Bell A HARLOT'S PROGRESS ACT I

Iain Bell

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Opera in six scenes

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A Harlot’s Progress Libretto by Peter Ackroyd

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based upon William Hogarth’s 1730 etchings of the same name

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FULL SCORE

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PART THE FIRST (Scenes 1-3)

Chester Music

CH81037 Š 2013 Chester Music Limited Published in Great Britain by Chester Music Limited

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All Rights Reserved Printed in Great Britain

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No part of this publication may be copied or reproduced in any form or by any means without the prior permission of Chester Music Limited.

Commissioned by Theater an der Wien. First performance 13 October 2013 at Theater an der Wien, Vienna, with Diana Damrau (Moll Hackabout), Marie McLaughlin (‘Mother’ Needham), Tara Erraught (Kitty), Nathan Gunn (James Dalton), Christopher Gillett (St. John Lovelace) and Nicolas Testé (Coachman / Officer / Gaoler), the Arnold Schoenberg Choir and Wiener Symphoniker, conducted by Mikko Franck. Directed by Jens-Daniel Herzog.

DURATION c. 2’10”

CAST OF CHARACTERS Coloratura Soprano Mezzo-Soprano Mezzo-Soprano Baritone Tenor Bass

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MOLL HACKABOUT, a harlot ‘MOTHER’ NEEDHAM, a procuress KITTY, Moll’s maid JAMES DALTON, a highwayman ST. JOHN LOVELACE, Moll’s first ‘keeper’ COACHMAN / OFFICER / GAOLER

Londoners - Market traders and those buying their wares; Inmates of Bridewell Prison; Prostitutes and their clients

SATB Chorus

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Libretto © Copyright 2009 Peter Ackroyd. All Rights Reserved

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Performance materials are available on hire. Vocal score: Order number CH81048

INSTRUMENTATION

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Piccolo 2 Flutes 2 Oboes 2 Clarinets in Bb* 2 Bassoons Contrabassoon

2 Horns in F* 2 Trumpets in Bb* 2 Trombones Tuba

Timpani Percussion (2 players): Glockenspiel, Tubular Bells, large Suspended Cymbal, Triangle, Anvil, Whip Harp Strings (10.8.8.6.4)

*shown in transposition in full score Performance Note: All metronome markings are advisory; tempi may be changed at the discretion of singers and conductor to suit the performance space. Where two instruments share a stave, accidentals apply to both lines within a bar. All trills are semitonal to the note above unless stated otherwise. A single trill line above shared staves applies to both instruments. Through hairpins, dynamics should rise or fall to the one immediately above or below unless stated otherwise.

SYNOPSIS London, 1730 PART THE FIRST Scene One Amid the early morning bustle of the market at Cheapside, Moll Hackabout steps down from a carriage, having travelled from York in search of work as a seamstress. Awestruck yet daunted by the flurry about her, she is soon accosted by ‘Mother’ Needham, a procuress feigning to be Moll’s cousin, who quickly latches onto Moll’s naivety and material ambition, promising her a life of wealth and luxury. Encouraged, Moll leaves with her.

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Scene Two The Leadenhall Street home of Moll's elderly but wealthy keeper, St. John Lovelace. He bids Moll farewell as he leaves for work. Moll (now attended on by Kitty, at Mother Needham's request) asks Kitty to fetch her lover, the noted highwayman James Dalton, who is waiting nearby for her word. Kitty departs, but not before imparting a few words of caution to Moll about the precariousness of her behaviour. Dalton enters, and words of love and devotion are soon declared between them. As things become more physical, a noise is heard outside signalling the premature return of Lovelace; in haste, Dalton leaves. Upon entering the room, Lovelace notices Moll’s dishevelled appearance but is soon distracted when Moll suggests they make love. When the deed is done, and upon congratulating himself on his efforts, Lovelace discovers Dalton’s stocking tucked under the pillow. Refusing to hear any explanation, he throws Moll and Kitty out onto the streets. Dalton chances upon them and vows to provide for them both.

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Scene Three From a squalid garret in Drury Lane, Moll is working as a prostitute. Once alone with Kitty, she shares her concerns about Dalton, who he has been missing a long while. Kitty pleads with her to end such dependence on men and readies her for further work that evening. The scene cuts to an open road where Lovelace is awaiting Dalton. In an apparent attempt to win Moll back, Lovelace plans to intercept him and learn where she is residing. Despite Lovelace’s pleas, Dalton refuses to relinquish Moll. He strikes the old man in a fit of rage, steals his coin-purse and flees. He is followed. The scene returns to Drury Lane, where Moll notices a blemish on her face. Kitty reassures her that it is no cause for concern. Moll speaks in shame of her pregnancy and dreams of a new life with Dalton and their child in the country. Dalton returns and swiftly dashes any such hopes. A humiliated Moll attempts, but ultimately fails, to resist his subsequent sexual advances. Lovelace and several officers briskly enter and arrest Moll, Kitty and Dalton. Lovelace frames Dalton, claiming his stolen coin-purse to be payment made to Dalton for leading him to her. What had appeared to be Lovelace’s desire to win Moll back was in fact a plan for vengeance. They are all led away riotously.

PART THE SECOND

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Scene Four In Bridewell Prison, Moll’s pregnancy is nearing full-term. She is seen beating hemp rope, still clinging to her dreams of a new life with Dalton and their child. Her prior neuroses have escalated to fits of clouded lucidity; a progression of the syphilis now betrayed by the sores on her face. Outside, a coach waits to take Moll back to Yorkshire – at her family’s expense – but she refuses to leave until she is reunited with Dalton. Kitty and Needham begin fighting, following Needham’s repeated claims of being owed money. When the violence is at its peak, Needham reveals that Dalton has been hanged. This news sets Moll into labour, at which point she is ejected from the prison, with Kitty in tow, raving to herself that Dalton must still live and surely waits for her.

Scene Five Back at the garret in Drury Lane, Moll’s sanity and health are now at their most fragile and Kitty has taken sole charge of Moll’s newborn daughter, Emily. Moll fantasises to the point of hysteria about their future life in the country, to such a degree that she hallucinates Dalton’s return. After ‘Dalton’ says everything to Moll she had been waiting to hear, he swiftly and cruelly rejects both her and the child amid a torrent of abuse and vanishes as briskly as he appeared. This sets Moll into a violent, deranged frenzy. To protect the child, Kitty leaves with Emily in her arms, locking Moll in the room. After prolonged outbursts of rage, terror, profanity and defiance, Moll exhausts herself and takes to a chair. Wrapping herself in a sheet, she sings herself to sleep. Kitty returns soon after, to find her dead and cold.

Scene Six Moll’s wake takes place in the garret where she died. It is attended by a drunken coterie of prostitutes and their clients, gaggled around Needham who is in denial of any part she played in Moll’s demise. Lovelace also makes an appearance to gloat over the proceedings. The only honest grief can be seen on Kitty’s face. She can but watch in disgust as Needham speaks of her ‘plans’ for Emily. The cycle continues…

CONTENTS Page PART THE FIRST Scene One: Cheapside, daybreak

Chorus (SATB), Needham, Kitty, Coachman, Moll

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Interlude I: Innocence Betrayed

Chorus (SATB, offstage)

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Scene Two: The house of Mister Lovelace

Lovelace, Moll, Kitty, Dalton

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Scene Three: A garret room in Drury Lane / an open road at dusk Moll, Kitty, Officer, Lovelace, Dalton

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Interlude II: The Highest Bidder

Scene Four: Bridewell Prison

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PART THE SECOND

Chorus (SATB), Gaoler, Moll, Kitty, Needham

Interlude III: A Pox on the Drab Kitty, Moll, Dalton

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Scene Five: The garret room in Drury Lane Interlude IV: Come Down, Night

Chorus (SATB), Kitty, Needham, Lovelace

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Scene Six: The garret room in Drury Lane

243 315 324 398 400

This work is dedicated to you, My Beauteous.

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You are, and always will be, as much part of this work as I, Moll or the orchestra; etched into its harmony and heart.

A HARLOT’S PROGRESS Libretto by PETER ACKROYD

IAIN BELL

PART THE FIRST

Scene One Cheapside, a bustling market place in the heart of the city of London: daybreak.

4 4

Flutes 1.2

4 4

Oboes 1.2

4 4

Clarinets in Bb 1.2

4 4

Bassoons 1.2

4 4

Contrabassoon

4 4 4 4

Trumpets in Bb 1.2

4 4

Trombones 1.2

4 4

Tuba

4 4 p

Percussion (2 players)

4 4

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Timpani

4 4

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4 4

Harp

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Horns in F 1.2

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Piccolo

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With a swarming darkness q = 50

p

p

4 4

With a swarming darkness q = 50

Violin I

Violin II

4 4 4 4

Viola

4 4

Violoncello

4 4 4 2 soli pizz. 4

pp

Double Bass

4 4

gli altri (arco) pp legato

© 2013 Chester Music Limited

CH81037

07/2013

2 8

Cbsn.

2 4

4 4

Tba.

2 4

4 4

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2 4

4 4

2 4

4 4

2 4

4 4

(2 soli pizz.)

2 4

4 4

(gli altri arco)

2 4

4 4

Hp.

D.B.

1 13

Picc.

Glittering e = 76

4 4 pp

4 4

Fl.

pp

4 Cymbal 4 Perc..

4 4

p

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1

div. Vln. I

Vln. II

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pp div.

pp

4 4 D.B.

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3 18

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3 8

4 4

3 8

4 4

3 8

4 4

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4 4

(4.3)

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4 4

7 8

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7 8

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e = 76

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3 4 pp

4 4

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4 4

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pp

4 (Cym.) 4 Perc..

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3 4

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3 4

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e = 76

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3 4 pp

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3 4

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3 4

(2 soli pizz.)

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Timp.

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2 4

3 4

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3 8

4 4

2 4

3 4

3 8

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2 4

3 4

3 4

3 8

4 4

2 4

3 4

3 4

3 8

4 4

2 4

3 4

(2 soli pizz.)

3 4

3 8

4 4

2 4

3 4

(gli altri arco)

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4 4

2 4

3 4

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2 4

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4 4

(2 soli pizz.)

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2 4

3 4

4 4

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5 8

2 4

3 4

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3 4

pizz.

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Vln. II

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4 4

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mp

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4 4

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D.B.

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D.B. (gli altri arco)

4

hold back, solemn (q = 50)

9

53

3 4

Picc. pp

f

3 4

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pp

f a2

3 4

Ob. f

(a2)

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Bsn. mf

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Cbsn. f

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Tpt. mf

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Tbn. mf Tba.

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Perc.

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l.v. f

(Cym..)

