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The completion of the Zimbabwe State Pavilion at the Robert Gabriel Mugabe International Airport marks a significant milestone in the country’s development. This state-of-the-art facility has transformed the airport into a modern gateway to Zimbabwe.
Eva-Last, a leading international composite building materials manufacturer, have combined all the characteristics of the ultimate flooring wish-list to produce TIER Flooring, a step forward in indoor liveability. TIER flooring recreates the natural warmth and texture of timber without the environmental impact of deforestation.
Fraser-Mac Structures, a construction company specialising in steel fabrication, blends traditional craftsmanship with modern engineering expertise, offering a unique service in the highly competitive engineering and construction sector. The company merges engineering precision with the art of steel construction.
Total Property Solutions, a leading construction company in Zimbabwe, has recently showcased its expertise by completing the Dulux warehouse in Harare. This impressive facility exemplifies Total Property Solutions’ commitment to delivering high-performance structures that meet the highest standards of quality and efficiency.
Also working on the Dulux warehouse was Brown Engineering Group, a Zimbabwean leader in diversified construction. This impressive warehouse consolidates Dulux’s main manufacturing and distribution centre under one roof, streamlining operations and boosting efficiency. ZimDam has the perfect solution for your water storage or rain harvesting needs. They supply tanks and night storage dams for agricultural use and are fully equipped with an earth moving division capable of large storage system construction, trenching and land clearing where required. For the mining industry they can install settling ponds as well as tailing ponds and dams.
In the dynamic landscape of modern design, architectural signage emerges as a cornerstone of any building’s identity. At Geektech Architectural Branding, unique marketing and creative strategies are employed to captivate consumer attention.
The Zimbabwe Property Expo 2024, happening in October, is poised to be a pivotal event for industry professionals, investors, and consumers alike. It offers a unique platform to explore the latest trends, opportunities, and challenges in the residential, commercial, and industrial property sectors.
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PUBLISHER
Caast Media Group
MARKETING
Tinashe Mafiko
Newton Musara
+263 781 421 866
+263 781 512 568
+263 78 953 2918
DESIGN & LAYOUT
Takudzwa Matienga
WEBSITE
Albert Chitumba
SOCIAL MEDIA
Natasha Munyukwa
JOURNALISTS
Michael Nott
Martin Chemhere Farai Chaka
DISTRIBUTION
Joshua Govati
Gift Sepi
Kudakwashe Gakaka
PHOTOGRAPHY Fotohaus
CONTRIBUTORS
Airports Company of Zimbabwe(ACZ)
marketing1@caastmedia.org ashley.bang@structureanddesign.co.zw
FIND US AT 31 Alexander Rd, Highlands, Harare
The completion of the Zimbabwe State Pavilion at the Robert Gabriel Mugabe International Airport marks a significant milestone in the country's development. This state-of-the-art facility, constructed by the Chinese construction giant China Jiangsu, is part of a broader expansion project aimed at transforming the airport into a modern gateway to Zimbabwe.
The pavilion's unique design, featuring beautiful stone cladding and distinctive conical towers, is a striking addition to the airport's landscape. Its resemblance to the letter "Z" symbolizes Zimbabwe's national identity and serves as a visual landmark for travelers arriving in the country.
The pavilion offers six luxurious lounges, each designed to accommodate a specific group of dignitaries. These lounges provide a comfortable and welcoming atmosphere for VIP guests, including the President, First Lady, Vice Presidents, Ministers, Service Chiefs, and Diplomats.The expansion project at the Robert Gabriel Mugabe International Airport is a significant investment in Zimbabwe's aviation infrastructure. It aims to improve the airport's facilities, enhance passenger experience, and attract more airlines and tourists. The state-of-the-art VVIP pavilion is a testament to this commitment.
This development was particularly timely as it coincided with the recently concluded Southern African Development Community (SADC) summit. The pavilion showcased Zimbabwe's dedication to elevating its aviation facilities to international standards and provided a welcoming environment for visiting dignitaries.The VVIP State pavilion is expected to play a crucial role in fostering economic growth by developing an efficient air transport system. Attracting more airlines, passengers, and tourists will contribute to the country's economic development.
The completion of the Zimbabwe State Pavilion marks yet another milestone in the ambitious expansion of the Robert Gabriel Mugabe International Airport.
This mega project has significantly enhanced the airport's capacity and facilities, transforming it into a modern gateway to the country.
The expansion project, funded by a $153 million loan from the China ExportImport Bank, involved the construction of a new terminal building, two aprons, and four boarding bridges.
The expanded terminal building now boasts a range of amenities, including a gym, salons, coffee bars, and a children's play area, elevating the passenger experience.
To ensure efficient operations, the airport also received upgrades in airfield ground lighting, communication infrastructure, baggage handling, and air traffic control systems.
A new remote fire station and tarmacs were constructed, while the existing runways, tarmacs, and car parks underwent renovations.
increased the airport's capacity, allowing it to handle more international aircraft and passengers.
The new terminal building alone can accommodate up to 6 million passengers annually, compared to the previous capacity of 2.5 million. The additional boarding bridges and upgraded facilities further enhance the airport's efficiency and connectivity.
The airport's fleet of service vehicles was expanded to include ambulances, towing vehicles, airside buses, and fire-fighting equipment.
The expansion has significantly
Airport is expected to play a crucial role in boosting Zimbabwe's tourism industry and attracting more international visitors. The improved infrastructure will
create a positive impression of the country, making it a more appealing destination for business and leisure travelers.
The Zimbabwe State Pavilion reflects the country's efforts to enhance its aviation infrastructure. This state-of-the-art facility not only provides a welcoming environment for VIP guests but also demonstrates Zimbabwe's commitment to providing world-class aviation services.
As Zimbabwe continues to develop and grow, the RGM International Airport and the Zimbabwe State Pavilion will play a vital role in connecting the country to the rest of the world. The expansion project has transformed
the airport into a modern, efficient, and welcoming gateway, positioning Zimbabwe as a desirable destination for travelers and investors alike.
Walls have been decorated with African paintings. There are flowers sitting on styled wooden plinths in the corners of the rooms, enhancing the ambience.
Amenities include a press room, customs and clearing facilities, baggage storage rooms, waiting lounge, baggage scanning area, check-inn departures area, baggage scanning area, departure lounge, rest lounge and more.
What makes a great floor? Stunning good looks? Comfort underfoot? Easy care and cleanliness coupled with eco-friendly benefits? Easy installation? Performance under pressure? Durability, wear and warranties?
Eva-Last, a leading international composite building materials manufacturer, have combined all the characteristics of the ultimate flooring wish-list to produce TIER Flooring, a step forward in indoor liveability.
Designed to be Fabulous, Functional and Forever, TIER flooring recreates the natural warmth and texture of timber without the environmental impact of deforestation. Put simply, it’s a luxurious, low-maintenance and easy-to-install indoor flooring material with a unique composition that provides enhanced performance over the long run.
Emulating the natural beauty of wood in an eco-friendly Stone Polymer Composite (SPC), TIER flooring is both heat and water resistant, ensuring your floors retain their original good looks for years to come. With a unique ground mineral polymer CarbideCore that provides enhanced rigidity and stability, TIER flooring is highly durable and backed by leading warranties for both residential or commercial applications.
