International Wood Magazine 2015 by Surface & Panel

WOOD

International

the guide to applications, sources and trends

Buyers Guide

A Home Innately Tied to the Natural World The Inside Scoop Zen and the Art of Stylish Kitchen Design Malaysian Timber in â&#x20AC;&#x153;Paradiseâ&#x20AC;?

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Malaysian Balau used in Henderson Waves, Singapore.

WOOD

International

the guide to applications, sources and trends

Copyright© 2015 International Wood is produced annually by the International Wood Products Association (IWPA) and its CURE (Conservation, Utilization, Reforestation, Education) program. CURE is the educational outreach program of IWPA. Please direct all advertising, circulation, or subscription questions to: IWPA, 4214 King Street, Alexandria, Virginia 22302 USA PH: 703/820-6696 www.iwpawood.org

10 From the Forest – A message from

Craig Forester, President of the International Wood Products Association.

A Conversation with Alex Gama of The Borneo Initiative – Alex Gama shares The Borneo Initiative’s efforts for responsible sourcing and the sustainability of wood products.

I W PA O f f i c e r s President:

Craig Forester Rex Lumber Company Vice-President

Bronson Newburger Clarke Veneers and Plywood Treasurer

JoAnn Gillebaard Keller Holland Southwest International Immediate Past President

Chris Connelly Wood Brokerage International I W PA S ta f f

Cindy Squires, Esq. Executive Director

Felicia Johnson, MA Editor, International Wood Manager, Membership, Marketing, & Administration

Joe O’Donnell

natural materials and exotic woods make this elegant home stand out from the rest.

Buyers Guide IWPA’s Membership Directory highlights the leading suppliers to the North American market of hardwood and softwood lumber, flooring, decking, veneer, plywood and other composite wood products. This one-stop resource guide also provides contact information for ports, shipping companies, third-party certifiers and others that are helping to advance international trade in wood products.

Manager, Government & Public Affairs Publisher

I n t e r n at i o n a l P ly w o o d & V e n e e r s

Coffee-inspired components reveal the charming and whimsical design for a well-known European café.

Timeless Curves – A unique open environment provides customers with a warm welcome at the Hennessy Lexus car dealership.

I n t e r n at i o n a l F l o o r s & D e c k s

30 34 38

A Cottage in the Woods Featuring Woods in the Cottage – Vibrant and irregular wood flooring color patterns for a two-story cottage.

Malaysian Timber in “Paradise” – Beautiful and breathtaking views of the Paradise Resort Island.

Pine Flooring Shines in the Octavia Art Gallery – High quality and glossy finished look of Caribbean Heart Pine flooring.

Roots of Inspiration – Phillips Collection features art, furniture made from the elegant root structures of Southeast Asian wood.

T r e n dy E xo t i c W o o d D e s i g n s

kmldesign@mchsi.com Contributing Writers

A Vintage Mahogany Boat – An 83-year-old

Childhood Memories: Outdoor Rocking Chairs –

Wet Climate? Protect Your Investment with a Rainscreen System – The benefits of rainscreen systems

Leah Wheeler lleahwheeler@gmail.com YOUR Marketing Department

On the Cover:

stephanie.yourmarketing@gmail.com

Architect Robert Oshatz designed this Milwaukee area home featuring a central atrium which is anchored by a cylindrical stone core. A cantilevered staircase clad in Jatoba wraps around the core, and the home radiates out from there with elements of stone, metal, hemlock and additional accents of Jatoba. Photography by Cameron R. Neilson.

scottangus47@gmail.com

Zen and the Art of Stylish Kitchen Design – Ribbon striped Mahogany and Jatoba create a strikingly stunning environment for a remodeled kitchen.

Graphic Design

Karen Leno/ KML Design, Inc.

Scott Angus

DonCafé House by Innarch: The Inside Scoop –

Bedford Falls Communications jaufderhaar@surfaceandpanel.com

Bedford Falls Communications

Advertisers Index

I n t e r n at i o n a l L u m b e r & M i l lw o r k

John Aufderhaar

Stephanie Rodrigue

The Chenequa Residence: A Home Innately Tied to the Natural World – Curvy designs,

self-taught builder creates a beautiful Mahogany boat for his grandson. Inspired childhood rocking chairs made of Heveatech wood.

and the impact they bring to residential and commercial projects.

Matanda Wood Creations – Handmade and crafty creations that celebrate the beauty of exotic wood.

Winning with Wood International wood products association 4214 King Street Alexandria, VA 22302 PH: 703-820-6696 fax: 703-820-8550 www.iwpawood.org

Kleinfeld Hudson’s Bay: A.R.E. Design Store of the Year – The luxurious environment promotes pampering and provides the ultimate bridal shopping experience.

IWPA/CURE would like to thank the advertisers on page 64 who provided the financial support that made this publication possible. In addition, we thank the following organizations for their support and cooperation, insight and energy, in producing and distributing this annual publication: The American Home Furnishings Alliance, Architectural Woodwork Institute, ARE-Association for Retail Environments, Moulding & Millwork Producers Association, National Marine Manufacturers Association, National Wood Flooring Association, North American Wholesale Lumber Association and the Sarawak Timber Associationn.

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From the Forest

’

elcome to the 12th edition of IWPA’s award-winning International Wood magazine. Each year we are excited to bring our readers stories about the most innovative projects and exciting applications that showcase the capabilities of wood products sourced from around the world. This edition of International Wood details the use of exotic wood species in projects ranging from the most luxurious tropical resort to a lovingly handmade boat and the most detailed woodworking in toys and art. This year’s edition also includes an updated Source Box to allow woodworkers and specifiers to immediately learn more about the species highlighted in our articles. Readers can then turn to IWPA’s Buyers Guide, which directly connects specifiers with the suppliers that can help them source the most beautiful and highest performance wood products from around the world. Beyond producing International Wood magazine each year, many of our readers might not know much about the role IWPA fills for the imported wood industry. Our stated mission is “To build acceptance and demand in North America for globally sourced wood products from sustainably managed forests.” This effort supports jobs and industry in North America while also ensuring the economic health of foreign communities that rely on forests for their livelihoods. Without the long-term economic value created by demand from foreign markets, forests could be lost forever to conversion to agriculture or other uses. 2015 has been an exciting time to serve as President of IWPA. I am especially excited about the work IWPA is doing to create a Wood Trade Compliance Training Course that will ensure that compliance professionals in the wood products industry have access to the latest resources and best practices so their companies are able to efficiently and effectively meet their responsibilities under laws such as the Lacey Act. This course is in the final stages of development and we look forward to rolling it out in several locations around the country in 2016. I am hopeful that you will consider joining us next spring for our 60th Annual World of Wood conference from April 6-8 at the JW Marriott in Austin, Texas. We have assembled a list of speakers and panels that will provide you with the most timely and relevant information to help your team capitalize on opportunities that will present themselves in the current business and regulatory environment. Lastly, I would like to thank IWPA’s Members for your continued support of our industry. The time and resources you dedicate to our shared Association help our industry grow. I have enjoyed working with our Executive Director, Cindy Squires, as she and her team have undertaken numerous projects that seek to provide members with the tools they need to excel in a dynamic legal and regulatory environment. Our staff and Board look forward to each new opportunity to help you and your business thrive. If you are not yet a Member, give our team at IWPA a call so they can tell you more about ways in which they can help you succeed.

• Iroko (Chlorophora excelsa)

Sincerely,

• Jatoba, Brazilian Cherry (Hymenaea courbaril)

• African Etimoe (Copaifera spp.) • African Pommelé and Figured Sapele (Entandrophragma cylindricum) • Anegre (Aningeria spp.) • Angelique (Dicorynia guianensis) • Anigre (Pouteria spp.) • Australian walnut (Juglans regia) • Ayous (Triplochiton scleroxylon) • Balau, Red (Shorea spp.) • Beech (Fagus sylvatica) • Birch, Baltic (Betula spp.) • Birch, Karlian (Betula spp.) • Bloodwood (Brosimum paraense) • Bocote (Cordia spp.) • Brazilian cherry/jatoba (Hymenaea courbaril) • Brazilian rosewood (Dalbergia nigra)

I n t e r n a t io n a l w ood

• Khaya/African mahogany (Khaya spp.) • Limba, Black (Terminalia superba) • Lychee (Litchi) • Macassar ebony (Diospyros spp.) • Maccaranduba (Platymiscium spp.) • Mahogany, Honduran (Swietenia macrophylla) • Makore (Tieghemella heckelii) • Mango (Mangifera Indico) • Maple (Acer spp.) • Massaranduba/Brazilian redwood (Manilkara spp.) • Meranti/lauan (Shorea spp.) • Merbau (Intsia spp.) • Morado (Machaerium scleroxylon) • Obeche (Triplochiton scleroxvlon) • Okoume (Aucoumea klaineana) • Padauk (Pterocarpus spp.)

• Caribbean Heart Pine (Pinus caribaea)

• Paldao (Dracontomelon dao)

• Cambara (Erisma uncinatum) • Cedar, Spanish (Cedrela odorata)

• Primavera (Cybistax donnell-smithii)

• Cocobolo (Dalbergia retusa)

• Purpleheart (Peltogyne spp.)

• Cumaru (Dipteryx odorata)

• Red grandis (eucalyptus grandis)

• Doussie (Afzelia spp.)

• Rosewood (Dalbergia spp.)

• East Indian Rosewood (Dalbergia latifolia)

• Rosewood, Honduran (Dalbergia stevensonii)

• Ebony (Diospyros spp.)

• Rosewood, Madagascar (Dalbergia baroni)

• Ekki (Platymiscium spp.) • Elm, Carpathian (Ulmus spp.) • Eveuss (Klainedoxa gabonensis) • European White Oak (Quercus robur) • Garapa (Apuleia leiocarpa) • Greenheart (Chlorocardium rodiei) • Guajuvira, Brazilian Hickory, Guajayvi Wood (Patagonula americana) • Heveatech Engineered Wood (Hevea brasiliensis) • Ipé (Tabebuia spp.)

• Pau ferro (Machaerium spp.)

• Santos Rosewood/pau ferro (Machaerium spp.) • Sapele (Entandrophragma spp.) • Shedua (Guibourtia ehie) • Spruce, Sitka (Picea sitchensis) • Teak (Tectona grandis) • Tigerwood (Astronium graveolens) • Walnut (Juglans spp.) • Wenge (Millettia laurentii) • White Poplar, Silver Poplar, Silverleaf Poplar, Abele (Populus alba) • Yellowheart (Euxylophora paraensis) • Zebrawood (Microberlinia brazzavillensis) • Ziricote (Cordia dodecandra)

References:

• Bubinga (Guibourtia spp.)

• Kempas (Koompassia malaccensis)

Craig Forester • IWPA President 2015-2016 • Rex Lumber Company

The forests provide a natural, wondrous and renewable palette of wood species in an amazing multitude of colors and grain patterns. There are literally thousands of species globally that spark the imagination of our readers. Each edition of International Wood provides insight into the wide range of projects that successfully incorporate imported species. We have made every effort to identify the species referenced in this edition by its more common name and scientific names below. Clearly communicate your needs with a U.S. importer, manufacturer or supplier who can best assist you in locating the most appropriate species for your project.

– USDA Forest Products Lab: www.fpl.fs.fed.us/search/commonname_request.php – The Wood Database: www.wood-database.com

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A Conversation

with Alex Gama of The Borneo Initiative IWPA remains committed to building demand in North America for responsibly sourced wood products from around the world. This mission helps to maintain the health of global forests by sending clear market signals about their worth as forests and helping to prevent clearing for conversion to agriculture or other uses. IWPA Associate Member The Borneo Initiative (TBI) shares this dedication to responsible sourcing, and works to promote the use of sustainable wood products from Indonesian producers and assists producers as they work towards Forest Stewardship Council (FSC) certification. In March 2014, Alex Gama joined TBI as their Market Links Coordinator for North America. Gama is responsible for linking Indonesian concessions/industries to U.S. importers by promoting Indonesian timber products such as plywood, veneers, decking, TG4 flooring and truck flooring. Gama has spent nearly three decades in the wood products industry, starting with sourcing, grading and supply management in his native Brazil and continuing throughout South America, Europe and Asia.

Q: Please describe how and why The Borneo Initiative was created. A: In 2005 the Building and Borneo Campaign was implemented by the World Wildlife Fund, FSC Netherlands, Dutch housing associations and local authorities. The goal was to introduce a new chain-oriented approach to protect forests on the island of Borneo. The Building and Borneo Campaign was a major success: 46 Dutch housing corporations signed partnership agreements stating their commitment to use FSC timber in their new building and renovation activities in the coming five years. Together they planned to build 120,000 new homes with FSC timber. In 2007 and 2008 the allied groups continued and intensified the campaign to use FSC timber from Borneo in the Dutch housing sector by talking to the next partner in the chain: project developers. These stakeholders showed serious interest in developing and investing in a fund for the certification of concessions in Borneo. The housing corporations and housing project developers wanted to be assured of a sufficient supply of sustainably produced tropical timber into the future. The Borneo Initiative was established in 2008 to facilitate this process of certification of sustainable forest management and increase the supply of FSC timber.

Photos co u r tesy of The Bo r n eo Initi ati v e

I n t e r n a t io n a l w ood

My goal is to generate awareness here in the North American wood products market about the difference between legality and sustainability and why it is so important to be sustainable. Alex Gama, The Borneo Initiative's Market Links Coordinator for North America

Q: How do you measure success in The Borneo Initiative’s stated mission? A: Before The Borneo Initiative came into operation, there were twelve FSC certificates in Indonesia (of which one was a controlled wood certificate), covering 1.2 million hectares (ha). The Borneo Initiative’s pledge is to add another 4 million ha FSC certified area. Today, we have added 14 full FSC and 2 controlled wood certificates (together 1.36 million ha – all natural forest) while another 21 forest concessions with 2.07 million ha are still in progress towards FSC certification. Out of a total area of 1.9 million ha FSC certified natural forest in Indonesia, 67% has been facilitated by TBI.

Q: Can you talk about the importance of the North American wood products market to the success of The Borneo Initiative? A: The continuously growing FSC certification process in Indonesia supported by The Borneo Initiative, now responsible for 4.3 million FSC certified hectares aiming to achieve 8 million hectares by 2018, naturally demands growth in market shares. With the European wood products market in retraction and having the North American wood products market in ascendance, reflected by the 2.5% average growth per year in its economy, the North American market is extremely important, and I would say a key factor to the continuous success of our organization.