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gliss.

f

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3 4 3 4 pp

S. The pp

A. CHORUS (Londoners)

The pp

T. The pp

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hold back, solemn (q = 50)

3 4 3 4 3 4 3 4

The

3 4

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pp

3 4

Vln. II pp

Vla.

3 4

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3 4 (2 soli pizz.)

mf

3 4 D.B.

(gli altri arco)

mf

3 4

10 56

Cbsn.

3 4

Timp.

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4 4 p

pp

3 4 Perc.

3 4

Hp.

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4 4 4 4

(Cym..)

3 4

4 4

3 4

4 4

3 4

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4 4

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4 4 morn

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mp

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p

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4 4

3 4

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mp (Cym..)

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2 4

4 4

2 4

4 4

2 4

4 4

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2 4

4 4

3 4

Vln. II

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4 4

3 4

D.B.

2 4

4 4

3 4

mp

11 63

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5

push forward

3 4

Rousing q = 66 mf

Ob.

3 4

mp (a2)

Bsn.

Cbsn.

3 4

mf

3 4 mf

Tpt.

3 4 mp

Tba.

3 4 mf

Timp.

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mf

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3 4

Triangle f

3 4 mf

Hp.

3 4

S.

A.

T.

B.

3 4 mar

ket

where

all

come

to

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gain.

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gain.

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Vln. I

3 4

Vln. II

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5

Rousing q = 66

mf

Vlc.

3 4 mf

3 4 D.B.

3 4

2 soli pizz. f gli altri (arco)

f

12 67

Picc. mf Fl. mf Ob. mf (a2) Bsn.

Cbsn.

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Timp. mf

mf

(Tri.) Perc.

(Cym.) f

Hp.

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to the

mar

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mf A. Ev

mf T. Ev

mf B. Ev

Vln. I unis. Vln. II f Vla. mf

Vlc. (2 soli pizz.)

D.B.

(gli altri arco)

13 72

4 4

Picc. mf a2

4 4

Fl. mf

4 4

Ob. (a2) Bsn.

4 4

Cbsn.

4 4

Hn.

4 4 mp

4 4

a2 Tpt. (a2) Tbn.

4 4

Tba.

4 4

Timp.

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(Tri.) Perc.

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Hp.

4 4

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mf

4 4

B. Fish and

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flesh

and

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Vln. II

4 4

Vla.

4 4 mf

4 4

Vlc. (2 soli pizz.)

D.B.

(gli altri arco)

4 4 4 4

14 76

With increasing frenzy

Picc.

4 4

2 4

4 4

Fl.

4 4

2 4

4 4

2 4

4 4

2 4

4 4

a2 Ob.

Bsn.

4 4

mf (a2)

4 4

mf

Cbsn.

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2 4

4 4

Tpt.

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2 4

4 4

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4 4

Tba.

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2 4

4 4

Timp.

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2 4

4 4

(a2)

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mf (Tri.)

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2 4

4 4

4 4

2 4

4 4

2 4

4 4

4 4

2 4

4 4

4 4

2 4

4 4

(Cym.)

Hp.

S.

gliss.

4 4

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fat,

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with

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with

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with

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Perc.

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with

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fat,

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with

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and

unis.

With increasing frenzy Vln. I

4 4

mf

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4 4

Vln. II

4 4

2 4

4 4

Vla.

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2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

mf Vlc.

4 4 (2 soli pizz.)

4 4 D.B.

(gli altri arco)

4 4

15 80

Picc.

4 4

Fl.

4 4

6 Menacing e = 108 6 8

(3.3.2)

8 8

5 8

(3.2)

6 8

6 8

8 8

5 8

6 8

6 8

8 8

5 8

6 8

6 8

8 8

5 8

6 8

8 8

5 8

6 8

8 8

5 8

6 8

8 8

5 8

6 8

(a2) Ob.

4 4

Bsn.

4 4

Cbsn.

4 4

6 8

Tpt.

4 4

6 8

(a2)

a2 mp

(a2) Tbn.

4 4

6 8 mp

Tba.

4 4

6 8

8 8

5 8

6 8

Timp.

4 4

6 8

8 8

5 8

6 8

6 8

8 8

5 8

6 8

6 8

8 8

5 8

6 8

4 4

6 8

8 8

5 8

6 8

4 4

6 8

8 8

5 8

6 8

mf

4 4

(Cym.)

4 4

ff

glis s.

Perc.

Hp.

S.

foam,

A.

4 4

mp

Fruits and roots,

mp

6 8 foam,

T.

4 4

6 8 foam,

B.

cab ba ges from

4 4

mp

Vln. I

4 4

Vln. II

4 4

8 8 Chel

6 8

cab ba ges from

6 Menacing e = 108 6 8 6 8

tur nips from Ald gate.

5 8 sea,

6 8 car rots from High gate,

8 8

Fruits and roots, mp

foam,

ce ler y from Bat ter sea,

5 8

6 8

ce ler y from Bat ter sea,

8 8 Chel

tur nips from Ald gate.

5 8 sea,

6 8 car rots from High gate,

(3.3.2)

8 8

5 8

(3.2)

6 8

8 8

5 8

6 8

mp

Vla.

4 4

6 8

8 8

5 8

6 8

Vlc.

4 4

6 8

8 8

5 8

6 8

6 8

8 8

5 8

6 8

6 8

8 8

5 8

6 8

(2 soli pizz.)

4 4

D.B.

(gli altri arco)

4 4

mp

16 85

Cbsn.

6 8

8 8

(3.3.2)

5 8

(3.2)

6 8

88

58

68

8 8

5 8

6 8

8 8

5 8

6 8

5 8

6 8

mf

Tpt.

68

(a2) mf

Tbn.

6 8

(a2) mf

Tba.

6 8

mf

S.

6 8

mf

8 8

Old

A.

clothes,

bed

mf

6 8

And

worn

out

6 8

ron,

boots,

And

8 8 worn

out

a

bun

dle.

6 8 fire

bed

mf

ing

wood

a

farth

ing,

5 8

clothes,

6 8

farth

5 8

8 8

Old

B.

i

8 8

mf

T.

knobs and

knobs and

i

6 8

ron,

farth

5 8 boots,

ing

a

bun

dle.

6 8 fire

wood

a

farth

ing,

(3.3.2)

8 8

(3.2)

Vln. I

6 8

5 8

6 8

Vln. II

6 8

8 8

5 8

6 8

8 8

5 8

6 8

8 8

5 8

6 8

8 8

5 8

6 8

8 8

5 8

6 8

mf

Vla.

6 8

pizz.

mf

Vlc.

6 8 mf

(2 soli pizz.)

6 8

mf D.B. (gli altri arco)

6 8

mf

17 89

Fl.

6 8

(3.3.2)

a2

(3.2)

8 8

5 8

8 8

5 8

8 8

5 8

8 8

5 8

8 8

5 8

f

Ob.

6 8

a2 f

Cl.

a2

6 8

f

Bsn.

(a2)

6 8

f

Cbsn.

6 8 (a2)

Tpt.

6 8

8 8

5 8

6 8

(a2)

Tbn.

8 8

5 8

Tba.

6 8

8 8

5 8 f

Timp.

6 8

8 8

5 8

mf

S.

6 8

f

Mark

Cha pel Mark

f

6 8

6 8

Mark

et,

Street,

Fish

Street,

New

pizz.

8 8

et,

Milk

6 8 6 8

Fish

(3.3.2)

Street,

New

(3.2)

8 8

5 8

8 8

5 8

8 8

5 8

8 8

5 8

8 8

5 8

8 8

5 8

f

Vlc.

6 8 f (2 soli pizz.)

6 8 D.B.

f (gli altri arco)

6 8

f

and

Bread

Smith

field.

Bil lings gate

and

Smith

field.

Street,

5 8

f

Vla.

port

Street,

f

Vln. II

and

5 8 Cha pel Mark

et,

Bil lings gate

5 8

et,

f

6 8

6 8

Milk

8 8

Bo rough Mark

Vln. I

et,

8 8

f

Fleet

B.

5 8

et,

Bo rough Mark

T.

mf

8 8

Fleet

A.

mf

port

and

Bread

Street,

18 93

accel. poco a poco

3 8

3 4

4 4

3 8

3 4

4 4

38

43

44

3 8

3 4

4 4

Bsn.

3 8

3 4

4 4

Cbsn.

3 8

3 4

4 4

3 8

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

Picc. ff Fl. (a2) Ob. (a2) Cl. (a2)

ff a2 Hn. ffp

ffp

ffp con sord.

ff

3 8

Tpt. ffp

ff

3 8

Tbn. ffp

ffp

ffp

3 8

Tba.

ff

ff

3 8

Timp. f

T. Bells

Perc.

f

f

3 8

ff

3 8

(Cym.) ff ff

l.v.

3 8

S. Buy!

Buy!

Buy!

Buy!

ff

3 8

A. Buy!

ff

Buy!

Buy!

Buy!

3 8

T. Buy!

Buy!

4 4

3 4

4 4

3 8

3 4

4 4

3 8

3 4

4 4

3 8

3 4

3 8

3 4

4 4

3 8

3 4

4 4

3 8

3 4

4 4

Buy!

3 8

B. Buy!

Buy!

Buy!

3 4

Buy!

ff

Buy!

Buy!

Buy!

accel. poco a poco Vln. I div. ff Vln. II ff Vla.

div. Vlc. ff (2 soli pizz.)

D.B.

(gli altri arco)

ff

div.

4 4

19

7 98

Fl.

(3.2)

Briskly e = 136

hold back

4 4

6 8

5 8

3 4 mp

4 4

Ob.

6 8

5 8

3 4 mp

4 4

Cl.

6 8

5 8

3 4

5 8

3 4

5 8

3 4 3 4

p

4 4

Bsn.

6 8 p

4 4

Cbsn.

6 8 fp

Tpt.

4 4

6 8

5 8

Tba.

4 4

6 8

5 8

p

3 4

fp legato 3

4 4

Timp.

4 4 Perc.

mp

Glock.

mf

6 8

5 8

3 4

6 8

5 8

3 4

5 8

3 4

Tri.

4 4

6 8

4 4

6 8 p

Hp.

6 8 MOTHER NEEDHAM

Mother Needham and Kitty enter.

6 8

mf (briskly)

In

p

4 4

S.

Who wants

p

4 4

A.

Who wants

p

4 4

T.

Who wants

p

4 4

B.

Who wants

7

mp

5 8

3 4

5 8

3 4

5 8

3 4

mf

4 4 4 4

f

young

young

young

vir

young

vir

York

shire

comes

my

5 8

3 4

5 8

3 4

5 8

3 4

5 8

3 4

gin?

gin?

6 8

3

a

vir

from

gin?

6 8

3

a

vir

6 8

3

a

coach

6 8

3

a

a

gin?

hold back arco div. sul pont.

