Project Book_Sophia Kim by Sophia Kim

S SOPHIA KIM

SOPHIA JUNG YOUN KIM 415.518.4105 sophiakim.interiors@gmail.com

ACADEMY OF ART UNIVERSITY COURSE: IAD 450 Porfolio Preparation INSTUCTOR: Chamindri Wijemanne DIRECTOR: Archana Myer, Grover C. Dear Jr.

PHOTOGRAPHY: Google FONTS: Arial: Black, Italic, Regular, Bold SOFTWARES: Adobe Creative Cloud - Photoshop, InDesign PRINTER & BINDERY : Plotnet Printing, Cardoza James Binding

Born in Illinois Chicago and raised in South Korea Sophia Kim was always surrounded by the new cultures and environments. She learned about different cultures while she was traveling to various places from her young age. She had a chance to live in New Zealand for two years when she was ten years old, and this opened her eyes to have a broader perspective and deeper understanding of different cultures.Her love of interiors started from her young age. She was obsessed with colors and liked to organize from her young age.Her habit of organizing the space made her learn how important our surrounded environment is to change our lifestyle and behavior. She reorganized furniture whenever she was in a bad mood or the needed for the new changes in herself. Interior design became as her habit throughout her life. She never thought of becoming an interior designer until she was twenty years old but she realized her dream to become an interior designer and came to Academy of Art University to follow her dream.She likes to see things in different perspective.She always strives to stay creative and spend her most of her hours with thinking.She believes the best part of the interior design is the interaction between the people and space and also the ability to build your two-dimensional ideas into three-dimensional space.

TABLE OF CONTENTS

NATIONAL GEOGRAPHIC

MARKET DESIGN

MARIOTTO RESIDENCE

2016. 9 - 12

2015. 9 - 12

2016 . 6 - 8

COMMERCIAL

RESIDENTIAL DESIGN

LOUBOUTIN STORE

BUILDING CONSTRUCTION

2015 . 2 - 5

2014. 9 - 12

COMMERCIAL

RESIDENTIAL DESIGN

-Pierre Bonard-

“

Color does not add pleasant quality to design.It reinforces it.

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

S 8

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

NATIONAL GEOGRAPHIC 2016.9-12 COMMERCIAL

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

S I T E A N A LYS I S

THE NATIONAL GEOGRAPHIC SOCIETY IS, - Nonprofit scientific and educational organization - Dedicated to exploring our planet - Protecting wildlife and habitats - Helping students in K-12 who are geographically literate - Funded groundbreaking scientists and explorers and shared their findings with the world almost 130 years - Explores aim to push boundaries of knowledge - Given out 12,000 grants to scientist and conservationists whose work is making a real difference in the world - Each year they have emerging exploring program and support uniquely gifted and inspiring innovators - Supporting critical projects like Big Cats Initiative and support the pristine seas project - For our planetâ&#x20AC;&#x2122;s future, they focus on the children, their education programs providing the tools to educate kids in all age - Reveal our interconnected world and inspire new generations - National Geographic entertains global community through television channels,magazines, childrenâ&#x20AC;&#x2122;s media,travel expeditions, books,maps,consumer products,location based entertainment and experiences

ADDRESS 34 Graham St, San Francisco, CA 94129 DEMOGRAPHICS 33 % of the total population is the age group between 25-34. 80 % of the Ethnicity is Caucasian. 3,459 people live in Presidio area. 52 % men and 48% women residing in this space. 43.83% of people use the car for the commute. Average precipitation is 4.30 in. The hottest month is September with an average temperature of 62.9 F. The coldest month is January with a mean temperature of 51.5 F. SITE HISTORY 1840-1850 Greek Revival Columns, pediments, cornices.

1860-1880 Italianate small roofs, long overhanging eaves, decorative brackets, cupolas, arcade porches.

1880-1890 Queen Anne Angled roof brackets, turrets, wrap-around porches.

1890-1910 Colonial Revival Simple, clean lines, symmetry, classical elements like columns.

1910-1940 Mission Revival Silhouettes, inspired by Spanish Missions, stucco surfaces with dark windows and door openings, minimal exterior ornamentation, red clay file roofs.

SURROUNDINGS US Post Office Walt Disney Museum Presidio Trust Presidio Dance Theater SF Film Center Presidio Bowl

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

PROGRAMS

PUBLIC SPACES Store Cafe Exhibition OFFICES Small meeting room Conference room Copy / Print room

WORKSPACES Accountants Marketing Assistant Member Coordinator Graphic Designer

Coffee kichenette

Editors

PRIVATE OFFICES

Human resource Manager

Regional Manager

SUPPORT SPACES

Senior Editor Senior Web Editor Art Editor Controller Marketing Manager

Office Manager

Loading Dock Telephone / Data closet Janitorial closet LOBBY Public restroom Office restroom Circulation Reception area

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

ARCH

D 8' - 10 1/2"

ARCH

COPY ROOM

ROUND DISPLAY TABLE

1' - 8" ø 4'

- 0"

1' - 2" SHELVING

1' - 2"

CAFE & STORE

CUSTOMIZED TABLE IN STAIR SHAPE

100

2' - 3"

1124 SF

8' - 3 1/2"

'ø3

1' - 0"

1' - 2"

WORKSPACE 101

1' - 3 1/2"

1' - 0"

2' - 6"

SIT STAND DESK

1219 SF

1' - 2"

1' - 0"

TOM DIXON, SERPENTINE SEATING

3' - 2 1/2"

-0

EQ EQ

2' - 3"

4' - 4"

-0

2' - 8"

29' - 7 1/2"

ARCH HOLE IN KEYHOLE SHAPE

92 SF

10' - 4"

BAR TABLE

1 39' - 2 1/2"

109

0' - 8 1/2"

SHELVING

HEXAGONAL METAL FRAME, SLIDE SHELF

1' - 3"

12 0.0 0°

0° 0.0 12

R 17' - 8"

1' - 8"

10' - 10 1/2"

0' - 10 1/2" 4' - 0"

15' - 11"

SMALL CONFERENCE 2' - 11"

16' - 11"

5' - 0 1/2"

20' - 4"

RECEPTION & LOBBY

5' - 3 1/2"

LOADING DOCK

21' - 1"

4' - 0"

6' - 6 1/2"

15' - 1 1/2"

7' - 0 1/2"

5' - 2 1/2"

14' - 6"

103 364 SF

PRIVATE OFFICE

110

102 105 SF

UNDERSTAIR SEATING SCREEN COLUMN

WALL COVERING

4' -

8 1/

1' - 9 1/2"

MEN'S RESTROOM

10' - 6"

STAIR B

1' - 3 1/2"

WOMEN'S RESTROOM

3' - 11 1/2"

" -6 2' R

5' - 6 1/2"

20' - 4"

9' - 9"

JANITORIAL

TELE/ELEC

107

106

28 SF

27 SF

108 259 SF

4' - 1"

10' - 4"

5' - 5"

1' - 3 1/2"

6' - 6 1/2"

1' - 1"

0' - 10"

109 288 SF

5' - 11"

6' - 10 1/2"

REF

3' - 10 1/2" 22' - 10 1/2"

7' - 11 1/2"

-1

3' - 6"

5' - 9"

7' - 3"

5' - 6"

7' - 8"

6' - 2" 7' - 11"

2' - 4"

20.67°

ELEV

" 1/2 ° 31.20

-2 3'

CONFERENCE ROOM

6' - 6 1/2"

15' - 6 1/2"

6' - 6"

1' - 8"

4' - 0"

104

BREAK ROOM

589 SF

" -6 2' R

7' - 0 1/2"

2' - 8"

235 SF

3' - 10"

2' - 7"

4' - 2"

8' - 6 1/2"

105

6' - 0"

3' - 5 1/2"

4' - 6 1/2"

BAR TABLE

37' - 6 1/2"

14' - 0"

4' - 3"

FIRST FLOOR

WINDOW ARCH

2' -

202 221 SF

5' - 0" 23' - 7"

5' - 0 1/2"

203

" -6

240 SF

5' - 0 1/2"

25' - 10"

-8 "

5' - 7"

11' - 9"

23' - 11 1/2"

2' -

5' - 0" 24' - 2 1/2"

2' - 0"

225 SF

2' -

228 SF

PRIVATE OFFICE 4

201

9' - 11"

200

PRIVATE OFFICE 3 6"

PRIVATE OFFICE 2

4' - 11 1/2"

PRIVATE OFFICE 1

RAMP , 1" STEEP CHANGE FOR EVERY 12" UP

R 3'

- 10

17' - 8"

6' - 6"

2 13' - 0"

1' - 7"

8' - 1 1/2"

6' - 0" 37' - 6"

227 2631 SF

5' - 11 1/2"

EXHIBITION 2

STAIR A

5' - 0"

214

20' - 4 1/2"

5' - 2 1/2"

EXHIBITION 1

15' - 2 1/2"

5' - 0"

7' - 11"

960 SF

BREAK ROOM 208 357 SF

ELEV

6' - 0"

6' - 1"

6' - 6"

1' - 2"

1' - 5"

7' - 4 1/2"

17' - 8"

5' - 0"

RAMP , 1" STEEP CHANGE FOR EVERY 12" UP

6' - 8" 3'

-9

STAIR B

2' -

-3

5' - 7"

2' R

9' - 7"

10' - 0"

-6 "

205 233 SF

PRIVATE OFFICE 6

204 232 SF

9' - 10" R

2' -

PRIVATE OFFICE 5

4' - 9"

6' - 4" 5' - 0"

5' - 0"

1' - 0"

SHELVING

6' - 4"

5' - 2"

MEN'S RESTROOM

4' - 4 1/2"

100

WOMEN'S RESTROOM 100

198 SF

173 SF

24' - 2 1/2"

24' - 7 1/2"

13' - 3 1/2"

5' - 8"

12' - 5"

5' - 4"

SECOND FLOOR

EGRESS

BLOCK DIAGRAMS

FIRST FLOOR

SECOND FLOOR

EXHIBITION CAFE & STORE

CONFERENCE

LOBBY

EXHIBITION

KITCHEN

STAIRS

RECPETION

SMALL

FLEXIBLE SPACE

CONFERENCE

STAIRS LOUNGE

PRIVATE OFFICE

COPY PRIVATE OFFICE

EXHIBITION

WORKSPACE

STAIRS

PRIVATE OFFICE

PRIVATE PRIVATE OFFICE OFFICE

PRIVATE OFFICE

OFFICE BA

EXHIBITION

LOBBY

EXHIBITION

RECPETION

RAISED WORKSPACE

STAIRS

WORKSPACE

STAIRS

EXHIBITION RAMP

PUBLIC RESTROOM

CAFE

WORKSPACE

CAFE & STORE

CONFERENCE

PUBLIC STAIRS

EXHIBITION

OFFICE EXHIBITION RAMP RESTROOM CONFERENCE

PRIVATE OFFICE

SMALL CONFERENCE

PRIVATE OFFICE

EXHIBITION RAMP

OFFICE

WORKSPACE

LOBBY

PRIVATE

LOUNGE

OFFICE

RECPETION

BA SMALL

STAIRS

CONFERENCE

STORE EXHIBITION RAMP

PRIVATE OFFICE

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

PRIVATE OFFICE

EXHIBITION 2

WORKSPACE

CONSTRUCTION PROCESS OF EXHIBITION CEILING

EXHIBITION CEILING

SKETCHES

HIDE AND SEEK

Hide - and – seek

noun a children’s game in which one or more players hide and the other or others have to look for them.

A L L A N I M A L S P L AY H I D E A N D S E E K

The concept for this project was Hide and Seek. I compared the company’s mission to the “Hide and Seek” play. National Geographic Society funds more than 300 research, conservation, and exploration projects.Company’s mission is all about exploring and understanding our human story, critical species, and our living planet. I compared the nature as the “hiding object” and National Geographic as the “seeking company,” looking for the beautiful aspects of nature. National Geographic have been taken a role as an educational company by continuously discovering the unknown aspects of nature. The company has various media contents which convey their surprising discoveries.

