Architecture Job Portfolio by Sujan Yadav s

Sujan S Yadav Selected Works 2017 - 2022 sujansyadav22@gmail.com @illustrujan | Architecture | Interior | Landscape

Portfolio आर्किटेक्चर

Design

The architecture incorporates human narratives and stories in the design, this is how it establishes character, triggers memory, and completes the physical realm with the intangible that invokes certain memories with each individual

Cumulative Vitae 01

Cumulative Vitae 02

Converting the extraordinary into the ordinary is a new perspective. By Making sense of it all in a world where even opposites make perfect sense.

“ “ Projects 03

Projects Atratya A portal to the lost world (thesis) Dwarka Nrha Craft and cultural museum Malleshwaram Ray Badi Ray’s quarantine house South Korea Miscellaneous painting, illustration, photographs Internship work Ittina residence Sarjapur 6000 Miles to the isle of man Guwahati Grand estancia Selam Rangarajan residence Jakkur Sanctuary Hyderabad Nature Narratives 01 02 03 04 05 06 Projects 04

Atratya A portal to the lost worlds

Location: Kasavanahalli

Area: 20,990 sqft.

05 Atratya Studio: IX & X

Design | Model | Renders | Drawings

How can Architecture narrate and expericence these storeis?

How can a person experience the history of the place through Architecture?

How can a space became a portal between the real world and the Mythical realms?

Architecture / Landscape | રામવા આવવો સુંદરવર શામળીયા કાહે રાધે પ્યારી હુ બલિહારી, ગોકુલ આવવો ગિરધારી Atratya Studio: IX & X

Design Studio

Studio: IX, Thesis

Studio Mentors: Bakul Jani I Meera Vasudev I Deepa Suriyapraksh I Smruti Balvalli

Project type: Atratya : A portal to lost world , Dwarka

Humans have shared their thoughts in the form of narratives and stories, These narratives might be authentic or may not be, but it is the belief of a person/ community .Every place has its own stories and a part of a bigger story. Out of many stories, Dwarka is one of them. Where once stood the mythical kingdom of Krishna, an ancient land that blurs the boundaries between Myth and facts.

Atratya Studio: IX & X

I have been witness to the beginning and conclusion of the universe on many occasions. My essence, in the form of water, has seen numerous incarnations of Vishnu from Matsya to Krishna. I have beheld majestic, resplendent fortresses in Dwarka as well as debris and ruins that were once the Yadava Empire. I have observed

different cultures exchanging wares like beads and ceramics. From small shrines built to venerate Krishna that were destroyed by invaders, later to be reconstructed by loyal followers, to one of the most sacred sites where Vishnu comes to rest - these are but some of my experiences over the ages.

Atratya |

Locations of Char Dham Locations of Saptapuri

08 Atratya Studio: IX & X

Locations of Krishna visitied as per Mahabarath

Ocean’s Narratives...

Once due to heavy rains I had incarnated in Vrindavan in form of floods destroying all the land and things built on it. Then I saw him again but now he held the mountain in little finger and people had taken shelter below it for 7 days. Once the rain had stopped I calmed down then I saw all villagers feeding krishna all the meals he missed on those 7 days and nights

I live in form of milk in Gokul , just as the gods churned me and got amrut similarly the gopis here churn milk to get butter. They value it and keep it safe and far away from krishna but he steals it and make gopis run behind him getting away from mundane daily chores. Gopis used to complaint this to Maa Yashoda but then he used play hide and seek with her.

My friend Chandra used to tell me the gopis in Vrindavan used to sneak out in dark and walk away from the settlement into the forest, where the laws of human society doesn’t exist. No one could see them. The trees used to form a screen and there they used to play rass with Krishna. I wonder when he will perform his rass on my shore.

I still remember the day when he promised Gomti that he would come two times a day to her spend time playing his flute as he used to on the bank of yamuna river under kadamba tree. When he arrives I can’t control the joy he brings, I raise my water level and cross my boundaries, just to have a glimpse of him.

Which Krishna?

Once Maa Yashoda caught Krishna eating mud, she asked him to open his mouth and in his mouth, she saw me in my vast ever-expanding Akashaganga form. She was shocked and couldn’t believe her eyes, How can the whole universe be inside my son’s mouth? He is Narayan he is Virat Infinite in finite form.

At the end of every yuga, I get furious, stormy and I swallow entire landmass creating chaos everywhere and then I see him, in his bal roop floating on a banyan leaf laughing, playing with his toes radiating bliss all around. Looking at him at all his glory makes me calm and brings life back on land.

Atratya Studio: IX & X

Serial vision from portal of present to portal of past

Atratya |

10 Atratya

& X

Studio: IX

This project intends to create a series of transition spaces that take you back into the mythical Dwarka. It allows a person to experience the spaces which are associated with Krishna and Dwarka. The landscape narrates the narrates various events which are associated with Krishna in different stages of his life and eventually end up in the vast endless ocean. The Idea of experiencing the Infinite through the finite is explored through landscape done at the edge of the site. Which blurs the gap between land and Sea. The city’s narrative is read through a section exploring the relationship between what’s above the land and below it, what is above water, and what’s below it, between land and sea. The 7 port cities have lost to the waves of the sea and time is experienced through a series of light towers that reaches the sky and ground below it. The Design is seen as a path, portal, and mainly as an experiential space that connects with the sunken city and experiences the temporal aspect of the city through the cycles of tides. Dwarka or Dwaravati Means the door to eternal bliss the project becomes a doorway to all the past Dwarkas.

+12150

Conceptual sketches of site condition

View from the ocean 11

Experiential Sectional

Atratya Studio: IX & X

+0mm +900mm +2500 +4750 Master Plan Atratya | 12 Atratya Studio: IX & X

Pichwai Plan 13 Atratya Studio: IX & X

Yashoda played with one who is smaller than an atom and one who is bigger than the biggest.

The ocean is vast, and infinite to the human eye, as finite humans it becomes difficult to experience infinite By breaking the vast ocean into smaller parts one can experience the water in different ways.

Aranyaka +21800 +20800 +6750 +20800 +11900 +6000 +0 0 +0 +2550 +18000 +6000 +0mm 0m +900mm +3150 +2000 +1600 +2500 +3500 +350 +210 +3100 +4750 +6000 +4750 +3200

Oceanscape plan

Atratya | 14 Atratya Studio: IX & X

Oceanscape Section

Nrha

Location: Malleshwaram

Area: 4,100 sqmts.

Indianstory Studio Internship 15

The studio the focused on understanding vernacular and sustainable methods used in past, in and around the site and addressing the issues of climate change through them.

The studio encouraged to not use any man made materials for construction and explore natural materials and vernacular techniques.