Produced in an eco-conscious factory, TIER is manufactured using solar energy, what’s more, no harmful volatile organic compounds (VOC’s) such as glues or adhesives are used, keeping the air indoors safe and hygienic. In fact, TIER is accredited by FloorScore for Outstanding Indoor Air Quality, adding further credit to it being a holistically sustainable product. TIER flooring is also safe to be installed in any
The TIER Classic range is designed for versatility as well as durability and is ideal for both residential and commercial applications.
The Classic Residential offering accommodates various applications from bedrooms to bathrooms, kitchens to living areas and guarantees satisfaction with its domestic 25year warranty.
Featuring a 4.3 mm profile which consists of a 4.0 mm CarbideCore and a 0.3 mm wear layer, TIER Classic provides an AC3 wear rating suitable for residential use. TIER Classic Residential offers a cost-effective, robust flooring that installs efficiently with its 2G click system, enhancing the functionality and style of residential properties around the world.
The TIER Classic Commercial range provides a more robust profile, measuring 7 mm in total thickness, comprising of a 5.5 mm CarbideCore with a 0.5 mm print and wear layer for ultimate resilience. With an AC4 wear rating,
TIER Classic Commercial is great for applications across retail, hospitability and corporate use cases. Its 2G angling installation technology not only makes it easy to install but ensures no unwanted height differences across the floor and prevents moisture ingress through the joins, ensuring a beautiful looking floor the endures. Depending on the usage,
TIER Classic Commercial carries a 5-year commercial and 25-year domestic residential warranty.
TIER is so much more than just flooring. It’s a beautiful wood alternative flooring application that far surpasses expectations in terms of asthetics, performance, durability, safety, installation, upkeep, and environmental impact.
Experience TIER Classic today and embrace indoor flooring at its finest.
We design, manufacture and install domestic steel structures, agricultural sheds, pack houses and industrial warehouses.
Fraser-Mac Structures is a family-owned construction company specialising in steel fabrication. Led by a father-and-son team, James and Robert Fraser-Mackenzie, the company blends traditional craftsmanship with modern engineering expertise, offering a unique service in the highly competitive engineering and construction sector.
Fraser-Mac Structures is largely the brainchild of James, an Oxford-educated engineer with a wealth of experience in steel fabrication.
After years of working for various engineering companies, James decided to branch out on his own, establishing an outfit that would merge engineering precision with the art of steel construction. In 2022, they bought an old lime mill in Ruwa transforming it into a cutting-edge steel fabrication hub, giving life to Fraser-Mac Structures.
Their inaugural project in April 2022—a mezzanine for a distributing company in Southerton—set the stage for what FraserMac Structures is today. It is this project that established the company’s reputation for meticulous attention to detail and the ability to deliver on their promises. From agricultural sheds to city warehouses, mezzanines, staircases, and other bespoke steel structures,
Fraser-Mac Structures has shown remarkable versatility, tackling projects of varying scales and complexities with unyielding precision.
At the heart of Fraser-Mac Structures is a commitment to engineering excellence, a principle that drives every project they undertake. James extensive experience, complemented by his Oxford education, gives the company a unique competitive edge.
Fraser-Mac Structures is committed to building a sustainable future. The company is in the process of transitioning to off-grid operations, a move that aligns with their broader commitment to sustainability. This decision is not merely environmentally responsible but also strategically sound. With the aim to invest in advanced CNC technology uninterrupted power is vital to maintain high standards of quality without the interruptions that plague other companies.
In addition to their sustainability initiatives, Fraser-Mac Structures is deeply committed to supporting the local economy. They source materials from local hardware stores and steel suppliers in Ruwa meaning that their success contributes to the prosperity of the local community. Moreover, they recycle all waste steel, selling it to nearby foundries, thereby reducing waste and supporting local industries.
Beyond their technical expertise and commitment to sustainability, Fraser-Mac Structures is a company that values its people. They have cultivated a work environment where employees are not just workers but integral members of the Fraser-Mac family. This is reflected in their employee reward system, where workers who maintain perfect attendance are gifted with a hamper from ProHampers at the end of the month—a small but significant gesture that reinforces the company’s commitment to its team.
As Fraser-Mac Structures continues to gain momentum, they are expanding their operations to meet the increasing demand for their services. In 2023, they embarked on an ambitious expansion of their factory, adding 1,200 square meters to their existing 500-square-meter facility. This new space, operational as of April 2024, includes dedicated areas for cutting, drilling, assembly, welding, painting and dispatch. With this expanded capacity, Fraser-Mac Structures can now deliver projects more swiftly and competitively, enhancing their ability to meet the needs of a growing client base.
Fraser-Mac Structures’ portfolio is a clear reflection of their expertise and versatility. From constructing expansive warehouses for Mega Save in Marondera and Mt Darwin (underway) to fabricating fuel canopies for filling stations like Thuli, their work spans a diverse range of sectors and applications. In the residential sector, they recently completed a 9-unit housing complex on Princess Drive in Newlands, where they designed and installed a mezzanine floor and a custom spiral staircase, showcasing their ability to blend functionality with aesthetic appeal.
Other notable projects include the structural steel for a multifunctional building at Far and Wide Zimbabwe in Nyanga, where they installed a stunning spiral staircase that required meticulous attention to detail.
At Mozambik Chisipite, they are nearing completion on a steel structure that is set to be both functional and visually striking. Each of these projects highlights Fraser-Mac Structures’ ability to deliver bespoke solutions, whether for commercial, agricultural or residential purposes.
Modern warehouses have evolved far beyond mere storage spaces. They are intricate hubs engineered to optimize logistics and supply chain operations. Key factors in constructing a modern warehouse include strategic location, efficient design, advanced technology, environmental sustainability, and unwavering safety.
Total Property Solutions, a leading construction company in Zimbabwe, has recently showcased its expertise by completing the Dulux warehouse in Harare. This impressive facility exemplifies Total Property Solutions' commitment to delivering highperformance structures that meet the highest standards of quality and efficiency.
The Dulux warehouse is a testament to Total Property Solutions ability to create functional and aesthetically pleasing spaces. The spacious layout, coupled with advanced features, provides an optimal environment for manufacturing and distribution. The warehouse's design prioritizes efficiency, safety, and sustainability, ensuring a productive and sustainable operation.
Total Property Solutions played a pivotal role in all aspects of the project, from the foundation to the final finishes.
Their meticulous attention to detail and commitment to quality are evident in every aspect of the warehouse. The use of high-quality materials, innovative construction techniques, and strategic planning have resulted in a durable and efficient facility.
Key features of the Dulux warehouse include:
Strategic Location: The warehouse is strategically located near transportation hubs and major markets, ensuring efficient distribution.
• Efficient Design: The spacious interior, spanning 54 x 63 meters, features interlocking tri-frame trusses designed by Brown Engineering. These innovative trusses create a sense of spaciousness and allow for efficient material flow.
Safety: The warehouse features a comprehensive fire-retardant system installed by Lesop Fire and prioritizes safety measures to prevent accidents.
Total Property Solutions’ expertise and vision ensured that the warehouse met the specific needs of Dulux while adhering to the highest industry standards. The project demonstrates the construction firm's ability to deliver exceptional construction solutions that not only meet but exceed client expectations.
In addition to industrial projects, Total Property Solutions has extensive experience including warehouses, homes, hotels, lodges, factories and bridges.
They provide turnkey solutions and undertake maintenance and refurbishment projects, including lodge renovations and campsite improvements.
If you’re thinking about water storage or rain water harvesting, then ZimDam has the perfect solution for your needs. They supply tanks and night storage dams for agricultural use and are fully equipped with an earth moving division capable of large storage system construction, trenching and land clearing where required. These tanks and ponds are mainly for irrigation and fish farming. For the mining industry they can install settling ponds as well as tailing ponds and dams.