Q: In addition to assisting Indonesian producers with certification, what role can The Borneo Initiative play in assisting North American importers looking to source wood products in Indonesia? A: The Borneo initiative, through its Market Links Program, facilitates direct contact by guiding American importers to Indonesian exporters that are suitable for their company profile and products. We also work among Indonesian exporters explaining particular characteristics of the North American market such as grading and standard sizes in different wood products sectors. continued on page 14

I n t e r n a t io n a l w ood

continued from page 13

Q: W hat are you looking forward to accomplishing during your own time leading The Borneo Initiative Market Links Program in the USA? A: My goal is to generate awareness here in the North American wood products market about the difference between legality and sustainability and why it is so important to be sustainable. Sustainable wood products are directly related to long term business relationships between importers and exporters and enables more investment in marketing. Another goal is to show this great market that Indonesian producers are ready to meet the needs of U.S. importers when talking about legal sourcing and product excellence. We hope furthermore that North-American companies will follow the example from the Dutch wood and construction sector and will also contribute to our forest certification fund.

Q: Are there lessons you have learned in The Borneo Initiative that you believe are important to the global dialogue about strengthening the health of global forests? A: Yes, the major lesson is that strengthening the health of global forests is the only way to assure the future of the wood products business. I’ve always believed that we cannot discuss environment issues without taking the economical social impact in consideration, especially in areas below the poverty level and that depend on this business. Therefore, well managed healthier global forests are directly related to a healthier planet and also to healthier people. The private sector can play a positive role here by creating a market for sustainably produced wood products, and so become a positive actor for the conservation of our natural resources. IW — The Bo r n eo Initi ati v e

I n t e r n a t io n a l w ood

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The Chenequa Residence:

A Home Innately anchored to the Natural World

Photog r a phy by Ca me ro n R . Neil so n

rchitect Robert Harvey Oshatz is acclaimed for his ability to design structures that are inspired by their settings and at one with the environment around them. The Chenequa residence, located on the outskirts of Milwaukee, Wisconsin, wraps around the face of a hill and pivots through stands of old growth oak. The home is deeply influenced by the surrounding landscape and melds stone, stained concrete, glass, metal, as well as exotic and domestic woods seamlessly throughout its interior and exterior spaces. When conceiving the design for the residence, the homeowners emphasized the importance of using natural materials and preserving all of the existing trees on the site. They wanted a family-friendly home that would be elegant yet comfortable and sturdy enough for a family of six. Architect Robert Oshatz selected the homeâ&#x20AC;&#x2122;s palette of materials based on functionality, beauty, complementarity and ties to the natural environment. Among the primary materials used in the interior of the house were hemlocks to texturize the ceilings, Idaho quartz which sends out a radiant shimmer from the homeâ&#x20AC;&#x2122;s core, and stained concrete, which imparts an earthy organic look to the floors.

I n t e r n a t io n a l w ood

“There must be surprise, mystery, beauty and delight; elements that make architecture rewarding to its users for a lifetime. This is one of the primary differences between architecture and building. It is the architect’s responsibility to go beyond the mere program and into the realm of the spiritual.” Robert Harvey Oshatz, Architect

Jatoba: The Perfect Complement

Oshatz then found the perfect complement to these materials in Jatoba (Hymenaea courbaril) wood. All of the interior cabinets, trim work, doors and window mullions in the residence are fashioned from Brazilian Jatoba. “Jatoba had the aesthetics I was seeking for this home,” said Oshatz. “It complements all the other elements without creating a busy look or distracting from the beauty and resonance of the overall space.” Jatoba, like its cousin Ipe, is prized for its hardness, density and strength. Also known as Brazilian Cherry, the wood has a rich brown color and a linear interlocking grain that sets off the home’s sienna-red finished concrete floors, light colored stonework and hemlock ceilings. “Its warm, subdued tone and quiet grain complemented the other natural elements and made it an ideal solution,” said Oshatz. “Jatoba is also extremely hard, scratch resistant and durable,” he noted. “And that’s important in a household with four lively young children.” The Jatoba was so hard, that the mullions between the large glass panes of the exterior door and window faces had to be specially engineered in order to not strip the assembly hardware. A Visually Interactive Residence

The use of floor-to-ceiling glass panels ensures that the residences magnificent lake views can be seen from within. Oshatz built into the site using a radial plan consisting of a series of independent radii. The primary radius spans the contours of the site, following a path that maintains a convex aspect to the lake and skirts all the existing trees. Each subsequent radius is related so that the spaces are simultaneously logical, free flowing and harmonious. The interior of the home extends outward from a central atrium which is anchored by a cylindrical stone core. A cantilevered staircase clad in Jatoba wraps around the core, continued on page 18

The interior of the home extends outward from a central atrium which is anchored by a cylindrical stone core. A cantilevered staircase clad in Jatoba wraps around the core

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I n t e r n a t io n a l w ood

The main entrance to the residence on the second of its three floors affords access to a great room, dining room and kitchen, and provides breathtaking views of the lake.

continued from page 17

and the home radiates out from there with elements of stone, metal, hemlock and additional accents of Jatoba. The main entrance to the residence on the second of its three floors affords access to a great room, dining room and kitchen, and provides breathtaking views of the lake. The floor plan extends through the kitchen and onto a deck overlooking the garden. The lower floor is a private family area where a game room, study, theater room, guest room and children’s bedrooms offer warmth and security. The top level is occupied by a master suite and a nursery. At first glance, the house appears to be small, as its skip-stepping roof and spiraling stone columns conceal its height and belie its size. Oshatz used the geometry of the house to alternately veil and expose various parts of the structure, creating interest while disguising its scale. The flow of space between the interior and the exterior of the Chenequa residence was designed to be visually interactive. The balanced use of natural stone, domestic and exotic woods, large glass panes and stained concrete all contribute to the poetic character, spirit and energy of this unique structure. Architecture as Poetry

“Every site has its own character, and the architect’s challenge is to capture that character and translate its spirit into architectural poetry,” Oshatz says. “The starting point of my work is the client’s program, including both its functional and spiritual components. A design program should embody the emotional needs of the client and user. I see architecture as a synthesis of logic and emotion, exploring and fulfilling the dreams, fantasies and realities of my clients.” 18

I n t e r n a t io n a l w ood

spotlight on: Jatoba, Brazilian Cherry

Hymenaea courbaril Central America, Southern Mexico, Northern South America, and the West Indies Common Applications: Flooring, fine furniture, cabinetry, architectural details, shipbuilding, joinery and turnery, and small specialty items. Characteristics/Appearance: Heartwood varies from a light orange-brown to dark reddish brown, sometimes with contrasting grayish brown streaks. Color tends to darken upon exposure to light. Sapwood is a light grayish yellow, clearly demarcated from the heartwood. Grain is typically interlocked, with a medium to coarse texture. Good natural luster. Janka Hardness Scale: 2,690 lb f Comments: Jatoba bears little relation to the American Cherry (Prunus serotina). Jatoba can be moderately difficult to work with because of its density and hardness. It can be machined to a smooth surface except when planing where tear-out occurs due to interlocking grain. Jatoba glues, stains, turns, finishes and responds to steam-bending well. Species: Origin:

•••••

What does the janka ranking scale mean? The janka rating scale

measures the relative hardness of woods. Because hardness is often an important factor and hardness varies for each species, the janka scale is an excellent tool to compare wood species and identify appropriate choices. 2500 + 2000 1500 1000 0-500

••••• ••••• ••••• ••••• •••••

“There must be surprise, mystery, beauty and delight; elements that make architecture rewarding to its users for a lifetime,” he says. “This is one of the primary differences between architecture and building. It is the architect's responsibility to go beyond the mere program and into the realm of the spiritual.” The Chenequa residence celebrates the magnificence and poetry of its environment and the authentic beauty of the elements used in its construction. With the generous use of natural materials, powerful geometry, clean lines and uncluttered spaces, the home is stunningly contemporary. Yet at its heart, the Chenequa residence is a home for a family. The house provides connections to the exterior, but is warm, comfortable and inviting. The Chenequa residence reminds us that human beings are innately tied to the natural world, and that it is a rich and rewarding place in which to live. IW Rob e r t Osh at z , A rchitect — The firm of Robert Harvey Oshatz, Architect, based in Portland, Oregon, provides organic architectural, planning, interior design and construction management services for developers and individual clients. Since 1971, Robert Oshatz has designed and built numerous commercial and residential projects throughout the country. Oshatz is also active as a speaker at public lectures and architectural gatherings.

Over 150 species of architectural exotic woods and veneers in a variety of colors, grain patterns and figure types. “Where SPECIALTY VENEERS are standard”

www.ifpveneer.com (502) 633-0017 I n t e r n a t io n a l w ood

DonCafé House by Innarch:

The Inside Scoop

Photos co u r tesy of In n A rch Te a m

osovo is probably not the first place that pops into your mind when you think of trendy coffee shop décor or innovative cafe interiors. Yet Pristina, the capital and largest city in this landlocked central Balkan territory, boasts one of the most remarkable coffee houses in the world. The DonCafé House is an elegant modern coffee house that beckons hipsters, local business people and international visitors with a unique design concept that mimics the sensation of being inside a crumpled bag of coffee beans. A creative team from Innarch, a Kosovo-based design firm, combined coffee-inspired components to come up with this charming, whimsical cafe interior theme using European Beech (Fagus sylvatica) veneered Poplar (Poplas alba) plywood panels. The most notable thematic element of the café is the organic wall motif of plywood planks that graces the walls in a fluid, rolling topographical sequence. This voluminous shape provides cozy integrated seating and discreet modular areas within the overall space. The bar, tables and coffee bean shaped chandeliers are also all made of Beech-covered Poplar plywood. The foremost feature of the DonCafé House interior, however, is its organically flowing wall. Constructed of 1,365 pieces of four centimeter thick Poplar plywood from Serbia, this element ripples gracefully throughout the space, functioning as seating in the main area as well as a display unit behind the bar. Organic variations in the modular panels contribute to the overall form and encourage the flow of the café’s interior. Poplar plywood was selected for this application due to its stability, light weight and moisture resistance. Each panel was individually fashioned and cut on a CNC machine prior to assembly. Due to the panel stability, even the largest of the Poplar panels remained stable and did not shift out of dimension during the fabrication and installation processes. continued on page 22

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spotlight on: White Poplar, Silver Poplar, Silverleaf Poplar, Abele

Populus alba Southern/Central Europe to Central Asia, Morocco, the Iberian Peninsula Common Applications: Commonly used as a utility wood in furniture, moldings, paneling and panels, paper, pallets, boxes and crates. Characteristics/Appearance: A light, soft hardwood with sapwood that is white or light green cast. The color is lighter and more uniform than that of American Southern Yellow Poplar (also known as Tulipwood, Liriodendron tulipfera), and it is also generally free of dark mineral streaks that are found in that species. Heartwood is reddish-yellow. Janka Hardness Scale: 410 lb f (see chart on page 19) Comments: White Poplar wood is soft, lightweight, pliable, and relatively inexpensive, and can be prone to breakage. It machines easily but may fuzz and tear if tools are not sharp. It takes paints and stains well. Many Italian renaissance painters, such as Leonardo da Vinci, painted on wooden panels made of this wood. Species: Origin:

•••••

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continued from page 21

“Coffee, the finest organic suspension ever devised.” Star Trek: Voyager Other design and décor elements in the DonCafé House add to the illusion that one is inside a bag of coffee beans. The walls of the bar are contoured and tinted to convey texturization and interior pillars are dressed in roughly textured burlap. Asymmetrical coffee bean-shaped chandeliers suspended from the ceiling also contribute to the sensory experience. The chandeliers, made from thinner Poplar plywood plates clad in Beech veneer, provide homogeneous diffused light throughout the space. Tables made from the same type of Beech veneered Poplar plywood are staggered throughout the café, as if they were coffee grains drifting randomly inside a coffee sack. The interior separating wall is both decorative and functional. Its organic shape gives patrons a unique sense of active engagement with their coffee-infused surroundings. The separating wall section behind the bar resembles the neck or closing of a coffee sack and also functions as a display unit for DonCafé merchandise.

Kosovo is probably not the first place that pops into your mind when you think of trendy coffee shop décor or innovative cafe interiors. Yet Pristina, the capital and largest city in this landlocked central Balkan territory, boasts one of the most remarkable coffee houses in the world.

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The bar itself is designed and engineered for the dispensing of coffee and other DonCafé House menu items, such as pastries and assorted desserts, sandwiches and entrees, and it furthers the impression of being inside a bag of coffee. The starting point for the design process was “to create an impression of a sack filled with coffee grains as the main design concept,” according to sources at Innarch. While developing ideas around this theme and integrating them to the interior design of the café, the Innarch creative team paid close attention to decisions about the color palette, the types of wood and other materials used, lighting elements, furniture and all stylings, staying true to the coffee bean sack theme. After successfully designing the company’s flagship café in Pristina, Innarch will next take the coffee sack concept to the Kosovan district of Peja. The DonCafé Company, which is based in Romania, has long-range plans to develop a chain of cafés to showcase its coffee brand. This same design theme will be followed for future DonCafé branches that are planned for Belgrade and elsewhere in Eastern Europe. Coffee aficionados in Europe are rejoicing! iw

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Zen and the Art of Stylish Kitchen Design

The warm earthy tones of ribbon striped Mahogany and Jatoba harmonize effortlessly with brushed stainless steel surfaces in this artfully remodeled kitchen. The contrasting colors, textures and surfaces comingle to create a strikingly contemporary and functional environment.

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he warm earthy tones of ribbon striped Mahogany and Jatoba harmonize effortlessly with brushed stainless steel surfaces in this artfully remodeled kitchen. The contrasting colors, textures and surfaces comingle to create a strikingly contemporary and functional environment.