Indianstory Studio Internship Architecture / Landscape | 16

Design | Model | Renders | Drawings

Design Studio

Studio: VII

Studio Mentors: Salila Vanka I Deepak Ramadasan I Suman Paul I Abhinaya Gnana

Project type: Nrha (Craft and Cultural Museum, Malleshwaram, Bengaluru)

The studio encouraged us to look into sustainable vernacular construction techniques and materials in and around the site. The studio also encouraged not to use any Non-sustainable materials. Due to the pandemic situation, the studio encouraged us to choose our own site and the program which the site demands. The site chosen is in Malleshwaram, which has a rich cultural heritage and is also famous for its commercial edge. Due to rapid Globalization and industrialization lots of commercial outlets have popped up in the Sampige Raste, pushing all the small scale artists away from the main streets. The project is a craft and cultural museum which also provides a platform for these artists to showcase their art and creates a market for them.

17 02

Tumkur Bamboo Magadi Tiles/ Bricks Bidadi Stone/Bamboo Hosakote Tiles/ Bricks Sadahalli Stone Devanahalli Stone Shivaji Nagar Bamboo Yelahanka Tiles/Bricks Bannerghatta Bamboo

Nrha Studio: VII

materials Cross-section

Map showing source of vernacular construction

Nrha | 18 Nrha Studio: VII

Handicrafts activities around Sampige raste Alternative Dry Coconut leafs weaving pattern Typical Wall Cross-section Mehendi artist Embroidery work Dasara Doll Makers Jewelery designers Ganesha idol makers Flower sellers

19 P A R K I N G PRODUCED

+6840 +6210 +5550 +4300 +1900 +1300 +8200 +5180 +4380 +3050 +2450 +2000 +6210 +3900 +1300 -350 +1900 +6840 PRODUCED

+6840 +6210 +5550 +4300 +1900 +1300 Nrha Studio: VII

BY AN AUTODESK STUDENT VERSION

Views

By suing dry coconut leafs woven as shown in pic 1. It has high thermal resistance hence heat gain is low and can be made from dried coconut leafs.

Ground Floor Plan

The building axis is ordinated in North East and South West axis with enable the wind movement. The Southern Side has small openings ans surface areas to avoid heat gain.

Materials: Sadahalli Stone, Timber, Coconut leafs , Earth.

Nrha | 20 64408,66 +150 +900 +2100 +2400 +3300 1500 928 927 926 925 924 922 admin block cafe museum library research area oat a a b b c c +0 +1150 +1000 +1300 +1300 +1000 +1300 +1000 +1300 +1900 +1900 +1150 +1050 +1900 +1900 +1900 +1300 +1300 +1900 +2000 +2000 +3200 +3200 +1550 +2000 +3200 +3200 +2000 +1900 +1000 av room +1900 -4050 -4050 -3600 CV raman road

section bb section bb section bb PRODUCED

section bb

PRODUCED BY AN AUTODESK STUDENT VERSION

BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

Studio:

Nrha

VII

Bamboo Sloping roof Truss and stone column joinery detail. Thatched with Coconut

21 Nrha Studio: VII

Coconut leaf Thatch as roof Bamboo Purlins Bamboo supports Column Detail. Stone masonry plinth Stone Columns Bamboo Rafters Bamboo Supports Groves craved to hold bamboo in place Stone Column Column Detail

Detail

leafs

Joinery

Nrha |

Front View.

Ray Bādi

Location: South Korea

Area: 175mtsq

Studio ApartmentSatyajit Ray Studio: VII 23

Design | Model | Renders | Drawings

This pandemic has shifted the way we use our homes, also making it important to suit the person’s lifestyle. A few famous personalities were chosen as clients and Movie sets as sites. And convert them into quarantine space (studio apartment) that suits the personality’s lifestyle.

Architecture / Landscape | Studio ApartmentSatyajit Ray Studio: VII 24

Interior Design

Studio: VII

Studio Mentors: Gowtham Nandakumar I Swetha Gowri I Sudha I Savitha

Project type: Studio Apartment for Satyajit Ray (Site: Mr. Park’s house, Parasite)

The Studio began with watching ‘Parasite’ directed by Bong Joon-ho. The set of the movie took the role of Site and the client was Satyajit Ray. The Brief was to create a quarantine home for Satyajit Ray for a year (temporal). After which the Site would be used normally as before.

Which sets constraints to not build and destruct any permanent Architectural element of the existing in site. Followed by a Branding exercise, Designing Logo, Business cards and Social media handles.

SATYAJIT RAY There is a small room for improvisation 123, 1st main, Jongno-gu Seoul South Korea Contact No :987654321 satyajitray@gmail.com @satyajit_ray Studio ApartmentSatyajit Ray Studio: VII

SATYAJIT RAY There is a small room for improvisation 123, 1st main, Jongno-gu Seoul South Korea Contact No :987654321 satyajitray@gmail.com @satyajit_ray SATYAJIT RAY There is a small room for improvisation 123, 1st main, Jongno-gu Seoul South Korea Contact No :987654321 satyajitray@gmail.com @satyajit_ray 25 03

Studio ApartmentSatyajit Ray Studio: VII 26 Interior Design |

Studio ApartmentSatyajit Ray Studio: VII 27

As Satyajit Ray once said in his Interview, ‘My roots are here in Bengal, My work is here and I never want to leave it’ All the elements are inspired by the rich handicrafts of Bengal which would create the essence of Bengal. At the same time Satyajit ray was a very contemporary person who kept himself updated. The Interiors is amalgamation of Contemporary and vernacular handicrafts

Studio ApartmentSatyajit Ray Studio: VII 28

Design |

Interior

Ittina Residence

Location: Sarjapur

Area: 20,990 sqft.

Indianstory Studio Internship 29

Ittina Residence is a landscape and architecture-focused project, which follows Indian aesthetics. The garden is designed with Vrindavan as a concept, “van” means the forest landscape is done in a very similar manner so that it looks natural and not man-made. The design of the garden was inspired by Vrindavan, where there is no sign of concrete or other man-made objects.

Indianstory Studio Internship 30 Architecture / Landscape |

Design | Model | Renders | Drawings

Internship

Studio: Indian Story Studio

Team Members: Suraj Ganesh

Project type: Ittina Residence (Landcape and Architecture)

NOTE:

1. Drawing to be printed in color only.

2. All the existing trees are in brown.

3. Shrubs details to be given in a separate drawing.

4. Drawing is based on existing site plan.

CAR PARKING BASKETBALL COURT TULSI POT SNAKE HOLE DG LOTUS POND COW SHED +6" lvl WASH AREA +6" lvl VASTU STRUCTURE Cloth drying area ENTRY TO BACKYARD EXISTING SINK SEATER +1'6" lvl VASTU STRUCTURE ALL DIMENSIONS ARE IN FEET & INCHES. DRAWING IS NOT TO BE SCALED. ANY DEVIATIONS NECESSITATED DURING IMPLEMENTATION AT SITE IS TO BE BROUGHT TO IMMEDIATE NOTICE OF THE ISSUER & RATIFIED BEFORE IMPLEMENTING ANY CHANGE. R0 REVISION NO. FOR EXECUTION DRAWING STATUS Ittina Residence PROJECT Mr. Mahadev CLIENT DATE REVISIONS SL. NO. DATE REVISIONS SL. NO. DATE REVISIONS SL. NO. EXISTING STRUCTURE