ZimDam can provide storage tanks for manufacturing industries that are reliant on an uninterrupted water supply and they can also install rain water capture systems. A significant amount of rain water can be harvested from large warehouses and factories with big roofs.
ZimDam have worked with many of the schools in the country, both those based in Harare and those in remote areas. For the sporting and leisure industries ZimDam has supplied reservoirs and tanks for a number of different stadiums and sporting arenas, including the new cricket stadium being built in Victoria Falls. While in Victoria Falls, they have also done repairs to a leaking concrete reservoir for a large hotel and installed a fire tank in a new building complex there.
They even work on smaller residential projects like water features, streams and fish ponds. For garden projects they often work closely with landscapers and garden designers for the aesthetic appeal, the rocks and surroundings, and the planting. Many home owners are now installing rain water harvesting systems to see them through the dry periods.
The rain water harvesting systems are fitted with leaf filters to prevent leaves and other material from the roof entering the tank. ZimDam recommends that the water from the first rain of the season should be discarded if it is for domestic use as it washes all the dust off the roof – which you don’t want in your tank!
ZimDam has also been contracted to work on the Waste Management scheme at Pomona, where they are installing plastic liners to seal existing dumps – which will eventually be covered with additional landscaping on top.
They will also be installing two large plastic lined excavations where waste will be dumped in future without toxic chemicals leaching into the soil and the surrounding underground water table. These dump sites will be covered, and in time gas capture systems installed to harvest the usable gasses which are generated in the decomposition process.
They therefore have a vast and diversified portfolio from massive and complex projects for water storage and water harvesting, waste management, leisure and hospitality applications, down to smaller home gardens. Founded in 2014 they have many years of experience in wide range of different situations, and they are more than capable of meeting every challenge. The company office is based in Harare but they are in the process of
establishing a new branch in Marondera for tank and reservoir assembly, which will employ an additional staff component. The company is a family business founded in 2014 by Mike and Mel Payne with their son Connor as the General Manager, so they have many years of experience in their field.
Their galvanised steel reservoirs are manufactured with a flat pack design allowing
for easy transport and installation countrywide. They can be assembled quickly and easily and as they don’t need a concrete base they can be relocated with minimal fuss. Their suppliers for the panels conform to the SABS ISO 9001 standards and comply with standard engineering specifications. For customers’ peace of mind an engineering certificate can be provided.
The steel tanks are lined with polyester-netreinforced P.V.C. with seams sealed by a welding process to provide watertight joints. The liner material can withstand exposure to a range of chemicals and the structures carry a 10-year warranty against faulty material or workmanship, with a life expectancy of an anticipated 25 years. Tanks are available in different sizes to store anything from 30,000 litres up to 4,000,000 litres in heights from 1,3 to 6,1 meters, so there’s always something to meet your requirements. The reservoirs can be fitted with either shade cloth or steel roofs to prevent leaves, insects and other debris from entering the water. The steel roofs are completely sealed so there’s no dust if the water is intended for drinking purposes.
Their earth dams utilise HDPE plastic sheeting which comes in thicknesses from 500 microns to 1,500 microns depending on the application. For special projects sheeting of 2,000 microns can be ordered. The liner comes in a 7-metrewide roll that’s from 210 to 420 metres long. The rolls are extremely heavy so they are lifted into position by a crane and then manually rolled off and settled in place. The liner can be cut and joined to fit any configuration. Sheets of liner are joined by a special plastic welding process and ZimDam has a new spark tester to check and ensure that all the joins are correctly sealed so there’s no leakages or seeping. For earth dams ZimDam will excavate the depression and install steel water outlet pipes from 115mm to 400mm in diameter.
They can construct dams with smaller water storage capacity and larger dams that hold 20 million (or more) litres. They can also use the plastic liner to repair and seal older concrete reservoirs which might be cracked or leaking. So, for all your water storage, tanks, reservoirs and dams – as well as for water harvesting and domestic residential projects – Zim Dam are the leading local experts in the field.
Brown Engineering Group, a Zimbabwean leader in diversified construction, recently joined forces with Total Property Solutions (TPS) to deliver a transformative new facility for Dulux in Harare. This impressive warehouse consolidates Dulux's main manufacturing and distribution centre under one roof, streamlining operations and boosting efficiency.
Previously reliant on leased warehouse space, Dulux's decision to unify manufacturing and warehousing offers a multitude of benefits. Streamlined logistics minimize transportation needs, while centralized inventory management grants Dulux greater control over their stock. This strategic move also reduces costs associated with maintaining separate facilities.
The new warehouse embodies a thoughtful integration of functionality and safety features. Raw materials used in the manufacturing process are secured under a large overhanging roof, maximising fire safety. An additional layer of protection comes from a comprehensive fire-retardant system installed throughout the warehouse and outdoor storage area. The fire repression system was installed by Lesop Fire.
Designed by Steve Norton to meet Dulux's specific needs and site constraints, the warehouse boasts a generous 4,900 square meters of storage space. The interior layout prioritises efficiency, minimizing support columns to provide unimpeded access for forklifts and maximising storage capacity.
The vast interior space, spanning roughly 54 x 63 meters, features a visually striking element: interlocking tri-frame trusses designed by Brown Engineering. These innovative trusses elegantly span the exceptional roof width, creating a sense of spaciousness.
Beyond functionality, the warehouse offers a well-lit and pleasant working environment. The 10-meter height allows for additional vertical storage, while large roller doors at either end facilitate efficient loading and unloading. Translucent wall panels bathe the interior in natural light, fostering a productive atmosphere.
The structure itself is a blend of modern materials, featuring a steel skeleton with brick infill at the base, Chromadek sheeting for walls and roof, and strategically placed overhead electrical lighting. Notably, Dulux's in-house construction team provided most of the electrical fittings. The exterior allows access for smaller vehicles like pickups and trucks.
Great team effort in the Project's Success
Shepherd Tshalibe, a seasoned project manager at Brown Engineering and the super-efficient Brown Engineering Group TEAM, played a pivotal role in the successful completion of the Dulux Paints warehouse. The Brown Engineering team oversaw the design, fabrication, and installation of the steel roof trusses and other structural components. Tshalibe's expertise and experience ensured that the project remained on schedule and within budget.
The project, managed by Shepherd Tshalibe from Brown Engineering, was completed in record time, starting in mid-May 2024 and reaching completion by the end of July.
The responsibilities were divided strategically:
- Total Property Solutions (TPS): Acted as the main contractor, overseeing all civil works, including foundations, concrete slab, and brickwork.
- Brown Engineering: Appointed as the steel contractor based on a TPS recommendation, Brown Engineering played a crucial role in several key aspects:
- Design, fabrication, and installation of the ingenious interlocking tri-frame roof trusses, including the longest truss at 21 meters connected to a 1.3-meter-deep girder.
- Chromadek roofing and wall cladding, incorporating skylights for natural light.
- Supplying and subcontracting the installation of the large roller shutter doors to M and C Engineering.
- Project management for their portion of the project, ensuring seamless coordination with other involved parties and their factory.
The innovative design is evident in the final structure. Delivered raw materials will now enter through the north gate, off-loaded by forklifts into the receiving bay, and then transferred to the existing factory on the east side as needed. Finished products are stored in the newly constructed warehouse space.
