Tsao REFUSE COLLECTION

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TSAO

Refuse Collection for Ensemble Score

MING TSAO

Refuse Collection

Score for Ensemble

First performance on 12th October 2017 at Akademie der Künste Berlin Ensemble KNM Berlin conducted by Stefan Schreiber

Instrumentation

Flute – also Piccolo (sounding one octave higher than written)

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English horn

Clarinet in Bb

Bass clarinet in Bb

Bassoon – also Contrabassoon (sounding one octave lower than written)

Horn in F – with straight and cup mutes

Trumpet in C – with straight, cup and plunger mutes

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Trombone – with straight, cup and plunger mutes

Percussion 1

(withmetalrod)

(cello)

Vibraphone – with fully functioning motor

Xylophone (sounding one octave higher than written)

3 timpani drums

Large tam-tam

Large suspended cymbal

2 double-headed tom-toms

Snare drum

2 bass bows

Superball mallet

Reibestock (threaded wooden dowel)

Metal rod of medium thickness

Percussion 2

Clarinet in B b (also Bass clarinet in B b )

crotales for trumpet

Vibraphone – with fully functioning motor

Trumpet in C (straight, plunger and cup mutes, one thick metal wire

Glockenspiel (sounding one octave higher than written)

2 timpani drums

Large suspended cymbal

Triangle

Snare drum

Tambourine

Large bass drum

2 bass bows

Superball mallet

hanger and a cello or bass bow) Plus 2 crotales suspended in front of the performer for ease of striking.

for trumpet

crotales for trumpet

crotales for trumpet

Te crotales are tuned to the following pitches

Trombone (with straight, plunger and cup mutes, one thick metal wire clothes hanger and a cello or bass bow) Plus 2 crotales suspended in front of the performer for ease of striking.

crotales for tbn

crotales for tbn

Te crotales are tuned to the following pitches

Piano (with sostenuto pedal, plectrum and rubber hammer)

Four strings detuned by one quarter-tone

piano detuning

for tbn

detuning

Piano – with sostenuto pedal, plectrum, metal beater, rubber hammer and superball mallet.

piano detuning piano crotales

Plus 12 crotales mounted on a board and arranged in front of the performer (on the piano above the keyboard).

Te crotales are tuned to the following scale of pitches

piano crotales

Harmonium with the following range: ?

crotales

crotales

Violin 1

Violin 2

Viola

Guitar – Classical guitar and electric guitar with Whammy Bar, volume pedal, tremolo, distortion and delay efects, (all independently controlled with a footswitch), glass slide, ebow. Te classical guitar may require amplifcation.

Electric guitar scordatura

crotales for tbn piano detuning piano crotales guitar crotales Percussion

Guitar – Electric guitar with whammy bar, volume pedal, distortion, chorus, fanger, delay, octave pedal (Electro Harmonix POG2) and tremolo efects (all independently controlled by a footswitch), glass slide, one fnely threaded metal rod and E-bow. It is important to use analog instead of digital efects.

Scordatura: one halfone lower for each string

Violoncello

Double Bass with low C extension (sounding one octave lower than written)

Violin 2 is written at sounding pitch with the exception of fngered harmonics which are written at fngered pitch.

Te score is in C

Perc. 2
Accordion
Perc. 1
Tpt.

Refuse Collection

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Vibraphone

Edition Peters

For more than 200 years, Edition Peters has been synonymous with excellence in classical music publishing. Established in 1800 with the keyboard works of J. S. Bach, by 1802 the company had acquired Beethoven’s First Symphony. In the years following, an active publishing policy enabled the company to expand its catalogue with new works by composers such as Brahms, Grieg and Liszt, followed in the 20th century by Richard Strauss, Arnold Schoenberg and John Cage.

Today, with its offces in Leipzig, London and New York publishing the work of living composers from around the world, Edition Peters maintains its role as a champion of new music. At the same time, the company’s historic and educational catalogues continue to be developed with awardwinning critical and pedagogical editions.

Seit über 200 Jahren steht die Edition Peters für höchste Qualität im Bereich klassischer Notenausgaben. Gegründet im Jahr 1800, begann der Verlag seine Tätigkeit mit der Herausgabe von Bachs Musik für Tasteninstrumente. Schon 1802 kamen die Rechte an Beethovens erster Sinfonie hinzu. In der Folgezeit wuchs der Katalog um neue Werke von Komponisten wie Brahms, Grieg und Liszt sowie – im 20.Jahrhundert – Richard Strauss, Arnold Schönberg und John Cage.

Als Verleger zahlreicher zeitgenössischer Komponisten aus aller Welt ist die Edition Peters mit ihren Standorten Leipzig, London und New York auch weiterhin Anwalt neuer Musik. Zugleich wird das Verlagsprogramm im klassischen wie im pädagogischen Bereich kontinuierlich durch vielfach preisgekrönte Ausgaben erweitert.

The offces of Edition Peters in Talstraße, Leipzig Geschäftssitz der Edition Peters in der Leipziger Talstraße
Photo © Irène Zandel

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