is on the grind AUG U S T 20 1 5
45 IMAGE
READY
46 FRESH
SMART
47 HEIGHT
CLUB
Printed Tees
6 MASTHEAD 8 CONTRIBUTORS 10 STATUS MESSAGE
34
STATUSPHERE 13 THREADS 18 SETTING 19 BRICK & MORTAR 20 SCREEN 21 INK 22 BEATS
GADGETS 23 TECH
PACK: TO INFINITY and BEYOND
Fuel up to the nth power.
PAINT: SCARLET WINGS
Better get red-ish ‘cause things are gonna get hot.
25 25
5o
VANITIES: DOUBLE GLOSSED
Open up your eyes and see the shine.
BEAUTY BITE: NATURAL HYPE SALON
FASHION
STREET STYLE
26
GO SEE
VISION BOARD
28 PLEASANTVILLE
Paint the town with dark florals and rorschach prints that aren’t as simple as black and white. By Charlotte Navio
34 CENTER
STAGE
Dance up a storm in leotards and tulle skirts worthy of the spotlight. By Michael Kai Young
SHOPPING GUIDE
41 SWAG:
ROCK THE TOTE
Bucket Bags
42 DAPPER
Block-heeled Boots
48 EPIC
MAIL TIME
49 FLIP
SERVICE
Envelope Clutches
Flounce Skirts
FEATURES MUSE
5o RISING
TIDE
Constantly shifting her creative energy towards something new, Braina Laviena dives into unfamiliar territories with her sun-kissed skin and ever-changing hairstyle under her belt. By Ida Aldana
MAESTRO
BEAUTY 24 FACE
Collared Dresses
CLASS
Casual Blazers
43 WALK
THIS WAY
44 PACK
IT UP
Canvas Sneakers Printed Backpacks
54 FIRST
THRIST
Brooklyn rapper DonMonique will leave you dripping thirsty and begging for more. Trapping you with her slick spits and dirty beats, hip-hop’s newcomer is out to satisfy your appetite. By Celene Sakurako
56 OF
SOBRIETY AND STYLE
Fresh from performing at the Primavera Sound Festival, Albert Hammond, Jr. takes a breather to talk about his journey towards the clean life and his latest solo record, Momentary Masters. By Denise Mallabo
58 FROM
THE ROOT UP
Gabriel Garzón-Montano was born to be an artist. With his own mixture of neo-soul, R&B, and funk music, he soon finds himself being sampled by Drake and touring with Lenny Kravitz. By Stephanie Sison
60 SONS
OF ANARCHY
Fresh from their success with A Bad Girl in Harlem, New York-based group New Politics are on a new expedition as the alt-rock power trio prepares to raid the billboard charts with Vikings.
By Pola Beronilla
is on the grind AU G U S T 2 0 1 5
MASTERMIND
62
Liquifying his own lazy tempos of PBR&B, he’s definitely found a method to his mercurial path in Beauty Behind the Madness.
SIX SECONDS OF FAME
In a span of six seconds, King Bach will hit you with his punch lines that’ll make you double tap out. From quick jokes, relatable gags, and outrageous public stunts, he’s willing to do it for the vine.
76
By Jill de Leon
64 VISIONS
IN VIVID
With paintings exhibited in Florence, Manila, Toronto, LA, and more, Chati Coronel successfully makes her mark in the art scene through rough coats, raw strokes, and soft palettes.
82
OF THE TOWN
Take a step inside the imaginative world of Jeremyville and be greeted with his unique creations. Passing along CSA’s to wherever his feet take him, he spreads good vibes worldwide.
By Ida Aldana
68 BALANCING
ACT
Finding the harmony between his top passions, Oahu native Sean Yoro a.k.a Hula creates hyper-realistic murals of women partly submerged in water while balancing on a paddleboard.
GIRL ON TOP
Screening new talent to perfectly frame today’s biggest musicians isn’t an easy task, but good thing Hannah Lux Davis is here to save the day. Skyrocketing to prominence and capturing the brightest stars, she sheds light on becoming one of the most soughtafter female directors in the industry. By Denise Mallabo
MORE
89 DIRECTORY
By Denise Mallabo
HEAVY HITTER
70
BEYOND THE LIMIT
Making his rounds in small screen hits and actionpacked blockbusters, actor Jake McDorman is on a new assignment. Tasked as Eddie Morra’s protégé in the TV version of Neil Burger’s 2011 thriller, Limitless, we catch him poppin’ pills and test his limits as the smartest person on the planet. By Pola Beronilla
By Isabella Argosino
66 TALK
64
By Isabella Argosino
STATUS INVADES 90 INK-STAINED ALLURE
METHOD IN MADNESS
When she isn’t coloring her problems away, model Tola Orendain sets aside her pens for lens as she creates lean shapes with her silhouette.
With a less-than-lackluster demeanor for the norm, Abel Tesfaye otherwise known as The Weeknd paved his own daily grind inspired by his lust for the weekend.
90
about the cover Bringing a taste of satisfaction from Kiss Land, Abel Tesfaye, better known by his stage name The Weeknd, is the beauty behind the madness. Now armed with hot beats and fresh licks, he’s more than ready to go over the sophomore slump. Though we can’t feel our faces while listening to the artist, we definitely love it.
statusmagonline.com
Blogsphere
the pulse of hip at your fingertips
go see
we’re all models off duty. smize!
FEATURES
there’s more to what’s in print
NightVision
who’s spotted partying where
Photo Diary confessional for lensmen
Digital Magazine DOWNLOADS saving trees, one pixel at a time
free mixtapes and wallpapers
IS ON THE GRIND August 2015 editor-in-chief managing editor
art director graphic designers
Rosario Herrera @RosarioHerrera
Denise Mallabo @denisemallabo
Nyael David @nyaels
Tiff Ko @happeetiff
Carlo Nuñez @oycaloy
features editor fashion assistant editorial assistants
Pola Beronilla @HiMyNameIsPola
Jill de Leon @orangetoenails
Janroe Cabiles @janroetheboat
Celene Sakurako @deerwho
contributing artists
interns
Aaron Austin, Liz Barclay,Yana Bardadim, Tiffany Briseno, Ian Castañares, Kara Chung, Jim Deuce, Maud Eigenheer, Shanna Fisher, David Goveia, Bethany Johnson, Lilyana Lazarova, Wilford Lenov, Jason McDonald, Pamm Merrera, Charlotte Navio, Adam Reyna, Ben Tsui, Michael Kai Young Ida Aldana, Isabella Argosino, Jade Gotera, Una Ilarde, Matt Panes, Carlo Saavedra, Stephanie Sison, Jerold Sunga, JP Talapian, Pau Tiu
What’s your STATUS? tell us. editorial editorial@statusmagonline.com advertising advertise@statusmagonline.com marketing marketing@statusmagonline.com general inquiries info@statusmagonline.com follow us facebook.com/statusmagazine twitter.com/statusmagazine instagram: statusmagazine STATUS is published by STATUS Media Group. Reproduction without permission is prohibited.
c ontributors MICHAEL KAI YOUNG
You can always turn to Michael Kai Young to tell a story through photographs in just a flash. Specializing in fashion photography, from commercial to high fashion and raw to glamour, he raises the curtain with a new spin on ballet and theater as his work graces this issue with his showstopping editorial, Center Stage (34).
DAVID GOVEIA
ISABELLA ARGOSINO
Juggling school, interning, and freelance work is no easy feat, but Isabella, better known to us as Argo, makes it sound like a breeze. Her unstoppable thirst for writing assures us that she’s more than ready for her first cover story. That being said, her unparalleled passion for learning doesn’t stop her from having fun, and it’s safe to say that this college junior is all set for The Weeknd (70).
With an endless portfolio ranging from glamorous, natural, avantgarde, and artistic, David knows how to paint a pretty picture. His absolute flair for painting and illustrating shines through his work as a makeup artist. Undoubted skill and flawless precision like his can set the emotion and mood needed for any story, and his work with Michael Kai Young proves just that.
ADAM REYNA
In a sea of aspiring photographers, Adam Reyna is one to swim against the tide. Utilizing hues that romanticize the human form, his creative direction sheds a fascinating new light on each of his subjects. With distinct imagery that you can’t mistake for anyone else’s, the New York-based photographer captures an image that best portrays model Braina Laviena for this issue’s Muse (50).
BETHANY JOHNSON With her wide knowledge in styling, hair, and makeup, we knew well enough to get a dose of Bethany’s expertise. Her keen eye for detail and adaptability to each of her clients’ sense of style made us certain that she could perfectly put Limitless’ Jake McDorman (76) in the right light–a job she’s surely familiar with given her clientele including Riley Scott, John Cale, and The Fray.
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LILYANA LAZAROVA
Not all of us can be a jack of all trades, but Lilyana’s versatility with style shows just how much fashion runs through her veins. Mastering a variety of looks from streetwear to couture, she knows how to effortlessly add her touch to make each style her own. The stylist displays her craft as she proves that not everything should be seen solely as black and white with Pleasantville (28).
STATU S MESSAG E
is on the grind
W
e are no strangers to the hustle, grinding out the work ‘til it’s near perfect. It’s not a bad thing really; we actually like it. It’s almost on the verge of addicting. Not the stress, late night writing sessions, or early morning interviews— but rather the results we create. Each and every word and layout, we aim to push ourselves forward. Sometimes, it’s almost like we’ve reached a point of madness in pursuing our vision, but in reality, we’ve reached a new mastery. Starting his career with conscious anonymity, The Weeknd is nameless no more. With the release his second studio album, Beauty Behind the Madness, he’s the new face of R&B. In the feature, he shares why he stays away from the media and doesn’t want to be like other R&B stars that hype their music. Jake Mc Dorman has gone beyond his limits. Having been in countless roles in TV shows and movies, it seems that he’s been building his skills for his new role on CBS’ Limitless. As we talk to him, he tells us what it’s like working with Bradley Cooper, both on the big and small screen, and the best part about being an actor. Hannah Lux Davis has claimed the title as one of the most in-demand music video directors in Hollywood. Having names like Nicki Minaj, Demi Lovato, Ariana Grande, Drake, Jessie J, Miley Cyrus, and Nick Jonas as her clients, she isn’t slowing down anytime soon. During our interview, she spills the beans on getting the artists comfortable on her set and how she feels about being one of the few female directors dominating the music video scene. The work we put in isn’t really a chore for us; it is what sharpens our vision. With each action we take, we find clarity in what we are to pursue. The grind never ends for us, and it shouldn’t end for you too.
