HOMEBOUND—New Wave by Slanted Publishers

JUST LIKE BOSSA NOVA MUSIC TURNS THE PAIN OF A BLEEDING HEART INTO SOMETHING BEAUTIFUL, HOMEBOUND UNLOCKS THE LOCKDOWN GLOBE ON ONE STAGE. HOSTAGE TO THE PANDEMIC FOR OVER A YEAR, THE TIME HAS COME TO PUBLISH A SECOND EDITION. ENJOY!

RAFAEL BERNARDO

GRAPHIC FOCUSED ADOBE MEMBER

DESIGNER BASED CUSTOMIZED AND OF

IN BOCHUM, PERSONAL GRAPHIC

GERMANY. DESIGN. RESIDENT. INDX.

EDITOR’S NOTE The HOMEBOUND project was born when the pandemic began to cause lockdowns worldwide. It all started in March 2020 when many designers and artists had to cancel commis sions and projects and many lost their clients. This gave me the chance to act and I simply asked publicly in an Instagram Story if some people would like to collabo rate. After receiving answers from all over the world, we decided to create a magazine that would present the free projects everyone created during this period to use up the extra time. In addition, there were the open calls for those who wanted to work together on a topic. The result was an incredibly beautiful documen tation of that time and of work that would never have been made under normal circumstances. With the second wave of the pandemic, I thought we had to repeat that. Has our attitude changed? What about our slowly emerging home office culture? Where are the contradictions? What can I touch? Which projects would never have been created without the pandemic? What have other designers and artists done? All these things were questioned, answered, and visualized in this publication. Every project submission was accepted and the designers and artists were even allowed to write their own articles. There is no competition here. The magazine is as personal and loud as possible. With this project I offer the whole community a stage. With the first publication we already formed a large family. That family has now become even larger through this one. The new waves of the pandemic brought a new aesthetic, a new voice and a great progress in networking and cohesion within the community.

Clémence Russeil, Rita Robalinho, Panagiotis Tsironis, Nicolai Diekmann, Jeremias Diekmann, Mike Dziambor, Marios Antonopoulos, Leonor Carvalho, Daniel Hahn, Alberto Buratto, Dennis Hoelscher, Daniel Hermes , Maxence Cheval, Giulia Lantier, Antoine Pasi, Rafael Bernardo, Büsra Inam, Rana Wassef, Franzi Häußner, Marco Belardinelli, Emilie Chabridon, Paola Gio’ Ferri, Francesca Becchetti, Annabell Lingenhöle, Franziska Scheubeck, Ana Savulescu, Sarah Perna, Ben Moulson, Federico Spini, Elisa Marra, Jorge Moreira, Louis Drahim, Kerry Ann Gorman, Lara Weiß, Chloé Grienenberger, Perrin Kevin Andre, Cihan Yilmaz, Marc Kemper, Nastassia Toureev, Florian Schuster, Dominik Schubert, Théa De Gubernatis, Margherita Baldi, Esa Apriansyah, Heiko Bauer, Théo Hermann, John Blond, Vanessa Pinzoni, Oliver Green, Angelo Siracusa, Lorenzo Poderini, Elia Medeot, Laura Waterstradt, Benjamin Taschner, Christoph Reinicke, Sarah Skowatsch, Sonya Blade, Leonhard Laupichler, Irina Madan, Sam Milligan

CLEMENCE RUSSEIL

PARIS @HARRY_POSTER

conflicting minds, conflicting thoughts at home.

CONFLICTING

NICOLAI DIEKMANN

HAMBURG @NICOLAIDIEKMANN

FEAR HOPE A CCEPTANCE RESOLU TIONS OB LIGATION FEAR HOPE ACCEP TANCE CON TENTMENT EASE PROCRASTIN ATION FEAR OBLIGATION R ULES 01

LINK NOT FOUND

CONFLICTING

FAILED

JEREMIAS DIEKMANN

COLOGNE @JEREMIAS_DIEKMANN

A DEMANDS R CE EPETITIO N OB AR SO MANY EP OBLIGATIONS ON IN OUR B SE EST YEARS TIN DRIV R ES ME UP TH R E WALL SAME SAME BUT DIFFERENT

01 | 02

The various emotional phases of this year are characterized (and repeated) by a range of ups and downs in sentiment both during

TAK-TIK-TOK

FAILED

the first (01) and second (02) lockdown and have been expressed in particular through digital platforms.

TIK

Daily life during COVID19 from sunrise to sunset through our desktop screens. Everyday.

