SMag April 2024 Edition

is rolling in the “Fab 30” lane in this issue, paying homage to 30 years of democracy. The edition is crafted like a fullcourse culinary journey.

We kick off with the bite-sized appetiser, the amuse-bouche — our three cover stars, Nomalanga Shozi, Zoë Modiga, and Hungani Ndlovu. The delightful trio were born in 1994, taking us through the three-decade experience of being “born free”. Yum!

Now that the palate has been prepared, in comes the starter, served in the form of our fourth cover star, legendary soccer player Lucas “Rhoo” Radebe. He deliciously teleports us to 1994, where a pivotal moment in his football career occurred. To reference a Boom Shaka hit of the same year, “It’s about time!”

Then comes the show-stopping centrepiece, our main — the classic, comfy, and foolproof collaborations running through our pages. Soweto style guru Felipe Mazibuko returns to helm a special location shoot at the historic Hector Pieterson Museum in Orlando West. Making his SMag debut is indemand photographer Aart Verrips, cooking up a storm with his lens.

The dessert is a doozy. Inspired by Absa’s new brand expression “Your story matters”, it has been a sweet and decadent honour to handpick the six most influential local TV shows of the past 30 years. Yes, chef!

From the

1. Generations (1993): Recently, there was a bit of hoopla in the international press about US network CBS developing the first Black daytime soap opera in 35 years. But in Mzansi we have been having it. Mfundi Vundla changed primetime TV with our longest-running soapie, Generations. Weekdays at 8pm the iconic theme song, composed by Jonas Gwangwa, ushered in a family-friendly household tradition. Heroine Karabo Moroka (Connie Ferguson), a feminist icon, was never one to be dribbled by mjolo. Her love interests Max Naidu (Robin Singh), Glen Majozi (Roderick Jaftha), Mandla Sithole (Fana Mokoena), Gabriel (Thapelo Mokoena), Khaya Motene (Akin Omotoso), and Sibusiso Dlomo (RIP, Menzi Ngubane) saw flames. South Ah was shook when she told Tau Mogale (Rapulana Seiphemo) she wanted a second husband, Zola Radebe (RIP, Mutodi Neshehe). Viewers loved to hate Ntsiki Lukhele (Pamela Nomvete). Sello Maake KaNcube will forever be Archie Moroka and Khethiwe Buthelezi (Winnie Ntshaba) the face of La Chocolat, while Queen Moroka (Sophie Ndaba) remains fabulous.

2. Shaka iLembe (2023): Mzansi Magic’s ambitious epic drama became SA’s biggest flex. The big-budget Shaka iLembe set a new standard in terms of production values. For three decades, there were whispers in the corridors of production companies, streamers, and TV channels that African storytelling couldn’t attain global success unless it was told in English. Shaka iLembe, primarily told in the vernacular, shattered that baseless myth, backed by the numbers to rewrite history. Naysayers slammed it for historical inaccuracies, but not even that could dim its light. From the scriptwriting to the masterful casting, acting, cinematography, production design, makeup, and hair, Shaka iLembe was a sensation.

3. Yizo Yizo (1999): In real time, I was not allowed to watch this since I was underage. I still felt its impact, though, with precocious classmates serving as a window into the provocative youth drama. Lunch break in primary school belonged to their unpacking each scene. It awakened a pre-sexual rush and curiosity in me. A new, gritty era was in the air. Yizo Yizo offered an unapologetic, complex, and uneasy depiction of postapartheid SA that challenged the love-bombing effect of the “rainbow nation”. It punched Mzansi in the gut. It was creators Teboho Mahlatsi (RIP) and Angus Gibson’s honest love letter to kasi power and culture, expressed via music, lighting, and hard-hitting storytelling.

4. Home Affairs (2005): In a breakthrough for female-led shows, Roberta Durrant gave women the recognition they deserve. Its multiple nods at the International Emmy Awards came as no surprise. The brilliance of this show is that it was driven by compelling and nuanced performances. Nthati Moshesh was powerful as Thandeka, Lerato Mvelase injected ingenuity into Katlego, Brenda Ngxoli as Vuyo was unflinching, Therese Benade was a revelation as Cherise, and Vatiswa Ndara’s Miriam left a lasting impression. These characters walked so that, in the years that followed, Harriet Khoza (The Queen) and Lindiwe Dlamini-Dikana (The River) could run.

Read the full story on sowetanlive.co.za/s-mag/ — and don’t forget to cast your vote in the general elections on 29 May.

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EDITOR-IN-CHIEF EMMANUEL TJIYA (SMAG@SOWETAN.CO.ZA)

CREATIVE DIRECTOR ANNA LINEVELDT

FASHION DIRECTOR SHARON ARMSTRONG

FASHION STYLIST YOLISWA MYALUZA

BEAUTY EDITOR NOKUBONGA THUSI

SUBEDITOR IOLANDI POOL

DESIGN INTERN SIMPHIWE MBANA

PATIENCE TSHABALALA

CONTENT PRODUCERS NOMBUSO KUMALO

& MASEGO SEEMELA

FINAL EYE HELEN SMITH

SOWETAN EDITOR-IN-CHIEF

NWABISA MAKUNGA

ACTING CEO PULE MOLEBELEDI

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MAKE-UP: WILD SIDE CHALLENGE YOUR COMFORT ZONE WITH THESE TRAILBLAZING TRENDS SET TO RULE 2024 AND BEYOND

1. Alien skin

Lean into a futuristic mood when it comes to skin, as high-shine, extra-terrestrial coverage rules the runways, from Annakiki and Maison Margiela to Fendi. Skin is impossibly glossy and hyper-glazed. Keep coverage light and sheer by mixing foundation with a hydrating serum. Skip the sculpting and add dimension with cream highlighters in silvery undertones applied to the high planes.

BEAUTY & HAIR

BEAUTY ROAD TEST: THE MICRO TRENDS

STILL MAKING A BIG IMPACT THIS SEASON

THERE’S AN MOOD ON RUNWAYS,

THERE’S AN ANYTHING-GOES MOOD ON THE RUNWAYS,

WITH UNBRIDLED CREATIVITY AND EXPRESSION

brings the coquette aesthetic to life — think flushed, pink cheeks, soft pastel hues, and a touches of bows and ruffles. Saltburn mania: Thanks to the viral whirlwind of Saltburn, we’re in love with the early 2000s as nostalgic Y2K makeup gets a revamp, inspired by the film’s Venetia Catton. Think messy, glittery 2000s party-girl makeup that’s grungy and super lived-in. Peach fuzz: Catch peach fever as Pantone’s colour of 2024 serves as a palette inspiration for the runways. With undertones of peach, orange, and coral, you can expect to see it everywhere, washed across lids, cheeks, and lips. Mermaidcore: We’re still diving into all things aquatic as mermaidcore’s glossy, wet-look skin and iridescent textures continue to nurture our full Ariel fantasy. Renaissance chrome: No need to throw away all those impulsive silver buys — we don’t see disco chrome and sparkle going anywhere anytime soon. The global appeal of Beyoncé’s Renaissance Tour still captures the imagination… so, sparkle

2. Vinyl ink Take a walk on the dark side — at Burberry, Valentino, and Ferrari, traditional burgundy and plum took a backseat in favour of dark, vinyl lips in rich brown, dark-green, and navy-blue hues, all applied as a saturated stamp of colour and finished off with a layer of high-shine clear gloss.