Editor-in-chief
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The Weeknd (70)
THREADS / setting / BRICK AND MORTAR / BEATS / SCREEN / INK august 2015
TOUGH LOVE
P
ut an instant spin on your style with one PUSHBUTTON. The Korean contemporary brand’s Fall/Winter 2015 collection, Do Love Me!, will easily make you comply with vibrant stripes, sheer ruffles, houndstooth prints, crazy tassels, velvet sets, gold foil fabrics, oversized fits, and bold statements. pushbutton.co.kr
REBELLIOUS START
E
scape the norm and get away with NON CONFORMIST. With jackets, headwear, pants, and shirts uniquely tailored in long and exaggerated fits with prints inspired by political and social disputes that are tapped by Scandinavian silhouettes, it’s time to explore the rebellious future ahead of us. nonconformistuk.com
TARGET PRACTICE
N
ewcomer N1SQ debuts their first collection featuring embroidered graphic pullovers and knitted hoodies in neoprene, mesh, and teddy fleece. Reinventing the casual street look with their Scandinavian roots and a logo inspired by tattoo culture’s belief that an arrow is a symbol of focus, power, and direction, these guys are headed in the right direction. n1sq.com statusmagonline.com - 13
THREADS
BRANDS TO KNOW
COMMON LUXURIES
L
uxury meets street in organic, monochrome colors with COMMONERS. Layered buttonups, loose hoodies, and slouchy bottoms are just a few of what the New Zealand-based brand has to offer this season, living up to their vision of providing you with classic wardrobe staples as well as blending functionality with comfort without putting a dent on your wallet. commoners.co.nz
BARE NECESSITIES
P
ut a new skin into your wardrobe with BEETROOT’s Summer 2015 collection. With pieces that accent the female form, this Manila-based brand gets you obsessed with bralettes, loose tops, off-shoulders, wraparound skirts, jumpsuits, and wide leg pants in geometrical shapes and relaxed fits. beetroot.ph
T: LET LIGHT IN | B: MAKES SENSE
DICKIE NEVER SHARED A BATH (SET)
NEW LEASE IN LIFE
WRITINGS ON THE WALL
S JUST AN UNDERCOAT T: OPEN UP | B: MILES MORE THAN ONE TALENT
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outh London-based clothing line SUPERIOR BELIEF presents its Summer 2015 capsule collection—taking it back to basics with simple tees, hoodies, and long sleeved shirts printed with loud graffiti-inspired graphics that bear the brand’s logo. With its old school fits and neutral palettes, you’re guaranteed to have bigger street cred. superiorbelief.bigcartel.com
THREADS
EQUALITY RATE
F
eel unrestricted with genderless clothing from WE ARE MORTALS. The LA-based streetwear brand’s initial collection features bold geometric graphics in shorts, T-shirts, and skirts in monochromatic tones and basic silhouettes. Pieces like kimono hoodies and the liquid silver tank adds the flare of the brand’s approach to futuristic sensibility and unisex clothing. wearemortals.com
HACULLA X LANE CRAWFORD EDITORIAL
ARTISTIC EGO
W
earable art form comes to life with HACULLA. Designed by Jon Koon and inspired by street artist Harif Guzman, the collection presents a variety of sweaters, jackets, shoes, gloves, and pants featuring Guzman’s artworks patched or printed on black and white pieces. This collection ain’t suited for the faint of art. haculla.com
GRUNGE MATCH
G
et ready to rock & roll with HAZMAT DESIGN as they prove that the glam of studs never goes out of style. Fueled and all out, their new collection features printed pieces and handmade embellishments on studded jackets, pants, shorts, and corsets in denim or leather. With one of their pieces, you’ll definitely feel lucky, punk. hazmatdesign.com
HACULLA X LANE EDITOR
statusmagonline.com - 15
THREADS
BRANDS TO KNOW
LOG IN
T
he next time you think about the words “simple” and “classic,” think about Cebu-based label ELATED CO. Taking inspiration from the “lumbersexual” trend, the brand’s latest collection presents slim fitted button-downs together with the new colors of their signature “Elated Pocket Tees,” bringing new heights to modern men alike through bold, neutral, and earthly hues. elated.co
LONDON CALLING
R
FLEET STREET
B
e chic and fly with Indonesian-based bag label LUCID MOXIE. Handmade by designer Freda Gilda in black and white with a touch of modern-day streetwear aesthetics, the minimally-designed purses and backpacks are enhanced by intricately crafted wing cutouts. These handcrafted leather gears will let you glide into the best-dressed lists. lucidmoxie.com
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Words by Jill de Leon, Una Ilarde, Matt Panes, and JP Talapian
ussian heritage meets the urban aesthetic of London with ZDDZ. Finding inspiration in mundane city life incorporated with urban graphics and typography of posters and advertisements, sporty meets chic with a hint of a tough attitude for their latest Fall/Winter collection in eye-catching statement sweaters, jackets, and bottoms. zddz.co.uk
THREADS
SKETCHY KIDS
S
coffs and ironic eye rolls aside, BORED KIDS WHO DRAW brings a fresh take on graphic tee norms by bringing a stranger and darker take on ‘90s graphics with obscure images, statement words, and full on madness, taking it to the edge of weird meets quirky in graphic tees, totes, and caps. boredkidswhodraw.com
BASIC MOVEMENT
L
ooking basic never looked so cool. Hailing from the US of A, New Yorkbased brand UNIS gives their take on classic all-American staples with T-shirts, button-downs, and shorts in a color palette of black and soft hues in their latest collection. unisnewyork.com
HEAVY WEIGHT
T
hey say Only the Strong Survive, so you better bring it and REPRESENT. The UK-based brand pays homage to ‘80s style sports hoodies with a palette resembling your local gym. Be the fittest lad in layered dropped shoulder tops, oversized hoodies, and distressed denim. representclothing.co.uk
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SETTING
PLACES TO GO
SUITE
NOBU HOTEL, PARAÑAQUE R
esting within City of Dreams, Asia’s very first acclaimed NOBU HOTEL is tastefully lit in an overall soothing glow of yellow that reminds you of the rising sun. Find tranquility in the relaxed yet sophisticated Japanese-inspired wooden interior and décor that incorporates traditional woodblock prints. After being welcomed by their complementary cup of handmade Itaaki tea, take a dip in their 23-meter-long swimming pool or experience one of their signature footbaths at their in-house spa. For a breathtaking view of Manila Bay, head onto their world-renowned outdoor cabana-styled Nobu Restaurant. Asean Ave., cor. Roxas Boulevard, Parañaque City, Manila nobuhotelmanila.com
grub
LAZY BASTARD, MAKATI H
iding underneath of a building along Jupiter Street, follow the arrow pointing to “Bacon & Burgers” and find yourself at the New York-inspired hole in the wall dubbed LAZY BASTARD. Enter and descend the stairs to be welcomed by a kitschy pink neon sign spelling “long live bacon”. With brick walls and checkered floors, this insta-ready burger joint serves “ridiculous comfort food” that is the answer to all your greasy cravings, including their highlyrecommended create-your-own breakfast sandwich. For night crawlers looking for something more, go through the large wooden door and hop onto an antique elevator shaft that will take you to a ‘20s-themed speakeasy called ABV. B/F, 22 Jupiter St. cor. Galaxy St., Bel-Air, Makati City lazybastard.ph
PLATE
Honey Parmesan Honey-drizzled hot dog caught in between shaved parmesan and arugula
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BACON Cheeseburger Buns holding together a fat piece of beef patty smothered with melted cheddar cheese and bacon weave
Onion Rings Munch on sliced onion rings dipped in batter and deepfried to crunchy goodness
Chili Dog LB’s original chili over a hot dog dribbled with sour cream and melted cheddar cheese
Words by
Deep fried will never taste as good as it does at LAZY BASTARD.
Celene Sakurako
FRIED CITY
BRICK AND MORTAR
STORES TO SHOP
BAERCK, BERLIN
Mulackstrase 12, Berlin, Germany baerck.net Dime to Drop: P4,979–P24,896 (€100-€500) Don’t leave the store without: Kaibosh eyewear
F
ind the right combination of functionality, design, and a cozy atmosphere at BAERCK, an Instagramworthy store minimalism fans out there will surely gush at. Mirror boxes, whitetiled floors, and hanging plants on the walls and ceiling that meld with the beautiful garden near the end of the store are matched with vivid lighting designed to mimic the natural light of downtown Berlin. A variety of hats, eyewear, and jewelry from local brands like Vladimir Karaleev and Hien Lee to international brands like Maison Martin Margiela and Stine Goya are shelved in unique units supported by re-used wheels, which allow the store to be rearranged and redesigned periodically. Channeling the sense of old and new, shopping in Baerck will truly give you an enlightening mood.
LESSONS CONCEPT STORE
Words by JP Talapian
G
et ready to be schooled by LESSONS CONCEPT STORE, with their feisty streetwear brands like Represent Clo., ADYN, VFILES Sport Plus+, DIMEPIECE LA, Knomadik, and KTZ that will give you extra credit on style. The wide variety of designer and brands will ensure that your wardrobe will pass with flying colors.
lessonsconceptstore.com
statusmagonline.com - 19
SCREEN
SCENES TO SEE
RE M OTE CONTRO L TIC K ET
DIFFICULT PEOPLE (HULU) With Billy Eichner and Julie Klausner coming together on the screen and Amy Poehler behind the scenes as an executive producer, humor is bound to ensue. Eichner and Klausner star in Hulu’s latest TV series set in NYC, playing best friends whose actions are sometimes followed by awkward moments but always end with hilarous entertainment.
MR. ROBINSON (NBC) From the executive producers of The Office comes a new comedy series starring Craig Robinson. Revolving around the life of a rough-edged musician who wants to make it big with his band, The Nasty Delicious, Craig Rice is instead stuck with a job as a middle school music teacher, trying to steer clear of attractive single moms and coworker drama.
WE ARE YOUR FRIENDS Starring Zac Efron, Wes Bentley, and Emily Ratajkowski, the music drama follows a 23year old aspiring record producer who is taken under the wing of a veteran DJ, but eventually breaks down when he falls for his mentor’s girlfriend.
THE DIARY OF A TEENAGE GIRL Based on Phoebe Gloeckner’s graphic novel, the film tracks the accounts of Minnie as she discovers her newfound sexuality through a complicated relationship with her mother’s boyfriend.
STRAIGHT OUTTA COMPTON From the streets of Compton to the world, the biographical drama sees N.W.A’s story of cultural rebellion come to the big screen with big shots like Dr. Dre and Ice Cube among others.
PEOPLE, PLACES, THINGS Jermaine Clement is back at the bat as a newly-single Will Henry who explores life as a struggling artist and educator back in the dating scene, all while trying to be a good father to his kids.
AMERICAN ULTRA Reuniting Jesse Eisenberg and Kristen Stewart, the action comedy packs in a stoner who unexpectedly gets his CIA-level training activated, turning him into a stone cold killer. Now, he has to use his hijacked skills to get his life back.
MISTRESS AMERICA Noah Baumbach and Greta Gerwig team up seeing Tracy, a college loner who experiences New York through her future stepsister. Following Brooke around as she lives her eccentric life, Tracy gets more than what she asks for.
JAKE MCDORMAN (Actor) @JakeMcDorman CHILDREN OF MEN (2006) Anything that can suspend my disbelief as whole-heartedly as this does makes me feel like a kid again at the movies.
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LAST TANGO IN PARIS (1972) This was the first Marlon Brando movie I ever saw. Watching him perform almost has the same qualities as reading a good book.
THE BIRDCAGE (1996) It’s my favorite comedy ever. I believe everyone in this movie is on point.
