Anna Thorvaldsdottir
AEQUILIBRIA for chamber orchestra (2014)
Chester Music
Instrumentation
Notation
Alto Flute Bass Clarinet in Bb Bassoon
Abbreviations
Horn in F Trombone Piano 2 Violins Viola Violoncello Doublebass (with C extension)
Duration: c. 14 minutes The score is in C.
l.b.pr. light bow pressure for an airy effect f.pr. finger pressure sul ponticello s.p. m.s.p. molto sul ponticello s.t. sul tasto ord. takes back all special effects/performing techniques applied, including (but not limited to) sul pont., light bow pressure etc. w with General Text written in individual parts in bold italic is meant to indicate an atmospheric approach. Accidentals apply to one measure at a time.
Orchestral parts are available on hire from the publisher.
Written for BIT20. The first performance was given on 14 September 2014 in Bergen, Norway, conducted by Baldur Brönnimann.
Former effect/sound/technique/indication gradually becomes the following one. All glissandos should be played/sung throughout the duration of the note value it is written by. For example, , slow glissando that at the beginning of the note and glissandos throughout the four beats of the note value. Similar with , faster glissando (depending on the destination of the following pitch). h
A small notehead above the stave indicates the note’s duration (applied for quarter note and a half note with stems only).
When pitches are sustained/slurred through an extended period of time, breathe/bow as necessary, not synchronised.
B I µ ÷
Quarter tone flat Quarter tone flat below b Quarter tone sharp Quarter tone sharp above #
Brass
Woodwind
Wind/air sounds, no pitch sounding.
Flutter tongue.
Tongue flick on air, written in rhythmic patterns (as a controlled flutter). Rhythmic tongue flutter – also appears on air.
Wind/air sounds, no pitch sounding. Performed on air – should mostly contain the air sound, with the subtle colour of the pitches. Flute: key clicks and tongue ram for percussive effect. The upper notehead indicates the key click, the lower note is the sounding pitch/colour effect. Clarinet: key clicks and slap tongue for percussive effect. The upper notehead indicates the key click, the lower note indicates the low percussive slap effect.
Strings
There are two types of Glissando on harmonics. One is when indicated to “hold initial harmonic position in gliss. for fluctuation in the sound” – in this case the left hand position should be fixed to produce a fluctuating sound. The other is glissando on the harmonic, indicated with “gliss. on the harmonics” – in that case the left hand position moves to glissando on the harmonics. Place left hand (not only one finger) lightly on indicated string, around given pitch area, not on harmonic. Fingers are not to be placed on exact pitches. This produces an un-pitched airy sound. The lower small note head indicates the open string to be performed on, the upper note head indicates the approximate position of the hand. When the note head is indicated with a glissando, move hand up or down the string as indicated (this will produce various harmonic colors to the airy sound as hand glissandos over the string/s), for example: When these note heads are indicated with ord., it refers to playing ordinary on the written effect and merely serves to take back indication of otherwise performing such as with sul pont., much bow pressure etc. Piano The diamond notehead indicates a harmonic. Play the lower note on the keyboard and gently press on the harmonic on the string inside the piano. The resulting pitch is indicated with the diamond note in the bracket. Boxed noteheads in brackets indicate ranges. When indicated, arrhythmically tap with fingertips on the strings inside the piano between tuning pins and hammers. Slowly move fingers back and forth over the register. This results in a rumbling drone. Arrhythmically glissando with fingertips over strings in the indicated register.
aequilibria Alto Flute
Bass Clarinet in Bb
Bassoon
Horn in F
Trombone
Piano keyboard
Violin I
Violin II
Viola
Violoncello
Double Bass
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
q = 42 p
f
4 4 4 4
mp
p
mp
mp
mp
ff
pp
p
mp
mp
ff
p
pp
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ff
7
5
mp
soft mute mp
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f
mp
soft mute
mf
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pp
f
mp
Pedal held pressed throughout the work
q = 42 sul pont. p
4 4 4 4
Anna ThorvaldsdĂłttir
sul pont. change bow where necessary
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p
sul pont. p
f
9
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p
ord. (senza s.p.)
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s.p.
ord. (senza s.p.) 5
5
p
p
pp
mp
mp
sul pont.
f
mp
f
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ff
ff
mp
Copyright Š 2017 Chester Music Limited
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sul pont.
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s.p.
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4
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A. Fl. p
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ord. (senza s.p.) Vln. I 5
5
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5
pp
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ord. (senza s.p.)
