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VOL. 52 NO. 51
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Bluegrass keeps grip on
FIRST WORDS
History’s hidden truths
Young High grad
By Reneé Kesler “Don’t Turn On the Lights: History’s Unwritten Stories” is my feeble attempt to expose to a new generation the voices of our ancestors, those eyewitnesses Renee Kesler to a bitter past speaking uncensored truths. “They told us not to have no light on! And we didn’t,” stated Mary Etter, the widow of Joe Etter, a veteran soldier who fought in the Spanish American War of 1898, and was killed during the race riot in Knoxville. On Aug. 30, 1919, during a time when race riots were erupting all across the nation, the race relations climate in Knoxville took a bloody turn and the city became one of the “Red Summer” cities. Maurice Mays, a handsome black man born around 1887, was accused of murdering a white woman, and Knoxville erupted in violence. The National Guard was summoned to maintain law and order. During this time, soldiers armed with machine guns shot and killed Joe Etter as he tried to take a machine gun from one of the soldiers. In 1979, in her own words, Mary Etter described the nightmare she endured to Anne Wilson, program coordinator of an oral history project at the Beck Cultural Exchange Center. Here is an excerpt from that interview: Ms. Etter, your husband was killed in 1919 wasn’t he? Yes, he was. How was he killed? Well, he was killed in the race riot what they had here. Can you tell us what the race riot was? Well, it was kind of over … well, they said a colored man killed a white woman and that’s what started it out. Ms. Etter, what was the name of that black man? Let’s see … Morris Mays, Morris Mays they say killed a white woman! When the interviewer asked Ms. Etter to tell how she found out about her husband’s death, she talked in exquisite detail about the events of that night. She described how a man from the white-owned undertaker parlor located on Vine and Gay Street summoned her to come and identify the body. To page A-4
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July 29, February 1, 2013 2017
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Jim Smith poses by his 1954 Chevrolet Bel Air in front of the G&D Deli, where Smith is a regular. The magazine and record album represent his long career in bluegrass music. Photo by Betsy Pickle
By Betsy Pickle Playing bluegrass has always been a sideline for Jim Smith, but it has also been a through line. He did it all during his working years, and it’s part of his contribution to his church even now. The Mississippi native moved to Knoxville with his family in 1946. He finished eighth grade at Gap Creek Elementary and then entered Young High School. He was a well-behaved student but not a good one, he says. “For some reason, English, they didn’t word it so I could make good grades in it,” he says over coffee at the G&D Deli on Tipton Station Road, his home away from home. “I tell everybody, ‘I liked school so well, I even went in the summer.’” In Mississippi, his father was a sharecropper, and the family was poor – like all of their neighbors. Their house had no electricity, so
the six siblings and their parents listened on a battery-powered radio to the Grand Ole Opry. “I didn’t know what they were playing, but I liked the sound,” he says, singling out the music of Bill Monroe and Lester Flatt. Once he started listening to Knoxville radio, he became a fan of “The Cas Walker Farm and Home Hour” and “The Mid-Day Merry-Go-Round.” His family bought him a mandolin from the Spiegel catalog, and he played music around the house with his brother Jessie, aka Buster, on guitar. He found his own teachers at the Merry-GoRound studio downtown. “I just went around bugging everybody who played, trying to learn something,” he says. He graduated from high school in 1952 and went to work with the Bell phone system in 1953. His job working on the switching equipment took him and wife Patricia all around
The Pinnacle Boys, with Jim Smith on mandolin, shot one album cover in Cades Cove. the country, towing their house trailer, until traveling interfered with school. (Children Pamela Wise and Craig Smith both reside still in South Knoxville.) Smith jammed with other musicians all along, but once he was settled in South Knoxville, he got an offer to play with the Pinnacle Mountain Boys. “They were a good band,” he says. “They got a booking over here one night at the Senator’s Club – it’s where the CourtSouth (National Fitness) thing is now. The guy that was co-head of the band was totally against drinking, and their mandolin player ordered a beer that night ... and they fired him. To page A-3
Strong marriage makes big move easier By Betsy Pickle Fathi and Rebecca Husain are doubly happy to have their children’s resale shop, Wee Care, in a new location. Having celebrated the store’s 25th anniversary in September, they doubled their space by moving across the parking lot from 2537 Chapman Highway to 2615 Chapman Highway, former home of the Disc Exchange. The new store, which opened in January, gives them room to show off aisle after aisle of strollers, playpens, clothes, toys, formula and more. They’re still moving things from the old store, and they haven’t replaced the Disc Exchange sign yet, but they’re open for business. Fathi got the idea to move when he talked to the former Disc Exchange owners about buying some light fixtures. He wasn’t sure how Fathi and Rebecca Husain have moved their Rebecca would react – a larger Shoppe into the former Disc Exchange. Photo by Betsy Pickle
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facility meant higher rent, not to mention the overwhelming chore of moving their inventory. “I thought I’d find a lot of resistance from her,” he says. But his wife of nearly 29 years saw the advantages. The Husains have been in harmony from the time they met as students at the University of Tennessee in 1987. Fathi grew up in Palestine and came to the United States to study electrical engineering at UT-Martin. He transferred to UT-Knoxville to finish his degree. Rebecca grew up in St. Petersburg, Fla., and after high school wasn’t sure about her future until she took a road trip to Massachusetts. She drove through Knoxville and spent some time here around Thanksgiving 1985.
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