Blue Man Group Playbill by Stephens Auditorium

March 25, 2013 Proudly Sponsored by

Central Iowa Toyota Dealers

• STEPHENS AUDITORIUM •

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ALL • RAND

N’S CHOIRS • CHILDRE • AMES • STORY THEATER COMPA NY •

• SIMON ESTES •

• AMES C HORA

• ACTORS •

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www.standingovationiowa.com

Welcome friends of Iowa State University and C.Y. Stephens Auditorium! Thank you for coming to share this performance with us. You are now part of a grand tradition that has involved artists who have come to Ames from all over the globe and the generations who have benefited from the arts. Stephens Auditorium is the result of visionary dreamers who, more than 45 years ago, worked passionately to build a performance hall unparalleled in the state of Iowa. It stands beautifully today as a shining testament to their vision and their efforts. This elegant 2,729-seat auditorium is poised to host an exciting and eclectic array of 22 touring acts, nearly half of which originate from outside the U.S. We have filled the calendar with dance (Ballet Folklorico de Mexico), music (national orchestras from Cuba and China and Vienna Boys Choir), and avant garde performances like TRACES, a show created by the Montreal-based troupe of 7 Fingers who transform everything you thought you knew about the Big Top. The national tour of Shrek: The Musical made its central Iowa premiere in February and the Blue Man Group returns for the first time since 2006, bringing its unique and intimate theatre performance style to the stage. Tribute bands continue to be popular events, and this year is no exception: Re-live the concerts of ABBA featuring ARRIVAL from Sweden. They are not only supreme musicians, but electrifying performers in their own right. For a full listing of the 2012-13 Performing Arts Series, please refer to our ad located in the color section of this program. We thank you for your support and patronage of the Performing Arts Series at Stephens Auditorium. Enjoy the show!

Steven Leath President Iowa State University

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Mark North General Manager Stephens Auditorium

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NETworks Presentations, LLC presents

MATT GOLDMAN

Created, Written and Directed by

PHIL STANTON

CHRIS WINK

Artistic and Musical Collaborators CHRIS DYAS, LARRY HEINEMANN, IAN PAI, TODD PERLMUTTER, JEFF TURLIK Blue Man KALEN ALLMANDINGER SHANE ANDRIES WES DAY PATRICK NEWTON RUSSELL RINKER CHRIS SMITH Musicians CHARLES HENRY JERRY KOPS CHRIS REISS RION SMITH CLEMENT J. WALDMANN, III RANDY WOOTEN Production/Lighting Design by Costume Design by JOEL MORITZ CHASE TYLER Video Design by Blue Man Character Costume Recorded Sound Design & CARYL GLAAB by Music Supervisor and BLUE MAN GROUP PATRICIA MURPHY TODD PERLMUTTER Associate Creative Production Supervisor Music Director Associate Director Director KORI PRIOR BYRON ESTEP MICHAEL DAHLEN MICHAEL QUINN General Management Tour Press and Marketing Production Manager GENTRY & ASSOCIATES ALLIED LIVE JASON JUENKER ANGELA ROWLES Company Manager Production Stage Manager Head Carpenter TYLER SOLTIS LIZZ GIORGOS JOSH NELSON Consultant to Producer LAURA CLEMENT Executive Producer KEN GENTRY Directed by

MARCUS MILLER and BLUE MAN GROUP Original Direction by Blue Man Group and Marlene Swartz Original Executive Producer - Maria Di Dia Original Associate Producers - Akie Kimura Topal & Broadway Line Company Original New York production presented in a workshop production at La MaMa E.T.C. Standing

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Who’s Who in the Cast KALEN ALLMANDINGER (Blue Man UCLA’s Theater program in 2007. Since, Swing) has performed with Blue Man he has written and directed two feature Group all over the world. He studied films as well as co-created, directed, and acting at Chicago College of Performing starred in the hit Hulu web series Dorm Arts, where he worked with Lookingglass, Life. Chris has performed as a physical About Face, and Chicago Shakespeare actor with Cirque du Soleil and has been a professional juggler (“That Juggler Guy”) Theater companies. for half his life. He loves to write, travel, SHANE ANDRIES (Blue Man) born and eat Twizzlers. and raised in Houston, TX, attended North Carolina School of the Arts where CHARLES HENRY (Strings) is a he received a BFA in Acting. He has guitarist, singer, songwriter and producer. performed all over the world with Blue He’s toured in almost all 50 states, 7 Man Group, attributing much of his Blue Canadian provinces and 9 European Man instincts to the guidance of Robert countries. He’s been playing guitar, zither Francesconi. Shane has worked as an actor and Chapman Stick with the Blue Man in films and commercials, and recently Group for more than 12 years. Other wrote, directed, and produced his first notable acts include The Cab, Third Eye short film. He would like to thank his Blind and Modern Science just to name a few. He came from humble beginnings and family and his wife, Bethany. would not be where he is today without the WES DAY (Blue Man) Having a long- support of his beautiful mother. lasting history as a Blue Man that includes NYC Off Broadway, Boston, Chicago, JERRY KOPS (Chapman Stick/Strings Orlando and the premiere of Blue Man’s Swing) is a New York-based musician who touring arena rock concert experience is extremely grateful to be a part of the Blue entitled How to Be a Megastar, Wes is Man Group family. He has been a Chapman thrilled to be back on the road once again. Stick sub in the NYC production of Blue Other Off Broadway credits include Slava’s Man Group since Fall 2006 and has also had the good fortune of performing as a rhythm Snowshow and Princess Turandot. guitarist in the Broadway musical Rock of PATRICK NEWTON (Blue Man Swing) Ages. Thank you to my beautiful wife Katie, is ecstatic to be a part of Blue Man Group Mom, Dad and our little four-legged boy NAT! Western Michigan (BFA) Love to Ziggy. I wouldn’t be anywhere without all your love and support! my family!!

RUSSELL RINKER (Blue Man) Born and raised in Virginia, Russell is a graduate of The College of William and Mary. Professional credits include: Blue Man Group: Las Vegas (5 yrs.), New York, Boston, Chicago, Orlando, Norwegian Cruise Lines. TV: Arrested Development, The Tonight Show with Jay Leno. Theater: Los Angeles Opera, Chicago Shakespeare Theater. And he is the host of the sci-fi webseries ‘20 Dollar’. Russell is a classically trained pianist and singer. He likes kittens, ice cream, and garage sales. Love and thanks to Ma and Pa.

CHRIS REISS (Music Director/Strings) picked up air guitar at age 6, playing along to Weird Al Yankovic. Soon after I was taking piano lessons. Around age 12, I started my long term relationship with the electric guitar. With much support from my family of pianists, I was sent to attend L.I.P.A. (Liverpool Institute of Performing Arts) before coming back to join rock tours in the states. Joined the Blue Man Group family in 2005 in Las Vegas after playing the circuit in L.A. for 4 years. BMG Orlando opened in 2007 where I transferred to and currently reside.

