The purpose of this essay is to approach Honoré de Balzac's short story, The Unknown Masterpiece, in an architectural way. An architectural way that does not observe all those structural elements or the spaces described, but the way in which they contribute to the presentation process of the personalities that have been build, the relationships, the characteristics and the moral elements that contribute to the building of this erotic / artistic structure of speech.
On rice paper and always legible only by turning the page to the left, excerpts of the original text are presented that were considered to play a decisive role. Excerpts which on the right, are mixed with the new text, as they are an integral part of a fragmented whole.