Hide and Seek play is the primary game which we start to play from when we were tiny. Hide and Seek play requires to use all our five senses to win the game and help us develop our cognitive system. Throughout the interior, I tried to make this space as inspirational and educational space like National Geographic does to us.

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

NATURE IS THE BEST LIGHTING SOURCE

ALL ANIMALS PLAY HIDE AND SEEK

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

FLOORPLAN

D 8' - 10 1/2"

ARCH

COPY ROOM

1' - 8" ø4

'-0

SHELVING

1' - 2"

CAFE & STORE

CUSTOMIZED TABLE IN STAIR SHAPE

100

2' - 3"

1124 SF

" -0 4'

'ø3

1' - 0"

1' - 2"

WORKSPACE 101

SIT STAND DESK

1219 SF

1' - 2"

1' - 3 1/2"

1' - 0"

2' - 6"

3' - 2 1/2"

EQ EQ

1' - 0"

TOM DIXON, SERPENTINE SEATING

1' - 2"

2' - 8"

-0

29' - 7 1/2"

8' - 3 1/2"

BAR TABLE

ARCH HOLE IN KEYHOLE SHAPE

92 SF

10' - 4"

ROUND DISPLAY TABLE

1 39' - 2 1/2"

109

0' - 8 1/2"

SHELVING

BAR TABLE

HEXAGONAL METAL FRAME, SLIDE SHELF

4' - 4"

ARCH

1' - 3"

12 0.0 0°

0° 0.0 12

R 17' - 8"

1' - 8"

10' - 10 1/2"

0' - 10 1/2" 4' - 0"

15' - 11"

SMALL CONFERENCE 2' - 11"

14' - 6"

105 SF

UNDERSTAIR SEATING SCREEN COLUMN

WALL COVERING

TELE/ELEC

107

106

28 SF

27 SF

108

4' - 1"

REF

3' - 10 1/2"

1' - 8"

6' - 6 1/2"

BREAK ROOM

CONFERENCE ROOM 104 589 SF

105 235 SF

8' - 6 1/2"

" -6 2' R

1' - 1"

3' - 10"

2' - 7"

7' - 0 1/2"

JANITORIAL

259 SF

STAIR B

4' - 0" 2' - 8"

10' - 6"

22' - 10 1/2"

3' - 11 1/2"

" -6 2' R

10' - 4"

9' - 9"

5' - 6 1/2"

10 5' - 5"

WOMEN'S RESTROOM

1' - 3 1/2"

0' - 10"

109

7' - 8" 1' - 9 1/2"

MEN'S RESTROOM 288 SF

-1

6' - 6 1/2"

7' - 11 1/2"

6' - 10 1/2"

-6

5' - 6"

5' - 11"

3' - 6"

5' - 9"

7' - 3"

6' - 2"

2' - 4"

15' - 6 1/2"

8 1/2

20.67°

4' -

0° 31.2

ELEV

" 1/2 -2

6' - 6"

20' - 4"

103 364 SF

102

4' - 2"

LOADING DOCK

PRIVATE OFFICE

110

7' - 11"

16' - 11"

5' - 0 1/2"

20' - 4"

RECEPTION & LOBBY

5' - 3 1/2"

21' - 1"

4' - 0"

6' - 6 1/2"

15' - 1 1/2"

7' - 0 1/2"

5' - 2 1/2"

6' - 0"

4 3' - 5 1/2"

4' - 6 1/2"

BAR TABLE

37' - 6 1/2"

14' - 0"

4' - 3"

LEVEL 1 FLOOR PLAN SCALE : NTS

CAFE & STORE

CONFERENCE ROOM

WORKSPACE

BREAK ROOM

MEN’S RESTROOM

PRIVATE OFFICE

TELE / ELEC ROOM

RECEPTION & LOBBY

LOADING DOCK

JANITORIAL

COPY ROOM

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

WOMEN’S RESTROOM

WINDOW ARCH

1 PRIVATE OFFICE 2

6" 2' -

203

" -6

240 SF

5' - 0"

5' - 0" 23' - 11 1/2"

23' - 7"

5' - 0 1/2"

25' - 10"

-8 "

5' - 7"

11' - 9"

24' - 2 1/2"

221 SF

202

2' - 0"

2' -

225 SF

2' -

228 SF

PRIVATE OFFICE 4

201

9' - 11"

200

PRIVATE OFFICE 3

4' - 11 1/2"

PRIVATE OFFICE 1

RAMP , 1" STEEP CHANGE FOR EVERY 12" UP

0" '-1

17' - 8"

6' - 6"

2 13' - 0"

1' - 7"

8' - 1 1/2"

6' - 0" 37' - 6"

227 2631 SF

5' - 11 1/2"

EXHIBITION 2

STAIR A

5' - 0"

214 960 SF

20' - 4 1/2"

5' - 2 1/2"

EXHIBITION 1

15' - 2 1/2"

5' - 0"

7' - 11"

BREAK ROOM 208 357 SF

5' - 0"

ELEV

6' - 0"

6' - 1"

6' - 6"

1' - 2"

1' - 5"

7' - 4 1/2"

17' - 8"

RAMP , 1" STEEP CHANGE FOR EVERY 12" UP

6' - 8" 3'

-9

STAIR B

10' - 0"

5' - 7"

18 9' - 7"

-6 "

2' R

233 SF

-3

2' -

232 SF

205

PRIVATE OFFICE 6

204

2' -

1' - 0"

PRIVATE OFFICE 5

9' - 10" R

5' - 0"

4' - 9"

6' - 4"

SHELVING

6' - 4"

5' - 2"

MEN'S RESTROOM

4' - 4 1/2"

100

WOMEN'S RESTROOM 100

198 SF

173 SF

24' - 2 1/2"

24' - 7 1/2"

13' - 3 1/2"

5' - 8"

12' - 5"

5' - 4"

LEVEL 2 FLOOR PLAN SCALE : NTS

PRIVATE OFFICE 1

WOMEN’S RESTROOM

BREAK ROOM

PRIVATE OFFICE 2

MEN’S RESTROOM

EXHIBITION 2

PRIVATE OFFICE 3

PRIVATE OFFICE 5

EXHIBITION 1

PRIVATE OFFICE 4

PRIVATE OFFICE 6

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

RCP

7' - 7 1/2"

6' - 10 1/2"

1' - 7"

WORKSPACE

6' - 0"

10' - 3"

CEILING HEIGHT AT 9'-6"

5' - 4"

1' - 0"1' - 11"

6' - 0"

5' - 5"

5' - 2 1/2"

103

CEILING HEIGHT AT 9'-6"

364 SF

CEILING AT 9'-0" AFF

5' - 0 1/2"

3' - 8" CEILING HEIGHT AT 11'-0"

CEILING HEIGHT AT 11'-0" AFF

LOADING DOCK

4' - 2 1/2"

PRIVATE OFFICE 8' - 11 1/2"

9' - 7 1/2"

6' - 0"

4' - 7"

2' - 5 1/2"

2' - 6 1/2"

5' - 3"

6' - 0"

CEILING HEIGHT AT 11'-0"

7' - 8 1/2"

0' - 11"

HEXAGONAL ENTRANCE FRAME

CEILING HEIGHT AT 11'-0" AFF

OPEN TO BELOW

0' - 7"

4' - 6"

6' - 0"

31' - 6"

1' - 0 1/2"

CEILING HEIGHT, 1'-4 1/2" BELOW THE RAMP IN 87.32° ANGLE

3' - 5 1/2"

1' - 0 1/2"

3' - 4 1/2" CEILING HEIGHT AT 9'-1" 1/2

ATTACHED TO MAIN CL

2' - 3 1/2" 3' - 4 1/2"

3' - 1"

3' - 6"

6' - 0"

2' - 11"

7' - 0"

12' - 2"

2' - 7 1/2" 1' - 0"

CEILING HEIGHT AT 9'-1" 1/2

8' - 2 1/2"

ATTACHED TO MAIN CL

12' - 8 1/2"

2' - 6" EQ

SLOPE 15° ANGLE

7' - 3"

CEILING HEIGHT AT 10'-7" 1/2

CEILING HEIGHT AT 10'-7 1/2"

92 SF

CEILING HEIGHT AT 11'-0" AFF 3' - 5"

1' - 0"

6' - 1 1/2"

0' - 7"

3' - 10 1/2"

0' - 6"

SLOPE 15° ANGLE DN

6' - 0 1/2"

EQ 1' - 0"

109

0' - 7"

3' - 0"

COPY ROOM

CAFE & STORE

8' - 1 1/2"

5' - 0 1/2"

ATTACHED TO MAIN CL

SLOPE 15° ANGLE

6' - 5"

4' - 1 1/2"

3' - 8"

1' - 6"

ARCH

0' - 5"

DROPPED CL FRAME AFF 9'-6"

2' - 11"

7' - 0"

CEILING HEIGHT AT 11'-0"

7' - 0"

2' - 7"

1' - 10"

4' - 9" 4' - 6"

4' - 6"

2' - 6"

8' - 8 1/2"

1' - 0"

3' - 10 1/2"

2' - 4 1/2" 3' - 0 1/2"

4' - 6"

5' - 11 1/2"

CONFERENCE ROOM

7' - 5 1/2"

CEILING HEIGHT AT 11'-0"

2' - 1" 6' - 0"

0' - 11"

7' - 3"

4' - 10"

4' - 6"

5' - 2 1/2"

9' - 0 1/2"

2' - 11"

2' - 5 1/2"

6' - 6 1/2"

0' - 6"

4' - 3 1/2"

CEILING HEIGHT AT 11'-0"

4' - 5"

5' - 10 1/2"

6' - 0"

BREAK ROOM

0' - 5 1/2"

0' - 10"

2' - 5"

5' - 5" SA EQ

0' - 5 1/2" 0' - 10"

3' - 0" 1' - 3 1/2"

2' - 1"

4' - 5 1/2"

5' - 7 1/2"

2' - 0"

CEILING HEIGHT AT 11'-0"

2' - 0"

4' - 3"

3' - 8 1/2"

1' - 4"

3' - 10"

CEILING HEIGHT, 1'-4 1/2" BELOW THE RAMP IN 87.32° ANGLE SA

CL AT 9'-0" AFF

1' - 6 1/2"

2' - 7"

7' - 0 1/2"

5' - 2 1/2"

3' - 8"

CL AT 9'-0" AFF

6' - 10 1/2"

7' - 0"

ELEV

2' - 7"

7' - 0"

6' - 6"

0' - 5 1/2"

CEILING HEIGHT AT 11'-0"

7' - 0"

WOOD BEAM STRIPS, 1'-0" SPACING TYP

LEVEL 1 RCP SCALE : NTS

SA LED RECESSED LIGHT

PENDANT LIGHTING

LED RECESSED STRIP LIGHT

CUSTOMIZED HEXAGONAL PENDANT LIGHTING SHADE

AUDIBLE HORN

RUBN LONG JOHN PENDANT LAMP

ZHANE LINEAR SUSPENSION

VISUAL STROBE LIGHT

DOWN LIGHTING

SPECIFY TYPE OF COVE LIGHTING

EXIT SIGN

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

SMOKE ALARM

SKYLIGHT HEIGHT AT 12'-6"

PRIVATE OFFICE 2

CEILING HEIGHT AT 11'-0"

SKYLIGHT HEIGHT AT 12'-6"

PRIVATE OFFICE 3

CEILING HEIGHT AT 11'-0"

200

201

202

228 SF

225 SF

221 SF

CEILING HEIGHT AT 11'-0"

203

SA 240 SF

0' - 5"

6' - 3"

5' - 0"

8' - 11 1/2"

