Space Milan News

Salone Internazionale del Mobile

2013 Milan Design & Furniture Fair Space presents the Milan Salone Internazionale del Mobile.

Established in 1961, the furniture fair has become one of the most important points of reference for designers today.

MILAN NEWS. THE 2013 MILAN FURNITURE FAIR NEWSPAPER FROM SPACE FURNITURE | SPACEFURNITURE.COM | SYDNEY, MELBOURNE, BRISBANE, SINGAPORE, KUALA LUMPAR. THIS NEWSPAPER IS NOT FOR SALE

A YEAR OF T E N S IO N, BALANCE A ND N C H A N GE Lighting brand Foscarini at Salone del Mobile

Kasthall kicks off 2013 with a partnership with graffiti artist Ollio, aka Jonathan Josefsson

Kartell, Arak chair by Philippe Starck

Vitra, Oursin ottoman by Hella Jongerius

This year’s Salone featured 2,500 exhibitors and 324,093 visitors from 160 countries

INTRODUCTION

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SALONE INTERNAZIONALE DEL MOBILE 2013

In 2013 the Milan Furniture Fair was all about doing more with less and characterised, in the sage words of Italian designer Francesco Binfaré, “by a strong energy, a deep sense of caution, together with a great desire”.

Diesel’s Successful Living stand

Foscarini by Diesel new releases including the Crash suspension lamp, Rock suspension lamp, Glasdrop suspension lamp, Metal Glas suspension lamp, Glas suspension light, Tool suspension lamp and Cage table lamp

A Focus on Domesticity Written by Heidi Dokulil

This year’s focus on domesticity for both the home and office was a key theme best highlighted by Vitra and Moooi, who chose colour and texture to create intimate rooms that drew you in with seductive collections of old and new pieces. French architect Jean Nouvel’s Office for Living installation was one of the fair’s best exhibitions that explored the blurring lines of office/home, giving visitors a look at his vision inside a skyscraper, an industrial warehouse and a period home, while also allowing sneaky glimpses into the studio world of Philippe Starck and Marc Newson.

Stands of note included lighting group Foscarini’s minimal lighting installation – cool concrete juxtaposed with red hot typography – that worked perfectly alongside the Diesel stand of framed timber resembling a super pared back version of ‘home’.

In arguably the best furniture showing, Moooi created an expansive installation of domestic interiors illuminating comfortable chairs, rich textiles in the year’s favourite tones of bronze and gold, mixed with bold reds and strong pattern, and large and brooding family portraits by photographer Erwin Olaf.

Edra produced new beds that reinvented designs

by Fernando and Humberto Campana, while Vitra released current and back catalogue collections infused with vibrant colours and soft hues. The Milan Furniture Fair in 2013 was all about doing more with less, characterised by updated classics and fewer new releases that were highly resolved and market ready.

“COLOR CAN BRING RICHNESS, BEAUTY AND AMBIGUITY TO DESIGN”

This year Vitra revamped classics with colours developed by Hella Jongerius for the new and vibrant Vitra Colour and Surface Library

HELLA JONGERIUS

Foscarini Tuareg floor lamp

by Ferruccio Laviani

Moooi’s Unexpected Welcome installation with photographer Erwin Olaf

VIEWPOINT

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SPACE MILAN FURNITURE FAIR NEWSPAPER

Viewpoint Three Australian designers share their thoughts and some highlights from the 2013 Fair.

Versace window installation on Via Montenapoleone

Kartell, Clap armchair by Patricia Urquiola

Store window installations along Via Montenapoleone to celebrate Milan Design Week

B&B Italia, Tobi-Ishi table by Barber Osgerby

B&B Italia, Husk small tables by Patricia Urquiola

Nic Graham Nic Graham, Principal, Nicholas Graham & Associates

Kartell, Foliage armchair & sofa by Patricia Urquiola

WHAT DO YOU FEEL WAS THE KEY THEME THIS YEAR?

