAT TILE

I can’t wait for next month when I will be drooling over exotic Higher Standard CreatingCreating a Higher a Standard cars at the Exotic Car Festival in Lakewood Ranch, marveling at

Providing Service Craftsmanship Providing Service Quality Craftsmanship PLEASEExceptional VISIT OUR SHOWROOM: 2054Exceptional 13 & STREET | SARASOTA, FL 34237 & Quality the athletes playing in the Archie Griffin Celebrity Golf Classic

ating a Higher Standard at The Concession CERTIFIED INSTALLERS SPECIALIZING IN LARGE FORMAT IN TILELARGE CERTIFIED INSTALLERS SPECIALIZING FORMAT golf TILEclub, celebrating the Women of Aviva, TH

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Exceptional Service & Quality Craftsmanship

Providing Exceptional Service

INSTALLERS SPECIALIZING IN LARGE FORMAT TILE

and cooking with others as well as the chef at Josh Provides Interactive Dinner—a truly fun time.

In the meantime, while I continue to “design” my Sarasota life, & Quality Craftsmanship TH SE VISIT OUR SHOWROOM: STREET | SARASOTA, FL 34237| SARASOTA, PLEASE VISIT2054 OUR13 SHOWROOM: 2054 13TH STREET FL 34237 coincidentally, this is our Design issue! I hope you enjoy reading SRQMOD.COM | 941.536.4020 | 941.302.8653 SRQMOD.COM | 941.536.4020 | 941.302.8653 about the latest design trends with offerings from some of the HOWROOM: 2054 13TH STREET | SARASOTA, FL 34237 finest home and design businesses in town. Also in this issue

OD.COM | 941.536.4020 | 941.302.8653 CERTIFIED INSTALLERS SPECIALIZING

IN LARGE FORMAT TILE

PLEASE VISIT OUR SHOWROOM: 2054 13TH STREET | SARASOTA, FL 34237

are the incredible costume designs from The Sarasota Ballet’s upcoming performance of Beyond Words, which includes two company premieres—”Dante Sonata” and “The Spider’s Feast”.

We are also pleased to feature several teachers at Ringling College of Art + Design, all of whom are extremely accomplished design professionals who have achieved acclaim in their select fields.

And last, but not least, we feature a spectacular Dutch Colonial home built and designed by local professionals.

Enjoy the issue and most of all, enjoy our fabulous town!

941.536.4020 | 941.302.8653 SRQMOD.COM Want to submit some comments or questions? We’d love to hear from you at john@scenesarasota.com.

16

SARASOTA SCENE | MARCH 2020

Locally Owned and Operated Since 1957 Vol. 63 No. 3

Publisher H John Knowles Executive Editor Julie A. Milton Account Executive Alysia De Maio Art Director Darcy Kelly-Laviolette Marketing & Digital Content Director Jordan Kelly-Laviolette Distribution Mike Straffin Accounting Sally Bailey

From special occasions to daily dining, Morton’s Market has got you covered. Stop in for fresh seasonal produce, prime cuts of meat and seafood, and hot-from-the-oven baked goods. Choose from our tempting array of chef-prepared deli and gourmet to-go items, as well as fine wines, exotic cheeses and cut flowers. Think of us for your catered events, holiday menus and gift baskets too.

Contributing Writers Sue Cullen Jacqueline Miller Gus Mollasis Ryan G. Van Cleave Sylvia Whitman Jae Hermann Contributing & Social Photographer Nancy Guth Contributing Photographers Jordan Kelly-Laviolette Nicole Mausser 1491 2nd Street, Suite D, Sarasota, FL 34236 941.365.1119 | Fax: 941.954.5067 | scenesarasota.com

Serving the Sarasota area for over 50 years Historic Southside Village 1924 South Osprey Ave. Sarasota ∙ (941) 955-9856 MortonsMarket.com 18

SARASOTA SCENE | MARCH 2020

H John Knowles LLC, dba SCENE Magazine publishes 12 issues a year. Address editorial, advertising and circulation correspondence to the above address.

Sufficient return postage and self-addressed, stamped envelope must accompany all manuscripts, artwork and photographs submitted if they are to be returned or acknowledged. Publisher assumes no responsibility for care of return of unsolicited materials. Subscription price: $12.95 per year, $19.95 for two years. All contents copyrighted. Reproduction without permission is prohibited.

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social SCENE

THE LIST PARTY PICS

scenesarasota.com

March 4 » Easterseals Southwest Florida

The LIST

MARCH 2020 EVENTS CALENDAR March springs into action as cats make waves.

Celebs swing for charity. There’s a walk for wine, a celebration of heroes of history, cooking with the chef, and so much more. Pick your passions and get involved!

2020 Abilities Shining Luncheon Michael’s On East 11:00 a.m. $200 | easterseals-swfl.org

5 » Planned Parenthood Dinner 2020 Keynote speaker Rebecca Traister Circus Arts Conservatory 6:30 p.m. $250 | plannedparenthood.org

6 » Garden to Plate 2020 Selby Botanical Gardens 6:00 p.m. $200 | selby.org

6 » Cat Depot Whiskers and Waves Gala Mote Marine Laboratory 6:30 p.m. $175 | catdepot.org

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SARASOTA SCENE | MARCH 2020

social SCENE

L E T N OT H I N G S TA N D B E T WEEN

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AN D YO U R

V I E W.

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spon ASOTA s ore S C E d ev N E ent s

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» Archie Griffin Celebrity Golf Classic The Concession Golf Club concessioncharities.org

F R O M

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» Southeastern Guide Dogs Walkathon 9:00 a.m.

Nathan Benderson Park guidedogs.org

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» Aviva Foundation Women of Aviva Event

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OD ape, ng in 19 c O s d i W n l Y a g L L n L Ri ht BO The n l ig SA Mo o a s e d b y EP’ R ch LO Pur ASO

7 » Art in The Dark Michael’s On East Benefits Lighthouse Vision Loss Education Center 6:00 p.m. $200 | lighthouseofmanasota.org

7 » Asolo Rep’s A Bollywood Ball The Ritz-Carlton 6:00 p.m. $400 | asolorep.org

10 » Teen Court of Sarasota 2020 Teen Scholarship Awards Dinner Michael’s On East $50 Youth; $125 Adult sarasotateencourt.org

10 » Sarasota Orchestra Masterworks 6 Dinner Featuring Keith Lockhart Michael’s On The Bay 6:00 p.m. $200 | sarasotaorchestra.org

11 » 2020 ASC Friends Gala Michael’s On East Benefits Artist Series Concerts of Sarasota 6:00 p.m. $195 | artistseriesconcerts.org

13 » Gulf Coast Community Foundation Better Together: Saving Our Seas

Michael’s On East Benefits Neuro Challenge Foundation for Parkinson’s 6:00 p.m. $250 parkinsonsneurochallenge.org

14 » Coastal Behavioral Healthcare Inc. Sunshine from Darkness/ Inspiring Hope Dinner Ritz-Carlton 6:30 p.m. $325 | coastalbh.org

14 » A Life Story Foundation Cirque to Cure Ulla Searing Big Top 6:00 p.m. $125 |alifestoryfoundation.org

18 » Historical Society of Sarasota County Hero of History Luncheon 2020 Michael’s On East 4:15 p.m. $100 | hsosc.com

19 » Salvation Army Sarasota Glitz at the Ritz

11:00 a.m.

The Ritz-Carlton $75 | gulfcoastcf.org

Honoring Sheriff Tom Knight 11:30 a.m. $85 | salvationarmyflorida.org/sarasota

14 » Out of Door Academy Banyan Ball 2020

19 » Sarasota Opera Salute to the Stars 2020

Fox Field House 6:00 p.m. $350 | oda.edu 22

14 » Cause 4 Hope

SARASOTA SCENE | MARCH 2020

Sarasota Yacht Club 11:30 a.m. $75 | sarasotaopera.org

ART

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20 » Wine Walk 2020 The Ringling 5:30 p.m. $140 | ringling.org

20 » Party on the Pass Mote Marine Laboratory and Aquarium 6:30 p.m. $125 | Mote.org

21 » Avant Garde: Game On! Ringling College of Art and Design 6:00 p.m. $300 | ringling.edu

24 » USF Sarasota-Manatee HospitaBull 2020 Ritz-Carlton 6:30 p.m. $175 | usfsm.edu

26 » JFCS Happy Hearts Under the Big Top Ulla Searing Big Top 5:30 p.m. $100 | jfcs-cares.org

28 » The Mane Event Sarasota Manatee Association for Riding Therapy 5:30 p.m. $100 | smartriders.org

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» Sarasota Garden Club 7th Annual Gardens in Paradise Tour 9:30 a.m. $35 – tour; $15 – Garden buffet lunch sarasotagardenclub.org

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» Josh Provides Interactive Dinner Michael’s On East 6:00 p.m. $225 | joshprovides.org

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» Sarasota Memorial Healthcare Foundation Women & Medicine Luncheon

License number: AA26000793 24

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Michael’s On East 10:30 a.m. $1500 for 10; $150 individual | smhf.org

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28 » Tropical Nights: Roaring 20’s in 2020 Grove Ballroom Benefits Meals on Wheels PLUS of Manatee 6:00 p.m. $200 | mealsonwheelsplus.org

28 » Forty Carrots Family Center Firefly Gala 2020

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Performance by Pitbull Ritz-Carlton 6:00 p.m.

Sponsor and ticket info: fireflygala.org

28 » Ear Research Foundation Hear & Now and All That Jazz David Amram & Dick Hyman Sarasota Opera House 5:30 p.m. $300 | earrf.org

29 » Sister Cities Association of Sarasota One World Award Gala Celebrating Maestro Victo DeRenzi Michael’s On East 5:00 p.m. sarasotasistercities.org

30 » April Fools Fete Westcoast Black Theatre Troupe 6:00 p.m. $125 | westcoastblacktheatre.org

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“Oral Representations cannot be relied upon as correctly stating representation of the Developer. For correct representations make reference to this brochure and to the documents required by Section 718.503, Florida Statutes, to be furnished by Developer to Buyer or Lessee”

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Co-Chairs Kathy Coffey, Rosemary Eure, Honorary Chair Cornelia Matson, Mickey Davis, Wendy Carlton & Christine Johnson

Mary Dee Hicks, Kathleen France, Ann Castro & Lori McMillan

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PARTY pics CONSERVATION FOUNDATION PALM BALL The Palm Ball celebrated the lands and waters so vital to our gorgeous Gulf Coast with “Forever Green.

Forever Blue.” Guests raised their paddles high and often, inspired to be champions for nature and save land forever. The Palm Ball was hosted by honorary chair Cornelia Matson and co-chairs Wendy Carlton, Kathy Coffey, Mickey Davis, and Rosemary Eure.

Photos by Nancy Guth.

Charlotte & Jonathan Abrams

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SARASOTA SCENE | MARCH 2020

Linea Garner & Vlado Konatar

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SARASOTA OPERA GALA Sarasota Opera kicked off their Winter Opera Festival with the 2020 Opera Gala themed “The Colors of Love.” The black-tie evening at the Ritz Carlton-Sarasota began with cocktails and hors d’oeuvres, during which guests enjoyed a silent auction followed by a performance of Sarasota Opera Principal Artists.

Photos by Nicole Mausser.

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Micelle Fancher, Lauren Hersh & Rabbi Samantha Kahn

Your support impacts a student’s future.

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CIRCUS GALA 2020 The Circus Gala thrilled patrons with amazing circus performances featuring Sailor Circus Academy and international circus artists. Patrons danced the night away while supporting the Circus Arts Conservatory programs.

Photos by Nancy Guth.

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Rochel & Arlene Flournoy

Amy Donato & Renee Preininger

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CATHOLIC CHARITIES BALL 2020 More the 500 patrons attended the 31st annual Catholic Charities Ball at the RitzCarlton. Attendees enjoyed a powerful message from guest speaker, Tim Tebow.

Guests also had the opportunity to “Give from the Heart” by raising their paddle to donate to Catholic Charities.

Tim Tebow with Stacey & David Crawford

Photos by Nancy Guth.

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Andre Williams & Marie McIvor

Bill & Lisa Silvestri

Annie Jordan, Michell Cuffaro & Hannah Jordan

Ben & Emily Moore

JDRF SARASOTA/MANATEE NIGHT OF HOPE GALA JDRF Sarasota/Manatee Night of Hope Gala was held Friday, February 7 at the Ritz-Carlton. Guests enjoyed cocktails and hors d’oeuvres, seated dinner, silent and live auctions, and Fund A Cure program.

Chair Amy Douglas & Myles Douglas

Photos by Nancy Guth.

Randy Reid & Phyllis Stengerd

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Wells & Marsha Purmort, Bill Sadlo

John Knowles

Dan & Claire Murphy

Sally Brown, Lee DeLieto & Nancy Arbuckle

BGCSC STEAK & BURGER Boys & Girls Clubs of Sarasota County hosted its annual, western-themed Steak & Burger celebration. The event recognized Wells Purmort, as the 2020 Honorary Alumnus, as well as Shaneeka (Lee) Foster, as 2020 Alumna of the Year. The organization also presented its prestigious 2020 Youth of the Year title to Marguerite Andrich, a 17-year-old senior at Pine View School. Photos by Nicole Mausser.

Amy Donato & Tom Shapiro, Dr. Dean and Lizzy Hautamaki

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Common Ground: The Intersection of Biophilic Design and Urbanism

Thurs., March 26 | 5:30 p.m.

Sainer Pavilion, New College of Florida

Wed., April 22 | 5:30 p.m.

Sainer Pavilion, New College of Florida

Austin Leeds

Research Manager, Disney’s Animals, Science, and Environment

All lectures are $15 each.

Register online at ncf.edu/new-topics.