Vln. I

4 4

Briskly e = 136

pp

(3.2)

6 8

5 8

3 4 3 4

Vln. II

4 4

6 8

5 8

Vla.

4 4

6 8

5 8

Vlc.

D.B.

4 4 4 4

6 8 6 8

fp

3 4

mp

mf unis.

mf tutti arco unis.

unis.

5 8

3 4

5 8

3 4

mp

p

20 101

Picc.

(3.2)

3 4

5 8

4 4

2 4

mp

Fl.

3 4

p

5 8

4 4

2 4 p

Ob.

3 4

a2

5 8

4 4

2 4

mf

Cl.

a2

3 4

mp

5 8

4 4

2 4 p

mf

Bsn.

3 4

5 8

4 4

a2

2 4

mp

Tpt.

3 4

p

5 8

4 4

2 4 mf

Tba.

3 4

5 8

4 4

2 4

p

Timp.

p

3 4

5 8

4 4

2 4

p

Perc.

(Tri.)

3 4

5 8

4 4

2 4

3 4

5 8

4 4

2 4

3 4

5 8

4 4

2 4

Hp.

Moth. Ndhm.

3 4

5 8 lit tle chick en,

chick

4 4

en,

mp

straight

2 4 from

her

pret

ty

cot

tage

to

the

unis. nat. Vln. I

(3.2)

3 4

5 8

4 4

2 4 p

Vln. II

3 4

5 8

4 4

2 4 p

Vla.

3 4

arco

5 8

mf

Vlc.

3 4

pizz.

4 4

2 4

mp

5 8

4 4

div.

unis.

2 4

p

D.B.

3 4

5 8

4 4

2 4 p

pp

21 105

Picc.

2 4

4 4 mp

Fl.

2 4

4 4 mp

Ob.

1.

2 4

4 4

mp

Cl.

2 4

4 4 mp

1. Bsn.

2 4

3

3

3

4 4

3

mp

Cbsn.

mf

3

3

3

2 4

4 4 mf

Hn.

2 4

3

3

4 4 p

Tbn.

3

mp

2 4

4 4 mp

Tba.

2 4

4 4 mp

Timp.

2 4

4 4 mp

Moth. Ndhm.

2 4

mp

sto

4 4 ny

heart

ed

step

mo

ther

of

Vln. I

2 4

4 4

Vln. II

2 4

4 4

Vla.

2 4

4 4

Vlc.

2 4

4 4

D.B.

2 4

4 4

22 113

Picc.

Spritely

4 4

6 8

2 4

mp

Fl.

mp

4 4

6 8 mp

Ob.

4 4 4 4

2 4 mp

6 8 mf

Cl.

2 4 mp

6 8

a2

2 4 mp

mp

Bsn.

4 4

6 8 mp

Cbsn.

2 4 mp

4 4 mp

Tpt.

f

6 8

2 4

6 8

2 4

p

4 4

mp

Tba.

4 4

6 8

2 4

6 8

2 4

fp

Timp.

4 4

p

mp

4 4

(Tri.) Perc.

mp

4 4

2 4

6 8

2 4

6 8

2 4

mp

Hp.

4 4

Moth. Ndhm.

6 8

mf

4 4

suf

6 8 fer

ing.

mp

Oh,

2 4 this chick

en

will

be pierced,

she’ll

be

split

on

the

div.

Vln. I

Spritely

4 4

6 8

2 4 f

Vln. II

4 4 2 sole arco div.

4 4

6 8

2 4

6 8

2 4

mp Vla.

4 4

6 8

le altre

mp

Vlc.

4 4

6 8

4 4

6 8 mp

2 4

mp

mp

D.B.

div.

p

2 4 mp pizz. mf

2 4

23 q = 40 117

Picc.

hold back

2 4

4 4

2 4

4 4

2 4 mp

Fl.

2 4

4 4

2 4

4 4

4 4

mp

2 4

4 4

2 4

4 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

4 4

2 4

4 4

2 4

4 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

4 4

2 4

4 4

4 4

2 4

4 4

4 4

2 4

4 4

p p

Ob.

2 4

4 4

Cl.

2 4

4 4

Bsn.

2 4

4 4

2 4

4 4 mp

2 4

p

mp 1. p Cbsn.

2 4

4 4 p

Tbn.

2 4

4 4

1. p

Tba.

2 4 p

Timp.

2 4

p

T. Bells l.v.

Perc.

2 4 2 4

Hp.

Moth. Ndhm.

mf

2 4 p

2 4 spit!

S.

4 4

2 4

4 4

2 4

4 4

2 4

4 4

An

4 4

2 4

3

inn keep er

3

on

her jour

ney

sent

3

word

2 4

that she was

l.v.

ripe

for

the

tak

4 4

ing.

2 4

mp

4 4

Give her

A.

2 4

4 4

2 4

4 4

2 4

mp

4 4

Give her

T.

2 4

4 4

2 4

4 4

2 4

mp

4 4

Give her

B.

2 4

4 4

2 4

2 4

2 4

mp

4 4

Give her

q = 40 Vln. I

4 4

4 4

2 4

unis. pizz.

4 4

hold back

div.

2 4

4 4

p

Vln. II

2 4

4 4

2 4

4 4

2 4

4 4

Vla.

2 4

4 4

2 4

4 4

2 4

4 4

Vlc.

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

1 solo mp

D.B.

2 4

arco div.

p

4 4

2 4

4 4

24

8 122

q = 84

Picc.

4 4

Fl.

4 4

Cl.

4 4 mp

4 4

Bsn.

mp

4 4

Cbsn.

mp

4 4

Hn.

mp

mp

4 4

Tba.

mp

4 4

Timp.

4 4 Perc.

Glock.

mf

mf

4 4

Tri. mp

4 4

. ss gli

mf

Hp.

4 4

4 4

S.

Mo ther Need ham she will

rip

en

all

the more.

A

drop

of

Ge nev

a,

Moth

er;

she won’t feel the

gin,

Mo ther Need ham she will

rip

en

all

the more.

A

drop

of

Ge nev

a,

Moth

er;

she won’t feel the

gin,

Mo ther Need ham she will

rip

en

all

the more.

A

drop

of

Ge nev

a,

Moth

er;

she won’t feel the

gin,

Mo ther Need ham she will

rip

en

all

the more.

A

drop

of

Ge nev

a,

Moth

er;

she won’t feel the

4 4

A.

4 4

T.

4 4

B.

8

q = 84

Vln. I

4 4

Vln. II

4 4

Vla.

4 4

Vlc.

4 4

D.B.

gin,

4 4

tutti mp unis. mp

25 126

q = 54

hold back

Picc. mf

Fl. mf

8+1 8

6 8

8+1 8

6 8 p

Ob. mf Bsn.

8+1 8

6 8

8+1 8

6 8

p

p

8+1 8

Cbsn.

6 8 p

Tpt. p

8+1 8

6 8

8+1 8

6 8

8+1 8

6 8

8+1 8

6 8

mp

Tbn. mp Tba. p

mp

Timp. p

mp

8+1 8 Hp.

6 8

3

8+1 8 KITTY mp

Does this

8+1 8 chick

6 8

have a name?

mp

8+1 8

Moth. Ndhm.

6 8

3

6 8

Her

mp

8+1 8

S.

6 8 y, chick y, chick, chick, chick.

Chick

prick then!

mp

8+1 8

A.

6 8

Chick

prick then!

mp

8+1 8

T.

y, chick y, chick, chick, chick.

6 8

Chick

prick then!

mp

8+1 8

B. prick then!

arco half desk

q = 54 Vln. I

y, chick y, chick, chick, chick.

6 8

Chick

tutti

y, chick y, chick, chick, chick.

hold back

8+1 8

6 8

8+1 8

6 8

pp unis. pizz. Vln. II f tutte unis. pizz. Vla. f pizz. Vlc. f div. D.B. p

div

8+1 8

6 8

mp

p

8+1 8

6 8 mp

8+1 8

6 8

26 131

q. = 44

Fl.

6 8

Cl.

68 mp

Bsn.

6 8

Cbsn.

6 8

Tba.

6 8 p

6 8 mp

Hp.

6 8

Moth. Ndhm.

mp

6 8 name

is

Moll,

Moll

Hack a

bout.

A

good

old

Eng

lish

name.

Hah!

I

q. = 44 1 solo

Vln. I

6 8 mp

Vln. II

6 8

1 solo

mp

6 8

1 sola arco mp

Vla. le altre

6 8

Vlc.

6 8

arco mp

D.B.

6 8

will

27 135

Picc. mp

1. Ob. f

p

1. Bsn. f

pp

Tba.

mp

Timp. mp

mf

l.v.

T. Bells. Perc. f

Hp.

Moth. Ndhm. take her

a bout,

I

will

show

her a bout,

I

will

ride

tutti pizz. unis.

her

a

bout!

div.

Vln. I p

tutti arco Vln. II fp

fp

fp

fp

fp

tutte arco unis. Vla. fp

2 soli mp

div. Vlc. fp

unis. D.B. p

fp

mp

Un

28 accel. 139

4 4

Fl. mp

mf

4 4

Cl. mp

4 4

Hn. p

4 4

Tba. p

4 4

Timp. p

4 4 Hp.

mp

4 4

4 4

Moth. Ndhm. til

I

find

her

a

fine

gent

le

man.

mf

4 4

S. At

a price,

of

mf

4 4

A. At

a price,

of

mf

4 4

T. At

a price,

of

mf

4 4

B. At

1 solo arco

a price,

of

accel.

4 4

Vln. I mp

1 solo

4 4

Vln. II mp 1 sola

4 4

Vla. mp (2 soli) 1 solo Vlc.

4 4

D.B.

4 4 mp

29

9 143

Fl.

Hurried q = 60

4 4

5 4 mp

Ob.

a2

4 4

5 4

mf

Cl.

4 4

5 4 mp

Bsn.

4 4

a2

5 4

mp

Cbsn.

4 4

5 4 p

Hn.

4 4

5 4

Tbn.

4 4

5 4 mp

Tba.

4 4

5 4 mp

Timp.

4 4

5 4 mp

Cym.

Perc.

4 4

5 4

mf

4 4

5 4 mp

Hp.

4 4

S.

5 4 The coach from York enters.

4 4

5 4

course.

A.

4 4

5 4

course.

T.

4 4

5 4

course.

B.

4 4

5 4

course.

9 Hurried q = 60

Vln. I

4 4

Vln. II

4 4

5 4 div.

tutti unis.

5 4

pp mp Vla.

div.

4 tutte 4

5 4

pp

Vlc.

4 4

mp tutti pizz. unis.

arco div.

mp

D.B.

5 4

pp

4 4

5 4 mp

pp

30 (2.3) 146

a2

slower

5 4

4 4

Cl.

