Photography UNIT2 (version two)

Note to the examiner:

Due to my sketch book being miss placed/taken from the sixth form cupboard which contains our work, this is a complete rework in a short period of time.

Composition Shane Thornton • Unit 2

Dictionary Definition Noun

1. The act of combining parts or elements to form a whole.

2. The resulting state or product.

3. Manner of being composed; structure: This painting has an orderly composition.

4. Makeup; constitution: His moral composition was impeccable.

5. An aggregate material formed from two or more substances: a composition of silver and tin.

Mind Map Delicacy Use

Rhythm

Harmony Variation

Composition

Fenestration

Dark - Light

Light - Heavy

Colour

Weight

Young - Old

New - Old

Different

Composition

Fast - Slow

Busy - Quiet (calm) Compare

Distinction

Inconsistency

De�inition

Complexity

Visual - Experiential

Near/Far

Variation

Divergence Contest

Opposition

Brilliance - Shadow Texture

Character of the place De�ining Space

War - PEACE Day - Night Inter connectivity

Perfect - Flawed

High - Low

Materiality

Mood Board

Initial Ideas & Notes Here are A few elements I may look into throughout this project: Weather, People, objects, Buildings, Cars, Animals, Plants, Landscapes, distance and space.

Cars, I would like to �ind a bright orange car to include somewhere within a natural environment.

I would like to experiment with trying to capture a member of public stood on a beach looking at something or out to sea.

Time of day - Night and day

I may consider investigating some black and white photographs to explore the largescale effects which involves lighting etc

Silhouettes of people or animals in front of a view of something or a strong sunset behind.

I am aiming to include a series of people or man made objects within the project.

Light and dark is an area I would like to focus on. Which would relate to the colour and black and white images.

Landscape may be a major area I will focus on, including parks and some towns/villages. This may tie in with Black and white where I can but it would also be nice to include some colour shots as well. I would like to mess about with a photo of a street or landscape and have a comparison one in colour and a black and white version to the side of it.

Near and far does seam to stand-out to me, in the way that I wouldn’t mind trailing some shoots using objects in a room or environment. For example A living object at different distances from the camera.

Introduction Day and night photography In this �irst photoshoot I decided to go out and �ind a location which is nicely lit at night which is also good looking during the day. I will be looking at various places around my home town to get a contrasting image of day and night. I am hoping to have two images side-by-side with a comparison between the two images merging them into one photo.

I will hopefully choose a town or village with out any people or traf�ic obscuring the view.

DAY

I will do this by setting up the camera on a tripod in a set position and take a photo capturing an interesting shot. I will mark the ground with a pen so that I know where to go back in the evening.

NIGHT

The night shots I will go back to the location and set the tripod back into the position of where it was previously creating an overlay.

The composition involved in taking these image will be making sure I am stood in such a way that I get both sides of the street funnelling you into the centre of the images, feeding you around the winding roads.

Shanklin old village Where is shanklin old village?

Shanklin is situated on the south coast of the Isle of Wight and really is the most charming of traditional seaside resorts with it’s glorious long wide sandy beach set against a backdrop of dramatic sandstone cliffs. Relax and unwind on the golden sands, hire a traditional beach hut or, for the more energetic, try the water sports on offer.

Photograph: Visit Isle of Wight

Night time photograph of the Old Village

Day time photograph of the Old Village

Thumbnails The thumbnails below shows four images of the night time photographs I took during a wet evening and the other four below the night time shots are daylight photographs of the village. These photographs were taken in the same place at two different times of the day. What I like about the night time thumbnails is the Blue lighting on the pub which is situated to the left of the photograph which makes the image more interesting to look at. Where as in the day time you can see more of the pink on the cottage on the right of the photograph.

Night Time

Day Time

Process What I did to create this image was to go out and photograph Shanklin Old Village on the Isle of Wight, which is a tourist attraction/location where visitors go to see.

I set the tripod up on a tripod and took a day time photograph, and marked the ground where the feet of the tripod was and took note two elements of the photograph so I can line them up when I go back in the evening to capture the contrasting shot.

I then put the images into Photoshop to align them and get the overlay and difference from day and night.

I had to tweak them slightly using the skew tool just to make sure they were 100% lined up to one and another. I did this by dragging out the corners slightly and cropping the image for it to become one image.