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pp
s.p. 9
Vln. II p
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5
pp
5
p
s.p.
pp
ord. (senza s.p.)
s.p.
ord. (senza s.p.)
5
Vla. p
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p
ord. (senza s.p.)
s.p.
ord. (senza s.p.)
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m.s.p.
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m.s.p.
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7 A. Fl. p
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pp 3
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p 9
9
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9
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5
5
p pp
s.p.
ord. (senza s.p.)
s.p.
3
ord. (senza s.p.)
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ord. (senza s.p.)
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Bsn. 5
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f
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Pno.k.b. 9
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6
s.p.
ord. (senza s.p.)
s.p.
ord. (senza s.p.)
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ord. (senza s.p.)
Vln. II mp
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3
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ord. (senza s.p.)
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B. Cl. f
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ff
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remove mute Tbn. p
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Pno.k.b.
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ord. (senza s.p.)
s.p.
s.p.
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6 9
Vln. I p
s.p.
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pp
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pp
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ord. (senza s.p.)
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5
Vln. II p
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pp
(ord. senza s.p.)
Vla. p
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5
mp
(ord. senza s.p.) ord. (senza s.p.) Vc. mp
ff
pp
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Db. mp
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pp
5
9
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14 A. Fl. mp
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B. Cl. p
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remove mute Hn. p Tbn. p
mf
p
Pno.k.b.
mp
pp
Vln. I mp
ff
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Vln. II mp
ff
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Vla. mp
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A
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18 A. Fl.
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gliss.
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gliss. Tbn. p
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8
24 A. Fl. p
B. Cl. p
Bsn. p
gliss.
Hn. mp
pp
p
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p
p
gliss.
Tbn. pp
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p
p
arrhythmically tap with ďŹ ngertips on strings inside piano between tuning pins and hammers - resulting in a rumble slowly move ďŹ ngers back and forth over the register (range)
harmonic inside piano
mp
Pno.k.b.
f
mp
(both hands) p
s.p.
s.t.
mp
s.t.
s.p.
ord.
ord.
Vln. I
s.p.
s.t.
ord.
Vln. II p
s.p.
s.t.
ord.
Vla. mp
p
mp
s.t.
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p
ord. gliss.
Vc. p
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f
mp p gliss.
Db. mp
p
F
C
f
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9
32
6
A. Fl. 5
mf
5
mp p
6
key click & slap tongue
pp
p 9
ord.
B. Cl. f
mf
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p
pp
5
Bsn.
mf
6
6
5 pp
mp
p
gliss.
Hn. f
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p
gliss.
Tbn. f
arrhythmically gliss. with ďŹ ngertips over strings
mp
p
(range)
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Pno.k.b.
arco 6
pizz. Vln. I mf
7
7
6
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mf
pp
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Vln. II p
mf 6
pizz.
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arco
Vla. mf
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6
f
p
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gliss.
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gliss. Db. p
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p
mp
B
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34 A. Fl.
B. Cl. p
p
Bsn. p
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gliss.
Hn. mp
pp
mp
p
gliss.
Tbn.
pp
mp
p
arrhythmically tap with ďŹ ngertips on strings between tuning pins and hammers slowly move ďŹ ngers back and forth over register
harmonic inside piano
harmonic
mp
Pno.k.b.
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ppp
p
pp
f
B Vln. I C
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7 7
Vln. II p
mp 5
5
Vla. p
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pizz.
arco
f
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6
Vc. mf
pizz.
9
p
6
mp 5
arco
Db. f
5
mf
5
p
mp
5
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p
p
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4 4
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A. Fl. mp
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B. Cl. mp
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Bsn.
Hn.
Tbn.
Pno.k.b.
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Vln. I
Vln. II
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Db.
mp
5
5
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42 A. Fl.
B. Cl. 5
Bsn.
Hn.
Tbn.
Pno.k.b.
Db.
5
3 4 3 4
4 4 4 4
p
p
3 4
4 4
3 4
4 4
3 4
4 4 4 4
pp
3 4
4 4
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3 4
4 4
3 4
4 4
Vln. II
Vc.
5
4 4
3 4
Vln. I
Vla.
5
3 4
3 4 3 4
4 4 4 4
mp
mp
on air mp
on air
mp
p
p
expressive - solistically
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on air
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48 A. Fl.
