Thesis Conceptual Approach

SCULPTURAL SCULPTURAL FORMS FORMS WITHIN WITHIN SPACE SPACE EXPERIMENTAL INVESTIGATION INTD 4000 DECEMBER 14th, 2017 SHARON MURAD

CRYS¡TAL

kristal noun ~ A piece of a homogeneous solid substance having a natural geometrically regular form with symmetrically arranged plane faces (google.com/dictionary).

FORM

fĂ´rm noun ~ The shape and structure of something as distiguished from its substance or material (Ching, 2012).

Investigation

How form affects the interior experience, path of travel and circulation by determining the extent of crystalline growth.

SCULP·TURE

sk lpCH r noun ~ The art of making twoor three-dimensional representative or abstract forms, especially by carving stone or wood or by casting metal or plaster (google.com/dictionary). e

SCALE

skāl noun ~ A certain proportionate size, extent or degree, usually judges in relation to some standard or point of reference (Ching, 2012).

Investigation

How scale affects the exterior and interior experience by evaluating the proportions in sculptural architecture.

INVESTIGATION INVESTIGATION

e

Architect(s)

Daniel Libeskind

Location

100 Queens Park Toronto, ON M5S 2C6

Project Year 2007

Square Footage

[rom.on.ca]

214,000 sq. ft.

[torontoist.com] [payload.cargocollective.com]

Concept

"Why should one expect the new addition to the ROM to be 'business as usual'?

Architecture in our time is no longer an introvert's business. On the contrary, the creation of communicative, stunning and unexpected architecture signals a bold re-awakening of the civic life of the museum and the city." - Daniel Libeskind (rom.on.ca)

[thegrumpyoldlimey.com]

[urbantoronto.ca]

ROM ROM

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Toronto Toronto FORM

The form of the facade is supported by structural elements that affect the interior experience. The path of travel and intuitive experience as users travel through exhibits are determined by the structural elements and angled features that construct the overall form of this volume. The facade creates an exterior experience that is differentiated from the interior.

SCALE

[buildipedia.com]

The large scale of the structure creates interior angled walls that affect wall conditions and the relationship between the occupants and design. The interior conditions produce different spatial experiences on every storey as the scale of the structure affects form on every level.

Architect(s)

Phaedrus Studio

Location

514 King St E Toronto, ON M5A 1M1

Project Year 2015

Square Footage 1615 sq. ft.

Concept

The cafĂŠ and bar hybrid is designed as a response to the rapidly-developing neighborhood of young professionals and urban dwellers. The design embraces the changing culture of how people eat, drink, work and socialize; and, the playful complexity that comes with the day to night transformation. (archdaily.com)

[archdaily.com]

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ODIN ODIN CAFE CAFE Toronto Toronto FORM

The interior form of this space is determined by the sculptural shape of the bar, where crystalline forms protrude out to create a volumetric profile. The contrast of sculptural architecture and function is balanced in this space.

The interior experience is enhanced by the detailed sculptural moments.

SCALE

[archdaily.com]

The sculptural features in the space are at human scale and do not overpower the function of the bar. The space is capable of supporting the program of the space with detailed features at a small, interior scale.

Architect(s)

ZAS Architects

Location

11 Arboretum Ln North York, ON M3J

Project Year 2015

Square Footage 170,070 sq. ft.

Concept

The Bergeron Centre for Engineering Excellence re-thinks modern ways of learning. The facility challenges past models with a modern approach rooted in student learning and empowerment. The faรงade is comprised of a series of triangles positioned according to a precise and complex algorithm. (archdaily.com)

[archdaily.com]

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BERGERON BERGERON CENTRE CENTRE Toronto Toronto FORM

The exterior walls consist of slight angles composing the soft form of the interior volume. This form creates a comfortable working and learning environment where functions are not compromised by the form of the architecture.