SKYLIGHT HEIGHT AT 12'-6"

PRIVATE OFFICE 4

CEILING HEIGHT AT 11'-0"

0' - 5"

2' - 1"

SKYLIGHT HEIGHT AT 12'-6"

PRIVATE OFFICE 1

3' - 0 1/2"

WINDOW SEATING

2' - 1"

SKYLIGHTS

7" 3' R

8' - 10"

8' - 10" 1' - 2"

3' - 9"

1' - 0"

CEILING HEIGHT AT 11'-0"

7' - 3 1/2"

CEILING HEIGHT AT 11'-0"

0' - 6"

2' - 3 1/2"

SKYLIGHT HEIGHT AT 12'-6"

0' - 6"

13' - 1"

1' - 0"

0' - 6"

8' - 10"

8' - 11 1/2"

EQ SA

204

205

4' - 11"

PRIVATE OFFICE 6

DROPPED CL AT 10'-0"

DROPPED CL AT 10'-0" 5' - 4"

DROPPED CL AT 10'-0"

SKYLIGHT HEIGHT 12'-6" AFF

CEILING HEIGHT AT 11'-0"

RESTROOM CEILING HEIGHT AT 11'-0"

DROPPED CL AT 10'-0"

4' - 9"

Â° .00

2' - 1"

RESTROOM

SKYLIGHT HEIGHT 12'-6" AFF

9' - 9"

CEILING HEIGHT AT 11'-0"

233 SF

232 SF

3' - 6 1/2" /2 "

CEILING HEIGHT AT 11'-0"

PRIVATE OFFICE 5

3' -

33' - 9"

2' - 2"

5' - 2 1/2"

3' - 0 1/2"

8' - 10"

4' - 7 1/2"

CEILING HEIGHT AT 11'-0"

8' - 10"

2' - 11"

8' - 10"

5' - 5 1/2"

ELEV

5' - 4 1/2"

1' - 2"

4' - 3 1/2"

3' - 4"

6' - 0"

1' - 0"

0' - 7 1/2"

357 SF

7' - 3 1/2"

0' - 6"

2631 SF

1' - 0"

960 SF

4' - 0"

2' - 3 1/2"

BREAK ROOM 208

214

16' - 5"

227

36' - 1"

4' - 2 1/2"

DROPPED CL HEIGHT AT 11'-0"

EXHIBITION 1

13' - 1"

EXHIBITION 2

0' - 6"

2' - 4"

SKYLIGHT HEIGHT AT 12'-6"

CUSTOMIZED WOOD STRIP ORGANIC SHAPED CEILING, 12'-11" AFF

SKYLIGHT HEIGHT AT 12'-6"

18' - 9 1/2"

CEILING HEIGHT AT 11'-0"

3' - 9 1/2"

4' - 3 1/2"

2' - 9 1/2"

CEILING HEIGHT AT 11'-0"

SKYLIGHTS

LEVEL 2 RCP SCALE : NTS

LED SCREEN CEILING

DOME LIGHTING

LED LINEAR SUSPENSION LIGHTING

UNDER STAIR LIGHTING

WOOD ACOUSTICAL CEILING TILE SUSPENDED LUMINAIRE

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

E L E VAT I O N A

FIRST FLOOR CONFERENCE ROOM To show my hide and seek concept, I came up with the idea of making the organically shaped wood ceiling in the form of elephant hat from the B

story of “The Little Prince.”The benefit of using lamellar structure wood strip ceiling is that the system itself provide the flexibility with heating and cooling system.

INTERIOR ELEVATION B

MATERIAL

LIGHT WOOD

BENJAMIN MOORE, GENTLEMAN’S GREY

INTERIOR ELEVATION A

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

C CAFE & STORE To apply hide and seek concept, I added depth to the store display shelving and cafe prep area.I created tree hole shaped built in shelving and used angled, geometric shaped structured wall for cafe prep area.

INTERIOR ELEVATION C

MATERIAL

FURNITURE

DARK WOOD FOR TREE HOLESHELVING

VENEER WOOD

MINT TILE WALL

TOM DIXON

SLAB BAR STOOL

PIPE PENDANT

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

E L E VAT I O N

RECEPTION AND LOBBY I created the register table with having the dramatic height changes to create some hiding feeling when people are working at the desk.I used D

Nat Geoâ&#x20AC;&#x2122;s logo to create customized rectangular LED lighting in tilted angle.For the lobby, waiting area, I provided with the seating which has built in a partition and built-in lighting to which offers another private space.

INTERIOR ELEVATION D

FURNITURE

EFFECT

NICHE CHAIR

BIRCHWOOD LIGHTING

PROOF

ERIKA LIGHTING

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

CAFE & STORE I applied National Geographicâ&#x20AC;&#x2122;s logo into the customized bar table.The table is constructed in stair shape, and the side of the table is in yellow color which follows the shape of the logo of Nat Geo.I added arch with arched window to make this space more dramatic.Customized product display shelving is combined to the window arch. E

INTERIOR ELEVATION E 2nd Floor 14' - 2" ARCH

WINDOW FRAME PRODUCT DISPLAY TABLE

EQ EQ

3' - 0"

1' - 2"

WHITE TILE FOOT REST

3' - 0"

GOLD METAL TABLE LEG

1st Floor 0' - 0"

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

A DA B AT H R O O M

INTERIOR ELEVATION F

1' - 10"

2nd Floor 14' - 2"

CEILING, 11'-0" AFF

7' - 10 1/2"

8' - 3"

11' - 0"

1' - 0"

0' - 8"

1st Floor 0' - 0" 0' - 8"

INTERIOR ELEVATION G 2nd Floor 14' - 2"

CEILING, AFF 11'-0"

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

1' - 2"

BASEBOARD

3' - 6 1/2"

4' - 7 1/2"

3' - 11 1/2"

2' - 9 1/2"

2' - 4 1/2"

3' - 4"

0' - 4 1/2"

6' - 5 1/2"

CUSTOMIZED MASK PENDANT LIGHTING

7' - 10 1/2"

11' - 0"

SUSPENDED MIRROR

1st Floor 0' - 0"

2nd Floor 14' - 2"

INTERIOR ELEVATION H

EXHIBITION RAMP

FIRE RATED GLASS STAIR WALL

I 1st Floor 0' - 0" STAIR RAILING

INTERIOR ELEVATION I

FIRE RATED GLASS STAIR WALL

2nd Floor 14' - 2"

EXHIBITION RAMP, AFF 10'-7 1/2"

10' - 7 1/2"

STAIR LANDING, AFF 6'-5"

6' - 5"

STRUCTURAL SUPPORT

10' - 7 1/2"

GYPSUM CEILING, AFF 10'-7 1/2"

1st Floor 0' - 0"

S TA I R S

EXHIBITION

INTERIOR ELEVATION J A

WINDOW SEATING

1' - 2"

PRIVATE OFFICE 2

1 PRIVATE OFFICE 3

201

CURVED WOOD CEILING BEAM

0 Roof 27' - 1"

203

" -6

246 SF

2' - 7"

2' -

225 SF

2' -

6" R

2' -

228 SF

LITTLE PRINCE SNAKE HAT STRUCTURED CL

PRIVATE OFFICE 4

202

200 231 SF

1' - 0"

8' - 9"

PRIVATE OFFICE 1 2' - 0"

5' - 0 1/2"

25' - 10"

11' - 9" 3'

-8 "

5' - 7"

23' - 7"

RAMP , 1" STEEP CHANGE FOR EVERY 12" UP

R 3'

- 10

DROPPED CEILING, 10-0 1/2" A

0' - 8 1/2"

5' - 0" 23' - 11 1/2"

4' - 11 1/2"

5' - 0" 24' - 2 1/2"

17' - 8"

DROPPED CEILING WITH BUILT IN COVE LIGHTING, 9'-4" AFF

6' - 6"

13' - 0"

1' - 7"

15' - 2 1/2"

EXHIBITION 2

STAIR A

5' - 2 1/2"

227 2631 SF

37' - 6"

5' - 0"

214 960 SF

2' - 0"

5' - 11 1/2"

BREAK ROOM

20' - 4 1/2"

EXHIBITION 1

2' - 0"

6' - 0"

5' - 0"

8' - 1 1/2"

7' - 11"

1' - 1"

208 357 SF

RAMP , 1" STEEP CHANGE FOR EVERY 12" UP

8' - 3"

6' - 0"

6' - 1"

ELEV

9' - 0"

7' - 4 1/2" 1' - 2"

6' - 6"

9' - 4"

17' - 8"

5' - 0"

1' - 5"

6' - 8" 3'

-9

STAIR B

5' - 0"

5' - 7"

9' - 7"

10' - 0"

MEN'S RESTROOM

-3

2' -

233 SF

232 SF

9' - 10" R

-6 "

205

4' - 4 1/2"

100

WOMEN'S RESTROOM

173 SF

13' - 3 1/2"

24' - 7 1/2"

STAIR ENTRANCE

100

198 SF

24' - 2 1/2"

5' - 8"

2nd Floor 14' - 2"

3' - 6"

2' -

PRIVATE OFFICE 6

204

PRIVATE OFFICE 5

2' -

1' - 0"

5' - 0"

4' - 9"

6' - 4"

SHELVING

6' - 4"

5' - 2"

12' - 5"

5' - 4"

INTERIOR ELEVATION K WEIGHT BEARING COLUMN

LITTLE PRINCE SNAKE HAT STRUCTURED CL

MAIN CEILING AT AFF 10'-11"

1' - 0"

2' - 9 1/2"

12' - 11"

3' - 11"

2' - 0"

0 Roof 27' - 1"

2nd Floor 14' - 2" LED LIGHTING FRAME

BASEBOARD

INTERIOR ELEVATION L WEIGHT BEARING COLUMN

0' - 6"

WEIGHT BEARING COLUMN

0 Roof 27' - 1"

0' - 4"

LED INDIRECT LIGHTING FRAME

0' - 4"

3' - 6"

0' - 4"

5' - 6 1/2"

0' - 4"

CEILING AT 12'-5" AFF

2nd Floor 14' - 2"

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

Roof cut 34' - 5"

0 Roof 27' - 1"

AFF

EXHIBITION CEILING CL AFF 10'-11"

EXHIBITION 2

EXHIBITION 1

EXHIBITION RAMP

ELEVATOR

OFFICE HALLWAY

23 2nd Floor 14' - 2"

PRIVATE OFFICE STAIR TO SECOND FLOOR

LOADING DOCK

RECEPTION & LOBBY

WORK SPACE

11 1st Floor 0' - 0"

STAIR IN THE SHAPE OF WATERFALL

WORKSPACE

22 EXHIBITION 2

PRIVATE OFFICE

LOADING DOCK

11 RECEPTION LOBBY

23 EXHIBITION 1

FLAT SURFACE

RAMP, 1” STEEP CHANGE FOR EVERY 12”

FLAT SURFACE

RAMP, 1” STEEP CHANGE FOR EVERY 12”

FLAT SURFACE

R A M P D E TA I L

Q. What was the main idea of this space? The concept for this area was Hide and Seek, so I tried to provide some private workplace to give the feeling of hiding. I came up with the beehive because the color of Nat Geoâ&#x20AC;&#x2122;s logo reminded me of the hive and the honeycomb.

Q. What was the concept for the ceiling lighting? For the overall office space, I wanted to create cove lighting.So, I made the wooden frame in a folded shape and installed cove lighting on the side of the inside frame. At the middle of the frame, I placed the customized honeycomb shaped pendant light fixtures which can make this entire lighting piece to look like the large frame containing the art piece in the middle.The detail of the pendant light could be only seen from the underneath and by looking up from the workspace area, so I can say that the overall idea for the lighting came from my Hide and Seek concept. From a distance, people can only notice the black shade of the pendant which makes this lighting not too overpowering in this space.