After some time I came to the conclusion to try and

keep it looking as if the photographs are lined up, I did a 50:50 slit down the middle of the image in a vertical direction.

locations by the difference in day and night. I went on to experiment with different effects and styles to improve the photographs to their best ability without it ending up with them looking untrue to the original.

Looking at the following images you would think the photographs were taken at different

Black & White vs colour

Colour vs Black & White

Black & White vs Colour

Here you have a colour image on the left and the black and white image on the right. What I like about this photograph is the intense blue lighting on the inn; they really set off the image. On the right with the grey-scale scheme it looks rather run down and abandoned without people or civilisation.

Compared to the other photograph, this one is completely different in the way that it has a different feel to it, the grey-scale on the right is very solid and dominant, whereas the right photograph taken in the day time and left in colour givers a more friendly feel to it, having the pink thatched cottage gives an interest to an image.

Black & White vs colour

Black & White

Colour

Here you can see I have converted both images into black and white. The night time image is on the left where as the day time image is on the right. Here these images look like two different locations with the dominant line down the middle if the composition of the �inal image put together.

These two images I kept left in colour to capture the difference between the difference times in day. This is the other combination of images where the combined image looks as if they are from two different locations which have merged together to form one.

Lewis Heale

Lewis heale I decided to look at this photographer because I liked the contrasting tones with the white light and the dark surroundings. I feel this is going to help me towards my development because of the effect given off and the perception to make sure that you are standing in the correct place to this photograph can be taken with the correct perspectives and light being show in the image. This is a landscape photograph, of a dark street taken at night.

This photo has been made black and white which gives it a bigger effect to the observer. The perception of this draws your eye along the street until you cannot see any further. In the foreground you see a road and shop fronts which continue as you enter the background. The building then go off out of sight as they go around the corner. My eyes are drawn to the furthest point in the photograph, which is ground level in the centre of the photo. My eye searches the image in an anti-clockwise direction, I think this is because the image has more to look at on the left hand side than you do on the right.

The left is more plain, solid and easy to analyses, whereas on the right there's more depth. The effect I get from this photo is an empty mid evening feel where there is no body around. I would do a response to this by

�inding an empty street at night where there is a good composition to create the empty feel. The composition within this photograph leads your eye along the empty street and past the closed shops towards the unknown where your eye is lead off round a corner that you don’t know what is behind it. The perspective of the photograph works well too, mainly because of the buildings either side of the street all funnel into the centre point of the photograph.

Thumbnails

Final image

Review I achieved these shots by setting up the camera on a tripod, I walked around some small roads near to where I live to try and get a response to Lewis Heale, this didn't go as well as I had hoped as I was not able to get access to any streets like the original there fore ended up with these photographs. If I had the opportunity I would try and get over to the mainland at night to get a response to this guy because I don't have access to variety of places as I live on a small island with limited resources. But, I am happy with this photos as they are, they are at night with lighting and buildings within them, even through they are not identical to Heale’s original, they have similar features within them.

To the right are a few additional photographs which I took whilst out capturing the response for Lewis Heale. I thought I would include these because they have similar elements to the original photograph that Heale took.

This is because they are both black and white with some form of lighting within in them. The top image is of a street where there are �ive street lights illuminating the right hand side of the road. The bottom image is of a local garage where the showroom is lit along with their sign above the doors.

Brassa誰

Brassaï I chose to analyse this photograph mainly due to the way it was put together. I like the misty look with the street and car head lights creating a misty glow. This is a landscape photo which is black and white, I would have thought this was taken with a �ilm camera, I have this feeling impression that it is old by looking at the car within the image. There are some strong dark tones but it is broken up by the bright white beams of light. The car is in the foreground where as the trees and lamp posts are in the background. The fact that the light beams across the width of the photo is a good touch because it creates a more mysterious feel towards it. Your eyes are drawn to the centre of the image along the horizon line, I think this is because the brightness catches your eye which is over powering compared to the intense black. I think this image tells a story with the way the car is positioned in the photograph, it could be some sort of detective series. The tones have been enhanced to expose more detail and depth of the silhouette. The image makes me feel as if it is staged within a park, I get this impression by the bench and trees. I am going to respond by replicating this image having a car with its headlights turned on a misty day.

