APÉRO CATALOGUE Fine Art Collection Tone June 2019
Claudia Venuto
APÉRO CATALOGUE
Created by APERO, Inc. Curated by E.E. Jacks Designed by Jeremy E. Grayson Orange County, California, USA
Copyright © 2019 APERO, Inc. All rights reserved.
Tone June 2019 ‘Tone’ is a collection of art that focuses on emotive shading, values, shadows and depth! The work emphasizes emotional tones as well as visual mid-tones. These tones are portrayed in a variety of subjects. The work is comprised of drawings, paintings, photography, mixed media, and digital, both representational and abstract in nature.
Sylvia Bandyke Resurrection Sunday, 2019 Photography 14 x 14 in Framed $175
Sylvia Bandyke Royal Oak, Michigan, USA 248-591-9826 sylviabandyke@hotmail.com https://www.facebook.com/bandykephotocollage/
Sylvia Bandyke Biography: I have a long-time love of photography but only recently had time to pursue it in a devoted way. My approach is to typically keep an eye open for interesting reflections, light patterns, views of a subject. I look for hidden beauty in everyday life that hopefully may inspire others to do so as well. I enjoy using the collage format to integrate associated images into a cohesive unit that is more compelling because of the embedded story; launched this format in five consecutive years of exhibiting in the Grand Rapids, MI ArtPrize event starting in 2014. Since 2018, my first full dedicated year as a photographer, I have been juried into several art exhibitions as noted below: • 23rd and 24th (2018 and 2019) Annual Juried Photography Exhibition of the Dearborn, MI Community Arts Council • Juried Spring 2018 and 2019 Shows of the Artists’ Society of Dearborn (took first place in photography in ’19) • 2018 Pulmonary Hypertension Association International Conference and Scientific Sessions Art Gallery Showcase and Raffle, Orlando, FL • The Muskegon Museum of Art’s 90th (2018) Michigan Regional Exhibition • Crossing Perspective: Finding Similarities of Culture Exhibit at the Dearborn Black Box Gallery, Fall 2018 • 21st (2018) Annual Livonia Exhibition of Fine Arts (MI) • 6x6: Be There, Be Square December 2018 exhibit at the Las Laguna Gallery, Laguna Beach, CA • Iphonography Now juried exhibition of the Plymouth Center for the Arts, Plymouth, MA, January 2019 • Five Points Gallery (Torrington, CT) Small Works Juried Exhibition, February 2019 • Linus Galleries (CA) Fragmented Abstract Art and Blur International Art Calls, Winter 2019 • Scarab Club of Detroit, MI Gilda Snowden 2019 Memorial Exhibition • Vienna Arts Society (Vienna, VA) 50th Anniversary Treasury of Art juired show and sale, April 2019 • Plymouth Center for the Arts’ Fine Art of Photography 9th Annual Competition and Exhibition, Spring 2019.
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Elton Burgest Death, 2019 Digital Painting 48 x 60 in $1,000
Elton Burgest Tallahassee, Florida, USA 850-509-2929 elton@artclubclothing.com
Elton Burgest Biography: I am an African American Christian that grew up in the church and grew older in America. As I make art, I find that a person’s reaction to my work is what excites me the most. I like to imagine the impact that the casual poses, religious imagery, and saturated colors that I chose will have upon the viewer. I use African American people as my subjects because I find representation important in art, especially for a group whose history is so deeply rooted in the struggle to feel human. Like artists such as Kehinde Wiley and Kerry James Marshall, I want my work to be a spotlight on the corrupt systems that bind the African American community in our fight for recognition. I usually find myself questioning the logic behind spending hours creating large-scale digital paintings when the process usually puts me in a depressive state. I often come across an article or video in which someone that looks like me; with my nose, my lips, my physique, and my skin is being discriminated against, and I am overcome with deep urges to make change. As I dive into stories of police brutality, racial profiling and harsh sentencing, I notice the curse of being conscious of racism. The curse being that you feel like anything that happens to you is very possibly rooted in racial bias. Like a skittish street cat, a paranoia sets in and I’m convinced that people that I have never met are out to get me. The terrifying thing about living in this country is that it’s safer to be a paranoid black man than one that thinks he’s safe. Ironically, like a police officer, I feel a sense of duty to sacrifice my state of mind to constantly remind people of the importance of justice.