Be careful where you bat those lashes, especially if you’re taking your cue from the runways, which served up a fun, maximalist take. Whether it’s feathered corner lashes at Giambattista Valli, feathery halo lashes at Valentino or clumpy spidery lashes, they’re all larger than life. We’re talking lashings of mascara, crystals, colour tints — the lot.

play

Give eyelids a break — now, the prime real estate for your eyeshadow and liner is the eye crease. As seen at Dhruv Kapoor, where models were sent out with a graphic sweep of liner hugging the crease, this placement provides the perfect, peeka-boo moment without concealing eye makeup. A great alternative for hooded eyes that increases the eyelid space is applying eyeshadow or liner just above the crease, following your natural eye shape.

girl. Mob wife: The clean-girl aesthetic gets pushed to the side as mob wife takes over. Inspired by mafia series such as The

this

sees ultra-smoky

matte

and sultry dark lips

and old-school

era:  Just when we thought Euphoria makeup was dead, the runways show that what we really need in a post-pandemic world is an overdose of no-holds-barred maximalist, artistic makeup. Go grab those rhinestones and kaleidoscopic colour and get painting. Yee-haw! Thanks to Beyoncé’s single Texas Hold ’Em reigniting interest in country music, expect cowgirlcore to keep on making the rounds in 2024. Surrealism: Makeup merges with illusion to give us a dose of artistic escapism, as seen at Schiaparelli, where models were sent down the runway with rhinestone-bejewelled ears to create the impression of an earring and with neckties made of braided hair. Red resurgence: The fiery hue makes a major comeback, as classic red lips, nails, and hair are back on the runways, as seen at Ferrari and Valentino. Whether you gloss it up, add glitter or keep it matte, red is the colour du jour. Oil slick: Taking inspiration from gelled hair, skin mimics the look, with a wet, almost oily texture that’s diaphanously glossed from forehead to décolletage, as seen at Maison Margiela, Ashi Studio, and Ermanno Scervino.

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Shimmer Skinstick in Purrrl, R690; Nars Pure Radiant Tinted Moisturiser in Marrakesh, R965

Coquette aesthetic: Taking inspiration from Bridgerton and Marie Antoinette

Sofia Coppola version, of course), soft, romantic femininity

3. Larger-than -lashes

Sopranos

Italian beauty,

aesthetic

eyes,

coverage,

reign. Maximalist

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in Caviar, R480

BEAUTY & HAIR

The 1990s are back in a major way — along with a new-found love for blowouts and big, bombshell hair, as seen at Sergio Hudson and The Blonds. The mandate is clear: the bigger, the better — as models were sent out sporting bouncy roller waves worthy of Bond-girl status.

2.

Cartoons, gaming, and anime subculture serve as inspiration for hairstyles this season. From Loewe and Marco Rambaldi to style icon Zendaya, haircuts are getting the blunt treatment with micro fringes and ends chopped in futuristic, abstract angles in a style Aeon Flux would be proud of.

3.

Sculptural braids:

This season, braids are not just a simple form of protective styling but also become art.

At Lapointe, Dauphinette, and The Blonds, braids were wrapped into circular shapes along the hairline or fortified with wire and bent into artful shapes or slogans.

Golden age of acting

4.

TRENDING: ACCESSORIES

THE CHERRY ON TOP OF ANY HAIRSTYLE, THESE RUNWAY-APPROVED ACCESSORIES ARE WORTH ADDING TO YOUR ARSENAL

At Batsheva, ageism got the boot, with the runway featuring only models aged 40 and older, all showing off their natural greys. Keep greys looking bright and healthy with a purple toning shampoo and conditioner to keep brassy tones and dullness at bay.

ponytails or butterfly clips dotted all over. 1990s comb headbands: Spotted at Helmut Lang, Givenchy, and Maryling, the simple yet effective accessory is back to add 1990s It girl energy in a pinch. Ballerina hairbands: As seen at Dior and Miu Miu, stretchy fabric headbands are giving serious ballerina vibes — just slick hair back into a low bun or ponytail and finish with a thick headband. Claw clips: This is not your grandmother’s claw clip — the hair accessory staple of the 1990s and 2000s gets an update, featuring minimalistic designs that mimic hair jewellery and playful, floral designs.

We are in the golden age of acting and Heart of the Hunter is testament to this. It’s not every day that in-demand leading man Bonko Khoza (The Wife, The Woman King, Red Ink) shares the screen with the first lady of TV, Connie Ferguson (The Queen, Kings of Jo’burg, Generations) and undeniable chameleon Masasa Mbangeni (Scandal!, The Republic, Devil’s Peak). And if that weren’t enough, there are also appearances by Tim Theron, Milan Murray, Connie Chiume, Nicole Fortuin, Deon Coetzee, Peter Butler, Sisanda Henna, and Wanda Banda.

A beloved auteur

BUBBLING UNDER: THE MICRO HAIR TRENDS MAKING WAVES

Viral bows: Dubbed the musthave hair accessory of 2024, bows are something the world can’t get enough of, from dainty velvet ribbons to oversized, opulent satin confections. Chic bobs: Bye-bye long, flowing inches — now it’s all about the bob, as celebrities such as Zendaya and Gabrielle Union flock to get the big chop. The options are legion (earlobegrazing French bobs, bone- straight Italian bobs, blunt cuts or curly-textured bobs) so go short or go home. Ballerina chignons: As balletcore takes over so do sleek, low ballerina buns in varying textures, as seen at Christian Dior, Miu Miu, and LaQuan Smith. Redhead cool: The red-hair craze may have started with copper, but it certainly didn’t end there. Red is still the “It girl of hair colour”, with Ariel-red and cherry-cola hues the hot favourites for braids, wigs, and natural styles. Wet and wavy: Better stock up on hair gel, as wet-look hair styled in dramatic kiss curls and drenched curls remains on our radar in 2024, as seen at Jason Wu and Giambattista Valli. Elevated cornrows: If the runways of Christian Dior and Andrew Gn are anything to go by, cornrows are still the protective-style staple. Go simple with straight back styles or elevate with sparkling beads or clips interwoven into rows. Bubble braids: Keep an eye on this micro-trend spotted at the Bronx and Banco show. In this whimsical and playful addition to hair, let a long bubble plait fall down the centre of the head or add as an accent to loose waves or box braids.

His name is Mandlakayise Walter Dube and he’s fresh off a clean sweep at the 17th annual SA Film and Television Awards (Saftas). His last Netflix offering, Silverton Siege, scooped Best Achievement in Sound, Costume, Editing and Production. It also won Best Actress for December SMag cover star Noxolo Dlamini. The Mabopane-born filmmaker helmed Kalushi: The Story of Solomon Mahlangu in 2017 and was one of the directors of the Netflix dance series Jiva!. His earlier work includes stints in Hollywood working on the set of blockbusters The Italian Job and Men in Black 2 as an operator and camera assistant.

Riveting plot

The script is adapted from the novel by acclaimed crime fiction author and screenwriter Deon Meyer. Among his most notable works adapted for the screen are Trackers and Cape Town (based on his 1996 novel Dead Before Dying). In Heart of the Hunter, Zuko Khumalo (Khoza), in postapartheid South Africa, is in a race against time, with crucial information that is the only thing standing between a corrupt presidential candidate and the prime position of power.

DON’T OUT!

Three excellent reasons not to miss Netflix’s explosive new local thriller Heart of the Hunter, which premiered last Friday

NOMALANGA SHOZI:

THE

ACTOR, TV PRESENTER, AND RADIO STAR IS MUCH MORE THAN HER HAIR

“Thou shalt have big hair” is the mood when Nomalanga “The Flame” Shozi steps on the set of her shoot. She immediately demands a beehive from hairdresser Saadique Ryklief. Shozi’s the embodiment of the Northern Panhandle (located in the US state of West Virginia) saying “The bigger the hair, the closer to God.”

By her side is a bag filled with a variety of wigs and soon Ryklief starts working his magic. The challenge is clear: big hair, everywhere — cue RuPaul’s Drag Race. Later, when we sit down for a chat, Shozi puts it all in context. Leading up to her 30th birthday in July, one of the ways she is reclaiming her power is by returning to her roots. And larger-than-life hair is what made Shozi a household name. When she entered showbiz in 2016, she stood out thanks to her poodle-puff Afro, which rivalled Queen Charlotte’s towering ’do in Bridgerton. Shozi confesses that her hair evolution meant abandoning the Diana Ross-esque updo.