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Panel discussion featuring:

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Michael Ritter “FACILITATING JEWISHNESS” WITH A KEEN EYE ON JFED SARASOTA-MANATEE’S BOTTOM LINE

BY SYLVIA WHITMAN | PHOTO BY NANCY GUTH

Michael Ritter was president and board chair of the Jewish Federation of Sarasota-Manatee (JFED) from 2018-2019, and he recalls with a laugh being introduced in his new role to an elderly woman from another Florida city. “Oh,” she quipped, “so you’re the president of the two Jewish people in Sarasota.”

Hardly. During Ritter’s tenure and at his instigation, JFED commissioned a comprehensive community study by Brandeis University. The headline: Since 2001 (date of the previous study), the Jewish population in Sarasota-Manatee increased by 86%.

Of the more than 35,000 individuals within JFED’s purview, a growing number are under 50, including 3,700 children. More young families mean more year-round households, a 112% leap.

Although the Gulf Coast numbers don’t rival Southeast Florida’s half a million, the study confirmed what JFED leadership suspected: that the Sarasota-Manatee Jewish community is thriving. That information should interest all our area’s nonprofits, Ritter says, with a smile, “because the Jewish community supports so many of them.” They also contribute in many other ways to Sarasota’s civic life.

Originally a snowbird from Cleveland, Ritter settled full time in Sarasota around 2014—largely because of all his nonprofit activities here. For three years he chaired the board of The Perlman Music Program/Suncoast before JFED became his 42

SARASOTA SCENE | MARCH 2020

primary commitment. He also serves on the international board of the Israel Tennis & Education Centers.

Ritter considers the population study a highlight of his JFED presidency because it raises Jews’ visibility within the broader community. As the data revealed, there’s nothing monolithic about the local Jewish population: only 16% report a local synagogue affiliation, and nearly half of married couples include a non-Jewish spouse. “JFED needs to serve diverse households,” says Ritter, “and we need to get people to better understand what we’re about.”

He also points with pride to other ongoing projects that advanced during his presidency: engaging more lay leaders and developing JFED’s 32-acre campus on McIntosh Road. In 2017, the board debated whether to sell or keep its landhold and decided to invest in creating The Larry & Mary Greenspon Family Campus for Jewish Life. One cornerstone will be the Hershorin Schiff Community Day School, relocating to JFED grounds in June 2021. The school will bring to campus about 300 students, who currently represent 38 nationalities and 10 different religions. About half of the students are Jewish.

“We think it’s a very healthy environment, Jews and non-Jews learning together,” says Ritter. “And the parents are cross pollinating.”

philanthropy

By Sylvia Whitman

MICHAEL RITTER

Enlarging the performing arts center will similarly invite the broader Sarasota-Manatee community, as well as tourists, onto the grounds to share art, music, social and cultural activities imbued with Jewish values. Just as JFED runs programs to educate Jews and non-Jews alike about Jewish history and culture, Ritter anticipates more Holocaust remembrance events and Israeli exhibits on campus. Children’s activities, with sports, and book and film festivals will also drive traffic.

This expansion is taking place at a troubling time of rising anti-Semitism in the United States. So, with its transition, JFED is also beefing up security for its campus and the broader Jewish community. The FBI and Department of Homeland Security have walked the grounds, and JFED is hiring a full-time security director, who will also confer with other Jewish organizations around Sarasota and Manatee counties. “We’ve already given several grants for security improvements,” says Ritter. Recipients must match the grants and undergo mandatory employee training.

“We see many needs in our community, and we’d rather spend on that,” Ritter says. But no one questions the necessity of the new safety measures.

CONTRIBUTING TO CONTINUITY Unlike a White House occupant, a JFED board president doesn’t get to fly off in a helicopter at the end of a two-year term and lay low. As immediate past president, Ritter is assisting with new president Randon

“I JUST FIND IT VERY

REWARDING. DOING FOR OTHERS

BECAUSE YOU CAN.”

MARCH 2020 | SARASOTA SCENE

43

philanthropy Carvel’s transition. He’s also diving back into committee work.

A retired CPA and senior partner at Ernst & Young, he has often been asked to serve—surprise!—on finance, audit, and fundraising committees, at JFED and elsewhere. Ritter says he has no qualms about asking others to give money “because I really believe in the organizations I support.”

Donor expectations have changed, however. Ritter’s parents’ generation modeled generosity, but giving mostly involved writing an unrestricted check. Now many donors “want to be very specific” in allocating their gifts, Ritter says. JFED also benefits from significant donations of time, with a cadre of more than 400 committed volunteers.

“There’s some sentiment that a nonprofit should be run strictly like a business,” says Ritter. But with different goals than forprofit companies, the “soul of the organization” carries more weight. That creates a “healthy tension,” he says. “We’re still trying to use resources in the best way, in accordance with our mission.”

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Leadership, something Ritter has pondered for decades, matters as much in nonprofits as in businesses. Both leaders and managers need to be intelligent, organized, and committed; however, leaders must also inspire others and be very focused on bringing new resources into the organization. JFED has hit a sweet spot, according to Ritter, in large part thanks to JFED CEO Howard Tevlowitz— who is “very talented” and has a knack for employing and engaging “talented people.”

On December 25, for instance, the staff organized a sold-out Fiddler on the Roof sing-along that played with the trope of Jews spending Christmas with Chinese takeout and a movie.

JFED showed Fiddler in its theater, inviting ticket holders to come dressed in “shtetl chic,” and served a Chinese buffet during intermission.

On a more somber note, both Ritter and Carvel were out of town when Tevlowitz and crew quickly organized a solidarity rally just two days after the 2018 murder of several Jews in a Pittsburgh synagogue. About 2,200 residents turned out in a “show of cross-faith unity.” Building those bridges with the non-Jewish community—looking for common interests, affirming similar values—is part of JFED’s mission, Ritter says, as well as “facilitating Jewishness” among those who identify in their own way with the Jewish faith or culture.

Even without the top job, Ritter intends to stay deeply involved with Jewish Federation activities. “I just find it very rewarding,” he says, “doing for others because you can.”

F O R M O R E IN F O R M AT IO N

about Jewish Federation of Sarasota-Manatee visit jfedsrq.org or call 941.371.4546.

44

SARASOTA SCENE | MARCH 2020

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CONCEPT 4

philanthropy

ELIZABETH MOORE

46

SARASOTA SCENE | MARCH 2020

philanthropy philanthropy

SUPPORTING

BRUNCH ON THE BAY A USF SARASOTA-MANATEE TRADITION

BY RYAN G. VAN CLEAVE Nearly 1,800 scholarships have been awarded during the first 26 years of USF Sarasota-Manatee’s much-beloved Brunch on the Bay event. The impact of those scholarships is deeply felt in our community, as most of the USFSM graduates remain in the area upon graduation.

This year’s 2020 Brunch on the Bay—set for Sunday, November 1st—looks to be every bit as exciting and impactful as the previous ones. Brunch Chairwoman Elizabeth Moore moved to Bradenton, Florida about 12 years ago and quickly immersed herself in land conversation initiatives, as well as the arts and culture arena. But she was drawn to USFSM. “Their students are an extraordinary group. They are engaged in a lot of different programs like business, biology, nursing, and hospitality management,” she notes. Most students stay in Sarasota and Manatee counties upon graduation. Some venture into places unknown and enrich those communities, but it’s great to have this kind of workforce locally!”

This year’s lead sponsor is the USF Federal Credit Union (USF FCU), which was founded in 1959 and started with 16 USF faculty members and $505 in assets. Today, the credit union has well over 60,000 members and assets of $710 million, reports Bill Steiger, USF FCU Brand Strategy and Communications

Manager. “We love to give away scholarships,” he says, “and having been doing that for years. In fact, in 2019 alone, we gave $205,000 in scholarships to USF students—some at the Tampa campus, some in Sarasota-Manatee, and some in St. Pete.”

The thing about credit unions is that they’re nonprofits, which fosters a true sense of obligation to give back to the communities they serve. While the USF FCU merged with other credit unions—notably the West Coast Federal Employees Credit Union in Sarasota—they never forgot their USF roots and profound interest in supporting education.

What really excited USF FCU about becoming a sponsor for Brunch on the Bay was their brick-and-mortar presence in Sarasota. “There are a lot of USF grads, faculty, and staff in the area,” Steiger says. “We’ve had a presence at Brunch before, but this is a new, great opportunity. We’re excited and pleased to be able to sponsor Brunch on the Bay. We very much look forward to getting to know more people in the area and offer them our superior financial services.”

Since credit unions are owned by their members, they tend to have deep relationships that aren’t just transactional. “We always call them ‘members,’ not ‘customers,’” notes Steiger.

philanthropy

“And, we’re typically able to charge lower fees and have lower rates for auto loans, mortgages, and other banking interactions. Because we’re a not for profit, we are able to pass savings on to our members.”

It’s that sense of helping others and supporting the community that makes USF FCU such an ideal partner for Brunch on the Bay 2020. As Moore says, “There’s a young, vibrant energy here, and USF is training students to be professionals in our community. It’s vital to our economy.

Workforce development is key when employers in the area can benefit from all of the new talent.”

That’s why after five years of attending Brunch, she took on the role of Chair. On one hand, Moore says that “it’s a great social event; you see people you haven’t seen in a while. It’s full of lively interactions and outstanding food.

People love to come out and have a great day on the lawn of the Bay, near the water.”

Yet, Moore knows full well the true focus of Brunch. “It’s really important for the community to support Brunch on

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the Bay and all the scholarships that the community provides for the students at USFSM,” she explains. “Eighty percent of the students at USFSM have some form of financial aid, and 50 percent have to work 30 hours per week or more, while attending classes. The funds, made available through Brunch on the Bay, cover tuition for the students so that they can join our workforce quickly. That’s what it’s all about.”

Mary Kenealy Events, LLC partners with USFSM to orchestrate the annual, signature scholarship fundraiser. “Working with Mary Kenealy Events is wonderful,” notes Lee Williams, Regional Vice Chancellor, Advancement at USFSM. “Intuitively, the professionals at Mary Kenealy Events know what is required for a wildly successful occasion, and USFSM is thrilled to work with them on Brunch on the Bay.”

F O R M O R E IN F O R M AT IO N

on USF Sarasota-Manatee’s Brunch on the Bay, please visit www.usf.edu/brunch or call Pam at 941.359.4603.

Take aFlight

5104 Ocean Blvd | Siesta Key | 941-349-1423 | cafegabbiano.com 5104 Ocean Blvd | Siesta Key | 941-349-1423 | cafegabbiano.com OPEN DAILY 5PM-10PM OPEN DAILY 5PM-10PM

WHIMSICAL DUTCH On Siesta Key 50

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CHARM

BY JAE HERMANN Siesta Key is adorned with many exquisite palatial waterfront homes, several of which have been built by waterfront home building specialists including Perrone Construction. When they were commissioned to take on an ample space of land on the recently dubbed “Spice Bay”, the Perrone family team opted to showcase a fresh, yet classic taste of the tropics. A home that embodied classic yet carefree sophistication—the perfect combination for Siesta Key waterfront living.

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“We looked at many different styles of architecture and decided to bring something new and fresh to Siesta, something that would be conducive to what people envision when they come to Sarasota, which is elegant indoor-outdoor living,” said Ricky Perrone, Vice President of Perrone Construction.

According to Ricky, Perrone Construction is a company that very much likes to draw on traditional architectural styles and enhance upon them while staying true to the roots of the style. Taking an innovative approach, the Perrone team traveled to several Caribbean islands to study and model the British, Dutch West Indies, and French colonial architectural influences.

“In the Caribbean, the British and Dutch West Indies and the French colonial styles lend themselves to what we termed a ‘barefoot elegance’— an old-world style adapted to tropical conditions with some new-world influence,” said Ricky.

The Dutch had strong influences in the Caribbean Islands, as seen in the architecture and buildings of Curaçao. Prominent features that are indicative of Dutch West Indies architecture are the gable ends with scalloped parapets and clean white stucco. The British West Indies Georgian architecture with distinct straight lines is decidedly more disciplined than the Dutch influence, which leans toward whimsical, inviting, and carefree living.

In collaboration with Stofft Cooney Architects, the Perrone team exceeded convention in constructing the Caribbean-inspired Coastal Dutch Home. At just over 7,200 sq. feet, this 4-bedroom bayfront home is bright, airy, and filled with Dutch West Indies character and warmth.

“This size home is a fairly typical build for us, and we had a lot of fun with it,” said Ricky. “The goal was to take this build to another level, which we did when collaborating with the art team, architect, interior designer, and landscape architect. We created a project that isn’t just great—it’s exceptional.”

For the home’s architects, Stofft Cooney, it was also a fun and exceptional project. To firm partner John Cooney, the standout features of the home are its vaulted ceilings accented with heavy, stained timbers, and clerestory windows that provide ample natural light filtering throughout the home.

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The entry leads into the great room featuring a stone-clad fireplace and floor to ceiling view of the pool area just beyond. The adjacent contemporarystyle open kitchen with a double island and dining area ensures that no guest feels left out.

Boasting nuanced, classic charm balanced with carefree undertones, the home’s open floor plan and its warm and eclectic Chinese décor, beautifully incorporated by designer Grace Carlson, are notable elements among the Caribbean influence. The interior accent beams of Western Red Cedar tongue and groove added the desired “barefoot elegance” as seen throughout the home.

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The exposed beam accents, shutters, and interplay of materials, all lend to a very fun, whimsical, and relaxed architectural style. The home has extra fun spaces, including a movie theater and a gym.

