Tsao SERENADE

Page 1


TSAO

Serenade

for Mezzo-soprano and 12 Musicians

Score

Peters Contemporary Library

Serenade MING TSAO

Text by F. Hölderlin for Mezzo-soprano and 12 Musicians

Score

POD PETERS on demand

LEIP ZI G · L ONDO N · NE W YOR K
ALLE RECHTE VORBEHALTEN · ALL RIGHTS RESERVED

commissioned by Levande

First performance: November 24th, 2012 in Gothenburg, Sweden

E. guitar and classical guitar

Instrumentation

Mezzo-Soprano

Karin, für ersten Seiten, siehe Geisterinsel Vorlage:

Clarinet in B b

Bass clarinet in B b

Oboe (also English horn)

Instrumentation

Serenade

(nach F. Hölderlin und A. Schönberg)

commissioned by Levande Musik

Karin, für ersten Seiten, siehe Geisterinsel Vorlage:

First performance: November 24th, 2012 in Gothenburg, Sweden

Trumpet in C (with straight, plunger and cup mutes)

Clarinet in B

Trombone (with straight and plunger mutes)

Bass clarinet in B

Instrumentation

Oboe (also English horn)

Serenade

(nach F. Hölderlin und A. Schönberg)

commissioned by Levande Musik

First performance: November 24th, 2012 in Gothenburg, Sweden

Percussion two players

Percussion 1: thick metal wire coat hanger large Tam-Tam

Vibraphone (with functioning motor, soft and hard mallets)

Marimba

Percussion 2: Vibraphone (with functioning motor, soft and hard mallets)

Crotales (a full set) plus additional crotales for bowing on Timpani *)

Percussion two players

Wind chimes

Crotales (a full set) plus additional crotales for bowing on Timpani *)

Percussion 1:

Timpani (one large drum)

Glockenspiel *)

Vibraphone (with functioning motor, soft and hard mallets)

Timpani range:

Marimba

Crotales (a full set) plus additional crotales for bowing on Timpani *)

Snare drum

Wind chimes

Timpani (one large drum)

Timpani (one large drum)

Reibestock (threaded wooden or metal stick)

2 Bass bows

thick metal wire coat hanger

Timpani range:

2 superball mallets and 1 metal rod of medium thickness

large Tam-Tam

Snare drum

Percussion 2:

Triangle

thick metal wire coat hanger large Tam-Tam

Snare drum

Reibestock (threaded wooden or metal stick)

2 Bass bows

2 superball mallets and 1 metal rod of medium thickness

Vibraphone (with functioning motor, soft and hard mallets)

Glockenspiel *)

2 Bass bows

Percussion 2:

Trumpet in C (with straight, plunger and cup mutes)

Soprano

Piano (with sostenuto pedal, plectrum, brush and rubber hammer)

Trombone (with straight and plunger mutes)

Clarinet in B

Timpani (one large drum) thick metal wire coat hanger large Tam-Tam

2 superball mallets and 1 metal rod of medium thickness

Triangle

Vibraphone (with functioning motor, soft and hard mallets)

snare drum

Timpani (one large drum)

2 Bass bows

Timpani range:

Piano (with sostenuto pedal, plectrum, brush and rubber hammer)

Bass clarinet in B

Oboe (also English horn)

Guitar – Classical guitar and electric guitar with Whammy Bar, volume pedal, tremolo, distortion, reverb and delay effects, (all independently controlled with a footswitch), glass slide, ebow, one finely threaded metal rod, one violin or cello bow

Guitar Classical guitar and electric guitar with Whammy Bar, volume pedal, tremolo, distortion, reverb and delay effects, (all independently controlled with a footswitch), glass slide, ebow, one finely threaded

Trumpet in C (with straight, plunger and cup mutes)

metal rod, one thin, flexible stick (such as the handle of a vibraphone mallet), one violin or cello bow

Trombone (with straight and plunger

E. guitar and classical guitar

Piano (with sostenuto pedal, plectrum, brush and rubber hammer)

8 Scordatura: 6 5 4 3 2 1

Guitar Classical guitar and electric guitar with Whammy Bar, volume pedal, tremolo, distortion, reverb and delay effects, (all independently controlled with a footswitch), glass slide, ebow, one finely threaded

metal rod, one thin, flexible stick (such as the handle of a vibraphone mallet), one violin or cello bow

E. guitar and classical guitar

Scordatura:

8

Percussion — two players

Percussion two players

Percussion 1:

Vibraphone (with functioning motor, soft and hard mallets)

Marimba

Percussion 1: Vibraphone (with functioning motor)

Crotales (a full set) plus additional crotales for bowing on Timpani *)

Wind chimes

Percussion 2:

Timpani (one large drum)

Marimba

Timpani range:

Percussion two players

Crotales (a full set) plus additional crotales for bowing on Timpani *)

thick metal wire coat hanger large Tam-Tam

Percussion 1:

Snare drum

Vibraphone (with functioning motor, soft and hard mallets) Marimba

Reibestock (threaded wooden or metal stick)

Wind chimes

2 Bass bows

Crotales (a full set) plus additional crotales for bowing on Timpani *)

Violin (with plectrum)

Cello

2 superball mallets and 1 metal rod of medium thickness

snare drum

thick metal wire coat hanger large Tam-Tam

*) Glockenspiel sounds one octave higher than written, crotales sound two octaves higher than written.