“I hated the fact that people thought that the hair made me — that’s why I disassociated myself from it. Everywhere I went, everyone wanted that big hair, but I wanted my face and voice to be more recognisable than my hair,” she says. “Now I want to celebrate it — for the longest time I felt chained by it and

text : EMMANUEL TJIYA

photography : AART VERRIPS

production : YOLISWA MYALUZA

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now it’s liberating.”

As a “born free”, Shozi’s hair choices at school were limited to a “neat” appearance: no fades, locs, braids, or natural Afros. She hated it.

“I was forced to cut my hair as a child. My parents shaved me bald until I was 18 and I rebelled. Hair has always been an identity thing for me. As Black people, hair is the way we express ourselves,” she says.

ThePort Shepstone native made it big after winning a public casting call that resulted in her joining e.tv soapie Rhythm City. Shozi, based in KZN at the time, travelled between her home province and Gauteng, where the daily drama was filmed, while continuing her on-air duties at the Durban-based Gagasi FM.

“That Rhythm City contract was beautiful — stunning,” Shozi marvels. “It was an incredible rate per day and I was in Joburg five days a week. They flew me in and out, they accommodated me, they gave me a per diem and a personal driver. What more could I ask for? I thought that was the standard, until the next job.”

That next job was a presenting gig on lifestyle and entertainment show All Access Mzansi. “Shout-out to them because they gave me a baptism of fire. They gave me the wake-up call I needed in Joburg,” she says. “They were like, ‘Ma’am, please, this is not your mother’s house. You don’t have a place to stay, and then? You said you wanted a job? Find a place to stay.’”

While Shozi made a decent salary at Gagasi, most of it went towards travelling between Joburg and Durban. At the height of her misery, Shozi remembers having to sleep in the public restrooms at the airport because she couldn’t afford accommodation.

“I felt so undeserving of my brand. This one time, I took off my wig, my Nomalanga ‘The Flame’ wig that made me, and used it as a pillow,” she recounts. “I took out all my clothes from my suitcase and arranged them on the floor in one of the toilet cubicles to create a bed. Those toilets stank. I cried my eyes out. That was embarrassing.”

She asked God for a sign that she was in the right industry. The sign came in the form of a call from Paramount Africa, leading to her becoming the face of BET Africa. It was a dream job, taking her all over the world, from the BET Awards to the Soul Train Music Awards and the MTV Europe Music Awards.

It could not have come at a better time, since she had just been fired from Gagasi after telling them she was too big for the station. She had disobeyed station management by attending a social event in Cape Town when she was scheduled to be on air. While she won best-dressed at the event, she received the boot at Gagasi.

A year later, however, she re-joined the station in a bigger role, hosting the afternoon drive show with DJ Warras. She stayed at Gagasi for another three years.

Aftera four-year acting break, Shozi returned to the small screen last year with a bang, appearing in 1Magic dramedy Roomies and Showmax’s risqué drama Adulting. She is also the host of SABC 1 entertainment show The Sauce. When I ask her about her scorching love scenes with heartthrob and former SMag cover star Thembinkosi Mthembu, she praises his professionalism.

“He’s the most generous actor, but also respectful,” she says. “We have these things called red and green zones when doing an intimate scene. If my breasts are a red zone, the other actor in the scene can’t touch them. If they are a yellow zone, it’s a ‘maybe’, depending on how we feel, and if they are a red zone you can’t touch. He is green everywhere. He was just so patient, giving, and respectful.”

Away from the limelight, she’s enjoying the fond memories she is creating with her two-year-old daughter, whom she shares with Bandile Mbere, one half of music duo Major League DJz.

“I used to be nervous about my birthdays. Turning 30 in July is the first time that I’m excited. I feel like I’m finally getting to know myself, for myself and not for others,” Shozi says. “Then I have this incredible mirror that reflects everything I do, to keep me in check. That is my daughter. She’s a sponge, absorbing everything and giving it back to me. She is a ball of energy. She’s the softest and kindest child. She won an award at church for her kindness the other day... She kisses and hugs everyone at church before we leave.”

ZOË MODIGA:

This is 30

S.

WELCOME TO ZOË-LAND, WHERE THE SINGER CONTINUES TO DOMINATE AS THE VOICE OF A GENERATION

text : EMMANUEL TJIYA

photography : AART VERRIPS

production : YOLISWA MYALUZA

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“THE PERSON I BECOME ON STAGE IS A HEIGHTENED VERSION OF MYSELF. ALL I ASK... IS TO MOVE PEOPLE”

hybrid. Her sound has an underpinning fluidity that has mutated into an idiosyncratic mixture of Afro-pop, funk, rock, soul, new wave, and everything in between. “I would describe it as an African contemporary sound — it’s the different parts of what modern African music can be, Afrofuturistic music,” she says. You haven’t experienced Modiga’s brilliance until you’ve seen her live. Simply put, she is a beast on stage — super sexy, powerful, charismatic, and

revelling in her newfound self-confidence. “I’m feeling more fun and zesty. More twerk and nipple rings. Like a better design of myself.”

When I press her to elaborate about her experience being part of the born-free generation, her response is more loaded.

“Being a born-free is so layered. After 1994 there was this idea of a rainbow nation [with] democracy and more opportunities,” she says.

“We were born under a different system and there was so much promise about it being a melting pot. While it was a beautiful

“People think I’m a jazz artist and I’m not a jazz artist,” Zoë Modiga tells me as we relax on an old wooden bench under a tree and enjoy the shade.

“I’m just an artist being recognised in that space, having been a scholar of that space. There is more I have to offer in terms of the palette and landscape of sound,” Modiga continues after I ask about the biggest misconception about her.

If Lebo Mathosa, Nina Simone, Letta Mbulu, and Busi Mhlongo had a fantastical baby Frankenstein in the fictional world of scientist Dr Godwin Baxter (Poor Things), Modiga would probably be the pop-culture

diva divine. She has the gift of taking her audience into a heightened, trance-like state, then transporting them further into nirvana — let’s call it Zoë-land. Often, my reaction to her high-octane performances is just, “Who is that mythical creature on stage?”

“The person I become on stage is a heightened version of me,” she explains. “It’s not something that I naturally invite, but it feels like it’s conjured simply by being [on] the platform of the stage. Knowing what the stage is and what is required of me. When I perform, all I ask is to be impactful and move people.”

At 30, it can only get better, with Modiga

thing, the older you get the more you realise there is a lot of legacy from the previous way of living with oppression, that it’s still running through in whispers in our everyday lives. You will still be stereotyped and racially profiled — we have inherited those problems. There is that shadow that keeps following us.”

Born in Durban, Modiga was raised in Pietermaritzburg. Later, she moved to the Vaal, before relocating to Joburg. She attended the National School of the Arts and name-checks now-famous school mates such as Innocentia Manchidi, Langa Mavuso, Dineo Langa, Keenan Meyer, and Dineo Nchabeleng.

Next, she marvels about her father, who she guesstimates has about 25 children.

“I think, in that number, I’m closer to the older gang — I used to be in the middle, until I discovered more,” she laughs. “My parents had a very deep, platonic relationship and I was the love child. They remained friends, even though they didn’t have a romantic relationship.”