Thumbnails

Final Image

Neutral Density Filters

Neutral Density Filters The Neutral Density Filter is a photographic or optical �ilter that absorbs light of all wavelengths to the same extent, causing dimming but no change in colour. This are used to cut out light to stop over exposures. These Neutral Density Filters are commonly used when taking long exposure shots genuinely involving water to give it a calm and silky effect, genuinely during the day.

An example of the Natural Density Filter and what it does.

Neutral Density Filters

Here is an example of what photographs you can achieve by using a neutral density �ilter. As you can see the �ilter has blocked out some of the light from entering the camera lens, this means that the shutter can be open for longer. Having the shutter open longer means that the contents of the images, in this case the sea water, is blurred and soft where it washes up the beach.

Photograph: Visit Isle of Wight

Photograph taken at Bonchurch

Photograph taken at Bonchurch

Photograph taken at Bonchurch

Photograph taken at Shanklin

Charlie Waite

Charlie Waite Mood Board

Charlie Waite I have chosen to look at this photographer because I like his landscape photographs, mainly because of how they are capture to best of something. I like how the image is constructed mainly due to the barn being off to the right as the track leading off to the left towards somewhere unknown. This photo was taken at Autoire, The Lot, in France. The image seams to be rather pale towards the left hand side of it, but the barn and the grass seams to be the only colour within the image that he has captured. There are small elements of natural colour within the image but it is in a small quantity. I like the tree cover overhead so you cannot see the sky, this gives it a more claustrophobic and enclosed feeling compared to a seascape or open landscape. The detail in the photograph is captured well, you can see the old barn building has some old walls around it which gives more depth compared to a new and modern one. The green moss on the roof is also a nice element to keep you interested in looking at the photo. Your eye is drawn towards the barn but I get the feeling my eye is drawn to the left up the track. This photo makes me feel like it is winter or during a cold snow, hence the white and pale colours. I am going to respond by �inding a building along a country track which has some tree cover. This relates nicely

to composition mainly because the eye is drawn up the country track to the point where your eye is left to wonder what lies behind the trees. The road snakes its way up to the second focal point, after the barn being the main focal point. The tree cover keeps your eye from exploring outside of the photograph, it keeps you observing at eye level. Having the barn is essential to this images as it bounces your eye off of it so you continue to expand your vision further up the lane to the unknown.

Thumbnails

Final Image

Sunsets and Silhouettes

Sunsets & silhouettes Mood board

Sunsets & silhouettes Mood board

Silhouettes In this section I am going to be exploring silhouettes within the environment. This may include photographs of objects and people within either a seascape or a landscape at various locations around the Isle of Wight. I am going to try and include numerous sunset photographs within this section of the project, as this is an area of photography that I am keen to get across. I have had several photographs of mine shown on TV including one taken of the setting sun where I previously lived in Bonchurch which was used within a Meridian Tonight weather forecast at the end of their evening broadcast. Ever since then I have been keen to capture more stunning sunsets.

The photograph to the right is an image that it took while experimenting with ideas of where to go with my project. This is when I came to the decision that I would use silhouettes within this exam unit. To capture this image I stood on top of the downs near by and photographed two walkers making the decent down to the main road. What I like about this photo is that the �igures are very dominant and dark against the light seascape. As well as the people causing a silhouette, the crest of the downs also creates a dominant horizon line. The pale colours of the light blues and whites contrast strongly against the solid �igures caused by the down and walkers.

Silhouette taken with my Brother-in-Law looking out to see at the setting sun.

Silhouette of a Cow on St. Boniface Down.

Sunsetting through a hedge.

Sunsetting across the south of the Island towards West Wight.

Sunsetting behind the Needles.

Sunsetting behind the Needles.

Sunsetting across the Island.

Review The review of the silhouettes and sunsets is that they came out pretty much how I wanted them. Pretty much all of them have a decent solid �igure in front of a stunning set. The �irst main sunset and silhouette was the outline of the my brother-in-law looking out to sea. I think this is one of the best shots because it has a pretty good composition.

You move onto the cow on top of the downs, this and the top of the hill create a strong dominant feel. I practically like the sky as it has a pastel feel given off from it by how the colours all blend into one.

Change over Time

Change over time This section is all about photographs which are taken in the same position but taken at different times of day, or even a different time of the week I will take photos on set days and overlay them to produce one image with a contrast between the two or three milestones in time.

An example of Change Over Time would be Evolution as this is the change in the inherited characteristics of biological populations over successive generations.

