Moscow Festival Ballet presents Sleeping Beauty January 22, 2016
From the Executive Director & ISU President Dear Friends, Welcome to the 47th annual Performing Arts Series at Stephens. We are so pleased to have you join us. Since 1969, generations of audience goers have been star-struck by a long list of entertainers who have defined the quality of entertainment you expect to see on our stage. We continue the tradition with a performance for everyone this season. Worldclass music ensembles, Broadway shows, comedy, dance and acclaimed performers are all at home at Iowa State University and all under one roof. In the age of 24/7 entertainment from countless delivery systems, we thank you for making the performing arts important in your life and to the lives of others. According to the State of Iowa Official Public Register, the arts are a major force in Iowa’s economic development. Over $140 million is generated each year in the state, creating jobs that serve nearly two million Iowans. There has always been a need for audiences and performers to connect in the same space and it is energizing to see our community so passionate and supportive of our Performing Arts Series. As you leave this performance, ask yourself, What took you by surprise? What about the performance inspired and motivated you? What made you stretch creatively? We hope you share your experience with others and come back for more!
Steven Leath President Iowa State University
Tammy Koolbeck Executive Director Iowa State Center
WITH YOU, THE ARTS COME TO LIFE! Invest in the arts with a sponsorship or donation. Ticket sales account for only 77% of the cost of presenting artists at Stephens. Donors and O T sponsors E GIV S T R help bridge A THE ! Y that gap. A OD
BENEFITS INCLUDE (varies by level): • Highest priority seating • VIP parking • Meet-the-Artist receptions
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Give online at center.iastate.edu/makeagift Contact Patti Cotter (515) 294-1238 or pcotter@iastate.edu Standing OVATION 2015–2016 SEASON
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Des Moines Choral Society...
something to sing about! Schubert Mass in G with the Chamber Orchestra Kremlin | october 8, 2015 Christmas with the Choral Society | december 12, 2015 Masterworks Concert | april 16, 2016 Society Celebration | may 7, 2016
For more information | www.dmchoral.org or 515.273.5255
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Helpful Hints for Your Experience In Case of an Emergency Doctors, parents or guests expecting phone calls are advised to leave their seat location (located on ticket) with the appropriate parties and with the Guest Services Desk, which is located in the main floor lobby. The emergency telephone number during performances is 515-294-2313. Finding Your Seat / Late Seating Seating begins 30 minutes prior to curtain time. Late seating is subject to the discretion of the staff and according to the artist’s contract. Cell Phones and Electronic Devises Audio or visual recording devices and all photography are prohibited during performances. Please turn off all cell phones, beepers, video games and other electronic devices prior to the performance. All electronic devices are to be disabled during the performance. Photography Presence at this performance will constitute your consent and agreement to be photographed and/or recorded in connection with the advertisement and promotion of the Performing Arts Series and Stephens Auditorium, in any and all media now and known hereinafter devised, in perpetuity. Parking Stephens Auditorium has convenient parking in lots adjacent to the building. Lots A-1 and B-3 are reserved for Performing Arts Fund Donors who contribute $300 or more. Parking for mobility-impaired guests is available in Lot F located west of Stephens Auditorium.
Smoking Smoking is prohibited in Stephens Auditorium and on the surrounding grounds. Accessibility Features Wheelchair seating and special seating for the hearing and visually impaired is available. • Accessible parking adjacent to the theater • Accessible restrooms Headphones with infrared listening devises are available for use at no charge at the Guest Services Desk. American Sign Language interpretation may be arranged up to one month in advance of performances. • Guide and service dogs are welcome with advance notice. Please notify the Ticket Office in advance at 515-294-2479 if you have any special requests or concerns regarding accommodations. We are pleased to assist you with your needs. Gift Certificates Gift Certificates may be purchased in any amount and are valid for all events held at Stephens Auditorium and Fisher Theater. You may purchase Gift Certificates by phone or in person at the Ticket Office, Monday-Friday, 10 am - 4 pm. ATM An ATM is located on the ground floor.
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Medical Assistance If you have a medical need, please notify an usher. Medical services are provided by Mary Greeley Medical Center.
Lost and Found To retrieve a lost item, contact an usher or call 515-294-3347 during regular business hours.
Refreshments Food and drink is generally allowed in the auditorium with the exception of symphonic performances.
Ticket Exchange Ticket exchange is an exclusive benefit available only to Performing Arts Series Subscribers and only available for Performing Arts Series events.
Children All children attending a performance must be able to sit quietly in their own seats without disturbing other guests or they may be asked to leave the auditorium. Please use discretion when choosing to bring a child, and remember that everyone must have a ticket.
Know Before You Go! The playbill for each show is made available on each performance page online at center.iastate.edu.
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Ways to Enhance your Experience Make the Most of Your Experience With These Special Opportunities Before, During and After the Show. When you think of Stephens Auditorium, we hope you think of it not just as a venue for seeing the performing arts, but also as a place where you are engaged as an active participant in the arts. The following events will enhance your visit and make each experience more fulfilling. Free Previews in the Celebrity Café: Engaging presentations offered by experts, ISU faculty members or members of the professional touring group provide unique insights before each performance. Previews are free for ticket holders and occur 30 minutes before curtain time. You’ll find the Celebrity Café on the ground floor, on the north side of the auditorium.
