Folio_Sophia Kim

Page 1

S SOPHIA KIM


Outside view of Exhibition space


1. National Geographic

Nature is the best

HIDE Hide AND and SEEK Seek

lighting source

All animals play Hide and Seek

The concept for this project was Hide and Seek. I compared the company’s mission to the “Hide and NAT GEO LOGO

Seek” play. National Geographic Society funds more than 300 research, conservation, and exploration projects.Company’s mission is all about exploring and understanding our human story, critical species, and our living planet. I compared the nature as the “hiding object” and

WOOD BEAM CEILING

National Geographic as the “seeking company,” looking for the beautiful aspects of nature. National Geographic have been taken a role as an educational company by continuously discovering the unknown aspects of nature.

EXHIBITION 1 & 2


Development sketch of ceiling structure

Ceiling structure was inspired by the illustration of the “Elephant Hat” from The Little Prince.The silhouette of the “Elephant Hat” was combined with the rectangular yellow line of the National Geographic logo which conveys the overall concept of “Hide and Seek” and the identity of the company.

Second Floor Plan (Scale:NTS) A

B

C

WINDOW ARCH

D

WINDOW ARCH

E

WINDOW ARCH

WINDOW ARCH

1

2' -

5' - 0 1/2"

2'

203

" -6

240 SF

5' - 0 1/2"

25' - 10"

3'

- 8"

5' - 7"

11' - 9"

23' - 7"

R

R

6"

5' - 0" 23' - 11 1/2"

PRIVATE OFFICE 4

202 221 SF

R

2' R

5' - 0" 24' - 2 1/2"

R

2' - 0"

2' - 0"

2' -

6"

9' - 11"

PRIVATE OFFICE 3

201 225 SF

6"

PRIVATE OFFICE 2

200 228 SF

4' - 11 1/2"

PRIVATE OFFICE 1

RAMP , 1" STEEP CHANGE FOR EVERY 12" UP

R 3'

- 10

"

17' - 8"

6' - 6"

2 13' - 0"

1' - 7"

8' - 1 1/2"

6' - 0" 37' - 6"

227 2631 SF

5' - 11 1/2"

EXHIBITION 2

STAIR A

5' - 0"

214

20' - 4 1/2"

5' - 2 1/2"

EXHIBITION 1

15' - 2 1/2"

5' - 0"

7' - 11"

960 SF

BREAK ROOM 208 357 SF

1' - 2"

ELEV

3

6' - 0"

R

6' - 1"

6' - 6"

7' - 4 1/2"

17' - 8"

5' - 0"

1' - 5"

RAMP , 1" STEEP CHANGE FOR EVERY 12" UP

6' - 8" 3'

-9

"

STAIR B

2' -

- 3"

R

5' - 7"

2' R

9' - 7"

10' - 0"

2'

-6 "

6"

6"

205 233 SF

1'

6"

PRIVATE OFFICE 6

204 232 SF

9' - 10" R

R

2' -

PRIVATE OFFICE 5

4' - 9"

6' - 4" 5' - 0"

5' - 0"

R

1' - 0" 5' - 0"

6' - 4"

5' - 2"

DN

SHELVING

MEN'S RESTROOM

4' - 4 1/2"

100

WOMEN'S RESTROOM 100

198 SF

4

173 SF

24' - 2 1/2"

24' - 7 1/2"

13' - 3 1/2"

5' - 8"

12' - 5"

5' - 4"

N


1

Structure of Exhibition space

WEIGHT BEARING COLUMN

LITTLE PRINCE SNAKE HAT STRUCTURED CL

MAIN CEILING AT AFF 10'-11"

1' - 0"

2' - 9 1/2"

12' - 11"

3' - 11"

2' - 0"

0 Roof 27' - 1"

2nd Floor 14' - 2" LED LIGHTING FRAME

BASEBOARD

2

Interior view of the Exhibition space

LITTLE PRINCE SNAKE HAT STRUCTURED CL

CURVED WOOD CEILING BEAM

2' - 7"

0 Roof 27' - 1"

0' - 8 1/2"

DROPPED CEILING, 10-0 1/2" AFF

1' - 1"

DROPPED CEILING WITH BUILT IN COVE LIGHTING, 9'-4" AFF

2' - 0"

8' - 3"

9' - 0"

9' - 4"

2' - 0"

2nd Floor 14' - 2"

3' - 6" STAIR ENTRANCE

3

Long section

E

D

C

B

A

Roof cut 34' - 5"

0 Roof 27' - 1" EXHIBITION CEILING CL AFF 10'-11"

EXHIBITION 2

EXHIBITION 1

ELEVATOR

OFFICE HALLWAY

EXHIBITION RAMP

2nd Floor 14' - 2"

