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woven Apparel/ suneel kushwaha

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CONTENT

Preface

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Philosophy

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Collection

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Forecast 14/15

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Mood board

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Exploration

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Designer

Introduction

Sample

Warpping

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Texcad sample

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Woven sample

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Mapping

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Conclusion

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The course was designed to analyze the process involved in creating and developing a WOVEN COLLECTION. It is also aimed to develop sensitivity to fashion trends and woven collection and to look into the works of other great designers across the globe. It encourages an attitude which stimulates on to think , to reason, to research, to get inspired , innovate and develop conceptual skills. This course also helps the student to imbibe a genuine respect for Designers and for their collection and to use this knowledge and learning for their future endeavors.

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It was now required for us to go through the collection to analyse the details and their senstivity to colours and materials.

These are some of the fabric samples from the Ascort Chang collection. 6

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This is the fashion forecast for the year 2014 /2015, called ‘english beat’. The co large represents the fall winter fashion forescast. The essence of this forecast is confidence, transparency, texture and multiple-layers. The colours have been derived from the images in the mood board. This fashion forecast evokes a musical rhythm and beat depicted through its sombre colour palette, repeated texture and multiple layerslike the notes of music that transcend a being into a personality of his choice, bearing a much greater confidence. 10

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The following keywords have been derived from the Ascort Chang collection and the fall winter collection 2014 ‘english beat’. Vintage Hand made Checks/stripes Textures

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The colour palette has been composed from the above keywords and the images to support both.

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The feel of the mood board is very geometrical , rigid and textured. Therefore it was important to bring out the same in the explorations. *The first image has a rubber sheet with texture on it to give depth and a tactile feel. *The second image is a combination of a plain and textured surface with squares in perspective inspired from the mood board. *The third image has same tone of two diffrent colours composed on paper and is desired to be used for Ascort Chang collection. *The fourth image is a direct representation of the Brick wall image from mood board. 12

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*The image-5 has the use of horizontal and vertical dry brush strokes which gives a feel of textured checks. *The image-6 has a prominent depiction of stripes. *The image-7 has been 7 5 6 created by scratching on colored paper.

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*The image-8 is composed of squares of the same tone of two different colours. *The image-9 has an illusion of checks created by scratching on the paper. woven Apparel/ suneel kushwaha

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Moving away from the rigid and straight lines folllowing are some explorations with organic forms. The image-10 is created by scratching on a corrugated sheet.

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In the other three images the square has been replaced by the round shape and has been put on different backgrounds to explore the look. 14

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The image-14 is an exploration where texture has been created by sandwiching a thread between two sheets of paper. The image-15 is an exploration showing the merging of colours and textures. woven Apparel/ suneel kushwaha

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Following are some of the warpping explorations. This is how warp ends are placed side by side in the warp bed. warpping.. reed -30 warp- 30s wool warp ends-406 no. of shaft-8 sample widht- 13�

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The following images are explorations done on texcad. With the help of these explorations the resulting cloth can be seen . The use of accent colour, texture and illusion has been used in the following explorations. 3

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The following images are the weaving samples done on the looms. woven Apparel/ suneel kushwaha

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The third image is woven with the combination of different weaves which gives it a 3D effect. 20

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an exploration in IKKAT weave 17

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Inpired by the works of Ascort Chang, this is a mapping of the different kinds of fabric into coats , shirts and formal pants. woven Apparel/ suneel kushwaha

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from the different fabrics that were made, here is the final patch of fabric, also mapped onto the coat and pants. The details of the fabric are better highlighted in the close-ups of the garment.

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here are two other fabrics mapped onto the coat and the pants respectively. the details are visible in the close-ups of both and the final look on the model represents the whole look. woven Apparel/ suneel kushwaha

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sample with mapping on gents coat-pant.

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sample with mapping on ladies coat.

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sample with mapping on ladies coat. 40

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http://issuu.com/suneel_kushwaha/docs/woven_apparel

41 woven Apparel/ suneel kushwaha


Special Thanks: The course woven apparel was one of the courses where I learnt a lot. I would like to thank my course faculty Miss Roopali Vyas and Neha Dave for being supportive of me and helping me out when I was stuck. It was a great learning experience for me where I got inspired by the works of other designers and tried to use the learning to make my work better. 42

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