this could work by Isabel Stukator

This Could Work This Could Work is the catalogue for the 2013 graduating class of Sheridan’s Craft and Design Program. “This could work” can be the famous last words to the frustration and dismissed ideas that come along with creation. Often muttered internally, amidst the profanity that accompanies the irritation of trial and error, these words are the recognition that you’re onto something good. As emerging makers of ceramics, furniture, glass and textiles, “this could work” is a statement that has surfaced frequently as we have progressed as artists, designers and craftspeople. It represents the end of process work and the beginning of the creation of something inspired. The concept for This Could Work exemplifies the transition between school and our prospective futures. As we end our formal learning, the technical training and the challenging nature of school, we will transition enthusiastically into the world of professional design. As the graduating class of 2013, we would like to welcome you to This Could Work, an exhibition of ceramics, furniture, glass and textiles.

Faculty Administration Ronni Rosenberg, MFA, M.Arch Dean

Heather Whitton, M.Ed Associate Dean

Nancy Heath Program Officer

Ceramics Studio Linda Sormin, MFA Studio Head

Hugh Douglas-Murray, Dipl Technologist

Furniture Studio Peter Fleming, MA Studio Head

Rob Diemert, Dipl Technologist

Glass Studio Koen Vanderstukken, MFA Studio Head

Jason Cornish, Dipl Technologist

Textiles Studioâ&#x20AC;Ż Isabel Stukator, AOCA Acting Studio Head

Janelle Guthrie, Dipl Technologist

Ceramics Winn Burke, MA Tony Clennell, MFA Bruce Cochrane, MFA Marc Egan, Dipl Steven Heinemann, MFA Janet Macpherson, MFA Cathleen Nicholson, Dipl Gordon Thompson, MA Furniture Connie Chisholm, BA Scott Eckert, BA Ian Stewart, MES Kirsten White, AOCA Glass Orion Arger, Dipl Andrew Kuntz, Dipl Sally McCubbin, Ad. Dipl Brad Sherwood, BA

Amanda Skalski, BA Paula Vandermey, BFA Textiles Monica Bodirsky, B.Des Kate Busby, BA Kerry Croghan, Dipl Sharon Epstein, BFA Roisin Fagan, BFA Ana Galindo, MFA Kate Jackson, AOCAD Thea Haines, MA Anna Zygowski, BA Instructors Janna Hiemstra, MA Kathy Kranias, BFA Leopold Kowolik, MA Jorgen Lauritzen, AOCA Michelle Lewin, MFA Anthony Makepeace, M.Ed Heidi Overhill, MFA Michael Peters, M. Des Richard Pottruff, MA Stephen Hugo-Seinader, BA Robin Tieu, BFA Tess van Groll, M.Ed

Program The Craft and Design Program at Sheridan has been setting the standard for craft education in Canada since being founded in 1967. A close connection with the arts community, award-winning faculty, fully-equipped studios and a renowned curriculum all work to help students develop a critical sense of design and outstanding technical skills while at Sheridan.

The three-year Craft and Design Program offers intensive, hands-on training in four studio areas: ceramics, furniture, glass and textiles. These are complemented with additional studios of design, drawing and photography. The studio experience at Sheridan is supported by academic studies in craft history, communications, supervised independent research, visits from established artists and exhibition opportunities for students. In the third year of the program students address the important goal of self-employment as a craftsperson. Through lectures and coursework, Sheridan students examine market dynamics in the craft and design arena as well as case studies of professional craft or consulting design practices. Upon graduation, Sheridan students are among the most talented and best prepared emerging artists and designers in Canada.

The Inherent Triumph of Mistakes Experience is simply the name we give our mistakes. Oscar Wilde Sheridan College’s Craft and Design programme arose out of the egalitarian counter-culture activity in the 1960s and 1970s when experimentation was rife and endless possibilities were envisioned. Not following the rules was de rigueur. Discovery through trial and error was championed and it is heartening to think that this continues today. The 2013 Sheridan College Craft and Design graduates have devoted three years to intense material investigation and process refinement. They have examined and studied historical relevance; grappled with idea development and self expression. They have shaped themselves into a supportive collegial community, through proximity, collaborative projects and a shared commitment to craft and design. The title of the 2013 graduating exhibition, This Could Work, has clearly come about in the course of mutual conversations and observations across the four disciplines; ceramics, glass, furniture and textiles. Perhaps, even a bit of collective commiseration for a few of the setbacks they have all encountered. 4

