Richard Danielpour
A WOMAN’S LIFE for Soprano and Orchestra
on texts by Maya Angelou
full score
From the G. Schirmer Rental Library Date of printing: _______________
Associated Music Publishers, Inc. New York, NY
Richard Danielpour
A WOMAN’S LIFE for Soprano and Orchestra
on texts by Maya Angelou
full score
commissioned by the Pittsburgh Symphony Orchestra and the Philadelphia Orchestra
The texts by Maya Angelou are used by special permission of the author.
Associated Music Publishers, Inc. New York, NY
Texts I. Little Girl Speakings.............Page 1 Ain’t nobody better’n my Daddy, you keep yo’ quauter, I ain’t yo’ daughter, Ain’t nobody better’n my Daddy. Ain’t nothing prettier’n my dollie, heard what I said, don’t pat her head, Ain’t nothing prettier’n my dollie. No lady cookinger than my Mommy, smell that pie, see I don’t lie, No lady cookinger than my Mommy.
II. Life Doesn’t Frighten Me.....Page 13 Shadows on the wall Noises down the hall Life doesn’t frighten me at all Bad dogs barking loud Big ghosts in a cloud Life doesn’t frighten me at all. Mean old Mother Goose Lions on the loose They don’t frighten me at all Dragons breathing flame On my counterpane That doesn’t frighten me at all. I go boo Make them shoo I make fun Way they run I won’t cry So they fly I just smile They go wild Life doesn’t frighten me at all. Tough guys in a fight All alone at night
Life doesn’t frighten me at all.
Panthers in the park Strangers in the dark No, they don’t frighten me at all. That new classroom where Boys all pull my hair (Kissy little girls With their hair in curls) They don’t frighten me at all. Don’t show me frogs and snakes And listen for my scream, If I’m afraid at all It’s only in my dreams. I’ve got a magic charm That I keep up my sleeve, I can walk the ocean floor And never have to breath. Life doesn’t frighten me at all Not at all Not at all. Life doesn’t frighten me at all.
III. They Went Home..........Page 40 They went home and told their wives, that never once in all their lives, had they known a girl like me, But . . . They went home. They said my house was licking clean, no word I spoke was ever mean, I had an air of mystery, But . . . They went home. My praises were on all men’s lips, they liked my smile, my wit, my hips, they’d spend one night, or two or three. But . . .
IV. Come. And Be My Baby...Page 49 The highway is full of big cars going nowhere fast And folks is smoking anything that’ll burn Some people wrap their lives around a cocktail glass And you sit wondering where you’re going to turn. I got it. Come. And be my baby. Some prophets say the world is gonna end tomorrow But others say we’ve got a week or two The paper is full of every kind of blooming horror And you sit wondering What you’re gonna do. I got it. Come. And be my baby.
V. Let’s Majeste.....................Page 66 I sit a throne upon the times when Kings are rare and Consorts slide into the grease of scullery maids. So gaily wave a crown of light (astride the royal chair) that blinds the commoners who genuflect and cross their fingers. The years will lie beside me on the queenly bed. And coupled we’ll await the ages’ dust to cake my lids again. And when the rousing kiss is given, why must it always be a fairy, and only just a Prince?
VI. My Life Has Turned to Blue Page 75 Our summer’s gone, the golden days are through. The rosy dawns I used to wake with you have turned to grey, my life has turned to blue. The once-green lawns glisten now with dew. Red robin’s gone, down to the South he flew. Left here alone, my life has turned to blue. I’ve heard the news that winter too will pass, that spring’s a sign that summer’s due at last. But until I see you lying in green grass, my life has turned to blue.
VII. Many and More...............Page 84 There are many and more who would kiss my hand, taste my lips, to my loneliness lend their bodies’ warmth. I have want of a friend. There are few, some few, who would give their names and fortunes rich or send first sons to my ailing bed. I have need of a friend. There is one and only one who will give the air from his failing lungs for my body’s mend. And that one is my love. —Maya Angelou from The Complete Collected Poems of Maya Angelou Random House
Instrumentation 3 Flutes (3rd doubling Piccolo) 2 Oboes (2nd doubling English Horn) 2 Clarinets in B= Bass Clarinet 3 Bassoons 4 Horns in F 3 Trumpets in C 2 Trombones Bass Trombone Tuba Timpani (1 player) Percussion (3 players) Piano (doubling Celesta) Harp Solo Soprano* Strings duration ca. 24 minutes * The solo voice in this cycle should be amplified discreetly.
Program Notes: A Woman’s Life was composed in the summer of 2007 for Angela Brown. It was Angela who premiered the role of 'Cilla' in my opera Margaret Garner in 2005, and while I was consistently impressed by her artistry and power onstage (she sang the role in Philadelphia and Cincinnati), I was especially taken with her graciousness and deep compassion for all of her colleagues. And so when she brought up the idea of my writing a cycle expressly for her I became instantly interested in finding the right combination of forces needed to bring such a thing into being. When I asked Angela in 2006 if she had a preference of a poet who would provide texts for the cycle, she unhesitatingly mentioned Maya Angelou. At that time she didn't know that Dr. Angelou had been my friend and collaborator (in 1998 with a work entitled "Portraits”) and that I had also wanted to create a new piece with her. I went to see Maya Angelou at her New York townhouse with my wife Kathleen in early July 2006 - I wanted to see if she would write texts that would show the trajectory of a woman’s life, from childhood to old age. When I asked her about this she informed me that she already had it and that she would read them to us. And so without hesitation, holding our hands at her dining room table, she read beautifully and yet calmly from her collected poems eight poems which made a perfect cycle fulfilling my intention. It was honestly one of the greatest performances I have witnessed in my life and it was all I needed, along with seven of the eight poems she read, to write this cycle of songs. – Richard Danielpour
to Angela Brown
A WOMAN’S LIFE
Maya Angelou Grazioso
I. Little Girl Speakings
= 80
Richard Danielpour (2008)
1 2 Flute
tacet 3
(Piccolo)
1 Oboe
English Horn
(English Horn)
2
1 2
Clarinet in B
Bass Clarinet
1 2 Bassoon
tacet 3
1 2 Horn in F 3 4
tacet 1 2 Trumpet in C
tacet 3
tacet 1 2
Trombone
tacet Bass Trombone Tuba
tacet Timpani
1
Percussion
2
3
Celesta
Piano (Celesta)
Harp
Soprano
Grazioso
= 80
I dolce
Violin
div.
unis.
div.
quasi unis.
II quasi Viola
div.
quasi unis.
Violoncello quasi Contrabass
Corrected 12/2009
Copyright Š 2009 by Associated Music Publishers, Inc. (BMI) and G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
Property of: G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY
2
L’istesso tempo ( = ) = 80
8 1 2 Fl. 3
Ob.
1
E.H.
2. Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
Vib., hard yarn mallets 1 l.v. sempre with Ped. held Perc.
2
3
Cel.
l.v. sempre sempre ben articulato
Hp.
Sop.
poco
L’istesso tempo ( = ) = 80
I sub.
cant.
Vn.
div.
poco
unis.
II poco Va. div.
unis.
div.
poco
unis.
div.
poco
unis.
Vc.
Cb.
3 14 1 2 Fl. 3
Ob.
1
E.H.
(2.) Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Cel.
Hp.
(with the simplicity of a child) Sop.
Ain’t
no
bod
y
bet ter ’n my Dad
dy,
Ain’t
no
bod
I sub. Vn. II
Va.
Vc.
Cb.
sub.
sub.
y
bet ter ’n my Dad
dy.
4 17 1 2 Fl. 3
Ob.
1
E.H.
(2.) Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
Vib. 1
Perc.
2
3
Cel.
Hp.