FIGHT CLUB (1999) It’s a huge influence when I was younger. Spoiler Alert: Never has chemistry between a man and his imaginary friend been so palpable and destructive.
LARS AND THE REAL GIRL (2007) This was a perfect description of the endless possibilities that come with a man hopelessly in love with a doll.
Words by Ida Aldana Jake McDorman photo by Shanna Fisher
P L A Y BAC K
ink
BOOKS TO READ
BOO K M AR K
HOT O F F THE P RESS SNAKES! GUILLOTINES! ELECTRIC CHAIRS! MY ADVENTURES IN THE ALICE COOPER GROUP By Dennis Dunaway From your stereo to your bookshelves, get to know the original shockrock band, Alice Cooper. Bassist and co-songwriter Dennis Dunaway reveals the band’s infamous gigs, right from its conception to their rise to glory, the eventual break-up, and their permanent induction in the Hall of Fame.
A FIELD GUIDE TO AWKWARD SILENCES By Alexandra Petri
The Washington Post blogger and columnist Alexandra Petri wants you to embrace your awkwardness. Reliving her survivals from her own awkward failures, Petri testifies it’s in the sticky and gawky situations from her own life that you learn most and you’ll start to enjoy life once you stop caring about what others think.
Words by Stephanie Sison
THE LEAGUE OF REGRETTABLE SUPERHEROES: HALF-BAKED HEROES FROM COMIC BOOK HISTORY By Jon Morris Meet the superheroes that didn’t get the big break. They are, in short, the superhero D-listers of the comic universe. Find out the quirks and back stories of Beeman, Natureboy, Thunder Bunny, and the other literally unsung heroes in Jon Morris’ compilation of odd and strange characters.
SICK IN THE HEAD: CONVERSATIONS ABOUT LIFE AND COMEDY By Judd Apatow
W
ith three-decades worth of interviews, Judd Apatow offers an uncensored and candid compilation of his conversations with the biggest names in comedy. Journey with young Apatow as he learns what makes comedians tick and ultimately earns his place in the comedy business: “I can still see that slightly crestfallen look in [Jerry Seinfeld’s] eyes when he opened the door and realized I was not, in fact, a real journalist...I was just a fifteen-year-old kid with a tape recorder.” “I like to be here until people really want to leave...That’s why my movies are too long. That’s why I eat too much.” “The only way to get rid of stretch marks is you have to put on another ten pounds just to bang it out.” “Many of the scenes I’ve written were Leslie [Mann]’s idea, but I won’t get more specific than that here because I want people to think they were all my idea.”
F OOTNOTES
Before settling on and legally changing his name to Alice Cooper, Vincent Furnier first named his band Earwigs, a sweet contrast to the band’s identity. After cementing their theatrical gore image, they accidentally created a subgenre called shock rock from an inadvertent death of chickens in one of their shows.
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BEATS
MUSIC TO HEAR
P L A Y L IST
RALEIGH RITCHIE
raleighritchie.com
ALBERT HAMMOND, JR.
alberthammondjr.com
SOKO
s-o-k-o.com
“2Shy” Shura I’ve had this song on repeat for months and months. It’s got a real ‘80s ballad vibe to it and I love her voice.
“Good Habits (and Bad)” Saba Lou I listen to this every day. It’s in a Cartoon Network show called Clarence. It just makes me happy.
“Bandz” Big Makk I play this really loud in my ears when I walk around—it makes me feel unstoppable. I love noise; it makes me feel like I can do anything.
“2Seater” Tyler, The Creator Cherry Bomb is a top contender for the best album of 2015 for me. It has so many incredible sections; it takes you on a journey.
“Can’t Stand Losing You” The Police I used to listen to it a lot, and I haven’t heard it in a while. It constantly re-excites and reinvigorates me.
“Moonlight Sonata” Beethoven It’s my favorite song of all time. I actually like getting dressed to that song; it puts me into deep thought.
“Champs” Wire It’s less than two minutes, but I listen to it over and over. I really want to write a song like this. I just love it with all my little heart.
“Goodbye Girl” Squeeze The chord structure is simple, but there’s a guitar part that’s plays a whole structure around it and the bass follows the rude notes.
“Shake The Disease” Depeche Mode This track has the best chorus ever written.
“Disorder” Joy Division This song shakes every atom and molecule of my body and reminds me how in love I am with Ian Curtis.
“Fire in Cairo” The Cure In every aspect possible, it has the best everything in this song.
“Unloveable” The Smiths This song has the best lyrics. I wish I could have written this song.
Releases
Fresh from his success with last year’s Salad Days, slacker rocker MAC DE MARCO feeds us with Another One, his latest miniLP that comes with eight new songs written and recorded on his own. He may be singing of heartache, but you almost won’t notice with his quirky antics.
Still high from the release of his chart-topping mixtape Barter 6, Jeffrey Williams a.k.a. YOUNG THUG takes a break from “Constantly Hating” and gets freaky as he drops his first full album, HY!£UN35 (read as HiTunes). After all these teasers, it’s finally time to hear the real deal.
It’s time to get carried away and lifted up like kindred spirits with the sound of Passion Pit as they perform their hits live on August 13 at the World Trade Center in Pasay City. This night will definitely be one for constant conversations.
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Get ready to scream “Fuck Yeah” and head on to the LA Sports Arena and Exposition Park on August 22 to 23 for the FYF Fest as legend Morrissey takes the stage with favorites that include Frank Ocean, FKA Twigs, The Drums, and more.
After its stint on the silver screen back in 2007, Adrienne Shelly’s Waitress makes its way onstage at the American Repertory Theatre’s stage on August 1. Now with music and lyrics by Sara Bareilles, it won’t be long until it hits Broadway.
Checking in after 2013’s Holy Fire, British alt-rock outfit FOALS show us What Went Down with ten fresh tracks of lyrical angst that are cynically and heartbreakingly honest, combined with monster riffs that will keep you on the edge of your seat – just as the band always has.
Words by Ida Aldana Albert Hammond, Jr. photo by Jason McDonald
M USIC NE W S
TO INFINITY AND BEYOND
T ECH PACK DO W N L OADS
For that extra oomph.
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MEDIUM By A Medium Corporation
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MIKMAK By TIPO Entertainment, Inc The first ever mobile video shopping network, watch 30-second ads on the latest gadgets, clothes, accessories, home goods, and more.
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FAC E PA I N T
SCARLET WINGS Fly high and go bold in hot hues.
ILLAMASQUA Powder Eyeshadow in Daemon P1,230
URBAN DECAY Eyeshadow Primer Potion in Eden P970 HOURGLASS COSMETICS “Femme Nude” Lip Stylo in Pale Pink P1455
NARS #49 Wet/Dry Eyeshadow Brush P1358.57
KRYOLAN Eye Shadow Matt in RB 29 P530.81
LAURA MERCIER Eye Brow Gel P970
YVES SAINT LAURENT “Volume Effet Faux Cils Shocking” Mascara in Pure Black P1455.61
DOLCE & GABBANA Perfect Matte Powder Foundation P2911
MAKE UP FOR EVER Aqua Liner in Iridescent Red P1,039
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Runway photo by Max Mara Spring/Summer 2015
NARS “Nude Scene” Lip Gloss in Vent Salé P1262
MAYBELLINE Dream Lumi™ Touch Highlighting Concealer P360
VA N I T IES primers
Whether you’re into a dramatic smoky eye or a clean winged eyeliner, BAREMINERALS “PRIME TIME” EYELID PRIMER will keep your eye makeup in place while maximizing its intensity and pigmentation.
double glossed Put on your best shoes and captivate anyone who crosses your path as you shine inside and out with MARC JACOBS BEAUTY ENAMORED HI-SHINE LIP LACQUER. Its gloss equivalent of 30 coats of lacquer, luxurious texture, and extensive wear will put you on the A-list with 18 chic shades from sophisticated nudes to a showstopping red, purple, or fuschia.
Expert Advice Apply lipgloss on the middle of your lips blending outward for a flawless finish.
Save yourself from a bad skin day with GUERLAIN “MÉTÉORITES” LIGHT DIFFUSING PERFECTING PRIMER’s color-correcting base and pearlescent extracts that blur fine lines as well as conceal blemishes and discoloration.
Keep your glamour game strong with LAURA GELLER BEAUTY “SPACKLE” EYE & LIP PRIMER DUO, which helps you glide on your lipstick and eyeshadow without creasing and bleeding.
BEAUTY BITE
NATURAL HYPE SALON
Words by Jill de Leon Beauty Bite Photos by JP Talapian
I
f you’re into Japanese style haircuts, there’s no better person to help you out than NATURAL HYPE SALON’s Fumio Ohnishi, who grew up in Osaka, Japan and is more than willing to sit down with you to discuss your preferred look before getting started. Enjoy watching videos from a screen attached to the ceiling while you get your hair washed with nothing but well-loved products like Shiseido and Uevo. There’s no doubt you’ll be coming out with an Asian persuasion.
2D Blue Sapphire Residences, 30th cor. 2nd Ave., Crescent Park West, 1634 Bonifacio Global City, Taguig (02) 478 4226 facebook.com/NaturalHype.Global
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GO S E E
Mix it up with prints and layers worthy of a Fashion Week strut. Photos courtesy of JP Talapian and lookbook.nu
@kyrabuenviaje
@streetfashion101
@annepinero
@mchlaroces
@annalisamasella
Graphic designer Marco Santaniello has an appetite for good style. @superstarmix
@reyalfashion
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@hisnameisfashion
@dataalekseev
@beatics
Blogger and journalist Adriana Seminario keeps the print-on-print trend alive. @_theandrogyny
@patrickpankalla
@thefashioncuisine
@filippofiora
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shirt and trousers by Mateu-s rings by Clara DS
Photographed by Charlotte Navio Styled by Lilyana Lazarova
shirt and trousers by Myriam Rouah
shirt by H&M trousers by Myriam Rouah shoes by Vans
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shirt by Mateu-s
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shirt and trousers by Mateu-s rings by Clara DS
Hair and Makeup Maud Eigenheer Model Maxence of ELITE
sweater by Marc Jacobs sweater by Marc Jacobs tutu by Capezio tutu by Capezio
Photographed by Michael Kai Young Styled by Tiffany Briseno
bodysuit by Badgley Mischka blouse by Alice + Olivia legwarmers by Line
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bodysuit by Badgley Mischka jadket by Emilio Pucci legwarmers by Line
sweater by Akris skirt by St. John tights by Calvin Klein
Hair and Makeup David Goveia Model Valeria Efanova of NEXT
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FASHION
facebook.com/starstyleph
Beauty
@starstyleph
www.starstyle.ph
Celebrity
@starstyleph
SWAG augu s t
20 1 5
ROCK THE TOTE Fill in the void in your daily get-up with bucket bags, digital prints, canvas sneakers, printed backpacks, casual blazers, collared dresses, boots, envelope clutches, and flounce skirts. Product Photography by Ian CastaĂąares
bucket bags by Tod’s [P84,500 each]
CASUAL BLAZERS
DAPPER CLASS These relaxed blazers could be your most valuable layer.