5 4

Bsn.

Timp.

Fl.

3 4

4 4

4 4

3 4

4 4

5 4

4 4

3 4

4 4

5 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

pp

p

5 4

Glock.

l.v.

4 4

mf

Perc.

5 4

4 4

5 4

4 4

3 4

4 4

5 4

4 4

3 4

4 4

5 4

4 4

3 4

4 4

Cym. pp

Hp.

Moll steps out, in wonder.

MOLL mp

Oh!

S.

5 4

p

Wel

A.

5 4

5 4

5 4

come to

don;

we will watch af

ter

Lon

don;

we will watch af

ter

come to

Lon

don;

we will watch af

ter

Lon

don;

we will watch af

ter

new

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

you.

you.

4 4 come to

This is a

you.

4 4

p

Wel

Lon

4 4

p

Wel

B.

come to

p

Wel

T.

4 4

3

you.

tutti arco (2.3) Vln. I

Vln. II

Vla.

Vlc.

5 4

slower

4 4

5 4

4 4

5 4

4 4

5 4

4 4

pp

pp

unis pizz.

pp

D.B.

5 4

4 4 pp

31

10 152

Ob.

push forward q = 66

hold back

4 4

2 4

(a2)

5 4

3 4

(3.2)

mf p Cl.

4 4

2 4

5 4

3 4 p

Bsn.

4 4

1.

p

mf

2 4

5 4

3 4 p

Cbsn.

4 4

2 4

5 4

3 4 mp

mf

Tpt.

senza sord.

4 4

2 4

5 4

3 4

2 4

5 4

3 4

f

Tbn.

4 4

mf

Timp.

4 4

2 4

5 4

3 4

2 4

5 4

3 4

4 4

2 4

5 4

3 4

4 4

2 4

5 4

3 4

mp

4 4 mf

Hp.

Moll

world.

4 4

Coachman dismounts and goes up to Mother Needham.

COACHMAN

2 4

5 4

mp

Here

3 4 she

is,

Need ham.

A

no ther

10 hold back

push forward q = 66

Vln. I

4 4

(3.2) unis. pizz.

2 4

5 4

3 4

mp

Vln. II

4 4

2 4

unis.

5 4

3 4

mf

Vla.

unis.

4 4

2 4

5 4

Vlc.

2 4

5 4

4 4

2 4 mf

arco

3 4

mp

mf

D.B.

3 4

mp

mf

4 4

pizz.

5 4

3 4

32 155

Fl.

q. = 84

3 4 mf

Ob.

6 8

3 4

6 8

3 4

6 8

3 4

6 8

3 4

6 8

3 4

mp

3 4 mp

Cl.

3 4 mp

Bsn.

mp

3 4 f

Cbsn.

3 4

p

Hn.

Tpt.

3 4

6 8 ffp

con sord.

3 4

3 4

6 8

senza sord.

3 4

f

Tbn.

Tba.

3 4 3 4

6 8 fp

p

6 8

3 4 p

p Timp.

3 4

3 4

6 8

3 4

6 8

3 4

6 8

3 4

6 8

3 4

6 8

3 4

p

Perc.

3 4

T. Bells mp

3 4 mp

Hp.

3 4

Moth. Ndhm.

mp

3 4

Here’s a

Coach -man

six

pence for you, Tom.

3 4

Not

6 8 no

vice

for

your

con vent,

Mo ther!

for

3 4 She’s

q. = 84

worth more than

a

six

pence.

Vln. I

3 4

6 8

3 4

Vln. II

3 4

6 8

3 4

Vla.

3 4

6 8

3 4

pizz.

arco

f

Vlc.

3 4

6 8

3 4

D.B.

3 4

6 8

3 4

fp

p

33 159

Picc.

slower

3 4

a little faster

4 4

3 4

4 4

5 4

3 4

4 4

5 4

3 4

4 4

3 4

4 4

(2.3)

3 4

5 4

mp

Fl.

3 4

5 4 p p

Ob.

3 4 p

Bsn.

3 4

mp

Cbsn.

3 4

5 4

mp

Hn.

3 4

5 4

p

3 4 p

Tbn.

3 4

3 4

4 4

p

Tba.

3 4

p

5 4 p

Timp.

3 4

3 4

4 4

3 4

4 4

p

5 4 mp

3 4

3 4

4 4

mf

3 4

5 4

3 4

4 4

3 4

5 4

3 4

4 4

long.

Coach -man

p

5 4

Hp.

Moth. Ndhm.

p

p

5 4

4 4

3 4

Then you can have

her.

mp

5 4

I’ll

3 4

3

keep you to that.

4 4 Oh Need ham,

she

has

a cou sin in

slower

(2.3)

5 4

a little faster

Vln. I

3 4

3 4

4 4

Vln. II

3 4

5 4

3 4

4 4

Vla.

3 4

5 4

3 4

4 4

3 4

4 4

p Vlc.

3 4

5 4

mp

D.B.

3 4

5 4

3 4

4 4 mp

34 164

Cl.

accel. poco a poco

4 4

2 4

3 4 mp

Bsn.

4 4

2 4

3 4

mp

Cbsn.

4 4

2 4

3 4

Hn.

4 4

2 4

3 4

2 4

3 4

2 4

3 4

mp

Tpt.

4 4 f

Tbn.

4 4 mp

Tba.

4 4

2 4

3 4

Timp.

4 4

2 4

3 4

mp

Perc.

4 4

Cym. p

4 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

p

Hp.

4 4

Coach -man

f

Coachman departs.

4 4 Thames Street.

Vln. I

4 4

Vln. II

4 4

She

told

me

so.

accel. poco a poco

2 4

div.

3 4

mf

Vla.

4 4

arco

div.

2 4

3 4

2 4

3 4

2 4

3 4

mp

Vlc.

4 4

pizz. div.

mf D.B.

4 4 mf

11 168

Picc.

35

q = 56

3 4

2 4

4 4

2 4

2 4

4 4

2 4 2 4

p

Fl.

3 4 p

Cl.

3 4

2 4

4 4

Bsn.

3 4

2 4

4 4

1.

2 4

p

Cbsn.

3 4

2 4

4 4

2 4

Tpt.

3 4

2 4

4 4

2 4 mp

Timp.

3 4

2 4

4 4

2 4

Perc.

3 4

2 4

4 4

2 4

3 4

2 4

4 4

2 4

3 4

2 4

4 4

2 4

4 4

2 4

Tri. f

Hp.

Moth. Ndhm.

3 4

mf

Cou

2 4 sin?

mp

Cou

sin?

I

can

count

er

feit

that.

mp

11 3 4

q = 56

2 4

2 soli nat.

4 4 mp

Vln. I

3 4

2 4

2 4

gli altri div. arco sul pont.

4 4

2 4 pp

Vln. II

1 solo

3 4

2 4

4 4

2 4

2 4

4 4

2 4

2 4

4 4

2 4

2 4

4 4

2 4

mp

Vla.

3 4

Vlc.

3 4

D.B.

3 4

unis.

36 171

Fl.

hold back

2 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

p

Cl.

2 4

4 4 p pp

Bsn.

2 4

(1.)

4 4 pp

Hn.

2 4

4 4 p

Tpt.

2 4

4 4

2 4

3 4

4 4

Tbn.

2 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

3 4

4 4

p

Tba.

2 4

4 4 p

Timp.

2 4

4 4 p

Perc.

2 4

4 4

2 4

Cym.

2 4

4 4

2 4

3 4

4 4

2 4

4 4

2 4

3 4

4 4

2 4

3 4

pp

Hp.

Moth. Ndhm.

2 4

mp

3

4 4

You will hear from me

3

soon

Kit

ty,

be

on your

way.

I’ll

3

send for

4 4 you once

I’ve

had

her

1 solo

hold back

2 4

4 4

2 4

Vln. II

2 4

4 4

Vla.

2 4

Vlc.

D.B.

Vln. I

3 4

4 4

2 4

3 4

4 4

4 4

2 4

3 4

4 4

2 4

4 4

2 4

3 4

4 4

2 4

4 4

2 4

3 4

4 4

p

12 175

Picc.

Fl.

37

e = 76

4 4

3 4

f

4 4

p

f Ob.

3 4

4 4

3 4 pp

Cl.

4 4

3 4 p

Bsn.

4 4

3 4 pp

Cbsn.

4 4

3 4 fp

Hn.

fp

4 4

3 4 pp

mf Tpt.

4 4

3 4

a2 fp

Tbn.

4 4

Tba.

4 4

pp

mp

3 4

p

pp

fp

Timp.

3 4

pp

4 4

3 4

4 4

3 4 p

Hp.

4 4

Moll

3 4 mp

4 4

More

Moth. Ndhm.

3

fa

ces

than

I

have

e

3 4 ver

seen.

Kitty departs.

4 4

The

3 4

plucked.

12 e = 76

tutti pizz.

Vln. I

Vln. II

4 4 4 4

arco nat. pp

f

arco

tutti pizz.

41 sola pizz. 4 f le latre pizz. (div.)

arco unis.

f

4 4

D.B.

4 4 pp

3 4 pp

unis. f

3 4

arco

4 4

Vlc.

3 4

pp

f

Vla.

3 4

3 4

p

3

3 4

38 178

Ob.

Cl.

Cbsn.

3 4

4 4

3 4

4 4

3 4

13

Suddenly faster q = 72 accel.

9 8

mf

9 8 mf

4 4

9 8

mp

Hn.

3 4

4 4

9 8

Tpt.

3 4

4 4

9 8

Tbn.

3 4

4 4

9 8

Tba.

3 4

mf

4 4

9 8

mp

Timp.

3 4

4 4

9 8 mf

Perc.

3 4

4 4

3 4

4 4

f

9 8 mf

Hp.

3 4

Moll

4 4

3 4

3

cri no lines,

S.

9 8 hang ing.

p

4 4

3

T.

3 4

p

4 4

3 4

3

Do you hear

4 4

9 8

3

Do you hear

A.

9 8

4 4

The car cas ses

3 4

9 8

Tri.

the

noise?

9 8

3

the

noise?

f

9 8

Such

B.

3 4

f

4 4

9 8

Such

13

1 solo

Vln. I

Vln. II

Vla.

Vlc.

3 4 3 4

p 1 solo

3

p

3

4 4

9 8

4 4

9 8

4 4

9 8

3 4

1 sola

3 4

le altre

4 4

9 8

3 4

1 solo arco

4 4

9 8

3 4 3 4

3

p

p

D.B.

Suddenly faster q = 72 accel.

3

4 4

2 soli pizz.

4 4

gli altri (arco) p

arco

9 8

mp

9 8

39 181

Fl.

q = q.

9 8

f

Cl.

9 8 f

Bsn.