(with authority) Sop.
you keep
yo’
quau ter,
I
ain’t
yo’
daugh
ter.
Ain’t
I sub. Vn. II
Va.
Vc.
Cb.
sub.
sub.
5 20 1 2 Fl. 3
Ob.
1
E.H.
(2.) Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Cel.
Hp.
port.
Sop.
no
bod
y
bet ter ’n myDad
dy.
Ain’t
3
noth ing pret ti
I sub. Vn. II
Va.
Vc.
Cb.
sub.
sub.
3
er
’n my dol
lie.
6 23 1 2 Fl. 3
Ob.
1
E.H.
(2.) Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
(Vib.) 1
Perc.
2
3
Cel.
Hp.
Ain’t
3
3
port.
Sop.
noth ing pret ti
er
’n
my
dol
lie,
heard
what
port.
I
said,
don’t
pat
her
head,
Ain’t
I sub. Vn. II
Va.
Vc.
Cb.
sub.
sub.
7 A tempo
pochiss. rit.
26
= 80
1 2 Fl. 3 solo Ob.
1
3
dolce
English Horn
solo
E.H. dolce (2.) Cl. in B
1., solo
1 2 espr.
Bs.Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Cel.
Hp.
3
3
Sop.
noth ing pret ti er ’n my dol lie.
No
pochiss. rit.
la
dy cook ing er than my Mom my,
A tempo
= 80
I sub.
Vn.
sub.
II sub. Va.
Vc.
Cb.
8 30
1. solo
1 2
3
dolce
3
Fl. 3
Ob.
1
E.H. 3
1.
(2.) Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Cel.
Hp.
3
3
Sop. port.
No
la
dy cook ing er than my Mom my,
smell
that pie,
I sub.
Vn.
sub.
sub.
sub.
II sub. Va. div. Vc.
Cb.
unis.
see
9 poco rit. a tempo 34
( = )
1 2 Fl. 3
Ob.
1
E.H. ten.
(2.) Cl. in B
1 2 ten.
Bs.Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Cel.
Hp.
ten.
3
3
Sop.
I
don’t lie,
No
la
dy cook ing er than my Mom
my.
poco rit. a tempo
( = )
ten. I sub. Vn.
sub. ten.
II
ten. Va.
Vc.
Cb.
sub.
sub.
10 38
L’istesso tempo
1 2 Fl. 3
Ob.
1
E.H.
Cl. in B
1 2
Bs.Cl.
2. 1 2 Bn. 3
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Cel.
Hp.
Sop.
L’istesso tempo al punta del arco (al punta) I
al punta del arco Vn. II
Va. pizz. Vc.
pizz. Cb.
(al punta)
11 44 1 2 Fl. 3
Ob.
1
E.H.
Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
1. (with Violas) 1 2 Hn. in F 3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Cel.
Hp.
Sop.
I Vn. II espr. Va. espr. div., arco Vc.
div. Cb. arco
pizz.
12 50 1 2 Fl. 3
Ob.
1
E.H.
Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
(1.) 1 2 Hn. in F 3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
Vib., motor on 1 possibile Perc.
2
3
Cel.
Fast arp.
Hp.
Sop.
I Vn. II
Va.
(div.)
unis.
Vc.
(div.) Cb.
tutti, unis., arco
With vitality (energico) = 144 ( = 72)
II. Life Doesn’t Frighten Me
13
1 2
Flute
Fl. 3
Ob.
1
English Horn E.H. 1. Cl. in B
2., solo
1 2 cant.
Bs.Cl. cant. 1. 1 2 cant.
Bn. 3
1 2 Hn. in F 3 4 with mute 1 2 Tpt. in C
with mute 3
with mute Tbn.
1 2 B.Tbn., with mute
B.Tbn. Tba.
Timp. Congas 1
Congas Perc.
2
Muffled Floor Tom 3
Piano Pf.
Hp.
Sop.
With vitality (energico) = 144 ( = 72) I espr. Vn.
sub.
unis.
div. II
div.
espr. unis.
sub.
espr.
sub.
espr.
sub.
Va.
Vc.
pizz. Cb. sub.
14 1., solo
6 1 2 Fl. 3
solo Ob.
1
E.H. (2.) Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
1 2 Hn. in F
sub. 3 4 sub. (with mute) 1 2
Tpt. in C
(with mute) 3
(with mute) Tbn.
1 2 B.Tbn. (with mute)
B.Tbn. Tba.
Timp.
(Congas) 1
(Congas) Perc.
2
(Muff. Fl. T.) 3
Pf.
Hp.
Sop.
pizz. I
Vn.
div.
unis., pizz.
div.
unis., pizz.
II
Va.
div., pizz. Vc.
pizz. Cb.
15 11
1.
1 2 Fl. 3
Ob.
1
E.H. dim. Cl. in B
1 2 dim.
Bs.Cl. dim. 1 2 dim.
Bn. 3
1 2 Hn. in F
dim. 3 4 dim. 1 2
Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Pf.
Hp.
quasi Sop.
Sha dows
on
the
wall
Nois arco
I dim.
Vn.
div. (pizz.) II dim. div. (pizz.)
Va. dim.
Vc. dim. Cb. dim.
es
down
the
hall
16 15
1.
1 2 Fl. 3
Ob.
1 cresc.
E.H.
Cl. in B
1 2 cresc.
Bs.Cl. cresc. 1 2 cresc.
Bn. 3
1 2 Hn. in F
cresc. 3 4 cresc. 1 2
Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp. Guiro 1
Wood Blocks Perc.
2
3
Pf.
Hp.
Sop.
Life
does n’t fright en
me
at
all
1 solo 1 solo gli altri I cresc.
Vn.
unis. II cresc. (div.), arco
unis.
Va. cresc. unis., arco Vc. cresc. pizz. Cb. cresc.
17 19 1 2 Fl. 3
Ob.
1
E.H.
Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3 1. 1 2 Hn. in F
3. 3 4 (with mute) 1 2
Tpt. in C
(with mute) 3 (with mute)
Tbn.
1 2 B.Tbn., with mute
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Piano
Pf.
Hp.
quasi Sop.
Bad
dogs
bark
ing
loud
Big
(1 solo) 1 solo div. I Vn.
div. II
div. Va.
div. a2 Vc. (pizz.) Cb.
unis.
18 ( )
23 1 2 Fl. 3 ( ) Ob.
1
E.H.
Cl. in B
1 2 dolce
Bs.Cl. dolce 1. 1 2 Bn.
dolce 3
1 2 Hn. in F
dolce 3 4 dolce remove mute 1 2
Tpt. in C
remove mute 3 remove mute
Tbn.
1 2 remove mute
B.Tbn. Tba.
Timp.
1
Perc.
2
3 ( )
Pf.
( )
Hp.
Sop.
ghosts
in
a
cloud
Life
does n’t fright en me
at
all.
(1 solo)
1 solo
(div.)
unis.
(div.)
unis.
(div.)
unis.
I Vn. II
Va.
pizz. Vc. (pizz.) Cb.
arco
19 28
a2
1 2 Fl. 3
Ob.
1
E.H. 1. Cl. in B
1 2
Bs.Cl. a2 1 2 Bn. 3
1 2 Hn. in F 3 4
without mute Tpt. in C
1., put on mute
1 2 without mute 3 without mute
Tbn.
1 2 without mute
B.Tbn. Tba.
Timp. (Guiro) 1 (Wd.Blk.) Perc.
2
3
Pf.
Hp.
Sop.
Mean
old
I sub. Vn.
div.
(div.), pizz.
II sub. non div.
div.
non div.
div.
(div.), pizz.
Va. sub. pizz. Vc. sub. arco Cb.
pizz.
Moth er
Goose,
20 33
a2
1 2 Fl. 3
Ob.