CHRIS SMITH (Blue Man) Born in Hillerod, Denmark and raised in South Lake Tahoe, CA, Chris Smith graduated

RION SMITH (Percussion/Kit) has been drumming for 27 years. His professional career began as a trash-can drumming

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JAMMitor first in Tokyo Disneyland, and later at EPCOT in Orlando. Rion played drums for many of Orlando’s top bands including Shak Nasti, the Absinthe Trio, Thomas Wynn & the Believers, the Grammynominated Sam Rivers’ Rivbea Orchestra, and also played Cirque Du Soliel’s La Nouba. He has drummed for Blue Man Orlando since their opening in 2007. CLEMENT J. WALDMANN, III (Percussion/Kit Swing) has been performing with Blue Man Group since October of 1995. He is very fortunate to have performed with many artists in numerous venues all over the world. Many thanks go out to family and friends for all their love and support. RANDY WOOTEN (Drummer) Graduate of New England Conservatory. Recorded/ toured with original projects; The Rockett Band, Zig Zag Zen, The Daddys, Gary Chaffee’s Chomp, Gill Aharon Trio, performed with; Christian McBride, Chris Potter, Slide Hampton, Doc Severinson, Burt Bacharach, Danilo Perez, Tom Scott, performed opposite; Ziggy Marley, The Meters, Los Lobos, The Roots, Jimmy Cliff, Corey Glover, and worked/studied with; Gary Chaffee, Bob Moses, Cecil McBee, George Russell, Peter Erskine, Alan Dawson, and Steve Houghton. www.randywooten.net. TYLER SOLTIS (Company Manager) has over ten years of experience managing touring productions across the country and around the world. Past shows include Dirty Rotten Scoundrels, The Magic of David Copperfield, Love Janis, Camelot, Oliver and Handel’s Messiah Rocks: A Joyful Noise. LIZZ GIORGOS (Production Stage Manager) is very excited to be a part of this tour! Lizz has worked with Blue Man Group’s New York production since 2007 as a Stage Manager and lead deck crew member. Special thanks to her family for all their support. STEPHANIE HALBEDEL (Assistant Stage Manager) is in seventh heaven to be touring the country with BMG. Other Standing

credits include shows throughout New York and the Northeast, most recently BoeingBoeing at Paper Mill Playhouse. A big thank you to her ever-supportive family, and to her NETworks family. This one is for Davey. CHRIS WINK, PHILIP STANTON, MATT GOLDMAN (Creators) Longtime friends Chris Wink, Philip Stanton, and Matt Goldman founded Blue Man Group as a way to celebrate the human spirit through music, science, art, and theatre. After giving more than 1,000 performances in New York, the original three Blue Men stepped off-stage to focus on building Blue Man Productions into a successful global creative company. What started as a three-person operation has expanded into a decades-long partnership encompassing live theatre, Grammy Award® -winning original music, two rock concert tours, various children’s educational offerings including the founding of the Blue School, and multiple appearances on major television shows. CHRIS DYAS (Artistic and Musical Collaborator) has been performing and writing music with Blue Man Group since 1997. Before that he played in too many bands to mention. His current NYC based project is the Lingering Doubts. LARRY HEINEMANN (Artistic and Musical Collaborator) has worked with Blue Man Group since its inception in 1988 in a variety of capacities including musical director, composer, performer, instrument designer, recording engineer and recording producer. Outside of Blue Man Group, Larry has worked with Caroline Records recording artists Springhouse as both bass player and producer, Point Music recording artists Code Mesa as musician and producer and his latest project is playing bass for NY-based band Donkeys, whose first CD was recently released. IAN PAI (Co-composer and Artistic Collaborator) is Blue Man Group’s original drummer, co-composer and artistic collaborator. He is also the Musical Director and drummer for the art-pop group Fischerspooner. As a composer and musician he has done work for theatre,

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film, dance, performance and rock in general. He graduated from Pratt Institute with a B.F.A. in Painting. MARCUS MILLER (Director) has been with Blue Man Group since 1995. During that time he’s helped create and direct 16 shows with them including the London, Tokyo and Berlin versions. They’re all a little different but this one’s the best. He lives in Brooklyn where he practices telepathy with his pit bull, Brooklyn. His other gig is as a Canadian. JEFF TURLIK (Associate Creative Director) was born in Pittsburgh, Pennsylvania and shortly thereafter began his life’s journey on the wings of the bird we call music. Through many pathways and skyways he learned and performed, listened and expressed, and lived and loved, occasionally making a little scratch. In Boston, 1999, he began his collaboration with Blue Man Group. He currently resides in New York City. Together they have seen many places around the globe. Shared many experiences. Rocked many houses. Tore the roofs off the suckers. JOEL MORITZ (Production and Lighting Designer). This is Joel’s third Production Design for Blue Man Group which have also included Zurich and one aboard the NCL ship Epic. He has designed lights for Blue Man Group’s international productions in Tokyo, Berlin, Oberhausen, Stuttgart, Amsterdam and Basel as well as at Universal Studios Orlando. Recent New York/Off Broadway work includes productions at: NYTW, Rattlestick, The Public, Ma-Yi, The Culture Project, Rising Phoenix and Juilliard. Joel’s regional theater and opera lighting design has been seen across the nation in theatres such as Arena Stage, Long Wharf, The Shakespeare Theatre, Chicago Opera Theatre, Chicago Shakespeare, Lookingglass Theatre, The Goodman, Steppenwolf and Kansas City Rep. International theatrical productions at: The Traverse Theatre, Assembly Theater in Edinburgh and productions in Buenos Aires, Lima, Hong Kong, Paris, Prague, Taipei and Cairo. Joel is an avid snowboarder and photographer. 6

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CHASE TYLER (Costume Designer). Select Credits: Broadway: Title of Show, Off Broadway: Bash’d, Blue Man Group, Television: The Coaches Show, Thrillavision, countless commercials. Film: Satan Hates You. Opening this year: The Ride, Moisty the Snowman Saves Christmas, and Murray Hill is Mr. Showbiz. CARYL GLAAB (Video Design) began working with the founders of Blue Man Group in 1989 and continues to enjoy the collaboration. PATRICIA MURPHY (Blue Man Character Costume) has worked on the Broadway productions of Black and Blue, The Phantom of the Opera, The Lion King, Dracula and Wicked, among others. She has worked with many ballet companies, on several movies including the features Dracula and Far From Heaven and on Bette Midler’s Kiss My Brass tour. Other credits: Tick, tick...BOOM!; Once Around the City; The Bubbly Black Girl Sheds Her Chameleon Skin; Bright Lights, Big City. TODD PERLMUTTER (Recorded Sound Design and Musical Supervisor) Credits with Blue Man Group include performing in shows, sound design, music direction, and composition. Todd produces all of Blue Man Group’s music output including their 2 full length albums, “Audio” and “The Complex.” He has the pleasure of working out of the newly renovated Loho Studios in the Lower East Side of Manhattan. Todd has recently started a record label called L.E.S. Recs. He will have 2 releases in 2011, one of which will be a record with longtime Blue Man Group music collaborator Chris Dyas and another with country legend Greg Garing. Look for them at lesrecs.com. BYRON ESTEP (Music Director) started playing Chapman Stick in the Blue Man Group band in 1994 as part of the “TUBES” show at the Astor Place Theater in New York City. Since then, he has been involved in the opening and direction of many Blue Man Group shows throughout the world. He currently works as a Music Director for Blue Man Productions and

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plays both Chapman Stick and Zither in the band. He has also played guitar and/ or banjo on numerous recordings outside of Blue Man Group and composed several movie and video game soundtracks.

Clients include: The Book of Mormon, Billy Elliot, Mamma Mia!, Catch Me if You Can, HAIR, West Side Story, Irving Berlin’s White Christmas, Ghost, A Christmas Story, Elf, Traces and Stomp.