A Toronto home built in the 1990s in the enclave of Erin Mills, was dated, out of style and simply wasnâ&#x20AC;&#x2122;t functional for the Nadarajah family, a professional couple with four children. XTC Design Inc. of Toronto, CA, oversaw the first floor renovation of this 6,500 square foot suburban home. Together with designer Erica Westeroth, the Nadarajahs set about designing a comfortable, efficient kitchen with a thoughtful footprint and clean, modern lines. Their vision was to open up the kitchen area and transform it into a place where family members would feel inspired to create meals and enjoy family time together. They specified the use of natural, soothing materials and several large specialized appliances; openness to the adjacent family room; continuity with the solarium; as well as various unique architectural details. The orientation of the kitchenâ&#x20AC;&#x2122;s main preparation island was altered to capitalize on natural light, and the island splayed to add interest as well as a greater surface area. A polished light bridge above the island brought focus to the setting and created a sense of intimacy.

spotlight on: Jatoba, Brazilian Cherry

Hymenaea courbaril Central America, Southern Mexico, Northern South America, and the West Indies Common Applications: Flooring, fine furniture, cabinetry, architectural details, shipbuilding, joinery and turnery, and small specialty items. Characteristics/Appearance: Heartwood varies from a light orange-brown to dark reddish brown, sometimes with contrasting grayish brown streaks. Color tends to darken upon exposure to light. Sapwood is a light grayish yellow, clearly demarcated from the heartwood. Grain is typically interlocked, with a medium to coarse texture. Good natural luster. Janka Hardness Scale: 2,690 lb • • • • • f (see chart on page 19) Comments: Jatoba bears little relation to the American Cherry (Prunus serotina). Jatoba can be moderately difficult to work with because of its density and hardness. It can be machined to a smooth surface except when planing where tear-out occurs due to interlocking grain. Jatoba glues, stains, turns, finishes and responds to steam-bending well. Species: Origin:

Linear ribbon Mahogany cabinetry in both matte and high gloss finishes, cleft face slate, natural finished Jatoba (Hymenaea courbaril) wood floors, etched glass backsplash tile, swirling high gloss granite tops and brushed stainless countertops produced an array of tactile textures, colors and sheens and imparted a sense of tranquility to the area. “Our choice of Jatoba for the flooring was based on the fact that we loved the rich varied color of the wood which naturally darkens with age and sunlight,” said Sumathi Nadarajah. “It doesn’t need to be stained; it is easy to clean and it feels warm during the winter months.” Unstained ribbon Genuine Mahogany (Swietenia macrophylla) was used for the kitchen and family room cabinetry, as well as for a fireplace façade and was echoed with accent touches continued on page 26

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elsewhere in the residence. “The warm, reddish color and linear grain of the ribbon Mahogany appealed to my clients’ aesthetic and was just a natural solution for this residence,” said Westeroth. When Mahogany is rift cut, it emphasizes its straight grain and gives it a linear cadence. In the kitchen, the wood’s warmth reflected off of the brushed stainless steel appliances and tempered the cool character of the metal. “We love the beautiful natural striations of the wood and the rich intense color, which seems to glow at night. The center island has ribbon Mahogany cabinets in a glossy finish, while the surrounding cabinets and Sub-Zero fridge have a matte finish. These have proved to be very easy to clean and still look brand new after seven years,” noted Nadarajah. With its soft color palette and judicious use of natural woods, the Nadarajah home is an elegant fusion of East and West. Its stylings, furnishings, appliances and building materials from around the world are seamlessly integrated into a well-planned total environment. Touches of East Asian art and décor coexist with rich vibrant reddish-brown woods synchronized against a background of blue/green slate tiles, a green glass tile backsplash and brushed stainless steel appliances. “Erica even designed a lovely eastern grill made of Mahogany which looks into the solarium and gives the whole area a lovely, peaceful Zen-like feel,” said Nadarajah. “The simple beauty and functionality of our home has really transformed everyday living into a wonderful experience,” she added. “We would highly recommend both of these woods for home renovations. They’re durable and beautiful and have a timeless quality.” IW

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Er ica Weste roth / XTC D esig n In co r po r ate d — XTC Design Inc. is an award winning, interior design firm specializing in kitchen and bathroom designs, entertainment spaces, home offices and custom furniture.

spotlight on: Mahogany, Genuine Mahogany, Honduras Mahogany

Swietenia macrophylla Origin: Southern Mexico southward to central South America; also commonly grown on plantations. Common Applications: Fine furniture and cabinetmaking, interior trim paneling, highend veneers, musical instruments, boat building, patternmaking, turnery and carving. Characteristics/Appearance: Heartwood is reddish, pinkish, salmon colored, or yellowish when fresh. It mellows with age to deep rich red or brown; distinct from the yellowish or whitish sapwood. Luster is high and golden; texture may be fine to coarse; grain may be straight, interlocked, wavy or curly, often with attractive figuring. Janka Hardness Scale: 900 lb • • • • • (see chart on page 19) f Comments: Genuine Mahogany is considered one of the finest crafter’s woods. Mahogany is easy to finish and takes an excellent polish. It can be sliced and rotary cut into fine veneer. Mahogany exhibits an interesting optical phenomenon known as chatoyancy, a cat’s-eye reflectance effect also seen in certain gemstones. Species:

Timeless Curves W

hen you think of a car dealership, a unique and timeless interior design is probably not the first thing that comes to mind. When visiting Hennessey Lexus in Gwinnett, Georgia, a breathtaking design is exactly what you see. In 2008, Hennessey Lexus needed to renovate their existing dealership, increasing square footage by 25%. Consistent with the Lexus passion for leading-edge design, dealers have a lot of freedom to create an environment that suits their individual needs and reflects individual dealers’ style. When undertaking the expansion of Hennessey Lexus, the same design tenants as the Lexus car brand were incorporated. “We value our customers, whether they are here to purchase a new vehicle or for service on their current car. When people come in, we want them to feel valued, welcomed and comfortable,” explains owner, Peter Hennessey. The task of designing a warm and welcoming dealership that reflected the Lexus brand and hospitality was led by interior designer Jillian Mitchell, Owner of Details Interior Design and Furniture Company, and architect David Zenner, CEO of The Zenner Group, Inc. To achieve this goal, a combination of high-end architectural details and curves were used, designing everything on an axis. Using the right materials was also crucial to making this project a success. The materials chosen were selected to be timeless yet contemporary, while also having to be extraordinarily durable to stand up to application in a high traffic commercial environment.

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Photogr aphy by Fred Gerlich

A combination of wood and glass were used to achieve the timeless look. The growing design trend of open and transparent office spaces was used. The use of frameless glass instead of traditional drywall between offices maintains the open feel, even when private spaces are needed. “Integration of wood adds so much warmth,” says Jillian. Very close attention to detail was important to the success of this project. Furniture and millwork were coordinated and specified to maintain a consistent look and grain. For a unifying look, Anigre (Aningeria spp.) was used for all of the wood features throughout this design. The furniture was custom designed and created to fit into the curved features of the space, creating cohesion within the entire project. “The wood for this project was meticulously specified. From the furniture to the wall panels and casework, all of the wood was actually sourced from a single tree! This allowed us to closely control the grain for a consistent look

spotlight on: Anigre / Aniegre / Anegre

throughout all the wood details in the space. It was vital for the look we wanted to achieve and it was worth it,” says Jillian. Interiors for this location included a number of curved and “waved” walls faced with blueprint-matched quartered figured Anigre and finished with a Cherry stain. Atlanta Hardwood Corporation supplied veneer for walls and casework. Architectural panels were fabricated by Custom Plywood., Inc. Sequence-matched, flat-cut plain Anigre was used for the casework throughout the dealership, fabricated by KMI, Inc. Anigre which originates in Africa, has a similar density to African Mahogany. The wood has a fine texture in higher wood grades. This heavily figured wood lends itself to special applications like this in high-end design and furniture. Anigre is naturally a blonde color but it accepts stain exceptionally well. The contemporary design that started with warm wood tones and unique wood grains continued with a more unique halfinch black reveal between wood panels. The floating glass intersecting with wood also reinforced the contemporary look. A juxtaposition of square corners with curved walls added another layer to the design. Further tying the interior design of the dealership to a

Lexus automobile interior is the combination of wood, glass and leather in the conference room. With luxury at every corner and curve, a beautiful and lavish space is the result. A design challenge throughout was selecting finishes that were durable enough to withstand the demanding conditions of a dealership. Some of the products used were different than your typical interior project. For example, despite being used in interior applications, exterior MDF was used for added durability. The overall design has hit the mark. At seven years old, the project still looks like it did the day it was completed. “That is one of the things I am most proud of about this project,” explains Jillian. “Selecting finishes that look high-end, timeless and welcoming that can hold up to the day-to-day rigors of this kind of space were a challenge. I am pleased that the hard work we did designing and meticulously specifying on this project has stood the test of time.” IW — Jillian Mitchell/ Details Interior Design and Furniture Company & David Zenner/The Zenner Group

Aningeria spp. Origin: West and East Africa, Guinea, Sierra Leone, Ivory Coast, Ghana, Nigeria, Cameroon, Angola, and Ziare Common Applications: Cabinetry, decorative furniture veneers, flooring, furniture, high end millwork, and ship building. Characteristics/Appearance: Heartwood is light tan, sometimes creamy and occasionally light pink. It can darken to a reddish-brown with sun exposure. The heartwood is not sharply demarcated from the sapwood, which has similar colors. Figure ranges from unfigured to highly figured, often with a pronounced fiddleback. Species:

Janka Hardness Scale:

990 lbf

(see chart on page 19) ••••• Aniegre is a straight-grained wood

Comments:

which can be interlocked. It has a fine to medium uniform texture with good natural luster. It’s considered easy to work with, but due to the silica content, it can cause blunting of tools. This wood has a medium density as well as medium strength and shock resistance.

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Photogr aphy by M ario C. Melillo

A Cottage in the Woods Featuring Woods in the Cottage

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or me, it is not possible to do a project without wood,” said Eric Joseph Tremblay, Founder and Principal architect of BOOM TOWN, atelier d’architecture in Montreal, Canada. “Steel, concrete, stone, glass and wood. These are the five essential ingredients.”

Nevertheless, when Tremblay’s client suggested using Guajuvira (Patagonula americana) hardwood flooring in the living room of his cottage remodel, Tremblay admits that initially he had reservations. “When the customer showed me this product, I really was not sure what the effect would be,” he said.“I was afraid to give the floor too much importance. It might have too much visual impact. But I was wrong. After some testing, I quickly realized that the use of this exotic wood enriched the project.” Tremblay’s client had been drawn to the Guajuvira in a distributor’s showroom by its vibrant irregular color pattern and fine texture. “We considered standard hardwood flooring, something like Maple or Cherry wood, but it was a bit boring,” Tremblay said. “We liked the large variations and dramatic tints in this exotic wood. This wood is not uniform and it is visually very rich.” Guajuvira also known as Brazilian Hickory, Brazilian Pecan or Macchiato Pecan, is a striking variegated species that grows in Paraguay, Bolivia, Uruguay, Argentina and parts of Brazil. The sapwood is a creamy yellowish-white color with brown hues intermixed with olive undertones. A myriad of shades from dark brown to black coexist in the heartwood. The grain can be irregular or straight or a combination of the two, and the wood finishes to a satiny smooth continued on page 32

“I like to work in a contemporary spirit, meaning that I value the light, open spaces and the use of warm and natural materials.” Joseph Tremblay, BOOM TOWN, atelier d’architecture

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spotlight on: Guajuvira, Brazilian Hickory, Guajayvi Wood

Patagonula americana Origin: Native to Brazil, Argentina and Paraguay Common Applications: Fine furniture, chairs, trim, turnings, boat building and framing, cabinetmaking, carvings, flooring, heavy construction, joinery, mine timbers, musical instruments, sporting equipment, agricultural implements and tools, toys and vehicle parts. Characteristics/Appearance: Guajuvira’s coloring consists of white to brown hues in the sapwood and various shades of dark brown to nearly black hues in the heartwood. Its grain is a fairly straight and finishes with a satin smooth luster. The wood is moderately photosensitive and will patina as it ages. Janka Hardness Scale: 1,810 lb ••••• f (see chart on page 19) Comments: Guajuvira is a high quality, attractive wood that is in high demand, particularly in Argentina. Guajuvira is a very durable, hard and resilient wood species with a distinctive contrast of dark and light coloration that lends itself to both rustic and contemporary design stylings. Species:

continued from page 31

luster. Guajuvira is almost twice as hard as North American Hickory and has a moderate stability rating similar to that of Brazilian Cherry. With its beautiful contrasting coloration and bold visual appeal, Guajuvira can make a bold statement in a rustic mountain lodge, a contemporary high-end condominium or a suburban home. It was an ideal choice for the Cottage De Bordeaux. Tremblay undertook the Cottage De Bordeaux remodel project in 2010. The homeowners sought to update and open up the interior space to allow more natural light into the two-story cottage, while expanding storage space. A key first step was to decompartmentalize the ground floor by removing several walls and installing a towering load-bearing beam made from British Columbia Douglas-Fir (Pseudotsuga menziesii). Tremblay then placed real Elm tree trunks (Ulmus spp.) sourced from his client’s property in the

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Laurentian Mountains of Quebec to define the spaces while still leaving the open flow between the game room, the large entrance hall and the living room. “We were looking for a way to psychologically separate the entrance to the game room,” he explains. “The Elm logs divide the space without cutting it up so it seems larger and less confining. At the same time, the tree trunks give one the sense of being in a wooded grove, so it serves as both an important architectural feature and aesthetic styling.” “People love these tree trunks and the exotic wood flooring. These are basically the two elements that people always ask me questions about,” Tremblay says. Other wood accents in the cottage include an open frame solid wood staircase connecting the cottage’s two floors. The stairs are made from wood similarly sourced from the owner’s fields in the Laurentian Mountains. In describing his work and his design ethos, Tremblay says, “I like to work in a contemporary spirit, meaning that I value the light, open spaces and the use of warm and natural materials.” In terms of architectural genre, Tremblay notes that he “love[s] the mid-century style and also the Scandinavian style.” The clean, modern lines and natural attitude expressed in applications throughout the Cottage De Bordeaux are examples of crisp, functional design and the use of natural materials, contrasting textures and beautiful woods. “The rustic effect counterbalances the minimalism of the built-in furniture that is installed along the windowless wall,” said Tremblay. “This glossy black and white furniture, without handles, is very clean and contemporary. I think the combination of the different materials

and new development can create spaces that are bright, warm, rich and open, that comfort and appease, while being functional for the life of a family today.” “Since one of the goals of this project was to open the living spaces in order to get the best possible light, the use of raw material for the wood structure has emerged to deliver a warm feeling to those new areas,” he added. The homeowners were very involved in the entire cottage renovation project. “They initially saw the Guajuvira in the showroom of a wooden floor distributor,” says Tremblay. “I think they are very happy with the cottage and enjoy being in such a beautiful place.” IW — E r i c J os e p h Tr e m b l ay/ BOO M TOW N , ate li e r d 'a r c h itectu r e

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Malaysian Timber

inâ&#x20AC;&#x153;Paradiseâ&#x20AC;?

Photos co u r tesy of M a l aysi a n Timb e r Co u n cil

alaysian timber has increased the luxury quotient of many heavenly island resorts in Mauritius, the Maldives and the Seychelles, creating ultra-exclusive retreats. One such resort is Paradise Island Resort and Spa, situated in the North Male Atoll of the Maldives. At 201 meters wide and one kilometer long, 276 villas with private terraces offer unparalleled views of the Indian Ocean. Paradise Island Resort might just give heaven (the real one) a run for its money! The resort was recently refurbished with additional facilities such as water villas and restaurants, but many parts, particularly those featuring modern Maldivian architecture, have been retained. These were built with Malaysian timber two decades ago, and many structures still stand strong, an excellent testament to the quality of Malaysian timber species. One such structure is the Arrival Lounge, closest to the jetty. Its high pitch roofs are supported by pillars and beams made of Malaysian Chengal (Neobalanocarpus heimii), while

the entrance to The Lagoon Restaurant & Bar is built about 100m out to sea. high pitch roof at the Arrival Lounge is supported by Chengal pillars and beams.

