P O RTFOLIO
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LEVI DOMINGUEZ
Levi Dominguez (956)202-5228 levi.domi@ledomi.com www.ledomi.com Instagram:@ledomi_studios
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Levi Dominguez 21830 Briggs Coleman Rd (956) 202-5228 levi.dmgz@gmail.com
SERVICES & PRICE LIST Base Pricing: • Each design project is unique, therefore a custom project quote will be given after discussing your needs. • Below is an example of my prices. Logo Design - starting at $400 • Includes 3 versions, 6 revisions • 7 day turnaround time Business Card Design - starting at $200 • Standard Size or Custom Size • 1 or 2 sided full color design • Includes 3 versions, 6 revisions • 5 day turnaround time • Letterhead & Envelope Design - starting at $200 • Includes 2 versions of each, 6 revisions • Includes an electronic version • 4 day turnaround time Brochure Design - starting at $300 • Includes 2 versions, 12 revisions • 7 day turnaround time • Price depends on the complexity of the design Flyer & Poster Design - $varies • Price depends on size & complexity of design • Includes 2 versions, 6 revisions • 4 day turnaround time T-shirt Design & Apparel- starting at $200 • Includes 3 versions, 6 revisions • 7 day turnaround time • Ask for a custom quote
Levi Dominguez 21830 Briggs Coleman Rd (956) 202-5228 levi.dmgz@gmail.com
INVOICE
Date: February 20, 2020
#1432
Bill to Mr. Joe Doe 603 Ronald Reagan Blvd Mcallen,
Rate
QTY.
Price
Logo Design
400
2
800
Brand Identity
800
1
800
Graphic Design
720
1
720
Company Brochure
300
5
1500
UX Web Design
1000
1
1000
Subtotal Tax Rate:
4820 0.0825%
Total:
5217.65
Product description
Payment Methods VISA Credit, MasterCard, Zelle, Paypal, Cashapp, Venmo
Thank you for your business!
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Typography
Typography // T-shirt Graphics // Spring 2018
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Typography // Music with type // Spring 2018
21 Typography Terms
A
Ascender The part of a lowercas e letter tha the w-heigh t rises abov t of a font. e the main body of the letter (as in Bad Break b, d, h). Th e part that Refers to wi extends ab dows or or ove phans in tex causing aw t copy, or a kward readin break that g. does not ma ke sense of Baseline the phrasing of a line of The imagina copy, ry capital letter line upon which tex t rests. Also s (and most known as the lowercase letters) are “re ading line.” positioned Bitmap fo The line alo . nt ng which the A font which bases of all is made up bitmap fonts of pixels (o r square do being used ts) a “screen fo on the scree . nt.” n, and conn Bitmap fonts typically ected outli work in tan ne fonts au dem with ou tomatically Bleed tline fonts used in the printer. Also , with An area of know as tex after printing t or graphics that exten ds beyond to create ble Blackletter the edge of eds. the page. Co mmercial pr inters usua lly trim the Gutenberg paper workshop and were co pies of letter s found in Body Copy handwritten manuscrip The textua ts. Also kn l matter se own as “O t in one fac ld English.” e and point size, with a Bullet common lea din g and colum A typeset ch n width. aracter (a lar ge dot or sy mbol) used to itemize Cap Heigh lists or direc t t attention The height to the begin of the uppe ning of a lin rcase letter e. s within a Descender The lowes t portion of fo nt. letters such reading lin as ‘g,’ ‘j,’ ‘p e of type. ,’ Dingbats ‘q,’ and ‘y ’ that exten ds below the that usually baseline, or make up a specialty fac font. e. Zapf the small de Display Fa co ce Dingbats is rative marks, bullets, A larger an or symbols one well-kn d bolder ve own exam rsion of a tex sub-heads. ple of a din t face (14 gbat Em dash points or mo One em wi re) which is de, used for he added to bo the em dash indicates adlines and th sides of missing the em dash . En dash material or One en wi a break in de, the en thought. Sp dash indica in post–Wor aces may be tes duration ld War 1~). , “to” or “th A space ca rough” such n be added as , to both sid Glyph es of the en “refer to pages 4–9.” It may also dash. A shape in be used in a font that compound is used to rep symbols an adjectives resent a ch d shapes in (as aracter code a font like ITC Zapf Di on screen or ngbats are paper, e.g. Greeked Te also glyph the xt sh apes of A, s. Simulated B, C characters text used to in a Roma show the po n font. The sition of the actual text Gutter on the page . Te The space xt is greeke between tw d in order to sp o facing pa tween two eed the scree ges (inside columns. n display. margins). Th e term is so metimes us ed to refer to the spac Text that is e bealigned at both the lef t and right margins. Kerning The adjustm en the white sp t of spacing between letters. The ace betwee n certain pa pr pairs.” ired characte ocess of improving appearance rs, such as an ‘Ty’, ‘To’, or ‘Ye’, wh d legibility by adjustin Leading ich are know g n as “kerning The amount of vertical space betw baseline of een lines of another lin type. The dis e of type im sured in po mediately ints. above or be tance from the baselin low it; also e known as lin of one line of type an Legibility d the e spacing an d usually me The ease wi ath which the the backgr ound and the reader can discern the type on the letterforms’ page, base shape with d on the ton respect to e of the typ each other. e in relation to
J
A
Typography // Terms & Definitions // Spring 2018
J
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Infographics
HISTORY OF NIKE CORTEZ Onitsuka Tiger by Bill Bowerman
1966
• Created by the co-founder of Nike, this design was pro duced with the help of Japanese footwear company Onitsuka Tiger. It’s foam midsole and herringbone-pat terned outsole attracted athletes and it became the best-selling runner shoe of the year.