To choose any of the creative pursuits; artist, designer or maker is not for the faint of heart. One of the core components of a craft and design education is a deep understanding of materials accumulated through tacit and practical knowledge. Over and above acquiring a vast array of skills and concept research, it takes hours and hours of experimentation to develop the thinking to appreciate action and consequence. It is not enough to strive for virtuosity and supremacy over materials or process. The mark of a good artist and designer is the ability to know what to keep or what to throw away and to discern why those choices need to be made. Indeed, what can be characterized as a mistake, or more affectionately a “happy accident” may turn out to be the foundation for an incredible idea or innovation. This discovery and the ability to analyze the reasoning are critical ingredients for a student’s growth. Sheridan College will graduate a worthy group of students with a unique combination of making and thinking attained through experimentation and examination. Esther Knobel describes

it as, â&#x20AC;&#x153;that evasive and obsessive mental state of the creative process, wherein your thoughts drive you to act, and the act pushes you to thinkâ&#x20AC;?.1 Obstacles and challenges have been overcome, raw materials are transformed and ideas have been realized. This exhibition is the culmination and celebration of real blood, sweat and tears. Armed with a firm grounding in their chosen fields, born out of knowledge gained through trial and error, the 2013 Sheridan College Craft and Design graduates will contribute their burgeoning energy and optimism to the larger craft and design community. Melanie Egan Head of Craft Harbourfront Centre March 2013

Esther Knobel, jewellery artist, exhibition catalogue essay Taking Time: Craft and the Slow Revolution, Birmingham: Craftspace, 2009 p.30 1

Melanie Egan has been actively involved with the field of contemporary craft for 30 years. She is the Head of Craft at Harbourfront Centre, the only post-graduate artistin-residence program of its kind in Canada. She develops and presents programs and symposia; curates and organizes exhibitions; lectures and writes. She co-edited the book Crafting New Traditions: Canadian Innovators and Influences published by the Canadian

Museum of Civilization. She is on the Board of Trustees at the Textile Museum of Canada as chair of the Program Committee; sits on the Editorial Advisory at the Ontario Crafts Council and is Co-Director and Founder of the Toronto International Jewellery Festival.

ceramics

Jenna Lanteigne

jennalanteigne@gmail.com

Toll Series (detail) Unglazed Porcelain w. 58.9cm, h. 6.5cm

Torn Unglazed Porcelain w. 20.3cm, h. 25.4cm

Torn (detail) Unglazed Porcelain w. 20.3cm, h. 25.4cm

Jessie McEwen

mcewen.jessie@gmail.com The Old Hag Plates Earthenware with Underglaze w. 25cm, h. 25cm, l. 3.5cm

The Happy Prince Plates Earthenware with Underglaze w. 25cm, h. 25cm, l. 3.5cm

The Happy Prince Stein Earthenware with Underglaze w. 6.5cm, h. 17cm, l. 6.5cm

Ellie Oram-Oâ&#x20AC;&#x2122;Donnell

xx.acrimony@gmail.com

Rabbit Tile Porcelain w. 10cm, h. 10cm, l. 5cm

Innocence Porcelain w. 10cm, h. 10cm, l. 5cm

Blood Jars Porcelain w. 10cm, h. 10cm, l. 5cm

Frieda Pereira â&#x20AC;Ş

fpereira9@gmail.com

Nesting Porcelain w. 30cm, h.18cm, l.36cm

Nesting (detail)

Ripples Interrupted Porcelain w.z30cm, h. 18cm, l. 36cm

Andrea Poorter

andreapoorter@gmail.com Green Tray Wood Fired Stoneware w. 32cm, l. 42cm

Green Tray (detail)

Blue Plates Wood Fired Porcelain w. 22cm, l. 31cm

Lyne Reid

reidlyne@gmail.com

Festival Cup Slip-cast Porcelain h. 10cm, d. 10cm

Orbicular Slip-cast Porcelain h. 17cm, d.12.5cm

DeCant Slip-cast Porcelain h. 15cm, w. 7.5cm

Blue Allusion Slip-cast Porcelain h. 15cm, d. 10cm each

Annemarie Row

annerow@me.com

Absolution Porcelain, Found Wood and Stainless Steel w. 15cm, h. 16cm, l. 35cm

In Tribute Black Clay w. 17cm, h. 33cm

Emma Smith

emmas1991@gmail.com

Atmospheric Fleet Wood Fired Porcelain w. 8cm, h. 9.5cm, l. 8cm

Two For Me Wood Fired Stoneware w. 12cm, h. 14cm, l. 20cm

Retribution Wood Fired Porcelain, Stoneware w. 9cm, h. 13cm, l. 9cm

Amber Zuber

ceramics@amberzuber.com

Babushka Baggage Earthenware, Maiolica Glaze, Decals China Paint Tallest: d. 25.5cm, h. 56cm