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rafters of Kempas (Koompassia malaccensis) are paired with weaved rattan on the ceiling, creating a casual yet sophisticated ambience. Adjoining the Arrival Lounge are the Sunrise Restaurant and the Paradise Bar. The bar’s high pitch roofs are made of Merbau (Intsia spp.) rafters and Kempas trusses, coupled with weaved rattan ceilings. Solid Merbau strips line the floor of the bar. The spa village is also maintained from the original blueprint of the resort. A pair of wooden swing doors framed within a timber archway welcome visitors for the ultimate pampering session. Merbau flooring has been creatively laid out in the shape of a heptagon echoing the shape of the roof. Timber latticework frames the outdoor greenery, complementing the warm brown hues. The long corridor leading to the treatment rooms is also lined with solid Merbau strips. Balau (Shorea spp.) is unsurpassed for outdoor applications and is used for the decking surrounding The Lagoon Restaurant. The ocean facing side of the restaurant features an expansive sundeck also made of Balau. The restaurant

spotlight on: Chengal

spotlight on: Kempas

Neobalanocarpus Malaysia and Thailand Common Applications: Mostly used for heavy construction, railway sleepers, and heavy duty furniture, decking, staircase, door and window frames. Characteristics/Appearance: The heartwood is yellow-light brown with a greenish hue. As it ages, the color becomes dark purple or rust red.

Koompassia malaccensis Malaysia and Indonesia Common Applications: Flooring, heavy construction, chairs, railroad ties, shingles, cabinets, veneers, plywood and pallets. Characteristics/Appearance: Kempas has an orange-brown color similar to the appearance of Mahogany. The sapwood is yellow to pale white and the grain is spiraled, interlocked and coarse in texture.

Species: Origin:

Janka Hardness Scale:

2130 lbf

(see chart on page 19) ••••• The timber is durable and

Species: Origin:

Comments:

Janka Hardness Scale:

resistant to termite attack and fungal infestation. Planing is known to be easy with a smooth finish.

1750 lbf

(see chart on page 19) ••••• Although Kempas is

Comments:

considered a difficult timber, the wood stains and glues very well. The species also sands well but requires some filling to ensure a good polish.

continued on page 36

The Lagoon’s expansive sundeck, perfect for al-fresco dining, is made of Balau. I n t e r n a t io n a l w ood

spotlight on: Meranti, Balau, Lauan, Philippine Mahogany

Shorea spp. Southeast Asia

Species: Origin:

Common Applications: Plywood, interior furniture, general construction, concrete forms, veneer and boatbuilding. Characteristics/Appearance: Colors can vary from a pale straw color, to a darker reddish brown. The texture is coarse with medium to large pores. Sometimes the grain is interlocked. Janka Hardness Scale: 1600 lb f (see chart on page 19) Comments: Meranti is relatively easy to work with and it glues, stains and finishes well.

•••••

continued from page 35

has large folding doors framed with Meranti (Shorea spp.), and when fully opened offer a fabulous view of the ocean. The roof trusses and beams of the restaurant are all also made of Balau. Carved wooden screens line both sides of the walkway from the restaurant’s main doors are handcrafted using Merbau. The exclusive Haven complex’s accommodations have often been described as a resort within a resort. The Haven Villas and Suites are built on stilts above a lagoon.

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The spa’s reception area features Merbau flooring creatively laid out in the shape of the ceiling.

Malaysian timber has increased the luxury quotient of many heavenly island resorts in Mauritius, the Maldives and the Seychelles, creating ultra-exclusive retreats.

spotlight on: Merbau, Kwila, Ipil

Intsia spp. Origin: East Africa, Southeast Asia, and Australia Common Applications: Indoor and outdoor furniture, flooring, decking and musical instruments. Characteristics/Appearance: Merbau has an orange-brown color when freshly cut. As it ages, it turns into a darker reddish-brown color. Its grain is straight to interlocked with a coarse texture. Janka Hardness Scale: 1,840 lb f (see chart on page 19) Comments: Merbau has strong characteristics, stability and durability. It is resistant to rotting and insect attack. It also glues and finishes very well. Species:

•••••

villas at Paradise Island Resort and spa

Meranti has been used judiciously for interior applications such as wall panels and door and window frames. Each of the villas and suites features a spacious private Balau-decked veranda, equipped with a Jacuzzi.

Meranti has been used judiciously for interior applications such as wall panels, door and window frames, as well as other interior fit-outs. Each of these villas and suites features a spacious private Balau-decked veranda, equipped with a Jacuzzi. Furnished with sun loungers, the deck is an idyllic spot for relaxing and enjoying the ocean’s whispery breezes. A short flight of Balau steps at one corner allows guests to step right into the lagoon for an immediate encounter with the multi-colored marine life. The Ocean Suites, perched at the edge of the island reef, offer magnificent views of the crystal clear lagoon and oceanscape beyond the Meranti framed windows of each suite. Here, privately served meals are enhanced by sea breezes on a generous seafront living space decked with Balau and furnished with Kempas outdoor furniture. Partly thanks to Malaysian timber, Paradise Island Resort and Spa is truly living up to its name as paradise on earth. IW — M a l aysi a n Timb e r Co u n cil I n t e r n a t io n a l w ood

Pine Flooring Shines in the

aribbean Heart Pine (Pinus caribaea) – prime, solid, 5-inch wide – flooring was recently used to refurbish the Octavia Art Gallery in New Orleans, Louisiana. The Octavia showcases contemporary fine art, and was looking for high quality flooring to match this motif. They worked with Robinson Lumber Company, also of New Orleans, to select Pine flooring sourced and manufactured in Honduras, where the company has operated since the 1950s. For this project, the Octavia selected the highest quality “heart” lumber. In Honduras, Pine stands that are harvested regrow naturally from trees left behind for that purpose. Due to natural regeneration, there has not been a transition to using a faster growing, less dense species. As a result, Honduran producers are able to export Pine lumber that is similar in size and density to the large timbers produced in the United States in the 1800s that are currently being reclaimed and are in high demand for flooring and other products. Caribbean Heart Pine/Honduras Pitch Pine was the perfect combination of quality, density, appearance and affordability for use in the Octavia Art Gallery. Although it is Pine, Robinson Lumber Company manufactures and packages Caribbean Heart Pine/Honduras Pitch Pine as hardwood flooring. Users have found that a site applied, natural oil, modified urethane finish enhances the grain and natural beauty of this wood. IW — Rob in so n Lu mb er Co m pa n y

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Octavia Art Gallery Photos cou r tesy of Robin so n Lu mb er Co mpa n y

spotlight on: Caribbean Heart Pine/Honduras Pitch Pine

Pinus caribaea origin: Honduras Common Applications: Serves as a substitute for reclaimed heart pine and longleaf pine, flooring, plywood, veneer, plywood, paper (pulpwood) and construction lumber. Characteristics/Appearance: Straight grained with a medium to coarse texture. It works very well with most tools. Strong density and has large resin canals, numerous and evenly distributed, mostly solitary. Janka Hardness Scale: 1280 lb (see chart on page 19) f Comments: Caribbean Heart Pine is also widely used for engineering purposes. Products include power piles, framing, laminated beams and even playground equipment. Species:

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Mark Phillips sources wood, including the roots of trees, from Thailand and indonesia for use in his "origins Collection" of art and furniture. Below:

“Mahoni” sculptures are made from Mahogany roots.

A console table made from a tree that had been struck by lightning.

Facing Page:

Roots of Inspiration

Phillips Collection Features Art, Furniture Made from Southeast Asian Wood

Nature does pretty well if you don’t mess it up.

That’s Mark Phillips’ philosophy. As president and CEO of the Phillips Collection, designers and manufacturers of extraordinary furnishings for residential and commercial markets, he should know. “There’s usually a reason nature is doing all of this,” Phillips said. “If we are smart enough to observe it, we’ve got something.” Phillips and his wife, Julie, have been smart enough to observe nature for decades, and they’ve truly got something. They call it the Origins Collection, and it’s part of their broader Phillips Collection. Through Origins, they have transformed their keen appreciation of nature into a growing line that features stunning Southeast Asian wood made into furniture and art. The Phillips Collection, based in High Point, North Carolina, has charted astonishing success over the past decade, including growth of at least 25 percent in each of the last four years.

Ph otos co u r tesy o f the Phillips Co llectio n

The company motto: “Every piece a conversation.”

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While the Phillips Collection features eclectic international pieces ranging from river stone cocktail tables to oil drum table lamps to resin sculptures of sheep, it’s the Origins Collection where woods from Thailand and Indonesia are the true centerpieces. The Phillipses harvest stressed or damaged wood and collect remnants of trees that have been left on the land. Most of the artwork and furniture uses abandoned roots and stumps –“the wonder of what grows underneath,” as Mark describes it. This lifelong passion all started thirty-two years ago when Mark’s parents invited the couple to join them on a trip. Mark’s parents traveled the world collecting Asian art. All it took was one trip accompanying them and they were hooked. Although Mark and Julie were both working in other fields, the trip planted

spotlight on: Mango

the seed. The two shifted gears and got involved. They studied the art of Southeast Asia and learned to appreciate the region’s history, culture and capabilities. “We began as a company of discovery – first discovering ancient art, then discovering antiques and then discovering other beautiful

things,” Mark said. Before long, the company began to evolve from a company of discovery to a company of design. That journey began in earnest in the late 1990s when Mark and Julie were in Northern Thailand seeking umbrellas made from the region’s extraordinary silk. The Phillipses passed abandoned Teakwood farms where the trees had been felled 50 years before. Stumps prevented the Thai people from farming the land, and no one was willing to pay to remove them. “We played around and dug up a few of these stumps,” Mark said. “We cut them into squares to be a coffee table. We made dining tables, and we made them into console tables. It was all based on where we applied the cuts.” They knew they were on to something, and they sought the roots of other trees to expand their collection. They now collect wood throughout Thailand and Indonesia. Among their favorite species to work with is Mahogany (Toona sureni), from which they have developed their “Mahoni” collection. Mahoni is Indonesian for Mahogany. They have an entire collection of sculpture made from Mahogany roots. “We actually sand its root structure while it’s still in the ground,” Mark said. “We sort of dig around and sand it and find the beautiful curves continued on page 42

Mangifera indica Asia (Indonesia, Thailand) Common Applications: Flooring, furnishings, turnings, and accent art. Characteristics/Appearance: The heartwood is golden brown along with yellow, pink or black streaks. It has a defined wide grained, consistent graining for carving, turning and working. Janka Hardness Scale: 1,050 lb ••••• f (see chart on page 19) Comments: Mango is also a well-known harvested tree and fruitwood. It is valuable for lumber and considered eco-friendly. Species: Origin:

spotlight on: Lychee

Litchi Asia (Indonesia, Thailand) Common Applications: Jewelry, culinary tool handles, and artisan carving. Characteristics/Appearance: Workable with neutral grain. Janka Hardness Scale: 950 lb ••••• f (see chart on page 19) Comments: Lychee is an evergreen, tropical tree that bears fresh fruit with a sweet fragrance and flavor. The height of the tree ranges from 33ft. – 92 ft. The fruit is sold mainly in the marketplaces in the Asian region and in recent years, now in supermarkets worldwide. Species: Origin:

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continued from page 41

and moves it makes. We then cut that piece and mount it on a base.” Extracting roots from the ground can be challenging but they have developed a unique system to extract the stumps with minimal or no cutting. They often use power washers to spray and dislodge the rocks. Other removal methods are used for more stubborn root systems, such as the Lychee tree. The beauty of the Lychee (Litchi chinensis) makes it another favorite wood to work with. Lychee nuts are a delicacy in China and Thailand. The tree bears fruit between 10 to 20 years and has a remarkable root structure that is heavily intertwined. “Now, we drive that to the location where we’re harvesting trees, and we blast the hell out of those rocks,” Mark said. “That allows us to cut and bring these beautiful Lychee roots out to create tables from abandoned, fruitless trees.” Julie is especially fond of Mangos (Mangifera indica), which are abundant, fast-growing trees that bear fruit for only 11 years and then are cleared. They never reach wide diameters. “I’m a gardener at heart, and I love the way we are able to work with barren Mango trees,” Julie said. “I figured out a way to join three to make a coffee table, a bar stool and a bar table. It’s another example

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of how we try to redeploy. Fragments and small pieces that others pass on, I seize upon to invent new products.” While the Phillipses travel extensively, they also rely heavily on partners in Thailand and Indonesia who know what to look for. “They are artisans who understand, cherish and nurture the beauty around them because that is what they depend on,” Mark said. “Our partners have become so sophisticated that they know what knocks my socks off in terms of beauty.” One example would be a tree afflicted with a type of cancer that creates a burl, which is nature’s way of trying to protect the tree. “It creates an amazing pattern over decades,” Mark said. “They know it’s worth bringing because it’s so rare and beautiful.” The primary buyers of items from the Phillips Collection are interior designers who recognize the value. “They buy it because it brings warmth into a home,” Mark said. Top hotel chains also buy works from the Phillips Collection for their suites, lobbies and elevator landings, and merchandizers use them to dress up their displays. “One of my favorite pieces is the root of a long ago harvested Teakwood tree that we dug up and cut into an almost perfect circle,” Julie said. “It

now serves as the Prada shoe table in Nordstrom. You can’t help but feel good when you see these beautiful natural surfaces, and I confess, I feel really good when I look at their shoes.” The company’s present is strong and the future looks secure, especially with their two children now involved. Jason is a top designer, while Jessica is working in hospitality and marketing. Through it all, nature has provided the inspiration and ingredients. “People will tell us they wanted their console at a certain height,” Julie said. “When you tell them, ‘I’m sorry, this is how nature created it,’ then it’s absolutely perfect.” IW — Mark and Julie Phillips/ the Phillips Collection

Facing Page: Mark Phillips with a Mai Teng Burl in its original home. Left: The Phillips team collaborates over a work in progress.

finished pieces include one of Mark's favorites, a table made from a sonokeling root; the teak root sculptures that Julie favors and a bar table fashioned from a teak root.