The key theme for me this year was revisiting classics. A definite feeling of nostalgia.

WAS THERE ANYTHING NEW YOU OBSERVED? The colours;

dusty pinks, smokey blues, pale greys, pistachio and washed out yellow… fluros are a thing of the past.

WHAT WERE SOME STAND OUT PRODUCTS? The B&B Italia

Tobi-Ishi table, I loved the colour presentation.

Hive by Atelier Oï—the ottomans and coffee tables were beautifully upholstered and would be great for hotel /commercial use; the manipulation of the leather is an artform.

WHICH PIECE WOULD YOU HAPPILY TAKE HOME WITH YOU? Kartell, Comback armchair by Patricia Urquiola

I really loved the Tobi-Ishi tables by Barber Osgerby at B&B Italia, they were so beautiful.

WHAT PIECES/COLLECTIONS DO YOU SEE WORKING IN AUSTRALIA? Anything by Patricia Urquiola or

Rodolfo Dordoni.

ANY OTHER COMMENTS AND OBSERVATIONS? Each year

B&B Italia installation featuring the Hive ottoman and table by Atelier Oï

This year’s colour palette

it’s amazing to see a city so together for one design event. I’m also really amazed at how the colours in the furniture collections are also relevant to fashion.

Last year it was fluros, this year will be retro patterns, colour blocking and bold prints.

VIEWPOINT

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SALONE INTERNAZIONALE DEL MOBILE 2013

Kirsten Stanisich Kirsten Stanisich, Director, SJB Interiors WHAT DO YOU FEEL WAS THE KEY THEME THIS YEAR?

Much of the new furniture was focused on developing existing pieces rather than launching new pieces.

There seemed to be more development in the decorative lighting sector. There was a strong focus on finely resolved LED light fittings and black cord pendants which were hung in groups almost like mobiles.

WAS THERE ANYTHING NEW YOU OBSERVED? Colour was

strong. Dusty and clear blues, teals, greens, pinks and yellows in solid colours. There was colour blocking to timber and metal framing as well as warm metallics like copper and brass.

WHAT WERE SOME STAND OUT PRODUCTS?

Tobi–Ishi table from B&B Italia designed by Edward Barber & Jay Osgerby, first launched at the London Design Festival last year. I finally saw this table in the flesh, simple and sculptural the design is unique, beautiful and still allows leg room for seating.

The Quake dining table for Glas Italia, designed

by Garth Roberts. Another unique and organic form, amazingly engineered. This would make a beautiful desk or dining table.

The Glas Italia Nu mirrored screen. Already in the existing collection. I had only seen this piece in photographs which didn’t really represent the detail of this folded mirror screen and its free and dynamic form.

Grocery shopping Milanese style at street markets

Ingo Maurer, Flying Flames suspension lamp by Moritz Waldemeyer & Ingo Maurer and Team

WHICH PIECE WOULD YOU HAPPILY TAKE HOME WITH YOU?

Everything from the Glas Italia stand.

Glas Italia, Quake table by Garth Roberts

THE SALONE HAS BECOME THE MOST IMPORTANT POINT OF REFERE REFERENCE FOR DESIGNERS DESIGNE TODAY

WHO HAD THE BEST INSTALLATION? The styling and

refinement of the Giorgetti stand. Based on a tradition atrium style villa layout. The external rooms were highly refined and subtly coloured while the central atrium space was filled with massive potted elephant ear plants and contrasted with their furniture pieces in pinks, blues, yellows and whites which gave a younger and fresher feel to the products.

WHAT WAS THE OVERALL HIGHLIGHT FOR YOU THIS YEAR?

Walking the Brera and discovering the showrooms and installations and combining that with the Milanese street life and an Italian lunch.