1
E.H. 2. Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
1. 1 2 Hn. in F
3. 3 4 1., with mute
remove mute
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Pf.
Hp.
Sop.
Li
ons
on
the
loose
They tutti, unis. arco
1 solo
(gli altri, div., pizz.)
tutti, unis. arco
(pizz.)
sub. unis., arco
(pizz.)
unis., arco
I Vn. II
Va.
(pizz.)
arco
Vc. (pizz.) Cb.
(pizz.)
don’t
21 37 1 2 Fl. 3
Ob.
1
E.H.
Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
1 2 Hn. in F
cresc. 3 4 cresc. 1. open 1 2
Tpt. in C 3
Tbn.
1 2 B.Tbn.
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Pf.
Hp.
3
Sop.
fright en
me
at
all
Dra
gons
breath
ing
flame 1 solo
1 solo
div.
unis.
gli altri
I Vn.
div. II
div.
div. a2
Va.
Vc. arco Cb.
22 41
2.
1 2 Fl. 3
Ob.
1
E.H.
Cl. in B
1 2
Bs.Cl.
a2 1 2 Bn. 3
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
Tbn.
1 2 a2
B.Tbn. Tba.
Timp.
Sus. Cym. 1
Steel Plate Perc.
2
Tam. 3
Pf.
Hp.
Sop.
On
my
coun
ter
pane
That
div.
unis.
I Vn.
(div.)
unis.
II
(div. a2)
div. a2
Va.
div. Vc.
pizz. Cb.
does n’t
23 45 1 2 Fl.
to Picc. 3
Ob.
1
E.H.
Cl. in B
1 2 sub.
Bs.Cl. sub. a2 1 2 Bn. 3
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
Tbn.
1 2 a2
B.Tbn. Tba.
Timp.
Mounted Cowbell
2 Congas
(rim)
(2 Congas)
(rim)
1
Conga, with stick Perc.
2 Muffled T.-t. 3
Pf.
Hp.
Sop.
fright en
me
at
all.
I div.
unis.
I sub. Vn.
div. II sub. unis.
Va.
unis.
div.
Vc.
(pizz.) Cb.
arco
pizz.
go
boo,
make them
shoo
I make
fun
24 50 Picc.
Fl.
1 2
Ob.
1
E.H.
Cl. in B
1 2
Bs.Cl.
a2 1 2 Bn. 3
1. 1 2
gl.
Hn. in F
3. 3 4
Tpt. in C
gl.
1 2
3
Tbn.
1 2
B.Tbn. Tba.
Timp. (Congas) 1
(Congas) Perc.
2
(T.-t.) 3
Pf.
Hp.
Sop.
Way they
run
I won’t
cry
So
they
fly
I
just
smile
(div.) I Vn.
(div.) II div.
Va.
(div.) arco
unis.
arco
pizz.
non div.
Vc.
Cb.
arco
25 55 Picc.
1. Fl.
1 2
Ob.
1
E.H. 1. Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
1. 1 2 Hn. in F
gl. 3.
3 4
gl. 1.
Tpt. in C
1 2
3
2. Tbn.
1 2
B.Tbn. B.Tbn. Tba.
Timp.
1
Perc.
2
3
Pf.
Hp.
Sop.
They
go
wild
Life 1 solo
I gli altri Vn.
unis. II
unis.
div.
Va. non div. Vc.
pizz. Cb.
arco
26 Piccolo
60 Picc. (1.)
a2 Fl.
1 2
Ob.
1
E.H. (1.) Cl. in B
a2
1.
1 2
Bs.Cl. (a2) 1 2 Bn. 3
a2 1 2 Hn. in F
gl.
gl.
gl.
gl.
a2 3 4 (1.) 1 2
Tpt. in C 3 (2.) Tbn.
1 2 (B.Tbn.)
B.Tbn., put on mute
B.Tbn. Tba.
Timp.
Guiro 1
Wd.Blk. Perc.
2
3
Pf.
Hp.
Sop.
port. does
n’t
fright
en
me
at
all.
(1 solo) tutti, unis. I (gli altri) Vn.
div. II
div. Va.
div. Vc.
Cb.
unis.
27 64
a2
1 2 Fl.
to Flute 3
Ob.
1
E.H.
Cl. in B
1 2
Bs.Cl.
a2 1 2 Bn. 3
1. 1 2 staccatiss. 3.
Hn. in F 3 4
staccatiss. put on mutes 1 2 Tpt. in C
put on mute 3
Tbn.
1 2
B.Tbn. Tba.
Timp. Congas 1
Congas Perc.
2 (Muffled T.-t.) 3
Pf.
Hp.
Sop.
div.
unis., pizz.
div.
pizz.
(div.)
pizz.
I
Vn. II
Va.
pizz. Vc.
pizz. Cb.
div.
28 68 1 2 Fl. 3
Ob.
1
E.H.
Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
a2 1 2 Hn. in F
a2 3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
Guiro 1
W.Blk. Perc.
2
3
Pf.
Hp.
Sop.
Tough
guys
in
a
fight
(pizz.)
All
a
lone
at
night
arco
I
Vn.
(div., pizz.)
(div.), arco
(div., pizz.)
(div.), arco
II
Va.
unis., (pizz.)
div.
div.
(div.), arco
Vc.
(pizz.) Cb.
arco
(div. a2)
29 72 1 2 Fl. 3
Ob.
1
E.H. a2 Cl. in B
1 2 sub.
Bs.Cl. sub. 2. 1 2 sub.
Bn. 3
sub. 1 2
gl.
gl.
gl.
3 4
gl.
gl.
gl.
Hn. in F
with mutes 1 2 Tpt. in C
with mute 3
with mutes Tbn.
1 2 B.Tbn., with mute
(B.Tbn.)
B.Tbn. Tba.
Timp.
1
Perc.
2
(T.-t.) 3
Pf.
Hp.
Sop.
Life div.
does n’t fright en
me
at
all.
Pan
thers
in
the
park
unis.
I sub. Vn.
unis.
div.
unis.
div.
II sub.
Va. unis.
sub.
Vc. sub. Cb. sub.
30 76 1 2 Fl. 3
Ob.
1
E.H.
Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
1 2
gl.
gl.
3 4
gl.
gl.
Hn. in F
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Pf.
Hp.
Sop.
Strang
ers
in
the
dark
No,
they don’t fright en me at
div.
unis.
div.
unis. (non div.)
all.
I Vn. II
(div.)
unis.
Va.
Vc.
pizz. Cb.
31 81 1 2 Fl. 3
Ob.
1
E.H.
2. Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp. Sandpaper Blocks 1
Perc.
2
3
Pf.
Hp.
Sop.
That new
class
pizz. I Vn.
div., pizz. II
pizz. Va. 4 soli unis., pizz. Vc. pizz. Cb.
room
where
32 86
1.
2.
1 2 Fl. 3
Ob.
1
E.H.
Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
1. 1 2 Hn. in F
3. 3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp. (Sandpaper Blks.) 1
Perc.
2
3
Pf.
Hp.
Sop.
boys all
pull
my hair
(Kiss y
lit tle girls
With their hair in
curls)
They
(pizz.)
arco
(div., pizz.)
(div.), arco
I Vn. II
div.
(pizz.)
unis., arco
Va.
(pizz.)
arco
pizz.
Vc.
(pizz.) Cb.
pizz.
div., arco
don’t
33 a2
91 1 2 Fl. 3
Ob.
1
E.H.
a2 Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 without mute 1 2 Tpt. in C
without mute 3
without mute Tbn.
1 2 (B.Tbn.),without mute
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Pf.
Hp.
3
Sop.
fright
en
me
at
all.
I sub. Vn.
unis. II sub.
Va. sub. unis.
div.