Above:

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spotlight on: Teak, Burmese Teak

Tectona grandis Native to Southern Asia. Also widely grown on plantations throughout tropical regions of Africa, Asia and Latin America. Common Applications: Ship and boatbuilding, veneer, furniture, flooring, cabinets, exterior construction, carving, turnings, and small wood objects. Characteristics/Appearance: Heartwood is golden to medium brown, the color darkening with age. Grain is straight or occasionally wavy or interlocked. Teak has a coarse, uneven texture and moderate to low natural luster. Raw, unfinished wood surfaces have a slightly oily or greasy feel due to natural oils that protect the wood from insects and rot. Janka Hardness Scale: 1,070 lb • • • • • f (see chart on page 19) Comments: Teak is one of the most desirable woods in the world because of its superb stability, strength, and outstanding resistance to decay and rot. It is generally easy to work with, although its high silica content has a blunting effect on cutting edges. Despite its natural oils, teak glues and finishes well, though prepping with solvent prior to gluing/finishing is sometimes necessary. Species: Origin:

spotlight on: Mahogany, Genuine Mahogany, Honduras Mahogany

Swietenia macrophylla Origin: Southern Mexico southward to central South America; also commonly grown on plantations. Common Applications: Fine furniture and cabinetmaking, interior trim paneling, high-end veneers, musical instruments, boat building, patternmaking, turnery and carving. Characteristics/Appearance: Heartwood is reddish, pinkish, salmon colored, or yellowish when fresh. It mellows with age to deep rich red or brown; distinct from the yellowish or whitish sapwood. Luster is high and golden; texture may be fine to coarse; grain may be straight, interlocked, wavy or curly, often with attractive figuring. Janka Hardness Scale: 900 lb ••••• f (see chart on page 19) Comments: Genuine Mahogany is considered one of the finest crafter’s woods. Mahogany is easy to finish and takes an excellent polish. It can be sliced and rotary cut into fine veneer. Mahogany exhibits an interesting optical phenomenon known as chatoyancy, a cat’s-eye reflectance effect also seen in certain gemstones. Species:

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A Vintage Mahogany Boat

that Began with a Vision Photogr aphy by Joshua Ren ard

hen Moisey Baudoin set about building a boat as an heirloom for his grandson, he began with a picture in his mind. “The Good Lord gave me a vision,” he explained. “I could see it. I knew what it looked like and how to do it.” Moisey Baudion, working together with his son-in-law, Keith, and his grandson, Joshua Renard, spent three years building the 24 foot triple cockpit boat, a replica of a vintage Chris-Craft runabout. The boat emulates the classic style, lines and beauty of the distinctive 1940s-era Mahogany skinned boats. An experienced builder, Baudoin used a design plan obtained online from Glen-L Marine, as well as his innate knowledge, woodworking skill and his intuition. “We started with a plan but he modified quite a few things,” said Renard. “He added about a foot to the length of the boat, modified the bow, enlarged the engine compartment for easier access and expanded the boat’s storage capacity.” Renard described the construction and assembly process, “We stood up the frame, ribs and chines, and then covered the structure with a thin layer of marine-grade plywood using a cold mold process. We added another layer of plywood on top of that at a 45-degree angle to the first sheet. Then came the Mahogany and Teak and many layers of clear epoxy to seal and coat the surface.” Several wood species were used in the boat’s construction. Ribbon Stripe Sapele (Entandropharagma cylindricum) was used as an accent and to create color contrast with pattern grade Honduran Mahogany (Swietenia macrophylla) and Teak (Tectona grandis) planking on the bow. Walnut was used for the wide center bow plank and the boat’s trim, while Cypress (Taxodium distichum) was used for the frame. “It really is a thing of beauty,” said Renard. “The epoxy coating makes the Mahogany wood very shiny, and when it’s wet it just seems to glow in the water.” Moisey did most of the prep work for the boat in a small workshop located adjacent to his home in Delcambre, Louisiana. It was here that he sliced, planed and shaped the Honduran Mahogany and Teak wood planks. His tiny workshop is not air-conditioned, but as he explained, “You have to sweat a little bit to make it worthwhile.” Most of the lumber for the boat came from Newman Lumber Company in Gulfport, Mississippi. “Mr. Baudoin came in one day and said he was planning to build a boat. He knew in his mind exactly what he wanted and needed and just had an eye for it. It didn’t take him long to select the pattern grade Honduran Mahogany,” said Bill Rogers, Sales Manager at Newman Lumber. “Obviously he had been around building, understood wood, knew what he was doing and how to do it,” Rogers said. Pattern grade Mahogany is a wood of choice for high-end furniture and cabinet makers, luthiers, and fine wood craftsmen. The wood grain is tight, even, and vertical to the board. The wood is very workable and stable with few if any defects. Teak, with its golden-brown color and straight grain

When Moisey Baudoin set about building a boat as an heirloom for his grandson, he began with a picture in his mind. “The Good Lord gave me a vision,” he explained. “I could see it. I knew what it looked like and how to do it.”

IMPORTED HARDWOODS SINCE 1947 Genuine Mahogany l Spanish Cedar l Sapele l Mara Macho Cerejeira l Santos Mahogany l Peruvian Walnut l Jatoba

was the perfect aesthetic complement for Baudoin’s runabout. Teak’s overall stability, strength and resistance to decay and rot make it a wood of choice for boat building. A Self-Taught Builder, A Self-Made Man

Now 83 years old, Baudoin left school after the 6th grade and worked as a sharecropper. He is a selftaught builder who developed the skills and acquired the tools to ply his trade as a carpenter over the years. “He is a really creative guy. He has a sense about how to build things,” says Renard. “He can look at things and build them based on what he sees. He has built homes, furniture, carriages, and all sorts of amazing things. One of his specialties is making accordions. When he travels, he’ll go to museums and see things and then build them from his memory.”

For more information, contact a member of our sales staff:

“It Feels Good to Make Something Beautiful”

Gulfport, Mississippi USA

The Vera Kate, named after Baudoin’s great granddaughter, made its debut and was christened at the annual Delcambre Shrimp Festival blessing of the fleet ceremony in August 2014. “It feels good to make something beautiful,” said Baudoin. “I’m not sure I learned anything from the experience, but it made me very happy.” IW

Bill • Doug • Pam 1-800-647-9547

228-832-1899 l fax: 228-831-1149

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— M o is e y Bau d oin newman-lumber-redesign-international-wood-magazine.indd 1

I n t e r n a t io n a l w 2:11:23 ood PM 45 7/25/2014

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Childhood Memories: Outdoor Rocking Chairs

han Wai Lim drew inspiration for this trio of outdoor rocking chairs for children from her own childhood on a farm in Singapore.

Chan Wai Lim is a member of the Little Thoughts Group, a collective of designers passionate about sharing the richness and beauty of their Singaporean identity, history and lifestyle through design. Each year the group showcases its work at exhibitions centered on a particular theme. This year’s theme was “My Hood: the place where I grew up.” “My inspiration comes from my childhood life on a ‘kampong’ (farm),” said Chan. “In the early ‘70s, Singapore was mainly farmland, ponds and plantations, and at that time simple pleasures revolved around playing with farm animals and hand-made wooden objects. I wanted to share some of my memories and to infuse a design story into pieces of outdoor furniture to bring a smile to the younger generations.” Chan created a set of three animals: a piglet, a cat and a dog. “These are the most meaningful animals that I recall from my life on the farm,” she explained. Chan’s designs are simple and classic, each having unique pattern variations and color tones.

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Chan Wai Lim drew inspiration for this trio of outdoor rocking chairs for children from her own childhood on a farm in Singapore. The rocking chairs are made of eco-friendly Heveatech wood (Hevea brasiliensis), the Pará rubber tree. It is a densely grained wood with superior dimensional stability, structural integrity and durability. Heveatech also has a high resistance to termites, insects and natural abuse, which makes it ideal for outdoor furniture and decking. The wood is whitish yellow when freshly cut and gradually seasons to a soft, light brown. Heveatech has machining and working qualities similar to Teak. Heveatech wood was economically important because the milky latex extracted from the tree is the primary source of natural rubber. “I like to work with strong, durable woods that have beautiful grains,” Chan said. “Cedar and Rosewood are some of my favorites, as well as regional Asian species such as Jelutong, Meranti and Pinewood.” “Wood is an amazing material that has a remarkable ability to connect humans with nature,” Chan says. “As a designer, I often see wood being wasted in workshops and at installations. I try to be thoughtful about using wood and considerate to the environment in my creation process.” IW — C h a n Wa i Lim / Lit tle Th o ughts G ro u p

spotlight on: Heveatech Engineered Wood, made of Rubberwood

Hevea brasiliensis Origin: Indonesia, Southeast Asia Common Applications: Decking, flooring, construction, outdoor furniture and other outdoor applications. Species:

Characteristics/Appearance:

Rubberwood has a dense grain and characteristics similar to Teak. It is whitish yellow when freshly cut and subsequently seasons to light brown. The wood has easy machining and working qualities. Heveatech is an engineered wood product made from Rubberwood that has superior dimensional stability, high termite and insect resistance, and is extremely durable. Janka Hardness Scale: 1,800 lb • • • • • f (see chart on page 19) Comments: Heveatech is a 100% wood by-product derived from plantation Hevea trees at the end of their 25-30 years of latex producing lifespan. The logs are reclaimed to prevent wastage, which is why Heveatech wood is regarded as an eco-friendly wood. Heveatech has superior structural integrity, dimensional stability, durability and resistance to pest infestations due to its laminated veneer lumber (LVL) engineering technology. I n t e r n a t io n a l w ood

Photos co u r tesy of Timb e r H o ldings USA

spotlight on: Garapa, Brazilian Ash

Apuleia leiocarpa South America Common Applications: Exterior joinery, flooring, stairs, decking, dock and boatbuilding. Characteristics/Appearance: Garapa is a fine grained wood with a light yellow to warm golden brown hue and darkens with age. It has a fine straight-grained, interlocked medium texture. This wood is fairly easy to work, despite its density. It glues easily and is very stable once glued. It saws, nails, and screws well with little to no blunting effect on tools. Janka Hardness Scale: 1,650 lb • • • • • f (see chart on page 19) Comments: Garapa is naturally water-resistant, less vulnerable to insects, rot and decay. With an excellent durability and a high resistance to daily wear, it has a long lifespan of 25 years or more. Garapa also features a Class A fire rating. Species: Origin:

spotlight on: Massaranduba, Bulletwood

Manilkara bidentata Origin: Caribbean, Central and South America Common Applications: Decking, flooring, boatbuilding, turned objects, and heavy construction. Characteristics/Appearance: Massaranduba has a medium dark heartwood color, with pale yellow sapwood. The grain is straight to interlocked or wavy, with a fine uniform texture and a low natural luster. It responds well to steam bending. The high density and oil content can be a challenge in gluing. Janka Hardness Scale: 3,130 lb • • • • • f (see chart on page 19) Comments: Massaranduba is one of the most beautiful hardwoods in the world. It is well known for its high density in heavy load construction projects and good durability in exterior applications. Despite its high density, it generally produces good results with both hand and machine tools. It does exhibit an aboveaverage dulling effect on cutters. Species:

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Wet Climate? Protect Your Investment with a Rainscreen System

hroughout history builders have had to cope with moisture and how it can impact the built environment. Materials interact with moisture in innumerable ways, and architects, engineers, and builders must tailor mitigation strategies to their customers’ needs and the building environment. Increasingly, specifiers are looking to rainscreen systems that utilize natural wood products to address moisture control. “The concept of a rainscreen is not new,” says Brian Lotz, Director of Business Development/Outside Sales of Timber Holdings USA (marketer of the brand name Iron Woods®) in Bedford, New Hampshire. “The Vikings used the concept of an open wall rainscreen system back in the 12th century.” A rainscreen is a siding installation that establishes an air gap between the siding and a water-resistive barrier. This open system allows moisture to enter the system but also allows it to evaporate naturally. In wood rainscreen systems, wood board faces are screwed to traditional wood battens. The wood selections are all durable and sustainable exotic and lesser known wood species.

spotlight on: Ipe, Brazilian Walnut, Lapacho

Handroanthus spp. Central and South America Common Applications: Decking, flooring, decorative veneers, boatbuilding, and turned objects. Characteristics/Appearance: Ipe can vary in color from reddish brown to yellowish olive brown or darkish brown. Although the appearance is similar to Cumaru, the color tends to be darker. It has a fine to medium texture and the grain varies from straight to irregular or interlocked. Janka Hardness Scale: 3,510 lb • • • • • f (see chart on page 19) Comments: Being known as one of the toughest woods to work with, Ipe is one of the top species well suited for flooring and decking projects. The wood is extremely dense and durable. It has superb weathering characteristics and insect resistance. Species: Origin:

The species are based on the specifier’s preference and color. Ipé (Handroanthus spp.) has a rich walnut color and is often selected due to its density and durability in exterior applications. Garapa (Apuleia leiocarpa) has a golden brown color, and is lightweight yet easy to work with. Massaranduba (Manilkara bidentata), also known as “Bulletwood,” has a dark red color with a high density for heavy construction. Teak (Tectona grandis) has a medium golden brown color and has long been a species of choice for exterior applications. Cedar (Cedrus spp.) is also in demand due to its ability to be stained in a variety of colors. The benefits of a rainscreen system are worthwhile when it comes to areas with substantial rainfall. In some areas of the United States, like the Pacific Northwest, or in some countries like Canada, builders and architects have long recognized the importance of air space behind cladding and now mandate minimum air spaces behind all cladding materials. The U.S. Federal Emergency Management Agency has also recognized the importance of pressure equalization of cladding when exposed to high winds such as those experienced during a hurricane. Because wood rainscreen systems allow pressure to equalize throughout the system, FEMA recommended in a 2009 advisory that “a rain screen design be considered when specifying wood or fiber cement siding.” Lotz adds that “Rainscreen systems are experiencing a steady growth curve both commercially and residentially amongst design professionals who understand the science of moisture and its impact on building envelopes.” IW — Timb e r H o ldings USA

A rainscreen is a siding installation that establishes an air gap between the siding and a water-resistive barrier. This open system allows moisture to enter the system but also allows it to evaporate naturally.