CONFLICTING

Every. Damn. Day

ALBERTO BURATTO

CONFLICTING

VENICE @ALBERTO.BURATTO

DENNIS HOELSCHER

CONFLICTING

COLOGNE @DEN_HOELSCHER

DANIEL HERMES

CONFLICTING

COLOGNE @_DANIELHERMES_

MAXENCE CHEVAL

CONFLICTING

LILLE @MAXVALCHEUX

FRANCESCA BECCHETTI

CONFLICTING

PERUGIA @FRANCHETTIPOWER

ANNABELL LINGENHOELE

BERLIN @NXNXLXL

CONFLICTING

FRANZISKA SCHEUBECK

HAMBURG @SCHEUBECK.DESIGN

Oxymoron, a self-contradicting figure of speech, e.g. lockdown” “ light lockdown”

If we would all start acting smart (staying home, wearing masks, washing our hands) maybe next year or the year after that we can go about our day without worrying over getting sick or even dying & without losing another summer :-)

CONFLICTING

ANA SAVULESCU

CONFLICTING

PERUGIA @ANANUSHH

SARAH PERNA

CONFLICTING

ROSIGNANO SOLVAY @SARU.UH

JACK CHURCHLEY

CONFLICTING

LEICHHARDT @JACK.CHURCHLEY

BEN MOULSON

CONFLICTING

LEEDS @BEN_MOULSON

FEDERICO SPINI

CONFLICTING

BERGAMO @FEDERICO.SPINI

KERRY ANN

CONFLICTING

DUBLIN @KERRYANNGORMAN

LARA WEIß

PFORZHEIM @LA.NA.WE

Veranstaltungen, die der Unterhaltung dienen,

untersagt

werden untersagt. Proﬁsportveranstaltungen können

nur ohne Zuschauer

stattfinden stattﬁnden. CONFLICTING

DOMINIK SCHUBERT

CONFLICTING

VIENNA @_ASIT9_

THÉA DE GUBERNATIS

CONFLICTING

BERLIN @___0H00

MARGHERITA BALDI

CONFLICTING

MANCHESTER @MAGGIEBOVARY

ESA APRIANSYAH

CONFLICTING

BANDUNG @THEVISUALPHRASE

HEIKO BAUER

CONFLICTING

NÜRNBERG @HEIKOKALAUER

THÉO HERMANN

CONFLICTING

PARIS @HERMA.JPG

VANESSA PINZONI

CONFLICTING

MILAN @VANESSA.PNZ

JOHN BLOND

CONFLICTING

CATANIA @JOHNBLOND_

LORENZO PODERINI

0 0 2 2 was a �ood �ear

CITERNA @LORENZO.PODERINI

CONFLICTING

LORENZO PODERINI

CITERNA @LORENZO.PODERINI

This s�ace was filled b� artificial intelli�ence

CONFLICTING

SONYA BLADE

WARSAW @SSONYABLADE

ESSENTIAL’’ ,, SERVICE

CONFLICTING

LEONHARD LAUPICHLER

CONFLICTING

MUNICH @LEONHARDLAUPICHLER

IRINA MADAN

BERLIN @IRINA_MDN

IRE

I AM ON F

CONFLICTING

SAM MILLIGAN

CONFLICTING

BERLIN @STUDIOSXM

Andrea Ihl, Maria Escorihuela, Ole Henrik Henriksen, Ruth Lamich, Sebastian Dietel, Anaïs Urban, Y – Thanh Vo, Jonathan Koerner, Gabriela Cardoso, Agnieszka Węglarska, Claudia Müller, Melanie Daveid

ANDREA IHL

UNTOUCHABLE

AACHEN @ANDREA__IL

ANDREA IHL

UNTOUCHABLE

AACHEN @ANDREA__IL

MARIA ESCORIHUELA

DUBLIN @MARIA_ESCORIHUELA

UNTOUCHABLE

SEBASTIAN DIETEL

UNTOUCHABLE

DUISBURG @SEBASTIAN.DIETEL

ANAÏS URBAN

UNTOUCHABLE

PARIS @URBANA2

CLAUDIA MULLER

UNTOUCHABLE

DORTMUND @CLAUDIA_MUE

MELANIE DAVEID

UNTOUCHABLE

HALLEIN @MELANIEDAVEID

IS AN ART DIRECTOR

HUGO SUISSAS

AS AN ARTIST, WHAT INSPIRES ME IN LIFE IS TO KNOW THAT ART AND IDEAS ARE ABLE TO PRODUCE MIRACLES. I BELIEVE THAT CREATIVITY CAN BE MAGIC AND IT CAN HELP OVERCOME GREAT CHALLENGES IN THE WORLD. MY HEAD DOESN’T KNOW WHAT THE WORD `´`‘STOP’ MEANS AND, SINCE THE WORLD NEVER STOPS, I WOULD SAY THAT IT’S A GREAT COMBINATION. I AM A SIMPLE GUY, I LIKE SIMPLICITY AND SIMPLE LIFE.