W O R K S PA C E 30

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

Q. What was the reason for creating uneven height partition for workspace? I wanted to add sharpness to space.Angled, geometrically shaped partition adds dynamic to the office space and also combines well with projectâ&#x20AC;&#x2122;s Hide and Seek concept.

Q. What other things have you considered to emphasize your concept? I also customized the office desk, shelving in a shape of dripping honey to emphasize the honeycomb idea. In front of the window, I installed moveable shelving in honeycomb shape to give more function and aesthetic to this space.

W O R K S PA C E 32

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

Q. What was the main idea for the customized bookshelf? To add more function in the workspace, I created the bookshelf that was inspired by the details of honeycomb. I wanted to abstract the shape but still wanted to give the feeling of the honeycomb.So, I abstracted the hexagon shape into simple circular shapes. I thought what makes honeycomb special was the delicate details.So, I used the gold mesh which is similar to the shape of honeycomb’s yellowish detail.By using gold mesh, space can remain transparent but at the same time, adds more glamor to space.

“WORK HARD STAY BUMBLE”

W O R K S PA C E 34

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

Q. What was the main idea of the space? Entire space was designed in a concept of the modern interpretation of beehive.I mostly used the wood material so that space can provide warm and tailored look.

Q. Can you explain the door design? I applied National Geographic’s logo to the entrance door which connects stairs and exhibition area.The purpose was to create the experience for the visitors which they can think as they are entering the Nat Geo’s world by opening this door and coming into the exhibition area. To make a balance between the delicate details of the ceiling and space, I used simple built in wall LED strip lighting.

Q. Can you explain the ceiling? For the ceiling, I used hexagonal shaped wood tiles and created the logo of the National Geography.Exhibition space is covered with the organically shaped structured ceiling.The ceiling is designed in a shape of elephant hat from the story of The Little Prince.I thought the “Elephant hat” structure best exemplifies the Hide and Seek concept.This organically structured wood ceiling beam not only adds the visual impact but also creates flexibility with heating and cooling system.

WINDOW ARCH

5' - 0 1/2"

203

- 6"

240 SF

5' - 0 1/2"

25' - 10"

- 8"

5' - 7"

11' - 9"

23' - 7"

- 6"

5' - 0" 23' - 11 1/2"

PRIVATE OFFICE 4

202 221 SF

2' R

5' - 0" 24' - 2 1/2"

2' - 0"

- 6"

9' - 11"

PRIVATE OFFICE 3

201 225 SF

- 6"

PRIVATE OFFICE 2

200 228 SF

4' - 11 1/2"

PRIVATE OFFICE 1

RAMP , 1" STEEP CHANGE FOR EVERY 12" UP

- 10

R 3'

17' - 8"

6' - 6"

2 13' - 0"

1' - 7"

8' - 1 1/2"

6' - 0" 37' - 6"

227 2631 SF

15' - 2 1/2"

5' - 11 1/2"

EXHIBITION 2

STAIR A

5' - 0"

214

20' - 4 1/2"

5' - 2 1/2"

EXHIBITION 1

5' - 0"

7' - 11"

960 SF

BREAK ROOM 208 357 SF

1' - 2"

ELEV

6' - 0"

6' - 1"

6' - 6"

7' - 4 1/2"

17' - 8"

5' - 0"

1' - 5"

RAMP , 1" STEEP CHANGE FOR EVERY 12" UP

6' - 8" 3'

- 9"

STAIR B

- 3"

5' - 7"

2' R

9' - 7"

10' - 0"

- 6"

205 233 SF

- 6"

PRIVATE OFFICE 6

204 232 SF

9' - 10" R

- 6"

PRIVATE OFFICE 5

4' - 9"

6' - 4" 5' - 0"

5' - 0"

1' - 0" 5' - 0"

6' - 4"

5' - 2"

SHELVING

MEN'S RESTROOM

4' - 4 1/2"

100

WOMEN'S RESTROOM 100

198 SF

173 SF

24' - 2 1/2"

24' - 7 1/2"

13' - 3 1/2"

5' - 8"

12' - 5"

EXHIBITION 36

5' - 4"

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

Q. Can you explain your design reason for choosing glass material for the wall? A. This rendering shows the view from the hallway of workspace area. The organically structured ceiling of exhibition space was the key design for this floor, so I wanted this structure to be visible from the workspace area. I used two materials for the wall which are the wood and the glass so that the exhibition space and the workspace are structurally separated but sharing the design experience.

Q. Can you explain the lighting idea for the hallway? Dome shaped rounded half sphere lighting was placed in tilted shape as if the lighting is hiding in the ceiling. Alongside the hallway, I made the lighted frame in National Geographyâ&#x20AC;&#x2122;s logo shape so that it can be used to display photography.

WINDOW ARCH

5' - 0 1/2"

203

- 6"

240 SF

5' - 0 1/2"

25' - 10"

- 8"

5' - 7"

11' - 9"

23' - 7"

- 6"

5' - 0" 23' - 11 1/2"

PRIVATE OFFICE 4

202 221 SF

2' R

5' - 0" 24' - 2 1/2"

2' - 0"

- 6"

9' - 11"

PRIVATE OFFICE 3

201 225 SF

- 6"

PRIVATE OFFICE 2

200 228 SF

4' - 11 1/2"

PRIVATE OFFICE 1

RAMP , 1" STEEP CHANGE FOR EVERY 12" UP

R 3'

- 10"

17' - 8"

6' - 6"

2 13' - 0"

1' - 7"

8' - 1 1/2"

6' - 0" 37' - 6"

227 2631 SF

5' - 11 1/2"

EXHIBITION 2

STAIR A

5' - 0"

214

20' - 4 1/2"

5' - 2 1/2"

EXHIBITION 1

15' - 2 1/2"

5' - 0"

7' - 11"

960 SF

BREAK ROOM 208 357 SF

1' - 2"

ELEV

6' - 0"

6' - 1"

6' - 6"

7' - 4 1/2"

17' - 8"

5' - 0"

1' - 5"

RAMP , 1" STEEP CHANGE FOR EVERY 12" UP

6' - 8" 3'

- 9"

STAIR B

9' - 10" R

- 3"

R 5' - 7"

2' R

10' - 0"

- 6"

9' - 7"

- 6"

205 233 SF

- 6"

PRIVATE OFFICE 6

204 232 SF

4' - 9"

6' - 4" 5' - 0"

5' - 0"

PRIVATE OFFICE 5

5' - 0"

1' - 0"

SHELVING

6' - 4"

5' - 2"

MEN'S RESTROOM

4' - 4 1/2"

100

WOMEN'S RESTROOM 100

198 SF

173 SF

24' - 2 1/2"

H A L L W AY 24' - 7 1/2"

13' - 3 1/2"

5' - 8"

12' - 5"

5' - 4"

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

D E TA I L S

NAT GEO LOGO

WOOD BEAM CEILING

EXHIBITION 1 & 2

Exploded View of the Exhibition Space National Geography’s logo was applied to the structure made in the shape of “Elephant Hat” from the story of The Little Prince.Inside this organically formed structure, filled with wood beams following the shape of the outer structure.Exhibition 2 is surrounded by Exhibition 1. Exhibition 1 has ramp flooring which can provide the unusual experience for the visitors.

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

Deconstructed Framed Artwork in Workspace Lighting for the workspace is structured in a shape of artwork surrounded by the wooden frame. The Wooden frame is structured in two layers so that the light bulbs were installed between these layers. Arrays of hexagonal shaped pendant lighting were made in a shape of honeycomb pattern. The shade is designed as partially lifted which makes inside hexagon details partially visible.

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

- Hans Hofmann -

â&#x20AC;&#x153;

It is not the form that dictates the color, but the color that brings out the form.

R O M A N T I C

MARKET DESIGN 2015. 9 - 12 COMMERCIAL

COMMERCIAL DESIGN: MARKET

S I T E A N A LYS I S

HISTORY OF MISSION BAY Mission Bay was located inside of 500 acres of salt marsh and lagoon.At that time, this place was the natural habitat for animals.At the beginning of the mid-1800s, there was an attempt to make this site suitable for building, and Mission Bay was used as trashing area to deposit refuse from building projects and debris from the 1906 earthquake.After Marsh got stabilized, the area quickly turned into industrial district.In 1850, this area was used for shipbuilding and repair, butchery and meat production. An addition of the railroad, Mission Bay became the home to shipyards, canneries, a sugar refinery and various warehouses. In 1998, by Board of Supervisors, mission bay was selected as the redevelopment project.After this, it has quickly evolved into a wealthy neighborhood of luxury condominiums, hospitals, and biotechnology research and development.

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

ADDRESS 185 Channel St, San Francisco, CA 94158

DEMOGRAPHICS Area: 0.842 square miles Population: 6,727(mainly white, black and Hispanic) Population density: Mission Bay: San Francisco:

7,993 people per square mile 17,935 people per square mile

Males:4,109 Females:2,619 Median household income in 2013:$108,649 Median rent in 2013:$1,924

SURROUNDINGS Headquarters of the California Institute for Regenerative Medicine Headquarters of Old Navy brand of The Gap, clothing retailer New research campus of the University of California, San Francisco, UCSF Mission Bay N Judah and T Third Street lines of San Franciscoâ&#x20AC;&#x2122;s Muni Metro Muni bus and trolly bus lines link the area to neighborhoods to the north, west, south The northern terminus of Caltrain San Francisco public library AT&T Park Beacon(condominium complexes), Madrone(high-end residential condominium), Glassworks(mixed use building) and many more luxury residential buildings San Francisco Public Library Public Safety Building at Third Street and Mission Rock.(Includes Police Headquarters, Police Station and Mission Bay Firestation

COMMERCIAL DESIGN: MARKET

CLIENT PROFILE

With more than 25 years of experience as one of the country’s premiere restaurant concept developers and visionaries; restaurateur Tony Riviera boasts a strong mix of Executive Management, Marketing, and Franchising Chain development skills. Riviera’s vision, talent and expertise position Primo Hospitality Group restaurants for success. Always the global thinker, Riviera plans to expand his restaurant concepts nationally and eventually worldwide. Riviera is no stranger to success. He Previously owned The Red Burrito, Canada’s largest burrito restaurant chain. Furthermore, Riviera founded and served as President and CEO of the popular Tony Maroni’s Gourmet Pizza chain, The Manhattan Steak House. Alongside his prolific restaurant ventures, Riviera served as a major league scout, Baseball Executive, and Team Owner. He founded the Canadian Baseball League, the first and only international professional baseball league in Canada’s history, operating eight professional teams across the country. Riviera’s recent accomplishments outside of the restaurant and hospitality industry include his role as Executive Producer of “The Perfect Game,” a movie Based on the true story of a group of boys from Monterrey, Mexico who become the first non-U.S. team to win the Little League World Series.

COMMERCIAL DESIGN: MARKET

Client needs Space with modern, classic and farm to table concept Dining area for 50-100 people Tony’s office near loading dock 2 Bathrooms(in ADA), enough size for two people Place one bathroom in the cafe

Restaurant

Separate restroom for employee

- 60 Seats

2-3 cashier in the market

- Pizza oven

Functioned kitchen

-Serving pizza, oysters, and small plates

Kitchen, large enough to fit pizza oven

-Open breakfast, lunch, dinner and has a late-night menu

Wine tasting area

-Coffee / Espresso Bar -Demonstration Kitchen

Upscale market

-Include specific program/outline for how kitchen may be commu-

-Organic, local produce

nity oriented

- Specialty foods

-(2) Bathrooms o Both to be ADA compliant

-Beer & Wine selection

• Manager’s Office o To be located near loading zone

-Prepared foods and open kitchen

• Employee Locker/Break Room

(to use Hill Pheonix GMD model food cases) -Fresh meat and poultry (8’-12’) -Seafood (6’) -Charcuterie (6’) -Prepared foods (two 12’ cases) -Sushi (PTD model - 4’-6’) -8’x10’ Walk-In Refrigerator

PROGRAM

CONCEPT

ROMANTIC

C H A O S

The concept for this space was “Romantic Chaos.” Client Tony wanted this space to be classic, modern which also can show his “Farm to table” concept throughout the interiors. To achieve his goal for this area, I imagined the photography of picnic space with having outdoor string lighting all over the wood picnic table. But to take this idea into a modern design, I added the destruction concept to the picnic scenery. I imagined shadow as the destructive method for the flooring and mesh ceiling as a destructive method to the ceiling.