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Betty Cox A Cellists Dream World, 2017 Bead Embroidery Art 20 x 18 x 4 in $5,000
Betty Cox San Marcos, California, USA 619-787-6047 booop56@aol.com https://www.etsy.com/shop/UniqueandMacabre
Betty Cox Biography: Bead artist using different medium. Influenced by other artists work. Teaching, art galleries, abroad and local. Published locally and abroad
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Jonathan Evans Black Betty, 2018 ContĂŠ Crayon On Paper 38 x 44 in $1,250
Jonathan Evans Cincinnati, Ohio, USA 937-205-0500 jonathan8evans@gmail.com https://carbonbaseddesign.com/
Jonathan Evans Biography: Born in Ohio, Jon Evans is an artist and photographer who earned his B.A. in Art Education from Wilmington College(OH). After earning his degree he spent a few years working in artistic restoration before beginning an art teaching career. During his 14 years of teaching elementary and middle school he also traveled to Japan, China, and Chile. Having recently left teaching to travel across the country in a camper he ended up in Portland Oregon for few years where he worked in a local custom metal shop. While having worked in various mediums, he is most inspired by the Conté crayon and continues to explore it’s ability to convey emotion and drama through tone. Jonathan currently resides in Mexico City finding inspiration in the rich culture it has to offer.
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Djhenny Guerrier Lava, 2019 Acrylic 24 x 30 in $900
Djhenny Guerrier Montreal, Quebec, Canada 514-217-0840 tha.djhen@hotmail.com
Djhenny Guerrier Biography: Self taught artist from montreal. I paint mostly abstract and contemporary art. I keep a close relationship with colors, i like to mix them and play with forms and feelings. I create to heal myself and give others a moment of calm and love to connect with their inner selves.
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Sara Hupas Meridians, 2019
Recycled Paper, Wood, Plaster 41.5 x 28 x 18, 38 x 18 x 18, 38 x 22 x 18 cm $1,200
Sara Hupas Szczecin, Zachodniopomorskie, Poland 4-860-248-2901 sara.hupas@gmail.com https://documentcloud.adobe.com/link/track?uri=urn%3Aaaid%3Ascds%3AUS%3A8296b4 9d-3e75-4a93-a7f6-9df0b8088181
Sara Hupas Biography: Born in 1987 in Prudnik. I graduated from PLSP in Opole. In the years 2007-2010 student of the Opole Art Institute in the field of Art Education in the Field of Fine Arts. She acquired Bachelor’s degree in sculpture under the direction of Prof. Marian Molenda. In 2017 graduated from Cracow Academy of Fine Arts. Diploma in Sculpture Studio IV, conducted by Prof. Józef Murzyn. An annex to the diploma in the Sculpture Workshop in Metal under the direction of Prof. Krzysztof Nitsch and in the Drawing Studio III run by Mrs. Prof. Ewa Janus. Her works have been presented at many group exhibitions in Poland and abroad (including Arte Laguna Prize in Venice, Art Prize CBM in Turin, VI International Triennial of Textiles - Serbia, The 12th International Biennial of Contemporary Textile Art “Scythia” - Ukraine). ARTIST STATEMENT I’m interested in shaping of matter through the activities of sculpting, from small forms to monumental realizations. I draw inspiration from phenomena /situation/ and the specific characteristics of matter. I listen to reality and bring up the intricacies contained in it, which I transform into my own language. In the works I have completed so far, I process the collected materials so as to emphasize their properties as well as to refer to their history or previous function / application. In doing this, I am constantly accompanied by a need of ordering and giving meaning to what man has abandoned and treated as waste. I create abstract works containing an emotional element referring to the psyche and human experience. I use materials such as recycled sponge, recycled paper, honeycomb cardboard, agrotextile, jute rope, styrofoam, Bee wax and what will fall into my hands. In addition, an important place in my creative work is foundry in such materials as: bronze, aluminum and cast iron. It is thanks to this process that I am able to preserve or even protect the acquired materials from complete destruction.