FROM LISBON, PORTUGAL, WHO’S NOW BASED IN GERMANY.

BY HUGO SUISSAS My name is Hugo Suissas and I’m an Art Director from Portugal, currently living in Germany, working as Art Director in a creative agency. What inspires me in photography is knowing that one image has the power to impact and helping to solve serious problems in the world. I entered the photography world around nine years ago and what I like the most in photography is, when I have a novel idea that I haven’t seen anywhere else. What I like the least is, when copycats try to copy my work, show ing a great deal of lack of respect for others and for the art community. My head doesn’t know what the word “stop” means, and since the world never stops, I would say that it’s a great combination. I am a simple guy, I like simplicity and a simple life. I am what you may call an obsessive artist, in the sense that I won’t stop until I can materialize what’s in my head through a photo. It’s a great deal of hard work. Everyday I sit on my desk with a white paper and pen and I exercise my brain, trying to come up with meaningful ideas and interesting projects. What allowed me to get here, is my almost uncontrollable desire to create things that haven’t been created before on this planet or any other in the galaxy. This is what gets me going. When I was a kid, I did magic as a hobby and did some magic shows. For me, magic and perspective are similar in the sense that all is an illusion. I have started to use perspective in my photos, when I realized that it was a great technique to convey an idea and get a reaction from the public. I believe that it was my “magic” childhood that inspired me to do what I do today.

DON’T

MAKE

PRETTY

THINGS,

MARVIN LOSCHELDERS

MAKE

DESIGN.

JONAS DIEFENBACH

BY MARVIN LOSCHELDERS & JONAS DIEFENBACH Creating a design podcast was already in our heads before the lockdown 2020 started. We were just joking about it. “Come on, let’s record something about our favorite topic—design.” That was our intention. But first, let’s introduce ourselves. When we talk about “us” we mean Marvin Loschelders and Jonas Diefenbach, the founders and hosts of “Keine schönen Dinge.” Two guys working intensely in the field of design for many years. We both studied Communication Design in Cologne and in Dortmund in NRW, a high populated and open-minded region of Germany. We found ourselves talking about design all day long: Drinking beer at night, the topic was design, texting randomly, the topic was design. Design, design, design. Essentially, we enjoyed talking about design and loved to meet interesting designers, artists, and learn from those conversations. When the lockdown started, we didn’t think too much about what possibly could go wrong. We just wanted to begin something and occupy ourselves during this time of doing nothing! We started with by brainstorming possible episode structures and creating the concept behind the podcast, but the most important thing was: DOING! Executing. As efficiently as we can. It’s like the MVP Method from Product Development. Create, test, learn, and iterate. With our momentum, we chose to name ourselves “Keine schönen Dinge,” which means “No good-looking things.” It is related to the assumption that design has to be good-looking. We really hated that type of commentary about designers just making things look pretty and needed to set a statement against it. Our first recording was created using our iPhone microphones. It was decent enough in the beginning. A month later we bought studio microphones as well as began to interview several designers

and design professors from our universities. During this time we met Cihan Tamti, the creative guy behind this magazine. He was one of the first designers we had the chance to interview. Shoutout and big thanks for this collaboration! After almost one year, we had the chance to interview around about 15 designers during a time, where social distancing was omnipresent for all of us. We used the lockdown to con nect with other interesting protagonists within the design scene. Nikolai Dobreff, founder of the Heart-Directors-Club, Jan-Erik Baars, a Design Officer at Philips, Julian Zimmermann of Deutsche & Japaner, and interesting professors and students from design universities. We are thankful to everyone who shared their expertise and experience with us and our listeners. Our main goal with our podcast is to share knowledge and show different aspects of being and working as a designer. We think that our podcast can potentially help introduce various fields and job profiles. I mean, you can become a UI / UX Designer, a web designer, a graphic designer, or a motion designer, the list is endless. We hope to give anyone an orientation to find their favorite field to work in. Finally, we want to encourage an open discussion about design and help the creative community get to know each other better. Thanks to everyone who participated.