This is practically what I will be aiming for in my images.

Change from one thing to another over a shorter period of time, which can be achieved from changes in the environment or objects in different regions.

Garden Photograph One The �irst photograph was of the garden of my new house which we were about to buy. The photograph was taken from my bedroom window looking east on a miserable afternoon where visibility was poor. In this image you can see that there is not much of a view, regardless of the visibility.

Garden Photograph Two This is the second photograph of my garden a few weeks after we moved into our new home. Again this is a photograph taken from my bedroom window looking across an untidy garden. As you can see the weather improved for this photograph, and the view has become better with the hedge being cut down to reveal the downs in the distance.

Garden Photograph Three Here is the third photograph with the entire hedge trimmed back with a big heap of branches at the bottom of the garden. Also we have installed a new fence to keep the dog in! What I like about these photos are that they show history of how things were and how they change over time to become something you are proud of at the end.

Merging my garden photos As you can see below, I have merged the previous three photographs together to form one. I used a soft brush to make smooth edges to each third of the photograph instead of just over lapping them and having one solid line between each image. The photograph which was the �irst one I took is the middle image, this is so that you break us from the centre outwards. The image on the left is the second photograph I took and the far right is the most recent image.

Grandparents garden Below is a combination of two photographs taken at my grandparents farm at Ford Farm House in Whitwell where I spend most of my spare time. The two photos were taken at different times of the year, just like the images of my garden. I like the composition within this because they have a spectacular view that your eye is drawn to.

Grandparents garden Process What I decided to do with this photograph was to take the two images I had taken from the same location, then overlay them.

Instead of simply overlaying then removing one side of the image, I thought it would be best to be more creative and layer over the latest image in the shape of the Isle of Wight. Here is what the island looks like, and the overall image I came out with , you can just about work out the rough outline of it.

The rough outline shape of the island is more or less a diamond, which I thought would look effective within the image.

To create the overlay I used a Layer Mask over the image I was wanting to overlay. As you can see in the screenshot of the layers panel, next to the second image down you can see the outline of the Isle of Wight. This is what is making the shape on the �inal image of my grandparents back garden.

Overall I am happy with the out come of this little experiment using the Island as the mask to reveal a more recent photo of the view.

Review I came up with idea of doing these photographs, from the �irst idea I had of the Shanklin Old Village day and night shoot. I wanted to explore time, this time, but I didn't go for the obvious thing of different times of day but the differences over a couple of weeks.

The �irst photograph of the garden, which is a combination of three photographs, was an idea I had because we have recently moved. I had a before photograph, then took one a week later, then took the third, all in the same position and repeated for the �inal photo. I tried overlaying the photographs on top of each other as you can see to the right but the effect wasn't great. I then went into exploring thirds. From this I had a brain wave and decided to blend the edges of the joins to create a more softer merge of the three images.

The second photograph of the view was taken at the beginning of April, the second half three weeks, after there was some change in the environment. I wanted to explore a more of a creative way to combine the before and after. I printed the before photograph and tore the after image in half and stuck it on top making sure they were aligned with each other.

My �inal comments about this shoot is that it shows a good understanding of change over a period of time.

This may only be a matter of a few weeks but if I had more time to complete this project I would like to take four photographs over a span of a year capturing each season.

The photograph below is a combination of the three photos merged into the one each with an opacity of 33%, halfway between the tree images.

Scale

Scale I this section I am aiming to create some images using scale and within an environment. I would like to do a response to this using either big object or people alongside small contrasting characters. Making sure the perspective is correct is essential too, otherwise the image may not look its best.

Photograph: Slinkachu

Slinkachu

Slinkachu The things I �ind good about this creation is the fact it is ingenious the fact he has used small �igures to create daily eventuates in a small a scale. From what I can see, he did a good job, creating scenes that he must have seen the thought of this clever idea of reconstructing them in a way that people would be interested. I reckon people would be attracted to this style of artwork by its marvellous ideas. No doubt about it he has spent a lot of time working and designing these ideas & creations. If I was to give this a title it would be ‘Fitting in’ as it has small characters in a life size environment. I think the characters are trying to be a normal human being in a situation. I came to this decision by analysing the artwork to see what they are up to.

