bydesign 2 0 1 3 Vo l . 2
contents
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Cover Story
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Growing Your Business
We sat down with a small group to talk about changing expectations of home and the role design plays.
Tips for creating a healthy business that constantly evolves with market demand.
8 C AL L FO R EN TRI ES
Northwest Design Awards
The 15th annual competition is open.
15
Momentum
A few ways to join the SDC team this fall in giving back to the community.
bydesign contributors
Patricia Gray, with a world-wide
Tyler Engle’s 25 plus years of
As can be seen from the large variety of
Molly Harper Haines and the
client base, specializes in interior
architectural experience includes work
work, Jim Castanes believes architecture
Harper Haines Group is experienced
design for one-of-a-kind living and
in Seattle, San Diego, New York and
should foremost reflect the client and the
in all facets of organizational growth.
working environments. Her work
Madrid. Projects include the Alhambra
program—and seek the most eminently
From strategic planning to feasibility
is distinguished by its warmth,
Visitors Center in Spain, JFK Japan
appropriate solution. Jim’s agenda for
studies and analysis, special events,
personal approach, use of innovative
Airlines Terminal, Kings County
his firm is simple—work hard, have fun
and coaching on the ‘ask’, they work
materials, custom furnishings and
Hospital in New York, and numerous
and make interesting spaces for people
to outline and implement the right plan
original artwork.
residences in the Pacific Northwest.
to enjoy for years on end.
for an organization’s unique situation.
Vancouver, BC
Seattle, WA
Seattle, WA
Seattle, WA
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from the editor Our 40 Random Acts of Design-ness initiative this year has had us looking at different ways to be involved in and give back to the community. That’s meant a great deal of research into local opportunities and organizations. Regardless of how well an idea did or did not fit our randomness objective, the searching has produced a heightened awareness of the very large community service landscape in our region. With so much going on, the choice is ours, yours, of where and how to join in the adventure. We’re thrilled by the collaboration and learning process of the ArtBox project—see project team on page 4. We are working on the permit process to identify requirements for Childhaven’s licensed childcare facility, but the team is excited by the potential. If interested, you can follow the project progress on seattledesigncenter.com. Yet another example of collaboration, and also one of our Random Acts of Design-ness, we had a great time working with Liz Bolling of Liz’s Creative Needle to upgrade a client’s order as a surprise—see photo on page 4. Liz made great effort to visit showrooms and talk with her resources, and got tremendous support from Designer Furniture Galleries, Duralee, Ebanista and Benjamin Moore to transform a simple order for soft goods into a room makeover that included new paint, an upholstered headboard, lamps and draperies. However you decide to participate in this culture of giving back, there are indeed many opportunities. Look to page 15 for a few options to join SDC with community projects in the coming months. If these don’t suit your interests or time, check in with your favorite area non-profits and ask how you can help. Collaboration is such a growing, vibrant energy, so consider getting together with friends to identify a project for which you can all collaborate—shared time, intention and achievement are great rewards.
Craig Cross
bydesign Creative/Editorial Director Craig Cross craig.cross@hines.com 5701 Sixth Avenue South Suite 378 Seattle, WA 98108 seattledesigncenter.com
Marketing Intern Anna Edgerly-Moore To subscribe: SDCInfo@hines.com
It ’s all online—visit | seattledesigncenter.com | twitter.com/seattle_design | facebook.com/seattle.design | pinterest.com/pinsdc
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sdc scene
The ArtBox team assembles to discuss components from each winning entry—winning entries submitted by Lawson A&D and Kerf Design. Pictured left to right (back), Cindy Berg, Childhaven; Todd Lawson, Lawson A&D; Craig Cross, SDC; Kai Schwarz, ShelterKraft; (front) Bethany Larsen, Childhaven; Anne Corning, ShelterKraft; and Shara Liou, Kerf Design.
Liz Bolling (left) presents a surprise bonus to client Jane Liston as part of SDC’s Random Acts of Design-ness, for which Liz, Duralee, Designer Furniture Galleries, Ebanista, Benjamin Moore Paint and SDC partnered for a surprise upgrade to her order. Joshua Prince Ramus fascinates the Premiere Northwest audience May 8 with a sampling of his firm’s world renowned projects.