Indianstory Studio Internship 31 04

Jasmine

Parijatha tree

Saugandhika

Rajnighandha

Indian Beach tree

Indian Gooseberry

Gauva Tree

Lychee Tree

Cassia fistula Tree

Lime tree

Colocasia plant

Turmeric plant

Bird of paradise

Syringa plant

Kentia palm

Hibiscus plant

Fern cluster

Henna Tree

Sago Palm

Kaffir lime Tree

Ginger plant

Kaner plant

Mango Tree

Elephant Ear plant

Hibiscus plant

ixora white dwarf

Shasta Daisy

Existing trees

Ashoka tree

Sweetlime tree

Bougainvillea

Frangipani

Teek wood tree

Mango tree

Silver wood tree

Butterfly plam Tree

Jackfruit Tree

Sapota tree

Coconut tree

Neem Tree

Plumeria Pudica

Bamboo

Indian Tecoma Stans

SUMP TANK IDOL URN SWIRL OUTHOUSE +1' lvl DINING AREA 8'-11" x 13' SWING BIRD FEEDER RAMP +1' lvl RAIN WATER TRICKLE SEATER WATER BODY POND SWING OUTDOOR SEATING VEHICULAR ENTRY PEDESTRIAN ENTRY +1' lvl LOUNGE AREA 11'-10" x 13' SEATER CHANGE. THIS DRAWING IS COPYRIGHTED. IT IS THE PROPERTY OF IndianStory Architects & IS NOT TO BE REPRODUCED, COPIED, GIVEN TO A THIRD PARTY OR USED FOR ANY OTHER PURPOSE OTHER THAN FOR WHICH IT HAS BEEN LOANED. ARCHITECTURE | INTERIORS | FURNITURE EXECUTION Suraj DEALT BY Sujan DRAWN BY NORTHSCALE L01-TL-001 B DWG. NO. 26-07-2022 DATE Tree Layout DRAWING TITLE STRUCTURE IDOL

Tree List

SUMP TANK

BIRD FEEDER

The cow shed and outhouse are made from rammed earth and stone with lime plaster. Pavers are natural stone and earth

Indianstory Studio Internship 32

The plant palette includes a plant that are indigenous to the area and also acts as mosquito and snake repellent

CAR PARKING DG WASH AREA +6" lvl VASTU STRUCTURE EXISTING SINK VASTU STRUCTURE EXISTING STRUCTURE EXISTING COW SHED ALL DIMENSIONS ARE IN FEET & INCHES. DRAWING IS NOT TO BE SCALED. ANY DEVIATIONS NECESSITATED DURING IMPLEMENTATION AT SITE IS TO BE BROUGHT TO IMMEDIATE NOTICE OF THE ISSUER & RATIFIED BEFORE IMPLEMENTING ANY CHANGE. R0 REVISION NO. FOR EXECUTION DRAWING STATUS Ittina Residence PROJECT Mr. Mahadev CLIENT DATE REVISIONS SL. NO. DATE REVISIONS SL. NO. DATE REVISIONS SL. NO. 7'-6" 11'-1' (as per site) 33'-3" (as per site) Exisiting structure has to be demolished from roof level upto 6" from GL

Reference Image for section A-A' as per design

Exisiting stone work( Paving/ Curb) to be removed Existing paving to be removed Existing paving to be removed To be demolished Indianstory Studio Internship 33

Reference Image for section B-B' as per design

Compound wall to be demolished as per section B-B'

Compound wall to be demolished as per section A-A'

Compound wall to be demolished as per section B-B'

86'-6" (as per site)

4' (as per site)

Tiles to be removed and filled up to ground level

10'-5" (as per site)

68'-3"(as per site)

14'-5" (as per site)

Main gate to be Removed

Compound wall to be demolished upto ground level

32' (as per site)

Pedestrian Entry gate to be removed

Existing trees

Ashoka tree

Sweetlime tree

Bougainvillea

Frangipani

Teek wood tree

Mango tree

Silver wood tree

Butterfly plam Tree

Jackfruit Tree

Sapota tree

Coconut tree

Neem Tree

Bamboo

Plumeria Pudica

Indian Tecoma Stans

Existing shrubs

37'-9" (as per site)

Exisiting structure has to be demolished from roof top upto 6" from GL

13'-9" (as per site)

Compound wall to be demolished as per section A-A'

To be demolished 2' from top of existing compound wall.

To be demolished upto

1' from Ground Level.

To be demolished upto Ground level

To be leveled to the ground

Exisiting Stone work (Paving / Curb) to be removed and leveled

NOTE:

1. Drawing to be printed in color only.

2. All the existing trees are in brown.

3. DWG is based on existing site plan.

4. Excavated soil to be reused as fill

SUMP TANK VEHICULAR ENTRY STRUCTURE CHANGE. THIS DRAWING IS COPYRIGHTED. IT IS THE PROPERTY OF IndianStory Architects & IS NOT TO BE REPRODUCED, COPIED, GIVEN TO A THIRD PARTY OR USED FOR ANY OTHER PURPOSE OTHER THAN FOR WHICH IT HAS BEEN LOANED. ARCHITECTURE | INTERIORS | FURNITURE EXECUTION Suraj DEALT BY Sujan DRAWN BY NORTHSCALE L01-TL-002 DWG. NO. 26-07-2022 DATE Demolition drawing DRAWING TITLE

Reference line aligned to the edge of the

building

12'-4" 14'-4"

7'-10" Rem

6'-7"

1' rem Demolition line 2' 1' Demolition line 1' 7' rem Section A-A' Section B-B'

B' B

A' A

10'-5"

Existing paving to be removed Existing paving to be removed Existing paving to be removed Structure to be demolished To be demolished

3' 12'-8"

B' B A' A

A' A

Structure to be demolished Indianstory Studio Internship 34

CAR PARKING DG WASH AREA +6" lvl VASTU STRUCTURE EXISTING SINK VASTU STRUCTURE EXISTING STRUCTURE EXISTING COW SHED ALL DIMENSIONS ARE IN FEET & INCHES. DRAWING IS NOT TO BE SCALED. ANY DEVIATIONS NECESSITATED DURING IMPLEMENTATION AT SITE IS TO BE BROUGHT TO IMMEDIATE NOTICE OF THE ISSUER & RATIFIED BEFORE IMPLEMENTING ANY CHANGE. R0 REVISION NO. FOR EXECUTION DRAWING STATUS Ittina Residence PROJECT Mr. Mahadev CLIENT DATE REVISIONS SL. NO. DATE REVISIONS SL. NO. DATE REVISIONS SL. NO. 6'-10" 5'-2" Excavation for Cow shed as per civil consultant. 10'-7" 29'-3" 8'-5" 9'-6" 2'-3" 19'-8" 12'-6" 1' A. Indianstory Studio Internship 35

for plumbing with slope as per civil consultant

16'

Existing trees

Ashoka tree

Sweetlime tree

Bougainvillea

Frangipani

Teek wood tree

Mango tree

Silver wood tree

Butterfly plam Tree

Jackfruit Tree

Sapota tree

Coconut tree

Neem Tree

Bamboo

Plumeria Pudica

Indian Tecoma Stans

Existing shrubs

Excavation for out house as per civil consultant.