To Eva, Love Sol Porcelain, Anagama Fired with Decals w. 15cm, h. 20cm, l. 12cm

furniture

Zaid Auzam

z_auz@hotmail.com

Faceted rings Ash Various sizes

Grow Up plant stand (detail) White Oak w. 48cm, h. 91cm, l. 43cm

Maximilian Beelaerts van Blokland maximilianbeelaerts@hotmail.com

Lounge Chair (details)

Lounge Chair Beech, Beech Veneer and Wiggle Board w. 55cm, h. 91cm, l. 70cm

Juston Chan

juston.cyl@gmail.com

Discover Cabinet Painted MDF w. 92cm, h. 56cm, l. 41cm

Diamond Table Black Walnut with Clear Lacquer, Acrylic w. 104cm, h. 41cm, l. 64cm

Simon Ford

simonfordstudio.com

Geppettoâ&#x20AC;&#x2122;s Boy (detail)

Geppettoâ&#x20AC;&#x2122;s Boy Maple, Mirror, and Steel w. 152cm, h. 168cm, d. 40cm

Dayna Gedney

dayna@jbplusdg.com

Rise|Set Mirror Walnut, Mirror Designed with Neil Botelho w. 80cm, h. 2.5cm, l. 94cm

Palafitte Table (detail) Walnut w. 38cm, h. 43cm

Palafitte Tables Walnut, Steel, Concrete w. 38cm, h. 43cm

Melanie Hamilton

grandpaswoodenleg@gmail.com

Tambour Cabinet Peruvian Walnut w. 40cm, h. 58cm, l. 111cm

Quadri Latus Ash, White Lacquer Interior

Cane Lounge Chair Walnut, Cane, Reindeer Hide w. 94cm, h. 96.5 cm, l. 81cm

Janna Lindsay

jannalindsaydesign.com

Oblique Table Peruvian Walnut w. 82.5cm, h 38.4cm, d. 82.5cm

Dune Cabinet Peruvian Walnut w. 82.5cm, h. 38.4cm, d. 82.5cm

Bar Stool White Lacquered Poplar, Cherry Back, Seat and Footrest w. 42cm, h. 94cm, d. 45.7cm

Victoria Lutz

victorialyssa@gmail.com

Shelf Maple and Powered Coated Steel h. 13cm, l. 46cm, w. 15cm

Lounge Rocker Walnut and Painted Maple h. 100cm, l. 51cm, w. 78cm

Coffee Table Veneered Walnut Top and Butternut Base h. 40.5cm, l. 137cm, w. 56cm

Side Table Walnut and Stainless Steel h. 59cm, l. 48cm, w. 47cm

Jamie Moon jamie.moon@sympatico.ca

Strata Drawing Cabinet (detail) Ash, Maple, Cherry, Walnut, Oak w. 61cm, h. 90cm, l. 53cm

Strata Drawing Cabinet w. 61cm, h. 90cm, l. 53cm

Fit Table w. 41cm, h. 51cm, l. 48cm

Janghoon Moon

jhmoon@arking.ca

Bar Stool European Steamed Beech w. 52cm, h. 102cm, l. 60cm

Merge (Coffee Table) Poplar, White Lacquer (prototype) w. 140cm, h. 38cm, l. 80cm

Display Cabinet Walnut, European Steamed Beech w. 60cm, h. 175cm, l. 60cm

C.R. Fieldhouse

www.crfieldhouse.com

Salver Table Black Walnut w. 40cm, h. 55cm, l. 40cm

BST 001 Ash with Wool Upholstery w. 38cm, h. 101cm, l. 43cm

Finn Chair Black Walnut, Black Walnut Veneer

Lauren Reed

laur.reed@gmail.com

Cubby Hard Maple and Veneer with Painted MDF Drawer Faces w. 35cm, h. 91cm, l. 88cm

he was just a little lad Lacquer Painted Maple and Plywood Upholstered Cushion and Light Fixture w. 33cm, h. 58cm, l. 124cm