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cover story
Design Insight We’ve been hearing so much about the importance, even value, of experience versus bling—investing in travel adventures that create a lifetime of experience and memory rather than fancy stuff. Home can, of course, be key in creating experiences and memories, so we gathered a few of your peers to explore what changes, if any, designers are seeing in client expectations of home. Our conversation explores a possible evolution taking place in the way people utilize their homes—as retreat from the world, escape to another, comfort from the burdens of life,
Q. While home as an escape may not be new, is there more interest in being home and getting more out of it?
TYLER. Yes, clients want more out of their houses, but its actually sanctuary not escape they desire. To counteract the tension of our interconnected world, clients seem to prefer calm spaces that provide refreshing serenity. Interior gardens, courtyards and controlled vistas are answers to this charge.
or a place to gather memories, friends and family.
Q. What kinds of changes have you
observed in client requests or desires in terms of how they use their homes? TYLER. The most common client request we receive is for open floor plans with interconnected, flexible spaces. Beyond spatial relationships, clients also now prefer houses that are designed to be less energy consuming. Tools like balanced day lighting, alternative energy sources, natural ventilation, “smart” control systems, shading and efficient infrastructure are employed. We also consider the footprint of a home, its finishes and furnishings, without promoting green washing. JIM. People want to be more connected to the outside and request that we visually bring the outside in. We’re also seeing a lot of interest in more energy efficient systems, like hydronically heated floors. And better use of storage space— pantries that support Costco®-type shopping. PATRICIA. Most of our clients are at the point in their life that they are downsizing and moving downtown, which represents a complete lifestyle change. They want a home that is easy to maintain and has all the conveniences of 5-star hotel living.
JIM. Yes, the home is more like a sanctuary and serves as the base for so many of life’s celebrations. PATRICIA. I really enjoy the appreciation my clients have for quality versus quantity. As a designer I have always thought this way, but it is no longer a hard sell to clients—they get it immediately. Clients constantly thank us for improving the quality of their lives in their homes—everyone is so busy that when they are home they want everything to work and fit their lifestyle requirements.
Q. Tell me what you’ve observed about
any impact the recession has had on the way people spend time in their homes and therefore what kind of home environment they want. TYLER. It seems that the notion of home has become more important for comfort rather than merely style. Clients seem to emphasize the function and design of communal gathering spaces like living rooms, family rooms and play areas versus private spaces. JIM. Clients are internet savvy, so they like being connected to their friends online while relaxing at home. PATRICIA. The recession hasn’t really affected life in Vancouver, or at least not our clients.
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Q. Are clients looking for more meaning
PATRICIA. Because people’s lives are so busy and spaces are becoming smaller, details are very important. A big focus
in their home environment now or just newly defined meaning? There’s a lot of conversation about wanting to know the story behind the goods—about the people who make things rather than just appreciating a finished product. Is that truly new?
is on technology and lighting. Every home has increasingly
TYLER. Historically, clients have been interested in those
kitchen with all the best appliances is more important than
who constructed the details of their house, especially the
ever. And it goes without saying that spa-like bathrooms are
finishes and furnishings. This is due to a sincere interest and
mandatory.
appreciation of the evident craft. What has changed is an
Q. Has this led to changes in Pacific
interest in where items are sourced and the resulting social, environmental and financial costs of transporting the goods. This refreshing perspective by clients considers the global footprint of what we specify as designers.
more technology—integrated lighting, TV, sound systems, motorized window coverings—all controlled by the touch of a button on the control panel in every room or right on their tablet. People are also working a lot more at home, so we always incorporate a work station(s), and with wireless everything they do not look the way home offices used to look. Kitchens are very important and having the perfect working
Northwest style? Are there specific trends emerging—if so what are they? TYLER. The Pacific Northwest style has evolved as Seattle
JIM. Our clients tend to appreciate craftsmanship and well
has become more sophisticated. I’m resistant to use the word
executed details. They look at their home now more as a
trend, as I strongly believe good design is timeless, but there
dwelling in which they will spend many years rather than as
has been a movement away from the historic monochromatic
a commodity to be flipped quickly. And that means they are
beige northwest interiors to more contrast in texture, material
building in areas and neighborhoods where they long to live.
and color—which is refreshing.