Music has always been the career path for Modiga. In school she participated in choir and won a lot of music competitions. She notes that

artist, dropped in 2017. She remembers collaborating with Aart Verrips, Nao Serati, and Rich Mnisi on the artwork. Modiga was coming off the buzz of having been a contestant in the inaugural season of The Voice SA, with Lira as her mentor. She’d finished in the top eight. Her second offering dropped in 2020. Along the way she was recognised with the Standard Bank Young Artist Award, a South African Music Award and more. “I just remember a sea of yellow and the queers coming in wearing yellow and looking fresh to death in every show. I

some of the prize money eventually went into her debut album. At the University of Cape Town, she studied jazz but was devastated when she couldn’t complete, especially coming from an academic family. Around the same time her neo-soul band Seba Kaapstad, with members Philip Scheibel, Ndumiso Manana, and Sebastian Schuster, was formed. “Back then I was so green, had little experience, and was full of childlike ambition. [But] I had the mental fortitude to see my ideas through... and bet on myself,” she says.

Herdebut solo album, Yellow: The Novel, released as an independent

remember going to every radio station, begging them to play my album,” Modiga says about the excitement of her debut album.

She’s gearing up for the release of her third album, which she has been working on since 2020. A first taste came with the single Ngelosi, which she released on her 30th birthday, 23 February. During the interview, she promises the album will drop in the first quarter, teasing an

April release date. The art for the song features a topless Modiga, wearing three layered isicholo (Zulu traditional hat) in reference to a halo, since Ngelosi translates to angel.

“It’s a very matriarchal, cinematic, and sacral album. There is something ceremonious about it. It’s a different kind of church,” Modiga teases.

“I didn’t think I would make it to 30. I had very flawed thinking about myself as a human being and maybe my artistic life. I thought I was going to be in the 27 Club [artists who died at 27, including Jimi Hendrix and Kurt Cobain]. It was

beautiful to reach 30, to realise how many lies I’ve been telling myself, and just celebrate that through the lyrics of the song [Ngelosi]. It’s like a message to my childlike self, who I feel like I’m walking closer and closer to the older I’m getting.”

Now that she’s on the third floor, Modiga plans to explore new opportunities, including scoring films, acting, and writing more music for other artists.

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RETROSPECTIVE:

SET AGAINST THE HISTORIC HECTOR PIETERSON MUSEUM IN ORLANDO WEST, WHITE STAR MISS SOWETO PAIGE HARVEY TAKES A TRIP DOWN MEMORY LANE, INTO THE FASHION ARCHIVES OF SOME OF SA’S MOST INFLUENTIAL DESIGNERS OF THE

PAST 30 YEARS

SOWETO’S GOLDEN GIRL

Fassler says the Madiba skirt from her fall/winter 2005 collection and the top from her fall/ winter 2007 collection narrate the decades-long story of the evolution of democracy in SA.

“My legacy is in the generations of clients and young designers and individualists whom I have inspired over many years… fashion democracy means freedom from the tyranny of fashion trends, dress codes, and etiquette,” she says.

The Bam Collective

For creative director Jacques Bam, the “Extraterrestrialism” 2023/2024 collection envisages a far-off galaxy where Bam is the armour of all occupants by heroing the distinct DNA of the brand through the years.

“Fashion democracy is about giving credit where credit is due, celebrating the hands that create the clothes and not only the designer,” Bam says.

“Fashion freedom is [about] expressing yourself without boundaries, embracing your culture and traditions, and narrating your journey of liberation, which is a continuous and conscious advocacy of life, fashion, and state of mind,” Tlale says.

photography : RAY MANZANA

Marianne Fassler

text / styling / production : FELIPE MAZIBUKO

Marianne Fassler | founded in 1975

David Tlale

David Tlale | founded in 2003

The Bam Collective | founded in 2019

FASHION 18

Stoned Cherrie

The legendary Dolly Rathebe dress was made in 2013. “Stoned Cherrie has always been about the celebration of identity, an exploration of what it means to be African in the 21st century. One cannot explore that without looking at the iconic figureheads of yesteryear who helped shape the sociopolitical landscape through their cultural expression and sheer brilliance,” says founder Nkhensani Nkosi.

05.

Magugu Magugu, the first African designer to win the prestigious LVMH Prize for young designers in 2019, was born on the eve of SA’s democracy (September 1993). His luxury fashion house has name-checked collaborations with Dior, AZ Factory, Valentino, and Adidas. A-listers such as Rihanna, Halle Bailey, Naomi Watts, Burna Boy, Issa Rae, Tessa Thompson, Kate Walsh, Lupita Nyong’o, and Naomi Campbell have all rocked Magugu.

Stoned Cherrie | founded in 2000

06. Black Coffee: Dress, POR, Black Coffee Archive; stockings, stylist’s own

Stockists

Aluta Sunglasses thespace.co.za Black Coffee blackcoffee.co.za Marianne Fassler marianne@leopardfrock.co.za Steve Madden stevemadden.co.za Stoned Cherrie nkhennkosi@icloud.com  Thebe Magugu thebemagugu.com The Bam Collective thebamcollective.com

Paige Harvey was crowned the 44th White Star Miss Soweto last November at the Soweto Theatre in Jabulani. The 20-yearold from Eldorado Park, who follows in the footsteps of Basetsana Kumalo, Augustine Masilela-Chuene, Lerato Kganyago, Tsakane Sono, and Ludina Ngwenya, opens up about her journey so far

COLLABORATION

LIVING

Black Coffee

“This dress was part of the 2009 ‘Geometry’ collection. It was made from a fabric I found at Casa Eleganté in Maputo. The collection explored intricate cutting and the layering of repetitive shapes in search of a bold new African aesthetic,” says founder Jacques van der Watt.

awe of the moment. I still can’t believe I was crowned. I was stiff when they called my name. I’m glad that the pageant allows me to be me and to use this platform to connect with people. I’m also grateful to White Star for their continued support to the girls and women of this community.

First, how was the shoot with SMag? It was exciting. I had a lot of freedom and wasn’t restricted [in terms of] the types of poses or movements I could do. I felt free being myself on this location shoot. I’m also honoured to be the first model to be shot at the iconic Hector Pieterson Museum. What was your favourite thing? Aside from the makeup, my favourite part was the clothing — a lot wasn’t my style, nor did

THE DREAM

I see the vision at first, but it all came together when the styling was complete. I loved the huge white latex dress that had been shown at SA Fashion Week. It’s very different and totally took me out of my comfort zone, which I unexpectedly enjoyed.

How has your journey been so far as Miss Soweto? I’m still in

What does 30 years of democracy mean to you? It’s a progression of development, characterised by improving the living standards of the community, such as good education and healthcare systems. It’s a reminder that democracy isn’t a static achievement but requires ongoing effort and commitment to uphold. What are you going to change in the world as Miss Soweto? I can’t change the whole world, but what I can do is change one person’s life by empowering them with educational opportunities. I know and see the importance of nurturing the younger generation. I’m studying double majors in political science and international relations. [This will give me] access to that world, where I can work on the ground and help areas that are under-resourced. Why is it important for young people to vote on 29 May?

Firstly, you need to do research and see which party aligns with you and if it resonates with your morals, standards, and values. You can then make the right decision for your future. Before you cast your vote, make sure to pray about it because you need to make the right decision — power can be destructive. How has Miss Soweto shifted culture? It has redefined beauty standards. It promotes community pride, breaks stereotypes and, most importantly, empowers women to pursue their goals and dreams. It not only focuses on women but also empowers everyone else in the community.

What type of legacy do you want to leave behind as Miss Soweto? To be remembered for pushing education and for how pedantic I am about everyone getting the right opportunities.