Vc. sub.
sub. arco
Cb.
34 a2
96 1 2 Fl.
Flute 3
Ob.
1
E.H.
Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
2. 1 2 Hn. in F
4. 3 4 1. 1 2
Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp. (Congas) 1 (Congas) Perc.
2 (T.-t.) 3
Pf.
Hp.
Sop.
Don’t
show
me
frogs and
snakes
And
lis
ten
for
my
scream,
div. I
Vn.
non div. II
non div. Va.
div. a3 Vc.
Cb.
div. a2
div. a3
div. a2
div. a3
div. a2
div. a3
div. a2
unis.
35 100 1 2 cresc. Fl. 3
Ob.
1
E.H. sub. Cl. in B
1 2 sub.
cresc.
Bs.Cl. sub. a2 1 2 Bn.
sub.
cresc.
sub.
cresc.
sub.
cresc.
sub.
cresc.
3
1. 1 2 Hn. in F
3. 3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Pf.
Hp.
Sop.
If
I’m
a
fraid at
all
It’s
on
ly
in
my
dreams.
I sub.
Vn.
cresc. div.
non div.
div.
II sub. non div.
cresc. div.
non div.
div.
Va. sub. div.
cresc. unis.
Vc. sub.
cresc.
Cb. cresc.
36 106 1 2 (cresc.) Fl. 3
Ob.
1 sub.
to Oboe E.H.
Cl. in B
1 2 (cresc.)
sub.
Bs.Cl.
(a2) 1 2 Bn.
(cresc.)
sub.
(cresc.)
sub.
3
(1.) 1 2 Hn. in F
(cresc.) (3.)
sub.
3 4 (cresc.)
sub. put on mute
1 2 Tpt. in C 3 put on mute Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Pf.
Hp.
Sop.
I’ve unis.
(div.) I
sub.
(cresc.) (div.)
Vn. II
sub.
(cresc.) (div.)
div.
(div. a2)
Va. (cresc.) sub. Vc. (cresc.)
sub. pizz.
Cb. (cresc.)
sub.
got
a
mag ic
charm
37 111 1 2 Fl. 3
1 Ob. 2
Cl. in B
1 2
Bs.Cl. 1. 1 2 Bn. 3
1 2 Hn. in F 3 4 with mute
remove mute
with mute
remove mute
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Pf.
Hp.
Sop.
That
I
keep
up my
sleeve,
I
can
walk pizz.
I Vn.
div., pizz. II
div., pizz. Va.
pizz. Vc.
Cb.
the
o
cean
floor
And
38 116 1 2 Fl. 3
1 Ob.
Oboe 2
Cl. in B
1 2
Bs.Cl.
2. 1 2 Bn. 3
1. 1 2 Hn. in F
3. 3 4 without mutes
1.
1 2 Tpt. in C
without mute 3
without mutes Tbn.
1 2 without mutes
B.Tbn.
a2
B.Tbn. Tba.
Timp.
Guiro 1
Wd.Blk. Perc.
2
3
Pf.
Hp.
Sop.
nev er
have
to
(pizz.)
arco
(div., pizz.)
arco
unis.,(pizz.)
arco
(pizz.)
arco
breathe
Life
does n’t fright en me at
all
I Vn. II
div.
Va.
Vc. (pizz.) Cb.
arco
div.
Not at all
39 121 1 2 Fl. 3
1 Ob. 2
a2 Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 (1.) 1 2 Tpt. in C 3
a2 Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
cresc.
cresc.
cresc.
cresc.
2
T.-t. 3
cresc.
cresc.
Pf.
Hp.
Sop.
Not at
all.
Life
does
n’t
frigh ten
me
at
all. div. gl.
I unis.
Vn.
div.
II
Va.
div. a3 Vc.
Cb.
III. They Went Home
40 Moderato 2., tacet
= 84–88
1.
1 2 Fl.
tacet 3
Ob.
1
English Horn E.H.
Cl. in B
1 2
Bs.Cl.
1 2 Bn.
tacet 3
al sord.
con sord.
al sord.
con sord.
1 2 Hn. in F 3 4
2.,tacet 1 2 Tpt. in C
tacet 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
tacet 1
Perc.
2
3
Celesta
Cel.
Hp.
Sop.
They
Moderato
went
home
and
told
their
wives,
that
ne
ver
once
= 84–88
con sord.* I
Vn.
con sord.*
div.
II
con sord.* Va.
Vc. sub.
dim.
sub.
dim.
sub.
dim.
sub.
dim.
Cb.
* Violins and Viola are con sord. throughout movement.
in
41 7
1., solo
1 2 dolce Fl. 3
Ob.
1
to Oboe E.H. dolce
Cl. in B
1 2 sempre
Bs.Cl.
1 2 Bn. 3
1 2 (no attack)
Hn. in F 3 4
(no attack) 1 2 Tpt. in C 3 with mutes Tbn.
1.
1 2 with mutes
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Cel.
Hp.
fast arp.
meno Sop.
all
their
lives,
had they
met a
I Vn. II
Va.
div. Vc.
pizz. Cb.
girl
like
me,
But‌
They
went
home.
42 13
(1.)
1 2 sub. Fl. 3
1 Ob. 2
Cl. in B
1 2 sub.
Bs.Cl. sub.
1 2 Bn. 3
(con sord.) 1 2 Hn. in F
(con sord.) 3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Cel.
Hp.
Sop.
They
said
my
house
was
lick
ing
clean,
no
word
I Vn. II
Va.
div., pizz.
unis., arco
div., pizz.
unis., arco
Vc. sub.
dim.
arco
sub.
Cb. sub.
dim.
sub.
I
43 19 1 2 Fl. 3
1 Ob. 2 1. Cl. in B
1 2 espr.
Bs.Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4
1 2 Tpt. in C 3 (with mutes) Tbn.
1 2 (with mutes)
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Cel.
Hp.
3
Sop.
spoke
was
e
ver
mean,
I
had
an
air
of
mys ter y,
But‌
I Vn. II
Va.
div., pizz.
(div.), arco
div., pizz.
(div.), arco
Vc.
Cb.
unis.
44 1.
25 1 2 Fl. 3
1
Ob.
Oboe 2
Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3 (con sord.)
via sord.
senza sord.
(con sord.)
via sord.
senza sord.
1 2 Hn. in F 3 4
Tpt. in C
1 2
3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Cel.
Hp.
Sop.
They
went
home‌
(arco), with Oboe 8va
1 solo 1 solo
pizz. gli altri I Vn.
(div.)
pizz.
II
(div.)
pizz.
Va.
(div.) Vc.
Cb.
unis.
45 32
(1.)
1 2 Fl. 3
1 Ob.
to English Horn 2 1.
Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
2. 1 2 Hn. in F
4.
3 4
1., solo 1 2 Tpt. in C
cantabile 3 (with mutes)
Tbn.
1 2
B.Tbn. (with mute) B.Tbn. Tba.
Timp.
1
Perc.
2
3
Cel.
Hp.
Sop.
My
8
1 solo
I Vn.
unis., arco II
unis., arco
div.
(div. a2)
Va. div. Vc. div.
arco
Cb. pizz.
46 40 1 2 Fl. 3
Ob.
1
E.H. (1.) Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
remove mute Tbn.
1 2 remove mute
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Cel.
Hp.
Sop.
prais
es
were
on
all
men’s
lips,
they
tutti, div., arco
liked
my
smile,
my
wit,
unis.
I Vn.
div. II div. unis.
Va. div., arco unis., pizz.
unis., pizz.
Vc. div. unis., pizz. Cb.
unis.
div.
my
47 A little slower,
rit. (molto) 47
= 80
1.
1 2 Fl. 3
Ob.