DAAN’S LATEST TYPEFACE, ROSDAR, WHICH HE IS CHOOSING TO SELL EXCLUSIVELY IN PRINTED FORM, IS THREADED TOGETHER WITH AN UNDULATING MOVEMENT IN ALL THE CHARACTERS TO CREATE SOLID, DYNAMIC SHAPES THROUGHOUT WORDS. THE TYPEFACE IS DESIGNED WITH ‘BLACK ON WHITE OR WHITE ON BLACK’ IN MIND, AND THE DESIGNER SAYS HE ENVISIONS IT ‘PLACED AT MAXIMUM WIDTH AND PREFERABLY AS ONE WORD AT THE BOTTOM OF A PRINT, DEPENDING ON WHICH LETTERS ARE BEING USED … OR EVEN BETTER,’ HE ADDS, ‘AS A LARGE WALL PAINTING OR A POSTER IN PUBLIC SPACE.’

BY DAAN RIETBERGEN “Rosdar” is a grid-based typeface designed in quarantine at the beginning of the Covid-19 pandemic. While developing this typeface, I also decided to fine-tune the printer I got from my grandmother and for the first print release people could choose any character, word or sentence and I would make a custom print for them on a nice A5 paper for only 9.– euros. It was really great to make all these custom cards with different characters, because it’s the perfect way to see, if the typeface works and what needs to be improved. Additionally, I teamed up with my girl friend Korinna van Balkom, who designed sustainable and fashionable face masks as a counter-reaction to all the disposable face masks. She has a fashion background and this was a great opportunity to combine her work with my typography. When I design a typeface, I work with one strong basic principle. This principle determines the graphic language and the rules I impose on myself sometimes outweigh the legibility. In this case there is an undulating movement in all the characters. Specific parts are exaggerated, for example the belly of the lowercase “a.” The typeface is not consciously inspired by other languages or scripts, but many people see sim ilarities with languages that I did not know, like Armenian, Cambodian, and South Indian scripts, such as Malayalam and Telugu.

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“NEW AESTHETIC” APPROACHES TYPE DESIGN AS AN OPPORTUNITY TO CREATE ART: LOOKING AT TYPE DESIGN WITH A BENEVOLENCE TO EXPERIMENTS AND PROCESSES, AND FINDING POTENTIAL IN THE UNUSUAL.

SOPHIA BRINKGERD

LEONHARD LAUPICHLER

BY SOPHIA BRINKGERD & LEONHARD LAUPICHLER Human language shows itself in so many artifacts of visual expression. Letters, hieroglyphs, runes, and icons—written language can work in many ways. Typography, as we understand it today, can serve as a universal, reliable, and longevous tool. What if we saw it as a playground? Designing on a molecular basis, questioning the small est unit of design, we can reinterpret what typography means. Can it be a keepsake from a creative odyssey, a teacher, or simply an ephem eral servant? “New Aestethic” challenges typography as a tool in reading culture and its functional shape—more so seeing letters in their individual appearance as artworks of their own. Independent type design doesn’t seek competition, it doesn’t seek or alter perfection, it tells stories of formal exploration and creates an ex pressive form of art in itself. The expressive nature of non–traditional, more open typography is a new kind of creative output worth aiming for and worth exploring. Technical perfectionism and a classical understanding of polished shapes are not the main parts of our debate. More so, “New Aesthetic” wants to acknowledge creative processes and see the stories behind them, as well as encourage designers to keep an open attitude towards new forms, styles, and systems. There is potential in blurring and obfuscating the lines of legibility and practicality pushing the boundaries of emotional expressiveness and allowing for unusual approaches in modern graphic design. “New Aesthetic” considers type design as an opportunity to create art: looking at type design with a benevolence to exper iments and processes, and finding potential in the unusual that might point us into a new future of practicing visual communication.

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ART DIRECTOR BASED IN DORTMUND GERMANY

BY ALEXANDRA BREITENSTEIN

TODAY

SHE

BEING A DESIGNER FOR A LIVING HER HEART ALWAYS BELONGED TO THE FINE ARTS. MAINLY WORKS PHOTOGRAPHY BASED, EITHER ON PAPER OR DIGITAL. ALEXANDRA IS A LOVER OF ANALOG PHOTOGRAPHY, VINTAGE MAGAZINES AND LOVES COOKING HEARTWARMING FOOD.