Thebe Magugu | founded in 2016

Thebe

01. Marianne Fassler: Feathered dress, POR; Mandela skirt, POR, both Marianne Fassler   02. The Bam Collective: Bustier and skirt, R24 000, The Bam Collective  03. David Tlale: Headpiece, POR, Marianne Fassler; mesh bodysuit, R4 600; belt, R2 200; skirt, R18 500, all David Tlale; sunglasses, R850, Aluta Sunglasses; heels, R2 999, Steve Madden  04. Stoned Cherrie: Drum Dolly Rathebe corseted T-shirt dress, POR, Stoned Cherrie; sunglasses, R850, Aluta Sunglasses 05. Thebe Magugu: Shirt, POR; pleated skirt, POR, both Thebe Magugu

Black Coffee | founded in 1998

THE MEETING

Mac: We met in 2013 at the University of Pretoria. I was a year ahead of her and studying drama and film. The first time we laid eyes on each other was when we went for an audition. We ended up getting our parts and she played my mother. Since we had to rehearse we ended up spending time together, which allowed us to grow closer. Rouge: He is from Zimbabwe and had to go home at the end of the semester. But before he left, he sent me a BBM [BlackBerry Messenger] just to say goodbye. I found that quite amazing; that he’d thought of me before he left. On his return, we ended up speaking every single day. He would often stay up with me over the phone until I fell asleep.

THE FRIENDSHIP

Rouge: We became super close in 2014, but he wouldn’t make a move. All the girls on campus liked him, he was a hot commodity and, because I had never dated, I understood when he took his time. I was in no rush. But I knew I liked him, I even told my sister that he was the one and I might have to tell our parents about him.

Check BBM…

spotted him in the room. Shocked! I went blank and started freestyling. I ended up crying because I was basically confessing my love to a man in a pool of people. Afterwards I rushed off stage and called my mom to come pick me up. When I got home, he called me and asked if I would be his Valentine. Mac: I didn’t get the hint that she was talking about me on stage. When I got home, it sunk in and I knew I had to do something about it.

THE DATING LIFE

Rouge: I was new to dating and didn’t quite know what to expect. I watched a few movies to get an idea of what happens on dates, but I love how Mac just made it easier for both of us to enjoy. I learnt a lot about him and myself during this phase in our lives.

THE LIGHTBULB MOMENT

THE PROPOSAL

Mac: Before I could plan the proposal, I had to ask for her family’s permission. So, she already knew I wanted to make her my wife. After getting her father’s approval, I got her nephew and niece to help

down on one knee and gave her back that token I’d written 10 years ago.

Rouge: He took back the token a couple of days after he had first given it to me. He said he would give it back when the time [was right]... Because he’d asked me not to open it back

then, I never knew what was written inside. I was so happy that he finally asked and that my family was there.

LOBOLA NEGOTIATIONS

Rouge: It was quite challenging because my family are here in South Africa and his are in Zimbabwe. Our cultures are different. He is Ndebele and I’m Congolese. There was a bit of a back and forth with my uncles until they came to an understanding.

TRADITIONAL WEDDING

Rouge: Since we couldn’t have many people at our white wedding, we turned our lobola negotiations day, 2 December 2023, into a traditional wedding that we celebrated at The Bamboo in Pretoria East.

WHITE WEDDING

Mac: On 9 December last year we had our main wedding at the Chez Charlene venue in Pretoria. That was the best day of my life. Rouge: I loved how happy everyone was for us. We danced, had performances, and really celebrated our union.

THE DRESS

Rouge: I had so many ideas of how my dress should be, but started getting worried when I wasn’t finding what I was looking for. One day, when I was with my sister and mother, we walked into a boutique in Pretoria and the moment I fitted my dress I was in tears because I knew I had found the perfect one. Urban Zulu designed my traditional dress and his suit. We wanted to look regal and chic and he nailed it.

Everyone on campus thought we were dating, even the lecturers asked. However, he didn’t

ask me out for a year!

VALENTINE’S DAY

Rouge: I was asked to perform and that’s when my rap career took off. I got up on stage and, to my surprise,

Mac: When I first met her, I had no idea who Rouge was, I just knew her as Barbara [real name Deko Barbara-Jessica Wedi]. I then got to witness her growing in the music industry and go through her glowup. I was there, helping her push, and last year — our 10th year of knowing each other — I knew she was the one for me. What’s funny is that I knew I was going to marry her a decade ago. On 27 February 2014, I wrote the words “Will You Marry Me” on a token that I gave her.

orchestrate the whole thing. They had to take pictures and distract her a bit. That day, we both got baptised and I wanted to ask her in front of everyone at church, but I didn’t want that moment to overshadow the baptisms. So, I waited until we got to her home. In front of everyone, I went

/

text : MASEGO SEEMELA

FOOD AND BEVERAGE TRENDS FOR 2024

1.

Bubbly in a can

Her name is Chateau

Del Rei and she’s the girl she thinks she is. This canned sparkling wine is available in several flavours, including Sweet White, Rosé, and Sweet Red. Adored for its lower alcohol content, it’s perfect for outdoor vibes — think open-air concerts, picnics, or intimate gatherings.

2.

Mindful eating

The healthy, mindful creation and consumption of food are becoming ever more important.

3. Social-media food challenges

Viral recipes lead to food challenges, such as the Flying Dutchman bun-less “burger” that dominated our #fyp (For You Page) on TikTok.

4. Mocktails

These are no longer just sugary non-alcoholic drinks but rather options with well-considered recipes and perfect presentation.

5. Shared plates Globally, food prices

continue to rise and restaurants are responding.

Large, shared plates allow consumers to save money.

6. Gin o’clock

This old faithful is not going anywhere anytime soon.

7. Looking to Asia

After the dominance of matcha, the next culinary sensation could well be another Asian import — boba, for example, has already become entrenched locally.

8. Plant-based innovation

“Expect to see innovative plant-based meat alternatives, dairy-free cheeses, and creative vegetable-forward dishes that appeal to vegans and omnivores alike” —

Zakhele Ndlozi, executive sous chef at Sibaya Casino & Entertainment Kingdom

9. Global fusion

“Chefs are drawing inspiration from diverse culinary traditions to create fusion dishes that blend flavours, techniques,

and stale bread. In South Africa, this trend may align with traditional practices of using all parts of an animal or plant in cooking” — Ndlozi

11. Tech-driven dining experiences

“Technology continues to play a significant role in the culinary world, from advanced kitchen gadgets to immersive dining experiences. Chefs may incorporate techniques such as sous vide cooking, 3D food printing, or

and ingredients from different cultures. In South Africa, this trend could manifest in dishes that combine local ingredients and flavours with influences from Asian, Middle Eastern, or Latin American cuisines” — Ndlozi

10. Zero-waste cooking

“Expect to see menus featuring nose-to-tail cooking for meat, as well as dishes that repurpose often-discarded ingredients such as fruit peels, vegetable scraps,

as turmeric, kombucha, herbs, and natural spices and seasoning (nothing artificial/MSG)” — Munro

17. Martinis

13. Mushrooms & legumes

“Ingredients and products such as mushrooms, grains, nuts, seeds, pulses, and legumes will shine, and chefs may create dishes such as nutty legume burgers” — Shaun Munro, executive chef at Southern Sun Elangeni & Maharani

INFLUENTIAL CHEFS AND FOOD EXPERTS SPOTLIGHT CULINARY FASHIONS THAT WILL WHET OUR APPETITES THIS YEAR

molecular gastronomy to create visually stunning and scientifically precise dishes. Additionally, expect to see restaurants leveraging augmented reality or virtual reality to enhance the dining experience, transporting guests to virtual landscapes or providing interactive storytelling alongside their meals” — Ndlozi

12. Hyper-local ingredients

20. More transparent labelling

“… in particular espresso martinis” — Munro

18. Urban produce

“Urban agriculture produces healthy foods that contribute to food and nutrition security. It plays a role in the social and cultural fabric of communities, contributes to community economic

“A transparent food brand should provide its consumers with information on the product’s ingredients, sourcing, production process, sustainability, and so on” — Ayub

21. Mediterranean diet

(preferably locally sourced), leaner cuts of meat, and more calorie-conscious meals” — Hill

24. Affordable dining

“Because of food inflation, people are looking for delicious meals that are priced right” — Hill