B. Cl. mp
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f
Bsn. mf
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mp
f
p
Hn.
on air Tbn. mp
harmonic
mp Pno.k.b.
mf
mp
mf
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on air 5
5
5
7
Vln. I mp
on air
(still on air) Vln. II mp
mp
on air 5
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7
(still on air)
Vla. mp
mp
(on air still) Vc. mp Db.
f
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f
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mp
14
50 on air
on air
A. Fl. mp
f
mp
mp
on air
B. Cl. mp
p
double tongue on air 7
Bsn. mp
f
p
p
mp
on air
on air
mp
mp
Hn.
on air Tbn. mp
mf
Pno.k.b.
mf
on air Vln. I mp
on air
5
5
7
Vln. II mp
on air
(on air still) Vla. mp
f
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on air Db. mp
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15 ord.
52
p
2 4
4 4
f
2 4
4 4
A. Fl.
on air B. Cl.
double tongue on air
mp
mp
2 4
Bsn. p
7
6
Hn. mp
on air Tbn. mp
mp Pno.k.b.
mp
2 4
4 4
2 4
4 4
2 4 2 4
4 4 4 4
mp
mp
Vln. I p
Vln. II p
Vla. p
on air 5
Vc.
7
5
2 4
4 4
2 4
4 4
2 4
4 4
2 4
5
mp
Db. f
4 4 5
on air
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mp
mp
2 4
(on airy sound still)
mp
f
mp
4 4 4 4
16
54 A. Fl.
B. Cl.
Bsn.
Hn.
Tbn.
Pno.k.b.
C
4 4 4 4 4 4
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on air
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harmonic inside piano
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C Vln. I
Vln. II
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Db.
4 4 4 4 4 4 4 4 4 4
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A. Fl. p 5
5
B. Cl. p
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6
mf
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9
9
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mf
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ord. Hn. mp
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ord. Tbn. mp
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p
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Vln. II p 5
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5 5
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18
3 4 3 4 3 4
60 A. Fl. 9
mf
p
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4 4 4 4 4 4
p
3 4 3 4
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Tbn. mp
4 4 4 4
3 4 3 4
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7
6
Vln. I 5
mf
p
Vln. II mf
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pp
p
p
ppp
on air
(h)
on air
(h)
3 4
4 4
3 4
4 4
p
p
(q)
ppp
ppp
Solistic with tranquility - solistic until m. 81 (play between right and left hand as ďŹ ts best)
4 4 4 4
3 4
Vla.
D
pp
mp
D pp
4 4
3 4
4 4
3 4
4 4 p
p
hold initial harmonic position in gliss. for uctuation in the sound gliss.
p
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19
65
on air
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on air B. Cl. mp
Bsn.
Hn.
Tbn.
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(q) Vc.
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gliss.
gliss.
gliss.
gliss.
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67 A. Fl.
B. Cl.
Bsn.
Hn. p Tbn. p
5
Pno.k.b.
5 5
5
mp
hold initial harmonic position in gliss. for fluctuation in the sound
gliss.
(q)
gliss.
Vln. I mf
p
hold initial harmonic position in gliss. for fluctuation in the sound . gliss
Vln. II p
hold initial harmonic position in gliss. for fluctuation in the sound
gliss.
(q)
gliss.
Vla. p
(h) Vc.
Db.
gliss.
(q) gliss.
gliss.
gliss.
21
70 A. Fl.
B. Cl.
Bsn.
Hn.
Tbn.
5
5
5
5
5
Pno.k.b.
5
5
sim. hold initial harm. pos. in gliss.
(q)
5
gliss.
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(q)
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p
p gliss.
gliss.
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gliss.(h)
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(q) gliss.
gliss.
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22
75 A. Fl. mp
B. Cl. p
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Hn.
Tbn.
5
5
5
5
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5
Vln. I
Vln. II
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gliss.
gliss. pp
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gliss. on the harmonics
mf
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E
23
79
6
A. Fl. 6
p B. Cl. p
6
6
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gliss.
gliss.
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gliss.
gliss.
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7
7
p 6
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p
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p
Vc.
Db. p
5
5
24
81
6
A. Fl. p
6
B. Cl. p
Bsn.
gliss. Hn. mf
p
gliss.
Tbn.
gliss. p
5
5
with tranquility still
Pno.k.b.
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5
5
5
5
5
5
5 5
5
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mp
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6
6
Vln. II mp
6
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mp 6
Db. mp
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5 5
5
5
25 7
84
7
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Tbn.
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gliss. mf
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5
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5
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5
5
5
5
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Vln. II 5
5
6
Vla.