This successful collaboration between Brown Engineering and TPS has resulted in a state-of-the-art manufacturing and distribution centre for Dulux Paints in Zimbabwe. The new facility exemplifies how thoughtful design and innovation can create a space that is not only practical but also fosters a productive working environment. It's a testament to the power of collaboration in achieving impressive results, providing Dulux with a safe, efficient, and well-designed space to meet their growing needs.
In the dynamic landscape of modern design, architectural signage emerges as a cornerstone of any building's identity. More than mere wayfinding tools, these artistic creations significantly enhance the aesthetics, functionality, and branding of spaces. Architectural signage transcends its practical purpose, transforming environments into engaging and immersive experiences. It's a testament to the harmonious blend of creativity and functionality, where art meets practicality.
At Geektech Architectural Branding, unique marketing and creative strategies are employed to captivate consumer attention. The company adheres to a "Brand Architecture" philosophy, reflected not only in its projects but also in the partnerships it builds with clients. Geektech is infusing technology into all its architectural designs and digital displays. Geektech Architectural Branding recently relocated to Stand Number 305 Samora Machel, near the intersection with Glenara Avenue. This strategic move positions the company in a space with increased traffic and visibility.
The company has been operating for five years, specializing in enhancing company façades. Their architectural branding transforms the entire front part of a business's offices or building. They also engage in monumental branding, elevating a company's image through the use of its name. The goal is to transform the image of businesses and beautify workspaces. "We are a young and futuristic company that have pioneered the architectural signage and branding space in Zimbabwe," said Kuziva Matara, Director of the company. "We are the experts when it comes to helping businesses send a strong message about who they are through architectural signage."
Matara explains that their work extends beyond traditional signage, focusing on enhancing a company's image using the front part of its premises. Nextlevel signage on a business's offices or building showcases its sophistication and modernity. A well-designed sign can convey a company's level of sophistication.
Architectural branding or signage is more advanced and technical than standard signage and branding. It's a niche market that is still in its infancy. Kuziva Matara, a young and inquisitive mind, is always eager to learn and improve his business. Recognizing the need for innovation, he decided to form his own company to
spearhead his new ideas and improvements. His impressive portfolio speaks to his success. One of their standout projects is the branding and signage work for Sichel Energy Service Station.
This project features magnificent, extensive branding. They have completed several other projects for major companies, including Redan, Energy Park, Corner Peak Mall, Mega Market,
Grant Thornton, AMS Medical Laboratories, Allied Insurance, Century Glass and Aluminium, Apostolic Faith Mission in Zimbabwe, and the Government of Zimbabwe (University of Zimbabwe).
Matara believes that as the commercial and industrial property development space grows,
their work will gain recognition and attract more inquiries. He emphasizes the importance of a well-presented business, stating that people are more likely to buy from visually appealing establishments.
He urges Zimbabwean businesses to go the extra mile to present themselves, noting that online presence alone is insufficient. Businesses must beautify their workspaces to attract more clients and achieve rapid growth. Geektech aims to showcase how a company's front elevation should look when architecturally branded, setting the standard for architectural image.
They adhere to a highly innovative approach, returning to clients after a few years to recommend improvements, including rebranding logos and other building elements to align with evolving trends.
"Our work can be compared to putting make-up on a beautiful lady to enhance her appearance," Matara concluded.
The history of rammed earth construction –sometimes referred to as pise or pise de terre -dates back thousands of years and can be found in many different civilisations across the world.
According to Wikipedia, “Evidence of ancient use of rammed earth has been found in Neolithic archaeological sites such as those of the Fertile Crescent, dating to the 9th–7th millennium BCE, and of the Yangshao and Longshan cultures in China, dating to 5000 BCE.” In 2000 BCE in China, rammed earth technology was used for a variety of structures, including parts of The Great Wall which are still standing today.
While many rammed earth structures were created for more modest uses, like houses or schools, outstanding examples of earth building include the Great Mosque in Mali, originally built in the 13th Century, and the Alhambra Palace in Spain, both declared UNESCO World Heritage sites. Both ancient and contemporary rammed earth buildings can be found on just about every continent, particularly in Asia, Africa, Australia, Europe and the Americas.
There are three main types of earth building – adobe, made from sun dried mud bricks; cob construction which uses no moulds or formwork; and rammed earth. All three tend to combine local clay or soil with organic matter like straw, often combined with gravel, lime or chalk – these days a small amount of cement is often added. Rammed earth construction usually uses some kind of formwork - like scaffolding and panels - which are fairly inexpensive materials and can be re-used multiple times.
The construction process also produces a very aesthetically pleasing end product. Layers of different coloured clay can be used to create horizontal stripes and delightful variations in the end result.
There are many advantages to earth building. Most of the materials like, clay or mud, and water are locally sourced so there are no transport costs and much lower carbon emissions.
The materials used are natural and non-toxic and no carbon is produced to manufacture the materials, unlike fired clay bricks, steel, aluminium or concrete.
This makes the materials very sustainable and non-polluting. Currently the construction industry is estimated to produce close to 40% of global greenhouse gas emissions so cutting back on pollutants is a great idea.
Earth buildings provide excellent sound and thermal insulation reducing the need for energy hungry heating and cooling. In addition, earth buildings help to regulate the quality of indoor air as they regulate the air humidity and prevent the growth of moulds and help to prevent allergies caused by highly processed materials.
They absorb excess moisture when the air is damp and release it when conditions are dry. Earth buildings are extremely fire resistant and very durable. They are also pest resistant as, once cured, there are no recesses for pest to breed or to gain internal access. Little maintenance is required, there’s no painting needed, and walls might just need to be patched or resealed every 10 years or so, if needed.
Earth buildings are very cost effective and little skilled labour or specialised machinery is needed, except perhaps for a plumber and an electrician. Building an earth structure using
local labour is also a great opportunity to train and empower the community. Earth building designs are very flexible and don’t need to rigidly conform to architectural plans; rooms can easily be enlarged, added or adapted to suit the owners’ requirements.
There’s minimal waste as only the amount of material needed is produced and any excess can easily be recycled. Once the structure has lived out its lifecycle there’s no waste to dispose of – earth and mud can return to their natural state with no pollution or environmental degradation from dumping.
In a way earth building ties in with a number of other environmental concerns that seek
to reduce global emissions like, waste management, recycling, vegetarian and vegan lifestyles, reduced plastic waste and bio-diversity.
SCOPE Zimbabwe (Schools and Colleges Permaculture Programme) recently launched the Chitubu Eco-Village project for sustainable living, youth training and practical demonstrations.
More on this complex discussion in future issues!
As Zimbabwe's property market continues to evolve, the Zimbabwe Property Expo 2024 is poised to be a pivotal event for industry professionals, investors, and consumers alike.
Scheduled for the 4th and 5th of October at the Celebration Centre in Harare, this two-day expo, organized by Africa Exhibition Group in partnership with the Estate Agents Council (EAC), offers a unique platform to explore the latest trends, opportunities, and challenges in the residential, commercial, and industrial property sectors.
A Convergence of Industry and Consumer Education
The Zimbabwe Property Expo stands out as a comprehensive event designed to bridge the gap between industry players and consumers. The expo promises to be an unmissable opportunity for anyone involved or interested in the real estate sector.
The Hybrid Investment Seminar on Friday, 4th October, will focus on key issues and opportunities within Zimbabwe's real estate market.