MICHAEL DAHLEN (Associate Director). Off-Broadway: The New Bozena, Cherry Lane Theatre, Hudson Theater (L.A. Weekly Award, Nominated for Best Ensemble Performance, Winner for Best Direction, Rainn Wilson). Regional: Colorado Shakespeare Festival. Film: How the Grinch Stole Christmas dir. Ron Howard, Men In Black II dir. Barry Sonnenfeld. Television: “Law & Order” (NBC), “Viva Variety” (Comedy Central).

NETworks PRESENTATIONS, LLC (Producer) Since 1995, NETworks has produced and managed over 45 touring productions in the US., U.K. and internationally. Current productions include Disney’s Beauty and the Beast, Young Frankenstein, Rodgers and Hammerstein’s South Pacific, Blue Man Group National Tour, La Cage Aux Folles, Shrek The Musical, Billy Elliot The Musical and The New 25th Anniversary Production of Les Misérables. Future productions include Disney and Cameron Mackintosh’s Mary Poppins, Flashdance the Musical and National Theatre of Great Britain’s production of War Horse touring the U.S.

ALLIED LIVE (Marketing and Press) is a full-service marketing and advertising agency representing Broadway shows, national tours, performing arts institutions and experiential entertainment entities.

WARNING There will be a strobe light used in this performance.

YOU’VE SEEN US HERE. NOW SEE US EVERYWHERE.

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STAFF FOR Blue Man Group Executive Producer Ken Gentry General Management Gentry & Associates Scott W. Jackson, Angela Rowles Blue Man Productions Consulting General Manager Christian Chenier Company Manager Tyler Soltis Tour Marketing and Publicity Allied Live Laura Matalon Jennifer Gallagher Andrew Damer Production Stage Manager.........................Lizz Giorgos Ass’t. Stage Manager ......................Stephanie Halbedel Head Carpenter ............................................ Josh Nelson Flyman.....................................................Caitlin Madden Assistant Carpenter...................................D. Wade Jolly Head Electrician ............................Adam T. Cavanaugh Ass’t. Electrician......................................... John Stinson Head Audio .....................................................Scott Dahl Ass’t. Audio ............................................. Sean Sweeney Head Video ................................................... Eric Geiger Video System Technician ......................Mason Braislin Head Props ..................................................Emily Steger Ass’t. Props .....................................................Laney Hill Head Wardrobe........................................ Michael Lavin Instrument Tech .....................................Jordan Wesolek Ass’t. Set Designer ....................................... Ann Bartek Assistant Lighting Designer ................Tabitha Rodman Lighting Programmer ............................. Tommy Hague Production Electrician .................................. Barb Bartel Assistant Video Designer............................Matt Tennie Video Control Programmer .......................Sean Cagney Video Studio ................. Zarah Cabanas, Luke Schantz, Patricio Harris, Lauren Kushner, Tae Gook Ahn, John Richard Sanchez, Nico Sarudiansky, Jon Knight Assistant Sound Designer ......................... Matt Werden Sound System Engineer/Assoc. Sound Designer ..........................................................................David Lee Sound Consultant .................................. Shannon Slaton Video & Interactivity Consultant ..............Bob Bonniol Print Design, Radio and Television Spot Production ..........................................Blue Man Group and SpotCo Website....................Story Worldwide/Mess Marketing Merchandising .................Creative Goods Merchandise Merchandise Manager....................................Jeff Shenk Merchandise Sales Rep ..........................Bethany Adries Accounting ...................NETworks Presentations, LLC Legal ......... Franklin, Weinrib, Rudell & Vassallo, P.C. HR & Payroll Services.............. Human Resources Inc. Insurance .........................................DeWitt Stern Group Tax Consultant........Brent A. Turner, One Source PSG IT Services .........George W. Wilson, One Source PSG Housing Coordination .....Lisa Morris, Road Concierge Travel Agency ..........................................Janice Kessler Carlson Wagonlit Travel Trucking ................................................... Clark Transfer Bus Services........................................Star Coaches, Inc. Financial Services............................. George W. Wilson One Source PSG Banking Services .......................................... M&T Bank NETworks Staff Chief Executive Officer .........................Ken Gentry Chief Operating Officer ................Scott W. Jackson Director of Finance ................................ John Kinna

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Executive Producers . Seth Wenig, Kary M. Walker Associate Producer .......................... Angela Rowles Assistant Producers ......... Jim Lanahan, Mary Witte Assistant to the CEO............................. Curt Owens Senior General Manager ...... Gregory Vander Ploeg General Managers ........Dawn Kusinski, Kim Reiter Associate General Manager .................. Curt Owens Assistant General Manager ...... Bobby Maglaughlin Production Manager ........................... Jason Juenker Associate Production Manager ......... Hector Guivas Assistant Production Manager ..... Christian Bottorff Marketing/PR ...................................... Heather Hess Music Coordinator ............................... John Mezzio Assistant Controller ........................Jennifer Gifford Office Manager ..............................Buddy Piccolino Office Assistant ......................................Nancy Kerr

Credits

Scenery Fabrication provided by PRG-Scenic Technologies a division of Production Resource Group, LLC., New Windsor, NY and Daedalus Design and Production. Show control and scenic motion control feature stage command systems® by PRG-scenic technologies, a division of Production Resources Group, LLC., New Windor, NY. Stage Construction performed by TAIT Towers, Inc. Video equipment provided by Nocturne Productions. Lighting equipment provided by Epic Productions. Sound system provided by Sound Associations. Blue Man instruments provided by Polyphonic Workshop and Bill Swartz. Props & special effects provided by Practical Props and Van Adams Technologies. Zygote Interactive Balls provided by Tangible Interaction. Puppet provided by Michael Curry Design. Additional props provided by Square Root Studios, Three Byte Intermedia, Raphael Abrams, digiLED, Jerard Studios, Chase Tyler Designs, Dana Burkart. Makeup provided by Alcone Paramount. Company Shipping Provided by Airways Freight. Reusable Seat Covers provided by “Sit-At-Ease” Rehearsed at the Walton Arts Center, Fayetteville, AR Special Thanks to Laura Clement Barbara Darwall, Paul Ackerman, David Baker, Leslie Case, Lydia Cheuk, Carol Chiavetta, Bizzy Coy, Melody Easton, Lloyd Edelman, Carl Flanigan, Max Frey, John Hickey, Clista Jarrett, Elizabeth Kandel, Tom Kingsley, Jon Knight, Tahra Millan, Rachel O’Connor, David Russo, Steven Varon EXCLUSIVE TOUR DIRECTION BY: Columbia Artists Theatricals Music Credits “Free Bird” written by Allen Collins, Ronnie Van Zant All rights owned or administered by © Songs Of Universal, Inc. on behalf of itself and Longitude Music Co. (BMI) Used by permission. “Bad Romance” written by S. Germanotta. All rights owned or administered by Sony/ATV Music Publishing LLC Used by permission. “Crazy Train” written by Robert Daisley, Randy Rhoads, and John Osbourne. Used by permission of Blizzard Music Limited. Visit the Blue Man Group website at www.BlueMan.com

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IOWA STATE CENTER STAFF Mark North Missy Borton Kay Lande

General Manager Administrative Assistant Administrative Receptionist

Linda Wilcox Helen Nelson Susan Lund

Business & Finance Business Manager Accounts Payable Administrator Payroll & Personnel Administrator

Pat Dennis Angie Weeks Melissa Johnson Dave Burrack Josh Oakland

Event & Conference Services Director of Event & Conference Services Event & Conference Services Sales Coordinator Event & Conference Services Coordinator Event & Conference Services Manager Event & Conference Set-up Supervisor