PRIVATE OFFICE STAIR TO SECOND FLOOR

LOADING DOCK

RECEPTION & LOBBY

WORK SPACE

1st Floor 0' - 0"

STAIR IN THE SHAPE OF WATERFALL


Exploded

1

2


view of ceiling lighting

3

B

C

ARCH

1' - 8"

2' - 3"

- 0"

2' - 8"

ø 3'

8' - 3 1/2"

ø

4'

- 0"

EQ EQ

1124 SF

1' - 0"

1' - 2"

WORKSPACE 101

SIT STAND DESK

1219 SF

1' - 2"

1' - 0"

2' - 6"

REGISTER

3' - 2 1/2"

1' - 0"

TOM DIXON, SERPENTINE SEATING

12 0.0 0°

12 0.0 0°

0° 0.0 12

2

0° 0.0 12

R 17' - 8"

1' - 8"

10' - 10 1/2"

0' - 10 1/2" 4' - 0"

15' - 11"

SMALL CONFERENCE 2' - 11"

16' - 11"

LOADING DOCK

21' - 1"

20' - 4"

RECEPTION & LOBBY

5' - 3 1/2"

6' - 6 1/2"

4' - 0"

7' - 0 1/2"

5' - 2 1/2"

15' - 1 1/2"

UP

14' - 6"

103 364 SF

PRIVATE OFFICE

110

102 105 SF

UNDERSTAIR SEATING SCREEN COLUMN

WALL COVERING

4' -

8 1/2

ø

7' - 11 1/2"

1' - 9 1/2"

MEN'S RESTROOM

6' - 10 1/2"

" - 10

3

1' - 3 1/2" 10' - 6"

STAIR B

UP

WOMEN'S RESTROOM

3' - 11 1/2"

2' R 20' - 4"

JANITORIAL

108 259 SF

4' - 1"

10' - 4"

9' - 9"

5' - 6 1/2"

- 6"

288 SF

2'

6' - 6 1/2"

1' - 3 1/2"

REF

TELE/ELEC

107

106

28 SF

27 SF

0' - 10"

109

5' - 5"

5' - 11"

7' - 8"

5' - 6"

3' - 6"

5' - 9"

7' - 3"

6' - 2" 7' - 11"

2' - 4"

"

1' - 1"

3' - 10 1/2"

CONFERENCE ROOM

6' - 6 1/2" 1' - 8"

4' - 0"

104

BREAK ROOM

589 SF

22' - 10 1/2"

" 1/2

15' - 6 1/2"

-2

20.67°

3'

ELEV

0° 31.2

dripping honey and ceiling lighting was created in a shape of folded

- 6" R

2'

8' - 6 1/2"

- 6" 2' R

235 SF

3' - 10"

2' - 7"

7' - 0 1/2"

2' - 8"

105

4' - 2"

lighting hidden inside the frame.

1' - 2"

100

6' - 6"

wooden frame filled with the repetitive honeycomb shaped pendant

SHELVING

CAFE & STORE 2' - 3"

was created by giving dramatic height changes and added the sharp angles in this space. The wood table was created as the shape of

- 0"

1' - 2"

CUSTOMIZED TABLE IN STAIR SHAPE

5' - 0 1/2"

me of the beehive and the honeycomb.Grey felt material partition

ARCH HOLE IN KEYHOLE SHAPE

ø 4'

- 0"

1' - 3 1/2"

up with the beehive because the color of Nat Geo’s logo reminded

4'

29' - 7 1/2"

ø

1

92 SF

10' - 4"

ROUND DISPLAY TABLE

39' - 2 1/2"

109

0' - 8 1/2"

SHELVING

BAR TABLE

BAR TABLE

E

HEXAGONAL METAL FRAME, SLIDE SHELF

COPY ROOM

4' - 4"

Hide and Seek concept was used to design this workspace. I came

D 8' - 10 1/2"

ARCH

1' - 3"

A

6' - 0"

4 3' - 5 1/2"

4' - 6 1/2"

BAR TABLE

14' - 0"

37' - 6 1/2"

4' - 3"

N

1

FIRST FLOOR PLAN SCALE : NTS

Workspace


1

Elevation of Reception and Lobby area

2

Elevation of Conference room

3


B

C

ARCH

D 8' - 10 1/2"

ARCH

COPY ROOM

1' - 8" - 0"

1' - 2" SHELVING

1' - 2"

CAFE & STORE 100

2' - 3"

1124 SF

ø 3'

- 0"

1' - 0"

1' - 2"

WORKSPACE 101

SIT STAND DESK

1219 SF

1' - 2"

1' - 3 1/2"

1' - 0"

2' - 6"

REGISTER

3' - 2 1/2"

1' - 0"

TOM DIXON, SERPENTINE SEATING

8' - 3 1/2"

ø

4'

- 0"