PATRICIA. I don’t think it is entirely new, but just more of an
PATRICIA. We generally, I think, have a much more laid back
interest in the process and materials used and people behind
lifestyle in the Pacific Northwest, but it is also becoming more
the scenes. Maybe it has to do with connecting. We are living
sophisticated.
in such an accelerated society that the personal touch of
Q. Is the evolving landscape easy to adapt
knowing how, where and why something is made is becoming more significant. Story telling is important. People have more appreciation for handmade and handcrafted items and especially locally produced.
Q. As you approach a project today, how has your way of thinking changed?
to—what have you done or learned to move with the times and/or maintain your brand?
TYLER. While the design landscape may be evolving technically, the role of the architect and designer in providing thoughtful designs and exceptional service is a constant.
That said,
the business of design has become increasingly complex and
TYLER. We are more collaborative with clients to make sure
competitive. In this context we strive to evolve and pursue
that the nuances of their needs and desires are met. Our role
excellence for our clients.
is confidant and orchestrator through construction to project completion. JIM. Still thinking the same things—bring the outside in, use environmentally sustainable materials, work with great craftsmen, solve problems in a collaborative setting, and have fun designing and building.
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JIM. Always keep asking questions and never stop learning.
GROWING YOUR BUSINESS 5 Key Steps to Revitalizing Your Business A healthy business is one that is constantly evolving with market demand. Whether your company is thriving, struggling or if you’ve reached a plateau you can’t seem to grow beyond, taking time to assess your company can have a profound impact on your business decisions moving forward. The following steps are intended to provide you with a strong foundation from which you can revise your marketing approach, goals and business strategies. With all of these steps, be honest with yourself! It is easy to sugar coat challenges when starting or growing a business, but the impact of using inaccurate data could mean the difference between success and failure.
1. Solicit feedback from past customers or clients. Even if it is sometimes hard to hear, honest feedback from those who have purchased your services or products can illuminate areas of strength and weakness.
• How did your customers hear about you?
• What was their overall experience?
• What did they like best about your company?
• What do they think you could improve on in the future?
2. Articulate your value in the marketplace. Assess your competitors, their products or services and then articulate how your business compares.
• Are you the best at what you do?
• Are you the first to do what you do?
• Is your product/service unique in the marketplace?
3. Identify your target audience. Every business decision should stem from knowing your ideal customer and their motivations to engage with your company.
• Do you track demographic or personal preference information on your customers or clients?
• Describe your ideal customer. How does your existing customer compare?
• Why would your ideal customer choose you and your business over other options?
4. Focus your marketing efforts. Broad promotional pieces distributed to a broad audience can seem like a good investment, but for a higher return on your investment, focused and targeted communications is the more effective approach.
• How do you currently promote your business?
• How many customers have you received through those avenues?
• Where does your ideal customer tend to seek and receive information on similar products or services?
• What is the message you are trying to send and is that message coming across clearly?
5. Do not ignore internal challenges. We may think issues involving personnel morale or organizational dysfunction do not affect our customers, but in reality clients can feel the impact of internal unrest in their personal encounters with you or your staff or in the disorganization of certain aspects of your business.
• How would you describe your current company culture?
• What practices or policies could be preventing your customer from having an outstanding experience?
With answers to the above questions, you are on your way to making more informed, more impactful business decisions. For more about the Harper Haines Group, visit harperhainesgroup.com.
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TO ENT ER All design trade professionals and firms working in the Pacific Northwest (Washington, Oregon, Idaho, Montana, Western Canada and Alaska) are eligible to enter. Trade organization affiliation is not required. All interior design projects completed between 2010-2013, published and unpublished, are eligible. Designers may not enter the same project in multiple categories. Students must be enrolled at a design school in the Pacific Northwest at time of entry.