From top to bottom: Topman [P8,785] Cortefiel [P7,790] River Island [P4,790]
CA N VA S S N E A K E R S
WALK THIS WAY Step up your casual kicks with vibrant hues worth a stride.
From top to bottom: 21 Men [P1,015] Penshoppe [P899] Vans [P2,698]
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P R I N T E D BAC K PAC K S
PACK IT UP
These printed backpacks are heavy on style.
From top to bottom: adidas [P1,895] Forever 21 [P1,420] Vans [P1,898]
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PRINTED TEES
IMAGE READY Speak a thousand words with your graphic printed shirt.
Clockwise: Topman [P1,195] Tommy Hilfiger [P2,950] Oxygen [P399] Topman [P1,395] River Island [P1,390] Penshoppe [P499]
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COLLARED DRESSES
FRESH SMART Collars are a clever way to tone down the dainty.
From left to right: Miss Selfridge [P2,795] Forever 21 [P1,535] Dorothy Perkins [P1,395]
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B LO C K- H E E L E D B O OT S
HEIGHT CLUB These block-heeled boots are definitely made for walking.
From top to bottom: Ecco [P8,250] Cortefiel [P10,090] Ecco [P9,950] Tory Burch [P25,650]
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E N V E L O P E C L UT C H E S
EPIC MAIL time Accessorize with envelope clutches to seal the deal.
From top to bottom: Sfera [P1,159] Dune [P3,450] Sfera [P1,159] Call It Spring [P1,755]
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FLOUNCE SKIRTS
FLIP SERVICE
Flounce skirts will put a whole new spin to your look.
From top to bottom: Penshoppe [P699] Forever 21 [P805] Tommy Hilfiger [P5,950] Penshoppe [P799] Oxygen [P799]
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M U S E
After taking the plunge into her passion for creativity, BRAINA LAVIENA emerges ready and waiting for what the world has to offer beyond the horizon. By Ida Aldana Photographed by Yana Bardadim, Adam Reyna, and Ben Tsui
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“I believe in constantly switching your creative energy towards things that are foreign to you.”
E
ndlessly immersing herself in the multifaceted creative process, Braina Laviena lets the imaginative artist behind her sunkissed skin and ever-changing hairstyle come to light. “I believe in constantly switching your creative energy towards new projects or things that are foreign to you and establishing them as a challenge to yourself. I couldn’t ever do just one thing, I feel.” Since moving to LA from Puerto Rico to pursue her career, she’s already been featured in Alvar Magazine, C-Heads, Line Magazine, Bullet Magazine, and Dreck UK. Last February, she walked the New York Fashion Week runway for the first time for Kanye West × adidas. “It’s a dream for any model out there to do fashion week, and for me, it was really unexpected. I was front and center at the show and after, the main picture popping up everywhere was my face.” She continues, “I couldn’t believe it. I was so overwhelmed. I feel really lucky and thankful for that opportunity.” But catwalks and features don’t completely make up her résumé. With a degree in advertising and journalism, she also does branding and design. “It’s usually people I know that mention they need a rebranding or some designs, and if I’m into it, I jump on board,” she explains. She further explores her artistry beyond the depths of professional work by illustrating for her own interests. “I come up with concepts that I want to illustrate and write out lists and then go back to those lists and just sketch whatever I’m feeling like that day. I have notebooks just full of ideas and series I want to do,” she adds. She admits not knowing how to swim despite growing up on an island, but her impressive work ethic does more than keep her afloat. “I suffer from bipolar disorder, so I’m quite an emotional person,” she shares. “But it’s something that I work on on a daily basis to be in control of myself while still being able to feel things as I feel them and be able to create from those emotions.” As for what’s next for her creative endeavor, she’s awash with expectations, as she anticipates, “Hopefully, everything and anything.”
HEAD START
My hair grows crazy fast, so I always have freedom to play with it. When I moved to LA, I had a short bob with micro bangs. I tried to grow it so I’d be more commercial, but long hair just isn’t my thing. I cut it to a pixie and then didn’t want to do the upkeep, so I decided to shave it–it’s all worked out for the best.
ART-TO-ART
If I weren’t a model, I’d be doing all the other things that I do or am aspiring to do in the future. Right now, I’m pursuing other creative things apart from modeling: photography, illustration, writing, styling, design, art directing, acting, music, etc.
FACTOR KEY
I get ideas for projects out of mundane things that I have around me all the time, and then I think of how to make it interesting while expressing it in the way I see it or feel it. My nationality, my gender, my sexuality, my background in politics, my work as a model, my passions in life–all factor into what I want to create.
ROLE MODELS
Ann La Place was the first model who inspired me. Some of my favorites are Freja Beha and Omahyra Mota, who I feel made way for models with a nontraditional beauty, the androgynous look, tattoos, and personality. Currently, my favorite model is Daria Werbowy. I love how she carries herself, how she always looks at peace, and the energy she puts out.
brainalaviena.com @BrainaLaviena
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MAESTRO
M A E S T R O
FIRST Mercy to the authentic sound of Thirst Trap with DONMONIQUE’s rap, where the beats stay dirty and the verses have you dripping thirsty. By Celene Sakurako Photographed by Liz Barclay and Jim Deuce
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ip-hop’s newcomer, 20-year old Brooklyn rapper DonMonique isn’t playing around. Within less than a year under her belt since debuting last summer on SoundCloud with “We Don’t,” she already created buzz on and off stage, quickly making a name for herself through her slick spits that incorporate lyrically clever, esoteric rhymes delivered over heavy gritty beats, which are mostly “made from scratch” under a genre of rap that’s completely her own: Thirst Trap. Recognized by her second song “Jada,” the rapper on the rise has been swiftly gaining credit by going out in the city and promoting her music, making friends,
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forming vital relationships, and notably performing in SXSW early this March before finally claiming her ticket to the game with her first music video for “Pilates (Kendall, Kylie, Miley).” Spontaneously filmed at an Awful Records house party in New York thrown by her and her friends, the video opened doors for her to nab a cameo on Lolawolf’s lastest music video, “Every Fucking Day,” and collaborate with Fool’s Gold’s rapper Danny Brown and Ferg Foreverfamed New York-based producer Stelios Phili for songs featured in her first EP titled Thirst Trap released online last July. Wearing her usual ensemble of a sports jersey paired with baggy pants, Don tells us, “Living in NYC, I like to be always comfortable, so I wear a lot of sporting good clothing and make it my own.” If she’s not in the studio recording, taking interviews, or in front of the camera for photo shoots, she’s keeping it real with a drink at the bar, smoking and chilling with her friends. Inspired to make music on a daily basis by her friends, her team, and whoever is listening, Don’s passion is the
MAESTRO real deal. Grinding hard to get signed on the daily, she proves that she’s out for the throne and she’s just as thirsty as her raps are. What’s your first encounter with hip-hop/rap? I grew up listening to hip-hop and rap. Being in music is something I’ve always wanted to do. Once I was old enough and found a team, there was no going back. You’ve gotten a great start with a dope debut music video for “Pilates” and a cameo on Lolawolf’s music video. What are your thoughts on the role of the Internet with upcoming musicians and your whole experience? I met my team and made most of my connections by going out and showing my face. Making friends and forming relationships. The Internet is just there to help ‘cause that’s where people share their music nowadays. “Pilates” wouldn’t have made it to the Internet if I wouldn’t have formed a relationship with the director of the video or my current managers now, who I met in real life.
Same with the Lolawolf video. My follower count doesn’t mean shit, it’s just a plus. “Pilates” went up because it’s a cool song and visual, period. Your raps have gotten a lot of attention for their originality, a style you call “thirst trap.” Tell us what this is all about. [It’s] like my own genre of music. I feel like when you hear one of my songs, you’re just thirsty to hear more. It traps you. Your EP Thirst Trap has been one of the most anticipated releases this summer. What do you want your listeners to get from it? Thirst Trap. It’s about me. You’ll get a taste of what I’m all about after you listen to it. Imma let the tape speak for itself. What should we be watching out for this year? I’m just taking things day by day right now. You never know what might happen tomorrow or next week. Just stayed tuned.
soundcloud.com/donmon1que @donmon1que
“Thirst trap is like my own genre of music. I feel like when you hear one of my songs, you’re just thirsty to hear more. It traps you.”
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MAESTRO
OF SOBRIETY AND STYLE
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After a lengthy break from releasing a full studio album, guitarist ALBERT HAMMOND, JR. isn’t making a comeback—because he never left.
few days after our interview happened, guitarist Albert Hammond, Jr. was taking a muchneeded break in Barcelona for the Primavera Sound Festival where he did double duty as guitarist for The Strokes and as frontman for his solo band. “It was fun! I didn’t know what it was going to be like. It was the opening day, but it was really full and the crowd was really excited. We got to play two new songs,” recounts Albert about his performance as a solo artist during the festival. It took him a while to release his third full-length album entitled Momentary Masters, produced by Grammy winner Gus Oberg, following his last LP, ¿Cómo Te Llama?, back in 2008. According to Albert, it wasn’t as if he wasn’t doing anything between then and now. “I made two Strokes records and then my EP,” he explains. During
By Denise Mallabo Photographed by Jason McDonald
that phase, he also admits he was struggling with drug addiction—the entire period was a bit wavering. He went into rehab for a year and a half in 2010, and he’s been working on being sober ever since. When asked what it was that finally made him decide to kick the habit, he says it was either luck or the way he was brought up that caused the realization. “Maybe it just became obvious that there were two roads, and I just decided that I couldn’t take the other one. I loved doing drugs, but I didn’t like the outcome waiting at the end, which wasn’t why I started doing them to begin with. So once I realized it was just a problem and was past the point of whatever experimentation I was going through, I somehow popped out of it for a second and chose the right way,” he admits. However, he’s still a work
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“I want to play for people, I want be successful. I want to go around the world and convince people that I’m good and I’m worth listening to.” in progress, but as long as he keeps himself in the correct path, he’ll be fine. “Sobriety definitely helped me understand my gut reaction more, and to progress. I think I was stuck for a long time, I hadn’t grown, so I feel like that in itself helped what I wanted to do in music.” He has always been very hands-on with the production of all his albums— from writing the lyrics, playing the guitar, and arranging the songs. “Everything is hard if you want to do it well,” admits Albert. Other than the fact that he had a change in his band lineup, what’s different with Momentary Masters is that he really took ample time with it. He wasn’t constantly rushing himself because he wanted something that he’s deeply excited to share with everyone. “I had all these new people, and then the way they were translating my old music made it feel like I was in a band, which was really exciting for me. This was like how it would feel if we had started from scratch. It feels fresh; it feels like I could do it again, it excites you. The whole record sounds like that, very energetic,” shares Albert. “We recorded this album differently. It was all done upstate, and I was lucky enough to spend a lot more time on lyrics and melodies and then the singing of it. Everyone in the band was so good that it helped me focus a little more. The excitement is what drives everything—you want more of that.”