Curator Review: Meridians Artist Sara Hupas has created a magnificent three piece sculpture of pure abstract movement in form, color and shape. The effect of this work is immediate and enthralling. From the ornamenting flags, to the lines of gray, black, white and cream, this tactile work transcends its physical form and energetically evolves in the mind of the viewer. -E.E. Jacks
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Jamie Johnson Secrets In Purple, 2019 Watercolor And Ink 21 x 17 in $800
Jamie Johnson Gilbert, Arizona, USA 713-320-0561 craddock.jamie@gmail.com Instagram: artbyjamiej
Jamie Johnson Biography: I am a self-taught artist and work with primarily with watercolors and ink; but I am exploring more mixed media work. I don’t want to be constrained by one medium; but let the subject I am painting inspire what medium I use. When I paint, the world around me goes away and I am totally at peace with myself – this is why I paint. I primarily paint people, animals and nature landscapes. I love to look at a photograph of a person and try to interpret and tell their story through my painting. I also want to push the boundaries of what people consider beautiful and show that we all are beautiful in our own light. I have a cabin in the Ozarks Mountains in Arkansas and I love to paint the beauty of the mountains and natural lakes, waterfalls, rivers and streams. I like to explore painting on different surfaces. I have completed many paintings on antique book and dictionary pages and love the aged look they add to the paintings. One thing is for certain, being able to explore my art as a second career has made me appreciate every minute of my journey and I look forward to seeing what the future holds.
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Rebecca Katz State Of Grace, Acrylic, Graphite On Canvas 53 x 38 in NFS
Rebecca Katz San Rafael, California, USA 415-302-9895 rebecca@rebeccakatzart.com http://www.rebeccakatzart.com
Rebecca Katz Biography: “I’m enamored with color, texture, atmosphere, depth and the interplay of light. Eyes wide open, I take what I see and explore it in an ever-changing process of visual notation. It’s absolutely my way of staying completely present in the world.” I grew up with a spatula in one hand and a paintbrush in another, among a family of artists and cooks. I received my first watercolors at age 5, when I also observed my mother and grandmother transforming mounds of brilliant vegetables into delicious, comforting soups. I’ve blended the two together, as chef/author of 5 award-winning cookbooks and a mixed media artist. Today, I find making art and cooking creatively are both opportunities to be fully present in life, to pay attention to color, texture and composition. To be inspired by nature. To be so absorbed in tasks that time expands. Working in my kitchen or studio is an immersion experience, in a vibrant, reverent, tactile, visual world.
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Ron Kenedi Sweet Dreams In Red, 2019 Oil On Canvas 30 x 30 in $1,100
Ron Kenedi Nevada City, California, USA 714-222-3236 ronkenedi@hotmail.com http://ronkenediart.com
Ron Kenedi Biography: Born and raised in New York city, Ron received his art degree at the state university of New York at Stonybrook where he studied with well- known New York school artists and art historians such as Nam June Paik, Lawrence Alloway and Allan Kaprow. After graduation he spent a year teaching drawing at the Mediterranean Institute in Mallorca, Spain. Returning to New York, Ron attended the Art Students League to learn printmaking. He moved to Nevada County in 1971 and has maintained a residence there till today. While continuing to paint, draw and show his work both domestically and internationally, Ron became a leading presence in the Solar Power industry and headed up the N. American operations of three major, global, solar panel manufacturers. Today he lives with his wife and two small dogs in Nevada City.
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Sandrena Koning Desolation: A State Of Complete Emptiness Or Destruction, 2018 Digital Photography 11 x 14 in $200
Sandrena Koning Big Spring, Texas, USA 432-271-6443 sandrenak@gmail.com http://www.koningartandphotography.com
Sandrena Koning Biography: West Texas mixed media artist and photographer, Sandrena Koning creates in both abstract and surreal styles. She works with acrylic, mixed media, sculpture and photography. Her subject matter is drawn from her environment, life experiences, and a fascination for science. Sandrena was born in Anchorage, AK and grew up in Detroit, Michigan. As a child, she was awestruck by eerily beautiful fragments of color and texture amongst the ruins of the abandoned architectural landscape. From an early age she began combining unconventional materials to create unique pigmentation and composition.