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5
5
Db. mp mp
6
6
5
26
86
7
A. Fl. 7
B. Cl. mp
5
5
Bsn. mp
5
5
Hn. mf
p
mf
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gliss.
Tbn. mf
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5
Pno.k.b.
5
5
5
5
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5
5
mp
5
5
5
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5
5
Vln. I 6 5
Vln. II 6
6
5 5
Vla. 9
5
mf
6
Vc. mf
Db.
mp
gliss.
gliss.
6
gliss.
6
27
88 A. Fl. 6
6
5
5 5
6
B. Cl. 5
6
6
6
Bsn. 5
5
(q)
gliss.
gliss.
Hn. p
mf
mp
p
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(q) gliss.
Tbn.
gliss.
gliss.
5
5
5
5
Pno.k.b.
5
5
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5
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gliss. p
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Vln. II 6
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6
6
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5 5
gliss.
Vc.
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6
(q) Db.
gliss.
gliss.
gliss.
gliss.
F
28
90 A. Fl.
gliss.
mp
gliss.
gliss.
B. Cl.
gliss.
gliss.
gliss.
gliss.
mp 6
6 6
gliss.
Bsn. mp
6
(q)
gliss.
gliss.
gliss.
gliss.
Hn.
gliss.
Tbn.
gliss.
gliss.
gliss.
gliss.
5
5
Pno.k.b.
5
5
5
F
5
(q)
Vln. I
gliss.
gliss.
gliss.
5
Vln. II 5
mp
gliss.
gliss.
gliss.
(q) gliss.
Vla.
gliss.
gliss.
gliss.
mp
(h) Vc.
gliss.
gliss.
gliss.
gliss.
(q) Db.
gliss.
gliss.
gliss.
29
92 (q) A. Fl.
gliss.
gliss.
gliss.
gliss.
(h) gliss.
B. Cl.
gliss.
Bsn.
(q)
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
Hn.
(h)
(q) gliss.
gliss.
Tbn.
gliss.
gliss.
gliss.
gliss.
Pno.k.b.
(q) Vln. I
gliss.
gliss.
(q)
(h)
Vln. II
(h) Vla.
gliss.
gliss.
gliss.
gliss.
(q) gliss.
gliss.
gliss.
gliss.
(q) Vc.
gliss.
gliss.
Db.
gliss.
gliss.
gliss.
(q) gliss.
gliss.
30
94 (q) A. Fl.
(h) gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
(q) gliss.
B. Cl.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
(h) gliss.
Bsn.
(h)
gliss.
gliss.
gliss.
gliss.
gliss.
Hn.
(h) gliss.
gliss.
Tbn.
gliss.
gliss.
gliss.
mp
Pno.k.b.
(h) Vln. I
gliss.
gliss.
gliss.
(q) Vln. II
gliss.
gliss.
(q) gliss.
gliss.
gliss.
gliss.
gliss.
(q) Vla.
gliss.
gliss.
gliss.
gliss.
gliss.
(q) Vc.
Db.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
31
97 A. Fl.
gliss.
p
mf
gliss.
B. Cl.
p
mf
Bsn. mf
pp
mp
ff
Hn. mf
f
ff
p
ff
p
Tbn. mf
f
pp
chromatic cluster (on keyboard) ยงb f
Pno.k.b.
ff
ยงb f
mf
f
ff
mp
f
gliss.
mf
f
pp
p
mp
ff
Vc. mf
f
mp
ff
p
Db. mf
f
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
pp
4 4
3 4
2 4
pp
4 4
pp
ff
mp
pp
p
mp
ff
(q) Vla.
4 4 4 4 4 4
p
Vln. II mf
2 4 2 4 2 4
ff
Vln. I mf
3 4 3 4 3 4
p
G
32
4 4 4 4 4 4 4 4 4 4
103 A. Fl.
B. Cl.
Bsn.
Hn.
Tbn.
ff
ff
mp
mp
arrhythmic gliss. with ďŹ ngertips over strings
4 4 4 4
Vln. II
Vc.
p
Db.