Overture Dinner: We offer a pre-concert meal prior to our classical programming. The buffet is held in the Scheman Building and includes two entrees, dessert, beverages and cash bar. With an informative presentation about the evening’s concert, it is a great way to make it a fun evening with like-minded arts supporters. Master Classes: In master classes, artists will meet with groups of students, usually from Iowa State University and other area schools, and share their knowledge and insight as professional performers. In some cases, the artists will even provide a class for the entire community.
SUBSCRIBE AND SAVE 15% PLUS ENJOY THESE BENEFITS...
ENJOY 3 SHOWS FOR $ 66!
• The Best Seats: Be one of the first in line for your choice of seats, AHEAD of the general public. • The Lowest Prices: Subscribers lock in the best prices at the start of the season. • Free Exchanges: If your plans change, subscribers can exchange their tickets at no charge to any other Series performance up to 24 hours prior to the performance. • Free Replacement Tickets: Lost your tickets? Duplicate tickets can be printed for subscribers at no charge. • Save 15% on Extra Tickets: Subscribers are entitled to 15% off Series tickets throughout the season. • Invitation to the 2016–2017 Series Preview Party: Be the first to hear about the new Series and get a jump on securing the best seats for next season.
View the entire series and subscription options at center.iastate.edu Standing OVATION 2015–2016 SEASON
Educational Experiences for Youth Youth Matinee Series Parents and educators know that helping a student develop creativity and imagination is one of the most important things they can do. Helping to complete the education formula, our Youth Matinee Series energizes, engages and enhances the overall learning process for students through the magic and wonder of live performing arts produced by professional touring artists.These performances enrich students’ lives and illustrate the dynamic relationship between literature, social studies, history, science, math, world cultures and the performing arts. The Youth Matinee Series is underwritten by the Martha-Ellen Tye Performing Arts Institute endowment.
Martha-Ellen Tye Performing Arts Institute The Martha-Ellen Tye Performing Arts Institute was established through a generous endowment by long-time Marshalltown resident, the late Martha-Ellen Tye. It brings a unique blend of arts experiences to students of all ages through matinee performances, teaching activities in schools, demonstrations and workshops. Now in its 16th year, the program has served more than 200,000 students in grades PreK-12 from across the state of Iowa. Mrs. Tye believed strongly in the power and importance of arts education and vigorously supported programs that develop the “whole person — body, mind and spirit.” The Youth Matinee Series is underwritten by this endowment, which allows us to keep the price at $4.
To learn more about these performances, contact Sara Compton, Outreach Coordinator, at 515-294-7389, e-mail scompton@iastate.edu, or visit www.center.iastate.edu.
Martha-Ellen Tye Performing Arts Institute • For Pre-Kindergarten–Grade 12
2015–2016 Youth Matinee Series I SUSANNE AM JACK GERVAY HARRIET TUBMAN AND THE UNDERGROUND RAILROAD
OCTOBER 15
OCTOBER 27
NOVEMBER 23
FEBRUARY 1
FEBRUARY 8
THE VERY HUNGRY CATERPILLAR
ISU
The World of Anne Frank
SYMPHONY SYMPHONY
FEBRUARY 16
MARCH 8
APRIL 1
APRIL 18
Admission only $4 in Advance or $5 Day of Show Register today at www.center.iastate.edu/education or call 515-294-3347 Standing OVATION 2015–2016 SEASON
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ARTISTIC DIRECTOR: Serkan Usta www.balletdesmoines.org
IN COLLABORATION WITH THE
Des Moines Community Orchestra March 26, 2016 DES MOINES CIVIC CENTER
TICKETS AVAILABLE AT
DesMoinesPerformingArts.org, the Civic Center Ticket Office or all Ticketmaster outlets
Bring the Whole Group!
Save $5 off adult tickets when you order 15 or more.
GATHER YOUR FRIENDS AND SAVE! Please call the Ticket Office at 515-294-2479 or 877-843-2368 for more information. Standing OVATION 2015–2016 SEASON
Moscow Festival Ballet presents Sleeping Beauty
January 22, 2016
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A Columbia Artists Production Direct from Moscow, Russia
MOSCOW FESTIVAL BALLET Company of 50 Artistic Director: Sergei Radchenko The Moscow Festival Ballet was founded in 1989 when legendary principal dancer of the Bolshoi Ballet Sergei Radchenko sought to realize his vision of a company which would bring together the highest classical elements of the great Bolshoi and Kirov Ballet companies in an independent new company within the framework of Russian classic ballet. Leading dancers from across Russia have, under Radchenko’s direction, forged an exciting new company staging new productions of timeless classics such as Giselle, Don Quixote, Paquita and Carmen. Since its inception, the Moscow Festival Ballet has completed two tours of Europe, with extraordinary receptions in Italy, France, Spain, Germany and the Netherlands. Its tours of the United Kingdom, including capacity audiences at London's famed Coliseum, have resulted in re-engagements during the 1995-96, 1996-97, 1997-98, 1998-99 and 1999-2000 seasons. The company has also performed with great success at the Istanbul Festival in Turkey and at the Athens Festival in Greece, and recently completed a two-month tour of Japan, Korea, Singapore and Hong Kong. Under the direction of Radchenko, the Moscow Festival Ballet continues to expand its repertoire. In addition to commissioning new works from within Russia and abroad, the company specializes in 20th century full-length ballets such as Cinderella, Romeo and Juliet, Legend of Love, Stone Flower and The Golden Age. Mr. Radchenko has researched the original choreography and staged productions of several of Marius Petipa's classic ballets, including Don Quixote and Paquita, and a recreation of Jules Perrot's and Jean Coralli's Giselle. The Moscow Festival Ballet has toured extensively throughout the United States, beginning with a coast-tocoast tour in 1997 and returning in 2001, 2004, 2007, 2010, and 2014, and returns to the U.S. and Canada Winter/Spring of 2016.