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Nicholas Kozis Pose 2, 2018 Digital 16.5 x 16.5 in $250
Nicholas Kozis Redondo Beach, California, USA 1-310-383-4832 nkozis@mindspring.com http://www.nickkozis.com
Nicholas Kozis Biography: This piece demonstrates my studies of tonality. The psychology of light as it contrasts with the subject and its environment is of particular note. Each element describes and defines one another. Light and shape are pressed and played against each other as a reflection of this relationship. The process is a creative cocktail of materials from my various sources to produce the art. Please enjoy.
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Jessica Leigh Rolling, 2019 Acrylic On Canvas 60 x 48 x 2 in $800
Jessica Leigh Seal Beach, California, USA 310-309-1974 jessicaleighartist@gmail.com http://www.jessicaleighart.com
Jessica Leigh Biography: I am a Studio Arts graduate of Loyola Marymount University. I am eclectic and my works are versatile. I want to stand out as an artist that is constantly growing and changing in style and substance. My art is a reflection of life. Not necessarily what I believe in my life; however, a reflection of life that I have seen. I believe that we need to avoid the “negativity” of the ego. Of course, we should have good ego strength and be confident that we have something to offer through our art. Release negativity so that we may increase. Forgive so that we can live. With this being said, women are uniting with an empowered voice of choice. We are empowered more than ever to speak our truth. The more I align myself with love and passion, the more I become empowered to be me and connect to a higher creative spirit. I came to believe that when we reach for our own individual light and voice and the messages that we want to convey; we arrive at an authenticity that can be universal. When I entered into the art world with a renewed gusto and decided to speak to my truth unabashedly, I regained my power as a woman, person and an artist. My art is for the viewer so you can create a translation on how it makes you feel.
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Alexander Lopez-Guevara A Dissociative Moment (III), 2019 Oil 19.5 x 11 in $500
Alexander Lopez-Guevara Westbury, New York, USA 347-791-8312 alexlopez19970@gmail.com http://alex-logue.squarespace.com
Alexander Lopez-Guevara Biography: Alex is a recent graduate from the illustration program at the Fashion Institute of Technology in New York City. He enjoys studying history and the psychology at play in the lives we as humanity lead today. Through his work, he hopes to express these interests, so that perhaps others can take part in trying to understand why and who we are, and what will and can become of us.
Curator Review: A Dissociative Moment (III) The stillness of this scene with its subtle tonalities and contrasting light and shadow, is quite striking. Alexander boldly ventilates an atmosphere of disconnection and loss in this work. Melancholic and instinctive in expression, artist LopezGuevara truly reaches outside of traditional lines and into the perspective of the observer. -E.E. Jacks
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Mallorie Ostrowitz Uyuni Sunrise, 2010 Photography 16 x 24 in $400
Mallorie Ostrowitz Glastonbury, Connecticut, USA 860-841-3674 info@mallorieostrowitz.net http://www.ostrowitzphotography.com
Mallorie Ostrowitz Biography: Mallorie was born and grew up in NYC. She was fortunate enough to study art at the City University of New York; graduating with a B.A. in Fine Arts from Queens College and a Master of Fine Arts in Painting from Herbert Lehman College. She began showing her photography in the late 1990’s throughout the United States and has been an elected member of Artworks Gallery in Hartford, West Hartford Art League, Connecticut Women Artists, and now, Voice of Art Gallery. Mallorie has also exhibited at the Worrell Gallery in Santa Fe in 2012 where her photography and Betsy Ranck’s paintings of abandoned buildings throughout New Mexico were the featured show entitled “Elegy New Mexico”. Mallorie has been teaching photography since 2003 and was privileged to be photographer in residence at the Awasi Hotel in San Pedro, Atacama region of Chile, in the summer of 2010. In pursuit of new and unique images, Mallorie has traveled to South America, Europe, Russia and Scandinavia.