I believed that the word “Romantic” would lead the design to look classic, and the word “Chaos” would lead the design to become as modern space. The reason I selected these two different meaning words together was that I believed the chaotic scene could look romantic when you stop and stare the chaotic moment. The purpose of designing this space was to create the modern version of the traditional picnic space.

COMMERCIAL DESIGN: MARKET NATIONAL GEOGRAPHIC

CHAOTIC MODERN PICNIC ENVIRONMENT

MOOD BOARD

BLOCK DIAGRAM

CAFE BAR & CAFE PREP OPEN KITCHEN PUBLIC BATHROOM MARKET

COMMERCIAL DESIGN: MARKET

3' - 3 1/2"

10' - 10 9/32"

21/3

CAFE PREP AREA

7' - 1

CAFE & BAR

WALK IN FRIDGE

B 2' - 0"

/32" 0 29

RESTAURANT KITCHEN

BAR

14' - 1 1/32"

7' - 4"

6' - 10 5/8"

11' - 3 13/32"

-1 1

12' - 11"

0' - 0"

3 14' - 11 1/4"

1' - 8"

8' - 1 13/32"

14' - 4 1/4"

0' - 3 1/8"

45.0 0Â°

DINING AREA

1' - 8"

8' - 0"

9' - 10"

6' - 0 3/8"

2' - 0" 2' - 5 21/32"

4' - 3 27/32"

12' - 2 3/32"

PIZZA OVEN

2' - 7 1/16"

4' - 9 7/16"

1' - 11"

8' - 10 7/16"

3' - 4 25/32"

6' - 1 7/8"

5' - 6 23/32"

10' - 1 31/32"

2' - 6 13/16"

PREPARED FOOD

OPEN KITCHEN

6' - 2 7/16"

14' - 0"

2' - 1 25/32"

WALK IN FRIDGE

7' - 3 7/16"

7' - 11 3/32" WINERY

4' - 3 11/32"

WINE DISPLAY

21' - 1 5/16"

PRODUCT DISPLAY TABLE

10' - 9 1/2"

3' - 4 1/32"

8' - 10 3/32"

9' - 7 1/2"

12' - 10 3/32"

LOUNGE

WINE TASTING TABLE

PRODUCT DISPLAY

MARKET

FRUIT RACK 3' - 9"

3' - 3"

3' - 9"

14' - 0" 6' - 9 5/8"

REF REF

TONY'S OFFICE

3' - 9"

4' - 8 1/2"

6' - 9 5/8"

5' - 3 7/16"

REF

1' - 4"

8' - 11 1/2"

VEGETABLE RACK

1' - 6"

9' - 6"

PRODUCT DISPLAY SHELVING

3' - 8 1/8"

3' - 7 1/8"

PRODUCT DISPLAY ROUND TABLE 2' - 10 15/32"

4' - 9 5/8"

1' - 4"

3' - 11 5/16"

1' - 3 3/4"

BATHROOM

C I R C U L AT I O N

BRANDING LOGO

FONT: AGENCY FB REGULAR

The market is the collaborative space.The grid is made of a combination of small squares, and itâ&#x20AC;&#x2122;s the foundation for any other shapes.One square cannot form a grid and to become a grid, the grid has to be made in a combination of plenty number of squares.By using the grid, we can create a limitless number of letters and shapes.Like this, when each worker collaborates by supporting each other, we believe that we can create the dynamic and beautiful market.

PACKAGING

MEAT

COMMERCIAL DESIGN: MARKET

LINGUNIE

SALT

2 1

3 5

MATERIAL

WHITE MARBLE

FLOOR

FLOOR WITH GREY TREE SHADOW PATTERN

1 CAFE & BAR 2 CAFE PREP AREA

3 RESTAURANT KITCHEN 4 WALK IN FRIDGE 5 BATHROOM 6 DINING AREA 7 PREPARED FOOD

8 OPEN KITCHEN

9 WINE AREA 10 MARKET 11

11 TONYâ&#x20AC;&#x2122;S OFFICE

FINISH PLAN

FLOOR PLAN A

3' - 3 1/2"

4' - 9

10' - 10 9/32"

CAFE PREP AREA

" 1/32

7' - 1

CAFE & BAR

WALK IN FRIDGE

2' - 0"

/32" 0 29

RESTAURANT KITCHEN

BAR

5 2

14' - 1 1/32"

11' - 3 13/32" 6' - 10 5/8"

1' - 3 3/4"

BATHROOM

-1 1

12' - 11"

7' - 4"

1 CAFE & BAR

0' - 0"

3 RESTAURANT KITCHEN

14' - 11 1/4"

6' - 0 3/8"

DINING AREA

8' - 1 13/32"

14' - 4 1/4"

1' - 8"

4 WALK IN FRIDGE

0' - 3 1/8"

45.0 0°

1' - 8"

2 CAFE PREP AREA

8' - 0"

9' - 10"

2' - 0"

5 BATHROOM

2' - 5 21/32"

4' - 3 27/32"

12' - 2 3/32"

6 DINING AREA

PIZZA OVEN

2' - 7 1/16"

4' - 9 7/16"

1' - 11"

8' - 10 7/16"

7 PREPARED FOOD

2' - 6 13/16"

3' - 4 25/32"

6' - 1 7/8"

5' - 6 23/32"

10 MARKET

14' - 0"

11 TONY’S OFFICE

3' - 4 1/32"

WALK IN FRIDGE

7' - 3 7/16"

7' - 11 3/32" WINERY

4' - 3 11/32"

WINE DISPLAY

21' - 1 5/16"

PRODUCT DISPLAY TABLE

10' - 9 1/2"

LOUNGE

8' - 10 3/32"

9' - 7 1/2"

12' - 10 3/32"

2' - 1 25/32"

WINE TASTING TABLE

PRODUCT DISPLAY

MARKET

FRUIT RACK

4' - 8 1/2"

REF

TONY'S OFFICE

9' - 6"

3' - 9"

REF

3' - 9"

6' - 9 5/8"

14' - 0"

3' - 9"

6' - 9 5/8" 3' - 8 1/8"

5' - 3 7/16"

3' - 3"

PRODUCT DISPLAY SHELVING

1' - 4"

8' - 11 1/2"

VEGETABLE RACK

1' - 6"

3' - 7 1/8"

PRODUCT DISPLAY ROUND TABLE 2' - 10 15/32"

4' - 9 5/8"

3' - 11 5/16"

COMMERCIAL DESIGN: MARKET

1' - 4"

8 OPEN KITCHEN 9 WINERY

10' - 1 31/32"

PREPARED FOOD

6' - 2 7/16"

5 OPEN KITCHEN

5' - 0"

3' - 0" 3' - 0" 3' - 0"

1' - 11 7/16"

3' - 6"

4' - 0" 6' - 0"

8' - 0"

4' - 8"

2' - 2 13/32"

8' - 0" 6' - 7 3/4"

8' - 0"

3' - 3 5/16"

4' - 3"

3' - 8 29/32"

3' - 3 3/4"

3' - 10"

8' - 0"

8' - 7 21/32"

4' - 0"

CL A.F.F 22'-0"

2' - 0 1/4"

1' - 5 1/16"

9' - 7 31/32"

9' - 7 5/32"

4' - 10 31/32"

MESHED CEILING A.F.F. 17'-6"

9' - 7 31/32"

8' - 10 7/16"

11' - 1 13/32"

LEGEND

8' - 4"

13' - 4 1/16"

7' - 8 25/32"

8' - 0"

3' - 6 5/16"

3' - 10 5/8" 7' - 5 29/32" 4' - 1 7/16"

0' - 11"

SUSPENDED CEILING A.F.F 17'-0"

2' - 5 1/8"

4' - 0" 4' - 0"

EQ CAFE & BAR

10' - 8 31/32"

2' - 9 11/16"

4' - 0"

8' - 0" EQ

DROPPED CL

4' - 10 1/4"

16' - 8"

CL A.F.F 22'-0"

WIRE MESHED

SUSPENDED CEILING A.F.F 17'-0"

RECESSED LED CAN

EQ EQ EQ

EQ EQ

TOM DIXON BEAT LIGHTING BEAT LIGHTING

TOM DIXON BEAT

BY TOM DIXON

3' - 3 9/32"

8' - 0"

2' - 3 15/16"

8' - 0"

1' - 7 1/2"

14' - 11 1/32" 6' - 6 1/32"

13' - 0 7/16"

7' - 9 3/8"

LED CA

RECESSED LED CAN RECESSED LED CAN TOM RECESSED DIXON BEAT LIGHTING

7' - 5 1/2" 7' - 5 1/2"

SUSPENDED CEILING A.F.F 17'-0"

2' - 10 1/4"

7' - 5 1/2"

EQ EQ EQ EQ EQ

MESHED CEILING A.F.F. 17'-6"

7' - 10 3/16"

7' - 5 1/2"

3' - 7 9/16" 7' - 5 1/2"

17' - 8 15/32"

CL A.F.F 22'-0"

7' - 5 1/2"

3' - 7 1/16" 6' - 0"

WIRE MESH DROPPED CL STRUCTURE IN PHANTOM OF OPERA IN PHANTOM OF MASK SHAPE

WIRE MESH DROPPED CL STR OPERA IN PHANTOM OF OPERA MASK MASK SHAPE

4' - 0"

EQ 0' - 10 3/32"

7' - 7 1/16"

WIRE MESH DROP IN PHANTOM OF O

DROPPED CL

8' - 4" MESHED CEILING A.F.F. 17'-6"

1' - 4 9/32"

4' - 0"

" 5/16

2" 11/3

2' - 11 3/16"

4' - 0" 4' - 0 5/8" 4' - 1 7/32"

3' - 0

9 21' -

1" 1' - 1

2' - 5 7/16"

10' - 0"

EQ 2' - 5 7/16"

4' - 0"

6' - 0"

3' - 0" 4' - 0 21/32"4' - 0"

4' - 2' 0" - 2 27/32"

EQ EQ EQ

RCP PLAN

Wire mesh ceiling in Phantom of Opera Mask shape

FRONT

SIDE

RECEPTION DESK

CORSET COLUMN LIGHTING

Flower inspired lighting

FRONT

COMMERCIAL DESIGN: MARKET

SIDE

SKETCHES

Q. What was the purpose of the design for this space? The space was designed as modern interpretation of outdoor picnic environment. White marble tiles and gray tree shadow patterned tiles were used for the flooring. Phantom of Opera mask shaped meshed ceiling, corset column lighting and glass partition with corset detail were added to space. I imagined modern picnic environment with hanging string lights in outdoor area. Gray tree shadows were used on the marble tile to create a relaxing atmosphere like we are resting in the shadow.