1. Drawing to be printed in color only.

2. All the existing trees are in brown.

3. All the plants marked in green are being transplanted.

4. Shrubs details to be given in as separate drawing

SUMP TANK VEHICULAR ENTRY CHANGE. THIS DRAWING IS COPYRIGHTED. IT IS THE PROPERTY OF IndianStory Architects & IS NOT TO BE REPRODUCED, COPIED, GIVEN TO A THIRD PARTY OR USED FOR ANY OTHER PURPOSE OTHER THAN FOR WHICH IT HAS BEEN LOANED. ARCHITECTURE | INTERIORS | FURNITURE EXECUTION Suraj DEALT BY Sujan DRAWN BY NORTHSCALE L01-TL-004 DWG. NO. 26-07-2022 DATE Excavation Drawing DRAWING TITLE

Gradual Excavation for Pond - 1'-9" at center. 9' 14'-7" 6'-10" 19' 26'

4'-9" 6'-7" 1'-10"

40' Excavation

consultant Ø7'-3"

Excavation

9'-7" 7' 7'-5" 1'-8" 5'-7" Align it to building edge 1'-6" 2'-4" 5'-2" 1'-4" 1'-7" 4" 5" 1'-5" 2'-10" 4'-3" 5'-8" 3'-5" 6'-11"

it to building edge

NOTE: A. Indianstory Studio Internship 36

Excavation for Kalyani - 2'-6" at center.

for Swirl

per civil

Excavation for FRP Tank as per tank dimention

Align

Detail

Indianstory Studio Internship

house view 37

View

Out

Indianstory Studio Internship

Tulsi vrindavan Out house view

38 Ittina Residence |

Entrance View

Indianstory Studio Internship 39

Night render

The house has been designed keeping in mind the combination of nature and modernity. The house includes many elements like water swirls, ponds, orchids, native trees, etc., which make up for an interesting look and to be an ideal place for relaxation, reflection, and rejuvenation.

Indianstory Studio Internship

40 Ittina Residence |

Miles to the isle of man

6000

Location:

Guwahati

Area: 1450 sqft.

Indianstory Studio Internship

Renders | Drawings

6000 miles to isle of man is a onestop place for all the bikers and riders’ needs. The space is going to be one of the outlets across India. The palace also hosts a lot of events for the biker/ riding community

Indianstory Studio Internship Commerical Interior Design 42

Design | Model |

Studio: Indian Story Studio

Team Members: Nishadh Aafrin (Project Head)

Project type: 6000 km to the isel of Man (Commercial Interior)

In this space, we’ve created a commercial space that’s designed to be customized, so it can be used for multiple events. You can rearrange the space to meet your needs, and you’ll have plenty of storage units in case you need them. We’ve also made sure that the design is built with marketing strategies in mind, so you’ll get more sales out of your investment!

One of the most important features of this space is its central bike display. This temporary structure can be moved and changed into a stage

at any time, so you’re able to adapt it to your needs as well. For example, it could be used as a cool backdrop for an event on the weekend; or maybe it would make an awesome venue for a concert during the week. Whatever the case may be, there are lots of possibilities!

The flooring throughout this space is made up of different materials that give it an authentic garage feel—from grimey concrete floors and graffiti-covered walls to metal scaffolding and plywood walls covered in illustrations of bikes on the road.

