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ThursdayScene THE BOSTON GL OBE THURSDAY, DECEMBER 21, 2017 | BOSTONGL OBE.COM/LIFESTYLE
SAMANTHA STAMAS/GLOBE STAFF/AP
Holiday suggestions worth hearing New audiobook releases touch on literary fiction, Sherlock, silence, and space By Christina Thompson GLOBE CORRESPONDENT
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big stor y in publishing these days is the stupen dous growth in the once sleepy category of audio b o o k s . S a l e s a r e through the roof; cata logs are exploding; libraries are having to rewrite their bud gets to accommodate the demands of their users. So, in this season of giving, why not consider an audiobook (or a gift card with suggestions) not just for your ancient aunt or retired father but for al most anyone on your list. To get you started, here are a few recent releases.
“Astrophysics for People in a Hurry’’ and “Cosmos’’ (Blackstone and Brilliance) Here’s a great pairing, especially for people who like to be educated while they are being entertained. “Astrophys ics’’ was written and is narrated here by astrophysicist and science educator Neil deGrasse Tyson, host of the TV series “Cosmos: A Spacetime Odyssey.’’ Tyson has a marvelous voice, deep and calm i n g , a n d a s a n y o n e w h o h a s e v e r watched him knows, he has the science popularizer’s gift of being able to make even the most abstruse material fasci nating and easy to understand. Add to AUDIOBOOKS, Page G5
DANCE
MOVIES
Kurtis Blow is MC, but those beats are Tchaikovsky’s
A ‘Jumanji’ for the videogame generation
By Terence Cawley GLOBE CORRESPONDENT
In 1979, Kurtis Blow’s “Christ mas Rappin’ ” became the first hiphop song ever released on a major label, paving the way for the man born Kurtis Walker to be come rap’s first true solo star with his iconic followup single “The Breaks.” Nearly 40 years later, Walker’s still spreading holiday cheer as the MC for “The HipHop Nutcracker,” which comes to the S h u b e r t T h e a t r e T h u r s d a y through Saturday. Walker has been involved with
By Tom Russo GLOBE CORRESPONDENT
the show, in which a dozen hip hop dancers and an onstage DJ put a modern spin on Tchaik ovsky’s classic ballet, since its 2014 premiere at the New Jersey Performing Arts Center. Director, choreographer, and cocreator Jennifer Weber originally wanted to combine hiphop dance with Vivaldi’s “Four Seasons,” but when the theater pitched “The Nutcracker” instead, Weber was game. UNITED PALACE OF CULTURAL ARTS “There’s something really in teresting about classical music be Kurtis Blow is MC for “The HipHop Nutcracker,” at the ‘‘HIPHOP NUTCRACKER,’’ Page G7 Shubert Theatre Thursday through Saturday.
What threatened to be cynical exploitation of an ele gant, critically lauded picture book instead proves to be something more palatable in the rollicking , if loosely adapted, “Jumanji: Welcome to the Jungle.” Dwayne Johnson, Kevin Hart, and Jack Black might not seem the likeliest casting for breathing life into the rich blackandwhite pastels of Beverlybased illustrator Chris Van Allsburg (“The Po lar Express”). But the group’s thematically, comedically broad inversion of the source
material is consistently enter taining, and squeezes in some n i c e l y p l a y e d c h a r a c t e r growth to boot. Some might remember Robin Williams’s 1995 “Ju manji” feature also took liber ties with this Pandora’s box tale of a mystical board game, particularly in rendering the zoological chaos that it expec torated into the real world. But the quasisequel gets into wholesale changes straight away, scoffing at the fustiness of board games, and imagin ing that Jumanji morphs it self into a video game to maintain its dark allure. ‘‘JUMANJI,’’ Page G5
Inside TELEVISION
BOTTLES
PHOTOGRAPHY
ELVES AND ORCS IN MODERNDAY LA
ANCHORING A TRADITION
SOMETHING CLICKED
Will Smith stars as a fedup cop in Netflix’s pricey fantasythriller ‘Bright’
This holiday craft beer’s been going strong and getting stronger for 43 years
Exhibit samples Jay Hale’s treasure trove of concert images from the Middle East
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