Vitra, Petit Repos armchair by Antonio Citterio

Foscarini, Diesel Bell and Crash suspension lamp by Diesel Creative Team Brera, the design district of Milan

Giorgetti stand featuring Ping screen & Fang table by Design MVW along with Diana chair

by Carlo Colombo

Triennale Design Museum

Vitra, Standard chair by Jean Prouve

VIEWPOINT

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SPACE MILAN FURNITURE FAIR NEWSPAPER

Narelle Cuthbert Narelle Cuthbert, Associate, Nexus Designs WHAT DO YOU FEEL WAS THE KEY THEME THIS YEAR?

WHO WERE THIS YEAR’S INTERESTING NEWCOMERS?

WAS THERE ANYTHING NEW YOU OBSERVED?

WHAT PIECES/COLLECTIONS DO YOU SEE WORKING IN AUSTRALIA? Kartell always impresses with

Strong colour blocking primarily in pinks, greens and blues combined with textured fabrics and finishes were evident throughout. Defined room settings complemented by handcrafted object, books, flowers enhanced the overall brand experience.

Kartell, Laufen bathroom collection

by Ludovica + Roberto Palomba

Glossy lacquered timber veneers made a comeback along with textured joinery and furniture finishes as seen on the Zanotta Ink table. Slick concrete and tiled tabletop finishes were also very popular. The continuing trend of quilted fabrics and contrasting/feature stitch detail was also evident amongst most brands.

Interestingly dusty pink was the standout colour at the fair particularly at both the Zanotta and Vitra stands. In comparison burnt orange was evident at the showrooms, as seen on key furniture pieces and accessories.

WHAT WERE SOME STAND OUT PRODUCTS? The Standard

sofa for Edra by Francesco Binfare, the ultimate lounging experience. The Corallo bed for Edra by the Campana Brothers. A whimsical take on the chair originally designed in 2004, this gold encrusted bed literally has you floating on air. The Calamo desk for Zanotta

by Gabriele Rosa. This furniture piece featuring a leather tabletop, graphite legs and integrated cable management system.

Kartell’s stand emulated the luxury shopfronts of Milan’s Galleria Vittorio Emanuele. Designed by Ferruccio Laviani

WHO HAD THE BEST INSTALLATION? Kartell’s play

on the infamous Galleria Vittorio Emanuele in Milan, Kartell Galleria provided shoppers with the opportunity to browse exclusive shop windows showcasing individual products. Each boutique played homage to a dedicated Kartell designer and their products.

In comparison the simplicity of the Glas Italia stand was stunning. Fluorescent accessories provided a burst of colour to an otherwise pared back black and white stand.

WHICH PIECE WOULD YOU HAPPILY TAKE HOME WITH YOU?

The Calamo desk by Zanotta. A functional yet striking furniture piece.

B&B Italia Outdoor, Canasta 13 Collection by Patricia Urquiola

Zanotta, Calamo desk by Gabriele Rosa

WHITEvoids, a laser point cloud sculpture for Hyundai’s Advanced Design Center

Edra, Corallo bed by Humberto & Fernando Campana

The collaboration between Kartell and Laufen was genius. Acknowledging the importance of the bathroom in the house these two high profile companies combined forces to provide an innovative integration of sanitaryware and furnishing accessories.

innovative and affordable furniture pieces, the new collections by Zanotta and Serralunga will also translate well.

WHAT WAS THE OVERALL HIGHLIGHT FOR YOU THIS YEAR?

I am always excited to visit Superstudio and this year didn’t disappoint. This main attraction, Hyundai in collaboration with Whitevoid created an interactive light installation titled Fluidic. 12,000 translucent light spheres suspended above water in a cloudlike formation responded to the surrounding environment, movement and those that chose to engage with it.

ANY OTHER COMMENTS AND OBSERVATIONS? It was

reassuring to see a commitment by manufacturers to invest in releasing multiple new products and not reinvent existing pieces in new finishes as seen in recent years. The next 6–12 months will be an exciting time with many new products being released to market.

There was definitely a strong sense of bringing the outdoors indoors at the fair. Whether it was through dedicated landscaped areas or vertical garden walls to divide areas, manufacturers made a conscious effort to provide more realistic ‘liveable’ spaces.

