Sheridan Craft & Design 2014
Creo: ‘to create’ or ‘make grow’ Welcome to the 2014 Sheridan ‘Craft and Design’ Graduate Exhibition. As emerging craftspeople and designers in ceramics, glass, furniture and textiles, we are unified by the ethos of process and careful reflection which has been instilled in each of us during these last three years. Mentorship, peer support and shared studio practice have offered an unparalleled opportunity for growth. We have learned that surprises can inspire, collaboration can exhilarate and that an artist’s journey is never predictable. This exhibition displays the rich diversity of thought and process we as students have, and guides our transition from student to professional. Thank you for joining us.
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Faculty Administration Ronni Rosenberg, MFA, M.Arch Dean Heather Whitton, M.Ed Associate Dean Nancy Heath Program Officer Gordon Thompson, MA Program Coordinator Ceramics Studio Linda Sormin, MFA Studio Head Hugh Douglas-Murray, Dipl Technologist Furniture Studio Peter Fleming, MA Studio Head Rob Diemert, Dipl Technologist Glass Studio Koen Vanderstukken, MFA Studio Head Jason Cornish, Dipl Technologist
Textiles Studio  Rachel Miller, MFA Studio Head Janelle Guthrie, Dipl Technologist
Sally McCubbin, Ad. Dipl Lucy Roussel, BA Brad Sherwood, BA Amanda Skalski, BA Paula Vandermey, BFA
Ceramics Tony Clennell, MFA Bruce Cochrane, MFA Marc Egan, Dipl Steven Heinemann, MFA Kathy Kranias, BFA Janet Macpherson, MFA Lindsay Montgomery Cathleen Nicholson, Dipl
Textiles Kate Busby, BA Kerry Croghan, BA Sharon Epstein, BFA Roisin Fagan, BFA Ana Galindo, MFA Thea Haines, MA Isabel Stukator, AOCAD Anna Zygowski, MA
Furniture Connie Chisholm, BA Heidi Earnshaw, BA Scott Eckert, BA Scott Eunson, BArch Ian Stewart, MES Kirsten White, AOCAD
Instructors Jess Riva Cooper, MFA Janna Hiemstra, MA Leopold Kowolik, MA Jorgen Lauritzen, AOCAD Michelle Lewin, MFA Irene Loughlin Anthony Makepeace, M.Ed Michael Peters, M. Des Richard Pottruff, MA Tess van Groll, M.Ed
Glass Orion Arger, Dipl Andrew Kuntz, Dipl
Program The Craft and Design program at Sheridan has been setting the standard for craft education in Canada since being founded in 1967. A close connection with the arts community, award-winning faculty, fully-equipped studios and a renowned curriculum all work to help students develop a critical sense of design and outstanding technical skills while at Sheridan.
The three-year Craft and Design program offers intensive, hands-on training in four studio areas: ceramics, furniture, glass and textiles. These are complemented with additional studios of design, drawing and photography. The studio experience at Sheridan is supported by academic studies in craft history, communications, supervised independent research, visits from established artists and exhibition opportunities for students. In the third year of the program students address the important goal of self-employment as a craftsperson. Through lectures and coursework, Sheridan students examine market dynamics in the craft and design arena as well as case studies of professional craft or consulting design practices. Upon graduation, Sheridan students are among the most talented and best prepared emerging artists and designers in Canada.
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Foreword present active creō, present infinitive creāre, perfect active creāvī, supine creātum I. I create, make, produce. II. I beget, give birth to. III. I prepare, cause. IV. I choose. In its role as one of Canada’s most significant and long-standing craft education institutions, Sheridan’s Craft and Design Program is once again celebrating its graduating students with an exhibition to showcase their talents. As a program that invests as much in building community as it does in training through hands-on experience, the Ceramic, Furniture, Glass and Textile studios are able to offer a firm foundation for stepping out into a world where the creation of objects occurs within a complex global system of markets, industries and economies. It is this foundation that allows us to look forward to what comes next for these graduates, and endeavor to continue supporting them in their choice to become creators of material culture.