In the family room off the kitchen, the Perrone team added a corner slider that retracts into a wall on both sides, making it completely open to the outdoor living space and outdoor kitchen area. The retracting doors with 12-foot French doors, accented with 2-foot transcends, “was an engineering feat not seen in Sarasota homes,” according to Ricky. The result creates a dramatic 24-feet wide opening that provides an unobstructed view of the waterfront and pool deck. The combination of indoor/ outdoor space is breathtaking.

On the exterior of the home, other details not typically seen in Florida are half-round gutters and a chimney cap found by Perrone in Curacao.

The Dutch Coastal vibe was also carried into the hardware and fixtures used on doors, in the kitchen, bathrooms, laundry room, outdoor kitchen, and bar. Whimsical cabinet pulls, Colonial bronze knobs, bathroom vessel and dish basin sinks with wall-mounted faucets, lever interior door sets in satin brass are true to the home’s style while the latest in rain-head showers, toilets, freestanding tubs, and kitchen sinks and faucets were used to meet the discerning

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needs of the homeowner. All kitchen, bath and bar fixtures and door hardware are from The Plumbing Place.

Equally as important to completing the right look in the bathrooms was the selection of tile for both the floors and walls, which came from SRQ Modern.

In the master bath, Cappuccino marble tile with a pebble stone accent under the soaking tub works beautifully with the custom Calacatta gold wave mosaic walls handmade in Italy. Onyx split face stone was used on the walls to complement the limestone floor used in the downstairs bath. The powder bath features a custom white marble mosaic on the vanity wall, and the custom waterjet mosaic tile honed in Thassos and polished with Carrara marble was used as a “rug” and on the back wall of the shower in the upstairs guest bath.

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Hazeltine Nurseries was charged with creating a unique tropical landscape design that carried the Caribbean vibe to the outside.

According to owner Stephen Hazeltine, they took the time to determine the proper hardscape and plant material to compliment the Dutch/Curacao architecture.

“There were many unique areas and niches to put our design abilities to work. From the water garden area between the main home and the home gym, a native hammock on the south side of the home, the bay on the east side, as well as an extended garden on the west side of the home that contained a bocce ball court, water feature, and sitting area with arbor, each area helped us create one of the most charming gardens we’ve designed,” he shared.

Hazeltine found a dark clay brick for the drive that added a contrast of the Dominican coral used within the water garden areas as well as the sunning pad on the bayside of the home. The majestic Foxtails used in the entry area, along with the slender Carpentaria Palms in the pool area, enhanced the relaxed feel of the total garden experience. The use of the coconut palms helped to complete the Caribbean feel.

For Ricky Perrone, the idea was “to build a comfortable, new home, but at the same time, a home that feels like it could have been there 100 years ago. Rather than build a trendy home, we built a timeless home.”

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Of all the exotic places you’ve dreamt of visiting, an out-of-town cancer center probably isn’t one of them.

A diagnosis of cancer is bad enough. Spending hours on a plane to get care makes it worse. No one should have to leave home for cancer treatment—and soon you won’t have to. Comprehensive cancer care is coming to Sarasota. So you can stop fighting your way through strange airports, and start fighting your cancer here at home.

Please support our Leading with Care campaign. Through your generosity, we can help Sarasota Memorial transform cancer care in our community.

Hope comes home. Give today.

941.917.1286 | smhf.org A COPY OF THE OFFICIAL REGISTRATION AND FINANCIAL INFORMATION MAY BE OBTAINED FROM THE DIVISION OF CONSUMER SERVICES BY CALLING TOLL-FREE 1-800-435-7352 WITHIN THE STATE OR BY VISITING www.freshfromflorida.com/divisions-offices /consumer-services.

REGISTRATION DOES NOT IMPLY ENDORSEMENT, APPROVAL, OR RECOMMENDATION BY THE STATE. (REGISTRATION #CH103) THE HEALTHCARE FOUNDATION WILL USE THE FUNDS FOR THE STATED PURPOSE BUT RESERVES THE RIGHT TO USE THE GIFT IN A MANNER CONSISTENT WITH ITS CHARITABLE PURPOSE IF THE STATED PURPOSE IS IMPOSSIBLE OR IMPRACTICAL TO ACHIEVE.

Join us for our educational luncheon FRIDAY, MARCH 27, 2020 10:30 – 1:30 P.M. MICHAEL’S ON EAST

941.917.1286 | smhf.org

PROCEEDS WILL SUPPORT ORTHOPEDIC AND REHABILITATION SERVICES

Thank you for BELIEVING in us.

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SARASOTA VASCULAR SPECIALISTS The First Accredited Vein Center in Sarasota and Charlotte Counties

Michael Lepore MD, FACS, RVPI

Deepak Nair MD, FACS, RVT

Russell Samson MD, FACS, RVT

Inkyong Parrack MD, FACS, RPVI

Richard Hershberger MD, FACS, RPVI

Jason Wagner, MD, MSc, RPVI

SARASOTA VASCULAR SPECIALISTS has been granted accreditation by the Intersocietal Accreditation Commission (IAC) in the area of Superficial Venous Treatment and Management.

They are the first accredited Vein Center in Sarasota and Charlotte Counties, and one of only four in Southwest Florida.

More than one half of Americans age 50 and older are affected by varicose veins. Varicose veins occur when the valves in the leg veins no longer function, causing blood to pool in the legs. In some cases, this condition progresses to a more serious form of venous disease called chronic venous insufficiency (CVI).

Whether to relieve symptoms and/or improve appearance, treating varicose veins can be performed by vein centers that specialize in the evaluation and management of superficial

OUR SURGEONS ARE UNIQUELY QUALIFIED AS BOARD-CERTIFIED VASCULAR SURGEONS SPECIALIZING IN VEINS AND ARTERIES.

venous disorders. There are many factors that contribute to an accurate vein treatment and management.

These include the training and experience of the vein specialist performing the procedure, the type of equipment used, and the quality assessment metrics each facility is required to measure. They all contribute to a positive patient outcome. IAC accreditation is a “seal of approval” that patients can rely on as an indicator of consistent quality care and a dedication to continuous improvement.

• LEADING VASCULAR SPECIALISTS IN THE TRI-COUNTY AREA FOR THIRTY YEARS • INTERNATIONALLY RENOWNED VASCULAR SURGEONS

600 N. CATTLEMEN ROAD, SUITE 220 SARASOTA, FL 34232 (941) 371-6565 VEINSANDARTERIES.COM

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Celebrate Have a special birthday coming up?

A little one on the way?

Marrying the love of your life?

Celebrate Life’s Precious Moments at Cafe L’Europe Let our catering staff create magic for your special event, giving you and your guests an unforgettable five-star experience.

Reserve one of our beautifully decorated private dining rooms .

Ideal for small or large celebrations, birthdays, wedding showers, rehearsals, meetings and seminars.

(Audio Visual equipment available on request)

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431 St. Armands Circle | 941.388.4451 | cafeleurope.net

SARASOTA SCENE | MARCH 2020

DESIGNING THE FUTURE

Nine Ringling College Teachers

BY RYAN G. VAN CLEAVE | PHOTO BY NANCY GUTH What better way to investigate and appreciate the world of art and design than by seeing it for ourselves and hearing from those that create it? With that in mind, here are nine teachers from Ringling College of Art and Design sharing their work, their vision, and their ideas about the art they make.

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KEN SPIRDUSO BACKGROUND DESIGN/VISUAL Bio: My background is in animation, concept illustration, and fine art. As a layout artist, I designed environments for films such as Thumbelina, The Lion King, Pocahontas, Tarzan, Mulan, and Lilo and Stitch, and painted backgrounds for films such as Brother Bear and Curious George.

I’ve also created concepts and scenic art for theme parks, storyboarded and illustrated for video games and the military, and painted portraits and landscapes.

Vital early-career moment: Early in my career, my wife and I had an opportunity to live in Dublin for two years. I worked with animator Don Bluth, and Caroline studied with the British Horse Society—a wonderful opportunity for both of us. Working on films with Don Bluth and his studio opened the door for me to work with Disney Feature Animation in Orlando.

Your influences: My dad, who was a designer and photographer, taught me how to draw. I was blessed with excellent teachers such as Vern Olson, John Collier, Robert Sudlow, Steve Gjertson, Dale Redpath, and Richard Lack. While in school, my heroes included Rembrandt, Velazquez, Van Dyck, NC Wyeth, and Howard Pyle. Their work was an inspiration and an education and helped to equip me for future work in animation, concepts, and painting.

Key thing to know about background design: There’s a common misconception that artists who create backgrounds for animated movies or video games rely solely on their imaginations. In fact, they spend a great amount of time researching what’s real.

For example, an animation studio will send teams out to gather reference images from locations around the world. They photograph, sketch, and paint in order to bring back to the studio information on landscapes, architecture, lighting, and color. All of that information is then filtered through a chosen style that’s tailored to help tell a story.

Something surprising about making art: When I began my career in animation, I was surprised to see how animation studios were influenced by great art of the past. They weren’t creating cartoons in a simple, visual style, but instead, they looked to the Renaissance, the Golden Age of Illustration, wildlife art and landscape painting to guide the artwork produced for animated films. The Disney animation studio in Orlando was like a graduate art program where we were constantly being trained in drawing and painting as well as art history.

Most important thing to understand about making art: Succeeding in art isn’t easy—it takes an entire career of study and practice. However, if artists draw and paint well and understand basic information such as tone relationships, color theory, and composition, they have a chance to succeed in the industry.

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JEFF BLEITZ GRAPHIC DESIGN

Bio: I had an epiphany at age 19—my first full year studying graphic design—that this was it for me. Designing and teaching design was something I’d be interested in doing for the rest of my life. I consider myself a designer, not an artist. I don’t generally make art on my own. I need a communication problem to solve or a presentation challenge that is directed toward a visual communication goal.

Vital early-career moment: My biggest and best professional experience was working with Eric Groves at his studio which at the time was called Groves Design (renamed as Flying Hippo) in Des Moines. I was his first employee and Eric showed me so much about the business of graphic design and trusted me with a variety of design jobs from logo, poster, publication and t-shirt designs to art directing photoshoots. We even designed a whole magazine from scratch for Home Depot, each of us in charge of designing different sections.

Your influences: Eric Groves, whose studio now has over 20 employees. He was then, and still is,

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a great boss. Among my biggest graphic design influences on a global scale, Vaughan Oliver is the clear leader. Oliver—who sadly passed away just before the new year—and I actually met between my junior and senior years of college. I found his work inspiring, but also appreciated his humility, humor, and generosity in meeting my class at his studio in London. He also joined us for lunch and a pint at the pub across the street. I’m grateful I didn’t know much about him or his work before I met him (this was pre-internet, y’all) or I would have been way too intimidated to talk to him.

Key thing to know or understand about graphic design: It probably looks like fun and in many ways, it is, but this is a job. As with any profession, designers have varying degrees of skill and training. We work with images, typography and spatial compositions across a broad array of media and with a wide variety of software and materials. On the one hand, everyone can kind of do it. So, it’s accessible. Everyone can kind of design like everyone can kind of play baseball. But not everyone has the skill or the training and discipline to do it professionally, on demand, and under the pressure of budgets and deadlines.

Something surprising about the world of graphic design: The practice of design has conditioned me for things I do on a daily basis that I never would’ve imagined as a design student. And also how the need for design has expanded with the advent of the internet, websites, and mobile apps.

But the process of gathering research, sifting it for potential solutions, organizing visual and textual information, and presenting clear ideas in a variety of understandable and engaging visual formats is so useful that at Ringling right now, the department head for Computer Animation, the department head for Motion Design, the department head for Illustration and I all have undergraduate degrees in graphic design or communication design. It’s a great access point for finding a scope of work you enjoy and developing solutions to a vastly diverse range of visual communication opportunities as well as business and social needs.

Anything else? Teaching is a surprisingly tiring but thoroughly enjoyable and invigorating vocation.

I think teaching is another thing many people think they know what it involves because we all have seen it done. But I learn something every time I step into the classroom. I enjoy creating the design problem as well as the presentation of the problem to the students. And I’m proud to work with my fellow faculty from whom I’ve gleaned so much.

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SCOTT GORDLEY EDITORIAL ART

Bio: I graduated from Ringling College of Art & Design and earned an MFA from Tufts University.

My career began in New York illustrating for clients including Time, Esquire, Newsday, Playboy, London Times, Viking Penguin, and Hearst Publications, among many other publications and agencies.

I am currently the Illustration department head for Ringling College of Art and Design.

Vital early-career moment: Painting James Earl Jones. He was in rehearsal at that time for Driving Miss Daisy on Broadway with Vanessa Redgrave. During our painting session, he recited lines from the play in his booming Darth Vader voice. Between lines, he would regale me with stories of him posing nude for life drawing classes as a young man as well as telling me numerous dirty jokes.

When Darth Vader tells you a dirty joke, you laugh!

Your influences: I began seriously making art at around 3 or 4, following my mother’s lead—she did fashion illustration for department stores in Dayton, Ohio, where I grew up. Like many of us who loved art as kids of my generation, we were weaned on Disney, comic books, and Mad magazine. Famed Mad magazine cartoonist Jack Davis was one of my early influences, as was Degas, Rubens, Norman Rockwell, Burt Silverman, N.C. Wyeth and 30 or 40 others.

Key thing to know about making editorial art: The days of having the luxury Maxfield Parrish or Norman Rockwell had in taking a month or two to execute a piece are long gone. With all of the social media outlets available creating news by the millisecond, publications—digital or print—have to act fast in presenting to their audience.

Something surprising about making art: That I’ve been able to get by with it! Imagine art and art-related activity that pays your mortgage! I was always under the impression that one had to work for a living and the word “work” was always a negative word. I always tell my students there is nothing better than to be consumed by something you love so much so that you forget to feed the cats until they put a hole through your canvas trying to get your attention.