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spotlight on: Cocobolo, Cocobola, Cocabola

Cordia dodecandra Central America Common Applications: Fine furniture, musical instruments, turnings, carvings, and small specialty objects such as gun grips, knife handles and fine custom inlay work. Characteristics/Appearance: Cocobolo heartwood is typically orange or reddish brown, often with a figuring of darker irregular traces. The creamy, pale yellow sapwood is seldom used. Grain is straight to interlocked, with a fine even texture. Good natural luster that can be polished to a lustrous, glassy finish. Janka Hardness Scale: 2,960 lb • • • • • f (see chart on page 19) Comments: Cocobolo’s aesthetic and acoustic properties make it ideal for production of musical instruments, such as guitars, basses, drums, clarinets, oboes and bagpipes. It is growing in popularity for use in decorative and figured veneers, bowls, jewelry boxes and other specialty items. Cocobolo looks and feels oily, and its high natural oil content makes gluing difficult and can inhibit the curing of some varnishes. The wood, even when well-seasoned, has an unmistakable floral scent. Species: Origin:

spotlight on: Ziricote

Cordia dodecandra Central America and Mexico Common Applications: Furniture, veneer, cabinetry, gunstocks, musical instruments (especially acoustic and electric guitars), turned objects and small specialty items. Characteristics/Appearance: Color ranges from medium to dark brown and sometimes has a purple or green hue, with darker bands of black growth rings intermixed. Ziricote has an unusual grain pattern described as “spider-webbing” or “landscape” grain figure. The pale yellowish sapwood is sometimes incorporated into designs for aesthetic effect. Grain is straight to slightly interlocked, with medium to fine texture and a good natural luster. Janka Hardness Scale: 1,970 lb • • • • • f (see chart on page 19) Comments: A truly unique-looking wood, Ziricote exhibits an unusual spiderwebbing grain figure that is attractive to wood crafters. Overall, Ziricote is fairly easy to work considering its high density. Ziricote turns and finishes well, and in most instances, it can also be glued with no problem. Species: Origin:

I n t e r n a t io n a l w ood

Matanda Wood Creations “I think that I shall never see a poem as lovely as a tree…” “Poet Joyce Kilmer got it right,” says Vic Barr, founder of Matanda Wood Creations. “A tree is a perfect expression of the elements of earth, air, water and, eventually, fire. My intent at Matanda is to honor the spirit of that creation in handcrafted objects that celebrate the beauty of wood.” Barr founded Matanda Wood Creations, a custom boutique woodshop, in St. Louis, Missouri, in 1999. “A turning point for me was when I discovered exotic woods,” Barr says. “The exotics have fabulous colors, grains, figuring, aromas, and they are just incredible to work with. Exotics are often more colorful than domestic species, with a finished wood palette that can be variations of red, purple, yellow, orange, brown, black or variegated. Their grain patterns are spectacular and their durability unsurpassed. Each species has distinctive attributes, such as oil content, scent, figuring and grain.” Barr estimates that he has worked with ninety-two species of wood over the course of his career. He is particularly partial to the Rosewoods (Dalbergia spp.), and has worked with eleven of the fifty plus varieties of Rosewood. Other favorites include: Central American Cocobolo (Dalbergia retusa), distinguished by its cinnamon scent, fine texture, lustrous finish and kaleidoscope of color; dark dense Ziricote (Cordia dodecandra) from Central America with its unique spider-webbing grain figure; and Tulipwood (Dalbergia decipalaris) from Brazil, a straight-grained, finely textured wood streaked with colorful yellows, reds, oranges and pinks. “The longer you work with wood, the more you see,” Barr says. He takes inspiration from the curves, grains, figuring, coloring, fragrance and even the sound of the wood. “Because wood is beautiful in its own right, I don’t want to cover it, disguise it, or put it on a production line. It should express itself through me – just as I express myself through the wood.”

Ph otog r a ph y co u r tesy o f M ata n da Wo o d Cr e atio n s

OUR

CAPABILITIES RUN DEEP.

Sure, you could say we’ve got a lot going for us. And our cargo capabilities are only the beginning! The Port of New Orleans is America’s most intermodal port. We connect you to major inland markets and Canada

Depending on the wood, he uses nitrocellulose lacquer, polyurethane or Danish oil as a finish. “On some of the pieces, I spend forty percent of my time on the finish because the last thing I do is the first thing the buyer sees.” Often a piece of wood at a lumber yard or a distributer draws him because it’s highly figured or beautifully grained. “I know it wants to be something, but it hasn’t yet told me what it wants to be,” he says. A self-acknowledged perfectionist, Barr admits that he is happiest in his workshop, designing a new and challenging piece, making all the parts fit perfectly, and enhancing the beauty of the wood. “I never bought a piece of wood that I didn’t hold in my hands,” he says. “I don’t buy off the internet and I only source from reputable importers. In addition, Barr plans the use of every piece of wood down to the smallest scrap so that there is little left but shavings and sawdust. IW

via 14,500 miles of waterways, all six Class-I railways, 50 ocean carriers, 16 barge lines and 75 truck lines. The Clarence Henry Truckway, a dedicated two-lane roadway on Port property, makes fast transit times even faster. The Port also offers near-dock rail and ship-to-barge services. Looking forward, the Port of New Orleans is always innovating and expanding, so you can comfortably do business here. You’ll be glad you came.

Vic Ba r r / M ata n da Wo o d Cr e atio n s — Matanda is a made-up word derived from the names of Barr’s two children, Matt and Amanda.

YOUR BUSINESS. OUR PLEASURE.

www.portno.com

I n t e r n a t io n a l w ood

Kleinfeld Hudson’s Bay A.R.E. Design: Store of the Year & Gold Award

his award winning 14,000 square foot bridal shop located in Toronto, Canada, provides the “bride to be” a beautiful experience to choose the perfect wedding dress.

With over 600 dresses, Kleinfeld Hudson’s Bay serves as a brick and mortar “look-book” for brides to tag trendy styles before narrowing down their choice. The airy space of mauve-colored curved walls, skylights, vaulted ceilings and a mini light chandelier gives the bride a special feeling of attention as if she is a princess in a fairytale. She can walk or twirl without any reservations. It’s the perfect bridal shopping experience. Founded in 1941, Kleinfeld Hudson’s Bay is the largest bridal retail store in the world. Before the existence of Kleinfeld Hudson’s Bay bridal shop in Toronto, the building was once a dark old office and storage space. Now the building is a contemporary showcase to give customers a luxurious and pampered experience. The building’s original windows and patio were even re-opened to allow more natural light into the space.

I n t e r n a t io n a l w ood

spotlight on: European White Oak, English Oak

Quercus robur Europe Common Applications: Mostly used for flooring, furniture, staircases, windows, doors and paneling. Characteristics/Appearance: The heartwood varies from a light to a dark brown color. Its sapwood is thin and white, straight grained and a medium and coarse texture. Janka Hardness Scale: 1,120 lb • • • • • f (see chart on page 19) Comments: Produces well with hand and machine tools. Nailing and screwing properties are also good. It glues, stains and finishes well. Species: Origin:

Ph otog r a ph y By Te d Wil so n / H u dso n’s Bay

The accomplishment of creating an open space and sleek environment included the installation of European Oak (Quercus robur) floors. This durable and versatile light wood flooring offsets the shop’s soft color pallet. The white-washed European Oak floors mixed with metal fixtures, contrasting details, residential-inspired furniture and luxurious touches elevates the shopping experience and exceeds even the most demanding bride’s expectations. The wide plank flooring even creates an environment where the bridal dresses are the ultimate center of attention. The entrance of the dressing room has large-format wood parquet and a herringbone pattern in the fitting room vestibule. The 9 foot high sandblasted Oak double doors with a soft-gray wash finish and oil-rubbed bronze hardware give all fourteen fitting rooms an Old World feel that evokes a feeling of grandeur. The curved merchandise wall with an antique brass hang rail draws the attention to the bleached Walnut “hot table” showcasing jewelry and accessories. Pull out drawers include brass accents and are lined with soft gray velvet. “Kleinfeld Hudson’s Bay is the new standard in bridal retail in Canada,” said Liz Rodbell, President of HBC Department Store Group. “We’ve raised the bar by delivering unprecedented access to world-class designer gowns, the highest standard of excellence, all in an absolutely stunning environment.” The bridal shop is the featured host store of TLC’s hit show “Say Yes to the Dress.” IW — A .R.E . (Association for Retail Environments) I n t e r n a t io n a l w ood

iwpa

a s s o c ia t e

M e m b e r s

Buyers Guide

Transportation, Logistics and other Service Providers To search for more specific species, products or services, visit www.iwpawood.org

IWPA’s Membership Directory highlights the leading suppliers to the North American market of hardwood and softwood lumber, flooring, decking, veneer, plywood and composite wood products. This one-stop resource guide also provides contact information for ports, shipping companies, third-party certifiers and others that are helping to advance international trade in wood products.

Bedford Falls Communications

Coastal Cargo Company, Inc.

Watertown, WI (United States) Tel: 920-206-1766 jaufderhaar@surfaceandpanel.com www.surfaceandpanel.com

New Orleans, LA (United States) Tel: 504-587-1200 Fax: 504-587-1226 dlh@jkgroup.com www.jkgroup.com

Benchmark International LLC Eugene, OR (United States) Tel: 541-484-9212 Fax: 541-344-2735 Travis.Snapp@Benchmark-Intl.com www.benchmark-intl.com

Ginnacle Import-Export Pte Ltd

Brown Brothers Harriman & Co.

Grieg Starr Shipping

New York, NY (United States) Tel: 212-493-8920 Fax: 212-493-7280 alexandra.toskovich@bbh.com www.bbh.com

Alpharetta, GA (United States) Tel: 770-226-5919 Fax: 404-216-5557 mike.hawe@griegstar.com www.griegstar.com

ting u b i r t s di

Singapore (Asia) Tel: 659-759-7687 teakwood@singnet.com.sg www.teak.net

wood products

g wood products E x c e l l e n c e i n h a n d l i n g & distributin & in E x c e ll e n c e i n h a n dl

BrEakBuLk & BuLk marInE tErmInaL SpEcIaLIStS #1 marine terminal & distribution facility for wood products in the u. s.

• • • • •

Outstanding terminal services Short & long-term warehousing Inventory control Logistic services Specialized wood products handling Contact us TODAY! SOuTh JerSeY POrT COrPOrATiOn Kevin Castagnola, executive Director 856.757.4969 (p) • 856.757.4903 (f) info@southjerseyport.com

w w w. S o u t h J e r s e y P o r t . c o m

ExpErIEncE ExcELLEncE at camdEn’S BaLzanO & BrOadway marInE tErmInaLS. cOmIng SOOn Our nEw pauLSBOrO marInE tErmInaL 54 54 i nI nt te er rn na at tioion na al l wwood ood

iwpa International Wood Trade Publications Memphis, TN (United States) Tel: 901-372-8280 Fax: 901-373-6180 wayne@millerwoodtradepub.com www.millerwoodtradepub.com

Kutak Rock LLP Washington, DC (United States) Tel: 202-828-2339 liz.levinson@kutakrock.com www.kutakrock.com

Mowry & Grimson PLLC Washington, DC (United States) Tel: 202-688-3610 Fax: 202-595-8968Â jsg@mowrygrimson.com www.mowrygrimson.com

National Customs Brokers & Forwarders Association of America, Inc. Washington, DC (United States) Tel: 202-466-0222 Fax: 202-466-0226Â br@ncbfaa.org www.ncbfaa.org

National Nail Corporation Grand Rapids, MI (United States) Tel: 616-261-2151 Fax: 616-531-5970 chip_manger@nationalnail.com www.camofasteners.com

OHL International

Port Arthur, TX (United States) Tel: 409-983-2011 Fax: 409-983-3424 orlando@portofportarthur.com www.portofportarthur.com

Rukert Terminals Corporation Baltimore, MD (United States) Tel: 410-276-1013 Fax: 410-327-2315 jason@rukert.com www.rukert.com

Shorepoint Insurance Services Costa Mesa, CA (United States) Tel: 714-430-0035 Fax: 714-430-0036 rmarkley@shorepointinsurance.com www.shorepointinsurance.com

South Jersey Port Corporation Camden, NJ (United States) Tel: 856-757-4927 Fax: 856-757-4903 kcastagnola@southjerseyport.com www.southjerseyport.com

Steer Company Philadelphia, PA (United States) Tel: 215-922-6610 Fax: 215-922-0784 d.wackerman@jasteer.com www.jasteer.com

Port Tampa Bay Tampa, FL (United States) Tel: 813-905-5122 Fax: 813-905-5109 welliott@tampaport.com www.tampaport.com

Pacorini Metals

The Borneo Initiative

Baltimore, MD (United States) Tel: 410-327-2931 Fax: 410-327-2655 r.tehrani@pacorinimetals.com www.pacorinimetals.com

Alexandria, VA (United States) Tel: 703-647-7417 alex@theborneoinitiative.org www.theborneoinitiative.org

Cottage Grove, WI (United States) Tel: 608-839-1013 Fax: 608-839-1014 jrothman@pfscorporation.com www.pfscorporation.com

Port of New Orleans New Orleans, LA (United States) Tel: 504-528-3262/800-776-6652 Fax: 504-528-3390 landryb@portno.com www.portno.com

M e m b e r s

Port of Port Arthur

Philadelphia, PA (United States) Tel: 267-570-2612 Fax: 267-570-2635 jemallough@ohl.com www.ohl.com.com

PFS Corporation

a s s o c ia t e

U-C Coatings Buffalo, NY (United States) Tel: 716-833-9366 Fax: 716-833-0120 alvaro@uccoatings.com www.uccoatings.com

WWF Global Forest Trade Network Washington, DC (United States) Tel: 202-293-4800 Fax: 202-293-9211 amy.smith@wwfus.org www.gftn.panda.org

To search for more specific species, products or services, visit www.iwpawood.org

WHY IWPA? An association to grow YOUR business Our Mission

To build acceptance and demand in North America for globally sourced wood products from sustainably managed forests. Our Values

Visionary Leadership Social Responsibility and Environmental Sustainability High Ethical Standards Service to Members Lifelong Learning and Exchange of Ideas Become a part of an association that promotes the imported wood industry worldwide.

Join us TODAY! Contact

Felicia Johnson 703-820-6696 felicia@iwpawood.org www.iwpawood.org I ni nt te er rn na a t tioion na al l wwood ood

55 55

other lumber products

cabinets and/or components

furniture and/or components

doors/windows

mouldings

flooring

decking

Softwood

Hardwood

www.martinguitar.com woodmgt@martinguitar.com

C.F. Martin & Co.

Buena Park, California

ernie@dvkco.com

DVK-Del Valle, Kahman & Company, Inc. www.dvkco.com

• • • To search for more specific species, products or services, visit www.iwpawood.org

•

714-522-3100 Fax: 714-523-1900

• • • • • • • • • • •

www.downesandreader.com 800-788-5568 chris.strang@downesandreader.com Fax: 781-344-7110

Stoughton, Massachusetts

•

• • • • • • • • • • • • • • • • • • •

Downes & Reader Hardwood Co., Inc.

912-447-7094 Fax: 912-232-3199

www.dixieply.com rccollins@dixieply.com

•

843-393-3861 Fax: 843-393-8243

Dixie Plywood and Lumber Company

Savannah, Georgia

• • • •

• •

•

• • • • • • •

www.darlingtonveneer.com rhubbard@darlingtonveneer.com

Darlington, South Carolina

•

Darlington Veneer Co., Inc.