As a verb, creo conveys an action – a state of becoming in relation and in reaction to the world. The action ‘to create’ is undoubtedly what takes place in the program’s unique studio environment and in the experience of exploring techniques and material processes, which through interactions with instructors and fellow students further offers inspiration, insight and skill. At the same time, creo is a fitting term in that its original meaning is ‘to make grow’, and in the subsequent pages you will not only see accomplished work that has been fostered throughout the program, but the beginnings of careers from which new work and new directions will grow. Within the context of this exhibition catalogue, perhaps one of the most thought-provoking
meanings of the term creo is its suggestion of the act to choose. To choose to study craft and design, to strive towards becoming a professional maker, is to take up the challenge, and in the words of the program description itself, to use materials and ideas to transform environmental and human potential. This is no small task, and certainly not an easy choice. Yet for each of the following graduates to create, to grow and to choose is to commit to becoming an integral part of society, and to share their skills and talents in order to offer the world much needed inquisitiveness, health, comfort, beauty, care and delight. This year’s graduates are privileged to join a growing number of successful makers that likewise have roots in the challenges and rewards of studying at Sheridan, and on behalf of Craft Ontario and the overall craft and design community, it is our sincere hope that the 2014 Craft and Design graduates also find success in all that they do.
Janna Hiemstra is Curator and Director of Programs at Craft Ontario (formerly the Ontario Crafts Council), a member-based organization that supports and advocates for professional craft practice. Throughout her seven years with Craft Ontario she has been involved in many different aspects of the organization, including publications and international projects. She currently manages all aspects of the Craft Ontario Gallery, the annual Craft Awards program, as well as lecture and conference programming. She also serves as a Committee member for the Canadian Society of Decorative Arts.
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Marissa Alexander Hana Balaban-Pommier Rhoni Clarke Habiba El-Sayed Christina Hodge Michelle Landriault Teresa O’Grady-Dunlop
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Marissa Alexander 1.
1. At The Root (detail) Stoneware, glaze w. 20cm, h. 12cm 2. At The Root Stoneware, glaze w. 20cm, h. 12cm
m.y. alexander7@gmail.com 2.
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Hana Balaban-Pommier 1.
1. Tipping Point Porcelain, stoneware, glue w. 14cm, h. 16cm, l. 19cm 2. Torso n. 1 Porcelain, painted wood w. 32cm, h. 52cm, l. 15cm 3. Torso n. 2 Porcelain, wire w. 30cm, h. 50cm, l. 13cm 4. Elemental Video projection on porcelain w. 10cm, h. 170cm, l. 200cm
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Rhoni Clarke 1.
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1. Flower brick Cone 6 soda fired white stoneware w. 11cm, h.16cm, l. 49cm 2. Flower brick (detail) Cone 6 soda fired white stoneware w. 11cm, h.16cm, l. 49cm 3. Cut out vase Cone 6 soda fired white stoneware w. 13cm, h. 23cm 4. Cut out vase (detail) Cone 6 soda fired white stoneware w. 13cm, h. 23cm
clarke ceramic s .com 3.
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Habiba El-Sayed 1.
1. SuburbArabia Coil-built ceramic w. 76cm, h. 106.7, l. 76cm (largest) 2. The ‘B’ Word (detail) Coil-built ceramic w. 91cm, h. 91cm, l. 91cm 3. Front Lawn Coil-built ceramic, Astroturf w. 137.6cm, h. 76cm, l. 137.6cm
habibael - s aye d.com 2.
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Christina Hodge 1.
1. Pod details Cone 6 stoneware, glaze, various sizes 2. Pods Cone 6 stoneware, glaze, various sizes
crix sih@live.com 2.
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Michelle Landriault 1.
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1. Wise (detail) Paper clay and glaze w. 46cm, h. 25cm 2. Metal Petals (detail) Paper clay and glaze w. 48cm, h. 20cm 3. Adventures (detail) Paper clay and glaze w. 29cm, h. 16cm, l. 46cm 4. Blossoming Paper clay and glaze w. 46cm, h. 25cm
ceramic s1707.com 4.
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Teresa O’Grady-Dunlop 1.
1. Large Platter Cone 6 oxidation w. 55cm, h. 55cm, d. 12cm 2. Basket Cone 6 oxidation w. 28cm, h. 26cm, d. 15cm
tere s ab dunlop.com 2.