The seminar, themed "Building Tomorrow, Together," will provide deep insights into the strategic direction of the market, with topics ranging from understanding REITs and their benefits, navigating property purchase policies, to exploring investment opportunities in sectors like the emerging Zim Cyber City Fairview Estates, Kings City and sustainable developments. Attendees will gain actionable strategies and learn about the latest trends, all while networking with industry leaders and peers.
For students and young professionals, the Student Career Day on the same day provides guidance on various careers within the real estate industry. From architecture and civil engineering to property management and interior design, this session aims to inspire the next generation of real estate professionals by offering insights into the skills and opportunities available in this dynamic field. The Property Consumer Conference on Saturday, 5th October, continues the theme of "Building Tomorrow, Together," but with a focus on empowering consumers. This conference will offer practical advice on navigating property purchases, understanding property taxes, and securing property rights under Zimbabwe’s new legal frameworks. With sessions on topics such as mitigating property investment risks and estate planning, this conference is an essential educational resource for anyone looking to make informed decisions in the real estate market.
The Zimbabwe Property Expo is more than just an exhibition; it's a gateway to the future of Zimbabwe's property market. Attendees can expect to:
• Network with a diverse range of real estate professionals, investors, and industry experts.
• Gain Insights from expert speakers on the latest trends and opportunities.
• Explore a wide range of property options, including residential, commercial, and investment properties. Learn through seminars and educational sessions designed to inform and empower.
• Engage in personalized consultations with real estate experts, mortgage advisors, and legal professionals.
The expo will attract a broad audience, from property developers and investors to everyday consumers looking to buy their first home. Property enthusiasts will find themselves surrounded by the latest innovations and expert advice, making this a must-attend event for anyone with an interest in Zimbabwe’s real estate market.
Industry Segments and Target Audience
Participants at the Zimbabwe Property Expo will have the opportunity to interact with key industry segments, including: Property Developers and Builders
• Real Estate Agents and Brokers
• Investment Companies
Construction and Building Materials Suppliers
• Legal and Financial Services
• Telecom and ISP companies Security Companies
Home Décor and Renovation Companies
This diverse range of exhibitors ensures that every attendee, whether a seasoned investor or a first-time homebuyer, will find something of value at the expo. Secure Your Spot
Tickets for the Zimbabwe Property Expo 2024 are available online at www. zimbabwepropertyexpo.co.zw/tickets and can also be purchased at physical outlets in Harare, including the Celebration Centre Worldwide Bookstore and Innov8 Bookshops. Don't miss out on the early bird specials available until 10th September 2024.
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“Architectural opportunities in Zimbabwe, let alone Africa are so many as we have not even scratched the surface” Irene Masiyanise
text by Farai Chaka
As the first Black female president of the Institute of Architects of Zimbabwe, Irene Masiyanise reflects on her tenure, the evolution of sustainable practices, and the future of African architecture.
Q: You mentioned that becoming an architect was a "happy accident." Can you recount the moment you realised that architecture was the perfect fit for you, not geology?
A: Yes, coming into architecture was a happy "accident" for me because it wasn't a field that I was aware of at all when I was at school. I was very fortunate that in my family, I had uncles who were professional Geologists and Land Surveyors. In school, I excelled at Geography, which drove my passion to think that Geology was the profession that I would pursue.
When I discussed it with my Mom and told her that I was going to pursue a career in Mining as a Geologist, she raised concerns as we didn’t have enough information on the health and safety of mines. I started looking at it (geology) differently and considered land surveying. I then made an inquiry from the Surveyor General at the time, and when I went to see him, he advised me that land surveying might not be the best field for a young woman.He mentioned other related career paths like engineering, architecture, and town planning.
In my further inquiry into those disciplines, I came across a cousin who is an architect. My parents pointed me to him, and after making inquiries, I found that architecture was more interesting. It offered a variety of work environments — being on-site, working in the office, having outdoor time and indoor time. I liked the transition of creating something from nothing to something and seeing things come together. That’s how my journey in architecture started.
Q: How would you describe your design philosophy generally? What core principles guide your architectural work?
A: I'd say the core principles that guide my designs are circulation, which entails movement and interaction of spaces, whilst incorporating sustainable design theories and philosophies of natural lighting and ventilation.
Q: Who in the world of architecture has inspired you the most, and how has their work influenced your own?
A: My architectural inspiration was more from Ludwig Mies van der Rohe, who used a lot of the principle of “less is more”, and Le Corbusier who liked to express the elements of the buildings, especially columns and long windows and geometric forms that were very clear and clean. Those two modernist architects inspired me a lot, and also Team Zoo, who were the architects that I worked for in Japan.
Q: Having worked in the UK, Japan, Taiwan, and the US, how did these diverse cultural environments influence your architectural style and philosophy?
A:The architects at Team Zoo create designs that seem sculptural. Their architectural style of façade treatment and choices of material almost result in buildings that are speaking to the landscape. Then, with Mies van der Rohe and Le Corbusier, the former influences the way I curate my layouts, and my circulation spaces and Le Corbusier influences the way I treat my facades, the elements that I use, and how I express those elements. An amalgamation of their architectural style and philosophy is evident in the influences of my design work. I have integrated their forms and their design principles in my work to come up with my style.
Q: You were the first Black female president of the Institute of Architects of Zimbabwe. How would you describe your tenure?
A:The dates of my presidency were Vice President from 2008 to 2011 and President of the Institute of Architects of Zimbabwe from 2012 to 2014. After a short break from the board, I returned and was appointed the Chairperson of the Architects Council of Zimbabwe.
My tenure was very interesting. When I was voted president, I wasn't thinking about my gender or my colour. Prior to that, I had served on the board for a substantial number of years, which gave me a good grounding and background in the Institute and at work. I had served under some excellent leaders like Mandishona (RIP) and Jim McCormish, both of whom were presidents before me, and I was on the board serving with them. They ran IAZ during a difficult time, but their commitment to serving the Institute and their dedication inspired me. I picked up a lot from them and the ideas we shared on the board.
When I took up office, I found that some of the ideas we had discussed and that I had thought were not possible to implement due to the economic environment they served under, I was able to implement. I came in in 2012 when things were a bit more stable, and I thought it was time to bring some life into the Institute. We had not had architectural conferences for years, so with the help of my team— excellent board members—we revived the architectural conferences. I'm glad to say that from the time I reintroduced them, we had successful conferences, and they continue to be successful to this day.
My tenure was very insightful and involved. There is a lot of commitment required when you're president, and it can be quite demanding, but I enjoyed it. It gave me opportunities to interact with nearly all the architects, colleagues in the industry, engineering and construction contractors, and a few corporates. It was challenging at times but always interesting.
I was also the first female chairperson of the board since it was enacted in 1975, so it was a huge responsibility. The position came with significant responsibility, which I enjoyed, and I learned a lot. It helped me serve my council and having had that position always lurks at the back of my mind. I'm almost a de facto chairperson in the way I do things though I make it a point not to overstep boundaries.
Q: Sustainability has become a crucial aspect of modern architecture. How do you incorporate sustainable practices into your projects, particularly in the context of Zimbabwe and Africa?
A:Sustainability is a very topical issue now and for the future. In our practice, we make an effort to maximise the use of local materials and ensure contractors source them locally. We focus on using these materials as much as possible and design building forms to optimise natural ventilation and lighting. This approach reduces fossil fuel use and minimises mechanical ventilation, leveraging Zimbabwe's favourable climatic conditions. We also pay special attention to recycling and waste management, incorporating greywater systems and water harvesting where feasible.