Tim Hinderks Sandra Robinson Steve Flack Greg Gerstein

Guest & Client Services Guest & Client Services Manager Guest & Client Services Manager Environmental Services Manager Scheman Environmental Services Technician

Angela Ossian David Derong Lisa Maubach Patti Cotter Katelyn McDermott

Marketing & Development Director of Marketing Digital Marketing Coordinator Advertising & Promotions Coordinator Development & Sponsorship Manager Marketing Intern

Steve Harder Jake Ewalt Mike Broich

Technical Operations Theaters – Technical Director Audio/Stage Manager – Technical Director Exterior/Production Manager – Technical Director

Craig Wiebke Sara Compton Carol Lamb

Programming & Education Event Coordinator Outreach Coordinator Outreach Assistant

Carrie Erwin Valerie Connell

Ticket Office Ticket Office Manager Assistant Ticket Office Manager

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Technically Speaking

A Behind-the-Scenes interview with Stephens Auditorium Technical Director, Steve Harder Q: How long have you been the Technical Director (TD) at Stephens Auditorium? Steve Harder: I joined the staff in 1975 and became Stephens’ TD in the early ‘80s. I was lucky to follow in the footsteps of a very experienced TD who had opened the building and worked out some of the startup kinks. Q. How would you describe your role as TD? Steve: My crew and I do our “Iowa best” to meet the needs of each performance – if the traveling talent and crew have a good day, then the audience will see a great performance. Q. What are your responsibilities? Steve: I hire, schedule and train the part-time stagehand crew, read tech riders and estimate expenses for management, work during many of the events, and do my best to solve whatever technical problems come up. Q. What do you find are the expectations of the acts that come in? Steve: The tech rider attached to the talent contract gives us a lot of details; we try to provide everything the act expects. But my crew usually exceeds those expectations by striving to make the stay in Ames as smooth and trouble free as possible. Q. What are perks of the job? Steve: Flexible schedule, every day is different, excellent staff and part-time crew. It’s still exciting after 30 years in the same job. Q. What are the challenges of the position? Steve: Maintaining an aging facility during tight budget times. Q. What are you looking forward to this season? Steve: The largest tech challenge will be Blue Man Group (March 25-26, 2013). They usually travel in 6 semi’s – which really fills up Stephens. About a third of the show is loaded in and most of that flies over the stage. The next third is the stage riser setup. And then the last third is mostly backstage – with large areas laid out for video production. Luckily we don’t get much blue paint on the walls, so clean up is easy. Q. What keeps you coming back, year after year? Steve: What really keeps me coming back is the opportunity to work with our part time crew – young college students, getting on with their lives, working hard and having fun at Stephens. Most of them are not pursuing a career in theater, but every work day they help ensure the success of that night’s performance. I cannot overemphasize the contribution that our student crews make to the success of Stephens Auditorium. Q. Have here been any memorable problem-solving situations? Steve: There was the time we had to cut the leg off a Steinway Grand piano using a power hack saw, but it’s a long story ... 10

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Cathy J. Adams

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Art Classes!

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GUEST INFORMATION Our audience members are a valuable part of every performance at Stephens Auditorium. After all, without you, we wouldnâ&#x20AC;&#x2122;t be here. To ensure you have an enjoyable experience at Stephens Auditorium, please take a moment to read the following information. Enjoy the performance! Admittance: All doors open 45 minutes prior to curtain time and the house opens 30 minutes before curtain time. Arriving late: As a courtesy to the performers and other audience members, we cannot immediately seat guests who arrive after the performance starts. Latecomers will be admitted as soon as there is an appropriate break in the performance. Cameras and recording devices: Taking photographs and the use of recording devices is prohibited and a violation of state and federal copyright laws. Photos will be deleted from memory cards and cell phones; tape and film will be confiscated. Cancellations: Typically, weather related cancellations are not decided until hours before curtain time and will be announced by the media whenever possible. For specific performance information, guests can call the Stephens Auditorium Ticket Office at 515-294-2479, the Administration Office at 515-294-3347, or check our web site at www.center.iastate.edu for updates. Cell phones and pagers: All cell phones, pagers and alarm watches should be turned off. Guests expecting messages should leave 12

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their cell phones or pagers at the Guest Services Desk, along with their seat locations. Guests may also leave their seat location and the Guest Services number, 515-294-2313, with the calling party. Children: Every audience member (infants included) must occupy a seat and have a ticket. Please use discretion when deciding which events are appropriate for children. To learn about performances recommended for young children, please contact the Ticket Office at 515-294-2479. Guests are also asked to be considerate of their young ones and other guests by excusing themselves if their child becomes disruptive during the performance. Coat check: A free coat check is available on the ground floor, just west of the Celebrity CafĂŠ. The Iowa State Center is not responsible for loss of personal property. Elevators: Elevators are located in the lobbies of all floors on the north side of Stephens Auditorium. First aid assistance: First Aid Assistance is provided by Mary Greeley Medical Center. If you need assistance, please visit the Guest Services Desk or ask your usher for details.

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Food and beverages: Food and beverages may be purchased at concession stands located in the lobby areas of the main floor and ground floor before the performance and during intermission. Gift certificates: Give the gift of entertainment! Gift certificates may be purchased at the Ticket Office in one-dollar increments. Groups: For most shows, groups of 15 or more receive a $5 discount off adult prices. Call 515-294-2479 for more information. Guest services: The Guest Services Desk is located in the main floor lobby on the north side of Stephens Auditorium. ISU Student Ticket Discounts: ISU students can purchase tickets to most Performing Arts Series events for $25 or three shows for $65.* There is a limit of one ticket per performance, per student ID. Funded by the Government of the Student Body (GSB). *Restrictions apply for some performances. Three for $65 offer valid with the purchase of a student savings card. Lost and found items: Lost items may be reported, turned in or claimed at the Guest Services Desk located on the main floor during an event. After an event, Standing

please contact us at 515-294-3347, Mon–Fri, 10 a.m.–5 p.m. Lost and found items are kept for 30 days. Parking: Free parking is available in the lots south and east of Stephens Auditorium. Lots A-1 and B-3 are reserved for Performing Arts Fund Donors who contribute $250 or more. Lots are reserved up to 15 minutes prior to show time and are subject to availability. Parking for mobility-impaired guests is available in the fire lane located west of Stephens Auditorium. Public Amenities: Restrooms are located on the ground floor and first balcony lobby area. Additional facilities can be found in the first and second balcony towers. Women’s facilities are house left (as you face the stage) and men’s are house right. Restrooms equipped for the mobilityimpaired are located on the ground floor. Smoke-Free Environment: Smoking is not allowed in Stephens Auditorium. The Iowa State Center buildings and grounds are smoke-free. Ticket exchange: Ticket exchange is an exclusive benefit available only to Performing Arts Series Subscribers and only available for Performing Arts Series events.

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SERVICES FOR GUESTS Every effort is made to ensure every guest has an enjoyable experience at Stephens Auditorium. Should you have additional questions or require special accommodations, please make arrangements with the Ticket Office when purchasing tickets. ATM: For your convenience, an ATM is located in the Ticket Office lobby. The ATM is accessible during regular business hours and for the duration of all performances. Background Materials: To learn more about the artists before you come to Stephens, we post biographies of the performers, composers and authors. You can also preview the event with audio and video samples at www.center.iastate.edu Listening devices: Infrared listening devices to clarify and amplify sound are available free of charge at the Guest Services Desk in the main floor lobby. The supply is limited and dispensed on a first-come, first-served basis. Special Seating: Wheelchair seating and special seating for the hearing and visually impaired is available for all performances. Sign Language Interpretation: When possible, we will arrange to provide sign language interpretation and tape-recorded programs. Requests for these services must be made one month in advance.