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Neil Botelho Allsun Campbell Matthew Chan Katrina Ennamorato Peter Harrington Vanessa Jackson Kevin Jones Chadd Kam Cristyan Leathley Corey Macdonald Duncan McNeil Andreas Moreno Brendon Taylor Robert Vecchiarelli Wyatt Walkem Jesse Wilson
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Courtney Black 1.
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Neil Botelho 1.
1. Hex Lamps Powdercoated sheet metal, beech, rare-earth magnets d. 14cm, h. 20cm 2. Mae Barstool White oak, ash bent lamination, leather upholstery w. 40cm, l. 46cm, h. 66cm
neilb otelho@gmail.com 2.
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Allsun Campbell 1.
1. AC08 Side Chair Beech, maple veneer w. 44cm, h. 73cm, l. 44cm 2. AC03 Media Cabinet Maple, plywood drawers w. 44cm, h. 57cm, l. 142cm 3. AC03 Media Cabinet (detail) 4. AC08 Side Chair Beech, maple veneer w. 44cm, h. 73cm, l. 44cm
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Matthew Chan 1.
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1. WHT Barstool American beech, vinyl w. 40.8cm, h. 50.8cm, l. 93cm 2. Tumble Maple veneered particle core w. 35.6cm, h. 127cm, l. 182.9cm 3. Breeze Rocker European beech w. 57.2cm, h. 81.3cm, l. 81.3cm
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Katrina Ennamorato 1.
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1. Tirare Bar Stool Walnut, cotton wrapped elastic cord w. 38.cm, h. 96cm, d. 35cm 2. Tirare Bar Stool (detail) 3. Stretta Cabinet Ash, waterbased stain w. 1.45m, h. 58.4cm, d. 35cm 4. Stretta Cabinet (detail)
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Peter Harrington 1.
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1. & 2. Salvaged Applewood Bowl Applewood d. 8cm, h. 5cm 3. Cherrywood Bowl Cherrywood d. 18cm, h. 7cm 4. Maple Bowl Maple d. 15cm, h. 6cm 5. Pando Table Black walnut l. 50cm, w. 50cm, h. 55cm
p eter.harring ton1@gmail.com 5.
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Vanessa Jackson 1.
1. Esmeralda Wardrobe Solid & veneer walnut, vinyl wallpaper, handmade hardware, castors h. 146cm, w. 58cm, d. 56cm 2. Bonnie Rocker Solid Makore h. 71 cm, w. 63.5cm, d. 72cm
vlj.villavilla@gmail.com 2.
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Kevin Jones 1.
1. Bench White ash, cotton cushion w. 32.7cm, h. 36.9cm, l. 139.7cm 2. Daily Rush Black walnut, paper fiber cord w. 49.5cm, h. 91.4cm, l. 40.6cm
kevinjone s de sign s@gmail.com 2.
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Chadd Kam 1.
1. Lounge chair (detail) 2. Lounge chair Walnut and walnut veneer w. 53cm, d. 78cm, h. 114cm
chadd.kam@gmail.com 2.
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Cristyan Leathley 1.
1. & 2. Lamp Oak, mildsteel, LED strip w. 18cm, h. 46cm, l .21cm
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Corey Macdonald 1.
1. Side Table Walnut, veneered MDF, Baltic birch plywood 2. & 3. Bar Stool White oak, mild steel
comacdo@gmail.com 2.
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Duncan McNeil 1.
1. Container sideboard Walnut, lacquered MDF w. 140cm, h. 56cm, l. 44cm 2. Country barstool Maple, milk paint w. 44cm, h. 92cm, d. 40cm 3. Buddy Beech, 3D-printed ABS h. 140cm, d. 60cm
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Andreas Moreno 1.
1. & 2. Dux Lounge Chair White oak w. 66.7cm, h. 69.27cm, l. 70 cm
morenoa 45@hotmail.com 2.
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Brendon Taylor 1.
1. Spring table American and European white ash w. 91cm, h. 74cm, l. 152cm 2. & 3. Roxton rocker White oak w. 61cm, h. 112cm, l. 81cm
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Robert N Vecchiarelli 1.