9 8 f

Cbsn.

9 8 f

Tbn.

9 8 f

Tba.

9 8 f

Timp.

9 8 9 8

(Tri.)

Perc.

S.

9 8

Cym. f f

9 8

Such

A.

B.

of

win

dows, such

rap

ping

on

doors.

Such

clap

ping

of

win

dows, such

rap

ping

on

doors.

Such

9 8 clap

ping

of

win

dows, such

rap

ping

on

doors.

Such

thrash

ing

of

i

rons, such crash

ing

of

clap

ping

of

win

dows, such

rap

ping

on

doors.

Such

thrash

ing

of

i

rons, such crash

ing

of

9 8

q = q.

Vln. I

ping

f

9 8

Such

T.

clap

9 8

tutti div.

f

Vln. II

tutti div.

9 8

f tutte arco div. Vla.

9 8 f tutti arco div.

Vlc.

9 8 f

D.B.

9 8

tutti f

40 184

Fl.

Cl.

Bsn.

Cbsn.

Tbn.

Tba.

Timp.

S. thrash

ing

of

i

rons, such crash

ing

of

chores.

Such

sup

ply

ing

of

dain

ties,

thrash

ing

of

i

rons, such crash

ing

of

chores.

Such

sup

ply

ing

of

dain

ties,

A.

T. chores.

Such

sup

ply

ing

of

dain

ties,

such squeak ing

of

chores.

Such

sup

ply

ing

of

dain

ties,

such squeak ing

of

B.

Vln. I

Vln. II

Vla.

Vlc.

D.B.

41 187

Fl.

Cl.

Bsn.

Cbsn.

a2 Hn. mf

Tbn.

Tba.

2

2

2

2

Timp. 2

2

T. Bells Perc. f

S. such squeak ing

of

shop

signs,

The

bel

low

ing

hawk

ers,

the screams of

the

such squeak ing

of

shop

signs,

The

bel

low

ing

hawk

ers,

the screams of

the

A.

T. shop

signs,

The

bel

low

ing

hawk

ers,

the screams of

the

drunk.

The

shop

signs,

The

bel

low

ing

hawk

ers,

the screams of

the

drunk.

The

B.

Vln. I

Vln. II

Vla.

Vlc.

D.B.

42 Steady q = 66

190

3 4

Fl.

ff a2

3 4

Ob.

f

3 4

Cl.

ff

3 4

Bsn.

ff

3 4

Cbsn.

ff (a2)

3 4

Hn.

ff

3 4

Tpt.

a2 ff

3 4

Tbn.

ff

3 4

Tba.

ff 2

2

2

3 4

2

Timp. 2

2

(T. Bells)

3 4

Perc.

ff ff

3 4

S. drunk.

The

bel low ing hawk ers, the screams of

the

drunk.

Church bells, Ab bey bells, Cur few bells,

ff

3 4

A. drunk.

The

bel low ing hawk ers, the screams of

the

drunk.

3 4

T. bel

low

ing hawk ers, the screams of

the

drunk.

Church bells, Ab bey bells, Cur few bells,

3 4

B. bel

low

ing hawk ers, the screams of

the

drunk.

Church bells, Ab bey bells, Cur few bells,

ff

ff

Church bells, Ab bey bells, Cur few bells,

Steady q = 66 Vln. I

Vln. II

3 4

ff

3 4 ff

Vla.

3 4 ff

Vc. solo

3 4

Vlc.

3 4 ff

D.B.

3 4 ff

43 hold back 194

2 4

Picc. ff

3

2 4

Fl.

3

4 4

7 8

4 4

7 8

(a2)

Ob.

2 4

4 4

7 8

Cl.

2 4

4 4

7 8

4 4

7 8

4 4

7 8

3

2 4

Bsn.

3 3

2 4

Cbsn.

(a2)

2 4

4 4

7 8

(a2) Tpt.

2 4

4 4

7 8

Tbn.

2 4

4 4

7 8

Hn.

3

2 4

3

Tba.

4 4

7 8

2 4

3

Timp.

4 4

7 8

(T. Bells)

2 4

4 4 3 3

Perc. Cym.

2 4 2 4

S. Church bells,Ab bey bells, Cur few bells, Church bells, Ab bey bells, Cur few bells, the

Church bells,Ab bey bells, Cur few bells, Church bells, Ab bey bells, Cur few bells, the

Church bells,Ab bey bells, Cur few bells,

Church bells, Ab bey bells, Cur few bells, the

bells of

2 4

B. Church bells,Ab bey bells, Cur few bells,

Church bells, Ab bey bells, Cur few bells, the

4 4

7 8 watch

the

man

7 8 watch

man

4 4 the

3

bells of

7 8

4 4

3

7 8

4 4

the

3

bells of

2 4

T.

3

bells of

2 4

A.

ff

l.v.

7 8 watch

man

4 4 the

7 8 watch

man

hold back Vln. I

Vln. II

2 4

3

2 4

4 4

7 8

4 4

7 8

4 4

7 8

4 4

7 8

4 4

7 8

3

Vla.

2 4 3

Vlc.

D.B.

2 4 2 4

3

44

14 199

Cl.

e = 100

7 8

3

1.

(4.3)

3

p

3

3

p

3

p

3

3 4

p

7 8

Timp.

3 4 mp Glock.

7 8 Perc.

mp

Cym.

Hp.

7 8

3 4

7 8

3 4

7 8

p

3 4 awestruck mp

7 8

Moll

3 4

14

My

3 4 cot

tage

is

up

on

the

coast,

but

e = 100

unis. half desk (4.3)

7 8

Vln. I

pp

pp unis. half desk

7 8

Vla.

pp

3

3

p

3

3

p

3

p

3

3 4

p

3 4 p

203

Cbsn.

pp

7 8

Vlc.

Cl.

3 4

3 4

p

3 4

p

2 4

a2

p

p

3

3

3

3

3

4 4

5 8

4 4

5 8

3

2 4

mp Hn.

Timp.

3 4

2 4

4 4

5 8

4 4

5 8

2 4

4 4

5 8

3 (Cym.) 4

2 4

4 4

5 8

3 4

2 4

4 4

5 8

3 4

2 4

4 4

5 8

3 4

2 4

3 4

2 4 p

3 (Glock.) 4 Perc.

p

pp

3

3

3

3

Hp.

Moll

now

I

hear

the

Vla.

3

3

mp

4 4 of

a

diff

’rent

sea;

5 8

The

div.

3 4 3 4

3

sound

tutti Vln. I

3

2 4 3

tutti

3

4 4

5 8

4 4

5 8

2 4

4 4

5 8

2 4

4 4

5 8

2 4

3

3

3

3

p Vlc.

3 4 p

D.B.

3 4

45 hold back 206 (3.2)

Fl.

5 8

a2

6

a2

3 8

6

6

Cl.

a2

3 8

6

a2

6

6

4 4

6

6

p

5 8

6

a2

a2

6

6

6

4 4

p

Bsn.

5 8

3 8

4 4

3 8

4 4

p

Hn.

5 8

p

Tpt.

5 8

3 8

4 4

3 8

4 4

p

Tba.

5 8

p

Timp.

5 8

3 8

4 4

5 8

3 8

4 4

5 8

3 8

4 4

pp

Hp.

Moll

5 8

3

3

3

mp

3 8

e cho of a thou sand foot

steps

chas

ing

4 4 a

way

the

hold back 1 solo

5 8

(3.2) Vln. I

3 8

4 4 mp

Vln. II

1 solo

5 8

3 8

4 4 mp legato

1 sola

5 8

3 8

4 4 mp

Vla.

le altre

5 8

div. 3

mp

5 8

4 4

3 8

4 4

3

mp

Vlc.

D.B.

2 soli

3

3 8

5 8

gli altri

3 8

4 4

5 8

pizz.

3 8

4 4

mp

46 Faster q = 60 210 (a2)

Fl.

4 4

2 4

4 4

3 8 p

Cl.

4 4

p

Bsn.

2 4

1.

4 4

3

p

4 4

2 4

3

3

3

3

3

3

3

3 8

3

4 4

3 8 p

Hn.

4 4

2 4

4 4

3 8

4 4

3 8

p

Tpt.

4 4

2 4

p

Tba.

4 4

2 4

4 4

3 8

Timp.

4 4

2 4

4 4

3 8

2 4

4 4

3 8

2 4

4 4

3 8

2 4

4 4

pp

4 4 Hp.

4 4

Moll

mp

4 4 bore

dom

of

lone

ly

hill

top

3

3

hours.

Si

lenc ing

the chat

3 8

3

3

ter

of

the

Faster q = 60 (1 solo)

4 4

4 4

p

4 4 (1 sola)

Vla.

4 4

3 8

2 4

4 4

3 8

2 4

4 4

3 8

2 4

4 4

gli altri, unis. half desk

Vln. I

Vln. II

2 4

4 4

le altre unis. half desk 3

p

p (2 soli) Vlc.

p

2 4

3 8 3

3

3

4 4

p

D.B.

3

3

3

3

tutti

4 4

4 4

3

3 8 p

2 4

4 4

div.

mp

3 8

47 e = 80 213

Fl.

3 8

a2

a2

6

Cl.

a2

3 8

6

6

6

a2

a2

6

6

6

6

4 4

a2

6

6

6

4 4

6

mp

Bsn.

3 8

4 4

Hn.

3 8

4 4 mp

Tpt.

3 8

4 4

Tba.

3 8

4 4 mp

Timp.

3 8

4 4

Moll

3 8

4 4 swal

lows

in

their

swol

len

e = 80 1 solo

Vln. I

3 8

4 4 mp

1 solo

Vln. II

3 8

4 4

mp

3 8

1 sola

4 4

mp Vla.

(le altre, half desk)

3 8

4 4

2 soli

3 8 mp

Vlc.

D.B.

4 4

3 8

gli altri

4 4

3 8

arco unis.

4 4

p

48

15 faster q = 50

216 (a2)

Fl.

Ob.

4 4

pp

4 4

1.

p

Cl.

a2 3

4 4

p

Bsn.

p

3

3

3

p

3

1.

4 4

p

Cbsn.

3

4 4 p

Hn.

3

p

p

4 4 p

Tba.

4 4 p

Timp.

p

4 4 p

Perc.

4 (Glock.) 4 mp

4 4 Hp.

Moll

4 4

mp

4 4 skies.

Moth. Ndhm.

mf

4 4

She

3

is

a beau

ty

with a wan ton air.

No thing more tempt

ing,

no

thing‌

15 faster q = 50 (1 solo)

4 4 gli altre div.

Vln. I

p

ppp

p

ppp

4 4 p

Vln. II

4 4

tutti pizz. unis.