The close object to me are the little plastic people or �igurines in an oversized town, with another objects like the police van and police tape. The colours are deep with the �igures making the scene more interesting and appealing. The colours which are mostly used are bight reds and oranges with a grey background shadings. I can tell that the people in the photograph are trying to �it in with the day-to-day life. The detail within the image is just exhortatory, considering the down sizes

�igures and vehicles, it looks life like. I am interested in continuing this further in my response using what materials I could get hold of. I am hoping that I will be able to �ind some old toys that I have lying around the house in a box somewhere. I will put them onto real life surfaces then photograph them close up to make them look like real life photographs.

Thumbnails

Final Images

Final Images

Final Images

Review To make a response to Slinkachu I knew I would have to use small objects or �igures to keep in the style of his work.

One late night in April, I decided that the conditions of dark skies and streets would be perfect along with street lights illuminating the area. I took my photos just outside my house there is a road and an area of grass there which suited the conditions I was after as you can see in the photograph below. I set up the vehicles on a central white line, on the grass and the third location on the pavement. I took the photos using a longer exposure than normal to capture as much detail as possible. I also had to use manual focus to focus on the subject matter as otherwise the images came out blurred as it was too dark to focus automatically. The sodium within the streetlights gives off this intense rich orange glow onto the surrounding area. This is shown really well in the third response with the Ford truck parked along side the pavement. If I had more time I would like explore more of Slinkachu’s work but with time constraints I only touched on this subject area slightly but got what I wanted out of it.

The location where I took the photographs.

Tilt Shift

Tilt Shift

Tilt Shift Tilt shift photography is a creative and unique type of photography in which the camera is manipulated so that a life-sized object or location looks like a miniature-scale model.

To achieve this miniature effect to photographs, you need to �irst take a photograph from a high angle as it creates the illusion of looking down at a miniature model.

The photo to the right is one of the images I took when I was introduced to tilt shift. It is of St. Thomas’ Square in Newport on the Isle of Wight which can be �illed with people in the summer. Unfortunately, during this shoot it was April so there wasn’t as many tourists in the square as I hoped.

To create this effect I used Adobe Photoshop to manipulate the focus in such a way that it gives the image the effect of having been shot with a macro lens. I then moved onto increasing the saturation and contrast in a way that the colour looks like bright paint on a miniature model.

The composition within this image is drawing your eye to the tiny people who are eating their lunch on the picnic benches within the square during some sunny weather in April. This photo worked well because it shows of the surrounding as well as the small �igures I was aiming to focus on.

St. Thomas’ Square, Newport

Tilt Shift This photograph was taken from on top of a tall building looking down onto the pedestrians crossing a road. I was stood 5 stories up from ground level. I kept the people slightly off centre so it didn't look symmetrical and made look as if it was a planned. I tried to create the tilt shift effect but it doesn't quite work within this image. I think this is due to the fact I am too high above the subject matter.

Final Image

My final image has come from a combination of Slinkachu and Change over Time of overlaying images to form one.

Thumbnails

Process

1 I first opened the photographs into Photoshop to 2 see what images I had to week with.

I went around the image with the Lasso Tool to remove the bulk of the background.

3

4 I repeated this for the next 5 images.

5

6

The next stage was to import the background photograph of the street back. But some of the figures are missing their shadow so ill have to add theses.

I then went around with the rubber tool to remove the background to create a clean and smooth cut.

I added the shadow by copying the image then flattening the stretching it out to represent a shadow.

I darkened the shadow and multiplied the shadow.

Finally smoothed the edges with the smudge tool.

Process

7

I aligned the photographs within the image and added the guy on top of the van to create some humour.

8 I then went into experimenting with flipping the 9 Finally once I was happy with the result, I added close up image but light source was wrong as you see in the larger photograph on the next page.

a sepia filter and changed the brightness.

Final Image S

The end result...

Plus two other images I also created during the five hour exam time.

Brief Review This is the photograph where I decided to �lip the closest image over so that he is facing in the opposite direction to try and balance the image. The reason was because there was 3 out of 5 �igures looking to the left and I wanted to even it out by having the foreground image �lipped. I came to the conclusion pretty quickly that this didn't work so I reverted back to the original idea of him looking in to the left.