1967-68
TG-24 “MEXICO” and “CORTEZ”
• Shoe name was changed to the “Mexico”. The 1968 Summer Olympic Games in Mexico inspired this change. • Plans of changing the name to the “Aztec” drew legal attention from Adidas because of their “Azteca Gold” • Name changed to “Cortez” inspired by conquistador Hernan Cortez, succeeded as a casual running shoe
Onitsuka Tiger changed to Nike Inc.
1971
• Company name changed to Nike Inc., inspired by the Greek Goddess of Victory • Introduced the “Nike Cortez”
Nike Cortez in Leather and Nylon
• Nike secures first pro athlete endorsement with Olympic runner, Steve Prefontaine • Famous swoosh is introduced to shoe designs • Leather version was heavier, compared to the nylon version created to produce “The world’s lightest running shoe.”
POP CULTURE
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COLLABS
1976- Charlie’s Angels • The women’s version of the Cortez was given the name, Senorita Cortez. It became popu lar when it was worn by actress Farah Fawcett in an episode of the popular series, Charlie’s Angels.
2010- Year of the Tiger • Special edition version of shoe created inspired by the Chinese Horoscope year of the tiger with an embroidered date on the tongue and white nylon
1987- West Coast • The Cortez became a favorite for break dancers in New York City. Along with break dancers, the shoe also became popular amongst gangster rap representing, gang affiliation with different colors.
2012- 40th Anniversary • Nike creates a wide variety of color com binations for the Cortez to celebrate the 40th anniversary of the “perfectly nostalgic sneaker for the streets”
1994- Forrest Gump • Nike used product placement in the media when they presented the Nike Cortez in the 1994 movie, Forrest Gump. Forrest describing the shoes as “the best gift anyone could ever get me!”
2017- Compton • Design included Chicano-style lettering on the heels to embrace the “1980s simplicity yet bold design”
1998- Seinfeld • The Cortez was a staple in the hit 90’s show, Seinfeld. The shoe was part of George Constanza’s character uniform.
2017- Kendrick Lamar Collaboration • Rapper Kendrick Lamar collaborates with Nike to create a Cortez with the words, “Don’t trip” to pay an homage to his hometown Compton,CA.
Advanced Graphic Design // Fall 2019 // Group Project with Karime Salinas
1973-75
Advanced Graphic Design // Brochure Layout // Fall 2019 Inspiring Artist: Paul Rand
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Image & Illustration
Advance Graphic Design//What is Graphic Design?//Fall 2019
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Design & Illustration//Animal Illustration//Fall 2017
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Design Matters
arts
computer
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g
CO.
pha s
8.4
ublishin p e
VOLUME
TUNING
BIG BROTHER IS WATCHING YOU
GOERGE ORWELL
4x6
1984
Design Communications// Identity Design//Fall 2017 Group Members: Marissa Salazar,Ayleen, Stephanie Garza,Levi Dominguez 11
Printmaking
Printmaking // Linoleum // ”Writing on the walls” // Fall 2019
10/10
[Type here]
Printmaking // Screenprint // Print4 // Fall 2019 12
Levi Dominguez
Printmaking //Screenprint // ”Sabri-tones” // Fall 2019
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<<Printmaking // Screenprint // ”La Catrina” // Fall 2019
10/10
La Catrina
Levi Dominguez
Printmaking // Screenprint // ”Van Buren” // Fall 2019>>
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Photographs
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15
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Advanced Graphic Design Album Cover Art // Fall 2019 19
Magazine Layout
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Design & Production // Magazine Layout // Spring 2018
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Design Communications
Visual Communications // Spring 2018 22
Group photo contributors: Eric Eguia, Sarah Torres, Yadira Hernandez, Levi Dominguez 23
Project Designed & Edited by: Levi Dominguez 24