1
English Horn E.H. cant. Cl. in B
1 2
Bs.Cl. 1., solo 1. 1 2
3
Bn.
espr. 3
a2
1.
1 2 Hn. in F
a2
3 4
Tpt. in C
1 2
3 1., without mute play into stand Tbn.
2., without mute
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Cel.
Hp.
Sop.
hips,
rit. (molto)
they’d
spend
one
night,
A little slower,
or
two,
or
three
But‌
= 80
I Vn.
div. II
(div.)
div., pizz.
unis.
Va.
(div.), pizz.
div., arco Vc.
div.
unis.
div. arco
Cb. pizz.
48 rit.
54
a tempo
1., solo
1 2 Fl. 3
Ob.
1
E.H. 1., solo Cl. in B
1 2
Bs.Cl. 1., solo 1 2
5
Bn. 3
(1.) 1 2 Hn. in F
3. 3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Celesta
Cel.
Hp.
Sop.
rit.
al punta del arco
a tempo senza sord.
I unis., al punta del arco
Vn.
senza sord.
II senza sord.
unis., arco Va. sotto voce div., arco Vc.
unis., arco Cb.
sotto voce
With swing
IV. Come and Be My Baby
= 96
49 a2
1 2
3
3
3
3
3
3
3
3
3
3
Fl. 3
3 3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
1 3
3
3
3 3
Ob.
Oboe
3
3
3
3
3
3
3
3
3
2 3
Cl. in B
3
3
3
3
3
3
3
3
1 2 3
Bs.Cl. a2 1 2 Bn. 3
1 2 Hn. in F
3
3
3
3
3
3
3
3
3
3
3
3
marc. 3 4
marc.
2.
1 2 marc.
Tpt. in C
3
3 3
3
3
3
Tbn.
marc.
3
marc.
3
3
1 2 3
3
3
3
3
a2
B.Tbn. Tba.
marc. Timp.
1
Perc.
2
3 Piano
8va
8va
3 3
3
3
3
3
3
3
3
3
3
Pf.
3
tacet
Hp.
Sop.
With swing
= 96
I 3
3
3
3
3
3
3
3
3 3
Vn. II
3 3
div. Va. 3
Vc.
Cb.
3
3
3
unis.
div.
3
50 5
(a2)
1 2
3
3
3
3
Fl. 3
3
3
3
3
3
3
3
3
3
1 3
Ob.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
2 3
Cl. in B
3
3 3
2.
1 2
1. 3
3
3
3
3
3
Bs.Cl. 3
(a2) 1 2 Bn. 3
1 2 Hn. in F 3 4 3
3
3
3
3
3
3
3
3
3
3
3
1 2 Tpt. in C
3
3
3
3
3
3 3
3 3
3
1. Tbn.
3
3
3
B.Tbn. Tba.
Timp.
1
Perc.
2
3 8va
3
3
3
3
Pf.
Hp.
Sop.
I 3
3
3
3
Vn. II
(div.) Va.
Vc.
Cb.
1.
1 2 3
3
3
1.
3
3
3
3
3
3
3
51 a2
9 1 2 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Fl. 3
1 Ob. 2
Cl. in B
1 2
Bs.Cl.
2. 1 2 Bn. 3
1 2 Hn. in F 3 4 with mutes
3
3
put on mutes
with mutes
3
3
put on mutes
with mutes
put on mute 1 2 3
Tpt. in C
3
3 3
3 3
Tbn.
1 2 3
a2
3
put on mutes
B.Tbn. Tba.
Timp.
1
Perc.
2
3 8va
3
3
3
3
Pf.
Hp.
3
3
3
3
3
3
3
3
3
3
Sop.
The high div., pizz. I 3
3
3
3
Vn.
div., pizz. II 3
3
3
3
non div.
div., pizz.
Va.
pizz. Vc.
pizz. Cb.
way
is
full of
big
cars
go
ing
no
where
fast
52 13 1 2 3
Fl. 3 3
1 3
Ob. 2 3
2. Cl. in B
1 2 3
Bs.Cl.
(2.) 1 2 Bn. 3
a2
3
3
3
3
1 2 Hn. in F 3 4
1 2 3
Tpt. in C
3
3 3
3 3
3 3
a2 Tbn.
1 2
3
3
B.Tbn., with mute B.Tbn. Tba.
Timp.
1
Perc.
2
3
Pf.
Hp.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Sop.
And folks (div., pizz.)
is
smok
ing
an
y
thing that ’ll
burn
Some peo
(div.), arco
ple wrap their lives
div. (div.), pizz.
unis., arco
div., pizz.
unis., arco
I 3
Vn.
(div., pizz.)
non div., arco
3
II
unis., (pizz.)
arco
div.
Va. 3
(pizz.)
arco
(pizz.)
arco
Vc.
Cb.
unis.
a
53 17
1.
1 2
1., solo 3
3
Fl. 3
1 3
Ob.
3
3
3
2
1. Cl. in B
2.
1 2 3
3
3
3
Bs.Cl.
1 2 Bn. 3
3
1 2 Hn. in F
3
3 4 remove mute Tpt. in C
1 2 remove mute 3
remove mute Tbn.
1 2 Tba., with mute
remove mute
B.Tbn. Tba.
Timp.
1
Perc.
2
3 8va
3
Pf.
3
Hp.
3
3
3
sub.
3
3
3
3
3
Sop.
round
a cock
tail
glass unis.
And you
sit
won
d’ring
where you’re going
pizz.
3
I 3
sub.
Vn. II
3 3
unis., arco
3
sub. 3
3
3
non div.
div.
Va. sub. Vc. sub. Cb.
3
div., pizz.
to
turn.
3
dolce
54 21
(1.)
1 2
3
3
Fl. 3
1 3
3
3
3
Ob. 2
3
Cl. in B
3
3
a2
1 2
3
3
3
3
3 3
3
cresc.
Bs.Cl. 3
1 2 Bn. 3
1 2 Hn. in F
3
3
3
3
cresc.
3
3
3
3
3 4 cresc.
without mute 1 2 3
Tpt. in C
without mute
3
3
without mute Tbn.
1 2 without mute
B.Tbn.
a2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Pf.
Hp.
3
3
3
Sop.
I
got
it.
arco 3
div.
I cresc.
3
3
3
Vn.
3
3
3
3
3
div. 3
II cresc. (div.)
div. a2
3
3
3 3
div. a2
Va.
(div.)
unis.
Vc.
pizz.
arco
Cb. 3
3
3
Come
div. a3
55 26 1 2 3
Fl. 3
1 3
3
Ob.
3
3
3
3
3
3
3
2 3 3
Cl. in B
1 2 3
Bs.Cl.
2. 1 2 Bn. 3
1 2 Hn. in F 3 4
1 2 3
Tpt. in C
3
3 3
3
3
3 3
3 3
3
1. Tbn.
1 2
3
3
3
3
3
a2 B.Tbn. Tba.
Timp.
1
Perc.
2
3
Pf.
Hp.
3
3
3
Sop.
3
3
3
3
por
And be
my
ba
t.
by.
Come.
And be unis.
I 3
Vn.
3
3 3
3
3
unis.
II 3
(div. a3) Va.
Vc.
Cb.
3
(div. a3)
div. a2
my
56 29 1 2 3
3
3
3
3
3
3
3
3
3
3
3
Fl. 3
1 Ob.
3
3
3
3
3
3
3
3
2 a2 Cl. in B
1 2 3
3
Bs.Cl. a2
3
1 2 Bn. 3
3
1 2 Hn. in F 3 4
1 2 Tpt. in C
3
3 3
3 3
3 3
Tbn.
1 2
3
3
3 3
a2 B.Tbn. Tba.
Timp.
1 Tamb. Perc.
2
Hi-hat (closed) 3 sempre secco
Pf.