HOW WOULD YOU DESCRIBE YOUR OWN PERSONAL DESIGN DIRECTION? Good design should stand the

test of time. Beautifully detailed spaces, a minimal finishes palette combined with furniture and artwork reflecting the clients personality and lifestyle. A well considered design direction challenges the way we live and work.

WHAT INFLUENCE/INSPIRATION/LASTING IMPRESSION WILL YOU PERSONALLY BE TAKING HOME THIS YEAR?

Rossana Orlandi’s space provided the perfect respite from the madness of the fair and Zona Tortona.

Emerging designers and artists from around the world unite in a stunning setting showcasing unique pieces and sharing ideas with like-minded people.

Opinion Ciatti, Mammamia Chair by Lapo Ciatti

MILAN, THE CITY

Milan Fair is unique for not being just a trade show, but a design festival: a citywide celebration of design conceived as a bustling social calendar of product launches, special installations and parties.

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Milan: The Making of a Design Festival

by Lim Sio Hui

Armani to Versace, B&B Italia to Kartell, Patricia Urquiola to Antonio Citterio: Milan’s dominance as the world’s design capital is owed to designers and brands that have shaped the fashion and design industry we know today.

Established in 1961, the furniture fair Salone Internazionale del Mobile has become the most important point of reference for designers today, attracting established stars and fresh graduates alike from far and wide. “We cannot work within a vacuum, you need to work with the world,” admits Rossana Hu of Shanghai-based design practice Neri & Hu Design and Research Office. “Milan is definitely important for us as the center of the furniture and design world.”

The event is unique for not being just a trade show but practically inventing the design festival we know now: a citywide celebration of design conceived as a bustling social calendar of product launches, special installations and above all parties. After all, it’s the Italians with their passion for good design, food and wine that give events like fashion week and design week a life and flamboyance all of its own.

Italian designer Francesco Binfaré, Cassina’s art director of design and communication at the time the fuori salone started, remembers it well. It was 1973 and Cesare Cassina and Pietro Busnelli’s thriving furniture brand C&B Italia had just split to create B&B Italia. The space at the furniture fair was too small and “Cassina had the necessity to assail the market in an exceptional way so it created the Salone del Mobile in the city centre showroom”, Binfaré says. “It gave life to a Salone with a big party and with the use of the first videotapes showing the magnificence of the events that were taking place in the showrooms.”

The tremendous success of Milan’s Fuori Salone (Italian for the fair’s satellite events) created an unprecedented situation where contemporary brands scramble for position, this year Milan drew 320,000 visitors from all over the world. With the tremendous response to these events, the city has created its own design itinerary that is documented on the pages of the Fuori Salone guide. Unmissable for visitors on this design pilgrimage are examples such as Spazio Rossana Orlandi’s eclectic treasure trove of emerging designs, La Rinascente department store for workshops and discourses that are consistently pushing the envelope, and legendary drinking hole Bar Basso, where designers come together to wind down the night and spark off new collaborations.

The Bulgari Hotel, a popular meeting place during the Milan Fair. The hands were an installation which stood more than two metres high, celebrating Bulgari’s B.zero1 ring

1 The entire city comes alive with installations and visitors in April each year 2 O ffice for Living by French architect Jean Nouvel showcased five unique and singular work scenarios illustrating the fact that a working environment has to be able to transmit creativity, inspiration and enjoyment 3 Spazio Rossana Orlandi installation 4 MOST, Tom Dixon’s collection for Adidas. Garments that convert into luggage and camping equipment 5 The garden of La Triennale di Milano. Ferruccio Laviani created an installation of seven glass gazebos, each with a whimsical environment teetering between reality and fiction 6 Piazza Gae Aulenti at Porta Nuova 7 see 1 8 Milanese design icon Rossana Orlandi 9 Entrance to Zona Tortona design district 10 The shop windows of La Rinascente, displayed three-dimensional panels by London-based illustrator Emily Forgot inspired by covers of the “African pulp fiction” magazine Jungle Jim, Part of the Afrofuture exhibition which explores the past, present and future of design, architecture, art, music and politics across the continent