SERGEI RADCHENKO Artistic Director
orn in 1944, Sergei Radchenko graduated from the Moscow School of Dance in 1964 and then joined the Bolshoi Ballet, where he worked for 25 years. He danced the entire repertoire at the Bolshoi, but Benjoyed a special reputation for Spanish dance, particularly the role of the bullfighter in the Bizet-Schedrin
Carmen Suite. He is the Founder and Artistic Director of the Moscow Festival Ballet and has achieved a remarkable feat in the establishment and development of this young-but-great Russian ballet company. Mr. Radchenko presents a large number of master-classes, inviting leading teachers from the Bolshoi and Mariinsky Theatres to ensure the continuation of the rich traditions of the Russian classical school.
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THE SLEEPING BEAUTY Full-length Ballet in Three Acts Music by Pyotr Ilyich Tchaikowski Choreography by Marius Petipa Libretto: Marius Petipa and Ivan Vsevolojsky after stories by Charles Perrault Sets: Lev Solodovnikov Costumes: Simon Virsaladze Premiere: January 16, 1890 Mariinski Theatre, St. Petersburg
PROLOGUE ACT I
The Spell --Intermission--
ACT II, Scene One The Vision
ACT II, Scene Two The Awakening
ACT III
The Wedding
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PROGRAM NOTES
he Sleeping Beauty, a crowning jewel of Marius Petipa's career, is often considered the finest achieveme nt of the classical ballet. It is a grandiose and refined blending of the traditional mime, expressive pas d'action and spectacular divertissements in a lavish theatrical setting. Tchaikovsky was delighted with the invitation to write the music for a ballet based on Charles Perrault's well-known fairy tale. A baby princess, condemned at her christening by an evil fairy to prick her finger and die on her 16th birthday, is saved by the gift of the good Lilac Fairy, who declares the princess will only sleep until awakened by the kiss of a prince. The fairy tale, replete with a king and queen, fairies both good and evil, a beautiful princess and dream prince, magical stage effects, and courtly splendor, lent itself perfectly to the full evening ballet that was Petipa's pride. Although different productions have cast the kingdom of King Florestan and his Queen in varying centuries, it is really a storybook kingdom set in the realm of the imagination. In the Prologue, the hall of the palace where the christening is about to take place is resplendent with color, and imposing with its high ceilings and great stone archways. The master of ceremonies, pages, heralds, ladies in waiting, and finally the King and Queen all promenade into the royal setting, looking most distinguished in their elaborate dress. Next, the fairies of the kingdom join the scene of courtly pageantry with the Lilac Fairy, six cavaliers and maids of honor entering last. All dance in honor of the King and Queen and baby Aurora, about to be christened. Each of the fairies dances her own solo, presenting a gift to the Princess. Just as the Lilac Fairy finishes her dance a strange and frightening rumble is heard. Its meaning soon becomes clear: the master of ceremonies has forgotten to invite the evil Fairy Carabosse! The grotesque woman, her face a white mask, her long dress black and tattered, enters in a huge black coach drawn by four ugly rats. Stepping down, she gesticulates with her hand and threatens with her stick that they will have to pay the price for their omission. In mime, she delivers the ominous curse that the Princess will prick her finger on a spindle and die. The master of ceremonies is in disgrace, the King and Queen are in despair. But the Lilac Fairy Standing OVATION 2015–2016 SEASON
has not given the baby a gift. She steps forward and assures the royal court that on Aurora’s 16th birthday the princess will indeed prick her finger, but then fall asleep for 100 years. Carabosse speeds off in a rage while the others surround the infant’s cradle as if to protect her from further harm. The Sleeping Beauty was the first of Petipa’s classics to be seen in Western Europe. Under the title The Sleeping Princess, it was presented by Serge Diaghilev (1872-1929) in London in 1921. In 1939, it was remounted in Great Britain and has been considered the foundation of the classical ballet repertory in that country ever since. It has now been adopted worldwide, and performance of the leading role remains a kind of initiation rite for aspiring ballerinas. The Sleeping Beauty is a supreme demonstration of the challenge of Petipa’s style - steel point work, sharply accented spinning turns, soaring leaps, high extensions, brilliant battery (beats in the air), daring lifts and, in addition, it gives a fairy tale plot lavish stage treatment. However, its production actually checked a growing tendency toward shapeless extravaganza in 19th century ballet, adhering closely to the principle of choreographic symphonism—like the composition of a symphony, it had a certain formal structure. The Sleeping Beauty was choreographed in strict association with Tchaikovsky’s music. There are themes developed and resumed throughout the ballet, and each act is a unity unto itself. Tchaikovsky willingly took instruction from Petipa as to the length, tempo and character of each musical sequence (as he would also do in The Nutcracker). The themes–a young girl’s coming of age and the triumph of good over evil–are developed dramatically and musically during the course of the ballet. Each of the three acts includes an Adagio for Princess Aurora, the first celebrating her girlhood, the second her falling in love, and the third her marriage. In these pas d’actions, Petipa makes fuller use than previous choreographers of the dramatic potential of the classical ballet, as when Aurora’s curved (questioning) attitudes become sharp (exclamatory) arabesques and her balances grow steadily surer.