Q. What other customized designs did you add in this space? For the glass partition for the dining area, I incorporated corset detail to the partition so that the partition could have more romantic elements. I used rustic wood lumber picnic table for the dining table to complete the picnic scenery. I used corset structure as column lighting and added the yellow gold strip to emphasize the details. I used pendant light with hanging plants so that these could look like it’s been pulled out from the wire mask mesh ceiling. On the black wall, I created wall mounted lighting piece with transparent glass in the shape of flowers to enhance the romantic mood of this space. A

3' - 3 1/2"

10' - 10 9/32"

CAFE PREP AREA

" 21/32

7' - 10

CAFE & BAR

-4

WALK IN FRIDGE

B 2' - 0"

" 29/32

RESTAURANT KITCHEN

BAR

14' - 1 1/32"

11' - 3 13/32"

-1 1

9/3

12' - 11"

7' - 4"

6' - 10 5/8"

1' - 3 3/4"

BATHROOM

0' - 0"

8' - 1 13/32"

1' - 8"

0' - 3 1/8"

45.0 0°

DINING AREA

14' - 11 1/4"

6' - 0 3/8"

14' - 4 1/4"

1' - 8"

8' - 0"

9' - 10"

2' - 0" 2' - 5 21/32"

4' - 3 27/32"

12' - 2 3/32"

PIZZA OVEN

2' - 7 1/16"

4' - 9 7/16"

1' - 11"

8' - 10 7/16"

2' - 6 13/16"

3' - 4 25/32"

6' - 1 7/8"

5' - 6 23/32"

10' - 1 31/32"

PREPARED FOOD

6' - 2 7/16"

5 OPEN KITCHEN

CAFE

WALK IN FRIDGE

COMMERCIAL DESIGN: MARKET 3' - 4 1/32"

7' - 3 7/16"

7' - 11 3/32"

WINERY

4' - 3 11/32"

PRODUCT DISPLAY TABLE

WINE DISPLAY WINE TASTING TABLE

10' - 9 1/2"

8' - 10 3/32"

21' - 1 5/16"

9' - 7 1/2"

LOUNGE

12' - 10 3/32"

14' - 0"

2' - 1 25/32"

COMMERCIAL DESIGN: MARKET

3' - 3 1/2"

10' - 10 9/32"

CAFE PREP AREA

7' - 10

CAFE & BAR

-4

WALK IN FRIDGE

B 2' - 0"

" 29/32

RESTAURANT KITCHEN

BAR

14' - 1 1/32"

7' - 4"

6' - 10 5/8"

11' - 3 13/32"

-1 1

9/3

12' - 11"

0' - 0"

8' - 1 13/32"

1' - 8"

0' - 3 1/8"

45.0 0Â°

DINING AREA

14' - 11 1/4"

14' - 4 1/4"

1' - 8"

8' - 0"

9' - 10"

6' - 0 3/8"

2' - 0" 2' - 5 21/32"

4' - 3 27/32"

1' - 11"

12' - 2 3/32"

PIZZA OVEN

2' - 7 1/16"

8' - 10 7/16"

4' - 9 7/16" 2' - 6 13/16"

3' - 4 25/32"

6' - 1 7/8"

5' - 6 23/32"

10' - 1 31/32"

PREPARED FOOD

OPEN KITCHEN

6' - 2 7/16"

CAFE LOUNGE

9' - 7 1/2"

14' - 0"

2' - 1 25/32"

12' - 10 3/32"

6 8' - 10 3/32"

WALK IN FRIDGE

COMMERCIAL DESIGN: MARKET 3' - 4 1/32"

7' - 3 7/16"

7' - 11 3/32"

WINERY

4' - 3 11/32"

PRODUCT DISPLAY TABLE

WINE DISPLAY WINE TASTING TABLE

21' - 1 5/16"

1' - 3 3/4"

BATHROOM

10' - 9 1/2"

4' - 9

/32"

Q. What are the design features to focus in this space? For the flooring, I combined pure white marble flooring with tree shadow patterned marble flooring. It’s a tree shadow without real tree existing. The shadow creates visual impact but also at the same time this creates an illusion that the fruits and vegetables are directly from the tree. For the reception desk, I created modern looking white angular table but also added the lifted hanging ceiling which resembles the shape of raised table cloth.

3' - 3 1/2"

10' - 10 9/32"

21/32

CAFE PREP AREA

7' - 10

CAFE & BAR

WALK IN FRIDGE

B 2' - 0"

" 29/32

RESTAURANT KITCHEN

BAR

14' - 1 1/32"

11' - 3 13/32"

-1 1

9/3

12' - 11"

7' - 4"

6' - 10 5/8"

1' - 3 3/4"

BATHROOM

0' - 0"

14' - 11 1/4"

6' - 0 3/8"

1' - 8"

8' - 1 13/32"

14' - 4 1/4"

0' - 3 1/8"

45.0 0°

DINING AREA

1' - 8"

8' - 0"

9' - 10"

2' - 0" 2' - 5 21/32"

4' - 3 27/32"

12' - 2 3/32"

PIZZA OVEN

2' - 7 1/16"

4' - 9 7/16"

1' - 11"

8' - 10 7/16"

2' - 6 13/16"

3' - 4 25/32"

6' - 1 7/8"

5' - 6 23/32"

10' - 1 31/32"

PREPARED FOOD

6' - 2 7/16"

5 OPEN KITCHEN

14' - 0"

2' - 1 25/32"

WALK IN FRIDGE

7' - 3 7/16"

10' - 9 1/2"

3' - 4 1/32"

8' - 10 3/32"

9' - 7 1/2"

12' - 10 3/32"

LOUNGE

7' - 11 3/32" WINERY

4' - 3 11/32"

WINE DISPLAY

21' - 1 5/16"

PRODUCT DISPLAY TABLE

WINE TASTING TABLE

PRODUCT DISPLAY

MARKET

FRUIT RACK

REF

3' - 3"

3' - 9"

REF

TONY'S OFFICE

3' - 9"

6' - 9 5/8"

14' - 0"

3' - 8 1/8"

5' - 3 7/16"

3' - 9"

6' - 9 5/8"

4' - 8 1/2"

REF

1' - 4"

9' - 6"

PRODUCT DISPLAY SHELVING

8' - 11 1/2"

VEGETABLE RACK

1' - 6"

3' - 7 1/8"

PRODUCT DISPLAY ROUND TABLE 2' - 10 15/32"

4' - 9 5/8"

3' - 11 5/16"

1' - 4"

MARKET 64

COMMERCIAL DESIGN: MARKET

COMMERCIAL DESIGN: MARKET DESIGN

COMMERCIAL DESIGN: MARKET

“MODERN INTERPRETATION 3' - 3 1/2"

OF PICNIC SPACE” 10' - 10 9/32"

4' - 9

21/32

CAFE PREP AREA

7' - 10

CAFE & BAR

-4

WALK IN FRIDGE

2' - 0"

2" 29/3

RESTAURANT KITCHEN

BAR

14' - 1 1/32"

11' - 3 13/32"

-1 1

9/3

12' - 11"

7' - 4"

6' - 10 5/8"

1' - 3 3/4"

BATHROOM

0' - 0"

14' - 11 1/4"

6' - 0 3/8"

1' - 8"

8' - 1 13/32"

14' - 4 1/4"

0' - 3 1/8"

45.0 0°

DINING AREA

1' - 8"

8' - 0"

9' - 10"

2' - 0" 2' - 5 21/32"

4' - 3 27/32"

12' - 2 3/32"

PIZZA OVEN

2' - 7 1/16"

4' - 9 7/16"

1' - 11"

8' - 10 7/16"

3' - 4 25/32"

6' - 1 7/8"

5' - 6 23/32"

10' - 1 31/32"

2' - 6 13/16"

PREPARED FOOD

6' - 2 7/16"

5 OPEN KITCHEN

14' - 0"

2' - 1 25/32"

WALK IN FRIDGE

7' - 3 7/16"

7' - 11 3/32" WINERY

4' - 3 11/32"

WINE DISPLAY

21' - 1 5/16"

PRODUCT DISPLAY TABLE

10' - 9 1/2"

3' - 4 1/32"

8' - 10 3/32"

9' - 7 1/2"

12' - 10 3/32"

LOUNGE

WINE TASTING TABLE

PRODUCT DISPLAY

MARKET

FRUIT RACK

REF

3' - 3"

3' - 9"

REF

TONY'S OFFICE

3' - 9"

6' - 9 5/8"

14' - 0"

3' - 9"

6' - 9 5/8" 3' - 8 1/8"

5' - 3 7/16"

4' - 8 1/2"

REF

9' - 6"

PRODUCT DISPLAY SHELVING

P R E PA R E D F O O D 1' - 4"

8' - 11 1/2"

VEGETABLE RACK

3' - 7 1/8"

COMMERCIAL DESIGN: MARKET PRODUCT DISPLAY

ROUND TABLE 2' - 10 15/32"

4' - 9 5/8" 1' - 4" 1' - 4"

1' - 6"

Q. What was the inspiration for this area? I was inspired by the corset detail sketch drawing. To show the chaos, I deconstructed the frame in the letter of “Wine and drinks. “I made the sketch of corset into a three-dimensional structure to create the experience of walking into the art piece when people shop the wine.

3' - 3 1/2"

10' - 10 9/32"

21/3

CAFE PREP AREA

7' - 10

CAFE & BAR

WALK IN FRIDGE

B 2' - 0"

2" 29/3

RESTAURANT KITCHEN

BAR

14' - 1 1/32"

11' - 3 13/32"

-1 1

9/3

12' - 11"

7' - 4"

6' - 10 5/8"

1' - 3 3/4"

BATHROOM

0' - 0"

14' - 11 1/4"

6' - 0 3/8"

8' - 1 13/32"

1' - 8"

0' - 3 1/8"

45.0 0°

DINING AREA

14' - 4 1/4"

1' - 8"

8' - 0"

9' - 10"

2' - 0" 2' - 5 21/32"

4' - 3 27/32"

12' - 2 3/32"

PIZZA OVEN

2' - 7 1/16"

4' - 9 7/16"

1' - 11"

8' - 10 7/16"

3' - 4 25/32"

6' - 1 7/8"

5' - 6 23/32"

10' - 1 31/32"

2' - 6 13/16"

PREPARED FOOD

6' - 2 7/16"

5 OPEN KITCHEN

14' - 0"

2' - 1 25/32"

WALK IN FRIDGE

7' - 3 7/16"

10' - 9 1/2"

3' - 4 1/32"

8' - 10 3/32"

9' - 7 1/2"

12' - 10 3/32"

LOUNGE

7' - 11 3/32" WINERY

4' - 3 11/32"

WINE DISPLAY

21' - 1 5/16"

PRODUCT DISPLAY TABLE

WINE TASTING TABLE

PRODUCT DISPLAY

MARKET

FRUIT RACK

REF

3' - 3"

3' - 9"

REF

TONY'S OFFICE

3' - 9"

6' - 9 5/8"

14' - 0"

3' - 8 1/8"

5' - 3 7/16"

3' - 9"

6' - 9 5/8"

4' - 8 1/2"

REF

1' - 4"

9' - 6"

PRODUCT DISPLAY SHELVING

8' - 11 1/2"

VEGETABLE RACK

1' - 6"

3' - 7 1/8"

PRODUCT DISPLAY ROUND TABLE 2' - 10 15/32"

4' - 9 5/8"

3' - 11 5/16"

1' - 4"

WINE AREA 68

COMMERCIAL DESIGN: MARKET

“GUSTOSO IS THE NAME OF THE MARKET.”

ROOF GARDEN COMMERCIAL DESIGN: MARKET

“

Colors, like features, follow the changes of the emotions. - Pablo Picasso -

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

DECONSTRUCTION

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

MARIOTTO RESIDENCE 2016. 6 - 8 RESIDENTIAL DESIGN

RESIDENTIAL DESIGN: MARIOTTO RESIDENCE

CLIENT PROFILE 3rd Floor Unit: Maria is 45 years old and a single mom. She lives together with her daughter Simona and her father Frank. Maria owns a business and primarily works from her home. At any time, she may have up to three employees work from inside her home, the 3rd floor unit, on various projects. Maria needs an office space for herself and up to 2 other employees with laptops (see project program for detailed requirements.) Maria has expressed interest in having a small container garden to grow her own herbs, tomatoes, or squash. Maria will serve as the landlord to the low-income tenant in the 1st floor unit. Simona is 16 years old. She is actively involved in sports and plays the guitar. Simona earns good grades in school. It is common for classmates to come to the house for study sessions multiple times during the school year. Simona’s bedroom needs a dressing table with vanity mirror and power outlet. She also needs a study area and space for laptop computer and small printer. Simona is sensitive to chemicals and VOCs (volatile organic compounds). Frank is 75 years old. He is still active but his needs are changing. He walks with a cane. Kneeling and stooping have become more difficult for him in recent years. Frank is a member of the IACC (Italian American Citizens Club) and goes to events and meets old friends for breakfast weekly. Frank has glaucoma and has difficulty differentiating between colors with similar values. He needs good bedroom lighting and clear pathways.