With a bunch of performances lined up all over the US and Europe, he can’t wait to test drive his album and take it to the road. “I mean, this whole year of touring we’re trying to plan for Momentary Masters, it’s what I’m looking forward to. We have eight weeks in America. I play in pretty small venues; it’s nice to try to sell them out this time, ‘cause sometimes there wasn’t enough time for people to know that I was coming around.” Expect a good set list of new and old songs from all of Albert’s gigs. “I have three albums and an EP. I’m going to play a wide variety of music. I like making a set list, actually my wife makes the set list, but I like a good story,” he says. Aside from a pretty engaging set, also look forward to what Albert is going to wear, since the musician is probably one of the best-dressed
guitarists around, having had his own line of suits and now, ties. “Recently, I’ve been feeling a little better, and I’ve been dressing less casual and wearing either that red jumpsuit onstage or a suit. It’s fun to dress up for the different times in your life. My mom told me I’ve been doing it since I was two years old; I dress myself to go to school and I don’t even remember doing that,” shares Albert. Given that there’s a lot new with Albert—music, band, civil status, and habits—his aims for his craft and life remains. “I want to play for people, I want to be successful. I want go around the world and convince people that I’m good and I’m worth listening to.”
alberthammondjr.com @alberthammondjr
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MAESTRO
ROOT UP Through his musicallyinclined parents, GABRIEL GARZÓN-MONTANO has a place in the music world by birthright. Now, he’s ready to claim his spotlight. By Stephanie Sison
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here’s music that makes you sway into relaxation or amp you up, but never both. Gabriel Garzón-Montano, meanwhile, is a paradox. Born and raised a New Yorker, Gabriel has an ear for music and a flair for words. His smooth tunes and inspired lyrics make you float away and, at the same time, animate your spirit. Being a classically-trained musician like his French mother and exposed to cumbia and salsa by his Colombian father, Gabriel developed a distinct sound that is a far cry from today’s R&B. His heritage diversified his perspective on music and gave him depth as he delved into hip-hop through Biggie’s Ready To Die and funk Prince’s Sign ‘o’ the Times. He soon found his own sound in a mixture of neo-soul, R&B, and funk music. As far as making music goes, the multiinstrumentalist recorded and produced all the tracks in his latest album, Bishouné: Alma del Huila. With every note, hum, stomp, and clap performed to a 2-inch tape through a Helios console in real time, computerized editing had little place in his vision for this album, thus the vintage
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feel of his songs. Despite the natural limitations in performing without much digital help, Gabriel made up for it through his poetic approach. His lyrics speak of heartbreak while expressing optimism, inspired by the notion that it’s his job to speak about something worthwhile. “‘Everything Is Everything’ is about the irony of first world depression. ‘Naeja’ is about a fairy who rescues a weary traveler who’s lost in the desert.” He goes on, “The words to ‘Pour Maman’ were written by Bobby Elliott, when my mother passed away in 2007, as if he were me addressing her from this plane. ‘Keep On Running’ is social commentary and a reminder that you can’t run away from your love. In ‘Me Alone,’ I’m singing to my muses both light and dark.” Doing everything on his own from melody-making and lyric-writing down to performing, Gabriel is an all-in-one artist. “I write on my phone when I’m on the subway. If I’m reading and I love a phrase or a word, I write it down, and the bits and pieces get used later. When I come up with a melody, I mumble something to get the singing out. A lot of the time, the final lyric is phonetically similar to what I’ve mumbled in my sketch. He further narrates his creative process, revealing his passion for his craft. “Songs begin in so many ways. Sometimes, I find some chords I like. Sometimes, I record a voice
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note of an idea and develop it later. But when I use the software Logic, I start with the beats. After I settle on a progression and find a melody, I have a section; sometimes a couple sections. I decide what these will be in the context of the tune; verse, chorus, intro, etc.,” he explains. “Sometimes this changes as the song develops. Then I find a way to make transitions between sections smooth. On a couple of occasions, I’ve had the pleasure of experiencing a song coming out of me the way you speak a sentence. In those moments, I’ve been reminded that the songs aren’t mine and that I’m rendering audible vibrations that already exist.” Gabriel’s art is no longer limited to the stages he plays in Brooklyn, having been tapped by Lenny Kravitz to open for him in his Europe tour back in 2014. However, what eclipsed his fame is his collaboration with Drake when he sampled Gabriel’s album opener “6 8,” on the song “Jungle” in the rapper’s latest mixtape, If You’re Reading This, It’s Too Late.” I wrote “6 8” about a girl I was with in college. I think Drake chose it because he heard something over it. It has a lot of space in it, which makes it easier to work with than the others.” Whether Gabriel’s rise to fame may be associated with the Drake effect, we don’t know. But one thing is for sure, with talent and musical prowess stemming from his roots, it won’t be long before the world ultimately becomes his stage.
“I’ve had the pleasure of experiencing a song coming out of me the way you speak a sentence, [which] reminded me that the songs aren’t mine and that I’m rendering audible vibrations that already exist.”
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MAESTRO
SONS Of ANARCHY Campaigning their power pop penchants to the alt rock nation, NEW POLITICS aren’t making a scene–they’re making arms raise. After doing justice to A Bad Girl in Harlem in 2013, the New York-based trio sets the record straight with Vikings. By Pola Beronilla Photographed by Dave Austria and Brendan Walter
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resh from the streets of Brooklyn, lead vocalist David Boyd, multiinstrumentalist Søren Hansen, and drummer Louis Vecchio, collectively known as New Politics, are bound to create an uproar. Initially formed in Copenhagen, the alt rock power trio debuted their in-your-face anthems in the US with a self-titled release in 2010. Ditching their earlier influences to strike out their own identity, it was in 2013 when the band started getting rounds on the radio with their breakout hit, “Harlem,” off of their second album, A Bad Girl in Harlem. Swiftly running over that sophomore slump with a more polished pop rock aesthetic, they gear themselves up to fly higher than United with their latest record, Vikings. Stepping inside the recording studio once again, the band gained
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a sense of familiarity with the entire creative process. “I think the pressure’s just the same every time you do something new. You’re faced with challenges of who you are today compared to yesterday. You’re faced with the constant change and constant drive to express yourself and do it better and better. And I think with this album, we’ve definitely overcome that.” They first gave a taste of their new release with “Everywhere I Go (Kings and Queens)” towards the end of 2014. “[It’s a] celebration of everyone who believed in us and stuck with us through thick and thin. Now that we’re experiencing the success, we’re experiencing it with the people that believed in us,” shares David of the track. Fast-forward to a couple of months after, New Politics collect their battle scars and turn them into a full-blown LP. “Vikings is a mix of our first self-titled album, A Bad Girl in Harlem, and something new. We’ve been inspired by so many bands that
we’ve become friends with, toured with, or done shows with. And just by thinking and dreaming music everyday, we’ve become masters of it,” shares David. “Although there’s still a long way to go, you can really see the growth, and I think that’s what the album will show musically.” Backed up with their rock-hard chord progressions, heavy drum punches, and raw vocal power, you’ll find yourself pumping your fists along their infectious hooks and electronically-induced dance-rock songs. However, their lyrics show a more personal touch this time around. “We have a nostalgic attachment to Copenhagen, and we’re also falling in love with living in America. I think there are a lot of stories that go into that,” says David of their lyrical influence. He also admits that this is their best album to date. “I know it because we’re better at writing, we’re better at melodies, and we’re better at everything. I felt
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“Every song is still New Politics. We sound like New Politics, but with bearings going different places.”
it when I picked up a guitar, when we sat in front of a computer to make a song, or whenever we recorded something. I just think that this album shows diversity,” explains the lead vocalist. “Every album we make will have its charm and will have its songs that I think our fans will always like. But in this album, we’ve become much better songwriters and musicians.” As the band explores new territories in terms of their music, they push themselves towards their fullest potential. Though a shift in instrumentation is apparent, David reassures that we’ll still be fed with their original charm. “Every song is still New Politics. We sound like New Politics, but with bearings going different places.” And they’re definitely taking us with them.
newpoliticsrock.com @NewPolitics
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MASTERMIND
M A S T E R M I N D
SIX SECONDS OF FAME With his contagious energy and fast-paced, audacious humor, KING BACH has taken over the Vine Kingdom. You don’t need to stack two pencils to feel his presence, but you’ll definitely be back for seconds. By Jill de Leon
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n the age of double taps, swipes, and instant entertainment, Andrew Bachelor, better known as King Bach, reigns supreme. Gaining over 12 million followers under his rule in just a couple of years through his fastpaced comedy, contagious energy, and smart delivery, the jester is in fact, the undisputed King of Vine. When he’s not on the hunt for new punch lines to hit, the social media maven can be spotted getting laughs everywhere else, even boldly running across the court during an NBA game to hand a roll of toilet paper to none other than Beyoncé. “Beyoncé is the shit. She’s shitting on everyone else, so I was like, ‘Let me give her some toilet paper,’” quips the young comedian. To his fans, this daring move comes to no surprise. He admits to whipping up his ideas from exaggerated versions of everyday life, something he believes will double tap people’s interest. “I just do whatever makes me laugh. It could be a topic on relationships, crime, or pop culture.” The 27-year-old also pays attention to what his viewers want, bringing back well-loved bits and characters like “Hood Genie,” “Ay Yo Momma Let Me Get Your Number,” and “You Got That Gas Money?,” which remain his strongest signature Vines to date. Six seconds may come off as no big deal, but King Bach takes his craft seriously as he admits to how meticulous he can be when it comes to the execution. From shooting
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a single video for six hours to going all out with production and costumes, he’ll definitely do it for the Vine. “I’m a very tough critic of myself, so if something doesn’t make me laugh, then I won’t upload it,” he explains. With around 60 deleted Vines that only his eyes have ever seen, even one of his first posts, “That Backflip Tho,” which is responsible for his now-giant following, almost didn’t make the cut. Among millions of users on Vine, it’s an undeniable challenge to claim the territory, but King Bach has taken over with a major advantage from his background. “I incorporate a lot of the things I’ve learned in film school into my videos,” he says. “And I’m just funny,” he cracks. Aside from studying the science behind film and media, he also reveals his experience with being in a comedy group called 30 in 60, where he performed 30 sketches in 60 minutes, possibly where he got his training for quick humor. Despite this, he believes that his experience with the group and with Vine are two completely different things, as he feels that his comedy on the video-sharing format is much more organic.
MAstermind
King Bach has been seen looping in with other notable Viners like Curtis Lepore, Christian DelGrosso, Rudy Mancuso, and DeStorm Power, with whom he formed friendships with on Twitter. “I love working with them all. Everyone has his or her own unique spin, ideas, and acting style,” he shares as he compares the whole experience to being in high school. “There’s no real competition, I mean, if there was, I’ve already won,” he teases. With the diversity of comedians garnering attention on Vine, he says there’s no one formula for everyone to follow. “Just be yourself. If you’re shy, be shy. If you’re not outspoken, don’t be outspoken. Everyone likes something. There’s always something out there for someone.” Despite his hyperactive character and hilarious oneliners, his calm demeanor often surprises fans. “I’m more of an observer. That’s where I draw my comedy from.” Aside from his relatable gags, his way of analyzing what sells and what doesn’t is partially responsible for his rule over his six-second kingdom. He sees King Bach as an alter ego, an exaggerated version of himself. “It’s hard to observe if you’re the one causing all the ruckus, so I think that’s where the difference lies.”