PROLOGUE King Florestan the XIVth declares a grand christening ceremony to be held in honor of the birth of his daughter, Princess Aurora, named after the dawn. An entourage of six fairies are invited to the Christening to be godmothers to the child. They are the Candide Fairy, the Coulante Fairy, the Miettes Fairy, the Canari Fairy, the Violente Fairy and—most importantly—the Lilac Fairy, who is the last to arrive. As the fairies are happily granting gifts of honesty, grace, prosperity, song and generosity, they are suddenly interrupted by the arrival of the wicked fairy Carabosse, who is furious at the King’s failure to invite her to the ceremony. The King and Queen begin to remonstrate, and the Master of Ceremonies, Catallabutte, intervenes to take responsibility, whereupon Carabosse rips off his wig, laughing. With spite and rage, Carabosse declares her curse on Princess Aurora: she will prick her finger on her 16th birthday and die. But all is not lost: the Lilac Fairy, fortunately, has not yet granted her gift to the Princess. She acknowledges that Carabosse’s power is immense and she cannot completely reverse the curse. However, she declares, though the Princess shall indeed prick her finger, she will not die, but instead sleep for 100 years until she is awakened by the kiss of a prince. Carabosse departs, and the curtain falls as the good fairies surround the cradle.
ACT I The Spell Act I opens at Aurora’s 16th birthday party. Brightly clad peasant girls dance a divertissement with flower garlands. Holding the arched garlands overhead, they dance in multiple circles, weaving in and out to a waltz tempo. All await the arrival of the Princess Aurora. The ballerina princess bursts onto the scene, dancing a brief and vivacious solo in the manner of a carefree young girl. She is then ceremoniously introduced to the four princes who have come to seek her hand. The Rose Adagio, the famous pas d’action expressing a young girl’s blossoming into womanhood, is about to start. Aurora begins the adagio in with one leg raised and bent behind her, one curved arm raised overhead. Some have read in this “attitude” pose, which Aurora repeats often, a kind of gentle questioning or youthful uncertainty. One after the other, each of the suitors turns and displays her while she maintains her pose. She releases the hand of the suitor supporting her, and raising both of her arms overhead, balances momentarily, as if tentatively testing her abilities. She then takes the arm of the next prince and begins the sequence again. After a brief interlude in which the princess dances alone, she returns to accept a rose from each of the suitors (hence the title, Rose Adagio). She pirouettes slowly and accepts each rose; one prince supports her while the next offers his flower. At the end of the adagio, she returns to her attitude position, and supported in turn by each prince, Standing OVATION 2015–2016 SEASON
she again releases her hand and balances for a little longer each time. Finally as she frees her hand from the clasp of the fourth prince, the curved attitude straightens into a sharp, arabesque extension. She retains her balance poised confidently on one toe, as if she has visibly come of age before the eyes of the adoring suitors. The Princess continues dancing a joyful solo until her attention is suddenly distracted by a strange woman dressed in black who offers her an unfamiliar object. Before anyone can stop her, Aurora seizes the dreaded spindle. The unwary Princess pricks her finger, grows weaker, and falls to the floor in a swoon. Just as those assembled lapse into despair, the Lilac Fairy steps forward. Waving her wand soothingly, she reminds them that the Princess will only sleep and she casts everyone into deep slumber along with her. The Lilac Fairy summons a forest of thorns, thickets, and enormous shrubbery to grow around the sleeping court.
--Intermission-ACT II Scene One: The Vision Act II takes us to a neighboring kingdom 100 years later. Prince Charming and his lord and lady friends are out for a hunt. The cheerful retinue amuse themselves with dances and games, but the Prince is tired of everyday diversions and stays behind to wander about alone. Suddenly the Lilac Fairy floats in on a boat with gossamer sails. She offers to show the melancholy Prince a vision of Aurora. The Prince is utterly enchanted by the sight of the Princess dancing lyrically and romantically amidst a tableau of fairies and nymphs, bathed in a bluish light. He pursues her but can only hold the Princess in his arms for a moment before she eludes him and disappears. She is after all only a spectral image conjured up by the Lilac Fairy. The Fairy offers to take the Prince across the lake, through the dense and tangled forest, to the castle where the real Princess lies asleep.
ACT II Scene Two: The Awakening The Prince approaches the canopied bed set on a high platform and, as the music heightens, he plants the awakening kiss. Aurora greets him. The King and Queen appear from either side of the stage and welcome the awakened Aurora and her Prince with joy.