Solar energy is another key component of our strategy. Depending on the project's size and scope, we aim to introduce solar farms with the potential to feed into the national grid eventually.
Additionally, we emphasize on vegetation and microclimatic controls, utilizing water features and greening the environment as much as possible to enhance the landscape.
Q: How have advancements in technology, such as Building Information Modeling (BIM) and 3D printing, influenced your architectural practice? How do you feel about these new tools in general?
A: BIM technology has a positive contribution to the architectural practice in terms of project performance, accuracy, and reduced errors where there's repetition. It streamlines the design to the construction planning process and project management, improving collaboration and communication with different stakeholders such as Engineers, Quantity Surveyors, and Contractors
It’s a very positive attribute to the digital transformation of the construction industry which we have adopted in our day-to-day architectural practice. However, due to the project program timeline management, has lessened the architects’ artistic approach of free-hand sketching.
One comes up with an idea, draws a couple of sketches quickly, and straight onto the computer. So instead of pushing through with the free hand ideas and seeing the options that you have by free hand, one quickly migrates to the computer. That's reducing the free-flowing freehand artistic approach. I would say that's the downside of it.
However, in my architectural office, we have incorporated the use of iPads and Tablets which has allowed the design team to enhance their artistic approach of freehand sketching on a digital scale.
Q: You have received numerous awards throughout your career. Which recognition has meant the most to you and why?
A: The awards I received were lovely and unexpected surprises. The first one was the ZNCC Women in Enterprise award. When they asked for my CV, I sent it without thinking much about it, and then I went to the event and found that I was nominated for first runner-up. In the following year, they asked me again, and I won in the construction category,
which was great. In my view, there were some notable brands I recognized and had seen out there that could have qualified to receive the award.
So, it was gratifying to be chosen for these awards.
Then the Institute of Architects Award, was recognizing my tenure as president. Being recognized by fellow architects for what I contributed to the office of the president was extremely gratifying as well because I was representing some really intelligent, smart, and creative professionals, and they recognized my contribution to the fraternity as having some significant impact. That was pleasing, hence I'm very grateful.
Q: Congratulations on being on African Columns’ Top 50 Architects list. How do you feel about that one?
A: I received an email from Tom Ravenscourt, who introduced himself as a co-author of an R.I.B.A. book that they wanted to publish on global women architects. At the time of introducing himself, he was confirming if the building he saw in the Institute of Architects Yearbook was ours, to which I confirmed.
He said he found the building interesting and wanted to interview me about my architectural inspiration. That's how that selection came about.
The feeling of being recognized as a woman architect who was making some impact on the architectural landscape was phenomenal. It really was a lovely and wonderful surprise.
Q: Are there any upcoming projects or initiatives that you are particularly excited about and can share with us?
A: I am always excited about new work, regardless of the scale. However, due to client confidentiality, I can’t share specifics until projects are completed and clients are comfortable with publicity. What I can
tell you is, we treat every project, big or small, with the same level of attention and detail.
Q: What emerging trends in architecture do you foresee having a significant impact on the African architectural landscape in the next decade?
A: Just like everything else, architecture hasn't been spared from AI. The world is now a global village. Design trends from the Western world, Eastern world, and beyond are creeping into our African context. However, I still believe that the African landscape has much to offer from its own basics of understanding architecture.
In urban areas, there seems to be a proliferation of architectural work, but on a larger scale, it's still a far cry from what it could be. Architectural opportunities in Zimbabwe, let alone Africa are so many as we have not even scratched the surface. We are still on the margins of showcasing our impressions of vertical developments and their necessity on the African landscape. There are a lot of opportunities to develop solutions for our landscape that integrate both the growing
communities and uphold the beautiful environment.
Technological advancements are coming to schools of architecture, where students are quickly moving from learning design principles to dealing with smart buildings and advanced technology. Yet, the economic environment presents challenges. Developers might be able to afford these new technologies, but the market they serve often cannot.
We're stuck between meeting new architectural trends and smart technologies while still catering to basic needs. The world doesn't stop while we wait to address these basics. So, there's a fine balance to be struck between adopting trends and providing architectural solutions that respond to the population's needs.
We're in a very interesting phase of transition in the next decade. It will be cutthroat, requiring designers to consider the environment, the market, and technological advancements. Balancing all these factors is crucial.
Q: Reflecting on your career, what key pieces of advice would you give to young, aspiring architects entering this profession?
A: Looking at my career journey, I would say that what's of critical importance is maintaining professionalism, knowing your product, and knowing when to take the time to think about what you're proposing, especially when you're on-site and brainstorming ideas. It's essential to understand how to create something that can be constructed.
The canvas is vast. Don't be afraid to push the boundaries in terms of design, but ensure that what you're putting on paper can be translated into a structure that will stand the test of time. Safety is paramount, as are aesthetics and buildability. I encourage young architects, especially those who come through my office, to explore as much as possible when they're just starting out. Travel, and see different architectural styles and environments, because every environment influences your architectural vocabulary.
Understand your environment, go out, explore, and have fun in the process, but always maintain your professional integrity. In this new era of sustainable designs, study what works, learn from precedents, and think about how you can improve on them. There's a lot more for youngsters, especially with this technology that's now readily available to them. Literally, the world is their oyster.
“The human touch is still necessary because AI doesn’t catch the nuances of the human aspect of things.”
Structure and Design and Bokani Munodawafa discuss the potential of AI and machine learning in the architecture industry, particularly in Africa. Munodawafa, an architect himself, highlights the slow adoption of new technologies and the potential for AI to streamline the design process, improve communication, and provide valuable insights. He also shares his experience with BIM model software and the integration of technology in architecture, focusing on the challenges and opportunities presented by implementing new technologies. These include the need for resources, compatibility issues, and ethical considerations.
Q: How do you feel about the whole AI/ML phenomenon in general?
A: I think it's great. Humanity has to evolve, and AI is a progression of our ability to do things efficiently, especially with machine learning. It's a steep progression, which is somewhat scary, but also quite impressive. We can only imagine how much more humanity can achieve with such drastic advancements in AI and machine learning.
Q: How do you see AI and ML impacting Africa’s architecture industry in the next 5-10 years?
A: I think a 5 to 10-year period is too short for Africa to see noticeable change. We are generally slow to adopt new technologies and trends. We’ll likely sit back and observe how the first world handles these advancements before adopting them ourselves. Only early adopters will be able to maximise on these AI advancements, and I don’t see any significant impact on the overall African market within that time frame.
Q: What specific new technologies or software are you currently using or interested in exploring in your architectural practice? Can you share examples of heavily tech-integrated projects you have worked on, and what made them successful?
A: At SBM, we predominantly use ArchiCAD. It’s a versatile tool that allows us to create detailed drawings and integrate various services into a Building Information Model (BIM). The BIM model can store all necessary project information, with endless possibilities. It enables us to publish a model viewable by the entire project team, clients, and contractors, enhancing understanding in both 3D and 2D.
Each element within the model contains detailed information such as materials, finishes, and volumes, and we can include manufacturer specifications and costs.
For rendering, we use 3ds Max and V-Ray. Recently, we’ve started using Chaos Vantage, a new software that utilises V-Ray technology to create animations and images at lightning speed by harnessing the power of the GPU. This shift from traditional CPU rendering has enabled us to achieve impressive results with real-time rendering, making the design process more efficient and streamlined.