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BRING A GROUP AND SHARE SPECIAL MOMENTS The finer things in life are just a little finer when shared with colleagues and friends. Why not plan your next group outing around a spectacular Stephens Auditorium performance? Imagine the thrill of the theater, the sublime sounds of a symphony orchestra, or the riotous laughter of a comedy — all moments your group can share! With bountiful menu options, flexible spaces, and a wide selection of concerts and performances at the Iowa State Center, the opportunities for your group events are endless! For more information about group benefits or to start planning your event, contact the Stephens Auditorium Ticket Office at 515-294-2479, toll-free at 1-877-843-2368 or visit www.center.iastate.edu.

Groups Receive Valuable Benefits: • Personal, one-on-one service • Ticket discounts • Promotional materials for publicizing your group event • Staff hosts to coordinate the details and ensure your event goes smoothly • Ample free parking • And more!

The Singing Place

Sunday, April 21, 2013 - 7:00 p.m. St. Andrew’s Lutheran Church 209 Colorado Ave, Ames, Iowa

www.goodcompanyensemble.org Standing

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PERFORMING ARTS FOR YOUNG MINDS Parents and educators know that helping a student develop creativity and imagination is one of the most important things they can do, but it’s no easy assignment. Helping to complete the education formula, our Youth Matinee Series energizes, engages and enhances the overall learning process for students through the magic and wonder of live performing arts experiences produced by professional touring artists. Performances are geared toward enriching students’ lives and illustrating the dynamic relationship between literature, social studies, history, science, math, world cultures and the performing arts.

Martha-Ellen Tye Performing Arts Institute The Martha-Ellen Tye Performing Arts Institute was established through a generous endowment by long-time Marshalltown resident, the late Martha-Ellen Tye. It brings a unique blend of arts experiences to students of all ages through matinee performances, teaching activities in schools, demonstrations and workshops. Now in its 14th year, the program has served more than 150,000 students in grades PreK-12 from across the state of Iowa. Mrs. Tye believed strongly in the power and importance of arts education and vigorously supported programs that develop the “whole person — body, mind and spirit.” The Youth Matinee Series is underwritten by this endowment, which allows us to keep prices affordable. Resource guides for each performance can be downloaded for free by teachers, students, and parents to further explore the art forms and identify curricular connections, increasing the educational value of the learning experience. If you would like to learn more about these performances, contact Sara Compton, Outreach Coordinator, at 515-294-7389, e-mail scompton@iastate.edu, or visit www.center.iastate.edu.

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For Pre-K – Grade 12

October 22, 2012

Martha-Ellen Tye Performing Arts Institute Clifford the Big Red Dog – LIVE!

November 13, 2012

Monday, October 22, 2012

The Great Mountain Friday, November 2, 2012

If You Give a Mouse a Cookie & Other Story Books Tuesday, November 13, 2012

Charlotte’s Web Friday, February 1, 2013

Iowa State University Symphony* Tuesday, February 12, 2013

The Civil War

November 2, 2012

Thursday, March 7, 2013

Seussical Monday, April 15, 2013

Romeo & Juliet* Seussical

Thursday, April 25, 2013

Ramona Quimby Monday, April 29, 2013 Performances at 10 am & 12:30 pm

February 12, 2013

*Performance at 10 am only

Admission: 4 in Advance $ 5 Day of Show $

Visit www.center.iastate.edu or contact Sara Compton at 515-294-7389 or scompton@iastate.edu for more information. Standing

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GREAT REASONS TO SUBSCRIBE! Subscriber Rewards Great Discounts: Save up to 15% on all adult tickets when purchasing three or more shows. Plus you may purchase additional adult tickets at any time during the season and still save up to 15%. Quick & Easy Exchanges: Plans change? Exchange your tickets in person, by mail or by phone up to 24 hours prior to the performance, absolutely free! Ticket Insurance: If your tickets are lost, stolen or destroyed, replacement tickets will be provided for the same seats, free of charge. Priority Seating: Receive priority seating in advance of single-ticket buyers and you’ll be the first to hear about next year’s Performing Arts Series at an exclusive Preview Party. Special Offers: Throughout the season, subscribers will be notified of special offers, exclusive promotions, the latest updates and more. Easy Pay Now Available: Pay in three convenient installments.

For a complete list of subscriber rewards, visit www.center.iastate.edu.

Stay connected with us online We want to hear from you! We’re keeping the conversation going beyond Stephens Auditorium. Now on Facebook, Twitter and YouTube:

Become a fan of Stephens Auditorium

Visit youtube.com/StephensAud

Sign up for our Center Beat e-mail! You’ll receive advance notice of pre-sales & special events. It only takes a few moments to fill in your details at www.center.iastate.edu.

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BECOME A PERFORMING ARTS FUND DONOR

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THE ART OF PROGRAMMING THE PERFORMING ARTS SERIES Do you wonder how the eclectic mix of performances on the Performing Arts Series comes together? And how do we choose the dates? Contrary to the notion that the Performing Arts Series is selected randomly, much like picking shows from a hat, programming involves a lot of planning to bring the best possible collection of performances to our stage. From beginning to end, we do extensive research in choosing the performances. Our goal is to offer high-quality performances from varied genres and disciplines as diverse as our audience. Preparation for the next season begins one to two years before we announce the series each May. Discussions for the 2013-2014 series began before the 2012-2013 series was announced. The extensive planning process includes all of these considerations: 1. Priority List of Artists After scheduling the series each year, there may be performances which were considered but didnâ&#x20AC;&#x2122;t fit into the schedule and we keep those events on a priority list for the future. Some artists were so well received, that we want them back when the timing is right for a return performance. 2. Geographic/Routing Criteria A big question in the planning process is what performances will be touring in the Midwest and when. Artistsâ&#x20AC;&#x2122; agents advise which shows are available and the potential artist fees. Many events are available to play at Stephens Auditorium in mid-fall and spring, as they start their tours on either coast and route into the Midwest in October, February and March. Fewer events are available in September, December, January, and April. 3. Collecting Information Next, we collect background material on the performances from various sources, including: Agents: Most agents know the sales history of the artists and want to sell only the events that make sense for a particular venue. We discuss whether an event will fit our community and its needs.

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ISU’s Performing Arts Council: This panel of Iowa State University faculty, staff, students and community members offers valuable insights and feedback on performances. Iowa State Center staff: Staff members may attend regional and national meetings on the arts, providing an opportunity to preview artists and shows. Guest comments: Guests often have excellent intuition about artists and shows that would be successful on the series. We welcome your comments. Other sources: We monitor the artists scheduled by other presenters to see what works in markets similar to ours. Magazines like Billboard and Variety cover hot new jazz artists, classical music favorites, popular performers and offBroadway shows. 4. Talking to Artists’ Representatives Negotiations begin via phone, e-mail and at performing arts conferences. We determine how many performances our market can support and begin to shape a preliminary series. We must also consider: • balancing the types of shows and arranging dates with the university and community calendars • checking potential conflicts with other area arts presenters • budgets are generated for each potential event to ensure there is a balance between financial responsibility and artistic merit, since ticket sales cover only 65% of presenting costs Now the actual booking begins and the schedule is adjusted several times until we have the right mix of performances. Talent fees, ticket prices, performance dates and hundreds of other details are ironed out. When all parties agree, we finalize the event and sign the contracts. However, nothing is set in stone. Scheduling conflicts, changes in tour funding, and other circumstances can change even ‘finalized’ performances. At last, the Performing Arts Series is announced to the public! (Of course, we’re already planning great shows for next season.)