ACT III The Wedding The final act ushers us into a sumptuous hall, graced with statuesque columns and a circular gold staircase crowned by a blue sky. It is here that the royal wedding of Prince Charming and Princess Aurora will take place. A full series of celebratory divertissements is performed by the inhabitants of fairyland. Puss ‘n Boots, Bluebeard and his wife, Goldilocks and a Bear, Little Red Riding Hood and the Wolf all dance. A highlight is the pas de deux of the soaring Blue Bird and his Princess. First dancing together and then separately, they compete with each other spinning and fluttering in sparkling flight, sometimes jumping so high they seem virtually suspended in the air. The man’s variation in particular, which features many beating jumps while he arches his body backwards and forward (brises voles) is one of the most famous and demanding in the international repertory. The Bluebird’s Dance ends with the female lifted on the male’s shoulder. The celebration then climaxes with the Grand Pas de Deux danced by the Prince and Princess. They are regal, formal and confident dancing together. Prince Charming supports his bride’s pirouettes and displays her long extensions and secure balances. The Prince jumps and spins during his solo and the Princess spins on pointe with even surer mastery than she showed in the Rose Adagio. Finally, Aurora whirls into the Prince’s arms and dives toward the floor; the Prince catches her around the waist and supports her in the famous inverted pose known as the fish dive. All join the bride and groom for a spirited mazurka and the Lilac Fairy, standing in their midst, bestows her blessing on the happy couple.
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Iowa State Center Staff Tammy Koolbeck............................................................................Executive Director Missy Borton......................................................................... Administrative Assistant Kay Lande........................................................................ Administrative Receptionist Business & Finance Linda Schwartz.............................................................................Business Manager Helen Nelson............................................................. Accounts Payable Administrator Event & Conference Services Pat Dennis.......................................................Director of Event & Conference Services Angie Weeks....................................... Event & Conference Services Sales Coordinator Melissa Johnson.............................................Event & Conference Services Coordinator Dave Burrack.................................................... Event & Conference Services Manager Josh Oakland.....................................................Event & Conference Set-up Supervisor Guest & Client Services Tim Hinderks................................................... Director of Operations & Event Services Sandra Robinson...................................................... Guest & Client Services Manager Steve Flack............................................................... Environmental Services Manager Greg Gerstein............................................Scheman Environmental Services Technician Marketing & Development Angela Ossian..........................................................................Director of Marketing Holly Boman............................................................................. Marketing Manager Patti Cotter........................................................ Development & Sponsorship Manager Janae Ver Helst................................................................................Marketing Intern Food & Beverage Craig Spillman................................................................... Food & Beverage Director Kevin Streiff...................................................................................... Executive Chef Katie Ginapp............................................................... Banquet & Catering Manager Emory Ballhagen..........................................................Banquet & Catering Supervisor Technical Operations Steve Harder.................................................................. Theaters – Technical Director Jake Ewalt..................................................Audio/Stage Manager – Technical Director Mike Broich.......................................Exterior/Production Manager – Technical Director Programming & Education Craig Wiebke...............................................Director of Theatre Programming & Events Sara Compton.........................................................................Outreach Coordinator Carol Lamb................................................................................. Outreach Assistant Ticket Office Valerie Connell...........................................................Assistant Ticket Office Manager
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Dedicated Volunteers Iowa State University Performing Arts Council
A university committee comprised of Iowa State University faculty, staff and students, as well as Ames community members, the Performing Arts Council advises the Iowa State Center on programming for the Performing Arts Series at Stephens Auditorium. Tanya Anderson – Community Tyler Bainter – Music Student Janice Baker – Faculty Sara Compton – Iowa State Center Staff Patti Cotter – Iowa State Center Staff Jane Cox – Faculty Brian Davidson – Community Cinian Zheng-Durbin – Community Homer Gartz – Community Debra Gibson – Faculty Mike Golemo – Faculty Sarah Jablon – Graduate Assistant Sam Johnson – Music Student Nancy Marion – Community Patricia Miller – Faculty Matt Nelson – AIOFA Vahid Noroozi – Graduate Assistant Madeline Olsem – Music Student Alex Ortberg – Music Student Angela Ossian – Iowa State Center Staff Melissa Patrick – Community Bret Pugh – Community Sulagna Sarkar – Graduate and Professional Student Senate Phillip Sears – Music Student Hannah Skalbeck – Music Student Alissa Stoehr – Graduate Assistant Education
Ames International Orchestra Festival Association Board of Directors 2015-2016 Peter Reilly, President Karl Gwiasda, Vice President David Stephenson, Treasurer Dario Zaffarano, Secretary Jim Beckwith David Hoffman Aaron Fultz Noelle Fultz Dave Millard Matt Nelson Wendy Nutini Bion Pierson Kevin Schilling Suzy Shierholz James Tener
The Stephens Street Team
The Stephens Street Team unites the Iowa State Center and ISU by celebrating the importance of the arts in our lives. Its mission is to promote the arts to ISU students through unique marketing efforts and special events. The Stephens Street Team will plan events and lead marketing activities and develop creative ways to reach out to the student body at ISU about the incredible, affordable and accessible activities at the Iowa State Center. Activities may include planning on-campus promotional activities or philanthropic events that relate to shows, assisting with performance day activities, sidewalk chalking, flyer distribution, presentations to campus organizations about our Performing Arts Series and more!