SALONE INTERNAZIONALE DEL MOBILE 2013

Via Montenapoleone

In recent years, the frenzied crowds that descend on the city make it difficult to control the escalating rents and lack of central organisation, and often driven by corporate sponsorships rather than innovative projects, prompting British designer Jasper Morrison to call it “Salone del marketing”. In true Milan form, the city has evolved to counterbalance this, with some of the most exciting new areas instigated by foreign organisers: Tom Dixon conceived MOST at the Museum of Science and Technology while Dutch company Organisation in Design run the edgy Ventura Lambrate district.

“Italy has a terrific heritage in design, and Milan really is a premiere destination, particularly with Salone del Mobile each year,” says Marcel Wanders, but more than that, the city retains its position for evolving with design, allowing the rest of the world to come together and carve their own identity here.

“For me personally it’s also great to see that the Netherlands has such an important role in Milan, and further, has an even more important role in design.”

The city itself continues to revitalise as a design destination with high profile and ambitious design projects. The upcoming World Expo 2015 is one to watch, with its themes of technology, innovation, culture, traditions and creativity and how they relate to food and diet embracing all the things Milan is great at; Citylife, the boldfaced real estate development of the former Milan trade and exhibition centre signed by leading architects Zaha Hadid and Daniel Libeskind; Porta Nuova, a mixed-use development whose central piazza pays homage to architect Gae Aulenti, aims to create a contemporary destination for Milanese locals to gather and stroll.

The newly developed area of Porta Nuova brings a particular joy for Carla Sozzani, whose chic design and lifestyle store 10 Corso Como is located nearby.

“It was a great area that was abandoned for 50 years.

I like to see the modern city growing, and the fact that more and more people are walking around to see what’s happening, especially on weekends. I’m happy of course to be in the middle of it.”

As for the Salone, insiders like Sozzani and Binfaré agree that designs were stronger in the fairgrounds this year. “I think that the Salone del Mobile 2013 shows an explosive energy and a skillful use of the creativity, with sagacity,” remarks Binfaré. “This fair was characterised by a strong energy, a deep sense of caution together with a great desire to do something.”

MILAN, THE CITY

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SPACE MILAN FURNITURE FAIR NEWSPAPER

DESIGNER THOUGHTS

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SALONE INTERNAZIONALE DEL MOBILE 2013

Designer Thoughts Casper Vissers

Industry insiders discuss the heritage of the Milan Salone and where it might be heading tomorrow.

Casper Vissers, Founder & CEO, Moooi, The Netherlands AS A MILAN INSIDER, WHAT DO YOU THINK ARE THE INGREDIENTS THAT HAVE SHAPED, AND CONTINUE TO SHAPE THE CITY INTO A VIBRANT DESIGN DESTINATION?

There is no other International design fair like this although many countries like to claim one. 300,000 visitors coming to Milan from all over the world will never walk away. The size and depth of The Salone is unbeatable because of the variation of established and non established in one city.

Moooi, Construction lamp by Joost van Bleiswijk

HOW WOULD YOU SUMMARISE THE SPIRIT AND HIGHLIGHTS OF THIS YEARS’ FAIR? Although it was clear

that a recession is hurting European manufacturers, the output of the shows in general have been more sharp with less waste versus other years.

Vibrant it still is. If anyone comes home after a visit to the Milan Salone telling that he or she has not seen anything interesting we can conclude blindness.

Thousands of designers and design brands have presented a full year of product development.

There have been remarkable beautiful new products presented as prototypes or production versions.

Marcel Wanders Marcel Wanders, Creative Director & Designer, Moooi, The Netherlands AS AN INDUSTRY INSIDER, WHAT DO YOU LIKE OR DISLIKE ABOUT MILAN AS A DESIGN DESTINATION?