4 4

(sola)

arco div.

p

Vla.

p 3

tutte 3

4 4

3

p div.

tutti p

p D.B.

3

p

p

Vlc.

3

4 4 pp

pp

p

49 220

3 4

Fl.

4 4 (1.)

3 4

Bsn.

p

pp

4 4 p

pp

3 4

Cbsn.

a2

4 4 pp

3 4

Timp.

4 4

p

pp

3 4

4 4

3 4

4 4

3 4

4 4

p

Hp.

Moth. Ndhm.

Now,

she comes‌

Are you

Moll,

dear?

Are you

tutti div.

Vln. I

3 4

4 4

Vlc.

3 4

4 4

3 4

D.B.

4 4

pizz.

3

pp legato

pp

226

Fl.

2 4

4 4

2 4

3 4

5 4

Cl.

2 1. 4

4 4

2 4

3 4

5 4

4 4

2 4

3 4

(a2)

p

2 4

Hn.

5 4

1. p

Hp.

2 4

4 4

2 4

3 4

5 4

2 4

4 4

2 4

3 4

5 4

Moll nods, now visibly shyer than before, taken aback by the woman’s gaudy yet comforting demeanour.

2 4

Moth. Ndhm. Moll?

4 4 I

am

your

2 4 cou

sin,

come

mp

3 4 to

col

lect

you.

5 4

Your

1 solo Vln. I

2 4

4 4 p

Vln. II

2 4

4 4

Vla.

2 4

4 4

Vlc.

2 4

4 4

D.B.

2 4

4 4

2 4

3

1 solo 3

p

arco

pp

3 4 2 soli (div.)

5 4

2 4

3 4

5 4

2 4

3 4

5 4

2 4

3 4

5 4

2 4

3 4

5 4

50 231

Fl.

(2.3) a2

5 4

freely, quasi recit.

3

3

p legato

Ob.

5 4

3

3

2 4

3

1.

3

4 4

3

2 4

5 4 p

2 4

4 4

2 4

5 4

p legato

Cl.

5 4

p

a2

2 4

4 4

2 4

1.

5 4

2 4

4 4

2 4

5 4

p

Tbn.

5 4

p

p legato

Bsn.

3

p

5 4

2 4

4 4

2 4

5 4

2 4

4 4

2 4

5 4

5 4

2 4

4 4

2 Tri. 4

5 4

2 4

4 4

2 4

5 4

p

(Glock.)

5 4

mf Perc.

5 4

mp

Hp.

Moth. Ndhm.

mf

5 4

2 4

4 4

2 4

5 4

5 4

2 4

4 4

2 4

5 4

pret

ty

coun

te nance

and

air

are

all

I

could

de

sire,

my dear.

What a

(2.3) (1 solo)

5 4

pret ty

hat!

freely, quasi recit.

2 4

4 4

2 4

5 4

2 4

4 4

2 4

5 4

Vln. II

5 4

2 4

4 4

2 4

5 4

Vla.

5 4

2 4

4 4

2 4

5 4

2 4

5 4

2 4

5 4

Vln. I

gli altri unis.

5 4 pp (2. soli)

unis. nat.

p

Vlc.

5 4

2 4

4 4

D.B.

5 4

2 4

4 4

div.

pp

unis.

51 235

Picc.

(2.3)

5 4

3 4

faster q = 69

hold back

2 4

3 4

5 8

3 4

5 8

mp

Fl.

5 4

3 4

2 4

p

Ob.

(1.)

5 4

3 4

2 4

3 4

5 8

2 4

3 4

5 8

p

Cl.

(1.)

5 4

3

3 4

a2

p

Bsn.

5 4

3 4

2 4

3 4

5 8

Tbn.

5 4

3 4

2 4

3 4

5 8

2 4

3 4

5 8

p

Timp.

5 4

3 4 p

5 4

3 4

2 4

3 4

5 8

5 4

3 4

2 4

3 4

5 8

3 4

2 4

3 4

5 8

Hp.

Moth. Ndhm.

5 4

mp

What a frag rant rose!

I

will be a

mo

ther

to you

dear,

they

call me

Mo ther

Need ham.

div.

1 solo

(2.3) Vln. I

5 4

3 4

hold back

2 4

faster q = 69

3 4

pp

mp tutti pizz. div.

Vln. II

3

5 4

1 solo arco

3 4

2 4

3 4

Vla.

5 8 p

mp

5 4

5 8

3 4

1 solo

2 4

3 4

5 8

3 4

5 8

p 1 solo

5 4

3 4

2 4

p Vlc.

pp

gli altri

5 4

3 4

2 4

3 4

5 8

3 4

2 4

3 4

5 8

p

D.B.

5 4

p

52

16 241 (2.3)

Fl.

Cl.

5 8

mf

5 8

4 4

2 4

4 4

3 4

2 4

4 4

2 4

4 4

3 4

2 4

3

2 4

4 4

3 4

2 4

3

2 4

4 4

3 4

2 4

3 4

2 4

mp

Bsn.

5 8

4 4 mp

Cbsn.

5 8

4 4 mp

Hn.

5 8

p

4 4

2 4

4 4

mp Tba.

5 8

4 4

2 4

4 4

p Timp.

5 8 5 8

2 4

p

4 4

2 4

4 4

3 4

2 4

4 4

2 4

4 4

3 4

2 4

4 4

2 4

4 4

3 4

2 4

4 4

2 4

4 4

3 4

2 4

3 4

2 4

mp Cym. Perc.

3 4

p

pp

p

solo, liberamente

5 8 Hp.

Moll

mp

5 8

mf

5 8

Oh

Moth. Ndhm.

5 8

They embrace, affording Needham a closer inspection.

4 4 my

cou

2 4

4 4

2 4

4 4

sin!

4 4

mp

You must

S.

5 8

4 4

mf

3

2 4

3 4 be

2 4

3

tired

af ter your jour

ney.

4 4

3 4

2 4

4 4

3 4

2 4

3 4

2 4

3 4

2 4

The chick en is caught.

A.

5 8

4 4

mf

3

The chick en is caught.

T.

5 8

4 4

2 4

3

Trussed up and mf

2 4

3

tak

4 4

Trussed up and mf

B.

5 8

4 4

2 4

3

en.

tak

en.

4 4

Trussed up and

tak

en.

16 (2.3) (1 solo)

5 8 Vln. I

4 4

2 4

4 4

3 4

2 4

4 4

2 4

4 4

3 4

2 4

gli altri

5 8 mp

Vln. II

5 8

4 4

2 4

4 4

3 4

2 4

Vla.

5 8

4 4

2 4

4 4

3 4

2 4

Vlc.

5 8

4 4

2 4

4 4

D.B.

5 8

4 4

2 4

tutti pizz.

p

4 4 p

3 4 3 4

arco

p

2 4 2 4

53 247

Fl.

2 4

3 4

4 4

6 8

p

Ob.

2 4

2

3 4

4 4

6 8

p

Bsn.

5 8 2

p molto legato a2

5 8

p molto legato

2 4

3 4

4 4

3 4

4 4

6 8

5 8

p

Moth. Ndhm.

2 4 Sit

with

me

here

dear,

be fore this

They sit down.

6 8

ta

vern.

Why

have

Vln. II

2 4 2 4

3 4 tutti arco unis.

4 4

Vla.

my

6 8

pp

5 8 ppp

3 4

4 4

3 4

4 4

p

2 4

you come here,

unis.

tutti div. Vln. I

5 8

tutti

6 8

5 8

6 8

5 8

6 8

5 8

6 8

5 8

pp

Vlc.

2 4

D.B.

2 4

pizz.

3 4

4 4

3 4

4 4

p

arco

p

surge with excitement (2.3)

251 (3.2)

Fl.

5 8

3 4 2

Ob.

5 8

Cl.

5 8

(a2)

3

3 4 a2

3

3

3

3

3

3

3 4

3

3

p

Timp.

5 8

3

3

3 4 p mf

Moll

5 8 I

Moth. Ndhm.

mp

3 4 have

come

5 8

to

3 4 dear?

(3.2)

Vln. I

5 8

surge with excitement (2.3)

3 4 mp

Vln. II

tutti div.

5 8

3 4

p

Vla.

Vlc.

5 8 5 8

tutti

pp div.

3 4 3

3

3

3

3

3

3 4

p

D.B.

5 8

3 4

div.

mp

3

3

3

3

54

hold back q = 80

254

4 4

Fl.

7 8

pp

4 (a2) 4

Cl.

7 8

3

p 1. Bsn.

4 4

7 8

4 4

7 8

4 4

7 8

4 4

7 8

4 4

7 8

4 4

7 8

4 4

7 8

4 4

7 8

4 4

7 8

4 4

7 8

pp

Cbsn. p

Tbn. pp

Tba. p

(Glock.)

mf

Perc.

Tri.

Cym. p

mp

mp

Hp.

Moll find

my

for

tune.

mp Moth. Ndhm. A

for

tune

is

a

grand

thing.

Your

hold back div.

q = 80 Vln. I

4 4

Vln. II

4 4

7 8 pizz.

7 8

p tutte div.

4 4

Vla.

7 8

pp

4 4

Vlc.

1 solo

7 8

p unis. D.B. pp

4 4

7 8

55 258

Fl.

Cl.

Elegantly e = 100 (4.3)

7 8

3 8

7 8

3 8

4 4

p

4 4 p

7 8

Moth. Ndhm.

3

3 8 looks de

clare your

in

no cence,

3

no thing more fresh,

4 4

no thing more dain

ty.

Elegantly e = 100 (4.3) 1 solo

7 8

Vln. I

3 8

mp

7 8

Vln. II

1 solo arco

3

3

3

3

3

3

3 8

4 4 4 4

mp

7 8

Vla.

1 sola

3

3 8

mp

3

3

3

(1 solo)

4 4

Vlc.

7 8

3 8

4 4

D.B.

7 8

3 8

4 4 p

263

Cl.

4 4

a2

3

3

3

3

3

p

Cbsn.

4 4 pp

Timp.

4 4 mp

p

4 4 Hp.

Moll

4 4

mp

mf

4 4

Oh

Moth. Ndhm.

4 4 Would you

like

to

be

rich

dear?

To

be dressed

up

in

sa

tins?

(1 solo)

Vln. I

4 4 4 (1 solo) 4

Vln. II

pp gli altri arco

4 4

pp

Vla.

4 4

(1 sola)

4 4

(1 solo)

pp tutte unis.

pp Vlc.

3

3

tutti unis. p

D.B.

p

4 4 pp

pp

3

3

3

56 265

surge with excitement

hold back

3 4

Picc.

17

4 4

3 4 p

3 4

Fl.

4 4

pp

3

3

p molto legato

3 4

Ob.