Most important thing about making art: Those of us embedded in the arts—for all the challenges residing on the margins of a mainstream agenda—feel inordinately blessed. What a fantastic life. I constantly preach that mission to my students. As educators, especially at Ringling, we’re not selling a vocation—we’re selling a life.

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CALEB PROCHNOW CONCEPT ART/KIT-BASH

Bio: I have created a lot of different types of art in my career: concept art, advertisements, book covers, calendar illustrations, logos, apparel design, 3-D modeling, sculpture, teaching, painting, and more. My wide-ranging artistic ability has enabled me to work for companies such as Disney, Universal Studios, NASCAR, Ron Jon Surf Shop, Simon & Schuster, Ogilvy & Mather, EA Games and many more.

Vital early-career moment: I was an avid reader in middle and high school, devouring books like Encyclopedia Brown, Hardy Boys and Ender’s Game. Growing up in the 80’s and 90’s, I also saw the creation of creator-owned comics and dreamed of making my mark in that industry.

Your influences: Todd McFarlane, Jim Lee, Rob Liefeld, and Mike Mignola. As I became more interested in art, my influences grew to include artists from the Golden Age of Illustration, Gustaf Tenggren, Arthur Rackham, and Edmund Dulac. The common thread through all of the artists that I looked up to and admired was storytelling.

Key thing to know about making concept art: I enjoy creating concept art because I’m visualizing something that doesn’t currently exist. Concept art is the development of a culture, creature, clothing, prop, room, or object that will help move a story forward and bring it to life.

KITBASH PHOTOS BY SUSAN SAULNIER

A good definition for kit-bash: It’s an art form of using parts of models, toys, or found objects to help create something new. It’s used in the industry to create concept art and/or prototypes. Examples of Kit-bashing in film can be found in the spaceships of Star Wars: A New Hope and the Batmobile in Batman Begins.

Something surprising about making art: Almost everything that we interact with, wear, or view has been designed or touched by an artist. My students have gone on to careers as car and shoe designers, patterns artist, concept artists for film and video games, theme park designers, children book illustrators, social media influencers, and business owners. I’m constantly surprised by the breadth of their careers as artists.

Most important thing to understand about making art: Create something new every day and surround yourself with people that will give you honest feedback. While it may be difficult to hear that feedback at the moment, honest feedback will help you grow as an artist in the long run.

Anything else? My advice to artists entering the professional arena is to beware of flatterers and be cautious of doing business with friends.

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“Nth the Rising” 1985 – Computer Generated Image

ED CHEETHAM MOTION DESIGN

Bio: My love for computer animation started back in 1982, as a graphic designer who wanted to explore motion as a design element. I attended The Ohio State University’s Computer Graphics Research Group where I earned my Master’s in Art Education. I started as an animator at one of the first computer animation studios, Cranston/Csuri Productions. I’ve continued to combine my love of teaching and animation by helping to start the Computer Animation major at Ringling in 1991, and most recently founding the Motion Design major in 2009.

Vital early-career moment: Being a part of the development of the new field of computer graphics. At the beginning, computer graphics was described as a solution without a problem. Everyone was a student, and they were so open with their knowledge and discoveries. It’s similar to the type of sharing community that the current Motion Design industry has embraced, and it’s a philosophy that I try to foster within the Motion Design major.

Your influences: It was such an honor to meet two of my heroes, Frank Thomas and Ollie Johnston (two of the Nine Old Men of classic Disney Animation). I remember being at Ohio State, working late one night on an animation, when visiting artist Frank Thomas walked into the basement computer lab, and asked me to tell him more about this new computer animation technique. In return, he drew for me a Mickey Mouse in my sketchbook. It’s my most prized possession to this day. It was such an inspiration to see this talented man—one of the most respected men in the field of animation—be humble, curious, and wanting to continue to learn.

Key thing to know about creating motion design: Motion designers come from a long history of creatives who used film, illustrations, puppetry, and visual effects, all to communicate an idea, message, or story. From the earliest days of cinema, they used media in ways unintended to push the creative envelope, make dancing figures from spinning paper discs, use oil lamps to cast images and shadows on walls, and move paper cut-outs to create an engaging opening title for a movie.

Something surprising about motion design: It’s not a simple, repeatable action. Every motion design project has its own unique creative challenges.

For motion designers, it’s not about doing the same thing over again, and try to improve on it. The biggest challenge for us is to constantly create imagery that is new and different. New and different = eye-catching and engaging. Engaging = memorable, and memorable = marketable.

Most important thing about making art: The only thing that really limits you is self-doubt. Accept that there are too many things to know, so accept and embrace the not-knowing.

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“Gargoyle” 2001 — Digital Photograph

WATCH OUR LATEST STUDENT WORK NOW On your smartphone, download and install the ARTIVIVE app. Open the app and point the camera WATCH OUR LATEST STUDENT WORK NOW at the photo above. The animation will appear in On your smartphone, download and install the ARTIVIVE app. Open the the photograph.

Turn the volume up andpage. enjoy our app and point the camera at the photo on the preceding The animation will appear in the photograph. latest department show reel. Turn up the volume and enjoy our latest department show reel.

Easily find the app by using this QR code

KELLY WARNER SOUND DESIGN

Bio: I help students communicate through sounds of all shapes and sizes as sound designer and engineer for the Motion Design Department at the Ringling College of Art and Design. I also write, sing, and produce original songs as indie pop artist Hotel Eden, and craft custom soundtracks, sound design, and post production for creative ad firms all over the country through my brand, SoundMural.

Vital early-career moment: In a distant past, I was half of a performing hip hop duo. A fan and friend of ours—the founder of a visual media creative firm—asked me if I’d be interested in producing music for an internal piece for a large tech company. What an awesome experience! The way that rhythm, tone, and timbre influenced the mood and message was fascinating, so this one project became a long-term relationship with combining sound and visuals.

Your influences: I was adopted, and all four of my parents are musicians. I was on the road just after birth, living in hotel rooms and touring the country with my mother in a red pickup truck covered with [actual] love bugs. So, for me, music started early. Later, my adopted father would spin Beatles vinyl on a hi-fi system, often playing a variety of instruments in the evenings. He still does!

Key thing to know or understand about sound design: I’m often asked what the best software is for creating sound design or music. While I’m a huge fan of Ableton Live for its experimental-friendly workflow, my response is essentially, “Be extremely proficient with a few simple tools you personally love—but stay open.”

Something surprising about sound design: Every day, I feel more strongly that the only real difference between the sound and visual arts is the physical sense we use to perceive them. Sounds in the stereo spectrum demand their own space, forming relationships; the same with elements in a visual composition.

Film’s visible grain and tape’s audible noise. Visual blur versus reverberation.

Contrast, tone, timing; warmth and coolness. So many parallels exist that I’ll often look to a visual model to solve a sonic challenge. If these sounds were objects in a visual arrangement, what would they look like, and how would they get along? What would I change? There’s always a parallel in the sonic world.

Most important thing about making art: On some level, art is always storytelling. Every technique or tool is simply a means to that end. So, strive to tell a great story.

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DON BRANDES DESIGN, ILLUSTRATION, MEDIA VARIETY Bio: I decided to be an artist sometime around the 2nd grade. Since then, I have spent a lot of time drawing. I received my BFA from the University of Missouri in Columbia and his MA from Syracuse University in New York. After college, Hallmark Cards Inc. hired me as an illustrator of greeting cards. During that time, I started teaching a variety of illustration techniques at Kansas City Art Institute, freelancing, and doing gallery work. Ringling College asked me to teach for them in 1998, and my wife Katy and I have never looked back.

Vital early-career moment: I had some really good teachers in college but my education as an illustrator started at Hallmark. At that time, it was the largest creative studio in the world. For 15 years, I learned something new every day!

Your influences: At Syracuse, I took a History of Illustration course and eventually taught that class here at Ringling. 95% of my influences and heroes come from illustrators past and present. It’s an honest profession. Illustrators are hired by art directors to bring their talents to a job. There’s nothing pretentious about this career—I feel good about that.

Something surprising about making art: It’s surprising to me how the students at Ringling College continue to get better and better. That keeps me from ever getting bored with teaching. I have to work hard to keep up with them!

Most important thing to understand about making art: For me, it’s simple—all art is based in drawing.

With any painting I do, if it’s based on a good drawing, it’s going to be a good final product. Good drawing skills are the key to success.

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JOE THIEL

EDITORIAL ART/GRAPHIC ILLUSTRATION Bio: I was born across the river from the Great White North in the savage border town of Buffalo, New York. Here, among other things, I bussed tables, washed dishes, cut up small- and medium-sized animals for the Mafia, and eventually earned a BFA in Graphic Design as well as the first MFA in Illustration offered by the State University of New York. After graduating, I moved south to escape the frozen tundra and freelanced for The Washington Post, The New York Times, The Washington Times, The Baltimore Sun, The Detroit News, The Chronicle of Higher Education, Johns Hopkins University, The Federal Government of the United States, The US Army, The American Psychiatrist Association, and more.

Vital early-career moment: I was “lucky” enough to have had pneumonia badly enough a couple times as a kid that I was confined to an oxygen tent. All I could do was copy pictures from the comic books my cousin had given me—that’s what first got me interested in drawing. What clinched it was that in 6th grade I had the author Dan Simmons as my teacher, and he’d tell us stories while he was drawing them at the same time.

Your influences: Comic books, movies, trashy pulp fiction, painting and prints of all -isms and eras, seeing great art in great museums, and above all, Alan E. Cober, one of America’s greatest illustrators who was my graduate school art teacher and saved my life twice—first, by teaching me what illustration was and could be, and second, by helping get me my job at Ringling College, where I’ve worked for the past 28 years.

Key thing to know about making art: Illustration is art, period, end of story. Think about it—how many people are familiar with Norman Rockwell, N. C. Wyeth, and Maxfield Parrish, compared with, say, de Chirico? It deserves respect. It solves a client’s problem or need while at the same time needing to look cool and hopefully be memorable, while probably being done on a quick deadline as well.

Something surprising about making art: When done well, art is fascinating to us because it’s a continuum of people borrowing/stealing from each other to continually create something new.

Most important thing about making art: Instead of depending on my years of “experience,” my recent figure work has been about letting the muse take me where it wants to go. Sometimes the results are cool, sometimes it’s horrific, but whatever happens, happens, and that’s what makes it fun.

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TOM CASMER CHILDREN’S BOOKS, MECHANICAL

Bio: I’d call my career “diverse.” Although I’ve been teaching art for almost forty years, what I’ve taught reflects that diversity. Graphic Design, Illustration, Children’s Books, Figure Drawing, Typography. The places that I’ve worked as an artist are also diverse—small design groups, in-house illustration studios, corporate art departments and eventually freelancing in my own studio. I’m now enjoying how all of these experiences have informed the current direction of my art.

I started my career as a fine artist and musician, then I went back to school to study Illustration and Graphic Design, and now I find myself focusing once again on fine art drawing, painting, and sculpting.

Vital early-career moment: An early experience that I had the good fortune of participating in was a trip to NYC with a group of students and the Department Head of the Fine Art Program at Hamline University at the time, Paul Smith, probably in 1971 or ‘72. On that trip, we visited the studios of artists Duane Hanson and Louise Nevelson. I find that aspects of my current work echo Nevelson. Meeting the artists and experiencing the art scene in New York were inspirational moments.

Your influences: My wife, Mary GrandPré. I knew of her work as an illustrator long before she and I ever met. Brilliant. My dad, for sure. He could build a house and fix or repair anything. I think he instilled the thought, besides “measure twice, cut once”, that if you screw up on something you can fix it and still learn a great deal in the process.

Key thing to know about making mechanical art: While it looks planned, for me it’s a very spontaneous process, especially in the drawing and painting of the images. Once I start, each separate element in the abstract construction is a reaction to what came before and some anticipation of what might come next. If I take that image and want to make a sculpt of it, it’s at that point that the initial drawing may serve as a blueprint or at least a visual guide for the 3D version. The materials I’m using right now are those I’m most comfortable using; wood for the sculptures, and pen, ink, and pixels for the prints. I enjoy the process of starting with a traditional medium of pen and ink, and then painting digitally; outputting a print and then building cradled panels out of birch plywood and 1x2s; and then mounting the print on the panel. From traditional to digital back to traditional. Tradigital.

Something surprising about the world of art: That it’s filled with such talent and people who are willing to share and give of their time and experience. I’m grateful for being allowed to be a part of it. I thrive in its diversity.

Anything else? I’ve learned that art is hard but very rewarding work. The years spent studying in school and filling your head with new ideas and the various “tools” for your particular toolbox are invaluable. Then there are the years of applying your trade—in my case as an artist and educator. Because of that, I have a stronger sense of what my voice/outlook—whatever you want to call it—is.

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Sir

David Bintley

ballet’s freelance knight

By Sylvia Whitman

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In 2019, as his countdown-to-retirement clock was ticking at the Birmingham Royal Ballet (BRB), Sir David Bintley looked to the future with a bit of trepidation. For 24 years he had been catalyzing world-class ballet in the middle of England as BRB’s director. “You don’t know what it’s going to feel like when you’re suddenly not,” he says.

Less than a year into his new freelancing career, Bintley reports, “I feel … GREAT.” He laughs. “I cannot tell you the weight which has lifted. I never meant to be the guy who had to raise money and look after people’s lives. I loved it while I did it”—Queen Elizabeth knighted him in 2020 for services to dance—“but it’s great not to have to do it now. … I keep saying to people I’m going back to my old job, which is being a choreographer.”

Bintley is bringing his talents back to The Sarasota Ballet for the April Beyond Words program, which features three one-act pieces, all local premieres. Bintley choreographed

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one—”The Spider’s Feast”—and is co-staging another— ”Dante Sonata”, Sir Frederick Ashton’s ballet based on The Inferno.