25. Sorghum

“The beauty of sorghum is that it is cost effective and very versatile, and can be used to make savoury or sweet dishes” — Nandile Mtshaha, chef lecturer at Capsicum Culinary Studio

14. Foraging chefs

“Chefs are beginning to forage more for food and ingredients” — Munro

15. Fermented foods

“Naturally fermented foods such as sauerkraut, kimchee, and other pickled foods are becoming more popular” — Munro

16. More organic ingredients

“In South Africa, this could mean highlighting indigenous ingredients such as rooibos tea, buchu or ostrich meat, as well as supporting small-scale producers and sustainable farming practices” — Ndlozi

“Classic ingredients are out, with less use of cream, butter, etc and more use of ingredients such

development, and promotes environmental sustainability” — Peter Ayub, chef and author

19. Climateconsciousness

“We need to minimise waste and choose to use products that have a minimal impact on the environment, including products that are easily recyclable or biodegradable, or we should reuse items that would otherwise be thrown away” — Ayub

“Customers are more conscious about what they consume, and Mediterranean food delivers [in terms of] the palate, eye, and texture” — Michelle Biondi, head chef at Aurum Restaurant and Alto234

22. Gluten-free

“Gluten-free is here to stay, and more and more people are asking for this” — Georgina Hill, executive chef at Wild Coast Sun

23. Lifestylefriendly options

“Generally healthier options accommodate the trend of active, healthy lifestyles, which include a healthy diet. People want fresh vegetables

26.

“Bougie bread”

“These are made from different coloured doughs that can be laminated and layered with chocolate or strawberry preserve” — Larozaan van Zyl, chef at Capsicum Culinary Studio

27. Vegan desserts

“Vegan desserts will be big, as will dairyfree and gluten-free versions” — Van Zyl

28. Smaller cakes

“Consumers are gravitating towards more stylised, elevated desserts, while celebration cakes will become smaller” — Van Zyl

29. Different shapes

“Desserts are also shifting shape, with the cube gaining in popularity and the ever-popular pie popping up as a square” — Van Zyl

30.

“Newstalgia”

“Grandma’s recipes are so trendy right now, but they are slightly elevated” — Van Zyl

text : LONDIWE DLOMO

Unexpected celebrities, unexpected viral moments, unexpected rewards, and unexpected vibez! That’s the spirit of the No Lay’s, No Game 2024 campaign.

First, the unexpected celebrities…

The world’s leading potato chips brand, Lay’s, has once again teamed up with the Uefa Champions League. And bring out the vuvuzelas, because that’s not the only reunion — the partnership sees the return of legendary footballer Lucas Radebe as the local ambassador, joining his international counterparts David Beckham and Thierry Henry.

At the heart of the campaign, Lay’s just wants to see football lovers enjoying and creating long-lasting memories of game day while indulging in crispy and mouth-watering Lay’s chips.

“Whether you’re watching with a group of friends or at home solo, the game-day experience is always better with a bag of Lay’s,” says Tongase Dhlakama, marketing lead: potato chips at PepsiCo South Africa.

“This year, No Lay’s, No Game is giving fans even more reason to have Lay’s in hand. For those who do, something truly remarkable might happen. And those who don’t? Don’t despair — Lay’s might have something in store for you too!”

LAY’S IS BRINGING MOMENTS OF JOY TO THE UEFA CHAMPIONS LEAGUE

Then, enter the unexpected rewards… SMaggers, as part of the campaign, there are two double tickets up for grabs to watch the Uefa Champions League 2024 final live at Wembley Stadium in London. And Lay’s is also giving away other great prizes throughout the tournament.

If it’s not on social media, it didn’t happen. So, it’s time to create those unexpected viral moments… Lay’s has partnered with Meta for a grand digital experience through the innovative Lay’s Detector. To unlock the digital experience, access the Lay’s Detector on Lay’s South Africa Facebook and Instagram pages. Another approach is by scanning the QR code when you see the Lay’s TV ad. Starring Beckham and Henry, the ad was filmed in front of 75 000 fans when AC Milan faced off against Paris Saint-Germain at San Siro stadium in Milan. The duo rewarded those who had Lay’s in hand, spotted via the “Chip Cam” (step aside “Kiss Cam”). A father and daughter won, getting an exclusive invite to watch the match with Beckham and Henry. Nka screama!

“From our iconic potato chips to ground-breaking innovations such as the No Lay’s, No Game Social Media Filter, Lay’s remains committed to providing delightful and inventive snack experiences for our consumers,” says Dhlakama.

GOTGAME?

SHINING STAR HUNGANI

AT 30 BEGINS

FROM ROMEO MEDUPE IN SCANDAL! TO THABO MAPUTLA IN SKEEM SAAM, THE ACTOR HAS BROUGHT MEMORABLE TV CHARACTERS TO LIFE

production : YOLISWA MYALUZA

text: : NOMBUSO KUMALO

photography : AART VERRIPS

S Man cover: Fundudzi blazer, R6 500; David Tlale top, R6 600; Fundudzi trousers, R3 500, all Africa Rise; block-heel western ankle boots, R899, Woolworths

This page: Organic shirt, R1 099, H&M Studio; short-sleeved Team Sinchui soccer jersey, R750, Sinchui

Opposite page: Sage tech blazer, R2 800; soccer jersey, R950; upcycled shirt skirt, R750; sage jorts, R2 300, all Sinchui; Markham socks, R160, Bash; Slipstream premium sneakers, R2 599, Puma

“M

heart, Romeo Medupe. “I had been in the industry for five years. Landing that role was the reassurance I needed — before then I was hustling, doing this and that, but nothing was paying off,” Ndlovu remembers. “Then the Romeo moment happened. I told myself that I needed to solidify myself in this space, so when I moved on, no one could question my capabilities when it came to being a performer.”

Ndlovu’s newfound fame elevated his popularity with viewers, altering his oncenormal life. “Navigating how I engaged with strangers who thought they knew me was hard.

“MY LIFE WAS VERY BLESSED... BUT NOT WITHOUT HARDSHIPS”

At first, I wouldn’t pay attention when people called me Romeo, until Stephanie called me out and told me not to be rude,” he says.

Although he has since left the show, Ndlovu will forever be Romeo, everywhere he goes, even though his character was killed off.

Ndlovu met Stephanie on the set of Scandal!. Serving as casting director, she cast him as Romeo. He got an open invitation to sit with her during the production lunch break, and they have been together ever since.

“Every lunch after that I would sit next to her. It was then that I realised how amazing she is,” he says. “The journey to being husband and wife was filled with ups and downs. Did we know what we were stepping into? Not really, but all I know is that she will be by my side.”

Their popular YouTube channel has garnered over 340 000 followers. The Ndlovu’s Uncut documents their journey in marriage, parenthood, and life through short skits and interactive live chats. The couple have a beautiful daughter from their union.

“At first, I thought I wasn’t doing enough as a father,” he says. “What does it mean to be a father? That was my biggest question. Being someone from the acting world, I would research my characters, but when it came to fatherhood, I couldn’t find any information on it. It was only by the time our daughter was six months that I realised that I was doing it and it’s enough.”

TO 30 AND

AS THE HOTTEST GROOMING TRENDS

OF THE PAST THREE DECADES SHOW, THE BEST IS YET TO COME

The world of male grooming has grown in leaps and bounds since the mid-1990s. First the grooming boom shook things up, with men giving themselves the licence to invest in skincare, and now we live in a world where men are writing their own rules on how they want to look. The definition of masculinity is evolving, becoming more fluid and socially in tune.

y gosh, I’m turning 30!