1. Boss Bar Stool (detail) 2. Boss Bar Stool African Bubinga frame, solid brass foot-rail w. 38cm, l. 46cm, h. 92cm
oneof fde signs 87@gmail.com 2.
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Wyatt Walkem 1.
1. Black Walnut Lounge Chair w. 73cm, h. 91cm, l. 86cm 2. Red drip Winged bowl w. 12cm, h. 4cm, l. 31cm 3. Balance Winged bowl w. 14cm, h. 4cm, l. 30cm
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Jesse Wilson 1.
1. Rocking Chair Maple, bent plywood w. 52cm, h. 90cm, d. 60cm 2. Tornado Table White oak w. 60cm, h. 45cm, d. 45cm
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Becky Lauzon Rob Raeside Shay Salehi Ron Vincent Gabriela Wilson
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Becky Lauzon 1.
1. Sometimes the Blues are just a Passing Bird Etched handblown glass d. 20cm 2. Lost in the City Blown and etched glass, cement base w. 56cm, h. 46cm, d, 25cm
rebbylau@gmail.com 2.
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Rob Raeside 2.
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1. Bottles Blown glass w. 15cm, h. 35cm 2. Bottle (detail) Blown glass w. 15cm, h. 35cm 3. Peanuts Blown glass w. 14cm, h. 30cm
robrae side gla s s@gmail.com 3.
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Shay Salehi 1.
1. Blue Fade Pate de Verre with applied pigment w. 30cm, h. 9cm 2. Organic: Brown Pate de Verre with applied pigment w. 20.5cm , h. 18cm
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Ron Vincent 1.
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1. The Hatchery (detail) Flame worked glass w. 2cm, h. 2.5cm, l. 2cm 2. Digital Pet Rock Pendants Flame worked glass w. 1.5cm, h. 4cm, l. 2.5cm 3. Pingu Enters the Hatchery Flame worked glass w. 7.5cm, h. 15cm, l. 15cm (largest)
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Gabriela Wilson 1.
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1. & 2. Empty Pate de Verre. steel w. 12cm, h. 15cm, l. 10cm 3. Nail Fetish Kilncast glass, brass w. 10cm, h. 15cm, l. 10cm
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Alex Brownell Melissa Bullock Hillary Anne Thompson Dube Mary Duncan Gabriella Durak Tyler Kenny Leah Marcoux Aidan Mayner Deniree Mendoza Andrea Nairn Mary-Ann Nuroh Stephanie Wan Andrea Zylstra
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Alex Brownell 1.
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1. Hand & Lock Clover Acid dyed silk, embroidery, reverse applique, beading w. 25cm, h. 33cm 2. H&L Clover 2 (detail) Acid dyed silk & cotton, embroidery, reverse applique w. 25cm, h. 33cm 3. H&L Clover 3 (detail) Acid dyed silk, embroidery, applique & reverse applique w. 33cm, h. 33cm 4. Digital Tote Digitally printed canvas w. 31cm, h. 11cm, l. 33cm
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mel b. 1.
1. Places I Remember (detail) Printed and stitched linen w. 127cm, h. 80cm 2. Bog Smell (detail) Cotton voile and crochet w. 56cm, h. 37cm, d. 16cm 3. Bust Altered linen w. 17cm, h. 17cm, d. 11cm 4. Houses (detail) Hand embroidery, pencil crayon on polyester mesh w. 40cm, h. 34cm, d. 31cm
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Hillary Anne Thompson Dube 1. a
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1. Untitled designs (a) polychromactic printed (b) dyed, discharged (c, d) digitally printed 2. Lace scarve/head piece Naturally dyed, hand beaded, repurposed lace w. 81cm 3. Clutch Wet felted, trim w. 15cm, h. 20cm 4. Banana bags w. 63cm, h. 28cm (largest)
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mary duncan 1.
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1. Crocheted basket Polypropylene rope w. 15.2cm, h. 15.2cm, d. 30.5cm 2. Crocheted basket Polypropylene rope w. 15.2cm, h. 15.2cm, d. 30.5cm 3. contain/conceal Hardware cloth, wool, sisal, wire w. 31.8cm, h. 35.6cm, d. 31.8cm
dakinis wb@hotmail.com 3.
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Gabriella Durak 1.
