OnDemand
Saariaho, Kaija Ariel's Hail
Score for sale (North America): http://www.halleonard.com/product/viewproduct.do?itemid=14028517 Score for sale (UK, Europe and other territories): http://www.musicroom.com/se/id_no/00029458/details.html?kbid=1296 Information about the work and materials for hire: http://www.musicsalesclassical.com/composer/work/7409
Score begins on the next page.
Chester Music Limited Part of the Music Sales Group
This work was written for Anssi Karttunen’s 40th birthday. It was first performed in Paris on 30th September 2000. Duration: c. 3 minutes Score and parts on sale: Score Order No. CH63734 Parts Order No. SOS15477 ARIEL’S HAIL from Shakespeare’s The Tempest All hail, great master, Grave Sir, hail! I come To answer thy best pleasure; be it to fly, To swim, to dive into the fire, to ride On the curled clouds; to thy strong bidding task Ariel, and all his quality… I boarded the King's ship. Now on the beak, Now in the waist, the deck, in every cabin, I flamed amazement: sometime I’d divide, And burn in many places… … Then I beat my tabor, At which like unbacked colts they pricked their ears, Advanced their eyelids, lifted up their noses As they smelt music, so I charmed their ears.
NOTATION Trills always up a semitone, unless otherwise specified. > S.V.
change very gradually from one sound or one way of playing (etc) to another senza vibrato When vibrato markings are not specified, players can use their usual vibrato. Molto vibrato always means a rapid and narrow vibrato, unless otherwise specified.
All glissandi should be started immediately at the beginning of the note value. Flute o
breath tone: use the fingering needed to produce the marked pitch, however, don’t produce the normal tone but just blow air across the mouthpiece.
•
normal tone
Harp circular glissando. Play several overlapping, circular glissandi, gradually descending to the destination pitches. The harp should always be allowed to sound for as long as possible.
Anssille 30th September 2000
ARIEL’S HAIL Kaija Saariaho
Capriccioso, libero, sempre molto espressivo q = c72
Soprano
Flute
∑
& 42 ‰
L œ.
& 42 Harp
43
& 42
?2 œ 4 #œ P
4
ß 43 34 œ #œ
Π6
P
F
∑
&
Ÿ~~~~~~~~~~~~~ j œœ‰ b œ œ #œ œ P f
43 ‰
> #œ œ .
42
∑
42 Œ
‰
j œ- œ F
3
great
œ-
j #œ
Π6
3
‰ b œ-
hail,
molto vibr.
#œ œ #œ œ
F
ß
All
3
42 # œ
Œ
F energico ‰ # œ œ 43 # ˙
Œ
42 ‰
#œ œ #œ œ
6
∑
Œ
˙-
mas - ter!
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ vibr.ord. œ #˙ œ. 3 ˙. œ # œ ‰ Œ Œ b œ œ & 4 #œ P F 6 3 ∑ ∑ & 4 œ # œ œ #œ œ #œ œ ß F #œ ? #œ 3 Œ ∑ Œ Œ b˙ bœ 4 #œ > 6
6
P j œ-
8
& Œ.
œ
Grave
f ˙- . œ #œ Sir,
Œ
F espressivo œ bœ œ #œ œ . 3
hail!
I come To ans - wer
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙ œ œ œ ˙ # œ œ œ # œ J ‰ œ nœ œ œ œ œ œ œ p f P 6
& Π&
5
ord.
œ #œ œ
? nœ bœ bœ
œ 6
œ
bœ
∑ œ œ œ œ œ
P
© Copyright 2000 Chester Music Ltd.
CH63734
près de la table
ggg # ˙˙ .. ggg b ˙ . gg ˙˙ .. ggg gg ˙ . ß
4
Più agitato 30
& œ
Œ
œ #œ œ bœ .
Œ
ship.
& Œ
molto vibr.
‰ œj œ F 3
‰
œ
j #œ
Œ
j œ œ
œ deck,
#œ œ #œ œ
vibr.ord.
˙
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Œ
F
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#œ P
F #œ #œ
Œ
ß
6
œ
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Più agitato
P 33 3 œ #œ &
42 œ
œ #œ œ
eve - ry
f Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n˙ . 3 b œ 4 œ #œ œ
ca - bin,
I
flamed
#œ œ 3 œ b œ œ œ œ œ 4 œ œ #œ œ œ œ œ œ œ œ F 3
molto vibr.
&
∑
2 4 #˙ p
&
∑
2 4
P ? œ#œ .
the
molto vibr.
‰
# œ œ# œ œ
#œ
Now in the waist, 3
‰
6
in
œ œ b œ # œ ‰ # œj
‰
Now on the beak,
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3
3
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œ
vibr.ord.
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∑ 3
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43
6
6
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bœ
j œ
∏
F
Poco più mosso
F œ. œ. b œ & 36
‰
∑
, F passionato j 3 bœ œ œ œ #œ
a-maze - ment: Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ , #˙ . ˙.
some - time I'd di - vide,
∑
∑
?
∑
∑
#œ J
burn
3 4
in
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Œ
, &
And
j bœ œ .
6
Œ
&
‰
# œ œ 42
6
6
œ bœ œ œ œ œ #œ œ œ œ œ œ œ P ∑
42 2 4
5
Œ
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b œ # œ œ 43 3 4