Beyond Words open with a romantic piece before taking a dramatic turn with “Dante Sonata”, which depicts the battle between Light and Darkness. Choreographed by Ashton to music by Franz Liszt, “Dante Sonata” debuted in London in 1940, months after the German invasion of Poland. It resonated with wartime audiences. By the 1950s, however, it seemed to have lost relevance, Bintley says, “and people were puzzled by this somewhat emotional piece.” It disappeared for half a century, lost until Bintley “exhumed” it.

“I literally got together several marvelous octogenarian ladies who had been in the original, and they put the thing together, and I did some stitching,” says Bintley. “I filled in a few moments. I honestly couldn’t tell you what they were now because the piece is so seamless.”

“It’s a real protest.

It’s a work which is quite expressionistic, quite Germanic, in a way.”

– sir david bintley

The Birmingham Royal Ballet first presented the resurrected ballet in 2001—on the night of 9/11. Some patrons wept. “Dante Sonata” has become pertinent again. For ballet aficionados, the piece with its modern dance moves stands out as a remarkable anomaly in the Ashton canon, better known for romantic, sometimes humorous compositions. “It’s a real protest,” says Bintley. “It’s a work which is quite expressionistic, quite Germanic, in a way.”

With costumes and set modeled on Sophie Fedorovich’s original 1940 designs (inspired

by William Blake), The Sarasota Ballet is reproducing the work as it was conceived, Bintley says. “Now when you look at it, when you hear it, it is as authentic as is possible.

It’s very important that we saved it.”

The evening will conclude with Bintley’s own “The Spider’s Feast”, best described as “fun.” Inspired by a “ballet-pantomime” set to Albert Roussel’s music in 1913, Bintley

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amped up the playfulness in the story of a spider assembling his dinner. “In my version, every time he thinks he got lucky, he hasn’t. He gets cheated out of his dinner, except maybe at the end.”

Bintley choreographed “The Spider’s Feast” as a dancing test for Royal Ballet School junior and senior students, who have performed it a few times since 1997, but he’s thrilled that mature dancers will inhabit the roles for the first time in April.

“For years I wanted to put it onto a professional company, because I thought there are things that young people don’t have the mastery of. One of them is comedy, which is one of the hardest things to do, especially when you’re 18.” Bintley knows this challenge firsthand as a dancer. “Comedy is a skill. You get a feel for an audience; you get a rapport.”

With a new design by Dick Bird, “‘The Spider’s Feast’ feels like it’s going to be a new piece,” says Bintley. “It’s a gift really. It’s the insect world. So, we play with the idea of scale.” The set doesn’t have many elements, but they’re huge, as the human world must look from a bug’s-eye view.

“The piece takes place at dusk, and into the night, when all the creepy things come out. So, the costumes are quite colorful because they’ll play against the darkness of the set,” Bintley explains.

The anthropomorphized characters are engaged in a war, with soldier ants (some played by ballet students) and wasp fighter pilots. “That’s the fun of it, spotting the human traits in the insect characters,” Bintley says.

On the subject of fun, Bintley is looking forward to sojourning in Sarasota for more than a month to polish his Beyond Words segments. “Now that I’m not tied in one place, I’m beginning to have metaphorical families all around the world. It’s a lovely thing.” It’s hard to leave a company after a run, of course, but the next gig awaits.

“Luckily I’m in a position where I still have lots of energy,” says Bintley. “I still have lots of ideas.

I’m looking forward, God willing, to a few years of doing what I set out to do at my beginning.”

There will be three performances of Beyond Words on April 24 – 25, at the Sarasota Opera House, with accompaniment by the Sarasota Orchestra.

For more information, visit sarasotaballet.org or call 941.359.0099..

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Victor DeRenzi, Artistic Director Richard Russell, Executive Director

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2020

DESIGN TRENDS

By Jacqueline Miller

From colors to furnishings to high-tech gadgets, who doesn’t love to see the latest home trends? Experts say that for 2020 and for this decade, off-trend is on-trend.

Anything goes! Mixing unique materials and colors shows individuality—so create spaces that show your personality. To help you mix things up, we asked some local experts to share their favorites of the latest.

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BATHING BEAUTIES John Smithman:

“Freestanding tubs are in demand with designs that fit all tastes from modern to traditional and everything in between. The latest back-to-wall tubs, which have the feel of a freestanding tub while using wall plumbing, make it more affordable than using a freestanding tub filler and drain.

A very popular back-to-wall tub is BainUltra’s “Vibe” model. It’s the perfect choice for smaller bathrooms and especially for Downtown condos. Exterior designer finishes are also available, including the trendy black-on-white combination.

No more is individuality more attainable in bathroom fixtures than with the Axor “My Edition” faucet. This sleek, low profile faucet comes with six different cover plate options that top the faucet, including leather, wood, two types of marble, and mirrored or black glass. The plates can be changed out for personalization or to coordinate with other elements in the bathroom.

Our bathroom is our sanctuary—a place we like to take our time, relax in comfort, and relish

our surroundings. Transforming this space into

a true sanctuary may just be one of the most

uplifting things you can do. Where do you start?

With the friendly and knowledgeable staff at

The Plumbing Place, of course! (941.378.5678,

theplumbingplace.com) The huge showroom displays an outstanding array of high quality kitchen and bath products and architectural

hardware. For more than 30 years, owner John

Smithman and his team have delivered products

and service second to none.

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While polished chrome is still the choice for contemporary styles, matte black is a hot trend. The color is carried across faucets, showers, and mirror frames. Fluerco’s Skyline In-Line Door and Panel in matte black is a great choice.

If you hate the look of bulky, institution-looking grab bars, then you’ll really like the new sleek grab bar designs offered in Keuco’s “Elegance” accessories. Designed for both showers and the commode areas, they flow with the design of the other bath fixtures and look great.

Another trending product is Elkay’s ezH20 built-in filtered water dispenser. Not only does it save you trips to the grocery store for bottled water, just think about all the plastic water bottles you don’t have to dispose. This hand-free clean water source can be installed in your kitchen, a recreation room, or your master suite. It’s convenient and healthy.

From sinks to faucets to tubs and showers in many styles and designs, The Plumbing Place is at the forefront of the latest industry trends.”

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OUTDOOR DREAMING

Furniture that endures for generations is always trending and you can be sure it

is always made of solid hardwood. And

when it comes to beautiful made-to-order hardwood furniture made in the USA, there’s no better source than Miller’s

Dutch Haus Furniture (941.952.5646 and 941.960.2942, dutchhausfurniture.com).

Abby Schlabach, Marketing Director:

“Poly outdoor furniture has become increasingly popular in the last few years. Poly is made of High Density Polyethylene (HDPE), a recyclable plastic derived from post-consumer waste such as milk and detergent bottles. It is environmentally friendly.

Poly is appealing to buyers because it does not splinter, rot, or warp like wood outdoor furniture.

It is essentially maintenance-free because it requires no waterproofing, staining, or similar recurring maintenance.

Poly is available in a variety of colors, the most popular being neutral brown tones and textured finishes which are made to look and feel like wood. Tropical colors such as Aruba blue and lime green mixed with crisp white are also a trendy pick.”

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UNIQUE INTERIORS When it comes to fine

living, interior designer Barbara Vanderkolk

Gardner, President of Collins Interiors (941.383.0131,

collinsinteriordesign.com), has

been wowing her clients for

years. Whether its designing

interiors for condos or homes,

Ms. Gardner has created spaces

that capture the individuality

as well as the desires of each

homeowner.

Barbara Gardner:

“Last Spring, our team was tasked with completely redesigning the interiors and updating the exterior of a lovely large home on Longboat Key. The new owners, an executive couple from New York, wanted their first vacation home in Florida to have a less Tuscan look, be less formal, and be more family friendly.

We put in an entirely new kitchen with high-end appliances, a large new island with a stunning quartz countertop, new lighting, custom cabinetry, and expanded storage. In each bathroom we refreshed the vanities with new paint, new countertops, luxury grass cloth wall coverings, and updated lighting. We removed a heavy Mediterranean looking stone fireplace and designed a fresh approach with custom millwork and lighting.

In High Point Market, we sourced beautiful case goods, mirrors, carpeting and fabrics for custom upholstery, bedding and window treatments, as well as fun accessories.

A visit to Sarasota’s Rugs As Art showroom yielded dramatic rugs for the living room and foyer. All to these reflected the tastes, interests and lifestyle of this fun family.

For the exterior, we put on a new roof, reconfigured the driveway, redid the landscaping, updated exterior lighting, and refreshed the pool area. We then made it turnkey with new sheets, towels, housewares, a security system, and audio visual updates.”

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ORDERLY LIVING An uncluttered home usually makes for a

calmer, happier and more efficient life. There

are so many ways we all can get better

organized whether it be for our wardrobe,

office or library, wine, pantry, laundry, garage, arts and crafts or all of the aforementioned.

For optimum custom organization, we asked the professionals at California Closets

(941.366.1315, californiaclosets.com/

locations/sarasota) what’s trending with their

discerning clients.

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Lora Van Balen, Marketing Manager:

“California Closet designers work with clients to meet their personal tastes and needs. With our extensive line, we can offer a wide range of exclusive finishes, color palettes, and accent choices, so we can meet every aesthetic preference. It’s all about individuality.

Very popular right now are systems with streamlined profiles that are transitional modern in design—a fusion between modern and traditional. You can choose between different wood finishes in the latest tones, beautiful countertops, high grade leathers and vegan leathers, frosted, back painted and clear glass, and lots of hardware choices.

With 15 customizable drawer styles, jewelry organizers which can be customized by adding, removing, or adjusting snap-in dividers, vanity drawers, shoe organizers, sock drawers and more, our systems make organization so functional and beautiful.

More and more, clients are asking for accessible wine storage. We have incorporated wine star storage systems in dining rooms, offices and other rooms and can customize each wine star to fit the exact specifications of your space.”

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ART ANCHORS

Nothing pulls a room together better than great art—and the

same can be said for floor art, aka area rugs! Selecting the perfect rug to anchor a room not only

showcases the personality of the buyer, it completes the room.

From solids in many colors and

textures to patterned rugs that can be as subtle or as bold as

you want, the place to go for the largest selection of eclectic rugs is Rugs As Art (941.921.1900,

rugsasart.com). Owners John and Lucy Murse and their family have served this community for more than 30 years.

John Murse:

“We work with over 100 manufacturers representing over 40 countries around the world, and if you don’t see what you want in our huge showroom, we also can create custom rugs in just a few weeks to ensure you get the color and design what work best with your interior. Today it’s all about individuality, not what everyone else is doing, and we can easily find or make what you need.

The mirrored pattern and reverse coloration of the rug featured above is a close up of a traditional design with untraditional vibrant colors that has been broken apart and antiqued giving it a very contemporary feel. It is a great statement piece and works beautifully with many colored upholstery fabrics, especially rich blue, which is so popular right now.

Some of our best-selling rug designs come from our collaboration with a small weaving family in India. These 100% hand knotted wool rugs are not like anything currently found in the marketplace. They are a unique combination of new world/ old world with traditional patterns in the fresh, trendy colors of today.

The soothing coastal pallet of the blue abstract rug is designed with a pattern overlay. The organic nature of the design makes it a true work of art that will give your room a peaceful, harmonious feel.

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Unique finishes and purposeful

innovation are behind 2020 appliance trends. Smart appliances must be

meaningful to our lifestyle and needs,

easy to use, intuitive and customizable.

To see what’s trending in kitchen

appliances, we recommend visiting Mullet’s Appliances Showroom

(941.921.5531, mullets.com), which

showcases products from many of the

top brands including Jenn-Air, Sub-Zero,

Wolf, Thermador, Miele and many more.

Scott Mullet:

“While steam ovens are a hot trend that will live on, when most people imagine their dream kitchen, built-in refrigeration is a major component.

Pioneered by SubZero in the 90’s, column refrigeration gives your kitchen a seamless, contemporary appearance, offering homeowners the freedom to design kitchens that look the way they want and reflect the way they live.

Column units offer superior customizability allowing you to pair any size refrigerator column with any size freezer column. Whether you want a wine cellar built directly in between your refrigerator and freezer or a freezer the exact size of your refrigerator, luxury brands like SubZero make it easier than ever to seamlessly merge quality, innovation and functionality with your kitchen decor. ”

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STATEMENT PIECES

Always trending are beautiful and unique pieces of stone that make a

room come to life. Whether its countertops, flooring, or backsplashes, no one wants the “same old same old”. There have been jaw

dropping new choices in this arena. On the forefront of this trend is Asli Gunsel, owner of 301 Granite & Marble (3800 N Washington Blvd., 941.360.0301), who has imported some incredible works of art.

Asli Grunsel:

“Whether it’s art for your walls, ceilings, backsplashes, vanity, bar, or other creative spaces, decorative art panels are becoming wildly popular in the interior design world. Groundbreaking artistic pieces from designer Alex Turco are crafted from photographic and digital imaging resulting in aweinspiring artistry.

They are being used in both homes and businesses in place of traditional art and can be customized so you get exactly what you want. Everything from size, color, look and design are made to satisfy. Made of epoxy resin, the panels are all incredible works of art. They are also UV resistant and waterproof so they can be used to create dynamic backdrops behind bathtubs and outdoor garden and pool areas.

So, if you want to a look that sets you apart from the rest and makes your home or business the standout that it was meant to be, I highly recommend that you stop by and talk to me about these breathtaking designs.”

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Dream. Decide. Design. Done! That’s what

today’s discerning homeowner wants and that’s just what they get working with a

Design Works professional (941.355.2703, floridadesignworks.com). For 2020, it’s all

about getting everything you need—tile, stone, cabinetry and countertops— to personalize the

look of your space from one convenient source.