Ndi ne-stress!” Hungani Ndlovu muses, enlivened by the thought of throwing a street party to ring in the momentous occasion. Grass carpets the barely visible paved pathway leading to the double-storey sliding doors of the Glow Studio on Oxford Road, Riviera. Sitting under an oak tree and looking out on the wellgroomed garden, Ndlovu admires the imposing studio. “Our home is going to be like this soon,” he says — he and actress wife Stephanie Ndlovu (née Sandows) are busy renovating a 45-year-old property. “It’s my wife’s idea... If it were up to me, we would build from scratch.”

The multi-hyphenate star — he’s a dancer, actor, DJ, and digital-content creator — admits that being “born free” has come with privileges his parents were not afforded. “My life was very blessed, privileged, and filled with opportunities, but not without hardships,” he tells me. “What’s

more interesting is seeing how my parents live now, based on their experiences before 1994 — it shows how people were conditioned during that period.”

Ndlovu credits watching his father manoeuvre in the business world with his confidence in pioneering a path for himself.

“I realised that acting on its own is not that lucrative,” he says. “Instead of complaining, I looked for opportunities in the world of entertainment and creation. In my quest not to shift industries and professions, I found myself doing different stuff that I enjoyed and that formed part of my being an entertainer.”

Although Ndlovu has reason to pop some champagne in honour of his accomplishments thus far, he admits that he has not been immune to the actor’s muselet of humble beginnings. His big breakthrough came in 2016 in the form of Scandal!, portraying a villain with a good

Ndlovu’s acting chops landed him another big role last year as Thabo “T’Bose” Maputla on SABC 1’s Skeem Saam. He had big shoes to fill, as he replaced the beloved Cornet Mamabolo, who had played the fan-favourite role since the show’s inception in 2011. “Romeo was my last big TV character and I had to make sure that they were not trying to have a Romeo through T’Bose. Through this role, I can show a different side of me as an actor,” he says. “The idea of a recast is tricky, as people grow attached to the actor who played that role. Even now, I’m sure that they call him [Mamabolo] T’Bose.

“At first, I didn’t know if I could pull it off. You’re taking over a role that has been filled by an individual for a decade. He is left-handed and I’m right, and his tone of voice and Sepedi pronunciation were all things that I had to practise for some time because I thought they were looking for someone to replace him in a way that’s still the same person.”

ASK THE EXPERT CHARLY BARBIER, EDUCATION & ARTISTRY DIRECTOR AT NARS COSMETICS, SHARES HOW BEST TO ACHIEVE SEAMLESS, NATURAL COVERAGE

Use a lighter texture for coverage: “I would use a lighter texture, liquid coverage such as the Light Reflecting Tinted Moisturiser. I wouldn’t use the Natural Radiant Longwear or Soft Matte, it’s more sophisticated. Rather use a tinted moisturiser for a more seamless result.” Don’t skip concealer: “I love to work with the Soft Matte Concealer. It blends perfectly, there is no texture on the skin, it gives good coverage, and it’s like you have nothing on.” Primer and concealer as a power duo: “My go-to products for men are the Soft Matte Primer, to avoid shine (especially on the nose or forehead), and then the Soft Matte Complete Concealer where it needs a bit of coverage.” Add warmth and dimension with bronzer: “Finish with a bronzer such as the Laguna Bronzing Cream or bronzing powder, just to warm up the skin, and that’s it, add lip balm and finish.”

TRENDING: TRAILBLAZING SWAG

Ear adornments: Whether it’s a simple stud or a short drop style, earrings are a cool accessory staple on the runways and street. From pearl and gemstone drop earrings and edgy, safety-pin-style earrings at Dior Homme to silver ear cuffs that wrap around the whole ear at Fendi, this has become the finishing touch to any grooming routine. Facial bling: Just when you thought sparkly facial embellishments were “girls only” territory, the runways show that gents can also rock the trend. As seen at Dior Homme and Balmain Homme, face jewellery is done in a way that still feels masculine and super cool. At Balmain, models were sent out with golden metal running down the centre of the face, from the crown of the head to the chin. At Dior, the mood was more demure, as models sported two silver stud stick-ons in the inner corners of the eyes for a subtle glint. Moustache mania: While gents still love to rock a luscious, healthy beard, the moustache is gaining popularity among the masses. Whether you call it a moustache or pornstache (owing to its reputation of being only for creepy characters and movie villains), there’s no doubt that it has become a symbol of rebellious cool and old-school charm, as seen on celebrities such as Michael B Jordan and Idris Elba. Guy liner: The “gateway drug” of male makeup, guy liner has opened the doors to makeup novices. On the runways, the trend has graduated from a modest swipe of liner in the waterline to a bolder, lived-in, more rock-n-roll expression with smoky colour wrapping around the entire eye, giving both upper and lower lash lines some smudged-up goodness, as seen at Philipp Plein, John Richmond, and Miguel Vieira. Grey scape: Whether you have a sprinkling of grey or are already a total silver fox, you’re already way cooler than you think. Spotted on the runways and red carpets on celebrities such as Idris Elba, kwaito legend Mdu, and Dr Dre, the salt-and-pepper look is all about unapologetically embracing your natural greys — on your head or in your beard. Slick back: The cartoon character A Pimp Named Slick Back from the TV show Boondocks is inspiring one of this season’s emerging hair trends. Gents are relaxing and blowing out their Afros to create glossy, slicked-back looks. As seen on Katt Williams and Bad Bunny, hair is cut into a fade with the top section left longer than usual, and then blown out and slicked back with lots of hair gel. Alternatively, for men with longer lengths, hair is relaxed and styled slicked back and flicked up at the ends.

Hey, Upper East Siders, Gossip Girl here, your best source into the scandalous lives of Manhattan’s high society. There are two new troublemakers in town — who are they? Only time will tell…

I’ve always been a wannabe Upper East Sider à la Gossip Girl, so, landing at Newark Liberty International Airport after 7am with a black Cadillac Escalade Luxury SUV as my pickup vehicle, the scene is set. My fellow traveller — the editor of The Edit, Sharon Armstrong — is strutting two steps ahead of me, with my shadow creeping behind. No kidding, we don’t travel light, and making a style statement at the airport is the first assignment. At -1°C, the weather and fashion gods have aligned. Door 5, terminal B becomes our runway, cuddled up in floor-length coats — mine a tartan-wool blend and hers a puffer.

Off we go on a fancy one-hour drive, stuck in morning traffic like true New Yorkers. Suffice to say, we enter Manhattan as Blair and Serena in Gossip Girl and exit as Caroline and Max in 2 Broke Girls. The reality of our weaker currency’s performance against the US dollar makes living in the fab lane in NYC a tussle. There are no regrets. I’ve always had a penchant for high spending and posh aesthetics. Once you’ve nibbled on caviar, you are not settling for catfish. What’s that famous line in Super Rich Kids by Frank Ocean? “Too many bottles of this wine we can’t pronounce.”

Loews Regency New York, located on Park Avenue — greatly associated with wealth and prestige — is my nest box. A short walk from Central Park and surrounded by lofty apartments, top-notch restaurants, and high-end stores, it’s perfect. We waste no time getting into the groove of NYC. After dropping off our luggage at the lobby (check-in is at 4pm), our first stop is the most touristy pursuit, Central Park. A short stroll later we rest on a bench overlooking an ice-skating rink. Two hours later, the strong smell coming from the zoo is enough to chase us back to our hotel.

After some negotiation, we are granted early check-in. Welcoming to an extent, the staff could be warmer. My room, one of 379 spacious guest rooms, offers a panoramic view. It has all the basics such as an iron, free wi-fi (lightning fast), smart TV, personalised temperature control, and mini-bar — not that I’m touching it (the snacks and Fiji bottled water cost as much as rent in SA).

Before long, the skyline dusky, it’s time to explore NYC nightlife and show off those winter sartorial layers. I do look exceptional in faux fur.