Main entry Glass display from outside Trial room 7'-11" X 5'-3" Store room 7'-11"x15' Storage unit/Display unit Storage /Display unit Display Display Reception Tall display unit Tall display unit COFFEE COUNTER Display-Exhibit area Display -Branding Display unit Display unitSeating level display unit Display unit display unit Tall display unit Mannequin display Storage Storage Reception Mirror Display unit display unit Display unit Seating area Drums display UP Service entry Fixed glass in facade Fixed glass in facade Corner display Projector screen D- 1 D- 1 D- 2 M- 1 (2'-6" x 2') (2'x2'x2'-6") (2' x 2' x 3') (2' x 2' x 3') D- 3 (2'x3' x3'-6") D- 4 (3'-6" x 2' x 4') TDU- 1 (9'-9" x 2' x 7'-3") D- 5 (3' x 6" x 6') D- 5 (3' x 6" x 6') D- 6 (4' x 1'-6" x 6') D- 3 (2'x3' x3'-6") D- 7 (2'x8'-6" x2'-2") D- 8 (6'x2'x2'-2") TDU- 2 (10'-9" x 2' x 7'-3") TDU- 3 (8'-9" x 2' x 7'-3") S -1 (3' x 2' x 2') R- 1 (6' x 2'-2" x 3'-4") CC- 1 (2'x8'-2" x3') S -1 (3' x 2' x 2') (2'x6'-2'x7'-3") TDU4 P-1 (DIA- 2' HT- 1'-4") P-1 (DIA- 2' HT- 1'-4") P-1 (DIA- 2' HT- 1'-4") P-1 (DIA- 2' HT- 1'-4") T- 1 (DIA- 2'-6" HT- 1'-6") T- 1 (DIA- 2'-6" HT- 1'-6") (18'-9" x 2'-6" x 7'-3") TDU- 5 (6'-2"x2'-6" x7'-3") TDU- 6 3' 10'-9" 3' 9'-9" 3' 8'-9" 7'-7" 6'-1" 3' 3'-7" 1'-11" 2' 4' 2' 8'-9" 6' 4' 2'-3" 3' 3'-6" 4' 5' 8'-2" 2' 11'-9" 11'-9" 5'-6" 9'-9" ALL DIMENSIONS ARE IN FEET & INCHES. DRAWING IS NOT TO BE SCALED. ANY DEVIATIONS NECESSITATED DURING IMPLEMENTATION AT SITE IS TO BE BROUGHT TO IMMEDIATE NOTICE OF THE ISSUER & RATIFIED BEFORE IMPLEMENTING ANY CHANGE. THIS DRAWING IS COPYRIGHTED. IT IS THE PROPERTY OF IndianStory Architects & IS NOT TO BE REPRODUCED, COPIED, GIVEN TO A THIRD PARTY OR USED FOR ANY OTHER PURPOSE OTHER THAN FOR WHICH IT HAS BEEN LOANED. ARCHITECTURE INTERIORS TURN KEY R0 REVISION NO. FOR REFERENCE DRAWING STATUS Suraj DEALT BY Sujan S Yadav DRAWN BY NTS SCALE IS - I23 - FU 01 DWG. NO. 04-07-2022 DATE Furniture layout DRAWING TITLE 6K to IOM PROJECT Mr.Uday chordia CLIENT DATE REVISIONS SL. NO. DATE REVISIONS SL. NO. DATE REVISIONS SL. NO. 1'-10" 6' 1'-11" 3'-6" 2'-1" 2' 8' 3'-9" 2' 3' 2' 8'-6" 3'-10" 5'-6" 2'-6" 5' EQ EQ 13'-9" 5" 1'-6" 1'-6" 5" 7'-3" 2'-3" 2'-6" 7'-9" 7'-9" 2'-6" 6" aps 6' aps Main entry Glass display from outside Trial room 7'-11" X 5'-3" Store room 7'-11"x15' Storage unit/Display unit Storage /Display unit Display Display Reception Tall display unit Tall display unit COFFEE COUNTER Display-Exhibit area Display -Branding Display unit Display unitSeating level display unit Display unit display unit Tall display unit Mannequin display Storage Storage Reception Mirror Display unit display unit Display unit Seating area Drums display UP Service entry Fixed glass in facade Fixed glass in facade Corner display Projector screen D- 1 D- 1 D- 2 M- 1 (2'-6" x 2') (2'x2'x2'-6") (2' x 2' x 3') (2' x 2' x 3') D- 3 (2'x3' x3'-6") D- 4 (3'-6" x 2' x 4') TDU- 1 (9'-9" x 2' x 7'-3") D- 5 (3' x 6" x 6') D- 5 (3' x 6" x 6') D- 6 (4' x 1'-6" x 6') D- 3 (2'x3' x3'-6") D- 7 (2'x8'-6" x2'-2") D- 8 (6'x2'x2'-2") TDU- 2 (10'-9" x 2' x 7'-3") TDU- 3 (8'-9" x 2' x 7'-3") S -1 (3' x 2' x 2') R- 1 (6' x 2'-2" x 3'-4") CC- 1 (2'x8'-2" x3') S -1 (3' x 2' x 2') (2'x6'-2'x7'-3") TDU4 P-1 (DIA- 2' HT- 1'-4") P-1 (DIA- 2' HT- 1'-4") P-1 (DIA- 2' HT- 1'-4") P-1 (DIA- 2' HT- 1'-4") T- 1 (DIA- 2'-6" HT- 1'-6") T- 1 (DIA- 2'-6" HT- 1'-6") (18'-9" x 2'-6" x 7'-3") TDU- 5 (6'-2"x2'-6" x7'-3") TDU- 6 3' 10'-9" 3' 9'-9" 3' 8'-9" 7'-7" 6'-1" 3' 3'-7" 1'-11" 2' 4' 2' 8'-9" 6' 4' 2'-3" 3' 3'-6" 4' 5' 8'-2" 2' 11'-9" 11'-9" 5'-6" 9'-9" IndianStory Architects & IS NOT TO BE REPRODUCED, COPIED, GIVEN TO A THIRD PARTY OR USED FOR ANY OTHER PURPOSE OTHER THAN FOR WHICH IT HAS BEEN LOANE ARCHITECTURE INTERIORS TURN KEY R0 FOR REFERENCE Suraj Sujan S Yadav NORTH NTS IS I23 - FU 01 04-07-2022 Furniture layout 6K to IOM Mr.Uday chordia DATE REVISIONS SL. NO. DATE REVISIONS SL. NO. DATE REVISIONS SL. NO. 1'-10" 6' 1'-11" 3'-6" 2'-1" 2' 8' 3'-9" 2' 3' 2' 8'-6" 3'-10" 5'-6" 2'-6" 5' EQ EQ 13'-9" 5" 1'-6" 1'-6" 5" 7'-3" 2'-3" 2'-6" 7'-9" 7'-9" 2'-6" 6" aps 6' aps

Indianstory Studio Internship 43 04

Internship

6KIOM Indianstory Studio Internship Billing Area Perforated Display

Bike display / Central stage

NOTE:

1.WALL POINTS ACCORDING TO THE HEIGHTS MENTIONED.

2.SURFACE CONDUIT TO BE DONE, EXCEPT FOR SPECIFIED FALSE CEILING AREAS(IF ANY)

3.TEMPERATURE FOR ACCENT LIGHT IS 3000 K

TEMPERATURE FOR GENERAL LIGHT IS 4000 K

4.COVE LIGHTING POINT AT BEAM BOTTOM LEVEL

Trial room 7'-11" X 5'-3" Store room 7'-11"x15' Storage unit/Display unit Storage /Display unit Display Display Reception Tall display unit Display-Exhibit Display -Branding Display unit Storage Reception Mirror Display unit display unit Display Seating area Fixed glass in facade Projector screen ALL DIMENSIONS ARE IN FEET & INCHES. DRAWING IS NOT TO BE SCALED. ANY DEVIATIONS NECESSITATED DURING IMPLEMENTATION AT SITE IS TO BE BROUGHT TO IMMEDIATE NOTICE OF THE ISSUER & RATIFIED BEFORE IMPLEMENTING ANY CHANGE. R0 REVISION NO. FOR REFERENCE DRAWING STATUS 6K to IOM PROJECT Mr.Uday chordia CLIENT DATE REVISIONS SL. NO. DATE REVISIONS SL. NO. DATE REVISIONS SL. NO.

COVE LIGHTING COVE LIGHTING WL3 EL1 S4 S5 S5 TL1 TL3 TL2 P3 P3 P3 L4 L4 L5 L5 L6 L6 L6 L7 L7 L8 L9 L10 L10 L10 L11 L11 L11 WL4 WL5 L12 H1 H1 H1 H1 L8 Indianstory Studio Internship 45

Light point required at

CEILING LIGHT POINT

Ref.line for electrical points

Existing beam line

Wall points for profile lights

15A MULTIPIN SOCKET CONTROLLED BY SWITCH

SPEAKER POINTS

DISTRIBUTION

PENDANT

ROTATABLE

POWER

Main entry Glass display from outside Tall display unit COFFEE COUNTER Display-Exhibit area -Branding Display unitSeating level display unit Display unit display unit Tall display unit Mannequin display Storage Display unit Drums display UP Service entry Fixed glass in facade Corner display CHANGE. THIS DRAWING IS COPYRIGHTED. IT IS THE PROPERTY OF IndianStory Architects & IS NOT TO BE REPRODUCED, COPIED, GIVEN TO A THIRD PARTY OR USED FOR ANY OTHER PURPOSE OTHER THAN FOR WHICH IT HAS BEEN LOANED. ARCHITECTURE INTERIORS TURN KEY Nishadh DEALT BY Sujan Yadav DRAWN BY NORTH NTS SCALE IS - I23 - EL 04 DWG. NO. 22-06-2022 DATE ELECTRICAL -LIGHTING LAYOUT DRAWING TITLE LEGEND SYMBOL DESCRIPTION