ALEXANDRA BREITENSTEIN

Last December I started working with collages again. I haven’t done that for many years, and that although collages could almost be called my first artistic affair. A lot of my work uses vintage photographies. For my new series “G I R L S I N T H E G R E E N H O U S E ” they are mainly from old PLAYBOY magazines from the 60s. I like these old magazines because the women there were mostly photographed carefully and respect fully. This creates an atmosphere of tenderness, a liberated and sometimes almost innocent portrayal of sexuality, which in my opinion has unfortunately been lost in the pornography of the present time. While I was joyfully working on this and other projects, I was unfortunately diagnosed with lung cancer at the end of the year. “S T R A N G E F R U I T ” deals with this shocking news.

@alexandra_breitenstein

alexandrabreitenstein.de

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Volume: 244 pages Format in mm: 180 × 240 mm Workmanship: Softcover

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ISBN 978-3-948440-29-9

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RAFAEL BERNARDO

RYAN MC DONAGH

RYAN AND I KNOW EACH OTHER SINCE COMING ACROSS OUR WORK THROUGH CIHAN’S FIRST HOMEBOUND PUBLICATION. DESPITE OR BECAUSE OF OUR STYLES BEING SO DIFFERENT, WE GREW AN INTEREST OF DOING SOMETHING TOGETHER. BUT THEN, RYAN GOT INFECTED WITH COVID.

MADOPAR

125 MG — 3 TIMES A DAY

LEVETIRACETAM A.K.A. KEPPRA

1,000 MG + 250 MG — 2 TIMES A DAY

LAMOTRIGINE & VINPAT

I CHANGED FROM THOSE WHILST I HAD CORONA AND THAT NEW ONE IS CALLED

OXXCARBAZEPINE

150 MG + 300MG — 2 TIMES A DAY

CONCLUSION

IT HAS BEEN A 5 YEAR JOURNEY OF EPILEPSY MEDS SO GRATEFUL THINGS HAVE CHANGED

And as if it wasn’t hard enough dealing with an unknown lack of energy [bye bye rhythm of daily routines] and loss of taste [bye bye joy of eating and drinking], Ryan had been struggling with health issues since birth. [→] 122

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CREDITS CONFLICTING 1.Clémence Russeil 2.Rita Robalinho 3.Panagiotis Tsironis 4.Nicolai Diekmann 5.Jeremias Diekmann 6.Mike Dziambor 7.Marios Antonopoulos 8.Leonor Carvalho 9.Daniel Hahn 10.Alberto Buratto 11.Dennis Hoelscher 12.Daniel Hermes 13.Maxence Cheval 14.Giulia Lantier 15.Antoine Pasi 16.Rafael Bernardo 17.Büsra Inam 18.Rana Wassef 19.Franzi Häußner 20.Marco Belardinelli 21.Emilie Chabridon 22.Paola Gio’ Ferri 23.Francesca Becchetti 24.Annabell Lingenhöle 25.Franziska Scheubeck 26.Ana Savulescu 27.Sarah Perna 28.Ben Moulson 29.Federico Spini 30.Elisa Marra 31.Jorge Moreira 32.Louis Drahim 33.Kerry Ann Gorman 34.Lara Weiß 35.Chloé Grienenberger 36.Perrin Kevin Andre 37.Cihan Yilmaz 38.Marc Kemper 39.Nastassia Toureev 40.Florian Schuster 41.Dominik Schubert 42.Théa De Gubernatis 43.Margherita Baldi 44.Esa Apriansyah 45.Heiko Bauer 46.Théo Hermann 47.John Blond 48.Vanessa Pinzoni 49.Oliver Green 50.Angelo Siracusa 51.Lorenzo Poderini 52.Elia Medeot 53.Laura Waterstradt 54.Benjamin Taschner 55.Christoph Reinicke 56.Sarah Skowatsch 57.Sonya Blade 58.Leonhard Laupichler 59.Irina Madan 60.Sam Milligan

@harry_poster @ritarobalinho.design @panagiotis.tsironis @nicolaidiekmann @jeremias_diekmann @mikedziambor @zero_designs @not_lenor @danielhhan @alberto.buratto @den_hoelscher @_danielhermes_ @maxvalcheux @giulia.lantier @antoine_pasi @rafael.bernardo_ @bsranm @ranawassef @glasmoment @black_skew @turboturboburo @mbowak @franchettipower @nxnxlxl @scheubeck.design @ananushh @saru.uh @ben_moulson @federico.spini @elisinwonderlnd @ojorgemoreira @louis_drahim @kerryanngorman @@la.na.we @chloe.grienenberger @kevlard666 @nomorecihan @marckemper.exe @tchornayazmeya @florian.s_ @_asit9_ @___0h00 @maggiebovary @thevisualphrase @heikokalauer @herma.jpg @johnblond_ @vanessa.pnz @olive_quarter @sira.raw @lorenzo.poderini @eliamedeot @laurawaterstradt @ko.studios @chris_reinicke @skowatsch @ssonyablade @leonhardlaupichler @irina_mdn @studiosxm