“I want to be one of the biggest movie stars ever created, and I’m gonna keep fighting for that until it happens.” With acting as his main target, the social media trailblazer’s timeline to success is far from being over. “I want to be one of the biggest movie stars ever created, and I’m gonna keep fighting for that until it happens,” he shares. However, it’s a goal not too far from his reach, as he has already branched out into the small screen. With his recurring character in The Mindy Project, a more serious role in House of Lies, and improv comedy in Wild N’ Out, he proves to be a shoe-in for different genres of entertainment. With a movie in the works as well as a few more sitcoms, it’s safe to say that the King of Vine might be invading more, if not all screens sooner than you think.
@KingBach
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V I S I OO NN S
Skin Space Skin (2012)
IN VIVID IV In a dimly-lit room brimming with the smell of nicotine and alcohol, a young CHATI CORONEL sits under the haze of a spotlight as she recites her poetry to a crowd. Such was the scene back in the ‘90s when Club Dredd was at the pinnacle of Manila’s underground nightlife. Now a renowned painter and all-around virtuoso, it’s safe to say that she’s successfully making her mark in the local art scene and beyond. By Isabella Argosino Licorice (2013)
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hati traces her artistic roots back to a library in CCP. The then 19-year-old was in the bottleneck of her last year as an Architecture student when she came across Van Gogh’s “Sunflowers” in an art book while researching for her thesis. She remembers crying over that miniscule image upon seeing it for the very first time. And just like that, it was as if a switch went off in her head, making her immediately sure what she wanted to do for the rest of her
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life. Although she grew up around her grandmother who was an art teacher, creating things was never a big deal for her until that moment. Out of what she used to think was a mere trend came a vision for Chati. Currently, her work is inspired by different elements–from Tibetan Buddhism to fashion and children’s fairy tales. It might seem like a string of erratic thoughts thrown together, but Chati draws much deeper, esoteric meanings from them. “For some time now, I’ve been listening in as my husband reads Grimms’
Fairy Tales to our daughter,” she shares. “There’s something about the worlds that have been created in these stories; the world of myth that activates the listener’s subconscious.” This way of living has also led her to embrace Wabi-sabi, which she has adapted upon resettling back into the Philippines after a stint in Los Angeles. Wabi-sabi is a philosophy that embraces the absence of perfection as well as the celebration of change. “It lets you see beauty in everything–in rust, in the way people age, in the way things
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Blush (2012)
A Kiss is Also a Church (2014)
The Artist as Disassembled Chandelier (2015)
break, and the way seasons change. It’s a very poetic way to live,” Chati explains. Through rough coats and raw strokes blanketed by soft palettes, her beliefs have spilled over to her canvas over time, describing her style as “digging in reverse”. Layer by layer, she uncovers a story of honest expression, dabbling between clarity and impressionism. Take one of her more popular projects entitled “The First Kiss on Earth,” which ironically has nothing to do with the artist’s experience of a first kiss. Instead, she delves back into the essence of such an intimate gesture. “I wanted to examine what a kiss was, before the word ‘kiss’ was invented,” explains the artist. “This exploration led me to the theme of union between divine nature and human nature. I thought of how kissing involves letting go of one’s ego–how one human melts into another.” This is just one example of how her works unravel a spectrum of ambiguity that invites the viewer in. Armed with a backbone in architecture, her degree has blessed her with a system of organized thinking. “It probably gives me a different set of eyes to see the world and a way of being sensitive to space as a medium.” Although there are certain themes that she keeps coming back to, such as the feminine form and universal concepts like
oneness and the higher self, she has become more comfortable with testing much farther ends of the waters. “I now see that destruction is part of creation. With each series, I brazen enough to start from scratch and ask, ‘What is painting?’” she contends. For her, the very notion of creating is divine in itself. “It brings us to the edge of what is known, into places we have no words for,” Chati adds. With paintings that have been exhibited in Florence, Manila, Toronto, Los Angeles, and more, it’s clear that there is many in store for Chati. Flailing her arms about until she figures out the essence of painting once again, she has since found her way to the deep part of the pool, saying, “I’m just letting it take me where it will take me.”
chatishine.blogspot.com @chati
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TALK OF THE TOWN From the streets of Brooklyn to the waves of Bondi and all the way to the shops of Bangkok, JEREMYVILLE paints the town vibrant with his graphic art and inspiring ideas. By Ida Aldana
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rowing up along Wonderland Avenue in the suburbs of Sydney “on a diet of cartoons, drawing, riding, and hanging out down at the beach,” complete with a side of trouble paved the road towards art for Jeremyville. Nowadays, when he’s not busy with work in New York, he spends summer back home in Australia, still focusing on his art in his Bondi Beach studio, which he says helps him maintain that connection to the ocean that he had as a child. Starting his career as a cartoonist for The Sydney Morning Herald when he was only 19, he went from coffee tables to wardrobes through collaborations with Urban Outfitters, Uniqlo, Swatch, adidas, Nike, and Converse. If that isn’t impressive enough, Nickelodeon, Mercedes Benz, and Volkswagen are on his list of clientele as well. He also brings his work to museum exhibits around the world and to bookshelves through his design books. With a résumé as remarkable as his, it’s hard to believe him when he says making mistakes is how he got to where he is today. “I’ve mainly been my own worst critic. I’m always very hard on myself,” he shares. But it looks like it paid off, especially since he gets his inspiration from his obsessive drawing and note-taking
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on his sketchbook. “Sketchbooks form the basis for your whole career in time, and it helps you develop your own voice and style,” he explains. “There’s no shortcut to a career in art and design. Just a lot of hard work and discipline to grow and evolve as an artist and a human being.” And his “Community Service Announcements” (CSA’s) show just that. Ever since he was a child, he had the urge to change the world, even if it was just one person at a time–so he decided to start with himself. “I started drawing the CSA’s as a way to instigate inner change within myself, a way of creating time to reflect for others who read them, and to then hopefully spread tiny ripples of personal change in other people’s lives.” He continues, “To me, each of the CSA’s I’ve drawn so far are small fragments that I’ve picked up along the path of my life’s journey, and when these are piled up, they hopefully reflect upon the essence of the human condition, the world we live in, and what it means to be alive.” What sets him apart is his clever take and effective route to spread his ideas. “I’ve subverted and repurposed these mechanisms of infinite distraction to help share the CSA messages: Advertising. Social media. Giant billboards. Public walls. The streets. Corporations.” His simple project for himself eventually manifested as a giant public sculpture in Central World Bangkok, Thailand’s main retail precinct. “It’s a modern totem of our innate sense of freedom and childhood self expression that we all once had and that some of us have forgotten, because of the early onset of adulthood, responsibilities, and the inexorable slide into conformity and fear that this life can bring.”
“Art or any self expression in general can reinstate that connection to our dreams, to our bravery, and to that magical feeling that anything in our life is possible. Our own imagination sets us all free again.” His work has become his way of staying true to himself, to never forget his dreams, and to feel freedom again in a world that has the potential to subdue us from the moment we are born. “Art or any self expression in general can reinstate that connection to our dreams, to our bravery, and to that magical feeling that anything in our life is possible,” he enlightens. “Our own imagination sets us all free again.” He continues his artistic quest for freedom with upcoming projects with Disney, a soon-to-be released monograph on Studio Jeremyville, as well as an exhibition in Paris where his new book about the CSA project, Live Life Sunny Side Up, will be launched. “There’s no limit to the mediums I enjoy exploring. I’m up for anything that challenges me as an artist and human being.”
jeremyville.com @jeremyville
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BAL ANCING
ACT
Taking his artistic prowess to painting on broken surfboards and abandoned buildings, artist and surfer SEAN YORO finds exquisiteness in his favorite element. By Denise Mallabo Photographed by Aaron Austin
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hen Oahu native Sean Yoro, also known as Hula, started dabbling into graffiti and watercolor in his late teens, he wasn’t serious about it until he got into a portrait drawing class in college and fell in love with it. “I’m most passionate about street art and smaller works on canvas. Both have given me the ability to express myself in a natural way,” admits Sean. He describes his works as traditional realism with a modern flair. “I try to keep things interesting, always looking to capture new emotions or messages. My pieces have been influenced mostly by things I see in nature and my changing environments,” he says. Now residing in New York, Sean has been all over the Internet and news because of his hyper-realistic murals of women, seeming like they’re partly submerged in water, done while balancing on a paddleboard. “Aside from the occasional brush rolling overboard, I’m happy to say I’ve never tipped over,” confesses Sean. These murals came about while he was working on a separate project. “Since water has always been my main inspiration, I had the idea to paint these portraits of girls underwater. While doing the photo shoots for the paintings, I realized how much I loved to be in the water and still work creatively. From there, I knew I wanted to figure out a way to paint in water. The concept grew slowly, each idea building into
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a final form for the murals,” says Sean. The messages he hope to capture with these murals were the connection and relationship he has with his environments, from growing up in Hawaii to moving to New York. A common misconception that some people have with street art is that they see it as a rogue action or act of rebellion. What can you say about this? I think the perception of street art has changed radically from ten years ago. Yes, some people still view it as a rebellious act, but with the way street art is going more mainstream, I don’t see that misconception lasting much longer. To me, it’s in the same boat as tattoos; many of the older generation think it’s bad taste because the medium represented gangs, but now it has become its own art form.
MASTERMIND You’re also known to be a surfer. How does this relate to you being a street artist? My family is full of surfers, so naturally, I got into surfing at a young age. Surfing has kept me connected with the ocean ever since and has influenced my life. So when I express myself through art, it was natural to use the surfboard as a platform to get me to these walls. I also paint on broken surfboards, an idea I had when I saw these damaged surfboards lying around my art studio. How different is painting on walls and public properties from smaller mediums? In my studio, I’m able to control everything from lighting to surfaces, but out on the water, there are so many
“I love painting women—they give a softer, more delicate mood to my paintings.”
variables I cannot control. I had to learn to adapt to every circumstances that came up and also just let go of the things I can’t control. Most of your work revolves around the theme of mystical women and water with a tribal touch. Where do you draw inspiration for this? I love painting women—they give a softer, more delicate mood to my paintings. The tribal tattoo like markings signify scars we get from life. Everyone has their own unique past and we deal with scars differently. I feel that scars are beautiful and make us who we are. What’s the best part about being a street artist? The best part is being able to connect directly with people, no gallery or platforms needed. With every piece, my goal is to beautify this world and hopefully inspire others to chase their passions and express themselves in their own unique way.
hulaaa.com @the_hula
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There came a time when Abel Tesfaye no longer found himself lusting for anonymity. Making it out of the shadows of his major label debut in 2013 with Kiss Land, the artist now exposes himself as the beauty behind the madness. There’s no need to wait any longer ‘cause THE WEEKND is here. By Isabella Argosino Photos courtesy of MCA Music Inc.