*) Glockenspiel sounds one octave higher than written,

Triangle

Glockenspiel *) 2 Bass bows

crotales sound two octaves higher than written.

2 superball mallets and 1 metal rod of medium thickness

*) Glockenspiel sounds one octave higher than written,

crotales sound two octaves higher than written.

Violin:

Violin (with plectrum)

Viola (with plectrum)

Cello

Viola (with plectrum)

Violin (with plectrum)

Viola (with plectrum)

Cello

Crotales (a full set) plus additional crotales for bowing on Timpani *) in standard tuning

Violin:

Crotales (a full set) plus additional crotales for bowing on Timpani *) in standard tuning

Timpani range:

Scordatura:

Note: the score is in C, except for the strings and guitars which are transposed to standard tuning

Note: the score is in C, except for the strings and guitars which are transposed to standard tuning

Note: the score is in C, except for the strings and guitars which are transposed to standard tuning

2 superball mallets and 1 metal rod of medium thickness

Timpani (one large drum)

Timpani (one large drum)

thick metal wire coat hanger

large Tam-Tam

Timpani range:

large Tam-Tam

thick metal wire coat hanger

Snare drum Wind chimes

Vibraphone (with functioning motor, soft and hard mallets)

Reibestock (threaded wooden or metal stick)

2 Bass bows

Crotales (a full set) plus additional crotales for bowing on Timpani *)

Snare drum

Glockenspiel *)

2 superball mallets and 1 metal rod of medium thickness

Timpani (one large drum)

Timpani range:

Reibestock (threaded wooden or metal stick)

thick metal wire coat hanger large Tam-Tam

2 Bass bows

Triangle

2 Bass bows

*) Glockenspiel sounds one octave higher than written, snare drum

Vibraphone (with functioning motor, soft and hard mallets)

2 superball mallets and 1 metal rod of medium thickness

Crotales (a full set) plus additional crotales for bowing on Timpani *)

*)

2 superball mallets and 1 metal rod of medium thickness

Timpani (one large drum)

crotales sound two octaves higher than written.

Percussion 2: snare drum Triangle

Timpani range:

Mezzo Soprano
Mezzo
Scordatura:

InsheilignüchterneWa

in new tempo: two

(volume of E. Guitar must always remain underneath that of the Percussion) (detune string IV while playing)

UndSchattenderEr

gradually transition to flautando

DieMauernstehn

The sound of the motor should begin on the downbeat of measure 282, which means that the motor should be turned on slightly before.

(prepared Vibraphone produces an iterative sound against the paper strips) place

The sound of the motor should begin on the downbeat of measure 282, which means that the motor should be turned on slightly before.

(prepared Vibraphone produces an iterative sound against the paper strips) place weight on Vibraphone Pedal to hold it down.

Edition Peters

For more than 200 years, Edition Peters has been synonymous with excellence in classical music publishing. Established in 1800 with the keyboard works of J. S. Bach, by 1802 the company had acquired Beethoven’s First Symphony. In the years following, an active publishing policy enabled the company to expand its catalogue with new works by composers such as Brahms, Grieg and Liszt, followed in the 20th century by Richard Strauss, Arnold Schoenberg and John Cage.

Today, with its offices in Leipzig, London and New York publishing the work of living composers from around the world, Edition Peters maintains its role as a champion of new music. At the same time, the company’s historic and educational catalogues continue to be developed with awardwinning critical and pedagogical editions.

Seit über 200 Jahren steht die Edition Peters für höchste Qualität im Bereich klassischer Notenausgaben. Gegründet im Jahr 1800, begann der Verlag seine Tätigkeit mit der Herausgabe von Bachs Musik für Tasteninstrumente. Schon 1802 kamen die Rechte an Beethovens erster Sinfonie hinzu. In der Folgezeit wuchs der Katalog um neue Werke von Komponisten wie Brahms, Grieg und Liszt sowie – im 20. Jahrhundert – Richard Strauss, Arnold Schönberg und John Cage.

Als Verleger zahlreicher zeitgenössischer Komponisten aus aller Welt ist die Edition Peters mit ihren Standorten Leipzig, London und New York auch weiterhin Anwalt neuer Musik. Zugleich wird das Verlagsprogramm im klassischen wie im pädagogischen Bereich kontinuierlich durch vielfach preisgekrönte Ausgaben erweitert.

The offices of Edition Peters in Talstraße, Leipzig
Geschäftssitz der Edition Peters in der Leipziger Talstraße
Photo © Irène Zandel

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