Charles Tanner

charlestannerstudio@gmail.com

Hitching Post White Ash w. 82cm, h. 95cm

Diagonal Table White Ash w. 152cm, h. 60cm, l. 40cm

Client Chair Black Walnut, Wool Upholstery w. 65cm, w. 69cm, l. 45cm Client Lamp Black Walnut, Concrete, LED w. 183cm, h. 50cm, w. 10cm

Scott West

west.swe@gmail.com

Cabinet Solid Ash w. 21cm, h. 152cm, l. 51cm

Table Solid Ash w. 30cm, h. 46cm, l. 91cm

Barstool Solid Red Oak, Leather w. 51cm, h. 96cm, l. 46cm

glass

Paul van den Bijgaart

paul.vandenbijgaart@gmail.com

Wine Cups porcelain and black clay w. 14cm, h. 9cm, l. 10cm

Cane Vessel Blown Glass w. 15cm, h. 30cm, d. 15cm

Lensed Vessel Blown and Coldworked Glass w. 13cm, h. 25cm, d. 13cm

Cane Vessel Blown Glass w. 15cm h. 50cm, d. 8cm

Matthew Crosby

mattyrcrosby@gmail.com

Rust Bowl Pate de Verre Bowl, Found Rusty Objects w. 14cm, h. 7cm, l. 28cm

Zipped Spheres Blown Glass, Saw Cut, Assembled, Found Rusty Base w. 17cm, h. 32cm, l. 20cm

Possibly Mechanic Blown Glass, Saw Cut, Engraved, Assembled Found Rusty Base w. 12cm, h. 25cm, l. 32cm

Found Near Beach (detail) Blown Glass, Saw Cut, Assembled w. 13cm, h. 20cm, l. 30cm

Kirill Korzinskiout

purplepanda13@hotmail.com

Pig Flameworked Glass w. 3cm, h. 4.5cm, l. 11cm

Hourglass Goblet Flameworked Glass and Encased Olivine Sand w. 13cm, h. 45cm, l. 13cm Collaboration with Paul Van Den Bijgaart

Chris Laskey

chrislaskey@gmail.com Figure #16 and #18 Soft Glass and Hot Rolled Steel w. 13cm, h. 36cm, l. 33cm

Baby Elephant Soft Glass w. 7cm, h. 10cm, l. 20cm

Figure #12 (detail) Soft Glass and Sheet Glass w. 13cm, h. 34cm, l. 13cm

Nicole Nasvytis

nicole.nasvytis@hotmail.com

Bubbling Over Crystal Glass w. 7.5cm, h. 4cm, l. 9cm

Green Pepper Crystal Glass w 9cm, h. 7.5cm, l. 9cm

Roxanne Tochor

formroxanne@gmail.com

Fly Free (detail) Decal vessel w. 17cm, l. 18cm

Pods Blown Vessels w. 10cm, l. 29cm

Palm Fused Glass Saw Sculpted, Polished w. 10cm, h. 26cm

Jie Yang

roveview@gmail.com

Iris Bowl Blown Glass w. 13cm, h. 9cm, l. 13cm

Sprout Decanter Blown Glass w. 14cm, h. 32cm, l. 14cm

textiles

Ana Laura Diosdado Rodriguez aldiosdado@gmail.com

The Heart Transcends (detail) Screen-Printing, Embroidery, Crochet w. 45.7cm, h. 58.4cm, l. 81.2cm

Gloriana sample (detail) Free Motion Embroidery, Beading w. 30.5cm, l. 30.5cm

Nostalgic Attachments (detail) Screen Printing, Distressing, Staining w. 48.2cm, h. 4.6cm, l. 30.5cm

Dee Durward

danielledurward@hotmail.com

Button-Up Cowl (detail) Rescued Synthetic Yarn h. 19cm, c. 59cm

Pearls and Lace Wool, Cotton, Plastic Pearls w. 2.5cm, h. 20cm, l. 12cm

Tentacle Monster Japanese Paper, Konnyaku d. 12.5cm, h. 30cm Tentacles: 45cm

Lizz Graham

lizz_graham@hotmail.com

Memorial Lamp Machine and Hand Embroidery on Solvy and Cotton d. 28cm, h. 46cm

Book Bags Repurposed Book Covers, Belts and Printed Canvas Backpack: w. 10cm, h. 35cm, l. 28cm Purse: w. 13cm, h. 20cm, l. 25cm Wallet: w. 1cm, h. 10cm, l. 19cm