Jackson, Mississippi

Greensboro, North Carolina

•

• •

www.clarkeveneers.com 601-366-0331 info@clarkeveneers.com Fax: 601-366-0334

Clarke Veneers and Plywood

• •

336 790-5696 Fax: 336 790-5696

604-687-2254 Fax: 604-682-4691

www.cndivision.com jboles@cng-inc.com

www.canusawoodproducts.com canusa@canusawoodproducts.com

• •

• • • • •

610-759-2837 Fax: 610-759-5757

Central National Gottesman Inc.

Vancouver, British Columbia (Canada)

Canusa Wood Products Ltd.

Montreal, Quebec (Canada)

Canadian Wood Products

Nazareth, Pennsylvania

•

• • •

513-771-3100 513-733-4451

•

www.canadianwood.ca 514-871-2120 charles@canadianwood.ca 514-871-9316

www.cdcdist.com afutscher@cdcdist.com

Cincinnati, Ohio

CDC Distributors Inc.

Greensboro, North Carolina

•

www.veneers.com 336-852-7721 eric@brooksideveneers.com

Brookside Veneers Ltd.

Tigard, Oregon

• • • • • • • • • • • • •

• • • • • • •

•

www.bridgewellresources.com 503-872-3566 info@bridgewellres.com Fax: 503-238-2671

•

www.bozovich.com 251-578-4604 infobtp@bozovichtimber.com Fax: 251-578-6844

•

Bridgewell Resources LLC

Evergreen, Alabama

Bozovich USA

•

www.boa-franc.com 418-222-7010 apoirier@boa-franc.com Fax: 418-227-1188

St. Georges, Canada

•

• • • •

Boa-Franc

Miami, Florida

•

www.beaconhardwoods.com 305-392-9996 omar@beaconhardwoods.com Fax: 305-392-9245

•

• •

Beacon Hardwoods LLC

•

www.baillie.com 716-649-2850 jbach@baillie.com Fax: 716-648-6107

Hamburg, New York

•

• • • • • • • • • • • •

Baillie Lumber Co.

•

504-828-0943 Fax: 504-828-0946

•

www.argofineimports.com argo@argofineimports.com

•

Argo Fine Imports, Inc.

Metairie, Louisiana

Solvang, California

805-688-7919 Fax: 805-688-2956

•

• •

M e m b e r s

662-252-1862 Fax: 662-252-1888

•

appiwood@silcom.com

www.americanpac.com smb@americanpac.com

• •

American Pacific Plywood Inc.

Holly Springs, Mississippi

American Pacific Inc.

Aljoma Lumber

wholesalers

• • •

vo t ing

•

www.aljoma.com 305-556-8003 ncano@ufpi.com 305-828-3055

Hardboard

Medley, Florida

MDF

www.craiglumber.com 800-351-9736 geninfo@craiglumber.com Fax: 901-853-5028

OSB

other panel products

Particleboard

Huntersville, North Carolina

Hardwood

plywood

manufacturer

AHC Craig Imports

Softwood

veneers

Hardwood

LUMBER

Softwood

i n t e r n a t io n a l w ood

Web Site/Email Phone/Fax

red meranti

Company Name

North American Importers, Users, Distributors

importer

business activity

Exporter

PRODUCTS agent/sales rep

56 Other

iwpa

Adding a new dimension to timber in construction

Forward thinking. New technologies. American hardwood.

Adding a new dimension to timber in construction, the American tulipwood Endless Stair, designed by dRMM and engineered by Arup, was the first ever use of hardwood cross-laminated timber and the first time life cycle impact was measured for a hardwood structure. Order your free project publication at www.americanhardwood.org/EndlessStair

i n t e r n a t io n a l w ood LUMBER

Softwood

Hardwood

Evergreen Hardwoods Inc.

other lumber products

cabinets and/or components

doors/windows

mouldings

Hardwood

•

www.ifpveneer.com info@ifpveneer.com

• • • • • •

•

• • • •

www.mccauseylumber.com 586-294-9663 heleen@mccauseylumber.com Fax: 586-294-1505 www.alanmcilvain.com 610-485-6600 sales@alanmcilvain.com Fax: 610-485-0471

Alan McIlvain Company

• • • • • • • • • • • •

www.metrofloors.com gpayseno@metrofloors.com

Metropolitan Hardwood Flooring USA

Kent, Washington

Portland, Oregon

To search for more specific species, products or services, visit www.iwpawood.org

• • • • •

253-479-3900 Fax: 425-251-6096

• • • • • • • • • • •

www.medallionfp.com 503-288-5002 pgallagher@medallionfp.com Fax: 503-288-5511

Medallion Forest Products

• • • • • • • • • • • •

www.mcilvain.com 410-335-9600 info@mcilvain.com Fax: 410-335-3574

White Marsh, Maryland

•

• • • • • • • • • •

• •

J. Gibson McIlvain Company

Marcus Hook, Pennsylvania

Roseville, Michigan

•

• • • • • • • • • • • • •

McCausey Lumber Company

• •

www.mccathaytimber.com 800-683-6337 info@mccathaytimber.com Fax: 773-227-6767

Chicago, Illinois

• •

•

McCathay Timber, Inc.

Toano, Virginia

•

www.lumberliquidators.com 757-566-7128 asecter@lumberliquidators.com Fax: 757-259-4286

Lumber Liquidators Inc.

• •

www.lumberbest.com 626-484-9811 henrycyee@gmail.com Fax: 626-458-8198

Alhambra, California

•

Lumber Best

•

800-367-7054 Fax: 760-438-8018

www.libertywoods.com info@libertywoods.com

Carlsbad, California

Liberty Woods International, Inc.

www.kemberfloors.com 289-804-0032 Mississauga, Ontario (Canada) jen@kemberfloors.com Fax: 804-0777

•

• • • • • • •

502-633-0017 Fax: 502-633-0031

•

• • • • • • • •

Interwood Forest Products Inc.

• •

•

936-598-2491 Fax: 936-598-8146

www.iketrading.com 503-643-6688 ike@iketrading.com Fax: 503-641-7335

Kember Hardwood Flooring, Inc.

Softwood

713-644-1966 Fax: 713-644-7223

Ike Trading Company, Ltd.

Shelbyville, Kentucky

Hardwood

• • • • • • • • • • • • • •

www.ihlo.com ihlo@ihlo.com

Beaverton, Oregon

Softwood

• • • • • • •

Ihlo Sales & Import Company

Center, Texas

Hardboard

• • • • • • • • • • • • • • • • • •

www.hollandsw.com info@hollandsw.com

Houston, Texas

MDF

• • • • • • • • • • • •

Holland Southwest International

604-856-1111 Fax: 604-856-8889

www.hardwoods-inc.com gwarner@hardwoods-inc.com

Langley, British Columbia (Canada)

OSB

615-871-4500 Fax: 615-391-2177

Hardwoods Specialty Products

Poway, California

Particleboard

• • • •

877-675-0002 Fax: 770-421-3716

www.globalplywoodandlumber.com 858-486-8700 kpeabody@globalplywoodandlumber.com Fax: 858-486-8702

www.gibson.com bruce.kilkowski@gibson.com

other panel products

manufacturer

310-822-7771 Fax: 310-822-2920

deonndeford@ganahl.com 714-239-2101 www.ganahllumber.com Fax: 714-239-2109

www.flooranddecor.com CustomerCare@flooranddecor.com

www.feaco.com info@feaco.com

•

plywood

wholesalers

• • • • • • •

furniture and/or components

www.eghardwoods.com 206-258-3007 info@eghardwoods.com Fax: 206-686-5008

Global Plywood & Lumber, Inc.

Nashville, Tennessee

Gibson Guitar Corp.

Anaheim, California

Ganahl Lumber

Smyrna, Georgia

Floor & Decor

Los Angeles, California

Far East American, Inc.

Mercer Island, Washington

•

veneers

vo t ing

Sultan, Washington

www.eastteak.com 360-793-3754 rick@eastteak.com Fax: 360-793-7835

decking

East Teak Fine Hardwoods, Inc.

flooring

Web Site/Email Phone/Fax

teak

Company Name

North American Importers, Users, Distributors

importer

business activity

Exporter

PRODUCTS agent/sales rep

58 Other

iwpa M e m b e r s

doors/windows

mouldings

flooring

decking

Softwood

Hardwood

• • • • • • • •

908-687-7890 Fax: 908-687-5750

•

www.rexlumber.com salesinfo@rexlumber.com

978-263-0055 Fax: 978-263-9806

•

Salt Lake City, UT

Siera Forest Products

Miami Beach, Florida

Sabra International

• • • • • •

• • • •

i n t e r n a t io n a l w ood

• • • • • • • • • • • To search for more specific species, products or services, visit www.iwpawood.org

• • •

• • • • • • • • • •

www.sierrafp.com 801-972-3377 sales@ucsforestgroup.com Fax: 801 972 3397

•

wwww.sabrainternational.com 305-868-3663 brette@sabrainternational.com Fax: 305-868-5447

• •

• • •

•

702-565-7756 john@rplinternational.com Fax: 702-565-3264

Henderson, Nevada

• • • • • • • • • • • • • • • • • • •

RPL International

New Orleans, Louisiana

504-895-6377 Fax: 504-897-0820

•

www.roblumco.com rlcnola@roblumco.com

•

vo t ing

Robinson Lumber Company, Inc.

•

www.getwood.com 631-586-7700 scottree@aol.com Fax: 631-586-7009

Deer Park, New York

574-848-7631 Fax: 574-848-5679

Roberts Plywood

Bristol, Indiana

www.robertweedplywood.com websitemail@robertwoodplywood.com

•

Robert Weed Plywood Corp.

• • • • •

ken.nelson@rifp.com

Glen Allen, Virginia

Fax: 804-747-8884

• • • • • • • • • • • •

•

• • • •

Richmond International Forest Products www.rifp.com 800-767-0111

Acton, Massachusetts

Rex Lumber Company

Stevensville, Maryland

PRS Guitars Ltd.

•

772-564-2035 772-564-205

Fax: 503-452-5801

www.prsguitars.com 443-248-0610 pplatts@prsguitars.com Fax: 410-643-4545

gary@primewood.us

Prime Wood Inc.

Vero Beach, Florida

usa@pollmeier.com

Pollmeier Inc. Value Added German Beech www.pollmeier.com 503-452-5800

Portland, Oregon

• • •

•

• • • • • • • • • • • • • •

www.pdusa.com plywood@pdusa.com

Union, New Jersey

•

Plywood & Door Mfrs. Corp.

McMurray, Pennsylvania

• • • • • •

• • • • • • • •

757-498-0186 Fax: 757-498-1075

• • •

•

www.pittsburghforest.com 724-969-5000 troyhalo@pittsburghforest.com Fax: 724-969-1100

www.thepenrodcompany.com penrod@thepenrodcompany.com

•

678-240-9390 Fax: 678-240-9391

• • • •

251-330-7708 Fax: 251-457-7633

•

• • •

• • • • • • •

www.patriottimber.com 336-299-7755 askus@patriottimber.com Fax: 336-299-4050

www.pgwoodimports.com dhuryn@pgwoodimports.com

www.overseashardwoods.com sales@overseashardwoods.com

910-862-4447 Fax: 910-862-7753

•

• • • • • • • • • • • • • • •

Pittsburgh Forest Products Co.

Virginia Beach, Virginia

The Penrod Company

Greensboro, North Carolina

Patriot Timber Products, Inc.

Alpharetta, Georgia

PG Wood Imports

Mobile, Alabama

OHC, Inc.

Elizabethtown, North Carolina

Currie, North Carolina

Gulfport, Mississippi

Winchester, Virginia

Sarasota, Florida

•

furniture and/or components

www.turnbulllumber.com pemjenkins@turnbulllumber.com

cabinets and/or components

Oceania Hardwoods, LLC

other lumber products

•

Hardboard

www.northwesthardwoods.com 910-283-9960 lshibley@northwesthardwoods.com Fax: 910-283-9964

MDF

Northwest Hardwoods

OSB

www.newmanlumber.com 228-832-1899 info@newmanlumber.com Fax: 228-831-1149

Particleboard

Newman Lumber Company

Other

www.moxontimbers.com 800-662-9665 shaynelachlan@moxontimbers.net Fax: 540-869-5656

manufacturer

Moxon Timbers, Inc.

importer

www.morelandcompany.com 800-397-7769 jasonn@morelandcompany.com Fax: 941-953-5180

Exporter

Moreland Co., USA

Hardwood

plywood

agent/sales rep

Web Site/Email Phone/Fax

Softwood

veneers

Hardwood

LUMBER

Softwood

PRODUCTS

wholesalers

Company Name

North American Importers, Users, Distributors

r a d i ata p i n e

iwpa M e m b e r s

i n t e r n a t io n a l w ood LUMBER

veneers

plywood

other panel products

cabinets and/or components

furniture and/or components

doors/windows

mouldings

flooring

decking

Softwood

Hardwood

• •

www.ironwoods.com 888-932-9663 brian@ironwoods.com

inquiries@tumac.com 503-226-6661 www.tumac.com Fax: 503-273-265

www.ucsforestgroup.com 905-814-8000 ucsglobal@ucsforestgroup.com Fax: 905-814-8788

UCS Forest Group

•

• • • •

• • • • •

• • • •

•

• • •

Lake Oswego, Oregon

Wood Brokerage International

Brampton, Ontario (Canada)

Weston Premium Woods

•

• • • •

To search for more specific species, products or services, visit www.iwpawood.org

• • • • • • • • • • •

• • • • • • • • • • • • • • • • •

• •

www.woodbrokerage.com 800-453-3554 connelly@woodbrokerage.com Fax: 503-848-9039

www.westonpremiumwoods.com 905-792-9797 info@westonpremiumwoods.com Fax: 905-792-2096

•

• • • •

336-288-2027 cmengel@live.com

Greensboro, North Carolina

•

VM International LLC

Newport, North Carolina

252-223-6359 Fax: 252-223-3511

• • •

www.veneertech.com jvarner@veneertech.com

•

604-522-3334 Fax: 604-522-3006

• • • • • • • • • • • • •

• • •

www.ucsglobal.com 856-693-7571 sales_ucsglobal@ucsglobal.com Fax: 630-231-0454 www.ucsforestgroup.com sales_vancouver@ucfp.com

• • • • • • • • • • • • • • •

• • • • • • • • • • • •

Veneer Technologies, Inc.