3

a2

4 4

3 4

3

3 4

a2 p molto legato

(a2)

p

3 4

Cl.

a2

4 4

3 4

pp molto legato

p

3 4

Bsn.

4 4

a2

3 4

p

pp

Cbsn.

3 4

4 4

3 4

Hn.

3 4

4 4

3 4

3 4

4 4

3 4

3 4

4 4

3 4

mp Timp.

(Glock.)

Perc.

mp

Cym.

3 4

4 4

3 4

4 4

3 4

3 4

4 4

3 4

3 4

4 4

3 4

4 4

3 4

pp

3 4 mp

Hp.

mp Moll yes,

Ma dam,

I have

dreamed

of

it.

3 4

Moth. Ndhm.

So

stay

with me, my dear, you will be

Vln. I

tutti div. Vln. II

tutti

3 4

silk

en dres

ses,

the fond

17

hold back surge with excitement

wrapped in

4 4

pp

3 4

3 4 pp

4 4

3 4

pp div. Vla.

Vlc.

3 4

p

3 4

4 4

3 4

4 4

3 4

4 4

3 4

pp

D.B.

3 4 pp

57 270

Picc.

3 4

Fl.

3 4

Ob.

3 4

Cl.

3 4

freely, but a little faster

(a2) 3

3

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

3

(a2)

p

(a2)

p

Bsn.

3 4

2 4

3 4

4 4

Hn.

3 4

2 4

3 4

4 4 p

Timp.

3 4

2 4

3 4

4 4

2 4

3 4

4 4

3 (Cym.) 4

2 4

3 4

3 4

2 4

3 4

4 4

3 4

2 4

3 4

4 4

3 4

4 4

p

3 4

(Glock.)

Perc.

4 4

p

Hp.

Moll

3 4

mp

2 4

I’ve ne ver

Moth. Ndhm.

3 4

2 4 ob

Vln. I

3 4

Vln. II

3 4

ject

of

car

es

ses.

Do you like fine food,

freely, but a little faster

my

ta

sted

it.

mf

3 4 dear?

4 4

We will have

2 4

3 4

2 4

3 4

4 4 div.

4 4

p

Vla.

Vlc.

3 4

p

3 4

2 4

3 4

2 4

3 4

div.

4 4 4 4

p

D.B.

3 4

2 pizz. 4 p

p

3 4

4 4

58

18 274

Picc.

4 4

A tempo q = 50

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

p

Fl.

4 4 p

Cl.

a2 3

4 4

3

3

3

3

p

Cbsn.

4 4

p

pp

Tba.

4 4

3 4

4 4 p

pp

Timp.

4 4 p

Perc.

4 4

Moll

4 4

Tri.

Cym.

l.v. pp

mf

p

3 4

4 4

3 4

4 4

3 4

4 4 sempre p

p

4 4

I

Moth. Ndhm.

4 4

p

4 4 Hp.

3 4

3 4 would

do

a ny thing

4 4

for such a life.

A

3 4 feasts,

4 4 ny

thing.

4 4

you and I.

18 Vln. I

4 4

A tempo q = 50

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 tutti 4

pp

Vln. II

4 4 pp 1 sola

4 4

mp Vla.

le altre

4 4 pp

Vlc.

pp 3

3

4 4

3

3

3

pp

D.B.

4 4

p arco

pp

3 4

4 4

pizz.

mp

59 279

Cbsn.

Tba.

(Glock.) Perc. mp p

3

3

S. The

flow

er

tak

p

en

to

mark

et

fades,

wi

thers and 3

3

A. The

flow

er

tak

p

en

to

mark

et

fades,

wi

thers and 3

3

T. The

flow

er

tak

p

en

to

mark

et

fades,

wi

thers and 3

3

B. The

flow

er

tak

en

to

mark

et

fades,

wi

thers and

Vlc.

D.B.

284

gradually speeding up

Cbsn.

1.

a2

p

p

Tpt.

a2 Tbn. mp Tba. mp mf S. dies.

In

no

cence

be trayed,

a

whore

in

stead

of

maid.

Now

whore

in

stead

of

maid.

Now

whore

in

stead

of

maid.

Now

whore

in

stead

of

maid.

Now

mf A. dies.

In

no

cence

be trayed,

a

mf T. dies.

In

no

cence

be trayed,

a

mf B. dies.

In

no

cence

be trayed,

a

gradually speeding up Vlc. mf D.B.

60 288

(gradually speeding up)

Fl. f

Ob. mf

Cl. mf (a2)

a2 Bsn. mf

Cbsn. mf

(a2) Tpt. mp

Tbn.

Tba. mf

Timp. mf

S. Lon

don,

Lon

don,

Lon

don,

Lon

don,

Lon

don,

Lon

don,

Lon

don,

Lon

don,

Lon

don,

Lon

don,

Lon

don,

Lon

don,

A.

T.

B.

unis.

(gradually speeding up) Vln. I mf unis. Vln. II p tutte unis. Vla. mf

Vlc.

D.B. mf

div.

61 293

q = 80

q = 50

attacca

Picc. ff

Fl.

Ob.

Cl.

Bsn.

Cbsn. p

Tpt.

Tbn.

Tba. p

Timp. mf

Hp.

attacca mp S. is mp

her

stage.

is

her

stage.

her

stage.

her

stage.

A.

mp T. is

mp B. is

q = 80 q = 50 Vln. I mp

Vln. II

Vla.

Vlc. p D.B. p

attacca

62

Interlude I: Innocence Betrayed Moll is led away through the bustle of the market place. Her unwilling de-flowering is portrayed musically from her initial struggle of resistance, to resignation then shame after the rape has taken place.

19 298

Fl.

(q = 50)

p

4 4

2 4

4 4

p

Ob.

Cl.

4 4

2 4 mf

2 4

p

4 4

3 4

4 4 mf

p

4 4

2 4

3 4

4 4

4 4

2 4

3 4

4 4

2 4

4 4

2 4

3 4

4 4

2 4

4 4

2 4

3 4

4 4

a2

2 4

p

Bsn.

4 4

a2

p

Cbsn.

4 4

p

Hn.

4 4

2 4

4 4

a2

f

2 4

3 4

4 4

p

Tpt.

4 4

2 4

4 4

f

2 4

3 4

4 4

mf

Tbn.

4 4

2 4

4 4

f

2 4

3 4

4 4

p

Tba.

4 4

2 4

4 4

f

2 4

3 4

4 4

p

Timp.

4 4

2 4

4 4

f

2 4

3 4

p

19

mp

f

(q = 50)

4 4

2 4

4 4

2 4

Vln. II

4 4

2 4

4 4

Vla.

4 4

2 4

Vlc.

4 4

D.B.

4 4

Vln. I

4 4

3 4

4 4

2 4

3 4

4 4

4 4

2 4

3 4

4 4

2 4

4 4

2 4

3 4

4 4

2 4

4 4

2 4

3 4

4 4

3

3

63 303

Picc.

4 4

5 4

4 4

(3.2)

mp mp

Fl.

mf

4 4

mp

5 4 mp

Ob.

3

3

mf

4 4

4 4 mp

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

mp

Cl.

4 4

(a2)

mp

Bsn.

4 4

(a2)

mp

Cbsn.

4 4 mp

Hn.

4 4

(a2)

mp

Tpt.

4 4

5 4

3

4 4

mf

Tbn.

4 4

5 4

4 4

5 4

4 4

5 4

4 4

mp

Tba.

4 4 mp

Timp.

4 4 mp

mp

(3.2)

Vln. I

4 4

5 4

4 4

Vln. II

4 4

5 4

4 4

Vla.

4 4

5 4

4 4

Vlc.

4 4

5 4

4 4

5 4

4 4

mp

D.B.

4 4

64 305

Picc.

4 4

Fl.

4 4

Ob.

4 4

Cl.

4 4

a2 5

(a2)

mf

(a2) Bsn.

4 4

Cbsn.

4 4

Hn.

4 4

(a2)

mf Tpt.

4 4

Tbn.

4 4

Tba.

4 4

Timp.

4 4

4 4 mf

Hp.

4 4

Vln. I

4 4 div

Vln. II

Vla.

4 4 4 4

mf div.

mf

Vlc.

4 4

D.B.

4 4

arco

mf

65 307

Picc.

Fl. a2

a2

a2

a2

Ob. 5

5

5

(a2) Cl.

(a2) Bsn.

Cbsn.

(a2) Hn.

Tpt.

Tbn.

Tba.

Timp. ff

Hp.

Vln. I

Vln. II f

Vla. f

Vlc.

D.B.

5

66

Still q = 40

20

309

Suddenly faster q = 96

Picc.

3 4

4 4

3 4

4 4

Fl.

3 4

4 4

3 4

4 4

3 4

4 4

3 4

3 4

4 4

3 4

4 4

Bsn.

3 4

4 4

3 4

4 4

Cbsn.

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

Ob. (a2) Cl.

mf

mf

4 4

(a2)

(a2) Hn.

mf

3 4

Tpt.

4 4

Tbn.

3 4

4 4

Tba.

3 4

4 4

Timp.

3 4

4 4

mf

mf

mf

3 4

Cym. Perc.

ff

4 4 20

Still q = 40

Vln. I mp

3

3 4

Suddenly faster q = 96

4 4 pp

Vln. II

3 4

4 4

3 4

4 4

Vla.

3 4

4 4

3 4

4 4

314

4 4

2 4

4 4

2 4

Hn.

4 4

2 4

Tpt.

4 4

2 4

Tbn.

4 4

2 4

Timp.

4 4

2 4

Fl.

Ob.

f

f

67

21 319

Picc. f

Fl.

Ob.

Cl. ff Bsn. ff

Hn.

Tpt.

Tbn.

Timp.

325

Picc.

Fl.

Ob. a2 Cl.

a2 Bsn.

Cbsn. ff

Hn.

Tpt.

Tbn.

Tba. ff

Timp.

a2

a2

a2

68 329

Picc.

4 4

Fl.

4 4

Ob.

4 4 a2

Cl.

(a2)

a2

a2

a2

4 4

Bsn.

4 4

Cbsn.

4 4

Hn.

4 4

Tpt.

4 4

Tbn.

4 4

Tba.

4 4

Timp.

4 4 (Cym.)

Perc.

ff f

S.

4 4 4 4

Ah!

CHORUS (off-stage)

f

4 4

A. Ah!

f

4 4

T. Ah!

f B.

4 4

Ah!

Vln. I

4 4

Vln. II

4 4

Vla.

4 4

Vlc.

4 4

D.B.

4 4

69

22 333

Picc.

Fl.

Ob.

Cl.

Bsn.

Cbsn.

4 4

3 4

4 4

4 4

3 4

4 4

4 4

3 4

4 4

4 4

3 4

4 4

4 4

3 4

4 4

4 4

3 4

4 4

f

f

f

f

f

Still q = 50

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

f

Hn.