EQ EQ

2' - 3"

4' - 4"

CUSTOMIZED TABLE IN STAIR SHAPE

2' - 8"

4'

ø 4'

"

29' - 7 1/2"

ø

ARCH HOLE IN KEYHOLE SHAPE

-0

1

92 SF

10' - 4"

ROUND DISPLAY TABLE

39' - 2 1/2"

109

0' - 8 1/2"

SHELVING

BAR TABLE

BAR TABLE

E

HEXAGONAL METAL FRAME, SLIDE SHELF

1' - 3"

A

12 0.00 °

12 0.00 °

° 0.00 12

° 0.00 12

2

R 17' - 8"

1' - 8"

10' - 10 1/2"

0' - 10 1/2" 4' - 0"

15' - 11"

SMALL CONFERENCE 2' - 11"

16' - 11"

UP

5' - 0 1/2"

20' - 4"

RECEPTION & LOBBY

5' - 3 1/2"

LOADING DOCK

21' - 1"

4' - 0"

6' - 6 1/2"

15' - 1 1/2"

7' - 0 1/2"

5' - 2 1/2"

14' - 6"

103 364 SF

PRIVATE OFFICE

110

102 105 SF

UNDERSTAIR SEATING SCREEN COLUMN

WALL COVERING

4' -

8 1/2

ø

7' - 11 1/2"

1' - 9 1/2"

MEN'S RESTROOM

3

1' - 3 1/2" 10' - 6"

STAIR B

UP

WOMEN'S RESTROOM

3' - 11 1/2"

" -6 2' R

5' - 6 1/2"

20' - 4"

JANITORIAL

108 259 SF

4' - 1"

10' - 4"

9' - 9"

6' - 10 1/2"

" - 10

1' - 3 1/2"

REF

TELE/ELEC

107

106

28 SF

27 SF

0' - 10"

109 288 SF

5' - 5"

2'

6' - 6 1/2" 7' - 8"

5' - 6"

5' - 11"

3' - 6"

5' - 9"

7' - 3"

6' - 2" 7' - 11"

2' - 4"

"

1' - 1"

3' - 10 1/2"

CONFERENCE ROOM

6' - 6 1/2" 1' - 8"

4' - 0"

104

BREAK ROOM

589 SF

22' - 10 1/2"

1/2"

20.67°

-2

0° 31.2

3'

ELEV

15' - 6 1/2"

6' - 6"

" -6 R

2'

8' - 6 1/2"

-6 2' R

7' - 0 1/2"

3' - 10"

2' - 7"

4' - 2"

2' - 8"

"

105 235 SF

6' - 0"

4 3' - 5 1/2"

4' - 6 1/2"

BAR TABLE

37' - 6 1/2"

14' - 0"

4' - 3"

N

1

4

Elevation of Cafe and Store

5

Elevation of Stairs (Enclosed fire stairs)

FIRST FLOOR PLAN SCALE : NTS

2nd Floor 14' - 2"

FIRE RATED GLASS STAIR WALL

EXHIBITION RAMP

2nd Floor 14' - 2"

EXHIBITION RAMP, AFF 10'-7 1/2"

GYPSUM CEILING, AFF 10'-7 1/2"

10' - 7 1/2"

6' - 5"

STRUCTURAL SUPPORT

10' - 7 1/2"

FIRE RATED GLASS STAIR WALL

STAIR LANDING, AFF 6'-5"

1st Floor 0' - 0"

1st Floor 0' - 0" STAIR RAILING


Interior view

Interior view


2. Market Design

CHAOTIC MODERN PICNIC ENVIRONMENT

w of Cafe

ROMANTIC CHAOS The concept of this space was “Romantic Chaos.” The client wanted this space to be classic, modern and place that shows his “farm to table” concept.To achieve his goal for this area, I imagined the photography of picnic space with having outdoor string lighting all over the wooden picnic table. But to take this idea into a modern design, I added the destruction concept to the picnic scene. I imagined shadow as the destructive method for the flooring and added ceiling mesh as a destructive method for the ceiling.I believed that the word “Romantic” would lead the design to look classic, and the word “Chaos” would lead the design into modern space. I believed the chaotic scene could look romantic when you stop and stare at the chaotic moment. The purpose of design for this space was to create the modern version of the traditional picnic space.

w of Cafe


4

2

N

MATERIAL

1

3 5

White marble tile

White marble tile patterned with gray tree shadow

6

1 CAFE & BAR 2 CAFE PREP AREA 3 RESTAURANT KITCHEN 4 WALK IN FRIDGE 8

7

5 BATHROOM 6 DINING AREA 7 PREPARED FOOD 8 OPEN KITCHEN 9

9 WINE AREA

10

10 MARKET 11 TONY’S OFFICE 11


LOGO FONT: AGENCY FB REGULAR The market is a collaborative space.The grid is made from the group of small squares, and it’s the foundation to create any other shapes.One square cannot form a grid. To become a grid, the grid has to be made in a combination of plenty number of squares.By using the grid, we can create a limitless number of letters and shapes.Like this, when each worker collaborates and supports each other, they can create a dynamic and beautiful market.