Paris Porto Athens Hamburg Cologne Hamburg Athens Lisbon Berlin Venice Cologne Cologne Lille Trieste Genève Munich Herne Cairo Karlsruhe London Berlin Perugia Perugia Berlin Hamburg Perugia Rosignano Solvay Leeds Bergamo Viterbo Porto Essen Dublin Pforzheim Paris Groningen Pierrelatte Dortmund Lyon Leipzig Vienna Berlin Manchester Bandung Nürnberg Paris Catania Milan London Berlin Citerna Udine Mannheim Munich Stuttgart Trier Warsaw Munich Berlin Berlin

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UNTOUCHABLE 1.Andrea Ihl 2.Maria Escorihuela 3.Ole Henrik Henriksen 4.Ruth Lamich 5.Sebastian Dietel 6.Anaïs Urban 7.Y – Thanh Vo 8.Jonathan Koerner 9.Gabriela Cardoso 10.Agnieszka Węglarska 11.Claudia Müller 12.Melanie Daveid

@andrea__il @maria_escorihuela @ole.graphics @ruthlamich @sebastian.dietel @urbana2 @pumakuma @jon.koerner @gabri.ela.design @agata.grafisk @claudia_mue @melaniedaveid

Aachen Dublin London Wölmersen Duisburg Paris Stuttgart Stuttgart Porto Warsaw Dortmund Hallein

@leonhardlaupichler @harry_poster @lorenzo.poderini @morg.o.tron @antoinezucconi @laboldevita @sebastian.dietel @cihantamti

Munich Paris Citerna Athens Paris Leipzig Duisburg Bochum

TYPE TEAM 1.Leonhard Laupichler 2.Clémence Russeil 3.Lorenzo Poderini 4.Christos Georgatos 5.Antoine Zucconi 6.Fabian Dornhecker 7.Sebastian Dietel 8.Cihan Tamti

ARTICLES & SUBMISSIONS Access Strategy Hugo Suíssas Rosdar New Aesthetic 2 Keine schönen Dinge Strange Fruits Ardena 100 Poster Battle Limitations Beer Illustrations

Rafael Bernardo Hugo Suíssas Daan Rietbergen Sophia Brinkgerd Leonhard Laupichler Marvin Loschelders Jonas Diefenbach Alexandra Breitenstein Julien Fincker Chantal Dübel Ryan McDonagh Rafael Bernardo Antoine Lesch

@rafael.bernardo_ @suissas @daan_rietbergen @sophiabrinkgerd @leonhardlaupichler @keineschoenendinge @alexandra_breitenstein @julienfincker @musterduebel @100posterbattle @ryan.mcdonagh_ @rafael.bernardo_ @soinnsoinnsoinn

Munich Düsseldorf Utrecht Berlin Munich Düsseldorf Dortmund Dortmund Ditzingen-Hirschlanden Dortmund Manchester Munich Luxembourg

Slanted Publishers UG (haftungsbeschränkt) Nebeniusstrasse 10 76137 Karlsruhe, Germany T +49 (0) 721 85148268 info@slanted.de slanted.de @slanted_publishers

Slanted Publishers was founded in 2014 by Lars Harmsen and Julia Kahl. They edit and publish the award-winning blog and print magazine Slanted, giving an inside view into the inter national design and creative scenes. In addition to the blog and magazine, Slanted initiates and creates design-related projects and publications.

No part of this publication may be reproduced or transmitted in any form by any means, electronic or mechanical, including photocopy or any storage and retrieval system, without permission in writing from the publisher.

All rights reserved. ISBN: 978-3-948440-37-4 Design: Cihan Tamti Publishing Direction: Lars Harmsen, Julia Kahl Final Artwork: Clara Weinreich, Julia Kahl Proofreading: Lies Wolf Printing: Stober Medien, Germany Typeface: PolySans

Bibliographic information published by the Deutsche Nationalbibliothek. The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliographie, detailed bibliographic data is available online at dnd.d-nb.de.

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ISBN: 978-3-948440-37-4

SLANTED.DE

€ 19.– / $ 23.–