2nd Floor Unit: Jason is a single dad with twin girls, Chloe and Aimee. Jason works as a special education teacher for mild to moderate special needs students. Jason coaches little league and enjoys golf. Jason also hunts during deer and duck seasons. Chloe and Aimee are 12 years old. They share a bedroom. Chloe excels in schools and is active in sports. She plays on a traveling soccer team year around. Aimee has cerebral palsy; she uses a wheelchair for mobility and she’s visually impaired. However, she’s intelligent, speaks well, and communicates with the assistance of a sight/auditory assistive device. She has difficulties with fine motor skills. A therapist comes to the home to help Aimee about two times a week. Aimee enjoys music of all kinds, from opera and rock, to country and pop.

1st Floor Unit: A tenant will rent the 1st floor unit from Maria Mariotto. This unit will be rented through San Francisco’s Section 8 and Rental Assistance Program for low-income tenants. Further information about low-income housing and the Section 8 government assistance program will be provided later in this module.

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

3rd Floor Unit (Maria, Simona, and Frank) Maria’s master bedroom: Master queen bedroom set, additional dresser Frank’s room: Double bed, lounge chair with foot rest Simona’s room: Full or queen size bed, Work area and dressing tables, 2 full bathrooms(1 accessed through Maria’s master bedroom), 1 must be ADA accessible. Laundry Kitchen : 20 total family members may gather at Marias for dinner and family celebrations. Dining Room : To seat 6 people on a regular basis Living Room Storage Maria’s work space : Space for herself and up to 2 other employees with laptops.

2nd Floor Unit (Jason, Chloe, and Aimee) Jason’s room: Must have a small desk and reading area. Must be wheelchair accessible. Chloe and Aimee’s room: Wheelchair accessible. Flexible space for varied abilities. The bathroom serving Chloe and Aimee’s room must be wheelchair accessible Laundry Kitchen: Breakfast nook area to seat family members for homework and crafts Dining Room Living Room Office/ work space: Incorporated into public spaces and bedrooms

1st Floor Unit (Rental Unit for Low Income Tenant(s)) Bedroom: Sleeping space must have a full sized or queen sized bed Bathroom: Tub and shower combination sink and storage. ADA compliant. Laundry: Stackable washer and dryer Kitchen: Economy Dining area Living Room: Seat 4-6. Accommodate 1-2 overnight guests Office/ work space: Small space for computer and drawer storage Storage: Linens, clothes closet and supplies

PROGRAM

DIAGRAMS FIRST FLOOR

DIRECTLY ADJACENT WORKSPACE

BEDROOM

BATHROOM

ADJACENT PRIVATE KITCHEN

LIVING RM

LAUNDRY

PUBLIC

DINING

SECOND FLOOR

MASTER BEDROOM

CHLOE & AIMEE’S

JASON’S BEDROOM

BEDROOM

LIVING RM

DINING

KITCHEN

ADJUSTABLE ROOM

ADA BATHROOM

LAUNDRY

THIRD FLOOR

MARIA’S MASTER BEDROOM

SIMONA’S ROOM

MASTER BATHROOM

DINING FRANK’S ROOM

MARIA’S WORKSPACE LIVING RM

ADA BATHROOM

KITCHEN

LAUNDRY

RESIDENTIAL DESIGN: MARIOTTO RESIDENCE

GARAGE

OFFICE

LAUNDRY

KITCHEN

HALLWAY

ADA BATHROOM

DINING

BEDROOM

OFFICE LAUNDRY

KITCHEN

DINING

LIVING AREA

LIVING

ADA

CHLOE,

MULTI

JASON’S

AIMEE’S

FUCTIONAL

ROOM

HALLWAY STORAGE

CHLOE,

MULTI

AIMEE’S

FUCTIONAL

ROOM

MASTER BED RM

ADA

BEDROOM

ROOM

BATHRM

ADA

HALLWAY

LAUNDRY

BATHROOM

LIVING

LAUNDRY

ROOM

KITCHEN

LIVING

DINING AREA

ROOM

FRANK’S BEDROOM

KITCHEN

JASON’S ROOM

DINING AREA

SIMONA’S

FRANK’S

BEDROOM

MARIA’S BEDROOM

ADA BATHROOM

HALLWAY

HALLWAY LAUNDRY

KITCHEN,

LIVING

DINING

MARIA’S

MASTER BATH RM

OFFICE

ADA BATHROOM

LAUNDRY

BEDROOM

MASTER BATH RM

ROOM

OFFICE

KITCHEN

DINING

RESIDENTIAL DESIGN: MARIOTTO RESIDENCE

FIRST FLOORPLAN -

ENTRY

GARAGE FOYER

7' - 10 5/8"

8' - 9 27/32"

16' - 5 17/32"

W/D

OVERHEAD SHELVING

LAUNDRY 1' - 0"

OFFICE

1' - 0"

ENTRY

1' - 0"

BUILT IN BOOKSHELF

0' - 6"

16' - 10 15/16"

SHELVING OVERHEAD

8' - 0 7/16"

2' - 0"

STORAGE

1' - 7 13/32"

15' - 2 7/8"

2' - 0"

12' - 7 5/8"

6' - 0 7/16"

1' - 9 1/2"

EQ EQ

7' - 4 7/32"

4' - 0"

2' - 0"

0' - 11 1/2"

1' - 3" 24' - 5 1/32"

12' - 1 13/32"

UNDERNEATH CABINET

EQ EQ

3' - 6"

2' - 0"

11' - 2 1/2"

VENTILATION HOOD

OVEN

BATHROOM

WALK IN CLOSET

1' - 0"

OVERHEAD CABINET

EQ EQ

UNDERNEATH CABINET

KITCHEN

LIVING AREA

10' - 5 1/2"

17' - 0"

REF

3' - 7 29/32"

2' - 7 19/32"

12' - 1 13/32"

BEDROOM

6' - 6 3/8"

2' - 0 3/4"

19' - 2"

N 22' - 4 5/16"

9' - 0"

6' - 2"

RESIDENTIAL DESIGN: MARIOTTO RESIDENCE

9' - 0"

8' - 0"

The concept for the first floor was “Exposed (to nature).” Client for this level is for the low-income household and to make this space available at a lower price, I thought about sustainable design. Even it’s the home for the low-income family, I thought they still deserve the house which can provide them with high-quality life. The sustainable design cuts down the energy use and also, it’s aesthetically pleasing. Creating window walls will make this house available to use passive heating and cooling by the letting the sunlight coming through the window.

SOFT, TEAM 7

WINGBACK CHAIR, TOM DIXON

TEAK DINING TABLE, HANS OLSEN

RILETTO, TEAM 7

BASE TABLE LIGHT, TEAM 7

WINGBACK LONG OTTOMAN CHAIR, TOM DIXON

FAN CHAIR , TOM DIXON

RILETTO, TEAM 7

RESIDENTIAL DESIGN: MARIOTTO RESIDENCE

SECOND FLOORPLAN 16' - 8 31/32"

9' - 9"

2' - 9"

0' - 11"

6' - 0"

1' - 5 1/32" 1' - 0"

10' - 11 31/32"

1' - 0"

11' - 8 31/32" 1' - 6" 5' - 0"

5' - 6"

11' - 7 17/32"

STORAGE

1' - 0"

0' - 6"

TV OPEN SHELVING

5' - 0 1/2"

WALK IN CLOSET

MASTER BATHROOM 14' - 10"

ELEVATION 2 3-B

3' - 0 31/32"

2' - 10 15/16"

7' - 6 25/32"

5' - 4 7/32"

5' - 6 25/32"

0' - 7 17/32"

5' - 4 7/32"

BUILT IN BOOKSHELF ABOVE

2' - 9 11/32"

ADA BATHROOM

1' - 0"

PATIO

1' - 5 1/4"

2' - 0"

GAP FOR AMBIENT LIGHTING

6' - 6"

2' -

LAUNDRY

CL MTD MIRROR

4' - 8"

SHELVING OVERHEAD

1' - 3 3/4"

1' - 6"

1' - 0"

A113

W/D

OVERHEAD SHELVING

JASON'S BEDROOM

1' - 0 1/32"

CHLOE, AIMEE'S ROOM

1' - 0"

1' - 2"

5' - 6"

3' - 11 3/4"

1' - 6"

PULL OUT STORAGE UNDER SEATING

BUILT IN BOOKSHELF

3' - 6"

5' - 3 15/16"

4' - 7"

WINDOW SEATING

0' - 10"

1' - 6"

11' - 11" 1' - 3 29/32"

7' - 5"

11' - 6"

3' - 6"

6' - 2 29/32"

4' - 0 1/4"

DRESS ROOM

1' - 3 3/4" BUILT IN SEATING

3' - 4 1/32"

7' - 0 1/4"

7' - 8 3/32"

3' - 8"

PULL OUT DRAWER UNDER HANGER

MAKEUP TABLE

5' - 0"

1' - 6"

HANGER

MIRROR WALL

1' - 5"

5' - 10 23/32"

19' - 5 1/32"

9' - 0"

2' - 5 31/32"

1' - 6"

3' - 0"

15' - 6"

3' - 1" 9' - 4 11/16"

13' - 5 5/16" 7' - 2"

ELEVATOR

ENTRY

4' - 11 3/4"

15' - 10"

2' - 7 19/32"

UNDERNEATH CABINET

13' - 10 1/32"

BACKYARD ACCESS

REF UNDERNEATH CABINET

OVERHEAD CABINET

1' - 3" VENTILATION HOOD BEYOND

KITCHEN OVEN DW

2' - 0 3/4"

5' -3

LIVING ROOM 24' - 5 1/32"

2" /3 23 DINING

7' - 6 29/32"

RESIDENTIAL DESIGN: MARIOTTO RESIDENCE

The concept for the second floor was “Deconstructed nature.” In this level, I focused on to create ADA qualified space and sustainable environment. So, I used the texture and shape of the deconstructed nature to create the modern space. To help Aimee who was having cerebral palsy, I incorporated the sound of nature for each room which can make her easy to know which room she is entering. Incorporating sound of nature was also part of deconstructing the element of nature.