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1. Watermelon Eye Bow Ties Digitally printed fabric w. 25.4cm, h. 25cm 2. Button Bunny Ben Digitally printed fabric w. 25.4cm, h. 25cm 3. Flower View Digitally printed fabric w. 25.4cm, h. 25cm 4. Stitch up the tree Doll: crochet pieced Umbrella: crochet panels w. 25cm, h. 89cm
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Tyler Kenny 1.
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1. Embellished Collar Cotton poplin, metallic thread, found beads/objects , metallic pigment 2. PrivĂŠ Collar Cotton poplin, metallic thread, found beads, metallic pigment w. 15cm, h. 3cm 3. Bustier Dress (detail) Heat set organza w. 45cm, h. 165cm 4. Digital Print Silk crepe de chine
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Leah Marcoux 1.
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1. Patchwork Heart Naturally dyed fabric, hand sewn, embroidered w. 16cm, h. 16cm 2. Face Needle felted fleece w. 16cm, h. 22cm 3. Wrapped tools Acrylic yarn, embroidery thread, burlap w. 30cm, l. 50cm
leah.marcoux 21@gmail.com 3.
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Aidan Mayner 1.
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1. Boro Tote (detail) Burlap, muslin, linen, cotton thread 2. Boro Tote (detail) Natural dye, rice paste resist, latex coating 3. Boro Tote w. 80cm, h. 72cm, d. 27cm
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DenirĂŠe Mendoza 1.
1. Kept Unkept (detail) Cotton, felt, silk h. 360cm, w. 100cm 2. Lavender Beads, cotton, yarns w. 23.5cm, h. 13cm 3. Hidden Cotton, thread d. 13cm 4. Zinnia Beads, cotton, yarn d. 18cm
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Andrea Nairn 1.
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1. Winter shadow Silk Marquette, pigment w. 50cm, h. 42cm 2. Hellebores (detail) Linen, dye, pigment w. 230cm, h. 200cm 3. Winter silhouette (detail) Silk, pigment, embroidery w. 40cm, h. 30cm 4. Contain and conceal (detail) Fabric, crochet w. 40cm, h. 40cm
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Mary Ann Nuroh 1.
1. Lily pad Screen print, embroidery w. 35cm, h. 28cm 2. Flower Screen print, embroidery w. 35cm, h. 28cm 3. Leaves Screen print, embroidery w. 35cm, h. 28cm 4. Wing Blouse Digital print on linen
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Stephanie Wan 1.
1. Cycles of Day Digital print on linen, hand embroidery w. 45cm, l. 45cm 2. Day pillow (detail) Digital print on linen, hand embroidery w. 45cm, l. 45cm 3. Dusk pillow (detail) Digital print on linen, hand embroidery w. 45cm, l. 45cm 4. Night pillow (detail) Digital print on linen, hand embroidery w. 45cm, l. 45cm
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Andrea Zylstra 1.
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1. Brokendown Gardens Screen printed wool scarf w. 40cm, h. 180cm 2. Embroidered Sample Machine embroidery w. 20cm, h. 30cm 3. Pendant Knitted wire, beads w. 10cm, h. 10cm 4. Purple Dreams Dip-dyed, devore-ed cotton blend tunic w. 75cm, h. 105cm
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Acknowledgements The graduates of the Sheridan Craft and Design program would like to thank Jess Riva Cooper and Isabel Stukator for their advice and assistance in coordinating the catalogue and graduation exhibition. Thank you to Mike Young for his help with the layout of the catalogue and Aidan Mayner for the new design. Janna Hiemstra, thank you so much for generously accepting the task of writing the foreword to our graduation exhibition catalogue. To the entire non-studio faculty, we would like to express our sincere appreciation for each of your contributions to the cultivation of our education. Thank you also to the administration and support staff, Nancy Heath, Lynne Murray and Mary Cator, Associate Dean Heather Whitton, and Program Coordinator Gord Thompson. A very special thanks to Jamie Owen for curating our shows and Owen Colborne for his expertise and guidance in the photo studio. We could not have looked so great without you.