SCALE

[archdaily.com]

The crystalline windows that create the unique facade allow natural daylight fill the space with the successful scale that allows optimal light and views into the space. The triangles creating each unique window are precisely designed to create a unique interior experience that supports the function of the education process.

Architect(s) Zaha Hadid

Location

100 Pointhouse Rd Glasgow, UK G3 8RS

Project Year 2004 - 2011

Square Footage 118,403 sq. ft.

Concept

The museum is described as “a sectional extrusion open at both ends, [an] outline [that] encapsulates a wave or [a] pleat [and] flows from city to waterfront, and [a] symbol [of] the dynamic relationship between Glasglow and the ship-building. Clear glass facades allow light to flood through the main exhibition space� (zaha-hadid.com).

[zaha-hadid.com]

RIVERSIDE RIVERSIDE MUSEUM MUSEUM

FORM

The combination of curved and angled elements create a successful integration of interior design and traffic flow. The interior experience of the museum of transit is controlled through the curved pathways with the effects of the angled facade on the ceiling. The exterior facade resembling a sectional extrusion creates an exterior experience that acts as a threshold from exterior to interior.

SCALE

[dezeen.com]

The scale of the ‘crystal-like’ facade connects the museum with the waterfront. The effects of the facade to the interior experience are complementary to the museum experience and path of travel. The exterior condition creates an interior ceiling feature at a large scale.

United United Kingdom Kingdom

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Architect(s)

Philip Johnson, John Burgee

Location

1 Ppg Pl Pittsburgh, PA 15222, USA

Project Year 1981 - 1984

Square Footage 1,499,983 sq. ft.

Concept

The complex was inspired by the Cathedral of Learning in the University of Pittsburgh's campus and H.H. Richardson's Allegheny County Courthouse and translated the Gothic architectural vocabulary into modern materials and details. The post-modernism building is the centre of downtown activity in Pittsburgh. (galinsky.com)

[archdaily.com]

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PPG PPG PLACE PLACE Pittsburgh Pittsburgh FORM

The form of the structure creates an interior volume that is undisturbed with angled exterior curtain walls. The symetry of the plan creates a balanced interior that if flexible for all possible functions and programs. The exterior form suggests a sculptural experience from the streets of downtown Pittsburgh.

SCALE

[archdaily.com]

The 231 spires create the well-known exterior of PPG place and contribute to the complex being an important fixture in the Pittsburgh skyline. With a height of 82 feet (ppgplace.com), the scale of the ‘crystal-like’ elements creates a detailed moment. The uniformity and consistency of the structure enhance the interior experience.

Architect(s)

Wilkinson Eyre Architects

Location

Royal Victoria Docks Siemens Brothers Way London, UK E16 1GB

Project Year 2012

Square Footage 240,037 sq. ft.

[designbuild-network.com]

Concept

The dramatic crystal-shaped structure is a global hub for debate on sustainable urban living and development. Home to Siemens’ global Center of Competence Cities, the concept seeks to inspire people to see the future of sustainability as an opportunity to be more innovative and improve the quality of the building fabric. (archdaily.com)

[archdaily.com]

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THE THE CRYSTAL CRYSTAL United United Kingdom Kingdom FORM

The form of the structure resembles two sculptural features connecting together. Similarly, the connection of sculptural forms mirrors the interior functions connecting through the intersection of both forms. The form allows for an open floor plan and offers opportunities for flexibility and mobility.

SCALE

[archdaily.com]

The sculptural features of the building are at a large scale, therefore, they support the overall function of the facility. The sculptural aspect offers angled walls and ceiling designs that create interest in the interior space.

The interior experience is enhanced with the large curtain walls that compose the angled exterior walls.

Architect(s)

Daniel Libeskind

Location

3720 S Las Vegas Blvd Las Vegas, NV 89158

Project Year 2006

Square Footage 500,000 sq. ft.