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Ira Stein The Moon Made Me Do It, 2017 Acrylic On Wood 65 x 53 in
Ira Stein Los Angeles, California, USA 1-310-476-6082 ira@irastein.com http://IRASTEIN.COM
Ira Stein Biography: Over the past years, I have painted the most unique women to me based on our chemistry and their story. I believe that their behaviors are genetically determined and not a result of experience or societal influences. My paintings, mixed media collages and sculptures will not necessarily go with the furniture but it will leave you with the unbelievable documentation supporting my belief that behaviors are predetermined by genetics.
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Jos Stumpe Reflections Of Venice, 2018 Acrylic On Canvas 36 x 36 in $3,000
Jos Stumpe Brooklyn, New York, USA 347-735-2996 jos@josstumpe.com http://josstumpe.com
Jos Stumpe Biography: Making art, is like a refuge where I can process the complexities of the world. It’s like an inner shed in which I can lose myself. My inspirations are many, but especially the continuous cycles of systems getting out of balance and finding their balance again. Creating order out of chaos and reflecting on complexity is part of my creative process. Chance is a leading principle in my artistic practice. Taking chances to achieve the unpredictable and working by chance so I can spontaneously interact with themediums I am using. Chance invites me to change with the tides, to broaden horizons, enrich experiences, and try new avenues.
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Sybiline Prisma, 2016 Oil On Canvas 24 x 30 in $3,160
Sybiline Saint-Jean-sur-Richelieu, Quebec, Canada 819-539-4590 sybiline76@hotmail.com http://www.sybiline.com
Sybiline Biography: Sybiline is a Canadian artist based in Saint-Jean-sur-Richelieu, Quebec. After receiving her Bachelor’s degree in visual art, she continued her research, self-taught, on traditional techniques of ancient painting. Fascinated by the art of the portrait, she rapidly explored the depths of human identity. She drew inspiration from the morphology, thoughts and emotions that she transmits through a refined feminine energy. At the heart of her work, she calls upon the world of dreams as well as the mythological, imaginary and symbolic worlds. She considers painting to be an invaluable way of establishing silent and confidential contacts with her audience. She longs to deliver, for a moment at least, mirrors of ourselves. Sybiline focuses mainly on her personal works and exhibits in several galleries. Her paintings have been exhibited in San Francisco, New York, Chicago, Denver, Portugal, San Antonio, Reading, San Diego, Boston, Ivoryton, Ottawa, Toronto, Montreal, San Jose and Edmonton.
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Claudia Venuto Di Carne E Di Spirito, 2015 Oil On Canvas 95 x 85 cm €1800
Claudia Venuto Taranto, Taranto, Italy 320-788-0969 claudia.venuto78@gmail.com https://claudiavenuto.wixsite.com/realtaintrapsichiche
Claudia Venuto Biography: Claudia Venuto was born in Taranto in 1978 and lives and works in Apulia and Tuscany. Her keen interest in art and knowledge of the field were completed by her studies at the Arts Academy in Florence. Venuto’s artistic research work aims at exploring the multidimensional aspect of reality. According to her, this is equivalent to an intrapsychic world in which cultural and behavioural models, symbols and archetypes have collected over time, thereby giving rise to the collective ethical and imaginative heritage into which personal experiences flow. Her works have been on display at several private and collective exhibitions, both in Italy and abroad. Special attention was given to her work at the Premio Arte Mondadori 2007 (Mondadori Art Award 2007). In 2010, she was shortlisted for the Donkey Art Prize and chosen for the exhibition in London. Also in 2010, she was amongst the artists who distinguished themselves at the Premio Combat (Combat Award). She was also selected for the event IncontrArti 2011. Le Proposte del Premio Vasto (IncontrArti 2011. The Vasto Prize Proposals). In 2012 she was awarded a merit recognition at the XXXIV Premio Matteo Olivero (34th Matteo Olivero Prize) and in 2013 she won the 35th edition of the same prize. Some of Venuto’s works can be found in public and private collections and are listed in several catalogues. In 2012 she was commissioned to produce a painting for the Aeronautics Academy of Pozzuoli (Italy). In the same year, her artwork which was part of the exhibition Siamo tutti Greci (We are all Greek), curated by the Director of the Contemporary Greek Art Institute Giulia Demakopoulou at the Benaki Museum in Athens, became a part of the museum’s permanent collection. In 2016, Venuto’s works were on display at the MarTa, the National Archaeological Museum of Taranto, as part of the exhibition Another me, bringing together ancient and contemporary art.