Hp.
3
3
3
3
por
t.
Sop.
ba
by.
Come.
And be
my
ba
by.
unis.
div. I 3
Vn.
3
3
div.
3
3
3
unis.
3
II 3
3
3
Va.
3
Vc.
3
Cb.
3
57 33 1 2
3
Fl.
3
3
3 3
1 3
3
Ob.
3
3 3
3
2 3 3
Cl. in B
1 2 3
3
3
3
Bs.Cl. (2.)
a2
1 2 Bn.
3
3
3
3
3
3
3
3
3
1 2 Hn. in F 3 4 3
3
3
(2.)
1 2 3
3
Tpt. in C
3
3
3
3
3
3 2. Tbn.
1 2 a2
B.Tbn. Tba.
Timp. Xyl.
3
1 3
Perc.
2
3
Pf.
Hp.
3
3
3
Sop.
Some pro unis.
div. I
div.
phets pizz., unis.
3 3
3
div.
Vn.
3
3
unis.
div.
3
3
3
3
pizz., unis.
II 3
3
3 3
pizz., unis. Va. 3
div.
pizz.
Vc. 3
3
pizz. Cb.
say
the world is gon na
58 37
a2
1 2
3
Fl.
3
3 3
1 3
Ob.
3
2 3
Cl. in B
1 2
Bs.Cl.
(a2)
1.
1 2 Bn. 3
1 2 Hn. in F 3 4 a2
3
1 2 3
Tpt. in C
3
3
Tbn.
1 2 3
B.Tbn. B.Tbn. Tba. 3
Timp.
1
Perc.
2
3
Pf.
Hp.
3
3
3
3
3
3
3
3
3
3
3
3
3
Sop.
end
to mor
row
But
oth
ers say we’ve got
(pizz.)
a
week
or
two.
The
3
pa per is arco
I Vn.
(pizz.)
div.
unis., arco
II
(pizz.)
arco
Va.
(pizz.)
arco
(pizz.)
arco
Vc.
Cb.
full
of ev ’ry kind of
59 41 1 2 3
Fl.
3
3
3
3
3
3
3 3
3 3
3
3
3
1 3
3
3
Ob.
3
3
3 3
3 3
3
2
3
2. Cl. in B
1 2
3
3
Bs.Cl. 2.
(1.) 1 2 Bn. 3
a2 1 2 3
Hn. in F
3
a2 3 4 3
3
3
3
3 3
3
1 2 Tpt. in C
3 3
3
3
3
3
3
3
2. Tbn.
1 2 B.Tbn.
B.Tbn. Tba. Tuba
Timp.
1
Perc.
2
3
Pf.
Hp.
3
3
3
3
3
3
Sop.
bloom ing hor
ror.
And you
sit
won
d’ring
gl. I Vn.
3
3
3
div. II 3
3
Va.
div. Vc.
pizz. Cb.
60 45 1 2 Fl. 3
solo 1 3
Ob.
3
3
dolce
2
3
2. Cl. in B
dolce 3
3
3
1 2 3
3
Bs.Cl. 3
1 2 Bn. 3
1., solo
3
3
3
3
1 2 3
Hn. in F
dolce 3
3
3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Pf.
Hp.
3
3
3
Sop.
What
you’re gon
na
do. div. a2
I 3
Vn.
3
unis.
(div.)
3
II div. a2 Va.
(div.) Vc.
(pizz.) Cb.
61 50 1 2 Fl.
3
3
3
3
cresc. 3
1 3
3
3
Ob. 2 3
3
3 3
Cl. in B
1 2 3
cresc. 3
3
3
3
3 3
3
3
3
Bs.Cl. 6
6
a2 1 2 3
cresc.
Bn. 3
cresc. 3
1 2 3
3
cresc. Hn. in F
3
3
3
3 4 cresc. 1 2 3
Tpt. in C
3 3
3
3 3
Tbn.
1 2 cresc.
3
a2
B.Tbn.
3
3
3
B.Tbn. Tba. cresc.
3
Timp.
1
Perc.
2
3
Pf.
Hp.
3
I
got
I Vn.
it.
3
3
3
3
3 3
3
3
Come.
div.
unis.
cresc.
3
3
3
t.
por
Sop.
unis.
3
3
3
3
3
II cresc.
3
3
3
3
(div.)
(div.)
Va. cresc.
div. unis.
3
3
3
3
3
3
3
3
3
Vc. cresc. Cb. cresc.
arco
And
62 54
a2
1 2
a2 3
3
3
Fl.
3
3
3
3
1 Ob. 2
a2 Cl. in B
a2
1 2 3
3
3
3
3
3
3
3
3
3
Bs.Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4
1 2 3
Tpt. in C
3
3
3
3
3
3 3
3 3
3
Tbn.
3
3
1 2 (a2)
3
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Pf.
Hp.
3
3
3
3
3
3
3
3
3
3
Sop.
be
my
ba
by.
Come.
And
be
my
ba
div. I
by.
Come. div.
unis.
3
3
3
3
3
3
div.
Vn.
div. 3
unis.
3
unis.
II 3
3
3
div. a3
div. a2
div. a3
div. a2
Va.
3
3
3
3
Vc.
Cb.
3
And
63 58 1 2
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Fl. 3
1 Ob. 2
3
Cl. in B
3
3
3 3
3 3
3
1 2 3
3
3
3
3 6
3
6
6
6
Bs.Cl.
a2 1 2
3
3
3
3
3
Bn. 3
3
1 2 3
Hn. in F
3
3 4
1 2 Tpt. in C
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Tbn.
1 2 marcato (a2)
B.Tbn. Tba.
marcato Timp.
1
Perc.
2
3 8va
Pf.
Hp.
3
3
Sop.
be
my
ba
by.
unis. I
Vn.
div.
3
unis. II 3
div. a2
div. a3
3
3
3
div. a3
Va. 3
3
Vc.
3
Cb.
3
espr. div.
unis.
64 62 1 2 3
3
cresc.
3
3
3
3
3
3
3
3
3
3
3
3
3
Fl. 3 cresc.
1 cresc.
3
Ob.
3
2 cresc.
Cl. in B
3
3
3
3
3
3
3
3
3
3
3
1 2 3
3
cresc.
3
3
Bs.Cl. cresc. 2. 1 2 Bn.
cresc. 3 cresc. 1 2
Hn. in F
cresc. 3 4 cresc. 1 2 3
cresc.
Tpt. in C
3
3 3
3
(cresc.)
3
3 3
3
Tbn.
cresc.
(cresc.)
cresc.
(cresc.)
1 2 a2
B.Tbn. Tba. cresc.
(cresc.)
Timp. cresc.
(cresc.)
1
Perc.
2
3
Pf.
Hp.
Sop.
div. I
Vn.
3
3
3
3
non div.
cresc. div.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
II cresc.
div. a2
(div. a3) Va. cresc. div. Vc. cresc. Cb. cresc.
65 66 1 2
3
Fl. 3 3 3
1 3
staccatissimo cresc.
Ob.
3
3
3
3
3
2
Cl. in B
1 2
3 3
Bs.Cl. 3
staccatissimo
cresc.
3
3
3
3
3
2. 1 2 3
Bn. 3
3
3 3
1 2 Hn. in F
3
3
3
3
3
3
3
3
staccatissimo e cresc. 3
3
3 4 staccatissimo cresc.
3
3
3
1.
1 2 3
Tpt. in C
staccatissimo cresc.
3
3
3
3
3
3
3
3
3
3
3 staccatissimo cresc.
Tbn.
1 2 3 3
B.Tbn. Tba.
Timp. S.D., snares off 1 3
cresc.
(W.Blk.) Perc.