“Living on Florida’s beautiful Gulf Coast, many people want a coastal yet a sophisticated vibe for their home.

The kitchen in this model home captures just that. We chose Mir Mosaic’s Seagate, a Mother of Pearl shell, as the focal point of the kitchen. With this product, we use no grout since it has a seamless interlocking system. It is a very pretty, sophisticated look that is easy to clean and care for.

To ensure a look that would not compete with the striking Mother of Pearl backsplash, we chose Lyra, a Silestone quartz with a very refined, clean look. It has a wide chromatic range of grays, browns and beige on a white background that allows for versatility.

The cabinets, from the Woodharbor Breeze Collection, were done in Platinum to complement the countertop and backsplash. To give the room a pop of color, the center island was done in Blue Spruce, which was the perfect choice for an upscale, coastal feel.”

SOPHISTICATED COASTAL

Chris Dowling, Vice President:

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SPOTLIGHT

“HEAR” AND NOW. . .

By Gus Mollasis While they may not be household names, anyone who really knows good music—really great music—definitely knows who they are. To those who know David Amram and Dick Hyman and their music well, they are known as Pops and Knuckles O’Toole, respectively.

Elia Kazan, Jack Kerouac and Leonard Bernstein all knew David Amram because they worked or played with him.

Benny Goodman, Woody Allen and Charlie Parker all knew Dick Hyman because they worked or played with him.

When your whole life has been music, working and playing is really the same thing when you reach this legendary level of performance as a musician. Both men have received acclaim for working on a Sinatra project. Both have played with Dizzy Gillespie. Amram has played with Charles Mingus, Thelonious Monk and Lionel Hampton. Hyman worked with the likes of Ella Fitzgerald, Tony Bennett and Quincy Jones.

They both play a beautiful piano, are accomplished musical composers, and both have achieved acclaim lending their vast musical talents to the silver screen.

Noteworthy is David Amram’s score for Elia Kazan’s Splendor in The Grass, his haunting score for John Frankenheimer’s Manchurian Candidate, and his work on the art house classic beat film Pull My Daisy.

Dick Hyman’s musical contributions have accompanied a number of Woody Allen films including Hannah and Her Sisters, Zelig, Radio Days and The Purple Rose of Cairo as well as Norman Jewison’s Moonstruck and Peter Bogdanovich’s Mask.

The list of who they have collaborated with is way too long to list here.

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Yes, David Amram and Dick Hyman have worked or played with just about everybody—BUT NOT WITH EACH OTHER.

on the town

AND ALL THAT JAZZ On one night, March 29, 2020, that will change.

That’s when these two legendary musical performers will appear on Sarasota Opera’s stage and perform together for the very first time.

Now that’s history.

The kind of stuff that happens once in a lifetime.

Two musical cats who’ve made a lifetime of good music.

Now you’ve got to be getting all jazzed up with what you know and what you’ve heard about them.

How they’ve played in quartets and quintets. Where they’ve played—from small clubs to concert halls.

With whom they’ve performed—solo, in a threepiece or with a big orchestra. Scripted or rehearsed or racing by the seat of their pants, pianos and pennywhistles. Improvising their way through all the musical notes in the heavens.

If you have seen them or heard of them before, it’s safe to say that you probably won’t see and hear them like this again.

This is your chance to hear greatness with two guys who have footnoted the history of American music over the last 100 years by hitting all the high notes, the soft ones and every note in between.

All the while hitting these notes with respect for the composer, the lyricist, the singer. And always hitting them in the perfect pitch and on time.

When they bring their unique talents together on March 29, it will be to benefit the Ear Research Foundation in Sarasota – a worthy cause that raises important funds for research, education and community care for hearing and ear treatment.

And let’s face it. There aren’t too many people your ears would have more gratitude listening to then these two magical musicians.

Dick Hyman MARCH 2020 | SARASOTA SCENE

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Amram turns 90 in November while Hyman turns 93 this month. That’s a lot of years of all that jazz that’s made their lives one long jam session worth listening to and remembering.

David Amram: “The object I believe is not to build a career, but to build a life. And if you’re lucky to live long enough and stay the course, you can have a wonderful life and even make a contribution doing that.”

And both these piano men have had quite a life. Amram, who is listed as an American composer, arranger, and conductor of orchestral, chamber, and choral works, many with jazz flavorings, plays piano, French horn, Spanish guitar, the pennywhistle and sings.

Michelle Crabtree, Broker Associate 941.724.4663 Maggie Davenport, REALTOR ® 941.400.8757 Kathy Dietz, Licensed Assistant 941.320.7699 Michelle.Crabtree@PremierSIR.com MichelleCrabtree.PremierSothebysRealty.com

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Add one other thing to that list—he’s also a big fan of Dick Hyman. Amram has always admired Hyman and longed to collaborate with him.

David Amram: “I met him (Hyman) my second week in New York City in 1955 at a party that music critic Leonard Feather gave that I was fortunate enough to attend. Feather was an early supporter of my efforts. Even at that time Dick Hyman was a legendary pianist. There were other notables there including Billie Holiday. I heard Dick play live that night and I have never forgotten it.”

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EAR RESEARCH FOUNDATION’S

HEAR & NOW ...

AND ALL THAT JA ZZ

CK HYMAN

DAVID AMRAM “Over the years I’ve seen and heard so many things that he did that I loved and respected. He’s done magnificent performances of Gershwin and his jazz collaborations with so many people are all amazing as are all his excellent scores and his recordings with Charlie Parker. He’s one of those people that does everything well—a true musician’s musician and the consummate gentleman.”

High praise from a man who has also played with many musical giants over the years.

Join us for this historic performance by two greats, Dick Hyman and David Amram, playing together for the first time.

5:30PM DINNER

SUNDAY, MARCH 29, 2020 8PM SOUNDS OF JAZZ SARASOTA OPERA HOUSE

9:30PM AFTER PARTY

Join us for this historic performance by two greats, Dick Hyman and David Amram, playing together for the first time.

5:30 PM DINNER

SOUNDS OF JAZZ FOR8 PM RESERVATIONS: 9:30 PM AFTER PARTY

WWW.EARRF.ORG

Dick Hyman was named National Endowment for the Arts Jazz Masters Fellow in 2017 and is listed as an American jazz pianist. In a career that’s spanned over 60 years he’s mastered being an organist, arranger, music director, electronic musician and composer.

And to that list you can also add this—he is a big fan of Amram.

Dick Hyman: “David Amram is so talented. So wide. It’s hard to define him.

He’s a wonderful pianist and plays the French horn, which is a difficult instrument, as well as many other instruments. He’s a noted composer and conductor. The man can do everything and he’s played with everybody. I can’t wait for the opportunity to share the stage with him. I’m really looking forward to it.”

Now these two musical strangers in the night will get their chance to finally perform together.

And on March 29 one thing is for sure.

FOR RESERVATIONS: WWW.EARRF.ORG OR (941) 365-0367

When these two hit the stage and tap their keys, they’ll be getting every honest ounce of energy out of each note that DATION IS A NON-PROFIT 501C3 ORGANIZATION, DEDICATED TO RESEARCH, EDUCATION, AND COMMUNITY CARE RELATED TO HEARING LOSS AND BALANCE DISORDERS. theyREGISTRATION play. #CH1004. A THE OFFICIAL REGISTRATION AND FINANCIAL INFORMATION MAY BE OBTAINED FROM THE DIVISION OF CONSUMER SERVICES BY CALLING TOLL-FREE (800-435-7352) WITHIN THE STATE.

OR

941.365.0367

REGISTRATION DOES NOT IMPLY ENDORSEMENT, APPROVAL OR RECOMMENDATION BY THE STATE.

If you’re lucky enough to be in attendance on this incredible night, seeing and hearing these two legends play the music of their lives will certainly be a night you’ll not soon forget.

THE EAR RESEARCH FOUNDATION IS A NON-PROFIT 501C3 ORGANIZATION, DEDICATED TO RESEARCH, EDUCATION, AND COMMUNITY CARE RELATED TO HEARING LOSS AND BALANCE DISORDERS. REGISTRATION #CH1004. A COPY OF THE OFFICIAL REGISTRATION AND FINANCIAL INFORMATION MAY BE OBTAINED FROM THE DIVISION OF CONSUMER SERVICES BY CALLING TOLL-FREE (800-435-7352) WITHIN THE STATE. REGISTRATION DOES NOT IMPLY ENDORSEMENT, APPROVAL OR RECOMMENDATION BY THE STATE.

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For tickets and more information, call 941.365.0367 or visit EarRF.org.

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Saving Lives is Whiskey Business!

An evening benefiting SunCoast Blood Centers Saturday, April 4, 2020 6:00 p.m. - 9:00 p.m.

SRQ Waterworks 1005 N Orange Ave., Sarasota, FL 34236

Whiskey, wine & signature cocktails | Small plates & dessert | Silent auction For event/ticket information and raffle tickets, please visit: scbb.org/whiskeybusiness or scan the QR Code.

SPACE IS LIMITED Chairs: Carole Kwiatkowski & Viveca Altobelli Dr. Dan Steffen & Dr. Anne Giesecke

TITANIC presented by Manatee Players

MAY 7 - 24

INFO: 941-748-5875 ManateePerformingArtsCenter.com

Please note: all productions, schedules, and prices are subject to change

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SPOTLIGHT

We’re all. . .

“Just Wild About

” Harry

HARRY CONNICK, JR. COMES TO THE VAN WEZEL

By Gus Mollasis MARCH 2020 2020 || SARASOTA SARASOTA SCENE SCENE MARCH

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on the town

There’s much to like about Harry Connick Jr. His voice.

His arrangements. His unique take on the songbook of American standards. His acting chops. His gift of gab.

His cool style. And the tremendous body of music that he’s orchestrated, arranged, and performed that take the listener on a musical storytelling journey.

…as in restaurant supplier.

Wow! That’s cool.

And for all those things and more, we’re all…”Just Wild about Harry”.

A good friend of mine was in the great Dolphin Tale movie with you. Tom Nowicki who played Philip J. Hordern.

Oh yeah, Tom, he’s really a sweet guy. I had a great time with him.

For me, what I like the best about this man from Louisiana is his ability to be a regular guy who you could have, as Sinatra would say, a “Nice and Easy” conversation with on just about anything.

And that’s just what I had with him—a nice and easy conversation. We connected as Harry was making arrangements for his current tour that would bring him to the Van Wezel Performing Arts Hall on March 20 to celebrate the music of Cole Porter.

Hi Harry, How are you?

Hey, what’s going on?

I’m a meat man’s son. A kid from Detroit. My dad was a meat man and a songwriter who loved you as a performer.

Meat man as in…?

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It’s a cool story. Maybe I’ll tell it to you in person. I’m coming to the show.

That would be cool.

Since we’re both native Detroiters and Detroit Lion fans, we’ve been miserable our whole lives.

I’ll tell you. It’s one of those things where Matt Stafford is so great. You got to have that combination and you guys will get it.

Thanks Harry, I could sit and talk football, but I know time is tight so let me get to it. This is tough, but please put into words the joy you get out of making music.

Yeah, it really is difficult. I was actually thinking about this last night. Music sort of takes over. It makes you stop.

It’s another place to be. It’s like any kind of amazing distraction that allows you to focus…like fishing… football…whatever it is that allows you to completely focus and at the same time you’re creating something.

A participatory distraction that can bring you joy. It can

on the town

“Music sort of takes over. It makes you stop.

It’s another place to be. It’s like any kind of amazing distraction that allows you to focus…A participatory distraction that can bring you joy. It can also bring you pain. A variety of emotions.” also bring you pain. A variety of emotions. Lots of times you feel joyous playing music, but other times you break down in tears just because it affects you in a certain way. One thing is for certain. It allows you the chance to be completely immersed in something creative. It doesn’t always happen like that. We all kind of come out of the reality we are in. It’s like a commercial during a Lions game. You know what I mean?

I’ve loved all your work, but recently having lost some friends in my life, I’ve been listening to your version of “Danny Boy”.

I’ve listened to it over and over.

I’m going to tell you something that will freak you out. I’ve sung that song for a long time. But it’s been years since I have sung it just because you kind of go through cycles. As I’m getting ready to go on the road, I have a different band, so I don’t have any charts for this band and have no charts for this particular configuration. So, I’m writing all these new Cole Porter charts, some are based on the album, some of them aren’t, just to make something custom for the people and these upcoming concerts. And last night I put the last note down on “Danny Boy”. I’ve never written a chart for that tune. I’ve always done solo piano. And I started thinking what song that I’ve done that people may want to hear. And I finished it, left my office and went up to my room. My wife was watching TV and I said, “Jill, that ‘Danny Boy’ is just one of the heaviest tunes ever written.” She said, “I just love it when you sing that song.”

So, we had a conversation about that song less than 12 hours ago and here you go talking about it.

Sometimes it’s a perfect universe. Thank you for letting me escape in that song. What was you earliest recollection of when you knew that music would be your life? Was it that moment when you got on stage and did a little Beethoven with the orchestra? Was it earlier or later?

It was actually earlier. I remember my sister taking piano lessons from my cousin, Georgia, and I would hear that piano and I just liked it. I would go to the piano and plunk around on it. And

for whatever reason I was able to kind of hear these melodies.

You know very, very simple stuff. I became fascinated with it.

The first time that I went on stage I was probably five years old.

I got a chance to experience what happens when you press these little keys down and people listen to it. Regardless of why it was probably because I was five rather than for anything musically that I was doing. There was a connection there. People were paying attention to me and it made me feel good. The better I got, the more attention they paid. I remember thinking it was amazing.

What’s the greatest lesson that you learned from your mom and pop?