About the final Image SCALE My �inal image is using a photograph of a street in Portsmouth where there isn't a lot going on. I decided to do a response to scape within this photograph, so I asked a mate to stand in four different positions within the street. The weather conditions were great for this particular response, I was wanting a nice bright sunny day with shadows, I found this opportunity and made use of it. After reviewing my image I had two images where he was stood near and far from the camera. This worked well until I went through my images once again to �ind there are four strong images of him in different positions, I took these images into Photoshop and removed the backgrounds and overlaid him on top of the original background, this meant the �igures were situated in different places. I messed about with different scales and sizes trying to keep them in proportion. I happened to place one ‘cutout’ on top of a parked van, and added in the shadow to make it look real and life like. After a few hours of adjusting positions, scales, distances etc.

I ended up with this �inal image. But once I had printed the photograph, I went back to look at it on the computer and decided that it could do with slightly being brightened and adding a sepia vintage feel to it. I did experiment with �lipping the close up image in the foreground to have him looking in the opposite direction but the light source was all wrong, and I didn't have any other images of him looking in the opposite direction so I kept it as it is.

REVIEW

My overall thoughts about �inal image is that it came out better than I expected. When I �irst started thinking about scale and multiple images I didn't have much hope with getting a successful �inal image. I feel that having a quiet street makes it a bit more interesting as there is little going in, then by adding the �igures it made it a lot more elegant and entrancing to the eye.

Additional final Images When creating my �inal piece on the previous page, I also edited two sets of images where I had the same mate of mine in different locations intentionally trying to make a �inal image, if the original image did not work out. I had some spare time at the end of the exam time so I decided that I would continue to edit these back up images and use them as well.

These images consisted of Hayden standing on different locations within the woods, as well as in a different location under an old bridge. Even though these images were easier to edit compared to the main �inal image, I am happier with the result of the photos taken in Portsmouth, just because of the location and the weather was more enjoyable which made the photographs come out better too.

Process

Final Evaluation

Final Evaluation The project theme I chose to work on was Composition as this gave me more ideas than the other starting points did. I knew it had a lot of potential directions in where to take my work and I was able to go and explore the surrounding areas to capture things at its best. I wish I had more time on this, as I got rather carried away with it and didn’t want to stop!

The part of the project that I enjoyed the most was the practical side of taking the photographs, having to plan where I was going to go, considering the correct weather conditions and I was sort of location manager for a �ilm to decide whether the site where I wanted to take the photo was suited. A new technique that I have experienced is the ‘Tilt Shift’ as I have seen this type of photography around for a long time and have always been keen to �ind out how to do it and create some

responses. I admit one of my responses came out terribly, but I have learnt from my mistake and the reason was because I was too elevated to get the miniature effect. In other words I was taking more of a birds-eye shot looking straight down not at an acute angle. Another technique I have recently started to use was a Neutral Density Filter. This is an area I want to continue with and I would like to explore further. The photographers I researched throughout this project were Lewis Heale, who photographs streets at night in black and white; Brassai who uses old street-scapes in black and white with plenty of atmosphere achieved through shooting in misty weather. Charlie Waite who is somebody who captures landscapes at their best and �inally Slinkachu. They have all in�luenced me through how I look through the lens, how I set my camera, how to react in weather conditions and how to stage a shot.

Final Evaluation Personally one of the most successful parts of my project is my �inal image as it explores the use of both scale and proportion as well as responding to my chosen theme. I really enjoyed the Photoshop task of removing the backgrounds and positioning the characters correctly for the image to be true. I encountered a few minor problems within this project, they were that I didn’t have access to the desired street I was hoping for but managed to overcome that. Another area I had an issue with was for Brassai as he uses old cars and uses misty weather for his images to work, just my luck it wasn’t misty, and when it was, it wasn’t dark enough so I had to overcome this by breathing on the lens. I learnt the importance of re-shooting from these by trying things out and going out and reshooting in different locations hoping for a different result. The main thing I would do differently is to organize myself earlier as my time management could be improved.

My �inal images are free from faults from what I can gather as it worked way better than �irst expected, think this was due to the fact I had a little play using a white screen and Photoshopping the �igures onto different backgrounds, one tall and one short. I didn’t include this with the project as it didn’t turn out too well at all. I considered the careful placement of the �igures and the reaction of light, the �inal touches where adjusting the hues/saturation of colour to give the required retro feel that seems so popular now.

The Panoramic photograph spreading across the bottom of the two pages is multiple photographs I took when I was out on a shoot and thought it would look good as a footer here. I imported sixteen photographs into Photoshop using one of its features called ‘Photomerge’ which produced the �inal result.