POINT

MOUNT LIGHT POINT

WAY SWITCH SWITCHES AIR CONDITIONER SWITCH COVE LIGHTING AROUND CASSETTE AC CCTV POINT @ 8' from F.F.L S 2S AC

FAN POINT

OUTLET SPLIT AC UPS

SPOT

WALL

EXHAUST

TELEPHONE

BOARD INTERNET POINT

LIGHT

LIGHTING

FLOOR

COVE

LIGHTS

TRACK LIGHTS

SOURCE

MULTIPIN SOCKET

BY SWITCH

CONTROLLED

LIGHTING

AC AIR

L2 L2 L1 L1 EL4 EL5 S1 S1 S2 WL2 WL1

CONDITIONER SOCKET EXTERNAL WALL LIGHTS

EL2 EL3 P1 P2 P1 L3 L3 S3 S4

the

L8 L9 FL1 FL2 FL3 FL4 FL5 FL6 FL7 H1 H1 H2 H4 H1 H3

FROM FFL HEIGHT 2'6" FROM FFL

FROM FFL HEIGHT 6" FROM FFL

point required at the beam bottom H1 H1 H1 6KIOM Indianstory Studio Internship 46

beam bottom

HEIGHT 7'6"

HEIGHT 3'6"

Light

Studio: Indian Story Studio

Team Members: Nishadh Aafrin (Project Head)

Project type: Grand Estancia (Hospitality)

A hotel and restaurant in Selam, Tamil Nadu, Hotel Grand estancia is well known for its renowned cuisine and hospitality. As an extension of the existing structure, they wanted to add an outdoor dining and bar counter, where parties can be held. The design is done keeping Floral/ Tropical contemporary aesthetics in mind. The area is divided into segments, poolside seating, Bar counter, live kitchen, and Garden seating.

The design features fresh greenery with a touch of traditional Indian flair. The poolside section is designed to be more laid back and casual while the bar counter is designed for more formal events. The garden seating area is also designed to give guests a sense of privacy so they can relax and enjoy their time at the restaurant without being disturbed by unwanted noise from other areas within the hotel grounds!

Indianstory Studio Internship 47 04 Internship

Location: Selam Area: 20,990 sqft.

Grand Estancia |

Indianstory Studio Internship

Design | Model | Renders

Outdoor bar / Seating area

Details A

LEGEND

25mm th ply with Andorrian noce (Code-14180 VNR RH) finish

Grove for cove lighting

Details B

ANDORRIAN NOCE (CODE-14180 VNR RH)

PUMIC GREY (CODE- 21321)

6mm th glass shutter with 1.5" wooden frame with laminate finish as per selection

knobs as per selection

19mm th granite slab as per selection.

1.5" offset grove on all sides

19mm th ply frame with Andorrian noce (Code-14180 VNR RH) finish 3" skirting.

19mm th ply shutter with Andorrian noce (Code-14180 VNR RH) finish

provision lighting

19mm th ply with Pumic grey (Code -21321) finish

6mm grove to insert glass in place

19mm th ply ledge with Andorrian noce (Code-14180 VNR RH) finish 19mm

VINTAGE CURRO (CODE- 44793 NL RH)

SHUTTER DRAWER DRAWER DRAWER SHELF SHELF SHELF SHELF SHELF SHELF DRAWER DRAWER DRAWER SHELF SHELF SHELF SHELF SHELF SHELF

INTERNAL ELEVATION ELEVATION 7' 3" 1'-8" 1'-10" 1'-6" 5' eq eq eq eq eq eq 7' 3" 1'-8" 1'-10" 5' 6'-7" eq eq eq eq eq eq 3" as per site

Pumic

19mm slabs LEDGE LEDGE ALL DIMENSIONS ARE IN FEET & INCHES. DRAWING IS NOT TO BE SCALED. ANY DEVIATIONS NECESSITATED DURING IMPLEMENTATION AT SITE IS TO BE BROUGHT TO IMMEDIATE NOTICE OF THE ISSUER & RATIFIED BEFORE IMPLEMENTING ANY CHANGE. R0 REVISION NO. FOR EXECUTION DRAWING STATUS Renaissance Exotica PROJECT Usha Rangarajan CLIENT DATE REVISIONS SL. NO. DATE REVISIONS SL. NO. DATE REVISIONS SL. NO.

-21321)

1'-1" 6" 6" 2' 2'-4" 2'-1" 1'-1" 1'-2"

A-A' 6'-8" A A' B C C' B' Celing level

level PLAN 1'-6" 1'-8" 3'-4" 5'

SECTION

Ground

1" 1 2 "

5' B

Indianstory Studio Internship 49

provision for spot lighting

19mm th ply with Vintage curro (Code - 44793 NL RH )

6mm th glass slabs as shelfs

25mm th ply ledge with Andorrian noce (Code-14180 VNR RH) finish with cove lighting

19mm th ply with pumic grey (Code -21321) finish

3" skirting.

RENDER IMAGE

19mm th ply with Vintage curro (Code - 44793 NL RH )

19mm th glass as shelfs

19mm th ply with Pumic grey (Code -21321) finish

DRAWER

19mm th ply ledge with Andorrian noce (Code-14180 VNR RH) finish with cove lighting 19mm th granite slab as per selection.

19mm th ply with Pumic grey (Code -21321) finish

DRAWER

19mm th ply ledge with Andorrian noce (Code-14180 VNR RH) finish with cove lighting

19mm th ply with Vintage curro (Code - 44793 NL RH ) 19mm th ply ledge with Andorrian noce (Code-14180 VNR RH) finish with cove lighting 19mm th granite slab as per selection.

19mm th ply with Pumic grey (Code -21321) finish

3" skirting.

LEDGE DRAWER DRAWER DRAWER SHELF SHELF SHELF SHELF

ELEVATION

1'-10" 1'-6" 5' 1'-2" 1' 2'-1" 6" 6" 1'-1" 3" 7' 1'-2" 1' 2'-1" eq eq 2'-1"

as per site 1'-4"

as per site

LEDGE

CHANGE. THIS DRAWING IS COPYRIGHTED. IT IS THE PROPERTY OF IndianStory Architects & IS NOT TO BE REPRODUCED, COPIED, GIVEN TO A THIRD PARTY OR USED FOR ANY OTHER PURPOSE OTHER THAN FOR WHICH IT HAS BEEN LOANED. ARCHITECTURE | INTERIORS | FURNITURE EXECUTION Utsav DEALT BY Sujan DRAWN BY NORTHSCALE IS - I24 - WD 07 DWG. NO. 20-04-2022 DATE Wood working drawing - Crockery unit DRAWING TITLE SECTION B-B' SECTION C-C' 6" 6" 1'-2" 2'-2" 2'-6"

LEDGE LEDGE

A A LEDGE LEDGE

Indianstory Studio Internship 50

19mm th ply with Andorrian noce (Code-14180 VNR RH) finish above lintel level

Existing ventilator

19mm th ply with Andorrian noce (Code-14180 VNR RH) finish

19mm th ply shutter with Pumic grey (Code -21321) finish

Handles as per selection.