PACKAGING

MEAT

LINGUINE

SALT


Prepared food area

The original space had s

into a design, I added co

umn.Rounded shaped co

which mimics the shape

Column lighting is desig

Market For the flooring, I combi

ble flooring with tree sha flooring.

It’s a tree shadow with

The shadow creates visu

the same time this creat

fruits and vegetables are

For the reception desk, I

white angular table but a ceiling which resembles tablecloth.


a

Wire mesh ceiling in Phantom

several structural columns.So to turn this column

of Opera Mask shape

olumn lighting and the rounded table to each col-

olumn table was made in a shape of cage dress

e of picnic basket showing “romantic� element.

gned like the shape of the corset.

FRONT

SIDE

Reception Desk in shape of lifted table cloth ned pure white mar-

adow patterned marble

hout real tree existing.

ual impact but also at

tes an illusion that the

e directly from the tree.

I created modern looking

also added the dropped the shape of the raised


Wine area

I was inspired by the corset d

ing. To show the chaos, I dec

frame in the letter of “Wine an

the sketch of corset into a thr

structure to create the experie

the art piece when people tas

Roof garden

Made the wireframe metal bo

market “Gustoso” and filled th

“G” shaped vegetable garden space.


Corset column lighting

detail sketch draw-

constructed the

nd drinks�. I made

ree-dimensional

ence of walking into

ste the wine.

Flower inspired lighting for Cafe

ox in a name of the

he box with stones.

n was added in this

FRONT

SIDE



3. Louboutin Store

LUXURIOUS Noun

MESS

+

Noun

A state of great comfort or elegance,

A dirty or untidy state

especially when involving great expense.

of things or of a place

We can think of luxury as clean, neat and well-organized environment but I believed beyond luxury would be creating a mess with luxury elements. Christian Louboutin shoes are one of the most expensive and luxury shoes in the world. Throughout the space, I created the message that “when you are wearing Louboutin shoes, you leave a visible red trace on the floor�. Destruction is one of the popular trends in design now, and I thought creating a mess with Louboutin elements would make this space into modern design.


THERE’S ONLY LEOPARD. RED VELVET CARPET, SILHOUETTE MIRROR, LIGHTING SCULPTURE, ALL CREATED AS LEOPARD


Heel +sole? Louboutin shoes are famous for the red sole and high heels.Column lighting is structured in a shape of the heel and organic shaped dropped ceiling was created in the shape of the red sole of the Christian Louboutin shoes.

Footprints? Floor graphic is one of the popular design trends. To help the circulation for this shopping space, I used animal’s red colored footprints.

Animals? To display the shoe designs of Louboutin, I separated each space by using the different animals.The reason was to create the message that,“We all have different characteristic, but we all leave the trace of the red footprints when we are wearing Louboutin shoes”.I related this message to the different characteristic of animals.

THERE’S ONLY RHINO. RED VELVET CARPET, SILHOUETTE MIRROR, LIGHTING SCULPTURE, ALL CREATED AS RHINO


4. Residential & Studio design

1

ELEVATION SOUTH SCALE : NTS

2

ELEVATION EAST SCALE : NTS


Rain, Wind The goal for this space was to create sustainable residential space.For the concept, I interpreted the sustainability idea in a playful way by choosing the concept as rain, wind which goes into the category of sustainable energy. For the architecture, I was inspired by the photography of women wearing a scarf in the wind, covering her face and shows only the silhouette of the women.Throughout the interior, I applied the concept of wind and rain.

-

-

-

MEETING ROOM -

-

-

-

MEETING ROOM -

LAUNDRY MUD ROOM

-

OPEN TO BELOW

UP

UP

LAUNDRY MUD ROOM

STORAGE

UP

WOODSHOP

STORAGE KITCHEN

LIVING

WOODSHOP

BATHROOM

WORKSPACE

DRESS ROOM LIVING

KITCHEN

WORKSPACE

BATHROOM

GUEST BEDROOM DINING

GUEST BEDROOM DINING

BATHROOM

MASTER BEDROOM

N N

3

FIRST FLOOR PLAN SCALE : NTS

4

SECOND FLOOR PLAN SCALE : NTS


1

Interior view of first level bathroom (day)

3

Interior view of first level bathroom (night)


2

Interior view of dress room

4

Interior view of second level bathroom


1

Interior view of studio

3

Interior view of kitchen


2

Interior view of living room

4

Interior view of living room


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