Italy has a terrific heritage in design, and Milan really is a premiere destination, particularly with Salone del Mobile each year. For me personally it’s also great to see the Netherlands have such a important role in Milan, and further, to see the Netherlands have a even more important role in design.

Moooi, Golden Chair by Nika Zupanc

WHAT ARE YOUR PERSONAL MUST-SEES IN TOWN?

I love to go to the quiet and historical corner at Ostria Delbinari. It’s a wonderful restaurant to meet with friends. Also Bar Basso, a great place to visit after midnight and meet the designers of tomorrow.

A celebration of their long term collaboration and friendship, the Moooi installation featured a collection of Dutch photographer Erwin Olafs provocative works. At 4.5 metres high, the images were a powerful backdrop to the cleverly curated interior environments Moooi, New Antiques bar stools by Marcel Wanders

A Milan institution, Bar Basso

Moooi, Paper Patchwork buffet by Studio Job

DESIGNER THOUGHTS

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SPACE MILAN FURNITURE FAIR NEWSPAPER

Francesco Binfaré Francesco Binfaré, Designer, Italy AS A MILAN INSIDER, WHAT DO YOU THINK ARE THE INGREDIENTS THAT HAVE SHAPED, AND CONTINUE TO SHAPE THE CITY INTO A VIBRANT DESIGN DESTINATION?

Porro, Mikado cabinet by Front

Porro, 3 Table by Front

IT’S THE ITALIANS WITH THEIR PASSION FOR GOOD DESIGN, FOOD AND WINE THAT GIVE EVENTS LIKE FASHION WEEK AND DESIGN WEEK A LIFE AND FLAMBOYANCE ALL OF ITS OWN

Front Design

The “Fuori Salone” in Milan started in 1973 when I was the art director of design and communication Cassina.

Because of the division of C&B and B&B, Cassina had the necessity to assail the market in an exceptional way and the space at the Salone del Mobile was too small, so it needed to create the Salone del Mobile in the Milanese showroom in the city centre, where Cassina had a big space.

It gave life to a Salone with a big party and a special organization with a shuttle which took people to the city center, and with the use of the the first videotapes showing the magnificence of the events that were taking place in the showroom.

Everything was very successful so, year after year, the number of the firms increased until it gave rise to this “Salone del Mobile festival” that captivate the city like the celebration of a medieval Saint, and that is perfectly managed by many refined organizations.

This true miracle happens because of the creation of a kind of rivalry that you can’t shrink from.

Then you have the Italian character that creates this competition, and that gives the pleasure of being creatives.

HOW WOULD YOU SUMMARISE THE SPIRIT AND HIGHLIGHTS OF THIS YEARS’ FAIR? I think that the summary of the

Salone del Mobile 2013 shows an explosive energy and a skilful use of the creativity, with sagacity.

This is especially the case of Edra and of me with them as a designer, it’s a creativity oriented to a sparkling and enchanting product, the sofa Standard. That is true for some peaks, otherwise this fair was characterized by a strong energy, a deep sense of caution together with a great desire to do something. The Salone of this year was really attractive.

Sofia Lagerkvist, Charlotte von der Lancken & Anna Lindgren, Designers, Front Design, Sweden AS A MILAN INSIDER, WHAT DO YOU THINK ARE THE INGREDIENTS THAT HAVE SHAPED, AND CONTINUE TO SHAPE THE CITY INTO A VIBRANT DESIGN DESTINATION?

Italy and Milan is the world’s centre of furniture design.

Italy has a long tradition of excellent craftsmanship, family run companies, great sense of style and a lot of boldness when it comes to trying out new things.

Milan is the place where the Italians interest for fashion, flair and style comes together like a classic Italian movie; a bit crazy but with lots of love.