PR IZES Winners of the competition will be notified by February 6, 2014 and will be announced publicly at the Northwest Design Awards Gala, Thursday, March 6. Winners in professional categories receive: n Featured designer profile on seattledesigncenter.com for one year. SDC promotes your profile through a 6-week online advertising campaign with an estimated 1,200,000 impressions. n Opportunity to appear in a series of SDC-produced videos about the design process that will broadcast online. n Mention in SDC ad published in the summer issue of LUXE Interiors + Design; the ad may include photographs from select winning projects. n Media relations support with neighborhood, city and regional media. n Showcase in slideshow of winning projects on seattledesigncenter.com. Winners in the student category receive: n First Place: $1,200 | Second Place: $750 n Mention in SDC ad published in the summer issue of LUXE Interiors + Design; students cited as emerging talent. n Media relations support with campus, neighborhood, city and regional media. n Showcase in slideshow of winning projects on seattledesigncenter.com.
C AL L F O R E N TRI E S Seattle Design Center hosts the 15th Annual Northwest Design Awards Competition to reward outstanding interior design. Our jury’s goal is to identify and recognize projects that exemplify design across a range of styles and spaces in 15 competition categories. Winners are honored at the annual Northwest Design Awards Gala: March 6, 2014.
ENTRIES DUE 5:00 P.M. NOVEMBER 22, 2013 page 8
One crystal obelisk given per winning firm. By acceptance of prizes, finalists consent to the use of their names and/ or photographs for publicity purposes without further compensation. All entries will be shared with editors. Void where prohibited by law. All federal, state and local regulations apply.
J URY
To ensure impartial judging, all entries are judged through an anonymous process by a select group of industry leaders. Judges will consider proportion, composition, use of space, lighting, materials and appropriateness for each entry. Student entries will be judged on the ability to communicate a design concept and the skill of the presentation. In the event of insufficient or inadequate entries, Seattle Design Center reserves the right to cancel the contest and refund entry fees or restructure the categories in such a way as to permit fair and proper judging of entries received. Seattle Design Center is not responsible for lost, misdirected or delayed mail.
C AT E G O R I E S
SUBM ISSIONS Entering Online — Visit seattledesigncenter.com to utilize our
Bathroom — Includes new or renovated bathrooms within a private residence.
online entry process. The site will close at 5:00 p.m. November 22. The online entry process allows you to quickly upload your project photos, floorplans, project profile and client permission form to our secure server. Once your entry has been submitted, simply pay the entry fee via our pay center.
Best Individual Room: Contemporary — Includes interior design work from any category for which the finished style of the room is a contemporary aesthetic. Best Individual Room: Traditional — Includes interior design work from any category for which the finished style of the room is a traditional aesthetic. Commercial — Includes staff workplaces, reception areas, meeting rooms, utility areas or other areas to the extent that the total workplace is represented. Exotic Retreats — Includes design for yachts, jets, unique spaces or vacation retreats that do not serve as a primary residence. Hospitality — Includes restaurants, hotel rooms, suites, lobbies and private function spaces created within hotels, motels or inns. Kitchen — Includes new or renovated kitchens within a private residence. Modest Budget, Big Impact — Includes interior design work from any category for which the entire design project budget was $50,000 or less. Most Innovative Design Component — Includes design of a single component in any room type, such as stairs, lighting fixtures, water features, entry doors or unique finish work. Outdoor Living Area — Includes exterior living space projects for which layout, furnishings and landscape design were orchestrated. Small Design Firm Luminary — Includes interior design work from any category completed by design firms with less than 5 employees. Student — Includes classroom or independent projects for which the student had to address an assigned design challenge and render a conceptual solution. [NEW] Textiles — Includes use of textiles and/or leathers in any room type that best supports a design concept.