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ABEL
Tesfaye was just a 17-year old boy from Scarborough when he decided to drop out of high school, leave, and never come back–all in the span of a weekend. Fast forward to eight years, six albums, and more than 18 awards and nominations later, that same vagabond teenager took his daily grind to the throne of PR&B success he currently sits proudly on. The now 25year old singer, songwriter, and producer only recently broke the air of mystery he built around himself when he first started out in the scene. Releasing his first few songs on YouTube back in 2010 under his moniker, Abel held a strong aversion to press, consistently turning down the media in hopes that his music would speak for itself–even going full cipher by suppressing his face and birth name from the public for a time. Maybe it was the reticence that made the idea of The Weeknd all the more appealing, because fans continuously devoured his art without being distracted by or drawn to a mere poster child. But one thing was certain–Abel was glad to remain behind the curtains. In 2011, Abel gradually started to put a face to the music as he began performing live for selected crowds. He had also just released his holy trinity of albums that made him rise to prominence, backed up by online buzz and curiosity from the public eye, all wanting to penetrate the obscure, monochromatic world in which The Weeknd existed. But he was careful, tiptoeing along the vicious tightrope of the pop culture realm, cautious not to fall into a pit of shortchanged publicity stunts. “The music industry seems to run a lot on hype,” his co-managers tell Billboard.com. “Abel wanted to see where things would go with his songs living on their own merits.” Floating into the airwaves, House Of Balloons came on strong for a first album as the crooner preached pharmacological debauchery coupled with dark, sensual undertones delivered through his astral yet sharp vocals that make their way to your inner visceral without you even knowing what hit you. From the hard-opener “High For This” to “Glass Table Girls,” Abel makes no apologies as he disturbs listeners with the most sensitive of topics, but the end product is a thematic masterpiece that’s
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hard to turn away from, much like a drug in itself. The following albums he released within months after continued his tale of a troubled lover, with the desperation of Thursday and tragic tastefulness of Echoes of Silence, which he also dropped for free under his own label. It was only a matter of time before major labels would start taking notice of the low-profile artist. In the same year he got signed to Universal Music Group, he was catapulted to the forefronts of the idiosyncratic new breed of R&B. Similar to many other R&B and hiphop producers, Abel builds songs around samples from other recordings. Instead of using the usual jazz and vintage singles, he layers alt rock samples from classic crooners such as Siouxsie and the Banshees and Beach House. But perhaps one of the most vital yet overlooked traces one can find in his songs is the consistent influence of the late King of Pop himself, Michael Jackson. Aside from the tremulous similarity between the two’s way of singing, it is Jackson who lies in The Weeknd’s cross hairs. “These kids, you know, they don’t have a Michael Jackson,” he tells NY Times. “They don’t have a Prince. They don’t have a Whitney. Who else is there? Who else can really do it at this point?” Instead of following Jackson’s legacy of suave bravado, he diverged and took a different path entirely, bravely presenting himself as scarred and vulnerable. At the time, R&B was a dying genre that devolved into a bland side dish to the main course that was hip-hop. But soon, other R&B singers started surfacing– from Frank Ocean, and Miguel, to The Internet and Jhene Aiko–all breathing life into the genre that thrived in the time of Aaliyah, and even Lauryn Hill. But there was The Weeknd, who chose not to be an ass-kissing crowd-pleaser with sugar-coated lyrics and sell-out synths. He grabbed R&B by the throat and made it entirely his own. While his 2013 debut record, Kiss Land, was a hit with the critics, it didn’t translate so well into commercial appeal, selling only 268,000 copies. Abel’s sound engineer, Jason Quenneville compared his previous albums to an, “O.K., fine, I’ll play ball” moment, while he quipped Kiss Land as “O.K., let’s play baseball, but
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you’re swining a plate of spaghetti,” as seen in an interview with NY Times. Fortunately, The Weeknd’s fan base held their ground with their continued support to his more Technicolor pieces. But then again, Abel isn’t here to please. “The album is about what young men think but will never say out loud. I’ve learned to pretty much not give a shit, and it kind of morphed this sound and it works,” he told MTV.com. “There’s nothing else I’d rather do than this.” In the middle of the year, The Weeknd announced the follow-up to Kiss Land, entitled Beauty Behind The Madness, which include tracks “Can’t Feel My Face,” “The Hills,” and “Often.” As Abel continued to spiral into success, the limelight gave him fewer places to hide. He has since landed himself a spot on the 50 Shades of Grey soundtrack and he couldn’t have been a more perfect fit, with his soothingly seductive ballad, “Earned It.” At the same time, he also made R&B history by becoming the first artist to claim the top three slots on the chart, with the said single and two tracks from his new album. He even bagged the BET Centric Award at the 2015 BET Awards for his 50 Shades contribution, which he performed alongside Alicia Keys. “As is so often the way at award ceremonies, the newbie has to team up with a legend. But he doesn’t need her, as he demonstrated when delivering a throbbing version of new single,
“The Hills,” laying its bad intensions thrillingly bare in the process,” writes NY Post. “His time is most definitely now.” Despite his fame, Abel stays true and owes his sanity to his music. He wouldn’t let his art die in the mainstream because his music is far from just a celebration of the end of days and the promise of romance and relaxation that comes with a Friday, Saturday, and Sunday. His is a lyrical genuflection on matters of the heart, meant to quietly pierce and overly-indulge. Republic CEO Monte Lipman shares with Billboard.com, “The one thing the modern music industry hasn’t been able to manipulate in 60 to 70 years is word of mouth. That’s what The Weeknd possesses, and it’s been incredibly valuable.”
theweeknd.com @theweeknd
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Jumping from one role to another, JAKE MCDORMAN takes no chill pill. Pushing the boundaries of his full potential, he now goes into action as Brian Finch in CBS’ TV adaptation of Limitless. By Pola Beronilla Photographed by Shanna Fisher Styled by Wilford Lenov Grooming Bethany Johnson
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shirt by shirt by Assembly Assembly pants pants by by Jacob JacobDavis Davis
shirt by Journal at Oak NYC jacket by American Apparel pants by ASOS shoes by ASOS
“Working on Lim of responsibility you have the o somethin
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“
was still licking my wounds at that time,” recalls Jake McDorman of the moment he got the call for a lead in CBS’ Limitless. Expanding the story of the NZT drug first introduced in the 2011 film with Bradley Cooper and Robert De Niro, it turns out that the series was the best prescription he was waiting for. “A show I was working on had just been canceled, which is a very disorienting experience. So to have a script come along with so many exciting elements was a great remedy.” For someone who grew up obsessing over every aspect of movies, from listening to the soundtrack about a thousand times to dwelling on favorite lines, characters, and parts of the story, it wasn’t long before Jake got his act together. “The actor’s responsibility to the whole process spoke to me the most because they were the ones immersed in this other world in which I had virtually immersed myself into by watching it so much,” he explains. “Some people have a passion for taking apart classic cars to see what makes them go. That’s how movies were to me; it’s like a really fast car with a great engine that I could customize and could take me anywhere.” And this passion of his did take him everywhere. With his boyish charm and rugged demeanor, Jake channeled his way into several small screen hit series such as Greek and Shameless before eventually finding the ticket to action-packed blockbusters like Live Free or Die Hard and American Sniper. Fresh from Manhattan Love Story, he instantly goes over the edge as Eddie Morra’s protégé in the TV version
mitless was a tremendous amount y. If all the elements come together, opportunity to really be a part of ng very big and very special.”
of Neil Burger’s thriller, premiering this September. Catching him in the midst of an extended trip in Italy, we test his limits and get a dose of his experience as the smartest person on the planet. You’ve been in a variety of TV shows and movies playing a different character from your last every time. How do you adjust to each character? You know, I have yet to really be challenged in the way of making a huge departure from myself for the sake of a character. Now, that’s not to say I haven’t been challenged outright. Ryan Job from American Sniper is a real soldier, a real person. The responsibility to do right by the incredible sacrifices made by someone like Ryan was an immense challenge. To be the age he was with superior training engaged in a war with no end in sight is something I could only imagine. Yet, you do find ways in which you can relate to. You draw these parallels to experiences you’ve had yourself. Obviously on a smaller scale, but in a way, the emotional context isn’t always so important. Slowly, you hope to dial down the parts of yourself that don’t match the character and turn up the parts of you that do. That’s how I’ve approached many of the characters I’ve played. But to fully transform and to disappear physically, mentally, and emotionally the way Bradley did to play Chris, that’s a challenge I look forward to accepting for roles in the future. Coming from a rom-com and transitioning to a thriller, how crucial are your past roles to your career now? Absolutely vital. You take any one of those out from under me and the whole thing would topple over like a game of Jenga. I’m not sure how it works, but the accumulation of each job has always
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“As you grow, you learn different scales, you play in different time signatures, and harmonize with other people. It’s an everchanging symphony that will never stop playing as long as you’re alive.”
sweater by Jacob Holston jacket by G-Star RAW pants by Anthotny Franco
Apart from filming American Sniper, how was it like working with Bradley Cooper on this project? Whenever you work with someone in Bradley’s league, it automatically amplifies your own performance. That was true for American Sniper and it was definitely true with Limitless. Bradley has such an infectious enthusiasm for the process, every facet of the process. He’s constantly searching, experimenting, and playing with ideas that would elevate the scene and yet he‘s totally present and collaborative at the same time. One of the best things about shooting this with him was the fact that he is reprising his role from the movie, so he was a great lifeline for my performance. I could pick his brain about the effects of NZT and any other technical choices he made for his role as Eddie to add even more congruency between the world of the movie and the world of the series.
prepared me for the next one. How does filming a half hour rom-com prepare you for shooting guns in Morocco? I have no idea. But it did, 100%. Do you think there is a certain connection between you and your character Brian? We do have a few inherent similarities. In the pilot, Brian’s life is changing in a very big way. The effects of NZT are giving him the power to fulfill his potential on a much larger scale than he ever thought possible. Not to paraphrase Stan Lee or anything, but with that power also comes great responsibility. Working on Limitless was a tremendous amount of responsibility. You’re broadening this established universe of the movie that Bradley, Neil Burger, and everyone at Relativity helped create; you’re armed with a great script, a great director, a great DP. If all the elements come together, you have the opportunity to really be a part of something very big and very special. There’s a scene in the trailer where Eddie Mora is talking to Brian. He says something to the effect of, “You’re about to live the kind of life you can’t possibly imagine.” I remember shooting that scene and thinking, how bizarre. It’s true for both of us.
What was a memorable moment during the filming of Limitless? There were many. I really had a great experience working with Marc [Webb]. The way he sees the story is so perfect for the show. It makes you feel like you’re in a graphic novel. We had a shot that was over five minutes long where Brian is on NZT, flipping through photo albums and medical books essentially trying to cure his dad’s cancer. We shoot for five minutes then speed it up in post so it looks like Brian is reading at an incredible speed. That was a nice moment on set. We put on some ambient music, no dialogue, just five minutes sitting on the floor, getting lost in what I was doing. It was oddly Zen, and it looked great. What do you think is the best part about what you do? I think it’s fascinating that for an actor, you and the accumulation of your life experiences serve as your instrument in many ways. You imbue your characters with the stains and pockmarks from your own life. And as you grow, you learn different scales, you play in different time signatures, and harmonize with other people. It’s an ever-changing symphony that will never stop playing as long as you’re alive.