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ENJOY TIME WITH FRIENDS
MEET THE PERFORMERS
ENGAGE KIDS WITH THE ARTS
Become a Partner in the Performing Arts Did you know your ticket pays for only 77% of the cost of presenting the Performing Arts Series? Contributions are critical to the quality and breadth of our program, allowing us to be bold and innovative each year. Join the generous donors who make these magical performances possible.
Giving is Easy To give your vital support to the arts, choose one of these methods:
Online: Visit www.center.iastate.edu/makeagift Mail: Envelopes at the Guest Services Desk or send to ISU Foundation, 2505 University Blvd., Ames, IA 50010
Donor Benefits Can Include: • High priority seating & VIP parking
Phone: 515-294-3347 or 1-877-843-2368
• Complimentary refreshments in the Donor Lounge • A Donor Appreciation Event, Meet-the-Artist receptions and the Series Preview Party.
Your Gift Can be Made in Installments Visit www.foundation.iastate.edu and click on ‘How to Give’ to complete a Pledge, Electronic Fund Transfer or Faculty/Staff Payroll Deduction Form.
In Person: Ticket Office (open through intermission for all shows) Give today to begin experiencing the many benefits of being a Performing Arts Fund/AIOFA donor. Please join us today. Visit center.iastate.edu/support.
Ames International Orchestra Festival Association (AIOFA) You can designate your gift to support the orchestras at Stephens Auditorium.
Contact Patti Cotter, Development & Sponsorship Manager, at 515-294-1238 or via e-mail at pcotter@iastate.edu.
WHAT’S YOUR DREAM FOR THE ARTS?
Consider an endowment gift or a bequest to secure the future and to sustain world-class performances and arts education programs.
Contact Patti Cotter at 515-294-1238 or pcotter@iastate.edu Standing OVATION 2015–2016 SEASON
Partners in the Arts Special thanks to the following supporters for their unwavering loyalty and crucial support. Their generosity enables us to bring the world’s finest performing artists to Iowa.
Major Sponsor
Major Show Sponsors Bullets over Broadway
Hospitality Sponsor
Beauty & the Beast
Donor Lounge and Reception Sponsor
Celtic Nights
Youth Matinee Show Sponsor The Very Hungry Caterpillar
Ames International Orchestra Festival Association (AIOFA) and Ames Commission on the Arts (COTA) proudly support the Iowa State Symphony (Youth Matinee Series Concert), Chamber Orchestra Kremlin and Polish Baltic Philharmonic Orchestra concerts.
The Fab Four This presentation is supported by the Arts Midwest Touring Fund, a program of Arts Midwest that is funded by the National Endowment for the Arts, with additional contributions from the Iowa Arts Council, the Crane Group and General Mills Foundation.
Sponsor a Show
We’re always looking for businesses and individuals to help make great shows happen. Our sponsorship packages are priced to suit a variety of needs and budgets. Call 515-294-3347. Standing OVATION 2015–2016 SEASON
Thank You for Your Support Performing Arts Fund and Ames International Orchestra Festival Association Donors as of 12/31/15
Impresario $5000 & above Richard J. Baumhover Jim Beckwith The Lauridsen Family Endowment
Executive Producer $2500 - $4999 Cecilia & Jack Horner Arthur Klein Warren & Beverly Madden Marianne & David Spalding Ira, Jordan & Julia White Brent & Maggie Wynja
Director $1200 - $2499
Irene Beavers Elizabeth Cole Beck Kelli Bennett Jay & Karen Heldt-Chapman Willa & Dave Holger Sherilyn & Mitchell Hoyer James & Jody Mueller Mark & Andy North Jim & Frankee Oleson Cynthia & John Paschen, MD Peter & Rae Reilly Richard & Jasmine Seagrave Jim & Mary West
Principal Artist $600 - $1199
Anonymous (3) Brian & Tanya Anderson Marc H. Anderson & Family Bob & Elizabeth Angelici Doris Bacot Ted & Carol Bailey Rick Bartosh Jane & John Baty Stewart L. Burger Lee & Lori Burras Ann H. Campbell Do-Biz Foods, LLC Frank & Kathy Comito