We are also exploring AI technologies. For example, there are tools that automate the design of car parks by generating layouts based on given parameters. This saves time on tasks that would otherwise be labour-intensive. AI can also assist in detailing sections of a project, which is incredibly powerful. We’re moving in this direction but haven’t fully explored these tools yet.
In projects where we have used BIM software, it has greatly improved the understanding of the building for the project team and contractors. Typically, contractors receive multiple drawings and need significant time to understand a design that took a year to develop. A BIM model simplifies this process, allowing contractors to easily refer to it if they have questions.
Q: Do you think technology can ever replace architects, and if it gets to that, what new skills will be required?
A: I don't think technology will replace architects; it will aid them, but not replace them, at least not in our lifetime. The human touch is still necessary because AI doesn’t catch the nuances of the human aspect of things. There are also issues with liability and legislation that need to be addressed. AI will aid architects but not replace them entirely.
Q: What challenges do you face as an architect in implementing new technologies, and have you found a way around them?
A: Technology requires resources, and without sufficient funds, adoption is challenging. For example, Chaos Vantage requires a powerful graphics card, such as the RTX 4080, which is expensive. Without such resources, we can’t use the program effectively. Additionally, all stakeholders need to buy into these technologies, which isn't always easy. Compatibility issues with other programs also pose challenges, but we find ways to integrate various elements, even if it means additional work.
Q: How do you balance technological advancements with sustainability, energy efficiency, and environmental considerations?
A: Balancing these aspects is quite broad and challenging, especially since we don’t have a Sustainability Council or a barometer to measure sustainability effectively. However, we are working on projects that aim to meet green requirements with the help of consultants. It’s a steep learning curve, requiring resources and legislative support, which is easier in first-world countries. We leverage what we have available in our country and adopt a sustainable approach to design in general. Each project is different, but small sustainable design practices help us tick those boxes from the start.
Q: Are there any ethical considerations when using AI and ML in architecture?
A: I’m not sure about machine learning in architecture specifically, but AI does raise ethical issues. AI learns from old data, which can present ethical challenges. Legislation will need to evolve to address these issues. However, a new generation will likely find ways to handle these ethical considerations effectively.
text by Farai Chaka
It’s a new era filled with innovation and experimentation for architects. Responding to the challenges of the 21st century, designers and architects are coming up with new approaches that are reshaping the way the built environment is conceived, constructed and experienced.
One of the foremost trends in architecture today is the embrace of sustainability and environmental consciousness. Driven by the pressing need to address climate change and reduce our ecological footprint, architects are incorporating sustainable design principles
into their practices. This includes the use of renewable materials, energy-efficient building systems and innovative techniques that reduce resource consumption and waste. From the integration of solar panels and green roofs to the exploration of biomimicry - where natural systems inspire architectural solutions—the new wave of sustainable architecture is all about what it means to build responsibly.
In addition, the practice of adaptive reuse is gaining traction. Instead of demolishing old buildings, architects are increasingly
renovating and repurposing them, preserving historical elements while upgrading them to meet contemporary standards of sustainability and functionality.
This approach not only reduces waste but also retains cultural heritage and fosters a sense of continuity within urban landscapes. However, some architects argue that as land value increases in comparison to building value, sites that would have been cheaper to renovate in the past may now be more affordable to demolish and rebuild.
Digital technologies are revolutionising the design and construction process. The rise of Building Information Modeling (BIM) and parametric design software has empowered architects to create highly complex and intricate forms, pushing the boundaries of what is physically possible. These digital tools allow for precise simulations, optimisation and the seamless integration of various building systems, resulting in structures that are not only aesthetically striking but also highly efficient and adaptable.
Furthermore, advancements in construction technology, such as 3D printing and robotics, are beginning to change the way buildings are constructed. 3D printing allows for the creation of bespoke architectural elements with minimal waste, while robotics can perform repetitive and precise tasks, reducing human error and accelerating construction timelines.
These technologies are contributing to a more efficient, cost-effective and sustainable construction industry.
The integration of emerging technologies, such as augmented and virtual reality (AR and VR), is transforming how architects engage with clients and the public. These immersive platforms enable architects and designers to create interactive experiences, allowing stakeholders to visualise and navigate proposed projects before they are built. This not only enhances communication and collaboration but also facilitates a more inclusive design process,
where clients’ needs and preferences can be better incorporated. There is also a growing emphasis on human-centric design when designing buildings. Architects are increasingly focusing on the well-being and lived experiences of building occupants, creating spaces that prioritise comfort, mental health, and social interaction.
This shift is evident in the design of workplaces, healthcare facilities and residential spaces, where features like natural light, biophilic elements, and flexible layouts are being prioritised to create a sense of connection.
The new types of architecture are embracing diversity, inclusivity, and cultural sensitivity. Designers are actively engaging with local communities, incorporating their narratives and respecting the unique contexts and histories of the places they work in. This approach has led to the emergence of projects that celebrate cultural identity, challenge traditional building typologies and create spaces that are more accessible and representative of the diverse populations they serve.
This inclusive mindset is also evident in the push for universal design, which aims to create environments that are usable by all people, regardless of age, disability or other factors. By prioritising accessibility and inclusivity, architects are seeing to it that the built environment serves the needs of all members of society.
As the architectural profession continues evolving, it is clear that the new modes of architecture will not just be about aesthetics or technical expertise, but about redefining the very purpose and impact of the built environment. By concentrating more on sustainability, embracing digital technologies, catering to human well-being and advocating for inclusive design, architects are shaping a future where buildings and urban spaces are not just functional, but also meaningful, adaptable, and responsive to shifting needs.
Text by Farai Chaka
In a few years to come, the integration of advanced technologies in the architectural practice will no longer be optional but rather extremely imperative. Architects will be better placed incorporating digital technologies and strategies across all aspects of their operations to stay competitive and relevant. From virtual reality (VR) to Building Information Modeling (BIM), cloud computing, and time-tracking tools, the architectural, engineering, and construction (AEC) industry is on an interesting transition. This shift is not all in all about adopting new tools but about embracing a cultural change that leverages technology to enhance project outcomes and efficiency.
The Royal Institute of British Architects (RIBA) in their 2024 Artificial Intelligence Report emphasises that digital transformation extends beyond technology adoption. RIBA states that it represents a fundamental shift in culture, facilitated by technological advancements, to create better buildings, improve client outcomes and streamline workflows. This shift is evident in the growing use of technologies such as VR and BIM, which enable architects to deliver more accurate, coordinated, and visually compelling projects. Architects have never had more freedom and versatility in their designs.
Here are some of the new technologies that architects should consider incorporating in their daily operations:
Building Information Modeling (BIM)
BIM has transformed the AEC industry by providing a comprehensive digital representation of a building’s physical and functional characteristics. Speaking on BIM, Bokani Munodawafa of SBM Architects says, “In projects where we have used BIM software, it has greatly improved the understanding of the building for the project team and contractors. Typically, contractors receive multiple drawings and need significant time to understand a design that took a year to develop. A BIM model simplifies this process, allowing contractors to easily refer to it if they have questions.”
By facilitating better communication and understanding among stakeholders, BIM reduces errors, minimises rework and ensures that everyone is on the same page. This technology not only improves project coordination but also enhances the efficiency and quality of the final product.
Virtual Reality (VR)
Virtual reality is another turning point in architecture. Virtual reality allows architects to create immersive, interactive 3D models of their designs, providing clients and stakeholders with a realistic preview of the final product. This technology enhances the design process by allowing for real-time feedback and modifications so that the final design meets the client’s expectations and needs.