@JakeMcDorman
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“Love Me Harder” feat. Ariana Gr
As the individual responsible for some of the most played music videos at the moment, of course it’s safe to say that director HANNAH LUX DAVIS is on fire. By Denise Mallabo Interview by Ida Aldana Special thanks to London Alley
“The Night Is Still Young” feat. Nicki Minaj
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rande & The Weeknd
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Crisp and clear.
These are just two words to describe the creations of music video director Hannah Lux Davis. Billboard.com described her to be “one of the most in-demand music video directors,” and no one would object to that. Working with the likes of Nicki Minaj, Ciara, Ariana Grande, Drake, Jessie J, Miley Cyrus, and Snoop Dogg, just to name a few, she’s obviously on a roll. She has always loved music videos as she grew up watching MTV and TRL during her adolescent years, wherein acts like Britney Spears, Christina Aguilera, Avril Lavigne, Nirvana, Soundgarden, Blink-182, Madonna, *NSYNC, Bjork, Backstreet Boys, and Marilyn Manson reigned. “It’s quite funny how obsessed I am with music videos, still to this day. Making videos is kind of like a dream come true,” admits Hannah. For her, moving from Seattle to Los Angeles was a no-brainer, since she has been fascinated about the idea of making movies and Hollywood for as long as she can remember. When Hannah was still a kid, she had this vision of LA as the beacon of unconventional creativity that’s untouchable, and where most intriguingly talented individuals flock. “Even to this day, after living in LA for almost 12 years, I admit that I get a little giddy when I see the Hollywood sign from a distance,” she shares. Other than directing music videos, Hannah is also a makeup artist, an editor, and a photographer, all of which allow her creative juices flowing. “Doing makeup on shoots allowed me to be on set as part of the creative, which lets me take in the vibes of how crews work together, and how ideas come together. As an editor, it gave me even more practice
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“Cool for the Summer” feat. Demi Lovato
and a more intimate look into the process. I got to see what worked and what didn’t when covering a performance or telling a story, and it showed me what I wished I had more of to make the edit work better,” shares Hannah. Currently, Hannah enjoys the entire process of creating a music video, from listening to the song, conceptualizing, shooting, and editing it as well as being challenged on how to make an idea come to life in awesome vivid colors. You’ve worked with a lot of known artists and you have a way of getting their best side. How do you get them to work well with you and the other artists they’re on set with? Thank you, that’s a huge compliment and something I strive for. I think the biggest thing, no matter the concept of the video, is that the artist should have fun and feel confident. If the artist feels great, they will naturally light up the frame. Creating an emotionally safe set so they can do their best work is something I always aim for. I take pride in my eye for style and glam, but it all starts with an artist who feels good on the inside.
“Burnin’ Up” feat. Jessie J and 2 Chainz
“I like to to get a fi
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“Love Me Harder” feat. Ariana Grande & The Weeknd
“Only” feat. Nicki Minaj, Drake, Lil Wayne & Chris Brown
o do massive amount of preparation for all my jobs irm grip on what I’m after, but I also leave room for the collaboration process. I welcome it.” statusmagonline.com - 87
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“In my opinion, the more the artist can connect to the co will be, and the more successful, and long-lasting the
“Sparks” feat. Hilary Duff
“23” feat. Mike-Will Made It, Miley Cyrus, Juicy J & Wiz Khalifa
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“Good Thing” feat. Sage t
“Hey Mama” feat. David Gu
oncept, the truer it outcome.”
the Gemini & Nick Jonas
HEAVY HITTER How do you make sure that the story is told through the medium you’re using? I try to create videos that are specific to the song and make the video for the artist. That means finding out where they feel they’re at in their life or career and expanding on their brand. Working with Ariana [Grande] for the music video of “Love Me Harder,” she wanted to feel sexy and matured, so we created a platform for her to do just that. Playing with metaphors and emotive cues from the track was exciting, and I always push to create more than just flashy setups. I aim to create something for the viewer to hold onto—a feeling you’re left with after watching it. It’s fun to shape and mold an artist’s path with them. I like to be as collaborative with them as possible. In my opinion, the more the artist can connect to the concept, the truer it will be, and the more successful and longlasting the outcome. It’s all super challenging yet invigorating. Your work is basically a collaboration of the people in front of and behind the camera. How do you make a productive collaboration? That’s exactly right—it’s a collaboration! I like to do a massive amount of preparation for all my jobs to get a firm grip on what I’m after, but I also leave room for the collaboration process. I welcome it.
You have to be flexible, especially in music videos. I like to work with people who push me and challenge me to be better. Respectful of my vision, yes, but as a director, you’re only as good as the talent around you, both in front and behind the camera. It’s not a one man (or woman) show. All of the departments rely on the director to communicate their vision of the project. With every job I learn an important lesson, but the biggest lessons learned are almost always about communication. The world of music videos seems to be led mostly by men. How do you feel about being one of the few female directors who were able to break through that barrier? I don’t think about it, really. I tend to forget that people take that into account. Thinking about it now, it’s probably a lot tougher to be a male in the industry because there are so many. As a female, I think my approach tends to be a little different than most male directors. I concentrate on different details and my preparation is admittedly a little overboard. I’m really only speaking from what I know and have experienced myself, but perhaps there aren’t as many female directors because it can be an extremely emotionally draining job. As women, we tend to be a bit more sensitive, so it takes having a thick skin and learning to cope with everything that comes with the job. Filmmaking is a very passionate process, and without emotion there is no passion, so it really is a balancing act. Having done so many projects, what do you still intend to achieve in the future? I feel like I’m still quite new to the music video world, so there’s still a ton I want to do in this field. There are some artists I’m still dying to work with—Katy Perry, Taylor Swift, and Selena Gomez, to name a few. I’m super anxious to move into both the narrative and commercial worlds. I’m developing a few projects now, which could be amazing. Next up on my docket is a short film. So writers, get at me!
hannahluxdavis.com @hannahluxdavis
uetta, Nicki Minaj & Afrojack
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FASHION
facebook.com/starstyleph
Beauty
@starstyleph
www.starstyle.ph
Celebrity
@starstyleph
DIRECTORY BRANDS 21 MEN SM Makati, Makati City ADIDAS Greenbelt 3, Makati City ALICE + OLIVIA aliceandolivia.com AMERICAN APPAREL store.americanapparel.net ANTHONY FRANCO anthonyfrancodesigns.us ASSEMBLY assemblylabel.com ASOS asos.com BADGLEY MISCHKA badgleymischka.com BAREMINERALS bareminerals.co.uk CALL IT SPRING Greenbelt 3, Makati City CAPEZIO capezio.com CLARA DS clarads.com CORTEFIEL Glorietta 3, Makati City DOLCE AND GABBANA dolcegabbana.com DOROTHY PERKINS Glorietta 3, Makati City DUNE Greenbelt 5, Makati City ECCO Glorietta 3, Makati City EMILIO PUCCI emiliopucci.com
FOREVER 21 SM Makati, Makati City G-STAR RAW g-star.com GUERLAIN guerlain.com H&M hm.com HOURGLASS COSMETICS hourglasscosmetics.com ILLAMASQUA illamasqua.com JACOB DAVIS jacobdavisusa.com JACOB HOLSTON jacobholston.com JOURNAL oaknyc.com KRYOLAN us.kryolan.com LAURA GELLER laurageller.com LAURA MERCIER lauramercier.com MAKE UP FOR EVER makeupforever.com MARC JACOBS marcjacobs.com MARC JACOBS BEAUTY marcjacobsbeauty.com MATEU-S mateu-s.com MAYBELLINE maybelline.com MISS SELFRIDGE Greenbelt 5, Makati City
MYRIAM ROUAH myriamrouah.com NARS narscosmetics.com OXYGEN Glorietta 3, Makati City PENSHOPPE Glorietta 3, Makati City RIVER ISLAND Glorietta 5, Makati City SFERA SM Makati, Makati City TOD’S Greenbelt 4, Makati City TOMMY HILFIGER Greenbelt 5, Makati City TOPMAN SM Aura, Taguig City TORY BURCH Greenbelt 5, Makati City URBAN DECAY urbandecay.com VANS Glorietta 3, Makati City YVES SAINT LAURENT yslbeautyus.com ARTISTS Aaron Austin (Photographer) aaronaustinphoto.com Liz Barclay (Photographer) lizbarclayphotography.com Yana Bardadim (Photographer) bardadim.photo
Tiffany Briseno (Stylist) tiffanybriseno.format.com Ian Castañares (Photographer) thestilllifephotographer.tumblr.com Kara Chung (Photographer) instagram.com/karachungart Jim Deuce (Photographer) jimdeucenyc.tumblr.com Maud Eigenheer (Hair and Makeup) maudeigenheer.com Shanna Fisher (Photographer) shannafisher.com David Goveia (Hair and Makeup) judyinc.com Bethany Johnson (Grooming) bethanyjohnsonstudio.com Lilyana Lazarova (Stylist) lazarovalilyana.wix.com Wilford Lenov (Stylist) wilfordlenov.com Jason McDonald (Photographer) jasonmcdonaldphotography.com Pamm Merrera (Makeup) instagram.com/professionellamaquillage Charlotte Navio (Photographer) charlottenavio.com Adam Reyna (Photographer) adamreyna.com Ben Tsui (Photographer) bentsuiphotos.com Michael Kai Young (Photographer) michaelkaiyoung.com
STATUS INVADES
INK-STAINED ALLURE With a certain distaste for the bland and colorless, the model with no filter TOLA ORENDAIN pairs her poise with her silly laugh in between the clicks of the camera, when she isn’t doodling words of inspiration.
@tolaor Portrait by Kara Chung Product Photography by Carlo Nuñez Location EASY Skate-Surf
bodysuit by FLOAT 92 - statusmagonline.com
CALLIGRAPHY PEN
I’ve always been into typography. I used to post my quotes on Tumblr. If you see anything signed with a looped T or TKO, that’s me.
MARC JACOBS PERFUME
Like my mother, I like collecting perfumes. This is one of my favorites because it was given to me by a good friend for my 20th birthday.
SONY RX 100 III
My late dad used to like taking photos, so I think it runs in our blood. I don’t see myself getting into it professionally, but I like taking photos of moments and places I’ve been to.
ASICS SHOES
My shoe rack consists of 70% sneakers, 10% boots and oxfords, 10% heels, 5% flats, and 5% sandals. I think that pretty much says I’m a sneaker girl.
I can’t live without a planner because I like thinking ahead. I like knowing what I need to do and what I have in store for me each week.
TOM FORD GLASSES
I wear glasses on days when I feel like giving my eyes a break. I fell in love with these frame the second I saw them.
PLANNER
LEAVE YOUR MARK BY ALIZA LICHT
I’ve always loved reading, but it’s only now that I’ve taken an interest in businesscentric books.
NIKE JACKET
I love the cold weather. Sometimes, I feel like I’m in the wrong country because I have this habit of buying sweaters and jackets.
NIXON WATCH
I wear a watch everyday; I don’t leave the house without wearing one because I feel incomplete without it.
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