Pin-up board as per design White boad as per design

50mm th ply table Andorrian noce (Code-14180 VNR RH) finish

19mm th ply drawer with Pumic grey (Code -21321) finish

ELEVATION- Study Unit

th ply with Pumic grey (Code -21321) finish

19mm th ply shutter with Andorrian noce (Code-14180 VNR RH) finish

INTERNAL ELEVATION SHELF SHELF SHELF SHELF SHELF DRAWER DRAWER DRAWER 2'-6" 6" 1'-10" 2' 1'-8" as per site eq eq eq as per site eq eq eq as 1'-8" 2' 7" 2'-6"

ALL DIMENSIONS ARE IN FEET & INCHES. DRAWING IS NOT TO BE SCALED. ANY DEVIATIONS NECESSITATED DURING IMPLEMENTATION AT SITE IS TO BE BROUGHT TO IMMEDIATE NOTICE OF THE ISSUER & RATIFIED BEFORE IMPLEMENTING ANY CHANGE. R0 REVISION NO. FOR EXECUTION DRAWING STATUS Renaissance Exotica PROJECT Usha Rangarajan CLIENT DATE REVISIONS SL. NO. DATE REVISIONS SL. NO. DATE REVISIONS SL. NO.

Celing level Ground level as per site PLAN eq eq eq as per site as per site 2'

eq eq 4'-9" eq H3 11 Modules CL 1, F1 H3 11 Modules CL 1, F1 Grove between shutter REFERENCE REFERENCE

19mm

as per site bal as per site bal LEGEND ANDORRIAN NOCE (CODE-14180 VNR RH) PUMIC GREY (CODE- 21321) Indianstory Studio Internship 51

19mm th ply with Andorrian noce (Code-14180 VNR RH) finish above the lintel level

Existing ventilator

19mm th ply with Andorrian noce (Code-14180 VNR RH) finish

19mm th ply with Pumic grey (Code -21321) finish

Pin-up board as per design White boad as per design

Grove between shutter

50mm th ply table with Andorrian noce (Code-14180 VNR RH) finish

19mm th ply drawer with Pumic grey (Code -21321) finish

ELEVATION - Study Unit

REFERENCE DRAWING HANDLE

REFERENCE SUTTER HANDLE

19mm th ply with Andorrian noce (Code-14180 VNR RH) finish

19mm th ply with Pumic grey (Code -21321) finish

Pin-up board as per design

50mm th ply table with Andorrian noce (Code-14180 VNR RH) finish 19mm th ply drawer with Pumic grey (Code -21321) finish

SHELF SHELF SHELF SHELF DRAWER DRAWER SHELF SHELF eq eq as per site 1'-8" eq eq 2' 2'-6" 7" 2' as per site

CHANGE. THIS DRAWING IS COPYRIGHTED. IT IS THE PROPERTY OF IndianStory Architects & IS NOT TO BE REPRODUCED, COPIED, GIVEN TO A THIRD PARTY OR USED FOR ANY OTHER PURPOSE OTHER THAN FOR WHICH IT HAS BEEN LOANED. ARCHITECTURE | INTERIORS | FURNITURE Utsav DEALT BY Sujan DRAWN BY NORTHSCALE IS - I24 - WD 08 A DWG. NO. 20-04-2022 DATE Wood working drawing - Study unit DRAWING TITLE as per site eq 4'-9"

SECTION Modules F1

RENDER IMAGE

as per

site

bal as

CL 1, F1

per site H3 11 Modules

Indianstory Studio Internship 52

Location: Hyderabad

Sanctuary

Nature NarativesSmruti Balvalli Freelancer 53

Area: 14.2 Acre

14 acres of land have been developed into plots with other amenities, such as parks, clubhouses, cycle tracks, resting points, and pause points. The site is inspired by the existing mango grove in this plot, where we’re trying to retain as many trees as possible and replant them if needed. hoping to create a niche in nature for the community.

Nature NarativesSmruti Balvalli Freelancer Architecture / Landscape | 54

Design | Model | Renders | Drawings

Freelance

Studio: Nature Narratives

Team Members: Smruthi Balvalli ( Principal Architect)

Project type: Sanctuary (Landscape)

Nature NarativesSmruti Balvalli Freelancer

Master Plan Sanctum

Cross Section through 55 05

Shelter

The roads are made of pavers and green patches so that pedestrians are given precedence over cars. This allows people to experience nature as they walk down the site. Pocket gardens are also made in various themes so that members of your community can experience a variety of thematic gardens together.

The roads are made of pavers and green patches so that pedestrians are given precedence over cars. This allows people to experience nature as they walk down the site.

sanctuary | Nature NarativesSmruti Balvalli Freelancer

Refuge Entrance View through pocket park 56

Oasis Retreat

Parents, grandparents, and children alike will love the play area It’s a place where your little ones explore and learn by a variety of plant species and trees which will be a great experience for your child as they get to know different plant species and changes in seasons during the course of the day. There is also a separate acupressure walkway covered in tree shade.

The path is separated shrubs along the level is matched there is no level it possible for people path without causing

Nature NarativesSmruti Balvalli Freelancer

Concept Sketch for childrens play area

separated by a band of trees and the side cycle track, and the road matched at different junctions such that level difference created. This makes people with disabilities to use this causing any difficulty for drivers.

At every 30 meters, there is a pocket park created with different themes, which can be later used as landmarks and gives the user benefits of various park experiences. Whether you’re looking for a place to sit down and read a book, or just want a quick break from work, our pocket parks can help you access the local community and enjoy all it has to offer.