Ceramics The graduates of this year’s Ceramics class would like to acknowledge the whole Ceramics faculty for their constant encouragement and support during our three years together. Thank you for instilling in us, in different ways, the qualities that will contribute to our journeys as ceramic artists: Bruce Cochrane, Gord Thompson, Tony Clennell, Marc Egan, Steve Heinemann, Kathy Kranias, Cathleen Nicholson, Linsday Montgomery, Janet Mcpherson and Drew Ippoliti. Being able to share space with these individuals are experiences that will prove to be invaluable and we could not thank them enough. A special thank you to our Studio Head, Linda Sormin whose tenacious energy and constant questions have pushed us all to exceed beyond what we had ever imagined. And last, but certainly not least, another special thank you to our enthusiastic and dedicated studio technician, Hugh DouglasMurray, for always taking the time to
provide us with the most thorough answers for even the simplest of questions. We would also like to thank Jamie Owen, Lynne Murray and Owen Colborne, who’ve helped us to see our work beyond our studios. Furniture The Furniture Studio graduates of 2014 are thankful for the knowledge, encouragement, and support from all of the faculty, technicians, and instructors that have guided us for the past three years. Special thanks to Peter Fleming, Robert Diemert, Connie Chisholm, Kirsten White, and Scott Eckert. Each of you constantly pushes us to explore more and extend our knowledge. Your dedication has provided us with the skills and work ethic to become thoughtful designers and makers. Thank you to Heidi Earnshaw and Scott Eunson for your professional wisdom and expertise. We would also like to recognize the support course instructors for helping us to acquire a
wide range of skills outside of the studio. Thank you to all of the guest critics and professional designers who have shared your knowledge and experience with us. Thank you to Jamie Owen for all of your gallery work in the past three years. Finally, we would like to thank the YMCA and Hilditch Architect for including us in the Vanauley Street Project. We greatly appreciate the opportunity to collaborate and learn from this experience. Thank you. Glass As our third year draws to a close, many of us now need to stop denying that we will be leaving Sheridan and entering the real world. It’s been a wonderful start to our journey in glass and the time has come to thank those that have guided us along the way. Special thanks goes to Jason Cornish, for keeping our studio running smoothly and answering any technical questions we can imagine, and to Koen Vanderstukken, for teaching us to think creatively about every 99
thing we see and forcing us to answer that most dreaded question, “Why glass?� We would not have made it this far without the instruction and encouragement from Andy Kuntz, Paula Vandermey, Sally McCubbin, Brad Sherwood, Amanda Skalski, Lucy Roussel and Orion Arger, as well as our first year teaching assistants Andrew Beauchamp and Silvia Taylor. Your patience has helped develop our perseverance, and we express our greatest thanks to you all. Textiles We would like to express our thanks to everyone involved with the textiles studio. To our technologist Janelle Guthrie, whom without her presence; our studio could not have run so effectively. To our studio head Rachel Miller, for providing us with a broader perspective of the craft community. Their involvement in our education at Sheridan College has provided us with positive motivation that will shoulder us as we enter into a new phase of not only our careers, but also our lives.
We would also like to give thanks to our instructors: Thea Haines, Isabel Stukator, Sharon Epstein, Kate Busby, Anna Zygowski, Kerry Croghan, Roisin Fagan, Ana Galindo, Kate Jackson; who through the years have kept us on the right track and helped us realize our full potential. We would also like to extend our gratitude to the guests and lecturers that graciously came to the studio for workshops and critiques and have left us with valued experience and wisdom. As we begin our careers we can be reassured that the skills and knowledge we were provided with will carry us through our future endeavors. As we look back at our time at Sheridan, there is no doubt we have learned the ability to find inspiration in every stitch we pull. Without the support and positive feedback we received from everyone in the studio, we could not have grown so much in only three years. For that there is no amount of words to express our appreciation. Thank you.
Sponsors The students would also like to extend a special thank you to our sponsors who helped make this catalogue and the graduate exhibition possible.
Anonymous Tuckers Pottery Supplies Inc.
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Sheridan Institute of Technology and Advanced Learning Faculty of Animation, Arts and Design Craft and Design Program 1430 Trafalgar Road Oakville, Ontario Canada L6H 2L1 905.845.9430
For more information on the Bachelor of Craft and Design program and the other 35 full-time programs within the Faculty of Animation, Arts and Design, visit our website at www.sheridancollege.ca.
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