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INTERACT WITH THE IOWA STATE CENTER Stay connected to the latest news from the Iowa State Center â&#x20AC;&#x201D; anytime, anywhere! Visit www.center.iastate.edu to find event schedules, audio samples, video clips, performance reviews, and more! While youâ&#x20AC;&#x2122;re there, check out other ways to interact: Facebook & Twitter Join discussions about upcoming events, tell us what you thought of a performance, learn more about visiting artists, and enter to win great prizes! Center Beat E-Mail Club Join today to receive e-mail updates and special offers for all events at the Iowa State Center, including the Performing Arts Series, Youth Matinee Series, concerts, family events, free events, and more. Plus, access exclusive contests and pre-sale offers!

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MAKE THE MOST OF YOUR EXPERIENCE WITH THESE SPECIAL OPPORTUNITIES BEFORE, DURING AND AFTER THE SHOW. When you think of Stephens Auditorium, we hope you think of it not just as a venue for seeing the performing arts, but also as a place where you are engaged as an active participant in the arts. The following events will enhance your visit and make each experience more fulfilling. Master Classes: In master classes, artists will meet with groups of students, usually from Iowa State University and other area schools, and share their knowledge and insight as professional performers. In some cases, the artists will even provide a class for the entire community. Free Previews in the Celebrity Café: Engaging presentations offered by topic experts, ISU faculty members or members of the professional touring group provide unique insights before each performance. Previews are free for ticket holders and occur 30 minutes before curtain time. You’ll find the Celebrity Café on the ground floor lobby in Stephens, on the north side of the auditorium. Overture Dinner: We will offer pre-concert meals prior to our classical programming during the 2013-2014 Performing Arts Series in November 2013 and March 2014. Please watch for more information when the 2013-2014 Series is announced in May. With an informative presentation about the evening’s concert and cash bar available, it’s a great way to make it a fun evening with like-minded arts supporters. Pre-show Family Events: This year prior to Shrek: The Musical, we hosted a fun pre-show event for families! From creating finger puppets to drawing “freak flags” that celebrate what makes each of us unique, everybody had a great time. Check out some of the photos from the Shrek photo booth at www.center.iastate. edu/support/2013/02/pre-show-activities-engage-young-audiences/ To learn more about these activities and other pre- and post-show events, call 515-294-3347, toll-free 1-877-843-2368 or visit www.center.iastate.edu.

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Bickford of Ames 515-233-6000 2418 Kent Ave. Ames, IA 50010

Created to care for our family, devoted to serving yours.

enrichinghappiness.com/ames

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THEATER ETIQUETTE In today’s world, everyone seems to have less time and more stress, making the chance to sit back, relax and enjoy an event that much more meaningful. A visit to the theater can provide a wonderful escape, so here are some tips that will ensure you — and the guests around you — will have an even more enjoyable trip to Stephens Auditorium. “Fashionably Late” is never in style Please arrive early enough to find your seat before the curtain rises. After the performance has begun, latecomers will be asked to wait until a suitable moment before being seated. The same reminder applies at intermission. Sit back, relax, and... “Hello?” Just as the performance transports you from your earthly boundaries, your neighbor suddenly starts beeping like a fire alarm or has an obviously less-than-crucial phone call about some friend’s new haircut. Please be considerate of your neighbors, just as you would expect the same consideration from them, and turn off all cell phones, pagers and watches with alarms. With the outstanding acoustics in the auditorium, these sounds will distract and annoy everyone. If needed, you can arrange to be notified in the event of an emergency call. See “Cell Phones and Pagers” on page 12 for details. Talk of the Town We’re delighted if the performance becomes the “talk of the town,” but please wait until intermission or the final curtain to carry on conversations. You might also consider reserving any negative feedback until you are in private. People have differing opinions about creative events, and after all, you could be sitting next to the conductor’s mother or a company member’s spouse.

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An Evening with the Family Children are always welcome at Iowa State Center events. However, some performances require an adult attention span and a quiet auditorium. Please be considerate of both your young ones and the rest of the audience by excusing yourself with your child if he or she becomes disruptive during the performance. Not sure if your little one will enjoy the show? Give us a call at 515-294-3347 or toll-free 1-877-843-2368 to find out which events are especially suited for children or to arrange a special seating location so everyone can enjoy the performance. Remember, all guests (regardless of age) must have a ticket. Hearing a Pin Drop If you should need a cough drop or candy to help soothe a scratchy throat, please try to open the wrapper quickly and at an appropriate time (a scene change, applause, etc.). A good tip: unwrap a few lozenges before entering the auditorium. A Star is Born Performing arts enrich our community’s cultural life and bring a variety of entertainers to our backyard. These talented artists may be performing in your favorite musical or playing a well-known concerto, but you may be sitting near people who aren’t familiar with the piece. Please resist humming, singing along, or finishing a line for the actors. Good Neighbors Should you find yourself near someone who chooses to violate the rules of common courtesy, please remember that a quiet reminder or a polite “shh” can be very effective. If needed, ask an usher to help resolve the issue. Great Escape A quick departure is noticed by everyone in the audience and especially by the performers on stage. Making a mad dash for the exit expresses inconsideration to everyone in the auditorium. Please stay until the house lights go up. Should you need to make an exit before the final curtain call, please be discreet and considerate to others in your row. Keeping Up Appearances Help us preserve the ambience of Stephens Auditorium by depositing all trash in the appropriate receptacles located in the lobby areas. Standing

The mission of Dancenter Dancer Company Foundation is to provide volunteer and financial support in the education, development and advancement of dancers while enriching our community through the art of dance.

We invite you to learn more about us!

Free newsletter emailed monthly. Sign up

fortheloveofdance.ddcf@gmail.com Place in subject line: Newsletter www.dancenter-dancer-company-foundation.org

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and

Thank you for Supporting the Performing Arts Fund and Ames International Orchestra Festival Association Contributors as of January 1, 2013

Impresario $5,000 and above

Principal Artist $500 and above

The Lauridsen Family Endowment

Anonymous (2) Brian & Tanya Anderson Rick Bartosh Jane & John Baty Diane & Ken Birt Jen & Ed Buckingham Stewart L. Burger Bonny & Ray Callahan R.L. & Lenita Carstens Patricia Cotter & Peter Orazem Chris & Arnie Cowan Elizabeth Dahm Dieter & Renate Dellmann Meg E. Dobson â&#x20AC;&#x201C; State Farm Insurance Randy & Cathy Fitzgerald Tom Flack Jan & Cornelia Flora Charles & Joanne Frederiksen Homer & Sandra Gartz Ethel George Susan & David Grant Justin & Heather Greenlee Thomas & Allison Greenwald Wil & Marjorie Groves Esther & Herbert Harmison Jennifer & Chad Hart Sandy & Rick Hoenig Judie & David Hoffman Patricia Hulsey Jean & Bob Humphrey Charles Hurburgh & Connie Hardy Jim & Mary Kincart Kenneth & Michelle Koehler Greg & Sue Lamont Allen & Joy Lang John Langeland Phyllis J. & Larry L. Lepke Doug & Wanda McCay Louise M. McCormick