FADE PENDANT GOLD , TOM DIXON

PYLON COFFEE TABLE , TOM DIXON

TEAK TABLE ADJUSTABLE HEIGHT, KAI KRISTIANSEN

CABINET, ROOM AND BOARD

LOFT WALL AND LEANING MIRRORS, ROOM AND BOARD

CELL WALL LIGHT, TOM DIXON

7 BRAS FIXES WALL LAMP, SERGE MOUILE

BASE WALL LIGHT, TOM DIXON

CLOUD SOFA, MOOOI

FLASH TABLE, TOM DIXON

ROGAN CANOPY BED, WEST ELM RESIDENTIAL DESIGN: MARIOTTO RESIDENCE

RESIDENTIAL DESIGN: MARIOTTO RESIDENCE

“DECONSTRUCTED, AND CONSTRUCTED INTO NEW FORM”

CHLOE & AIMEE’S ROOM RESIDENTIAL DESIGN: MARIOTTO RESIDENCE

THIRD FLOORPLAN

16' - 11 1/4"

18' - 0 3/4" 4' - 7"

2' - 0"

WINDOW SEATING

15' - 5 7/32"

1' - 0"

0' - 9" FRAME TABLE

11' - 3 9/32"

6' - 7"

STORAGE

EQ EQ EQ EQ

2' - 3"

7' - 11"

3' - 1 9/32"

2' - 9 11/32"

0' - 8"

2' - 0 3/4"

WALK IN CLOSET

3' - 0" 2' - 1 13/32"

2' - 10 13/32"

1' - 9"

LAUNDRY

1' - 6"

SHELVING

MASTER BATHROOM 2' - 3 1/8"

5' - 0"

1' - 11" 6' - 7"

14' - 2"

1' - 6"

EQ EQ

2' - 0 3/4"

SHELVING

3' - 5"

1' - 6"

6' - 9 1/32"

1' - 3 31/32"

1' - 3"

5' - 3 17/32"

ROTATABLE MIRROR WALL

1' - 6"

5' - 10 3/8"

" '-2

WALK IN CLOSET

3' - 2 23/32"

EQ EQ EQ EQ

6' - 0"

1' - 6"

7' - 10 3/4"

EQ EQ EQ EQ

9' - 8 1/8"

0' - 2" WALK IN CLOSET

2' - 6"

MARIA'S BEDROOM

3' - 0"

1' - 6" EQ EQ EQ EQ

2' - 2 5/16"

1' - 6"

BUILT IN BOOKSHELF

FRANK'S BEDROOM

2' - 7 5/32"

SIMONA'S BEDROOM

7' - 10 3/4"

PULL OUT STORAGE UNDER SEATING

0' - 9"

2' - 2 7/8"

4' - 4"

6' - 1 11/32"

11' - 6"

5' - 1 9/32"

1' - 11 3/4"

4' - 8"

16' - 8"

1' - 0"

MIRROR CABINET 4' - 1 1/8"

HANGER

3' - 0 1/2"

6' - 2"

CLOSET 8' - 10"

1' - 2 29/32"

ADA BATHROOM 2'

-6

OPEN TO BELOW

2' - 9 13/16"

5' - 2 3/16"

6' - 2"

OPEN TO BELOW

2' - 1 1/2"

10' - 3"

BALCONY

11' - 10 7/16"

DINING

ENTRY

" 16

1' - 2"

10' - 6 9/16"

BACKYARD ACCESS

16' - 1 5/32"

28' - 6"

9' - 9"

MIRROR WALL

2' - 0"

4' - 9 1/32"

OFFICE

OVERHEAD SHELVING

EQ 2' - 0 7/8"

VENTILATION HOOD BEYOND

OVEN

1' - 6 1/2"

REF

27' - 10 15/16"

14' - 4 1/8"

4' - 8 7/16"

5' - 11"

24' - 5 1/32"

1' - 0"1' - 6"

KITCHEN CABINET BEYOND

19' - 8"

11' - 7 1/2"

5' - 5 11/16"

4' - 10 27/32"

1' - 2"

5' - 10 29/32"

2' - 6"

5' - 0"

RESIDENTIAL DESIGN: MARIOTTO RESIDENCE

LIVING ROOM

The concept for the third floor was “No dilemma.” In this level, I focused on to create perfect space especially for senior which creates no dilemma or difficulties. The dilemma is the theme of the story which I want to incorporate throughout this space. Frank is the member of the Italian-American society. So, I used stained glass lighting to create the feeling of an old Italian cathedral. After the dilemma is over, our mind comes out from the darkness and becomes brighter. So, I thought of the tunnel as the image of my concept “No dilemma.” Customized furniture and lighting will convey the theme of the dilemma. The overall space will convey the image of “brightness” which equals to “No dilemma” state by making large window walls, window seating and use of the sustainable material. These solutions will help Simona suffering from chemicals and VOCs.

RILETTO, TEAM 7

NARROW LEG WOOD BED FRAME, WEST ELM

SOL, TEAM 7

FLOATING SHELF TABLE, WEST ELM

DM 2750, DANISH RETRO

BEAT TALL BLACK, TOM DIXON

PLANE WALL LIGHT, TOM DIXON

ETCHED PENDANT LIGHT, TOM DIXON

DANE ARM DINING CHAIR, WEST ELM

SOFT,TEAM 7

RESIDENTIAL DESIGN: MARIOTTO RESIDENCE

D E TA I L S LIGHT FIXTURE

LIGHT FIXTURE MOUNTING BRACKET

CROSS TEE

0' - 9 3/4"

0' - 9 1/2"

SHEETROCK BRAND GYPSUM PANEL

0' - 9"

4" PULL IN SATIN NICKEL

0' - 8 25/32"

CONCRETE BLOCK GYPSUM BOARD

1' - 0 1/8"

PAINT WALL FINISH

0' - 2 3/4"

GLASS BACK SPLASH TILE

MARBLE COUNTER TOP

0' - 7 3/4"

15MM THK VENEER WOOD DRAWER HEADER

0' - 1 1/2"

1' - 0 17/32"

HAFELE DRAWER ROLLER

15MM THK VENEER WOOD

1' - 1 7/32"

VENEER WOOD SHELVING

0' - 2"

VENEER WOOD SKIRTING

Level 1 0' - 0"

LEVEL 1 KITCHEN CABINET SCALE : NTS

OPEN SHELVING

1' - 5"

3' - 0"

1' - 0"

TV RECESSED TO WALL

2' - 0 3/4"

5' - 0"

WD BASE

RESIDENTIAL DESIGN: MARIOTTO RESIDENCE

2' - 0 3/4"

Level 3 21' - 0" 2

LEVEL 3 BATHROOM ELEVATION SCALE : NTS

2' - 11 13/16"

3' - 3 1/4"

1' - 8 13/16"

VENTILATION

8' - 9 3/8"

2' - 5 1/8"

TOE KICK

2' - 6 25/32"

1' - 2 13/16"

EQ EQ

2' - 10 7/8"

0' - 3" EQ 3' - 0"

BUILT IN DOUBLE OVEN

INDUCTION

7' - 0 5/8"

REF BEHIND WOOD SLAB DOOR

3' - 7 13/16"

1' - 7 7/8"

3' - 3 1/4"

Level 3 21' - 0"

2' - 6 25/32"

Level 2 10' - 0"

2' - 5 3/4"

LEVEL 2 KITCHEN ELEVATION SCALE : NTS

SUSPENDED CEILING

CL MT MIRROR

PENDANT LIGHTING

1' - 4 1/4"

1' - 2 1/32"

WD SHELVING

3' - 0"

2' - 0 5/8"

1' - 5 25/32"

2' - 7 1/8"

2' - 3"

0' - 10 5/32" 0' - 9"

3' - 4"

0' - 10" 0' - 10"

1' - 4 1/4"

Level 2 10' - 0"

LEVEL 2 KITCHEN CABINET SCALE : NTS RESIDENTIAL DESIGN: MARIOTTO RESIDENCE

â&#x20AC;&#x153;

Seek the strongest color effect possible... the content is of no importance. - Henri Matisse -

LU X U R I O U S

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

LOUBOUTIN STORE 2015 . 2 - 5 COMMERCIAL

COMMERCIAL DESIGN: LOUBOUTIN STORE

CONCEPT

LUXURY

Noun

A state of great comfort or elegance,

A dirty or untidy state

especially when involving great expense.

of things or of a place

We can think of luxury as clean, neat and well-organized environment but I believed beyond luxury is creating a mess with luxury elements. Christian

Louboutin shoes are one of the most expensive and luxury shoes in the world. I interpreted wearing Louboutin shoes leaves a visible trace. Destruction is one of the popular trends in design now, and I thought creating a mess with Louboutin element would be turn out to modern space.

MESS

COMMERCIAL DESIGN: LOUBOUTIN STORE

Christian Louboutin is one of the most famous shoe designer in the world. His shoes are best known for the red colored sole and his creatively designed unique shoes. He said that he hates the concept of the comfort. He was the designer who made high heel popular.

Heel +sole?

Footprints?

Animals?

Louboutin shoes are famous for the

Floor graphic is one of the significant

Showed shopping routes with red

red sole and high heels.Column

design trends. To help the circula-

footprints and separated each

lighting and redwood organic shaped

tion for this shopping space, I used

section by placing different animals.

beams were created in the shape

animal’s red colored footprints as the

“We all have different characteris-

of the heel and the red sole of the

trace to help the shopping.

tic, but we all leave the trace of the

Christian Louboutin shoes.

red footprints when we are wearing Louboutin shoes” was the message to convey throughout this space.

COMMERCIAL DESIGN: LOUBOUTIN STORE

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COMMERCIAL DESIGN: LOUBOUTIN STORE

THEREâ&#x20AC;&#x2122;S ONLY LEOPARD, RED VELVET CARPET SILHOUETTE MIRROR LIGHTING SCULPTURE ALL CREATED AS LEOPARD

COMMERCIAL DESIGN: LOUBOUTIN STORE

101

102

COMMERCIAL DESIGN: LOUBOUTIN STORE

THEREâ&#x20AC;&#x2122;S ONLY RHINO, RED VELVET CARPET SILHOUETTE MIRROR LIGHTING SCULPTURE ALL CREATED AS RHINO

COMMERCIAL DESIGN: LOUBOUTIN STORE

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104

COMMERCIAL DESIGN: LOUBOUTIN STORE

THEREâ&#x20AC;&#x2122;S ONLY GIRAFF, RED VELVET CARPET SILHOUETTE MIRROR LIGHTING SCULPTURE ALL CREATED AS GIRAFF

COMMERCIAL DESIGN: LOUBOUTIN STORE

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â&#x20AC;&#x153;

You reason color more than you reason drawing... Color has a logic as severe as form. - Pierre Bonnard -

107

108

BUILDING CONSTRUCTION 2014. 9 - 12 RESIDENTIAL DESIGN

RESIDENTIAL DESIGN: BUILDING CONSTRUCTION

109

EXTERIOR

SCARF ON WIND AND SCARF OVERLAPPING THE SILHOUETTE OF THE FACE WAS THE INSPIRATION. THE STUDIO IS DESIGNED AS A SHAPE OF THE SCARF ROUNDING THE NECK.

110

THE CONTOUR OF THE FACE, A FLYING SCARF WAS THE INSPIRATION.

COMMERCIAL DESIGN: NATIONAL GEOGRAPHIC

111

B AT H R O O M

RAINING, GIRL WITH A PEARL EARRING

112

RESIDENTIAL DESIGN: BUILDING CONSTRUCTION

MOSAIC FLOOR WITH PHOTOGRAPHY

WOOD FLOOR WITH RAIN REFLECTION

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STUDIO

STUDIO WITH TILTED GLASS CURTAIN WALL

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RESIDENTIAL DESIGN: BUILDING CONSTRUCTION

FIRST FLOOR LEVEL

BANKSY ARTWORK TILE WALL

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STAIR ROD IN RAIN SHAPE , BOY BLOWING THE BALLOON

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RESIDENTIAL DESIGN: BUILDING CONSTRUCTION

ELEVATION SOUTH SCALE : NTS

ELEVATION EAST SCALE : NTS

MEETING ROOM

LAUNDRY MUD ROOM

STORAGE

WOODSHOP

STORAGE KITCHEN

LIVING

KITCHEN

WOODSHOP

BATHROOM

WORKSPACE

BATHROOM

GUEST BEDROOM DINING

LEVEL 1 FLOOR PLAN SCALE : NTS

OPEN TO BELOW -

DRESS ROOM

BATHROOM

MASTER BEDROOM

LEVEL 2 FLOOR PLAN SCALE : NTS

FLOORPLAN

DEDICATION This portfolio is dedicated to my family, friends, and instructors that have helped me shape myself into who I am now. If it werenâ&#x20AC;&#x2122;t for them, my work would not be what it is now. Their guidance and support have helped me make my portfolio an abundance of gorgeous design and art, for that, I will be forever grateful.

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