3D printing will definitely become a pivotal tool in architecture. 3D printing facilitates the rapid and precise fabrication of prototypes and intricate architectural elements. By enabling the designing of complex geometries that traditional methods struggle to achieve, it opens up new realms of design possibilities making way for peak creativity and innovation in architectural projects. This advancement not only enhances the aesthetic and functional aspects of structures but also significantly reduces production costs and time.
The integration of AI in architecture is rapidly becoming widespread and it can only propel the practice forward. AI can automate routine tasks, optimise design processes and provide insights based on vast amounts of data. This technology should not be viewed as a threat but as an opportunity for architects to enhance creativity and efficiency. AI can assist in generating design options, predicting project outcomes, and identifying potential issues before they arise.
On the other hand, Bruce Rowlands of ArchitextureSpatial
Design provides an interesting take on AI in architecture: “In 100 years’ time, a poorly designed chair hand-crafted from solid oak will be more valuable than an AI-designed IKEA chair that is machine-made of plastic. Why? I’m not sure; perhaps because it has a relatable human ‘back-story,’ so humans are more moved by it. Or because solid oak is rarer than plastic.”
This brilliantly underscores the enduring value of human touch and craftsmanship in architecture, even as we embrace technological advancements.
Ten times more efficiency
The efficiency gains from these technologies are unmatched. Advanced digital tools streamline workflows, reduce manual labour and lower the barriers to entry for younger architects. This popularity in design tools means that innovative and original designs, particularly those inspired by cultural heritage, will become more accessible.
For instance, Zimbabwean architects can now more easily incorporate elements of African heritage into their designs, creating unique and culturally significant buildings.
Again, these new tools also make for better connections between architects and clients than has ever been experienced before. Through enhanced visualisation tools and collaborative platforms, architects can engage clients more directly, incorporating their feedback throughout the design process.
In this interview feature, Bruce Rowlands of Architexture Spatial Design shares the influences that shaped his path, from an unexpected start at the University of Cape Town to the inspiring work of local thatcher Terrance Bragge. He goes into his design philosophy, emphasizing the importance of working with available resources and the artistic instinct developed through hands-on creation.
Rowlands also reflects on the evolution of architectural education and practice in Zimbabwe, advocating for a balanced blend of technical skills and artistic creativity.
Q: If you had not pursued a career in architecture, what other profession do you think you would have chosen and why?
A: Music composition. Why? It was just something I used to do when I was much younger. I liked telling stories with lyrics and music.
Q: Your architectural journey began with a degree from the University of Cape Town. What inspired your decision to enrol for an architecture degree?
A: Last minute panic. I had not given university any thought, and when my friends started signing up, I just photocopied their application forms and copied what they were doing.
Q: Who in the world of architecture has inspired you the most and how has their work influenced your design philosophy and creative process?
A: I grew up near Terrance Bragge, a brilliant thatcher, who could pull a house out of a rocky mountainside as if it had spontaneously grown there. For us kids, his creations were not buildings: they were adventures.
Q: You blend functionality with aesthetic appeal. Can you elaborate on your design philosophy and what influences your creative process?
A: We work with what is readily available. It's a bit like painting a picture. Once we have studied and understood the site, we have our "canvas". Once we have a good grip on what materials and skills are at hand, we have our "limited palette". Once our client brief is clear, we have our "content", and then we just play with concepts until the overall composition "clicks".
Q: Looking at the architectural education currently being offered in Zimbabwe, what changes or improvements would you advocate for to better prepare future architects?
A: Prioritise that students work with their hands; sketch, paint, sculpt, model – this is where you build up your artistic instinct. Anyone can learn to operate software to "draw something up neatly", but to solve a 3D puzzle artistically requires more than technical skill.
Q: One of your award-winning projects, The Gota Dam Residence, is a unique project set on a granite rock. Can you briefly share insights into the design and construction challenges of this project?
A: Vision, perseverance, and teamwork. Those are the main ingredients required to see an ambitious vision through to completion. There is nothing that ego or "artistic temperament" can help you with on a real project – so don't bother bringing them along. The Gota Project was completed during Zimbabwe's most difficult economic years. It was actually conceptualized by a very talented London design firm, and our role was to adapt their vision to make it possible to construct on an incredibly difficult site, in the middle of history's worst hyperinflation. I believe that it was working within these very harsh constraints that actually forced the project's creative originality.
Q: Having contributed to both residential and commercial projects, which type do you find more fulfilling and why?
A: Commercial projects are much easier and are great fun; they come with enough resources to warrant large and loud "brush strokes". But residential projects, whilst being more challenging, are far more satisfying; it's more about serving the needs of a family than making a corporate statement. Because a residence is highly personal, the families engage more deeply with the process – and it feels as though the resulting spaces have a longer-lasting impact on their lives.
Q: Can you tell us about a project that you are particularly proud of and why it stands out to you?
A: For reasons mentioned above, I'm proud of all the private residences; not that they are all equally architecturally photogenic, but because they are about more than architecture, they are about family. They often represent a client's most meaningful and significant personal investment. Aside from residences, we have done several schools and an orphanage. Because of budget constraints, they may not stand out in our portfolio as obvious examples of stunning architecture, but I am extremely proud of the fact that they provide a happy space for children.
Q: How do you stay inspired and continue to innovate in your field?
A: I personally lack "big-picture" vision, so I jump at any opportunity where I recognize this gift in a client. With their vision and my puzzle-solving abilities, we make a good team. I am very careful to recognize all the different natural aptitudes of our staff, and try to give them free range when they're operating in their areas of strength. This opens up the possibilities of innovation way beyond what I could do on my own.
Q: In what ways has the architectural landscape in Zimbabwe evolved since you started your career?
A: When I started, there was very limited access to local examples of great design. Now, with online access to great international architecture, Zimbabweans have developed a taste for far
more adventurous design solutions. Also, cautioned by so many unfinished house ruins littering the suburban hillsides, I have found Zimbabwean clients are now far more likely to spend time with an architect on perfecting a smaller, more efficient plan than launching recklessly into an oversized, under-thought mistake.
Q: What emerging architectural trends do you foresee having a significant impact on the African architectural landscape in the next five years or so?
A: As mentioned above, it's becoming too expensive to waste labour and resources on building mistakes, so careful, efficient planning will (I hope) begin to trump wild show-boating. Also, I've noticed that as land value increases relative to building value, sites that would have previously been cheaper to renovate will start to become cheaper to demolish and build new.
Q: As an architect, how do you envision the role of public spaces in urban settings, particularly in the context of Zimbabwe's growing cities?
A: In our context, I think that as long as the overall city zoning is professionally thought out, the details of each public space are best governed by the community that uses it. The community, if incentivized or at least allowed the freedom to manage the public
space, will probably evolve more practicable and relevant solutions than those thought up by remote "social designers".
Q: Are there any upcoming projects or initiatives that you are particularly excited about and can share with us?
A: We have just completed phase one of USAP Community School, a new school for exceptionally gifted students. Watch this space for future world leaders.
Q: You have your own architectural firm, Architexture Spatial Design. How do you mentor young architects and what advice would you give to those entering the profession?
A: We take interns on their gap year, and throw them in the deep end. They are selected purely on the merit of their portfolios, so we know they have the raw talent to contribute value. Our experienced staff supervise their work, keeping a safety buffer between them and actual on-site demands.
Advice? If you love sitting and drawing for hours on end and the time flies by without you noticing, then this job is for you. If you don’t, then it’s not.
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