Executive Producer $2,500 and above Jim Beckwith George C. & Susan J. Christensen Cecilia & Harry Horner Kawaler Family Charitable Foundation Beverly & Warren Madden Gary F. & Harriet M. Short Ira, Jordan & Julia White

Director $1,000 and above Bob & Elizabeth Angelici Irene Beavers Elizabeth Cole Beck Kelli Bennett Jay & Karen Heldt-Chapman John & Judy Clem Wayne P. & Ferne Bonomi Davis M. Burton Drexler 1st National Bank - Ames Willa & Dave Holger Sherilyn & Mitchell Hoyer Arthur Klein Jane W. Lohnes Roger & Ruth McCullough James & Jody Mueller Mark & Andy North John & Cynthia Paschen Sue & Al Ravenscroft Mary Jean & Maurice D. Reimers Jim & Mary West Brent & Maggie Wynja

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Tom & Judy McDonald Diane Muncrief Patricia A. Murphy Jim & Frankee Oleson John & Helen Olson Ted & Laura Oswald Kathy A. Parsons Mary Jane Pearson & Ramon A. Runkel Peter & Rae Reilly Dick & Sharon Richman Suzan & John Shierholz Rick & Kathy Stachon Chelon Stanzel & Ken Pap Clayton & Ruth Swenson Jeff & Ann Ver Heul Gary & Evonn Walling Duane & Megan Wolf Carol Wright Robert & Elizabeth Wych

Rising Star $250 and above Anonymous (2) Marc & Christianne Anderson Claire Andreasen & Steve Pecenka Doris Bacot Sheila Rae Baker Lisa Banitt & William Barry Tom & Betty Barton Mary & Bob Baumann Kay & Roger Beckett Jeffrey Benson & Margaret Elbert Kay & Roger Berger LeRoy & Kathy Bergmann Mark & Deborah Blaedel Donald & Jamie Blomgren Deanne Brill & Dean Janssen Rick & Janet Brimeyer Nancy E. Brown Lee & Lori Burras

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Richard & Maribeth Carlson Cheryl Case Gale Chatterton Do-Biz Foods, LLC Mary & Alan Christy Dan & Anita Clayberg Frank & Kathy Comito Charles & Teresa Connell John D. Corbett Jim & Carolyn Cornette Roger A. Deal Drake Holding Co. Larry & Barbara Ebbers Dorothy Ekberg Mary Embrey Brian & Lisa Eslinger Frank & Vikki Feilmeyer Cynthia & Lehman Fletcher Jan Fryer Wayne & Evelyn Fuller Sarah Garst Jeanne G. Gehm Karen & Joey George Dave & Carole Gieseke Chuck & Kathy Glatz Bryan & Joy Graveline Milford & Barbara Grotnes Melba & Karl Gschneidner Barbara & Karl Gwiasda Judy Hankins Larry & Linda Hansen Joseph & Mary Herriges William R. Hillyard Jon & Bonnie Hunziker Etha S. Hutchcroft Darren & Sue Jarboe Susan Johnson Tom & Debra Johnson Marilyn & Wendell Johnson Steve & Nan Jungst Delma L. Kernan LeRoy & Susan Kester Elizabeth Keys Janann King John & Joy Kix Cathy Kling & Terry Alexander Paul & Adele Knop Jeff & Dawn Koster Marina Kraeva Dan & Sharon Krieger John & Diane Kubik Keith & Brenda Kutz John Landgraf & Phyllis Jones Jeffery & Margaret Lormor Eudene & Susan Lund

Elizabeth K. Lyons Duane & Diane Madoerin Greg & Carol Madsen William & Beverly Marion Charles & Barbara Markus Maribeth Martin Jane & John Mathison Marie Mayer & Larry Brandt Thomas McGee Arlo & Lori Meyer Rosemary & Lester Moore Charles & Mary Ann Mulford Donna Newbrough & Lee Burchinal Becky & Don Nibe Mark Nord Don & Evelyn Nystrom Ruth Anne Ohde Larry & Cheryl Olofson Bonnie & David Orth Sue & Gary Osweiler Pat & Randy Parker Carol & Arlen Patrick John Pesek John E. Pierce Pat & Linda Plummer Jolene & Frank Randall Ellen M. Rasmussen Daphne & Jaime Reyes Dick & Karen Ross Klaus Ruedenberg Carolyn Cutrona & Daniel Russell Dean & Judy Sampson Kent & Lou Ann Sandburg Dirk & Lucinda Scholten Norm & Sue Scott Eric & Kris Seeman Jerry & Joann Sell Carole & Leverne Seversike Barbara A. Shedd Steiner & Mary Anne Silence John & Sandra Slaughter David & Sherri Smith Raymond & Jane Stanley Sue & Thad Stanton Dr. & Mrs. W. Robert Stephenson Calvin & Susan Swan Dorothy Timmons Ted Tostlebe & Marilyn Hanson Ardy & Dean Ulrichson Connie J. & Roger C. Underwood Eleanor Vandeventer Georgia & Carl Vondra Daniel & Sherrie Vos Fred & Darlene Walker Jim & Madeleine Walker

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Mark & Diane Weber & Michael Joan E. Welch B. Joan White Scott & Jan Williams Wayne Williams Maureen Wilt Della Jane Wright Chad & Amy Zmolek

Company Member $100 and above Anonymous (1) Barb & Jack Adams Leigh & Ed Adcock Franklin & Kay Ahrens Chris & Garry Alexander La Donna Allen Martha Anderson Rita Apel Sandi & Dave Austin Rod & Janice Avey Ted & Carol Bailey Pat & Louis Banitt Terry & Debbie Barger Susan Barker James Barr JoAnn Barten-Bigelow Richard J. Baumhover Amy & Steven Becker Judy & Don Beitz Dr. Ruthann Benson Bob & Mary Bergmann Marianne Berhow Nancy L. Besch Chuck & Carmel Biskner Judith Blair Gail & Janeen Boliver Charlene Boll Diane Borcherding Eldon & Marilyn Boswell Angela Bradley Edward Braun & Jean Krusi Rod & Joyce Brink Bob & Rosemary Bulman Kathryn Burkholder Stanley & Rayanne Burrack Daniel & Sandra Buss Heidi Carter Margy Chamberlin John & Donna Cleasby Joel & Rebecca Coats Gladys & Peter Colwell Harold & Rachel Crawford Nancy & Pete Cyr

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Herbert A. David Mary M. de Baca Stephen & Gail Dentler Deborah Dice Dee Dreeszen Carl Duling Frank Dunn Dan & Trisha Easton Carol Elbert George Englesson Dorothy Ewing Kay Faaberg Marvin Beck & Jane Farrell-Beck Maria Fedorova Elizabeth Ferreira Jim & Kathy Ferris Rebecca Fritzsche Herb & Katherine Fromm John E. Galejs Mary Garst Ann & Howard Garton Kenneth & Jill Grant Lowell & Jennie Greimann John & Sally Greve Jean Griffen William Gutowski & Margaret Dempsey Darrin T. Hamilton Mary J. Harms Duane Harris Eugene & Ruth Harris Phyllis Harris Marjorie Hartman Jerry & Pat Hatfield Susan Hegland & Thomas Andre Steve & Nancy Heideman Craig & Martha Heineman Martha Helland Isabel Hendrickson Pete & Janet Hermanson Richard & Janet Hersom Randy & Liz Hertz Joan Herwig Mary Ann & John Hicks Dorothy Ferguson & Joseph Hineman Gary & Debra Hintze Carolynne Hoefing Bill & Judy Hoefle Robert & Janice Holland William & Barbara Holt Tim & Susan Hooper Frank Horn Carole & Jack Horowitz Dick & Sandy Horton