3
3
3
3
3
3
3
3
3
2 3
(Guiro)
cresc.
3 3
3
3
3
3
3 cresc.
Pf.
Hp.
Sop.
unis., pizz. I 3
Vn.
(div.), pizz. II 3 3
3
3
3
3
3
(div.), pizz.
Va. staccatissimo cresc. unis.
3
div.
unis., pizz.
Vc. 3
3
3
3
3
staccatissimo e cresc. unis. Cb.
pizz.
V. Let’s Majeste
66 Maestoso = 66–69 (in the manner of a procession) 1 2 Fl. 3
Ob.
1
English Horn E.H.
Cl. in B
1 2
Bs.Cl.
1. 1 2 Bn.
tacet 3
2.: al sord.
1.
1 2 Hn. in F
4.: al sord.
3.
3 4
1 2 Tpt. in C
tacet 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Cel.
Hp.
3
Sop.
Maestoso = 66–69 (in the manner of a procession)
I
sit
a
throne
up
on
the times
when Kings
are
I poco
poco
dolce
Vn.
div. II poco
poco
dolce
poco
poco
dolce
poco
poco
dolce
poco
poco
dolce
Va.
Vc.
Cb.
unis.
rare
and
67 6 1 2 Fl. 3
Ob.
1 espr.
E.H. espr. 1. Cl. in B
1 2 espr.
Bs.Cl.
(1.)
1.
2.
1 2 espr.
Bn. 3
(1.) 1 2 Hn. in F
(3.) 3 4 1., solo 1 2
Tpt. in C
molto cant. 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Cel.
Hp.
3
Sop.
Con
sorts slide
in
to
the
grease
of
scul
ler y maids.
I molto cant. Vn. II molto cant.
Va. molto cant. pizz.
arco
pizz.
arco
Vc.
Cb.
68 11 1 2 Fl. 3
Ob.
1
E.H.
Cl. in B
1 2 espr.
Bs.Cl.
1.
espr. 2.
1 2 Bn. 3 2., con sord.
1., solo
1 2 cant.
dolce
Hn. in F
4., con sord.
3.
3 4 cant. 1 2 Tpt. in C 3
Tbn.
1 2 B.Tbn.
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Cel.
Hp.
3
Sop.
So
gai
I dolce Vn. II dolce
Va. dolce pizz. Vc. dolce pizz.
arco
Cb. dolce
ly
weave
a
crown
of light
(a stride
the
roy
al
chair)
that blinds
the
69 (don’t drag)
17
hold back
1 2 Fl. 3
Ob.
1 dolce cant.
E.H.
a2 Cl. in B
1. 6
1 2
6
6
6
dim. Bs.Cl. molto cantabile 1 2 Bn. 3
2. (con sord.)
2. via sord.
1.
4. (con sord.)
4. via sord.
3.
1 2 Hn. in F 3 4 with mutes 1 2 Tpt. in C
dolce 3 with mutes
Tbn.
1 2 dolce
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Cel.
(col Bs.Cl.)
Hp.
come recitativo Sop.
com mon ers
who
gen
u flect, and cross
their
fin
gers.
The
hold back
(don’t drag)
8va
1 solo I dolce
Vn. II
div. Va.
Vc.
Cb.
70 22
a tempo
hold back
a tempo
1.
1 2 Fl. 3
Ob.
1
E.H.
Cl. in B
3
1 2
3
Bs.Cl.
1 2 Bn. 3
1. 1 2 Hn. in F
3. 3 4
1 2 Tpt. in C 3 remove mutes Tbn.
1 2 remove mutes
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Cel.
Hp.
3
3
Sop.
years
will
a tempo tutti I espr.
Vn. II
espr. Va. espr. Vc. espr. Cb. espr.
lie
be
side
me
on the queen
ly
bed.
And
hold back
cou pled we’ll a wait
a tempo
the
71 27 1 2 Fl. 3
Ob.
1 espr.
E.H.
Cl. in B
1.
3
1 2
espr. 3
Bs.Cl. 1. 1 2 Bn. 3
1.
2., senza sord.
3.
4., senza sord.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3 dolce open Tbn.
1 2 open
B.Tbn. Tba.
Timp. possibile
1
Perc.
2
3
Cel.
Hp.
Sop.
a
ges’
dust
to
cake
my
lids
a
gain. 1 solo
I espr.
Vn. II
Va. pizz. Vc. pizz. Cb.
72 Poco meno mosso
33
= 60
1 2 Fl. 3
Ob.
1
E.H.
Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4
1 2 Tpt. in C 3 dolce
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Cel.
Hp.
8ba
full voice 3
Sop.
And when the rous ing kiss
Poco meno mosso I Vn. II
Va. sotto voce arco
div. a2
arco
sotto voce div.
Vc.
Cb. sotto voce
is
= 60
73 39
1.
1 2 Fl. 3
Ob.
1
E.H.
Cl. in B
1 2
Bs.Cl. 1. 1 2 Bn. 3
a2 1 2 Hn. in F
3.
cant.
3 4 cant. 1. 1 2 Tpt. in C
molto cantabile 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2 B.Dr. 3
Celesta
Cel.
Hp.
8ba
3
3
3
meno
3
3
3
Sop.
giv
en,
why
must it
al
ways
be
a fair
y,
and on
ly just
a
Prince
tutti
1 solo
I dolce espr. Vn.
div. II
non div. Va.
unis. Vc.
Cb.
div.
74 44 1 2 Fl. 3
Ob.
1
E.H. 1. Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
Hn. in F
1 2 3 4
Tpt. in C
1 2
3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2 Vib., w/ hard yarn mallets 3
fast arp.
Cel.
Hp.
Sop.
(1 solo) 1 solo
div. a3 (gli altri) I
div. a2
Vn. II
div.
div.
unis.
Va.
(div.)
unis.
Vc.
div.
unis.
div.
unis.
Cb.
segue to Mvt. VI
VI. My Life Has Turned to Blue Freely,
75
= 66
tacet 1 2 Fl.
tacet 3
tacet Ob.
1
tacet E.H.
tacet Cl. in B
1 2 tacet
Bs.Cl.
tacet 1 2 Bn.
tacet 3
1 2 Hn. in F
tacet 3 4 tacet 1 2
Tpt. in C
tacet 3 tacet
Tbn.
1 2 tacet
B.Tbn. Tba. tacet Timp. Chimes, hard yarn mallets (or rubber mallets) with little or no attack 1
Chimes, hard yarn mallets (or rubber mallets) with little or no attack Perc.
2
Vibr. with hard yarn mallets
with little or no attack
3
Ped. sempre
tacet
Cel.
Hp.
3
3
3
3
Sop.
Our
Freely, I Vn. II
Va.
Vc.
Cb.
= 66
sum mer’s
gone,
the
gold en
days
are through
76 7 1 2 Fl. 3
Ob.
1
E.H.
Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp. (Chimes) 1
Perc.
2 solo
(Vib.)
3
3 Ped.
Cel.
3
Hp.
(with swing) 3
3
3
3
3
3
3
3
3
3
3
Sop. port.
The
I Vn. II
Va.
Vc.
Cb.
ro
sy
dawns
I used
to
wake
with you
have turned to grey,
my
life
has turned to blue.
77 13 1 2 Fl. 3
Ob.
1
E.H.
Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2 (with swing)
3
3
3
3
3
3
3
3 3
3
3
3
sub.
Cel.
Hp.
3
3
meno
Sop.
The once green lawns
I Vn. II
Va.
Vc.
Cb.
glis tennow with dew.
78 19 1 2 Fl. 3
Ob.
1
E.H.
Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
(Chimes) 1
(Chimes) Perc.
2 (Vib.) 3 (Ped.)
Cel.
Hp.