HOW WOULD YOU SUMMARISE THE SPIRIT AND HIGHLIGHTS OF THIS YEARS’ FAIR? This was the

year when there was a bit of everything was on show.

All from the Scandinavian simple functionalist style and all kinds of craft related design, to extravagant gold noses and concept cars. Lots of projects were talking about alternative production, and there were a lot of self-made design machines around. It is a year when it is difficult to pin point one trend. Despite the worrying financial situation there are still a lot of new things being produced. It felt like there were a lot of different strands, it was like if the designers and companies were searching and trying out new ways of doing things.

Edra Stand at the Milan Fair

Edra, Standard sofa by Francesco Binfaré

DESIGN LIBRARY

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SALONE INTERNAZIONALE DEL MOBILE 2013

Design Library Accademia Katana Mauro Lipparini

Accademia Kaori Enrico Franzolini

Accademia Egao Toan Nguyen

B&B Italia Tobi-Ishi Barber Osgerby

B&B Italia Hive Atelier OĂŻ

B&B Italia Dado Studio Kairos

B&B Italia Husk Patricia Urquiola

B&B Italia Husk Patricia Urquiola

B&B Italia Erik Antonio Citterio

B&B Italia Papilio Naoto Fukasawa

B&B Italia Alys Gabriele & Oscar Buratti

B&B Italia Outdoor Awa Naoto Fukasawa

B&B Italia Outdoor Canasta 13 Patricia Urquiola

B&B Italia Outdoor Papilio Collection Naoto Fukasawa

B&B Italia Outdoor Mirto Antonio Citterio

Maxalto Febo Antonio Citterio

Maxalto Fulgens Antonio Citterio

Maxalto Pathos Antonio Citterio

Maxalto Recipio Antonio Citterio

Edra Cabana Humberto & Fernando Campana

Edra Cipria Humberto & Fernando Campana

Edra Corallo Humberto & Fernando Campana

Edra Favela Humberto & Fernando Campana

Edra Grinza Humberto & Fernando Campana

Edra Standard Francesco BinfarĂŠ

Fiam Italia Bright Valerio Cometti

Fiam Italia Paesaggi Side Angeletti & Ruzza

Foscarini Flip Simon Pengelly

Foscarini Lightwing Jean-Marie Massaud

Foscarini Rituals Ludovica+Roberto Palomba

Foscarini Tuareg Ferruccio Laviani

Foscarini Yoko Anderssen & Voll

Foscarini by Diesel Bell and Crash Diesel Creative Team

Foscarini by Diesel Disconnect Diesel Creative Team

Foscarini by Diesel Glassdrop Diesel Creative Team

Foscarini by Diesel Metafisica Diesel Creative Team

Giorgetti Altea Carlo Colombo

Giorgetti Diana Carlo Colombo

Giorgetti Fabula Umberto Asnago

Giorgetti Hug Rossella Pugliatti

Giorgetti Ling Design MVW

Giorgetti Magica Toshiyuki Kita

Giorgetti Minerva Carlo Colombo

Giorgetti Olivia Umberto Asnago

Giorgetti Origami Massimo Castagna

Giorgetti Ping Design MVW

Giorgetti Solemyidae Rossella Pugliatti

Giorgetti Vittoria Carlo Colombo

Giorgetti Narcisse Design MVW

Giorgetti Yang Design MVW

Glas Italia Deep Sea Nendo

Glas Italia Funghetti Piero Lissoni

Glas Italia Prism Tokujin Yoshioka

Glas Italia Mirror Nendo

Glas Italia Quake Garth Roberts

Glas Italia Verglas Piero Lissoni

Ingo Maurer Da + Dort Christoph Matthias & Ingo Maurer

Ingo Maurer Flying Flames Moritz Waldemeyer & Ingo Maurer

Ingo Maurer Light Structure Peter Hamburger & Ingo Maurer

Kartell Arak Philippe Starck

Kartell Aunt Amy Philippe Starck

Kartell Uncle Jo Philippe Starck

Kartell Uncle Jim Philippe Starck

DESIGN LIBRARY

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SPACE MILAN FURNITURE FAIR NEWSPAPER