Curator Review: Di Carne E Di Spirito This mindful and moving painting by artist Claudia Venuto, explores a narrative of physicality and the emotive. The delicate composition of varied layers in aged tones gives balance and cohesion to the entire piece. Venuto’s academic style guides her modern interpretation of a portrait and deliberately offers an ephemeral transition from reality into the introspective. -E.E. Jacks
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Joe Walters Kiawah, 2019 Polymer Clay, Steel Rod, Aluminum Mesh, Glue Sand And Paint 6.5 x 7 x 14 in $35,000
Joe Walters Charleston, South Carolina, USA 843-329-3525 joewaltersstudio@gmail.com http://joewaltersstudio.com
Joe Walters Biography: Born 1952, Kentucky. MFA, East Carolina Univ., 1981. Work included in prestigious corporate , museum and private collections nationally and internationally. Lives and works on James Island just outside Charleston , SC.
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HONORABLE MENTION
Sachi Yoshimoto Drifting Off, 2019 Oil On Canvas 5 x 7 in $80
Sachi Yoshimoto Nerima-ku, Tokyo, Japan 81-90-9151-3629 sachiyoshimotoart@gmail.com http://www.sachiyoshimotoart.com
Sachi Yoshimoto Biography: Sachi Yoshimoto is a Tokyo based self-taught artist who works mainly in oil medium. She loves the warmth that the medium gives to her work. Artistically inclined from a young age, Sachi has worked diligently to bring her art to life. In 2013, after years of amateur work, Sachi decided to pursue her art wholeheartedly. Sachi’s style of work is “true-to-life,” focusing on the breath she finds in organic and inorganic objects. Her vision is to bring life into the objects she’s attracted to in everyday life. Apart from regular art commissions, Sachi often donates certain pieces and commission profits to animal charities she loves. Like her art, Sachi continues to evolve and improve. Her ultimate aim is to have her artistic journey make everyone’s life a little brighter.
Curator Review: Drifting Off Artist Sachi Yoshimoto benevolently offers up a secret glimpse into her method of creation in ‘Drifting Off’. Her loose yet purposefully executed brush strokes wondrously explore cause and effect. This transformational painting is open-handed in its honesty and imparts a connective equanimity and tranquility to the mind. Yoshimoto’s emotional sentience absolutely permeates her work. -E.E. Jacks
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INDEX Sylvia Bandyke
Resurrection Sunday, 2019. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Elton Burgest
Death, 2019. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Betty Cox
A Cellists Dream World, 2017. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Jonathan Evans
Black Betty, 2018 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Djhenny Guerrier
Lava, 2019. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Sara Hupas
Meridians, 2019 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Jamie Johnson
Secrets In Purple, 2019. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Rebecca Katz
State Of Grace, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Ron Kenedi
Sweet Dreams In Red, 2019 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Sandrena Koning
Desolation: A State Of Complete Emptiness Or Destruction, 2018 . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Nicholas Kozis
Pose 2, 2018. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Jessica Leigh
Rolling, 2019. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
Alexander Lopez-Guevara
A Dissociative Moment (III), 2019 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Mallorie Ostrowitz
Uyuni Sunrise, 2010. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Ira Stein
The Moon Made Me Do It, 2017. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Jos Stumpe
Reflections Of Venice, 2018. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Sybiline
Prisma, 2016. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Claudia Venuto
Di Carne E Di Spirito, 2015. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Joe Walters
Kiawah, 2019 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Sachi Yoshimoto
Drifting Off, 2019 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
APÉRO Catalogue is a juried and curated publication showcasing established and emerging artists from around the world.
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APÉRO CATALOGUE