3
3
3
3
3
Sop.
Red
I Vn. II
Va.
Vc.
Cb.
rob
in’s
gone,
down
to
the
south
he
flew.
Left
here a lone,
79 24 1 2 Fl. 3
Ob.
1
E.H.
Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
(solo)
3
3
3
3
3
3
6
3 Ped.
3
3
3
3
Ped.
Cel.
Hp. 3 3
3
3
Sop.
3
3
3 3
po
my life
I Vn. II
Va.
Vc.
Cb.
has turned
rt.
to blue.
80 29 1 2 Fl. 3
Ob.
1
E.H.
Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp. (Chimes) 1
(Chimes) Perc.
2
3
Cel.
Hp.
3
Sop.
I’ve
I Vn. II
Va.
Vc.
Cb.
heard
the
news
that
win
ter
too
will
pass,
81 34 1 2 Fl. 3
Ob.
1
E.H.
Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
a2, (with Viola) 1 2 Hn. in F 3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
ten. 1
ten. Perc.
2
3
(Ped.)
Cel.
Hp.
3
ten.
3
Sop.
that
spring’s
a
sign
that
sum mer’s due
at
last.
But
I Vn.
div. II
Va.
div. Vc.
Cb.
un
til I
82 40 1 2 Fl. 3
Ob.
1
E.H.
Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
(a2)
2.
1.
3
1 2 Hn. in F
dolce
sub.
3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Cel.
Hp.
molto espr. 3
3
3
3
3
3
3
Sop.
see
you
ly div.
ing unis.
in green
grass,
my life
div.
unis.
has
turned
to ten.
I poco Vn.
ten.
(div.) II poco div.
Va. dolce (div.)
poco unis.
Vc. poco
Cb. poco
div.
blue.
83 45 1 2 Fl. 3
Ob.
1
E.H.
Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
1., solo 1 2 Hn. in F
sotto voce 3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1 l.v. al fine
Perc.
2 l.v. al fine solo
3
(with swing)
3
3
3
3
3
6
3 3
3
3
3
Cel.
l.v. al fine
Hp.
Sop. por
t.
2 soli 1 solo (poco vibrato) gli altri I sub.
Vn.
unis. II sub.
Va. sub. Vc. sub. Cb. sub.
div.
VII. Many and More
84
Molto moderato, with deep inner feeling = 60 1 2 Fl. 3
1 Ob.
Oboe 2
Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
1 2 Hn. in F
4., tacet 3 4 tacet 1 2
Tpt. in C
tacet 3
Tbn.
1 2
B.Tbn. Tba.
Timp. tacet 1 tacet Perc.
2 tacet 3
Cel.
Hp.
pi첫 cantabile Sop.
There
are
man
y
and
more
who would
Molto moderato, with deep inner feeling = 60
kiss
my
hand,
taste
my
div.
unis.
div.
con sord. I dolce Vn.
con sord.
div.
unis.
II dolce non div.
con sord. Va. dolce
con sord.
div.
Vc. dolce con sord. Cb.
pizz.
85 7 1 2 Fl. 3
1 Ob. 2
Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
1., solo 1 2 Hn. in F
dolce 3 4
1 2 Tpt. in C 3 (without mute) with little or no attack Tbn.
1 2 (without mute) with little or no attack
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Cel.
Hp.
Sop.
lips,
to
my
lone
li
ness
lend
their
bod
ies’
warmth.
I
unis. I quasi Vn.
div.
unis.
II quasi Va. quasi (div.)
Vc.
div.
arco
Cb. pizz.
unis., pizz.
have
86 13 1 2 Fl.
dolce 3
1 Ob. 2
Cl. in B
1 2 dolce
Bs.Cl. dolce 1 2 Bn. 3
1., solo 1 2 Hn. in F
espr. 3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Cel.
Hp.
dolce Sop.
want
of
a
friend.
There are
div., pizz.
few,
unis., arco
I sotto voce Vn.
div., pizz.
unis., arco
II
pizz.
div., arco
sotto voce unis.
div.
dolce unis., non div.
Va.
Vc. sotto voce (pizz.) Cb.
div. (pizz.)
dolce cant.
some
87 19 1 2 Fl. 3
1 Ob. 2
Cl. in B
1 2
Bs.Cl.
1 2 Bn. 3
1. 1 2 Hn. in F
3. 3 4
Tpt. in C
1 2
3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Cel.
Hp.
meno Sop.
few,
who would
give
their
names
and
for
div.
unis.
div.
div.
unis.
tunes
rich
or
send
I dolce
Vn.
div.
unis.
II dolce Va. unis.
div.
div.
Vc.
unis.
div. arco
Cb. pizz.
unis., pizz.
first
88 25 1 2 Fl. 3
solo 1 Ob. 2
Cl. in B
1 2
Bs.Cl. a2 1 2 Bn. 3
(1.) 1 2 Hn. in F
(3.) 3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Cel.
Hp.
full voice Sop.
sons
to
my
ail
ing
bed.
I
have
need
of
a
friend.
I
dolce
Vn.
div.
II
non div.
div.
div.
unis.
Va. espr. (div.)
unis.
unis., pizz.
div.
Vc. cresc. (pizz.) Cb.
espr. (cresc.) div.
unis.
div.
unis.
89 31 1 2 Fl. 3
1 Ob. 2
Cl. in B
1 2
Bs.Cl. 1. 1 2 Bn. 3
1., solo
ten.
3., solo
espr. ten.
1 2 Hn. in F 3 4 espr.
Tpt. in C
1 2
3 with little or no attack Tbn.
1 2 dim. al niente with little or no attack
B.Tbn. Tba. dim. al niente x
Timp.
1
Perc.
2
3
Cel.
Hp.
Sop.
There
is
one
div., arco
pizz. I Vn.
unis., pizz.
arco
II unis., pizz.
arco
Va. dolce epsr. arco Vc.
(pizz.) Cb.
and
on
ly
90 37
1.
1 2 Fl. 3
1 Ob. 2 dolce Cl. in B
1 2
Bs.Cl. 1. 1 2 Bn. 3
1. 1 2 Hn. in F
3. 3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Cel.
Hp.
quasi Sop.
one (div.)
who
would
give
the
air
from his
fail
ing
lungs
for
unis.
I Vn. II
div.
unis.
Va.
espr. div. Vc.
(pizz.) Cb.
arco
pizz.
div.
my
91 43
1., solo
1 2 espr. Fl. 3
1 cantando
Ob. 2
cantando Cl. in B
1 2 cantando
dolce Bs.Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4
1 2 Tpt. in C 3 cant.
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
Cel.
Hp.
Sop.
bod
y’s
mend.
I Vn.
div. II
Va.
(div.)
unis.
Vc.
unis. Cb.
arco
92 49 1 2 poss. Fl. 3 poss.
1 Ob. 2
Cl. in B
1 2
Bs.Cl. 3
3
3
3
3
3
1 2 Bn. 3
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
Tbn.
1 2 dim. poco a poco al niente a2
B.Tbn. Tba. dim. poco a poco al niente
Timp.
1
Perc.
2
3
Celesta
Cel.
3
3
3
3
3
3
Hp.
quasi Sop.
And
that
one
is
my
love
div.
I Vn.
unis. II div.
Va. 3
Vc.
Cb.
3
3
3
3
3
93 rit. al fine
55
lunga
1 2 Fl. 3
1 Ob. 2
Cl. in B
1 2 sotto voce
Bs.Cl. sotto voce 1 2 Bn. 3
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
Tbn.
1 2
B.Tbn. Tba.
Timp.
1
Perc.
2
3
fast
Cel.
l.v. al fine
Hp.
Sop.
div. a4 I Vn. II
Va.
div. Vc.
Cb.
rit. al fine
lunga