4 4
ppp
p
mp
p
mf
pp
mp
6
mp
mp
pizz.
pizz. arco
f
f
pizz.
f
p
mp
ppp
s.p. - l.b.pr. tip
mp
ord. (senza s.p. - ord b.pr.)
pp
s.p. - l.b.pr. tip
ord. (senza s.p. - ord b.pr.)
ord. (senza s.p. - ord b.pr.)
s.p. - l.b.pr. tip
4 4
4 4
p
mp
p
pp
s.p. - l.b.pr. tip
s.p. - l.b.pr. tip
Vla.
mp
p
4 4
4 4
mp
(range)
G
Vln. I
p
gliss.
gliss.
mp
pp
mp
p
pp
pp
pp
p
mp
mp
pp
ppp
pp
mp
f
Pno.k.b.
ppp
pp
pizz.
f
f
pizz.
arco ord.
f
mp
mp
arco
mp
s.p. - l.b.pr. tip
p
mf
pizz.
f
arco
mp
mp
ord. (senza s.p. - ord b.pr.)
ppp
ff gliss.
pp
mp
p
ord. (senza s.p. - ord b.pr.) ppp
pp
s.p. - l.b.pr. tip
(still s.p. & l.b.pr.)
pp
pp
mp
s.p. - l.b.pr. tip 7
pp
(still s.p. & l.b.pr.)
p
pizz.
arco
f
mp
s.p. - l.b.pr. tip 7
pp
ord. (senza s.p. - ord b.pr.) mp
pizz.
arco
mf
mp
s.p. - l.b.pr. tip 7
pp
7
pizz.
mf
pizz.
mf
ord. (senza s.p. - ord b.pr.)
mp
f
33
107
key click & tongue ram
on air
on air
A. Fl. ppp
p
mp
mf
mp
key click & slap tongue
on air B. Cl. ppp
mp
p
mf
Bsn. p
Hn. p
pp
p gliss.
gliss.
Tbn. p
Pno.k.b.
(still s.p. & l.b.pr.) 7
Vln. I pp
7
pp
ppp
pp
ppp
ppp
pizz.
7
Vln. II pp
pizz.
mf
ppp
ppp
ord. arco
s.p. - l.b.pr. tip
pizz.
Vla. mf
mp
s.p. - l.b.pr. tip arco
pp
7
mp
mf
ppp
ord. (senza s.p. - ord b.pr.)
senza s.p.
ord. gliss.
gliss.
Vc. mp
release b.pr.
pp
7
p
ppp
mf
gliss.
gliss.
mf
mf
ord.
on air
Db. mp
f
mp
p
mf
p
gliss.
mp
gliss.
gliss.
mf
mp
34
110 A. Fl.
p
mf
mf
B. Cl. mp
p
mf
mf
Bsn. p
Hn.
Tbn.
Pno.k.b.
l.b.pr. - tip
pizz. ord. (senza s.p. - ord. b.pr.)
pizz.
arco
Vln. I ppp
7
p
pp
mp
mf
7
mf
mp
ord. arco Vln. II mf
l.b.pr. - tip arco
mp
mf
pizz.
ord. arco
pizz.
l.b.pr. - tip arco
mf
mp
mf
p
Vla. ppp
Vc.
Db.
pp
H
35
2 4
113 A. Fl.
mp B. Cl. p
Bsn.
Hn.
Tbn.
Pno.k.b.
H
ord. arco
Vln. I p
Vln. II
ord. arco Vla. mp
Vc.
Db.
mp
4 4
2 4
mp
4 4
2 4
2 4
4 4
2 4
4 4
2 4 2 4
4 4 4 4
2 4 2 4
4 4 4 4
2 4 2 4
4 4 4 4
2 4 2 4
4 4 4 4
2 4
2 4
4 4 4 4
2 4
2 4
4 4
2 4
2 4
4 4
2 4
4 4
p
4 4
2 4
2 4
2 4
p
4 4
2 4
4 4
expressive - solistically
p
mf
expressive - solistically
4 4
p
p
mf
4 4 4 4
expressive - solistically
4 4
pizz.
mf
mf
3
ord. senza vib.
p
3
36
120
airy tone
A. Fl. p
pp
B. Cl. p
ppp
Bsn. ppp
on air Hn. p
on air (h) Tbn. p
Pno.k.b.
ord. senza vib. Vln. I p
expressive - solistically
pp
ppp
ord. senza vib.
Vln. II mf
p
ppp
pp
very light bow and ďŹ nger pr. almost on air Vla. p
Vc. p
mp
arco Db. mp
p
ppp
37
127 A. Fl.
B. Cl.
Bsn.
Hn.
Tbn.
Pno.k.b.
Vln. I
Vln. II
Vla.
Vc.
Db.
8 4 8 4 8 4 8 4 8 4 8 4 8 4 8 4 8 4 8 4 8 4 8 4