Mailing Your Entry — All entries and entry fees must be received by 5:00 p.m. November 22 in the Seattle Design Center management office. Mail completed entries to: Northwest Design Awards, Seattle Design Center, 5701 Sixth Avenue South, Suite 378, Seattle, WA 98108. If mailing your payment, make checks payable to Hines REIT Seattle Design Center, LLC. Entries received without payment will be disqualified. Entry fees are nonrefundable. One check may be used to cover multiple entries.
R EQUIR EMENT S All materials must be included for consideration. Incomplete submissions will be removed from judging. Entry Form — One copy of a completed Northwest Design Awards entry form. To complete online entry or download a printable version of the form, visit seattledesigncenter.com. Images — Digital images should be a minimum of 1024x768 pixels (horizontal or vertical). To ensure fairness, your name or firm name should not be visible on any submitted documents, floorplans or images. Online — Upload the assigned number of images listed with each category. Images submitted online will automatically label in the correct format. Via mail — Include CD with the assigned number of images listed under each category. For images on CD, please label all image files for each category with your firm name and category name: Jones Design_kitchen_A, Jones Design_ kitchen_B. Project Profile — If mailing or delivering your entry, please write the Project Profile in Microsoft Word® file format and include the document file on a CD. Client Permission — If submitting via mail, please include this form with your entry materials. If submitting online, upload a PDF of the signed document with your entry materials.
Whole House Less Than $400,000 — Includes new or renovated areas within a private residence for which less than $400,000 was spent toward interior architecture and design (including furnishings and finishes).
Floorplans — An 8.5 x 11 inch copy of the project floorplans with or without furnishings—you may use more than one page, but keep size to 8.5 x 11 inch paper. Where available, provide pre- and post-remodel floorplans. Oversized or folded plans will be discarded.
Whole House More Than $400,000 — Includes new or renovated areas within a private residence for which more than $400,000 was spent toward interior architecture and design (including furnishings and finishes).
Entry Fee — $50 per entry. No entry fee for students. Checks should be made payable to Hines REIT Seattle Design Center, LLC. Receipts will not be issued. Please use a copy of your entry form as your receipt. page 9
recent arrivals
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1 | BA K E R The most dramatic piece of the Bill Sofield Collection, the Mustique Sedan Chair illustrates a grand silhouette that is both visually show-stopping and artfully crafted. Inspired by personal memories of European travel, Sofield crafted the surrounding outer shell entirely from hand-woven Danish cord—an interesting contrast to the upholstered interior. A generous loose seat cushion and back pillow gently rest within. Four long, sleek satin walnut legs support the unmistakable design.
2 | ANDONIAN This design has a contemporary mosaic tile feel in our blend of Tibetan wool, Chinese silk and allo (a natural nettle fiber). Bold and bright colors combine and overlap to mimic the feathers of a peacock. This piece features tones of olive green, lime green, yellow, red, orange, teal, turquoise and dark blue.
3 | W I L L I A M & WAY N E Sleek and sophisticated—Vignette Modern Roman Shades are the fashionable alternative to the typical roman shade. Beautifully designed front and back—without gathers, cords or grommets—for a completely uncluttered look. The soft overlapping folds give them their distinctive styling. When raised they are completely concealed inside a fabric covered headrail. Come visit William & Wayne and find out more of our latest offering of Hunter Douglas Vignette Modern Roman Shades and the complete Hunter Douglas line.
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re ce n t a r r i v a l s | s e at t l e d e s i g n c e n t e r. co m
4 4 | V I CO U S T I C Made of solid wood, this beautiful diffuser is perfect for use in any venue. With its striking angled surface, Multifuser Wood 36 is based on a QRD sequence combined with changing reflection techniques (a result of the angled surfaces). The panel itself consists of two halves which can be rotated in different directions so that a uniform, omni-directional scattering of sound is achieved, with particularly effective diffusion of mid and low frequencies. Multifuser Wood 36 is most effective between 470Hz and 10kHz. In addition to its acoustic efficiency, the panel’s attractive appearance makes it suitable for use in a range of settings. Available in light brown, black and white finishes.