Remembering Summer Muslin, Polyester, Ink, Toner and Gel Medium Image Transfers, Found Lace, Doilies, Soldering Wire w. 86cm, l. 76cm

Malcolm Halley

info@madradtextiles.com

Messenger Bag Waxed Canvas, Hand Crafted Latigo Leather w. 43cm, h. 26cm, d. 10cm

Day Bag Waxed Canvas, Hand Crafted Latigo Leather w. 34cm, h. 20cm, d. 10.5cm

Bison Weekender Naturally Dyed Canvas, Plaid, Hand Crafted Leather w. 55cm, h. 43cm, d.16cm

Fionna Hanna

fionna@fionnahanna.com

Loonie Silk screen, Embroidery d. 17cm, h. 2cm

Feather Thread, solvy w. 3cm, h.10cm

Grandma Wool, Wire Mesh w. 55cm, h. 80cm

Chantelle Rose Hermiston

chantelle.rose.hermiston@gmail.com

Fiber sample #18 w. 13cm h. 13cm Linen silk with embroidery in various natural fibers dyed with red cabbage

Fiber sample #15 w. 13cm h. 13cm Linen silk with embroidery in various natural fibers dyed with pomegranate and iron

Fiber sample #6 w. 13cm h. 13cm Linen silk with embroidery in various natural fibers dyed with pomegranate

Left: Wool twill dyed with Osage orange, over dyed with Logwood, corded deer hide belt Right: Wool twill dyed with Marigold, deer hide collar

Kim Maracle

kamaracle@hotmail.com

Coffee Cozies Crocheted Loop, Popcorn, Crocodile Stitches w. 20cm, h. 28cm

Detail Hand Dyed Silk Hand Embroidered, Solvy and Applique w. 30cm, h. 30cm

Sarah Digital Print on Linen Hand Stitched with Embroidery Thread and Yarn w. 44cm, h. 46cm

Blayne Myers

h.blayne.myers@gmail.com

Ooglaba (detail)

Ooglaba Felted Sculpture w. 20cm, h. 61cm

Ooglaba (detail)

Crochet Sculpture Mixed Media w. 86cm, h. 99cm

Tara Nesbitt

tm_nesbitt @hotmail.com

Fading Lilies (detail) Breakdown Polychromatic Print on Cotton w. 45.7cm, l. 66cm

Metallic Rose (detail) Chenilled Mixed Textiles, Plastic Sheeting, Embroidery, Beading w. 30.5cm, l. 30.5cm

Raised Rows (detail) Mixed textiles, Quilting, Embroidery, Chenilling w. 30.5cm, l. 30.5cm

Summer Tank Digital Print on Linen w. 50.8cm, l. 61cm Womenâ&#x20AC;&#x2122;s small

Tara-Marie Phillips

shipwrecksandbravery.com

Space Lace, (detail)

Space Lace Silkscreened and Reverse AppliquĂŠd Cotton and Synthetic w. 40cm, l. 38cm

Jolanta Prochnowski

jolaprochnowski@bell.net

Sunflower Field (detail) Natural Dyes, Machine Embroidered on Burlap, Linen and Wool Gauze w. 90cm, h. 135cm

Natureâ&#x20AC;&#x2122;s Child Natural Dyes on Linen, Knitted and Crocheted w. 50cm, h. 47cm

Urban Summer Digital Print on Linen, Knitted w. 110cm, h. 62cm

David Webb

webb_50@hotmail.com

Container Crocheted Jute Remozal Dyed d. 30.5cm, h. 41cm

Curtans: Mens Shirt Found Fabric Menâ&#x20AC;&#x2122;s medium fit

Rorschach Headboard Screen Print w. 122cm, h. 156cm

Acknowledgements The graduates of the Sheridan Craft and Design program would like to thank Monica Bodirsky and Isabel Stukator for their advice and assistance in coordinating the catalogue and two graduation exhibitions. Thank you to Mike Young for his help with the layout and design of the catalogue. Melanie Egan, thank you very much for generously accepting the task of writing the foreword to our graduation exhibition catalogue. To the entire non-studio faculty, we would like to express our sincere appreciation in each of your contributions to the cultivation of our education in some way. Thank you also to the administration and support staff, Nancy Heath, Lynne Murray and Mary Cator, associate dean Heather Whitton, and program coordinator Gord Thompson. A very special thanks to Jamie Owen for curating our shows and Owen Colborne for his expertise and guidance in the photo studio. We could not have looked so great without you. We would also like to extend our gratitude to Janna Heimstra at the OCC gallery for the support and venue for us to showcase our work.