Patricia Cotter & Peter Orazem Dieter & Renate Dellmann Durbin, Zheng & Son, Inc. 1st National Bank - Ames Jan & Cornelia Flora Homer & Sandra Gartz Thomas & Allison Greenwald Wil & Marjorie Groves Linda Hansen Mark & Lisa Harmison Judie & David Hoffman Chuck & Betty Horras Jean & Bob Humphrey Charles Hurburgh & Connie Hardy Vicki Jahr Kawaler Family Charitable Foundation Shelle & Steve Kent Jim & Mary Kincart Todd & Jill Klindt Mike & Tammy Koolbeck John & Diane Kubik Greg & Sue Lamont Allen & Joy Lang Phyllis J. Larry L. Lepke Jane W. Lohnes Erica Marquette Roger & Ruth McCullough John & Pam Miller Patricia A. Murphy John & Helen Olson Sue & Gary Osweiler Carol & Arlen Patrick Mary Jane Pearson & Ramon A. Runkel Mary Jean & Maurice Reimers Dick & Sharon Richman Kent & Lou Ann Sandburg Suzan & John Shierholz Gary F. & Harriet M. Short Jay & Dea Staker Ted Tostlebe & Marilyn Hanson Douglas & Deborah West Duane & Megan Wolf Carol Wright Robert & Elizabeth Wych
Rising Star $300 - $599
Anonymous Mike & Linda Adams Chris & Garry Alexander Claire Andreasen & Steve Pecenka Sheila Rae Baker Lisa Bannit & William Barry Pat & Louis Banitt Tom & Betty Barton Douglas & Connie Bates LeRoy & Kathy Bergmann Chuck & Carmel Biskner Mary Ann & Jim Black Mark & Deborah Blaedel Jamie Blomgren Roberta S. Boeke Leonard & Janet Bond Barton & Laureen Borg Deanne Brill & Dean Janssen Edward & Jen Buckingham Richard & Maribeth Carlson James & Sherry Carlson George C. & Susan J. Christensen Dan & Anita Clayberg Jim & Carolyn Cornette Mark & Isabelle Davidson Roger A. Deal Steven & Ruth Dotzenrod M. Burton Drexler Larry & Barbara Ebbers Kevin & Kari Ehrecke Margaret Elbert Randy & Cathy Fitzgerald Cynthia & Lehman Fletcher Charles & Joanne Frederiksen David & Susan Freeman Mim Fritz Richard & Linda Geil Ethel George Joey & Karen George Dave & Carole Gieseke Kathy & Chuck Glatz Timothy Grandon Susan & David Grant Kenneth & Jill Grant Bryan & Joy Graveline
Standing OVATION 2015–2016 SEASON
Thank You for Your Support Lowell & Jennie Greimann Melba & Karl Gschneidner Barbara & Karl Gwiasda Linda Handsaker Judy Hankins Herbert & Esther Harmison Jon & Bonnie Hunziker Etha S. Hutchcroft James & Marcine Illg Mary Ellen Imlau Marcia Imsande Darren & Sue Jarboe Sue Johnson Tom & Debra Johnson Steve & Nan Jungst Joseph & Karen Kerns Karen Kerper LeRoy & Susan Kester Janann King Paul & Adele Knop Marina Kraeva Dan & Sharon Krieger Keith & Brenda Kutz John Landgraf & Phyllis Jones Richard & Irene Lang Jean & John Langeland Ruth G. Larson John & Mary Lawless Donald & Dorothy Lewis Efstathia Lingren Eudene & Susan Lund Elizabeth K. Lyons Greg & Carol Madsen Charles & Barbara Markus Jane & John Mathison Marie Mayer & Larry Brandt Doug & Wanda McCay Judy McDonald Thomas & Dorothy McGee Barbara A. Mengeling & William L. Mengeling, DVM Clete & Joyce Mercier Arlo & Lori Meyer Anja Mudring & Gerd Meyer Dwain & Mary Noffke Susan Norris Don & Evelyn Nystrom Ruth Anne Ohde Danny & Trisha Oldes Larry & Cheryl Olofson Bonnie & David Orth Kathy A. Parsons Don & Jan Payer John & Jacqueline Peeler
Alec & Charlton Pendry John Pesek Pat & Linda Plummer Larry & Joyce Pohlman Emil & Mary Kay Polashek Jolene & Frank Randall William Rich Klaus Ruedenberg Tom & Lorna Safley Dean & Judy Sampson Aaron & Shelly Schroeder Norm & Sue Scott Jerry & JoAnn Sell Barbara A. Shedd John & Sandra Slaughter David & Sherri Smith Jim & Diane Smith Raymond & Jane Stanley Bob & Peg Stephenson Wilma Struss Calvin & Susan Swan Clayton & Ruth Swenson Marcia Thompson Paula Toms Jim & Gloria Toombs Connie J. & Roger C. Underwood Eleanor Vandeventer Jeff & Ann Ver Heul Georgia & Carl Vondra Daniel & Sherrie Vos Mike & Deidre Wahlin Jim & Madeleine Walker Bryan & Kara Warme Mark & Diana Weber Joan E. Welch Becca Wemhoff B. Joan White Maureen Wilt Mike & Deidre Wahlin Della Jane Wright Thomas & Zora Zimmerman
Company Member $150 - $299 Anonymous (2) Barb & Jack Adams Franklin & Kay Ahrens La Donna Allen Iver & Nancy Anderson Karen J. Andrew Nathan & Holly Aronson Sandi & Dave Austin