Concept

The structure is a work of architecture read from many different angles. The dramatic form and skylights of its spiraling roof soar over luxury retail and dining to accommodate a public space that features a water feature at the entry and grand staircase leading to the adjoining Casino. (libeskind.com)

[yatzer.com]

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CRYSTALS CRYSTALS Las Las Vegas Vegas

FORM

The crystalline form is fragmented into small segments that complete a large crystalline sculpture. The fragmentation creates an organization in the floorplan and introduces an interior experience that is unique from other sculptural architecture like the ROM in Toronto. Sharp angles that create the facade of the structure influence the interior experience through structural features.

[simon.com]

SCALE

[designboom.com]

The fragmented crystalline pieces are at a small scale and together create a large-scale structure. The small scale of this sculptural architecture allows users to experience it from exterior to interior. Due to the fragmented planning, the crystalline structures enhance the interior experience as the space successfully supports the fine retail experience in an open environment.

Architect(s)

Safdie Architects

Location

2 Bayfront Ave Singapore 018972

Project Year 2012

Square Footage

[us.archello.com]

25,000 sq. ft.

Concept

This Crystal Pavilion is part of the Marina Bay Sands complex designed by Moshe Safdie and is Vuitton’s first stand alone ‘Island Maison’. (ftlstudio.com) The concept store was to act as a gallery for LV products and embody the feel of high fashion elegance and the nautical aesthetic. (archdaily.com)

[archdaily.com]

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CRYSTAL CRYSTAL PAVILION PAVILION Singapore Singapore FORM

The form of the pavilion resembles two sculptural forms intersecting together. This form allows for an open concept floor plan and flexibility in the retail space. The form also provides high ceilings due to the simplicity of the crystalline volume.

SCALE

[eventscape.com]

The large-scale retail space allows for ample vertical space. With high ceilings and an open concept volume, the crystalline structure does not interfere with the retail experience. The interior experience of the space is supported as there aren’t structural features overpowering the open floor plan. The large curtain walls supporting the sculptural pavilion offer diffused natural daylight and provide a visually open environment.

Architect(s) SOM

Location

1 World Trade Center New York, NY 10006

Project Year 2015

Square Footage 3,500,000 sq. ft.

Concept

One World Trade Center fillsthe skyline void left by the fallen towers. Depending on the viewer’s perspective and angle of light, One World Trade Center appears to shape-shift from a platonic solid reminiscent of the original twin towers to an obelisk recalling the Washington Monument. (archdaily.com) [archdaily.com]

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ONE ONE WORLD WORLD New New York York

FORM

The simple geometric form of the tower shifts as you ascend the building.

The form allows for an open space that is influenced by the angled walls that contribute the sculptural aspect of the tower.

SCALE

The angles and sculptural features of the building are built at a large scale which contributes to the New York skyline. The angles are experienced from exterior to interior, and due to the large-scale of the structure, the interior experience is enhanced.

EXPERIMENTATION EXPERIMENTATION

FORM; SCALE

Experimentation ~ Three conclusions were created through the precedent research and investigation process. Through form and scale, diagrams and models have been created and applied to the future state, 21 Ossington. The crystalline scuptural form has been investigated and experimented through different mediums to achieve a conclusive result.

0-10% CRYSTALLINE GROWTH

This strategy defines the first condition where the crystalline form is not sculpturally developed. The interior and exterior experience is not affected by the sculptural aspect or lack of sculptural aspect that this condition demonstrates.

+

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10-70% CRYSTALLINE GROWTH

This strategy defines the second condition where the sculptural form influences a part of the interior volume either the ceiling/roof design or the partition design. The interior and exterior experience is influenced positively where structural elements and sculptural elements do not interfere with paths of travel.

70-100% CRYSTALLINE GROWTH

This strategy defines the third condition where the sculptural form affects the entire interior and exterior structure. The experience is either affected in a positive or negative way where structural elements supporting the crystalline structure are the main factor to determining this final conclusion.

/10 ANALYSIS ANALYSIS

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70

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FORM; FORM; SCALE SCALE

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21 21 OSSINGTON OSSINGTON