SIAN L AWRENCE
P R O D U C T I O N
A N D
C O N S U M P T I O N
DYSTOPIA This Project was about creating a Utopia or Dystopia,
DYSTOPIA Accabo. Em rem essecer ionsedis idunt eos as assint magnist, quam iument rentiat emporit ut mi, serite et lacipitium vel iliquiatur adignis exceaquia aut quiam sitisci dolor rerferum asperum quam dolupie turessum ut quas que volo quodipsapedi quam, odiamus aperum quamus.
All Hail
King Lotso
CAN YOU BARE THE PAIN?
CAN YOU BEAR THE PAIN?
BE DYSTOPIA Accabo. Em rem essecer ionsedis idunt eos as assint magnist, quam iument rentiat emporit ut mi, serite et lacipitium vel iliquiatur adignis exceaquia aut quiam sitisci dolor rerferum asperum quam dolupie turessum ut quas que volo quodipsapedi quam, odiamus aperum quamus.
DYSTOPIA This project was about being restricted and limited to the use of simple white paper to create a typeface. We were also limited to using a scalpel only. No glue or tape were allowed. The images below shows a set of boxes with a cut out stencil typefaces. These show the 3D aspect of the type, creating depth then moving on to different ways of lighting the typeface from behind.
FINE Alta Finest finest scottish Scottish whisky Whisky highland & lowland blends
FINE Alta
DYSTOPIA This project was about being restricted and limited to the use of simple white paper to create a typeface. We were also limited to using a scalpel only. No glue or tape were allowed. The images below shows a set of boxes with a cut out stencil typefaces. These show the 3D aspect of the type, creating depth then moving on to different ways of lighting the typeface from behind.
DYSTOPIA This project was about being restricted and limited to the use of simple white paper to create a typeface. We were also limited to using a scalpel only. No glue or tape were allowed. The images below shows a set of boxes with a cut out stencil typefaces. These show the 3D aspect of the type, creating depth then moving on to different ways of lighting the typeface from behind.
DYSTOPIA This project was about being restricted and limited to the use of simple white paper to create a typeface. We were also limited to using a scalpel only. No glue or tape were allowed. The images below shows a set of boxes with a cut out stencil typefaces. These show the 3D aspect of the type, creating depth then moving on to different ways of lighting the typeface from behind.
INDEPENDENT PR ATICE P H O T O G R
A P H Y
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SOLARIASTION This project was about being restricted and limited to the use of simple white paper to create a typeface. We were also limited to using a scalpel only. No glue or tape were allowed. The images below shows a set of boxes with a cut out stencil typefaces. These show the 3D aspect of the type, creating depth then moving on to different ways of lighting the typeface from behind.
PINHOLE This project was about being restricted and limited to the use of simple white paper to create a typeface. We were also limited to using a scalpel only. No glue or tape were allowed. The images below shows a set of boxes with a cut out stencil typefaces. These show the 3D aspect of the type, creating depth then moving on to different ways of lighting the typeface from behind.
DYSTOPIA This project was about being restricted and limited to the use of simple white paper to create a typeface. We were also limited to using a scalpel only. No glue or tape were allowed. The images below shows a set of boxes with a cut out stencil typefaces. These show the 3D aspect of the type, creating depth then moving on to different ways of lighting the typeface from behind.