4 4

3 4

4 4

2 4

4 4

Tpt.

4 4

3 4

4 4

2 4

4 4

Tbn.

4 4

3 4

4 4

2 4

4 4

Tba.

4 4

3 4

4 4

2 4

4 4 p

Timp.

4 4

3 4

4 4

2 4

4 4

2 4

4 4

f (Cym.) Perc.

4 4

3 4

4 4

f

22 Still q = 50

Vln. I

4 4

3 4

4 4

2 4

4 4

Vln. II

4 4

3 4

4 4

2 4

4 4

Vla.

4 4

3 4

4 4

2 4

4 4

Vlc.

4 4

3 4

4 4

2 4

4 4

D.B.

4 4

3 4

4 4

2 4

4 4

div. pp

70 338

3 4

Fl.

a2

4 4

p

3 4

Cl.

a2

4 4

p

3 4

4 4

Hn.

3 4

4 4

Tba.

3 4

4 4

Bsn.

3 4

Hp.

p

p

p

Timp.

a2

4 4

p

3 4

4 4

3 4

4 4

p

div.

Vln. I

3 4

4 4 pp

p

Vln. II

3 4

4 4

Vla.

3 4

4 4

Vlc.

3 4

4 4

3 4

4 4

D.B.

p

71 343

(a2)

Fl. mp

(a2) Cl. mp

(a2) Bsn. mp

Hn. p

mp

Tba. mp

p

Timp.

Hp.

mp

Vln. I p

Vln. II pp

mp div.

Vla. mp

Vlc. mp

D.B.

72 347

2 4

Picc. f

(a2)

2 4

Fl. f

mf

2 4

Ob. mf

(a2)

2 4

Cl. f

mf

(a2) Bsn.

2 4

Hn.

2 4

Tpt.

2 4 mf

2 4

Tbn. mf

2 4

Tba. mf

2 4

Timp. mf

Vln. I 3

2 4

Vln. II

2 4

Vla.

2 4

Vlc.

2 4

D.B.

2 4

73

Scene Two The interior of a grand house on Leadenhall Street. Moll and her ‘master’ St. John Lovelace are locked in an embrace. Kitty, Moll’s maid, goes about her duties. 23 hold back (q = 40) 349

Picc.

2 4

q = 48

4 4

2 4

4 4

2 4

4 4

mf

Fl.

2 4

4 4 p

Ob.

2 4

mp

4 4

2 4 mf

Cl.

2 4

Bsn.

2 4

Hn.

3

3

3

3

4 4

mp

4 4

2 4

4 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

Tpt.

2 4

4 4

2 4

4 4

Tbn.

2 4

4 4

2 4

4 4

Tba.

2 4

4 4

2 4

4 4

2 4

4 4

(a2)

mf

Timp.

2 4

4 4 ff

2 (Cym.) 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

4 4

2 4

4 4

2 4

4 4

Hp.

2 4 2 4

f

mf

gli ss.

Tri.

glis s.

Perc.

p

ff

MISTER LOVELACE mf

4 4

2 4

4 4

2 4

4 4

With

23 Vln. I

Vln. II

2 4

4 4

2 4

4 4

p

that,

my

lit

tle

hold back (q = 40) q = 48

p

2 4

4 4

2 4

4 4

2 4

4 4

p

Vla.

2 4

4 4 p

Vlc.

2 4

4 4

p

div.

2 4

p D.B.

2 4

pizz. unis.

4 4 p

p

unis.

div.

4 4

pp

2 4

4 4

74 352

Picc.

4 4 p

Fl.

Ob.

Cl.

4 4 3

3

3

3

mp

3

3

3

3

3

3

p

4 4 mp

4 4 mp

Bsn.

p

4 4 p

Tbn.

4 4 p

Timp.

4 4 4 4

(Tri.) Perc.

4 4 Hp.

4 4

Lvlce.

4 4 ewe,

Vln. I

4 4

Vln. II

4 4

Vla.

4 4

2 sole

mp

Vlc.

4 4

D.B.

4 4

I

take

my

leave.

To

toil

I

must

tutte unis.

pp

non div.

pp

to

meet

my

sweet

heart’s

75 354

2 4

Picc.

4 4

a2

2 4

Fl.

4 4 p

2 4

Ob.

4 4

1.

mp

2 4

Cl.

4 4

1. mp

mp

2 4

Tpt.

4 4

p

Tbn.

Perc.

(Tri.)

2 4

4 4

2 4

4 4

mf

MOLL

2 4

mp

How I

42

Lvlce. fi

ner

tastes;

all de served,

rest as

sured.

4 4 so

hate

44 I

shall

be

back

post haste.

2 soli

2 4

4 4

Vln. II

2 4

4 4

Vla.

2 4

4 4

Vlc.

2 4

4 4

D.B.

2 4

4 4

Vln. I p

when you de part, but

do

not

76 358

Picc.

3 4

2 4

3 4

3 4

2 4

3 4

3 4

2 4

3 4

3 4

2 4

3 4

3 4

2 4

3 4

3 4

2 4

3 4

p

Fl.

(1.) Ob.

(1.) Cl.

1. Bsn. pp

Hn.

mp 1. Tpt.

3 4

2 4

3 4

3 4

2 4

3 4

p

Tbn.

mp

3 4

Tba.

2 4

3 4 mp

3 4

Timp.

2 4

3 4 3

p

3 4

Moll doubt

Lvlce.

I

shall

be

wait

ing

for

you

2 4 keen

3 4

ly.

mf

2 4

My

Vln. I

3 4

3 4

trea

2 4

3 4

3

sure,

tutti

mp

my

3 4 3

Vln. II

3 4

2 4

3 4

Vla.

3 4

2 4

3 4 p

Vlc.

3 4

2 4

3 4

D.B.

3 4

2 4

3 4

77 361

Picc.

3 4

4 4

2 4

f

Fl.

pp

3 4

4 4

2 4 p

Cl.

3

3 4

3

3

3

3

3

p

4 4

2 4

4 4

2 4

p

p

Bsn.

3 4 p

Hn.

3 4

4 4

2 4

Tbn.

3 4

4 4

2 4

Tba.

3 4

4 4

2 4

Timp.

3 4

4 4

2 4

Perc.

3 4

4 4

Glock.

2 4

mp

Moll

mp

3 4

4 4

’Till

Lvlce.

lamb

Vln. I

mp

3 4

3 4

kin!

’Til

la

2 4 la

ter

then,

my

shep herd...

4 4

2 4

4 4

2 4

ter then...

pp

Vln. II

3 4

4 4

2 4 pp

Vla.

3 4

4 4

2 4

Vlc.

3 4

4 4

2 4

D.B.

3 4

4 4

2 4

78

24 365

Picc.

Spritely q = 66

2 4

Slower

4 4 mp

Fl.

Ob.

2 4

4 4

2 4

4 4

mp

p

p

Cl.

2 4

1.

4 4

p

Bsn.

2 4

4 4 p legato con sord.

Tpt.

2 4

4 4 f

Timp.

mp

2 4

4 4 p

Perc.

2 4

4 4

(Tri.) f

2 4

4 4 p

Hp.

2 4

4 4

Lovelace leaves, Moll wipes the remnants of his kiss from her lips. mf

Moll

2 4

Shep herd?

f

Ha

mf

ha!

mp

4 4

Old

goat,

I

say!

Kit

24 Spritely q = 66

Vln. I

2 4

Vln. II

2 4

4 4

Vla.

2 4

4 4

Vlc.

2 4

D.B.

2 4

4 4

pizz.

p

f

arco

pizz.

p

f

4 4

4 4

Slower

ty,

he

is gone at last. Send

for

79 370

Fl.

Ob. mp Cl. p Bsn.

Cbsn. p legato Tbn. p Moll James,

the morn

ing

is

now

ours

as we had hoped.

He should be

wait

ing for my word

be low.

mf

Kitty You

1 solo

Vln. I

are

p legato gli altri

pizz.

1 solo

p

Vln. II p 1 solo Vla. p

1 solo arco Vlc. p

arco

p

D.B. mp

373

accel.

hold back

Ob.

2 4

4 4

Hn.

2 4

4 4

2 4

4 4

p

Tbn. p

mp

2 4

Kitty play

ing

a

dang

’rous

game.

Love lace will

sling us

at the slight

est

slur.

And

4 4 as

your

accel. (1 solo)

hold back

2 4 Vln. I

(gli altri)

2 4 2 4

Vln. II tutte Vla.

arco half desk

4 4 4 4

p

4 4

2 4

4 4

2 4

4 4

2 4

4 4

p tutti arco Vlc. pizz. non div.

p

D.B. p

80 377

Picc.

accel. poco a poco

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

mp

Fl.

4 4 mp

Ob.

4 4 mp

Bsn.

4 4 p

Hn.

4 4 p

Tbn.

4 4 p

Tba.

4 4 p

Moll

4 4

mp

2 4

Do

Kitty

mf

4 4 bun

has since been

but tered,

Need ham can not

hope

to find

a

no ther of such gil

4 4 not

2 4 ded

4 4 caste.

accel. poco a poco (half desk)

Vln. I

4 4

2 4

4 4

p

Vln. II

tutti unis. pizz.

4 4

mf

div.

2 4

mp

p

Vla.

4 4

2 4

4 4

p

Vlc.

4 4

mp

4 4

2 4

4 4

pp

D.B.

4 4

unis.

p

2 4

div,

4 4

81 Calmly q = 36 (e = 72) 380

Bsn.

4 4

2 4

3 4

2 4

p

Cbsn.

4 4 pp

4 4

2 4

3 4

2 4

4 4 pp

Hn.

4 4

2 4

3 4

2 4

4 4

p

senza sord. Tpt.

4 4

2 4

3 4

3

2 4

4 4

mp

Tbn.

4 4

2 4

3 4

2 4

4 4 mp

Tba.

4 4

2 4

3 4

3

2 4

4 4 pp

Timp.

4 4

2 4

3 4

2 4

4 4 p

Perc.

4 (Tri.) 4

Moll

4 4

3

fret,

Kit ty.

Leave it

2 4

3 4

2 4

2 4

3 4

2 4

to

me

to soothe the

old

man’s cares.

I’ll

3

mp

3

see to it

4 4

4 4

your purse will not

Calmly q = 36 (e = 72) 1 solo Vln. I

4 4

2 4

3 4

2 4

4 4

2 4

3 4

2 4

4 4

2 4

3 4

2 4

4 4

2 4

3 4

2 4

4 4

2 4

3 4

2 4

4 4

2 4

3 4

2 4

4 4

p legato

4 4 Vln. II

1 solo arco p

gli altri (div. pizz.)

4 4

Vla.