Finally we would like to acknowledge the support of our friends, families and classmates. Without each and every one of you, we would not have been able to rise to the challenge. Thank you. Ceramics We as a graduating class would like to acknowledge the dedication of our faculty in ensuring that our artistic journey was fueled with knowledge and encouraged exploration. To Hugh Douglas Murray (the best technologist one could ever hope to have), Winn Burke, Gord Thompson, Cathleen Nicholson, Marc Egan, Tony Clennell, Steve Heinemann, Linda Sormin, and Janet Macpherson, you all have been beacons of knowledge and support in our journey here at Sheridan. We will always be grateful to you for the help you have given us to evolve our work from those first coil pots to where we are today. A special thank you to Bruce Cochrane, Ying-Yueh Chuang, and Kate Hobin, although while not directly teaching us in these years, your presence in the studio was noticed and

appreciated. Thank you for coming to our critiques, discussions, and supporting our endeavors to become ceramic artists. Furniture The Furniture Studio graduates of 2013 are grateful for the supportive guidance and patience of all of their faculty, technicians and instructors. Your dedication to the students and program is the foundation for its success. Special thanks to Peter Fleming, Rob Diemert, Connie Chisholm, Scott Eckert, and Kirsten White for extending their knowledge and support in all areas of making and design. Each of you drives us to make better, work harder and expect more from ourselves, and we are better for it. We would also like to thank the Philip Aziz Centre and Hilditch Architect for involving our class with Emily’s House. This special project has generated a wonderful co-operative atmosphere in our studio and given us a great opportunity for learning. Your generosity is greatly appreciated. Thank you.

Glass The glass studio’s graduating class would like to express their gratitude and appreciation for all the support and guidance shown to them over the past three years. Special thanks to Jason Cornish whose dedication to safety and maintenance kept us all able to work in one of the finest glass studios in Canada. To Koen Vanderstukken for teaching us to question what we do and what we think so we are not trapped in a narrow mindset. To Andy Kuntz, who inspires students to work in new ways, and whose technical skill renders anything possible. To Brad Sherwood who can build a tool to solve any problem, and who’s kindness makes him want to. To Orion Arger who taught us to keep experimenting; Sally McCubbin whose precision guided us to better quality work; Paula Vandermay whose enthusiasm remains bottomless; and to Lucy Roussel, and Amanda Skalski, whose knowledge and guidance were greatly appreciated. Extended thanks to Jesse Bromm and David Thompson, our teaching assistants from first

year. Lastly, thank you to all our friends, family, and fellow students of the Craft and Design program. Without you this journey would have been much harder. Textiles First and foremost, we would like to thank our studio technologists, Janelle Guthrie, Thea Haines and Kate Jackson, as well as our studio head, Isabel Stukator, for their generous support in the textile studio. Their knowledge and motivation has helped to make our experiences here at Sheridan the best possible. We would also like to give a big thanks to our instructors: Monica Bodirsky, Thea Haines, Isabel Stukator, Kerry Croghan, Sharon Epstein, Kate Busby, Ana Galindo, Roisin Fagan, Anna Zygowski, as well as all of the guest critics and workshop instructors. This outstanding group of mentors have provided us with the skills and techniques necessary to move forward with our chosen careers, something we could not have achieved without their ongoing support and guidance. Thank you. 100

Sponsors The students would also like to extend a special thank you to our sponsors who helped make this catalogue and the graduate exhibition possible.

Peter Fleming Tuckerâ&#x20AC;&#x2122;s Pottery Supplies Lee Valley Tools

CONTACT Sheridan Institute of Technology and Advanced Learning Faculty of Animation, Arts and Design Craft and Design Program 1430 Trafalgar Road Oakville, Ontario Canada L6H 2L1 www.sheridancraftsanddesign.com 905.845.9430

For more information on Craft and Design and the other 30 full-time programs within the Faculty of Animation, Arts and Design, visit our website at www.sheridaninstitute.ca.

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For more information on Craft and Design and the other 30 full-time programs within the Faculty of Animation, Arts and Design, visit our website at www.sheridaninstitute.ca.

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first l ast

email address

Sheridan Institute Technology WineofCups and Advanced porcelain Learningand black clay w. 14cm, h. 9cm, l. 10cm Faculty of Animation, Arts and Design Craft and Design Program Oakville, Ontario

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Wine Cups porcelain and black clay w. 14cm, h. 9cm, l. 10cm