Kartell Clap Patricia Urquiola

Kartell Cliff Nendo

Kartell Comback Patricia Urquiola

Kartell Foliage Patricia Urquiola

Kartell Lizz Matt Piero Lissoni

Kartell Masters Philippe Starck

Kartell O/K Rodolfo Dordoni

Kartell Shibuya Christophe Pillet

Kartell Taj Mini Ferruccio Laviani

Kartell Tati Lace Ferruccio Laviani

Kasthall Ollio Jonathan Josefsson

Kasthall Glenn Gunilla Lagerhem Ullberg

Kasthall Stina Gunilla Lagerhem Ullberg

Kasthall Velvet Gunilla Lagerhem Ullberg

Living Divani Stack Table Nathan Yong

Living Divani Fold Victor Carrasco

Living Divani Grace Giopato & Coombes

Living Divani Mate (a+b) Dominoni & Quaquaro

Living Divani Metrocubo Piero Lissoni

Living Divani Mini Jelly Piero Lissoni

Living Divani Rodwood Piero Lissoni

Living Divani Sin Titulo 37 Bruciati Harry&Camila

Living Divani Sin Titulo 37 Negativo Sepia Harry&Camila

Living Divani Strato Victor Carrasco

Living Divani Track David Lopez Quincoces

Moooi Bell Lamp Marcel Wanders

Moooi Paper Patchwork Studio Job

Moooi Paper Patchwork Studio Job

Moooi Paper Patchwork Studio Job

Moooi Heracleum II Small Bertjan Pot

Moooi Kroon ZMIK

Moooi Paper Patchwork Studio Job

Moooi Paper Patchwork Studio Job

Moooi Paper Patchwork Studio Job

Moooi Urbanhike Marcel Wanders

Moooi Construction Joost van Bleiswijk

Moooi New Antiques Marcel Wanders

Moooi Golden Nika Zupanc

Moooi Bart Marcel Wanders

Opinion Ciatti Mammamia Lapo Ciatti

Opinion Ciatti Mammamia Lapo Ciatti

Opinion Ciatti Tab.U Bruno Rainaldi

Opinion Ciatti Ptolomeo Raw Bruno Rainaldi

Opinion Ciatti Borchia Lapo Ciatti

Opinion Ciatti Iltavolo Lapo Ciatti

Porro 3 Table Front

Porro Garda Piero Lissoni

Porro Metallico Piero Lissoni

Porro Mikado Front

Porro Inlay Front

Roll & Hill Counterweight Fort Standard

Roll & Hill Halo Paul Loebach

Vitra Alcove Ronan & Erwan Bouroullec

Vitra Oursin Hella Jongerius

Vitra Standard Jean Prouvé

Vitra Sphere Hella Jongerius

Vitra Petit Repos Antonio Citterio

Zanotta Kent Ludovica+Roberto Palomba

Zanotta Kent Ludovica+Roberto Palomba

Zanotta Grandtour Ludovica+Roberto Palomba

Zanotta Bruce Ludovica+Roberto Palomba

Zanotta Eva Ora Ïto

Zanotta Calamo Gabriele Rosa

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Moooi, Unexpected Welcome stand Kartell, Lizz Matt chair by Piero Lissoni

Zanotta, Bruce sofa by Ludovica+Roberto Palomba

Verpan, Cloverleaf Modular chair and low lounge table by Verner Panton

Kartell, Masters barstool by Philippe Starck

Ingo Maurer at Spazio Krizia

Roll & Hill, Counterweight suspension light by Fort Standard

Porro, Garda chair by Piero Lissoni Kartell, Sparkle stool by Tokujin Yoshioka

Living Divani, Grace chair by Giopato & Coombes

Accademia, Egao chair by Toan Nguyen

Kartell, Shibuya vases by Christophe Pillet