My mom used to tell me to be a leader all the time. I remember when the lunch bell rang, I would run from the classroom to the front of the lunch line. I would go home to mom and say, “Hey mom, I was a leader today.” She would laugh. I never knew why. It wasn’t until later that I realized what that means. We are presented with these options and we have to choose the ones that are the right ones albeit artistically, ethically, morally or philosophically. But we all make the wrong choices sometimes and that’s what being a leader means. And sometimes it means being on an island and being on an island for a real long time.

And you have to be okay with the decision that you make and have to think about it very carefully.

My dad, as simple as this sounds, would always say, “Be on time and be nice to people. If you can do those two things, you’re in pretty good shape.” And one more good piece of advice that a good buddy gave me: “Lazy people work the hardest.”

If you go out to get firewood and you think you can make it in one trip and you drop some wood, you’re just going to take longer by having to pick it all up. Go ahead and make two trips.

Lazy people work the hardest. I think about that every single day. You see a short cut and you end up spending more time.

I’ve had some good advice.

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on the town

How much do you like making movies and films and is it comparable to how you feel when you make music?

I get the same level of thrill from it. Yet it’s different in way but it has an equal level of escapism and fantasy for me. When you’re doing a role and you’re completely there and working with someone, whether it’s a director or other actor who is as good or better than you, someone like Hillary Swank and Renee Zellweger, people who you really learn from, it’s a profound experience. Like doing Broadway. Every night you come off stage and think what just happened. It’s really a weird sensation.

I love that. I love any kind of creativity.

It doesn’t need to be NEW to be

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As both an Emmy and Grammy winner you’re halfway to joining an elite group of EGOT winners (Emmy, Grammy, Oscar, and Tony). Is that something you think about or is it the furthest thing from your mind?

I don’t think about that. There was a time when I thought negatively about it because how can you possibly objectively compare art? It’s not like stats in a football game. You just can’t do that. Even if there is objective craftsmanship involved in whatever genre you’re talking about—filmmaking, music or whatever. If a Billie Eilish song means something to you and a Harry Connick song doesn’t, end of discussion. It doesn’t matter. But there came a time when I got older that I realized that every award and nomination is an honor because somebody took the time to include your work in a process that they thought was important enough to recognize. Then you also realize it’s the currency by which people measure success. I am certainly honored when those things come around.

Time capsule a couple tunes from your repertoire that you would like future There’stono tofrom the generations hearlimit 100 years now.BARGAI What are they?

That’s a great question. There’s a song called “To See You”. That’s one that I think

BODY SCULPTING | BREAST AUGMENTATION | LIPOSUCTION

Is the biggest challenge reintroducing standards balancing new arrangements while honoring the original work?

No, because you don’t need to honor that. You can literally rip these songs apart and perform them in any style you want and they’re not going to lose integrity.

The biggest challenge is to come up with something that satisfies my musicality and something that I think people can enjoy.

And that’s a tough line to walk because it’s very easy to slip into a music that’s so obscure that nobody gets it and on the other hand write things for people and then you’re not doing your own art. That’s the biggest challenge.

TUMMY TUCKS | BREAST LIFT | ARM & THIGH LIFTS | COOLSCULPTING

represents my lyric writing, melody, singing and orchestration and all of that. That’s a really cool one. And there’s another song called “Other Hours” which is another example of my writing and singing.

TRANSFORM

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Many years from now, and I hope you take Kirk Douglas’s years, after all the songs have been written and sung and the piano keys have been tapped, how do you want to be remembered?

I just want to be remembered. I don’t care how they remember me. Sometimes when I’m on tour people come up and say, “Hey what are you doing in town?” And I say, “I’m on tour.” And they say, “Doing what?” They know me from Dolphin Tale.

I would like to be remembered. Period. I lived a pretty non-eventful life in terms of trying to be nice and as kind as I can be, so hopefully the memories will be nice.

That’s all I want man.

For tickets to Harry Connick, Jr. – True Love: An Intimate Performance honoring the songs of Cole Porter, visit vanwezel.org or call the box office at 941.263.6799.

MARCH 2020 | SARASOTA SCENE

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Education MATTERS

By Ryan G. Van Cleave

MAKING MENTAL HEALTH A MUST @ JFCS OF THE SUNCOAST

JFCS has a commitment to change lives forever by being the area’s leading human services agency. While many know that their non-denominational services work wonders with the health concerns of the elderly, the challenges faced by homeless, and the needs of those with food and financial crises, one of the lesser-known-but-equally-vital things they provide is mental health care and support.

The National Association of Mental Illness reports that 1 in 5 US adults experiences mental illness in any given year, and 1 in 25 (9.8 million!) experience mental illness severe enough to significantly interfere with major life activities. Perhaps most disturbing of all is this statistic: 17% of youth (6 –17 years old) experience a mental health disorder.

JFCS realizes that dire situation regarding our children, and they’re taking action.

“An important aspect of JFCS’s contribution to the education community is through psychological services to children,” says President/CEO Heidi Brown. “We’ve found that it’s an unmet need in our community. There are simply very few providers who offer this type of service and take Medicaid or low-cost self pay.”

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Mary Bane Stevens, Director of Counseling Services, says that they’re now doing about 14 complete psychological evaluations a month. The recipients of these come from referrals—from parents, guidance counselors, schools, physicians, mental health counselors, and other agencies. Sometimes more than one. “If a parent wanted to have their child evaluated by a licensed psychologist, it could cost up to $2000. What we’re able to do here is use doctoral interns—those with a master’s degree who have almost completed their Ph.D. They have a high level of education and this is the last thing they do before getting that degree. And all the work they perform for us is supervised by a licensed psychologist.”

One way of thinking about this is that JFCS is providing two services at once, with children and families getting affordable care, and the doctoral students receiving invaluable on-the-job experience and training. It’s a great situation where everyone receives something meaningful.

These doctoral students come from all over—Miami, Boston, Los Angeles, Tucson, and elsewhere. Brown explains that there’s a national matching system in place, much like one used for placement in a medical residency internship.

“An important aspect of JFCS’s contribution to the education community is through psychological services to children.We’ve found that it’s an unmet need in our community. There are simply very few providers who offer this type of service and take Medicaid or low-cost self pay.”

While the program is obviously meeting many needs, it has a built-in challenge—costs. The doctoral students receive a stipend. There are the often-unreimbursed copays. The cost of the internship itself. The cost of supervising the program.

The cost of testing materials.

The reason JFCS has been able to create and continue the program so far has been because of the generosity of their donors—many of whom rank education and at-risk children among their most vital areas of interest.

One of the new services JFCS provides this year is testing for autism. Stevens says, “It has a huge effect on kids, so getting them into the right school placement and support system is key.” Without data, there’s no easy way to advocate for a child in the school system. JFCS’s ability to provide the testing and create the data gives parents the tools that allows them to finally get the best education environment they can for their child, and that’s every parents’ wish.

One of the things that has surprised Stevens was the actual environment. “When I took the position,” she explains, “this program was part of my responsibility. My thought was that psychological testing would be noisy, stressful, and tense. But it’s nothing like that at all. Kids come with their parents, they bring a lunch, have a nice day, and the testing gets done.

It’s amazing how calm and cheerful and positive it is for the parents, too.”

Brown says that if anyone’s interested in receiving these services, they should call the Weinberg Campus on Fruitville Road (941-366-2224) and ask for the Intake Department. They offer a sliding scale that adjusts to the financial ability and situation of the clients.

“The program is still so new that we’re just working through how to best utilize this service before coming up with clear next steps,” Brown adds. “We’re taking a measured approach.

We started with one doctoral candidate, and now we have four. We have to be realistic, but we know the need is there.”

JFCS also provides wraparound services for many of their clients. Stevens notes that “if we see where a child is having issues through their psychological evaluation, and then we note that the parents are struggling in other areas, we can refer them to our Healthy Families program. Or we can send them to counseling or other services within our agency that will help any member of their family.”

It’s important to know that JFCS is a mental health and human service agency that serves all people, regardless of background or religion. Indeed, the vast majority of those served are not Jewish. “We help people in crisis,” Brown says. “That’s what we do.”

This mental health service for kids is in its 3rd year now, and they’re already interviewing for next year’s doctoral candidates.

This past year, JFCS had four, and come July 1, they need to be replaced since it’s a one-year position.

on the JFCS of the Suncoast, please visit www.jfcs-cares.org or call 941.366.2224.

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F O R M O R E IN F O R M AT IO N

By LAUREN YEE Directed by VANESSA STALLING A co-production with Miami New Drama

This

is no

t a ga

me.

THE GREAT LEAP

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arts&culture

Pop Culture Howie Tsui Speaks at the Ringling

By Sylvia Whitman

In Howie Tsui’s Retainers of Anarchy, which makes its U.S. debut at The Ringling this month, kung fu meets traditional Chinese scroll painting in a multimedia work both subversive and playful. A computer algorithm constantly remixes Tsui’s hand-drawn scenes, put in motion by a team of animators and set to music by collaborator Remy Siu. Viewers step into a darkened gallery where five projectors cast an evershifting 25-meter visual narrative on the wall. Although Tsui says he hasn’t met enough of his American audience to predict the reaction, the Vancouver-based artist expects a range of responses.

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“But I guarantee, the first one will be wonder,” he says.

Retainers of Anarchy germinated on Tsui’s honeymoon. Born in Hong Kong and raised in its diaspora, he returned to the city for the first time in 2010, with his wife. An uncle arranged tickets to a touring exhibit of The River of Wisdom, China’s World Expo hit, a massive animated version of a historic Song dynasty scroll that required 18 projectors. It was “quite the spectacle upon first witnessing it,” Tsui says. Upon reflecting, however, he found its “very harmonious and idealized portraiture of society” unsettling, particularly in semi-autonomous Hong Kong “at a time when a lot of locals are feeling quite uneasy about what the future is going to look like.”

A painter and illustrator who graduated from Canada’s Waterloo University with a BFA in 2002, Tsui was already garnering attention for his Asian-themed mashups, such as Of Manga and Mongrels. And he always had a desire to see his images move and to translate them into other mediums. He had experimented with folksy magic lantern projectors, but The River of Wisdom inspired him to think big—and rebellious.

“I am replicating the spectacle aspect of the work I saw at the World Pavilion,” Tsui says. “What I was trying to do was skewer that form of presentation or have a satirical critique of that format, animating historical images.”

How to subvert highbrow propaganda? Stir in some popular culture.

Growing up a global nomad, Tsui had watched a lot of martial art historical fantasy, a genre known in Mandarin as wuxia. “For me in the Hong Kong diaspora, living in a very isolated part of Canada, those TV shows and films constructed a fictional identity or an imagined idea of Chineseness.”

Wuxia celebrates the underdog hero beholden to no one. (Think Crouching Tiger, Hidden Dragon, the 2000 Academy Award nominated film.) Researching wuxia, Tsui discovered that mainland China had banned or restricted the

arts&culture

To Power genre during the 20th century, driving many writers to more liberal Taiwan and Hong Kong. “I’m playing with that genre,” Tsui says, “and seeing that it’s quite loaded.”

Don’t expect a linear narrative, however. The algorithm switches up images nonstop. Canadian art historian Alice Ming Wai Jim has described Retainers of Anarchy as a “ a virtual built environment … [with] no beginning or end.” At its heart rises a cutaway alluding to Kowloon Walled City, an ungoverned settlement demolished by Hong Kong authorities in the 1990s.

Contrasting with domestic scenes inside the high-rise is a landscape full of ghosts, good and bad guys, and all manner of fringe characters, including a Hong Kong bookseller who mysteriously disappeared during recent protests. Students of Chinese art will recognize nods to Song dynasty handscrolls and bandit stories.

Tsui says he’s been grappling with audience. Certainly, viewers familiar with some of the context will have a deeper read on the multilayered images. “But I think the work can stand by itself formally.”

He points to how “the idea of liminality, or in-betweenness” from the martial arts universe surfaces in Retainers of Anarchy.

“It’s like the Wild, Wild West—no rules.” Tsui links that to the diasporic experience “and identity that wavers in between boundaries of definition.” In martial arts movies, the outsider often resists authority—sticks it to the man, if you will. Kung fu films had a huge following in Western marginalized communities, says Tsui, because wuxia “portrayed something different that they could root for.”

Now a father of two, Tsui is thinking ever more deeply about the “geopolitical ping-ponging of history” and the “fuzzy edges” of identity. He speaks Cantonese to his son but hasn’t signed him up for language classes. They watch films, listen to music, eat Chinese food. The Hong Kong of his youth grafted British colonialism onto Chinese roots in a soil rich with international influences. “I approach identity with my kids in a similar hybrid, mishmashy, kaleidoscopic, inverted prismatic way,” Tsui says. At the same time, though, he’s “concerned about cultural preservation and concerned about forms of cultural erasure and homogenization.”

Howie Tsui, Retainers of Anarchy, 2017 (detail), algorithmic animation sequence, 5-channel video projection, 6-channel audio. Collection of the Vancouver Art Gallery, Purchased with proceeds from the Audain Emerging Artists Acquisition Fund, Photo by Rachel Topham, Vancouver Art Gallery

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Visiting Tsui’s studio several years ago, Ola Wlusek, The Ringling’s Keith D. and Linda L. Monda, Curator of Modern and Contemporary Art, was captivated by the early stages of Retainers of Anarchy. The project mines history and pop culture and raises contemporary issues of nationhood and migration. The Ringling is “trying to speak to the moment,” she says, and Tsui fits the bill.

Tsui and his team will spend about 10 days in Sarasota setting up the animation and ironing out any technical glitches before the opening. It’s a challenge “to establish this seamless, puzzle-piece kind of piecing together of the five projectors where you don’t know where one projector ends and the other begins,” he says.

Then it’s on to other projects. Parallax Chambers, another algorithmic animation sequence, opened in January in Vancouver.