sanctuary | Nature NarativesSmruti Balvalli Freelancer

Concept Sketch for Avenu juction

Concept Sketch for Pocket Gareden

GHAT100.825 dropoffsameasroad +99.40 LANDSCAPE LIGHT KEY: 4.steps X' WALL RECESSED LIGHT SR.NO. 1. SYMBOL TYPE CODE 2. 3. 4. 5. 6. 7. 8. 9. POST TOP LIGHT STEP LIGHT PROFILE LIGHT- FOR FLOATING EFFECT PROFILE LIGHT-UNDER COPING WALL NICHE LIGHTS SHRUB BOLLARDS GROUND LUMINARIES WALL FIXTURES DOWNLIGHTERS CEILING FIXTURES DOWNLIGHTERS QTY. LF-1.A LF-1.B LF-2.A LF-2.B LF-3.A LF-4.A LF-6.A LF-6.B LF-7.A LF-8.A PROFILE LIGHT- IN GROUND PROFILE LIGHT-FLEXIBLE PROFILE LIGHT-IN GROUND LOW POWER LF-5.A LF-5.B LF-5.C LF-5.D LF-5.E 10. 11. 12. 13. 14. 15. SPIKE MOUNTED SPOTLIGHTS SCULPTURE SPIKE MOUNTED SPOTLIGHTS TREE ELECTRICAL EQUIPMENT LEGEND: SR.NO. 1. SYMBOL TYPE CODE 2. 3. QTY. DIGITAL KIOSK FREESTANDING 02 AUDIO/MUSIC GARDEN SPEAKER TO BE PUT ON PEDESTAL IN LANDSCAPE SHRUBS POP UP BOX EMBEDDED IN HARDSCAPE WITH MINIMUM 2 SOCKETS FOR MIC, MUSIC SYSTEM, PHONE ETC -PLEASE PROVIDE ACCORDING CAPACITY 05 15 4. CCTV CAMERA -ON WALL 5. CCTV CAMERA -ON POLE 04 06 CCTV AND HAVE THEY SPEAKERS OTHER ADDED WANT H D D' E E A A B B C C' F F' G D1 ' D1 ' X FFL. +99.60 M. FFL. +99.60 M. LL. +99.40 M. LL. +98.95 M. LL. +99.55 M. LVL. +99.50 M. FFL. +100.00 M. LVL. +100.35 M. 1:20 UP FFL. +100.00 M. LVL. +99.00M. FFL. +100.15 M. LVL. +99.00 M. LVL. +99.90 M. P.C.C. GOOD SOIL FOR PLANTING COMPACTED EARTH RAIN GARDEN WITH PLANTING 20 MM THK. YELLOW TANDUR STONE AS PER APPROVED SAMPLE REFERENCE DIMENSION FOR SUBGRID DIMENSION INDICATING PLANTER LOCATION SETTING OUT DIMENSION FOR PLAZAS LEGEND SUB GRID - 2500mm X 2500mm SLOPE 1 IN 200 SITE BOUNDARY 3" DIA. SLEEVES HEDGE GROUND COVER OR LAWN PLANTING-SHRUBS LAKE EXISTING TREES PROPOSED TREES 20 MM THK. SADARHALLI GREY GRANITE STONE AS PER APPROVED SAMPLE WPC ON BENCH 20 MM THK. CERA GREY GRANITE STONE AS PER APPROVED SAMPLE 60 MM THK. 150X150MM GREY GRANITE COBBLE STONE AS PER APPROVED SAMPLE WPC ON BENCH 20 MM THK. TELEPHONIC BLACK GRANITE STONE AS PER APPROVED SAMPLE FFL. +100.15 M. 1:20UPRAMP 1:20 RAMP UP SLOPE SLOPE SLOPE SLOPE SLOPE SLOPE UP UP LL. +99.50 M. LVL. +99.85 FFL. +99.60 M. LVL. +100.00 M. TOW. +100.25 M. FFL. +99.30 M. FFL. +99.60 M. FFL. +99.45 M. FFL. +99.30 M. FFL. +99.15 M. LVL. +99.85 M. FFL. +99.45 M. FFL. +99.15 M. FFL. +99.00 M. LL. +99.00 M. LL. +99.50 M. TOW. +100.10M. RLVL+99.87 TOW. +100.09M. TOW. +100.15M. TOW. +100.60M. TOW. +99.70 M. FFL. +100.00 M. UP LL. +99.50 M. LVL. +99.94 M. LVL AS PER SITE TOB. +100.80 M. TOW. +102.50 TOW. +100.45 M. FFL. +100.10 M. TOW. +100.80 M. Nature NarativesSmruti Balvalli Freelancer 59

The memorial of Late Shri. Jaipal Reddy’s is designed and envisioned as a ‘glade’- an open space in a forest. The landscape is used as a powerful element of memory to create a valuable experience and transfer learnings in an indirect manner.

Worked on Tiling layout and Tile calculation for this particular project

GHAT100.825 X' CCTV CAMERA -PLEASE LEAVE CABLE AND OTHER RELEVANT PROVISIONS HAVE ADDED MORE NUMBERS IN CASE THEY WANT TO ADD IN FUTURE SPEAKERS -PLEASE LEAVE CABLE AND OTHER RELEVANT PROVISIONS . HAVE ADDED MORE NUMBERS IN CASE THEY WANT TO ADD IN FUTURE H' I' I G' J' J K L K' L' M' M N N' P Q' S' S' T T' U U' V V' W T' V' W' P' R' R Q1' Q' Q1' N1' N1' X LVL. +99.00 M. UP UP LVL. +100.40 M. LVL. +99.95 M. LVL. +99.50 M. LVL. +99.00 M. 1:20 UP UP RAMP UP LVL. +99.00 M. LVL. +99.50 M. LVL. +99.50 M. LVL. +99.00 M. LL. +99.90 M. LVL. +99.50 M. LVL. +99.35M. UP 1:20UPRAMP LVL. +99.50 M. TOB. +99.95 M. FFL. +100.85 M. LVL. +101.15M. LVL AS PER SITE FFL. +100.85 M. LVL. +99.00 M. LVL. +100.40 M. LVL. +99.50 M. TOW. +99.95 M. SLOPE SLOPE SLOPE LVL. +100.70 M. SLOPE FFL. +101.30 M. SLOPE SLOPE SLOPE WALL TO SLOPE 450 MM HIGH AS PER WALKWAY LVL. +99.50 M. UP UP LL. +99.40 M. +99.85 M. TOW. +99.65 M. LVL. +99.50 M. LL. +100.70 M. DN TOW. +100.30 M. TOW. +99.50 M. TOW. +99.30 M. TOW. +99.30 M. TOW. +99.30 M. TOW. +101.00 M. TOW. +99.95 M. TOW. TOW.+99.65M. TOW. +99.30 M. TOW. +101.75 M. TOW. +105.25 M. TOW. TOW. +101.3 M. TOW. +101.3 M. TOW. +99.65 M. STATUE FFL. +100.00 M. LL. +99.40 M. LL. +99.40 M. TOW. +100.15 M. +100.15 M. TOW. +101.45 M. TOW. +101.75 M. TOW. +101.30 M. MAIN ENTRY TOW. +100.40 M. UP UP FFL. +99.95 M. RAMP TOB. +101.45 M. TOB. +101.45 M. TOW. +101.25 M. M. TOB. +100.45M. TOW. +100.85 M. LL. +100.30 M. TOW. +99.65 M. TOW. +100.40 M. Samadhi project |

Nature NarativesSmruti Balvalli Freelancer 60

Miscellaneous Indianstory Studio Internship 61

Painting | Illustrations | photography

Digital sketch, Procreate

The above illustrations were part of the workshop Rendering with pen and ink hosted by Ar. Archana Pereira and co-hosted by myself at RV college of architecture as part of RVCA crossroads.

Indianstory Studio Internship Miscellaneous |

Doors are Transition spaces (portal to their culture) Each culture in India Defines it in different manner through various shapes, symbols, elements etc