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5 5 | JENNIFER WEST
6 | E BA N I S TA
Graphic, crisp and sophisticated, Phillip Jeffries nails a design classic with its latest relief pattern Studs & Stripes. Simple yet effortlessly glam, this new stripe collection adds bold movement and energy to the walls. Handcrafted by artisans, raised inks are applied to beautifully textured wallcoverings to replicate square nail heads on an upholstered wall. Long and lean, Studs & Stripes is uniquely available in both vertical and horizontal configurations and in 12 colorways— for a personalized design statement. Live outside the lines and take stripes to the next dimension in design!
Ebanista’s much-admired Louis XVI bed is now on the floor. With exquisite antiqued nailhead trim, an intricate hand-carved frame, and gilded finish, this versatile bed makes a subtle and exquisite statement.
re ce n t a r r i v a l s | s e at t l e d e s i g n c e n t e r. co m
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8 8 | LEFLAR
7 | K E L LY F O R S LU N D Based on a small painted 18th Century bedside cabinet, the Weatherly Breakfront from David Iatesta incorporates hand-hewn butternut, finished in soft tones of pecan with multiple layers of distress and patina. Concealed behind the four reed carved doors are flush-mount drawers and adjustable shelves.
Studio Cape Town offers rustic, tribal looks expressed in a modern way. We have designed a unique mix of small-scale geometric designs using cozy chenille on naturally matte linen grounds. The palettes of warm tangerine and forest green provide a modern, earthy and natural look to achieve a refined global sophistication to every design project. Some of these upholstery patterns pass the NFPA 701 tests, making them perfectly suited for commercial and hospitality design applications. More than 40 colors to choose from.
10 1 0 | M I CO R P.
9 9 | M I C H A E L FO L K S From Henredon, Montaigne—a collection that takes furniture design in a sophisticated new direction, with fashionable, livable results. Elegant silhouettes, seasoned with a hint of mid-century modern, brought to life in an innovative cerused finish that lends texture to the white oak veneers. Architecturally inspired designs dressed up with dashes of sleek metal and parchment-like leather or glowing silver leaf and mocha faux finishes. A look, a style that is original. Evocative. Luxuriously chic. Inspiring in its vision.
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Mafi International proudly announces the arrival of Stickley Fine Furniture; beginning fall 2013. The collections represented include Stickley’s signature 350 piece Mission and Arts & Crafts styling, along with their traditional, transitional and contemporary collections. Stickley designer rugs and sister companies John Widdicomb and  Nichols & Stone will also be represented.
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11 | J. GARNER HOME A modernist adaptation of the ancient Greek Klismos Chair popular in the mid-fifth century, the Klismos chair with its simple lines regained favor when Modernism allied with Art Deco in the early 1920s. Hickory White also offers a side chair version of the Klismos to provide for today’s living and serve as both dining side chair or desk chair. Made in the Hickory White factory in North Carolina, the chairs are available in more than 50 Hickory White custom finishes as well as color match that provides for the use of Benjamin Moore or Sherwin-Williams paints in finishing.
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13 1 2 | S U SA N M I L L S
1 3 | S C H U M AC H E R
Perennials is bringing the first 100 percent solution-dyed acrylic rugs to the trade. These high performance rugs are fade resistant and mildew resistant, capable of maintaining their beauty through years of bright sunlight and high humidity environments. They offer cut pile as well as flat woven rugs. Pictured: flat woven.
Building on the success of his stunning fabric collection, internationally acclaimed celebrity designer Martyn Lawrence Bullard introduces a collection of wall coverings exclusively for Schumacher. Inspired by travels to the most romantic sites on the globe, Martyn has created a collection bursting with bold, saturated colors and gorgeous, artful patterns.