Once he finishes a work, Tsui says he simply services it, making sure it has the maximum impact on viewers. Retainers of Anarchy has upcoming exhibits scheduled in Canada and Australia. Limited gallery space and political pushback pose challenges in Asia, but yes, Tsui says, “I would love for it to make it to Hong Kong.”

Howie Tsui: Retainers of Anarchy runs March 15 through June 14, 2020, at The Ringling Museum of Art Monda Gallery. Tsui will give an artist talk on March 13 at 11:00 AM. For more information, visit ringling.org/events/howietsui-retainers-anarchy (exhibition) and ringling.org/events/ artist-talk-howie-tsui (talk).

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Anniversary Gala Ruby Celebration Benefiting:

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STATE COLLEGE OF FLORIDA 941.752.5252 / scf.edu Guitar Ensemble Around the World in Eighty Minutes March 19 SCF Jazz Happy 100th – A Tribute to Dave Brubeck and Bird March 21 Chamber Music Concert Up Close and Personal March 26 Sundays at Neel Beach Boys Tribute: Good Vibrations March 22

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arts&culture

LITERARY Scene

By Ryan G. Van Cleave

THREE BOOKS FOR THE YOUNG AT HEART

DON’T READ THE COMMENTS

by Eric Smith

www.EricSmithRocks.com

At the heart of the latest novel by Eric Smith—a YA author and literary agent—is an online game called Reclaim the Sun. For Divya—a.k.a. D1V—it’s far more than just a game. Her skill in the game is earning her sponsorship opportunities, which she needs to help out her single mom. That genuine love for her mom is a nice touch that makes her likable in a way that internet celebrities often aren’t.

And there’s Aaron Jericho, who is far more interested in playing games—and creating new ones for a local game developer—than in continuing the family legacy by becoming a doctor. But here’s a truth that Smith deals with directly. Even in an environment like the beautiful world of Reclaim the Sun, fear, insecurity, and hatred can spring to life, as they do in the form of trolls who make Divya feel unsafe. But Divya isn’t about to stand aside or quit, even when the threat moves from a virtual environment to the real one.

Smith’s choice to let this story unfold from two perspectives is effective and helps us see the challenges and strengths of each character. He also does a fine job of being geeky and fun while still handling the heavy topics of racism, sexism, and inappropriate online behavior.

For those who worry this might be a book purely for video game enthusiasts, worry no more. Smith moves this story along in a compelling way that any reader can appreciate and enjoy. So, if you like Brittney Morri’s Slay (reviewed here a few months back) or Ready Player One, you’ll likely find this book to be a treat.

And those who simply want an exciting, well-told story will be similarly glad they gave this book a chance.

Ryan’s Rating: One of the things I’m told to do in the classroom is to give trigger warnings, and while I’ve never done that with reviews, I’ll do so here. Alyssa Sheinmel’s new YA novel, What Kind of Girl, touches on a lot of heavy topics, such as bulimia, abuse, self-harm, and the challenging landscape of LGBTQ relationships and identities.

But I wouldn’t let that dissuade you from giving it a shot because this is the type of story that’s in our lives, in our news, and in our culture.

In What Kind of Girl, things get heated at a California school called North Bay Academy when it becomes clear that a popular male student, Mike Parker, is abusing his girlfriend, Maya. The school quickly gets divided, with some believing Maya’s claims and some believing that it HAD to be an accident. Sheinmel wisely chooses to focus on the teen girls by using multiple points of view from characters

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who have monikers such as The Abused Girlfriend and The Pothead versus actual names.

WHAT KIND OF GIRL

by Alyssa Sheinmel

www.AlyssaSheinmel.com

What Kind of Girl aims to be more than another domestic violence story by showing Maya’s ongoing sympathy for Mike, even in the face of what most readers will see as abuse. This is a difficult topic to deal with no matter what creative choices an author makes. The second half of the novel moved noticeably slower than the first half, and some readers might find the many points of view a bit distracting.

Still, I feel certain that many teens will see versions of themselves and their peers in this story that dives deep into that strange pond that is the American high school experience. It also champions the power of friendship, which is a fine message to deliver to any reader of any age.

Ryan’s Rating:

Z Happening

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arts&culture THE DISEASED ONES

After the onslaught of dystopian YA stories of the past decade, I’ve been reluctant to take a chance on more since far too many fell short of the real gems in this arena—The Hunger Games, Divergent, and The Maze Runner. But Danielle Harrington’s debut novel, The Diseased Ones, first grabbed me, I think, because of the lovely cover. The story, though, doesn’t disappoint.

(THE HOLLIS TIMEWIRE SERIES #1)

by Danielle Harrington www.DJHarringtonBooks.com

Things start fast, with Hollis Timewire finding out—on her 16th birthday, no less!—that she has the dreadful biomarker that makes her as a Diseased One but also gives her dangerous powers, as well. Semi-spoiler—to be a Diseased One means you’re able to feel emotions, which means the bulk of society is an emotionless sad bunch of folks.

good thing?), and that she has to hide underground as an outcast with other Diseased Ones. She soon discovers that it’s quite possible that the government committed a genocide against previous outcasts and tried to cover it up. Can Hollis uncover answers in a world that seems more content with lies than truth?

What type of sacrifices and risks will it take for her to find her way back home and to the life she dreamed of having?

There’s a romance subplot between Hollis and a character named Keith that doesn’t overtake the main narrative—which I appreciated. In short, Harrington’s debut is an intriguing addition to the dystopian YA shelves.

Ryan’s Rating:

What this means for Hollis is that now she can’t be a citizen (is that a maybe a

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InHEALTH GUT INSTINCT Karen Brainard, M.D.

Who does not have a belly ache every now and again?

Eating should always be a pleasure, but can be followed by a burning stomach, gas, bloating, heartburn or abnormal stools. Why is it that so many of us have disturbed digestion?

What can we do? When should we worry and when is it fine to self-medicate?

Much self-care is simple, but not easy to implement.

Take time to enjoy the meal and people around the table. Take time out of your busy day to just be and appreciate what you have before you.

Chew thoroughly, enjoying all the flavors, waiting to speak until you are done with that mouthful.

Allow yourself to fully enjoy the meal, preparing your stomach to finish mixing it, adding digestive enzymes in the small intestine, completing the breakdown of your food into small molecules.

Eat from all the colors of the rainbow. This assures that you get all your essential macro and micronutrients. Follow these basic guidelines for digestion to have an optimal starting place, yielding good nutrition.

Why then do we so often have gastrointestinal distress? The pressures and patterns of modern life for families do not encourage what I have outlined above! We get out of balance and our microbiome—the millions of bacteria living in and on our bodies—is not optimized. If we eat lots of sweets and starches, we feed bacteria that may have migrated from our large intestine, where they are supposed to be living in abundance, to our small intestine where they ferment our food and release lots of gas that cause belching and heartburn. These bacteria then consume many nutrients to support themselves, leaving our bodies starved for the basics. Sometimes we develop inflammation in the lining of the intestine, allowing food particles to pass into the bloodstream in a way that can create antibodies against those

food particles, setting up a situation where eating those foods again causes more inflammation and dysfunction in the digestive system and possibly elsewhere in the body. Often these turn out to be the foods we like and eat the most.

So pay attention to what your body tells you. If you notice that some foods cause indigestion, limit them until your intestines can recover. Take l-glutamine powder in water a couple of times per day to help the repair.

Sometimes our microbiome is unbalanced because we have needed antibiotic treatment and that has killed some of the good bacteria.

That is a good time to take probiotics to help restore balance.

Sometimes the GI distress is not related to foods but brought on by stressors of everyday life. All of us have heard the expressions: “I had butterflies in my stomach”, “My intestines were tied in knots”, “I was so scared I nearly soiled myself!”

All of these feelings attest to the reality that our intestinal systems have almost as many nerves in them as our brains do. In this situation, our attention needs to go to relaxation and connection with both our inner selves and those greater forces which sustain us.

What symptoms should trigger a trip to your doctor? Sustained pain in your abdomen, nausea, unexplained weight loss, new constipation or frequent loose stools, bloody or black stools are all warning signs that may be serious. One of the most basic aspects of self-care is that sometimes you need the help of a professional.

Never hesitate to reach out!

Karen Brainard, M.D. Bradenton East Integrative Medicine 8614 State Road 70 East, Suite 200, Bradenton, FL 34203 941-727-1243 kbrainard@beimonline.com www.beimonline.com MARCH 2020 | SARASOTA SCENE

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arts&culture

Laughing MATTERS THE ONE ABOUT MY FUTURE

By Ryan G. Van Cleave | Illustrations by Darcy Kelly-Laviolette

T

his might come as a shock to you, but I’ve made an Important Decision about my life and my future.

You might want to sit down for this. Perhaps, too, brew up a soothing cup of tea. And maybe surround yourself with highly squishable cushions, lest you faint from surprise.

Here it comes.

I do not want to be a four-star army general.

But despite all those heaps of praise they were lavishing on the good general, all I could think of was this: To get your uniform cleaned, do you have to take off ALL those medals?

And worse, have you seen the prices these dry cleaners are now charging? Who can afford that kind of wallet hit?

So, thanks to those insurmountable obstacles, I’ll now have to add “US military leader” to the growing list of jobs I don’t want to do when I grow up, right there alongside “mobile sustenance facilitator,” “high environment hygienist,” and “moonshiner.”

There, I said it. And I feel scads better now.

“But why don’t you want to be a four-star general?” you’re surely asking, which is a very reasonable thing to ask, since it’s every Wisconsin boy’s dream from the moment they first played POW POW with friends using sticks for machine guns.

I’ll explain.

The other night, I attended the Town Hall lecture series talk

by General John F. Kelly at the Van Wezel. He was quite good, as evident by the after-event comments by my seatmates, such as “He’s quite good!” and “Wow, that was something.”

On the plus side, I have found a career path that does hold great appeal.

Ryan Van Cleave…Martian.

I saw an ad online the other day inviting people to apply to be one the first group to make the one-way journey. Sure, it was from 2013, but hey, we’re not ready to go yet, so they’re probably still taking apps, right?

Just think about how great it’d be to join that crew of adventurers on a nine-month skip across the stars, all the way to the Red

MARCH 2020 | SARASOTA SCENE

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arts&culture Planet. Once I got there, I’d have a decent chance of being the best Dungeons & Dragons player on the entire planet. My piri-piri chicken might indeed have no peer (within 140 million miles, at least). And if someone tries to tell me that Star Trek is better than Star Wars? Out the airlock they’ll go!

Stan Writesel & Baylee

Alan Gravley & Beau

I’m totally just kidding.

Everyone knows the 3D-printed bio habitats we’ll be living in don’t have airlocks.

I’ve told a few people about this me-on-Mars idea, and they keep saying it’s a desert, and thus there’s almost no water there, to which I point out, “There’s more water on Mars than in California!”

Most people assume that this 2030-something mission to Mars will mostly be made up of engineers, computer nerds, and billionaires avoiding the IRS. But I’ve been assured via a very official-looking form email that people “of all backgrounds and skills” will be considered.

That’s me. I’m a people of a background. And I have skills—most notably my ability to nap while my family watches Hollywood blockbusters. My second-greatest skill? I currently have the #2, #4, and #7 top score on the standup Donkey Kong machine at the local AMF bowling alley. For realsies.

But I’m no fool—I know Mars is still a good ways off. So, until it’s time to blast off to my future among the stars, I’ll continue to do what I do best—tell my kids, “Go ask your mom.” Oh, and I’ll keep writing this column.

How else will I cover my share of rocket fuel?

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*** Have your own existential career crisis? Ever wish you were an astronaut, an astrologist, or an astroid? Do you have your own feelings re: dry cleaners that you need to vent (ideally that incorporate references to “The Jeffersons”)?

If so, you know what to do. Immediately run to the nearest technology thing you can find and fire off an email to me at MartianRyan@SarasotaScene.com. I’ll respond ASAP, unless I’m doing something else.

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TOUR 13 EXQUISITE MODELS DURING THE PARADE OF HOMES FEBRUARY 22nd–MARCH 15th The Lake Club, an exclusive enclave with an enviable lifestyle, features the widest choice of luxury homes from the area’s premier builders, including brand new estate homes in two new neighborhoods.

Lake Club residents enjoy a vibrant lifestyle with luxury amenities that include: Staffed Guardhouse • Grande Clubhouse • Indoor and Outdoor Dining • Spa & Fitness Center Resort-style Swimming Pool & Family Pool • Lifestyle Director to organize social events • Full-service Concierge 6 Tennis Courts • Pro Shop • 4 Pickleball Courts • Children’s Playground • Dog Park • Yoga Lawn • Basketball Court

From the $600s to over $3 million THE LAKE CLUB INFORMATION CENTER: 8307 Lake Club Blvd., Lakewood Ranch, FL 34202 | (941) 907-9088 | thelakeclublwr.com ANCHOR BUILDERS | ARTHUR RUTENBERG HOMES | JOHN CANNON HOMES | LEE WETHERINGTON HOMES STOCK SIGNATURE HOMES | STOCK CUSTOM HOMES BROKER PARTICIPATION WELCOMED. ORAL REPRESENTATIONS CANNOT BE RELIED UPON AS CORRECTLY STATING THE REPRESENTATIONS OF THE DEVELOPER. FOR CORRECT REPRESENTATIONS REFERENCE SHOULD BE MADE TO THE DOCUMENTS REQUIRED BY SECTION 718.503, FLORIDA STATUTES, TO BE FURNISHED BY A DEVELOPER TO A BUYER OR LESSEE. NOT AN OFFERING WHERE PROHIBITED BY STATE LAW. PRICES SUBJECT TO CHANGE WITHOUT NOTICE.

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