THE FAB LIFE ON

DEMANDS THAT YOU HAVE MAIN-CHARACTER ENERGY, LIKE BLAIR AND SERENA IN GOSSIP GIRL

text : EMMANUEL TJIYA

First stop, a cocktail party hosted by Puma at Madame George, a cocktail lounge where the champagne is flowing stronger than the Hudson River. Inside, the atmosphere is sweet and cosy. But once you step outside, the hustle and bustle of the Big Apple hits you with a bang. Our next stop doesn’t need much convincing — shopping

for breakfast meetings, so probably best to make a reservation for ideal sitting. The real party is on the menu: my top choice is The American, a full breakfast with fresh juice; eggs (any style); a choice of bacon, sausage or ham; herb-roasted potatoes; and a selection of pastries, toast or bagel, along with coffee or tea. The smoked-maple Canadian bacon tastes like heaven.

Lunchtime belongs to Sant Ambroeus Coffee Bar, which has hearty sandwiches and pastries. The decadent Princess Cake has my taste buds drooling, while the traditional Swedish sponge cake is equally Instagrammable.

We enter a grocery store in search of cigarettes and, to our surprise, are met with contempt, as though the space invasion has landed. We later learn that, in the US, tobacco products are sold at the pharmacy. Oops!

At nightfall, New York Fashion Week kicks off at the gothic-revival-style locale Park Avenue Armory with Puma’s “Welcome to the Amazing Mostro Show” (read my review on Sowetan Live). A highlight is making my debut on Getty Images alongside A-list guests such as Nigerian musician Davido, models Ashley Graham and Emily Ratajkowski, and actor Caleb McLaughlin. Heading to the after-party at Nebula nightclub — in a Tesla, nonetheless — I’m the embodiment of Frank Sinatra’s New York, New York: “I want to wake up in a city that never sleeps and find I’m a number one, top of the list...” Quick drip check? I’m fitted in head-totoe florals by Puma x Liberty. We dance the night away with actors Rickey Thompson and Hari Nef while the DJ drops fire amapiano and Afrobeat bangers.

NThen we end up in just the worst eatery, La Pecora Bianca. Upon arrival, I ask for a coat check and Armstrong whispers: “Mister, we are not in the Upper East.” The tight sideways seating leaves no room for freedom of movement. Next to us is a couple on a date and I can hear every word of their conversation — they skip dinner and go straight to dessert, at his place. On the menu, we opt for small plates. While the portions are generous, the food is awful. I wouldn’t recommend the crispy calamari (rubbery and overcooked). The first time I taste zucchini fries is also probably the last. The Brussels sprouts are more burnt than lightly charred.

at 9pm. There is more culture at the two-floor Puma NYC flagship store. The cool kids are lit, plus dope music is playing and just chilled vibez, so, we sip and shop.

The next day, walking into breakfast at The Regency Bar & Grill, the room carries weight and power. All the heavy hitters are here. It’s a hotspot

ew Yorkers do walk everywhere, and by the end of the third day I have shuffled 8.2km, totalling 18 150 steps. A serene stroll across Central Park turns into a photoshoot, first at the Gossip Girl steps of the Metropolitan Museum of Art and then in front of the Solomon R Guggenheim Museum’s sculptural exterior.

After a quick nap, I discover that there is a thin line between Upper and Lower Manhattan — and I am that line. Still intoxicated with the euphoria of the night before, I put on black fur to explore the SoHo grid. Armstrong suggests that it would be cheaper to take the subway, to which I respond, with great dismay: “Not in this fab fur.” Her comeback is flavourful; amused by my newfound elite status, she references Puma’s refashioned 1999 sneaker named after the Italian word for monster: “Getty has created a second Mostro.” Touché!

At R400, we take an expensive single Uber trip for a short 8km drive. Nothing a shopping spree can’t fix. The chic boutiques and trendy coffee shops are invigorating, while more daring fashion crowds occupy every corner of SoHo Broadway’s cobblestoned streets. Then, boom, we are slapped with the biggest culture shock.

I miss the Upper East, so we take another expensive trip back, savouring every moment of our final night in NYC as we drive across the scenic Manhattan Bridge and laugh at how we are “bad and boujee”. As redemption for the night before, an Italian restaurant on Madison Avenue, Serafina, is the saving grace. Its stunning yellow awnings are inviting, but the name carries a nostalgic familiarity with Leleti Khumalo’s Sarafina. We indulge in homemade pasta (Paglia e Fieno) and VIP pizza and finish off with a moist tiramisu. It’s time to say goodbye to NYC, but first a date with Vincent van Gogh, Andy Warhol, Pablo Picasso, Diego Rivera, and Thomas Kaminsky at the Museum of Modern Art. The exhibitions on the fourth floor are magical. You know you adore me.

XOXO, Gossip Girl! Tjiya was a guest of Puma SA

1994: LEEDS UNITED TRANSFER

A lot had happened, [with me] not realising that I would have such a life-changing opportunity to travel abroad for the first time and enhance my career. Before that, football was never a career or a job. Playing for Kaizer Chiefs since 1990 and then the breakthrough coming through Leeds, it was absolutely amazing. It changed not only my life but also the game. We [Radebe and the late Phil Masinga] took that opportunity to another level. We realised we were stepping into the limelight not just for us but for everyone who couldn’t get that opportunity to be recognised internationally.

1996: AFRICA CUP OF NATIONS CHAMPIONS

That was one of the best moments of my

life. A historic moment for our football. Early into democracy, it was important that we made an impact, first on home soil and then on the international stage. Another highlight was hosting the entire continent in our backyard. To see how the country came together was amazing, and in 1995 we had won the Rugby World Cup. The victories kept coming. We were never under pressure; I believed the Madiba magic was working. We felt invincible and could have beaten anybody at that time. We had big games and played Brazil prior to that. The vibe and atmosphere was amazing. It was the South Africa we had been longing for, for a long time.

1998-2002: BAFANA BAFANA CAPTAIN

Now the pressure was on as captain of

Bafana Bafana at the Fifa World Cup. As a footballer or sports personality, once you take up your boots, you just want to reach for the top and be the one who makes an impact. That was the inspiration — we wanted to play at the highest level and play against the best in the world. Playing the World Cup — it doesn’t get better than that. It was once again great representation, not just for South Africa but also for Africa. There were only five teams from Africa, and we were one of them. We qualified, we didn’t go through the back door, meaning we had earned to be there. Maybe the team wasn’t as formidable as in 1996, obviously with age we were falling away. But it was great to see the youngsters coming up, like Benni McCarthy and Quinton Fortune.

2010: PHILLIP IS HERE!

That was colourful. You could feel the pride in the air. We were so proud to be the hosts and welcome the world to Africa [for the 2010 Fifa World Cup]. It wasn’t just about football; it was about the tradition and culture. It’s those kinds of stories you can sit and tell your grandkids. It demonstrated how far we had come. To have achieved that showed the character of the people.

2024: THE STATE OF SOCCER

We could have done better, having hosted such great sporting events. That should have taken our game to the next level and the disappointment is that we didn’t take advantage or use that as a stepping stone to improve our football. We need to bring the youth in to play a role. We are supposed to be a reference for the youngsters on what football is like. It feels like the current players don’t look back and take pride in what we have achieved through the game, so that they can see themselves rewriting history.

THE FUTURE: PRIMO’S DAD

BROWSE

text : EMMANUEL TJIYA

In his own words, Rhoo takes us through 30 years of SA soccer

These days I’m called Primo’s dad [his son is a well-known social-media content creator] and I’m like, “I have a name too.” First of all, content creation is hard work. I’d been pushing him to get university training and then this happened. But this is the future; technology has evolved. Collaborations with big brands have become massive and that’s why I have partnered with Lay’s, known for being part of Uefa. It’s encouraging and inspirational to see. Primo is amazing. To see him at that level and do it with such passion, it’s great. I’m trying to catch up. He’s funny because it runs in the family, we have moments.

STRONGER

PLUMPER

FRESHER B O UNCIER