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1 4 | T R A M M E L L- G AG N E
1 5 | K R AV ET
Maya Romanoff: Mother of Pearl Marquetry tiles are composed of farmed, genuine seashells that are hand-inlaid in a classic pattern. The natural beauty of
Interior designer Thom Filicia is universally known for creating modern, yet classic interiors that retain an inviting aesthetic and reflect the individuality of his clients. Based on Filicia’s American chic aesthetic, his second fabric collection for Kravet features easy, relaxed basics as well as bold signature prints. Printed and woven ikats, paisleys, tailored embroideries, modern stripes, geometrics and fundamental textures round out this collection that is both timely and timeless. In addition to fabrics, Thom’s collection includes trimmings, drapery hardware and select furniture pieces.
the shells is set off by the intricate inlay and baroque design. Offered in natural gold and white, and four beautifully subtle colorations, hand-finishing allows for countless custom possibilities.
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17 | PINDLER & PINDLER 16 | DESIGNER FURNITURE GALLERIES The collaborative effort of sisters Katharine and Susan Hable Smith, Hable Construction, is a mix of traditional meets whimsy applied to beautifully woven textiles. The Hable sisters apply practicality, sophistication and timelessness into their line of fabrics. Bold, graphic patterns comprised of abstracted motifs dubbed with colorful, hand-drawn patterns are the hallmarks of the Hable aesthetic. The company’s products are made by skilled artisans who treat their work as a careful craft, employing traditional screen-printing procedures in an old New England factory. Hickory Chair realized the magic early on and offers an exclusive line of Hable Construction in their fabric offerings.
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re ce n t a r r i v a l s | s e at t l e d e s i g n c e n t e r. co m
Lanark is an exclusive multipurpose appliqué embroidery linen blend—a modern ogee pattern appliquéd onto a solid rayon and linen blend ground cloth, using chenille yarn. Meets 30,000 double rubs. Offered in five colorways—colors shown (top to bottom): stone, mandarin, silver, turquoise and chartreuse.
sdc momentum As part of our year-long Random Acts of Design-ness initiative, we’ve organized a few projects in the coming months to give you an opportunity to join us in giving back.
random acts of DESIGN-NESS
Sign up for any of these at seattledesigncenter.com.
American Diabetes Association
Susan G. Komen 3-Day Cheering Station
Step Out: Walk to Stop Diabetes
September 21
October 12 | Magnuson Park
Join Team SDC to cheer on and support
Join Team SDC for a 3-mile walk to
walkers on day 2 of the 60-mile journey.
support efforts to stop diabetes.
Wine Box Masterpiece
Holiday Wreath Design
We provide the wood wine box as blank canvas, you turn it into a
Design and decorate one of 24 wreaths that will be displayed at SDC
masterpiece of original art, and the boxes are auctioned at the 12th
in late November and then given to a family supported by the Inspire
Annual Childhaven Dinner and Auction. Only 10 boxes available.
Youth Project.
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P R ES O RT E D S TA N D A R D US
P O S TA G E
P
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S E AT T L E ,
WA
PERMIT NO. 711
5701 Sixth Avenue South, Suite 378 Seattle, WA 98108 seattledesigncenter.com H IN E S
book signing
event calendar
NOVEMBER 7
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ALEXA HAMPTON
10:00am | Atrium Commons | Seattle Design Center A perennial member of Architectural Digest’s AD100 and House Beautiful’s Top Designer list as well as a member of Elle Décor’s A-list, Alexa Hampton’s work is classic, traditional and eclectic. Hampton’s latest book, her second, Decorating in Detail, shares the development process for eight elegant homes in locations from New York City to New Orleans. Walking readers through each room, she describes how she and the homeowners chose all of the elements, from textures to fabrics to furniture. Join Alexa as she presents excerpts and anecdotes from her book and career, following by a book signing in the Kravet showroom. Copies of the book will be available for purchase. Project produced using ColorGraphics “Green” Process. Burgo Endeavour Velvet Book is made with 30% post-consumer waste. Paper is FSC certified. Vegetable-based inks are formulated to contain minimal VOCs. Please reuse or recycle after reading.
page 16 I t ’s a l l o n l i n e — v i s i t | s e at t l e d e s i g n c e n t e r. co m | t w i t t e r. co m/s e at t l e _ d e s i g n | f ac e b o o k . co m/s e at t l e . d e s i g n | p i n t e re s t . co m/p i n s d c