Ted & Karen Huiatt Marcia Imsande Mina Hertz Jacobs Lincoln & Janet Jackson Dr. Bill & Lorrie Jagiello Marian & Roger Jansen Al Jergens & Kris Miles Al & Marilyn Joensen Ken & Sue Johnson Marilyn R. Johnson Carolyn Johnson Kent & Sara Johnson Bruce & Marie Johnson Rich & Judy Jones Neal & Teresa Kaloupek Joseph & Karen Kerns Cheryll & Tom Kierski Bette King Barbara Kiser Karen & Wayne Klaiber Jim & Joyce Kliebenstein Marianne Klinsky Jerry & Margaret Knox Richard & Nelle Kottman Bev & Ken Kruempel Richard Kruger Harvey & Sally Lapan Randy & Beth Larabee Ruth G. Larson William & Susan Lawyer Michael & Debra Lee Rev. Selva Lehman Efstathia Lingren Jeff & Lorie Loehr Marion & Robert Lorr Lowell & Elma Lynch Carole Magilton Dick & Jackie Manatt Steve & Audrey Marley Kae L. Mart Robert Martin Katherine Mason Edith A. McClure John & Renee McPhee Helen F. McRoberts Laura McVay Clete & Joyce Mercier Daryl & Kitty Metzger Todd & Barbara Meyer Patricia & Kemp Miller John B. Miller & Kathryn Madera Miller John Miranowski & Susana Goggi Larry & Sara Mitchell Marc & Rebecca Mohn Standing

Lee & Ginny Molgaard John & Laurel Mors Thomas & Lynn Nehls Jim & Sara Nelson Michael & Ginger Oâ&#x20AC;&#x2122;Keefe Siggi Olafsson & Jenny Aune Danny & Trisha Oldes The Olson & Kushkowski Family Ruth & LeRoy Ornberg Vicky Thorland-Oster & George Oster Don Paulsen Don & Jan Payer Alec & Charlton Pendry Barbara Peterson Jean A. Peterson Richard & Carol Pletcher Arthur & Bernadene Pohm Jim & Marlys Potter Ronald Prahl Mabel Prescott Peggy Propst Jane Punke Jean Ranney Randy & Denise Retleff Kathy Rhode Thomas & Doris Rice William Rich Mary E. Richards Robert & Harriet Ringgenberg Jodi & Ryan Risdal Charles Ritts & Kathleen Epstein-Ritts William S. Robinson Jo & Bob Rod Teresa Rohret-Erickson James & Kari Roth Malcolm Rougvie Tom & Lorna Safley Charles & Priscilla Sage Steve Sapp & Lisa Enloe Candy & Steve Schainker Kaye Schanbeck Jane Schill Lester & Mary Jo Schmerr John Schuh Richard & Jasmine Seagrave George Seifert Phyllis Seim Dennis & Joan Senne Dr. & Mrs. Sam Senti Debra Shenk-Boudart Mark & Amy Slagell Robert & Carol Richardson Smith Richard & Frances Smith

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Clifford Smith Jim & Diane Smith Mr. & Mrs. David Stephenson Bernard Stephenson, Jr. & Victoria Stephenson Alissa Stoehr Carmily Stone Curtis Struck & Megan Fairall Robert & Deanne Summerfelt Doris Roettger-Svoboda Margaret & John Tait Ron & Meg Thompson Mr. & Mrs. Harvey Thompson Marcia Thompson Douglas & Christine Timmons Kent & JoAnn Tipping Steven & Mary Ann Tjaden Jim & Gloria Toombs David & Karen Toot

John & Marjorie Uitermarkt Kermit & Cathy Van Brocklin Bev Van Fossen Stephen Van Houten Greg & Lana Voga Gene & Karen Walker Doug & Kim Walker Marvin & Janice Walter Bobbie Warman Mary T. Watkins Fritz Wehrenberg & Jennie LeGates Marion & Harry Weiss Tom Wessels & Glenice Varley Bill & Toni Whitman Gary Wiele Richard & Patricia Wood Steven & Lorraine Woolery Suzanne Zaffarano Bill & Jean Zmolek

Matching Gift Honor Roll Alliant Energy Foundation AXA Foundation Bank of the West Bemis Company Foundation Emerson Electric General Electric GMG Foundation Meredith Corporation Foundation MidAmerican Energy Foundation Morgan Stanley Smith Barney Pioneer Hi-Bred International, Inc. Principal Financial Group Foundation, Inc. State Farm Companies Foundation Wellmark Blue Cross & Blue Shield

2 0 1 2 - 1 3 S E A S O N CONCERT S E R I E S

SATURDAY 25th Anniversary Celebration OCTOBER 13 2012

7:30 PM, AMES CITY AUDITORIUM

SATURDAY Sounds of the Season DECEMBER 1 2012

7:30 PM, AMES CITY AUDITORIUM

SUNDAY Young Artists MARCH 3 2013

3 PM, AMES CITY AUDITORIUM

SATURDAY Finale - Voices of America MAY 4 2013

7:30 PM, AMES CITY AUDITORIUM

PLAYBILL ADVERTISERS The Iowa State Center thanks our sponsors and advertisers whose generous contributions make this performance playbill possible. For more information about sponsorship and playbill advertising, please call Patti Cotter at 515-294-1238. Sponsors are listed on page 31. Standing

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Planned Gifts

These generous individuals have included the Performing Arts Series in their wills. Wayne P. Davis Frankee and Jim Oleson The late James Watson

To learn how you can support the arts while honoring a loved one, or to create a legacy gift, contact Patti Cotter, Development and Sponsorship Manager, at 515-294-1238 or pcotter@iastate.edu.

Gifts in Honor

A gift in honor or memory is a generous way to celebrate a person’s life and accomplishments. To support the arts while honoring a loved one, contact Patti Cotter, Development and Sponsorship Manager, at 515-294-1238 or pcotter@iastate.edu.

In Memory of Deb Lande Adams In Memory of Dee Hegstrom

Ames International Orchestra Festival Association Board of Directors Arthur Klein, President Karl Gwiasda, Vice President Herb Harmison, Treasurer Joan White, Secretary

Larry Hansen Jacob Harrison Sandy Hoenig Willa Holger Dave Hoffman Marilyn Johnson

Bev Kruempel Duffie Lorr Yeil Park, ISU Student Mary Richards David Stephenson Maureen Wilt

Iowa State University Performing Arts Council

A university committee comprised of Iowa State University faculty, staff, and students, as well as Ames community members, the Performing Arts Council advises the Iowa State Center on programming for the Performing Arts Series at Stephens Auditorium. Michael Golemo, President, Faculty–Music Tanya Anderson, Ames Community Janice Baker, Faculty–Dance Sara Compton, Iowa State Center Patti Cotter, Iowa State Center Jane Cox, Faculty–Theater Homer Gartz, Ames Community Debra Gibson, Faculty– Journalism & Mass Communication 30

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Karl Gwiasda, Ames International Orchestra Festival Association Sam Johnson, Student–Music Nancy Marion, Ames Community Nick Miller, Student–Music Patricia Miller, Faculty–Lectures Program Mark North, Advisor, Iowa State Center Lee Plummer, Student–Music Victoria Stafford, Student–Performing Arts Cinian Zheng-Durbin, Ames Community

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