Marvin Beck & Jane Farrell Beck Amy & Steven Becker Kay & Roger Beckett Kay & Roger Berger Nancy L. Besch Carl & Jean Bessman Diane & Ken Birt Judith Blair Suzanne Block Charlene Boll Diane Borcherding Jeff & Jan Breitman James A. & Sharon Brewer Rick & Janet Brimeyer Rod & Joyce Brink Bob & Rosemary Bulman Terry & Karen Burianek Daniel & Sandra Buss Cheryl Case Margy Chamberlin Gladys & Peter Colwell Randy & Sara Compton Charles & Teresa Connell Harold & Rachel Crawford Paula J. Curran Nancy & Pete Cyr Greg & Amy Davis Mary M. de Baca Tedd & Marilyn Devick Jack & Karen DeWolf Brian & Jennifer Dieter Meg E. Dobson State Farm Insurance Boyd & Irene Dohrmann Dee Dreeszen Mark & Terri Dunn Don & Mary Eichner Judy K. Farthing Jim & Kathy Ferris Bob & Karen Fowser Mr. & Mrs. Albert Freeman Wayne & Evelyn Fuller Sarah Garst Deborah Gitchell Jean Griffen William J. Gutowski & Margaret A. Dempsey Dennis & Jane Haahr Mary J. Harms Duane Harris Marjorie Hartman Jerry & Pat Hatfield C.S. Hedlund Susan Hegland & Thomas Andre
Standing OVATION 2015–2016 SEASON
Stephen & Nancy Heideman Bobbie Heimberg Brian & Angela Heldt Martha Helland Pete & Janet Hermanson Randy & Liz Hertz Tom & Joyce Hertz Carolynne Hoefing Bill & Jody Hoefle Drs. M. Peter & Lorraine J. Hoffman William & Barbara Holt Tim & Susan Hooper Carole Horowitz Dick & Sandy Horton Mina Hertz Jacobs Bruce & Ellen Janke Marian & Roger Jansen Patrick Johnson & Sara Ferguson Bruce & Marie Johnson Rich & Judy Jones Odean Jukam Linda Kelley Delma L. Kernan Cheryll & Tom Kierski John & Chris Kinley Karen & Wayne Klaiber Jim & Joyce Kliebenstein Terence Alexander & Catherine Kling Gerald Klinkefus Carl Klostermann Roger & Mary Jo Kluesner Richard Kottman Asrun Yr Kristmundsdottir Bev & Ken Kruempel Richard Kruger Steven & Frances Kruse The Olson & Kushkowski Family John & Susan Lang Harvey & Sally Lapan William & Susan Lawyer Dick & Ginny Lephart Elyse & Howard Levine Amelia Limyao Jeff & Lorie Loehr Greg & Rhonda Lofstedt Robert Lorr Dick & Jackie Manatt Kathy Solko & Steve Manternach Bill Marion Gary D. Mason Harold & Connie McLaughlin
John & Renee McPhee Helen F. McRoberts Glen & Mary Jo Mente James & Madeline Meyer Patrick & Ruth Milder John B. & Kathryn M. Miller Patricia & Kemp Miller Paul & Ann Mills John Miranowski & Susana Goggi Larry & Sara Mitchell Ginny & Lee Molgaard Jeannine Moore John & Laurel Mors Ron Mowers & Margaret Epplin Carver Nebbe & Leysan Mubarakshina Charles & Mary Ann Mulford Thomas & Lynn Nehls Don & Becky Nibe Michael & Ginger O’Keefe Dale & Kris Olson Cal & Frankie Parrott Miriam Patterson Jean Peterson Marlys Potter Mabel Prescott Jane Punke Anne & Ken Recker Kathy Rhode Mary E. Richards Jo & Bob Rod Josa & Linda Rosa Dick & Karen Ross James & Kari Roth Barbara J. Royer Scott & Jean Rude Carolyn Cutrona & Daniel Russell Diane & Don Schaffer Ames Evening Lions Club Jane Schill Linda & John Schuh Gary Schultz Danny & Dianne See Phyllis Seim Dennis & Joan Senne Sam & Becky Senti Frank D. & C. Lynn Seydel Tori Shahidi & Larry Kelley Kenneth & Shirley Shaw Debra Shenk Diana D. Shonrock
Al & Kathy Sievers Si & Mary Anne Silence Clifford Smith Bernard & Victoria Stephenson, Jr. Janet & David Stephenson Jack & Barbara Stoakes Curtis Struck & Megan Fairall Robert & Deanne Summerfelt Ron & Meg Thompson Harvey & Alice Thompson Roy & Debbie Tinguely Steven & MaryAnn Tjaden Jon James & Carla May Tollefson David & Karen Toot Tedra Towne John & Marjorie Uitermarkt Ardy & Dean Ulrichson Jim & Alicia Van Bergen Bev Van Fossen Daryl & Joyce Vegge Lewis & Dorothy Vierling Steven, Kathy & Zach Vince Greg & Lana Voga Gene & Karen Walker Janice Walter Janet Warg Steve & Kay Wessman Toni Wheelock Richard & Elizabeth White Bill & Toni Whitman Gary Wiele Scott & Jan Williams Stephen & Lee Anne Willson Richard & Patricia Wood Steven & Lorraine Woolery Dario D. Zaffarano Suzanne Zaffarano Scott & Kimberly Zahnle Chad & Amy Zmolek
Matching Gift Honor Roll
AXA Foundation Meredith Corporation Foundation Morgan Stanley Pioneer Hi-Bred International, Inc. Principal Financial Group Foundation, Inc. State Farm Companies Foundation Wells Fargo Foundation
Standing OVATION 2015–2016 SEASON
PPM M 0 3 0 : 3 6 : 6 • • 3 AAYY 3 M M , Y , A Y D A S D E TTUU E S
Stephens Auditorium Ticket Office ticketmaster.com | 1-800-745-3000 | Ticketmaster Outlets Standing OVATION 2015–2016 SEASON