Burnaby, British Columbia (Canada)

Upper Canada Forest Products

West Chicago, Illinois

UCS Global

Toronto, Ontario (Canada)

Portland, Oregon

•

• • • •

Tumac Lumber Company

44 (0) 20-7460-7788 Fax: 44 (0) 20-7460-7799

www.tradelink-group.com uk@tradelink-group.com

London (United Kingdom)

•

• • •

Tradelink Wood Products Ltd.

336-230-2220 Fax: 336-230-2207

www.tradelink-group.com usa@tradelink-group.com

Greensboro, North Carolina

Tradelink Wood Products Inc.

• •

www.tradeleaf.com 212-595-1371 info@tradeleaf.com Fax: 212-202-3542

New York, New York

• • •

• • • •

TradeLeaf LLC

Portland, Oregon

•

www.totemsteel.com 503-471-5756 lbrittner@totemsteel.com 503-467-7808

•

Totem Forest Products

Bedford, New Hampshire

• • • • • •

Timber Holdings USA

215-624-1866 Fax: 215-338-1060

www.thomahog.com info@thomahog.com

Philadelphia, Pennsylvania

• • •

941-756-0600 Fax: 941-756-0406

• • • • • • •

757-491-0468 Fax: 757-491-0723

• • • • • • •

415-765-0422 Fax: 415-765-0447

•

• • • • • • • • • • •

508-280-2639

•

Thompson Mahogany Company

Sarasota, Florida

•

• • • • • •

www.teakdecking.com wood@teakdecking.com

www.taracapacific.com woztaraca@yahoo.com

www.taracapacific.com taraca@taracapacific.com

wholesalers

• • • • • • •

915-771-6500 Fax: 915-771-6552

Teakdecking Systems

Virginia Beach, Virginia

Taraca Pacific, Inc.

San Francisco, California

Taraca Pacific, Inc.

Plymouth, Massachusetts

Burbank, California

Tiverton, Rhode Island

El Paso, Texas

• • •

vo t ing

Desoto, Texas

pburke6@me.com

other lumber products

T&S Trading

Hardwood

www.swanerhardwood.com 818-953-5350 gary@swanerhardwood.com Fax: 818-846-3662

Softwood

Swaner Hardwood Company

Hardwood

www.stangelohardwoods.com 401-624-3900 steve@stangelohardwoods.com Fax: 401-624-3940

Softwood

St. Angelo Hardwoods, Inc.

Hardboard

www.solbuilding.com info@solbuilding.com

MDF

Sol Building Materials Corp.

OSB

www.sitco.com 972-225-4283 sales@sitco.com Fax: 972-228-5987

Particleboard

Sitco Lumber Company

manufacturer

Web Site/Email Phone/Fax

cumaru

Company Name

North American Importers, Users, Distributors

importer

business activity

Exporter

PRODUCTS agent/sales rep

60 Other

I wpa M e m b e r s

i n t e r n a t io n a l w ood decking

•

furniture and/or components

doors/windows

mouldings

• • •

veneers

plywood

other panel products

MDF

OSB

•

• • •

•

TRADE ASSociatioN/ ORGANIZATION manufacturer

Hardboard

Softwood

Hardwood

Softwood

Hardwood

other lumber products

cabinets and/or components

flooring

Softwood

Hardwood

Geneva (Switzerland)

MBS Trading

Kuala Lumpur (Malaysia)

Malaysian Timber Council

Linyi, P. R. (China)

Linyi Longxin Wood Industry Co. Ltd.

Curitiba - PR (Brazil)

Legno Company

Sibu, Sarawak (Malaysia)

Jaya Tiasa Timber Products Sdn. Bhd.

Moreira da Maia (Portugal)

J. Pinto Leitao

Apex, North Carolina (USA)

International Wood Products, Inc.

Yokohama, Minato-Mirai (Japan)

International Tropical Timber Organization

Torino (Italy)

General Timber Broker Srls (GTB)

London (England)

Ghana Forestry Commission (London Office)

Shanghai (China)

Future (Timber) Trading Company Ltd.

Georgetown (South America)

•

Fax: 41-22-300-5355

•

• •

• • • • • •

•

• •

• • • • • • • •

•

• • • • • • • • • • • • • • •

•

To search for more specific species, products or services, visit www.iwpawood.org

•

• • • • • • • • • •

• • • • • • •

41-22-300-5258

thomas@mbs-trading.com

•

• • • • • • • • • • •

•

• • • • • • •

• •

•

development@fpdmcguy.org 592-223-5135 www.fpdmcguy.org Fax: 592-227-5595 86-21-54893839 jianguo_lu@hotmail.com Fax: 86-21-54893837 www.ghanatimber.org 44-208-906-9560 tiddlondon@ghanatimber.co.uk Fax: 44-208-906-9570 39 011 2273057 gtb.srls@gmail.com 39 011 2273058 www.itto.or.jp 81-45-223-1110 itto@itto.or.jp Fax: 81-45-223-1121 www.kligroups.com 919-303-8027 oppinc@aol.com Fax: 919-303-8040 www.jpleitao.pt 351-226-152600 Lvalente@jpleitao.pt 351-226-152699 www.jayatiasa.net 6084-213255 sales@jayatiasa.net Fax: 6084-213855/212084 www.legnocompany.com 55-41-3087-0800 wendell@legnocompany.com www.penril.net 86-151-53901000 hbchin@penril.net Fax: 86-0539-5618028 www.mtc.com.my 603-9281-1999 council@mtc.com.my Fax: 603-9282-8999

• • • • • •

•

• • • • •

•

• • • • • • • •

•

ov e r s e a s

Forest Products Development & Marketing Council of Guyana Inc.

Bremen (Germany)

49-421-56639233 busse@ab-timber.de Fax: 49-421-3469830 Agrocortex www.agrocortex.com 55-1983490223 Sao Paulo (Brazil) rui.ribeiro@agrocortex.com APKINDO-Indonesian Wood Panel Association sekretariat@apkindo.org 62-21-5711290 Jl. Jend. Gatot Subruto, Senayan, Jakarta (Indonesia) Fax: 62-21-5733017/5733015 APP Timber Ltd. www.apptimber.com 603-7847-4716 Shah Alam, Negeri Selangor (Malaysia) info@apptimber.com ATIBT (Assn Technique Int’l des Bois Tropicaux) www.atibt.com 331-43 94 72 64 Nogent-sur-Marne (France) tullia.baldassarri@atibt.org Fax: 331-43 94 72 09 F.W. Barth Co. GmbH www.BarthsHamburg.de 49-40-280-1440 Hamburg (Germany) info@barthshamburg.de Fax: +49-40-280-14427 Blue Roots Sdn. Bhd. 33-595-621 Shah Alam, Negeri Selangor (Malaysia) marco.poot@yahoo.com 33-424-510 Castell Export Corporation www.castellexport.com 787-783-1919 San Juan, P.R. (Puerto Rico) castellexport@prtc.net Fax: 787-782-9235 CJSC Rusexportles Trading www.rusexportles.ru 74-956-603462 Moscow (Russia) gk@rusexportles.ru Fax: 74-956-287197 Double Helix Tracking Technologies Pte Ltd www.doublehelixtracking.com 512-774-4362 Washington, D.C. (USA) caitlin@doublehelixtracking.com75 Endesa-Botrosa www.endesabotrosa.com/en 593-2-268-8806 Quito (Ecuador) sebastian@endesabotrosa.com Fax: 593-2-268-3680 EXOTT 32-2-360-3702 Brussels (Belgium) tarik@exott.com Fax: 32-2-360-3802 Focus Lumber Berhad www.focuslumber.com.my 60-88-393255/7/8 Likas, Kota Kinabalu (Malaysia) focuskk@tm.net.my Fax: 60-88-393169

Web Site/Email Phone/Fax

okoume

AB Timber Agency e.K.

Company Name

Overseas Members

LUMBER

Particleboard

business activity

Exporter

PRODUCTS agent/sales rep

62 Other

iwpa M e m b e r s

plywood

other panel products

MDF

Hardboard

Softwood

Hardwood

Softwood

Hardwood

other lumber products

cabinets and/or components

furniture and/or components

doors/windows

mouldings

flooring

decking

Softwood

Hardwood

info@layowood.com

Fax: 0573 8315 1333

i n t e r n a t io n a l w ood

To search for more specific species, products or services, visit www.iwpawood.org

•

ov e r s e a s

Jiaxing Zhejiang Sheng (China)

Surabaya, East Java (Indonesia)

• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Surabaya, East Java (Indonesia) Fax: (31) 7349882 www.tasply.com 62-21-5270577 • • • • • • • • • • • • • tasply@gmail.com Fax: 62-21-5270578 713-907-5136 • • bahme@msn.com Fax: 713-961-5225 216-7196-4944 • • • • • • • • commerciale@regalisinternational.com.tn Fax: 216-71964934 www.romealegnami.com 0039 0415629811 • • • • • • • • info@romealegnami.com Fax: 0039 0415629810 www.rougier.fr 00336-65-71-01-50 • • • • • • krzesinski@rougier.fr Fax: 00331-5377-2508 www.sta.org.my 6082-332-222 • sta@sta.org.my Fax: 6082-487-888/999 www.pusaka.gov.my 6082-443477 • pusaka@po.jaring.my Fax: 6082-442691 www.sgknordic.com 371-29372621 • • • • • • sergei.kotov@sgknordic.com Fax:1(714)-5510050 www.shinyang.com.my 085-604599 • • • • alvinyii@shinyang.com.my Fax: 085-604555 www.technowood.co.uk 41-91-911-6816 • • • • • • • • • kevazingo@technowood.co.uk Fax: 41-91-911-6801 www.timtrade.it +39 0424 513815 • • • eugenio.colao@timtrade.it Fax: +39 0424 383878 www.vastolegno.com 3902-344-684 • • • • • • • info@vastolegno.com Fax: 3902-331-4270 www.vicwoodtimber.com.cn 852-2543-1943 • • • • • • • • • vicwood@vicwood.com Fax: 852-2854-1728

www.woodunited.com 6231-9900 0907 rostron@woodunited.com Fax: 6231-9900 0908 www.wijma.com 31-38-331-6444 • • • • • • • • g.burgman@wijma.com Fax: 31-38-332-2040 www.wbholdings.com/cy 357-24 821200 • • george.krapivin@gmail.com Fax: 357-24 821201 www.woodbois.dk 45-33-13888 • • • • • • • • info@woodbois.dk Fax: 45-33-913788 www.zenova.com.my 6 088-249050 • • • ypchen@zenova.com.my Fax: 6 088-247050 www.layowood.com 0573 8315 1333

OSB

PT. Tanjung Selatan Makmur Jaya Jakarta (Indonesia) Red Bluff Export Import SRL Cobija, Pando State (Bolivia) Regalis International Tunis (Tunisia) Romea Legnami S.P.A. Gambarare di Mira (30034) Venice (Italy) Rougier Afrique International Paris (France) Sarawak Timber Association Kuching, Sarawak (Malaysia) Sarawak Timber Industry Dev. Corp. (STIDC) Kuching, Sarawak (Malaysia) SGK Nordic, SIA Riga (Latvia) Shin Yang Plywood Sdn. Bhd. Miri (Malaysia) Technowood Ltd. London (England) TimTrade Romano d’Ezzelino, Veneto (Italy) Vasto Legno SpA Milan (Italy) Vicwood Development Ltd. Central Hong Kong (China) Wood United Source Pte. Ltd. Singapore (Singapore) Wijma Trading Kampen (The Netherlands) Woodbridge Intl. Holdings Larnaca (Cyprus) WoodBois International Frederiksberg (Denmark) Zenova (M) Sdn. Bhd. Kota Kinabalu, Sabah (Malaysia) Zhejiang Layo Wood Industry Co., Ltd.

Particleboard

www.mccorry.com 60-88-517030 • • info@mccorry.com Fax: 60-88-538620 www.mpveneers.com 91-755-2462351, 2461243 • exports@mpveneers.com Fax: 91-755-2468197 www.nhgtimber.co.uk 44 (0) 208-651-4030 sales@nhgtimber.co.uk Fax: 44 (0) 208-651-0913 • • 6084 317226 lillianlau@gmail.com Fax: 6084 332590 www.uniflexgp.com (62) 81510361979 henry@uniflexgp.com Fax: (62) 216269730 www.kligroups.com 62-21-5306448 • buniadi@kligroups.com Fax: 62-21-5301575 www.multigunawood.com (31) 7348882

manufacturer

McCorry & Co. Limited Kota Kinabalu, Sabah (Malaysia) MP Veneers Pvt. Ltd. Bhopal, MP (India) NHG Timber Ltd. Surrey (United Kingdom) Perfect Trans Sdn. Bhd. Sibu, Sarawak (Malaysia) Pt. Jatim Sentra Utama Jakarta (Indonesia) PT. Kayu Lapis Indonesia Jakarta (Indonesia) Pt. Kayu Multiguna Indonesia (Kmgi)

TRADE ASSociatioN/ ORGANIZATION

Web Site/Email Phone/Fax

african mahagony

Company Name

Overseas Members

veneers

Other

LUMBER

Exporter

business activity agent/sales rep

PRODUCTS

iwpa M e m b e r s

Guide to the Advertisers

Plan to Attend!

Page company phone website

IWPA’s 60th World of Wood Annual Convention

29 AHC Craig Imports . . . . . . . . . . . . . . . . 800-248-4393. . . . . . www.hardwoodweb.com

April 6–8, 2016

57 American Hardwood Export Council. 703-435-2900. . . . . . www.ahec.org 11 American Lumber Company . . . . . . . . 888-438-7888. . . . . . www.alumber.com

JW Marriott, Austin, TX

26 Argo Fine Imports, Inc. . . . . . . . . . . . . 504-828-0943. . . . . . www.argofineimports.com 4 Baillie Lumber Company . . . . . . . . . . . 716-649-2850. . . . . . www.baillie.com 25 Bozovich USA . . . . . . . . . . . . . . . . . . . . 251-578-4604 . . . . . . www.bozovich.com

IFC Clarke Veneers and Plywood. . . . . . . . 601-366-0331. . . . . . www.clarkeveneers.com

27 Coastal Cargo Company. . . . . . . . . . . . 504-587-1100. . . . . . . www.coastalcargogroup.com

Connect with wood importers, distributors, wholesalers, manufacturers, overseas producers and trade facilitators worldwide to expand your business.

41 Del Valle, Kahman & Company, Inc. . . 714-522-3100 . . . . . . www.dvkco.com 53 Ghana Forestry Commission. . . . . . . . 44-208-906-9560. . . www.ghanatimber.org 9 Global Forest Lumber Company . . . . . 55-41-3049-1593. . . . www.globalforest.com.br 43 Goodfellow . . . . . . . . . . . . . . . . . . . . . . 800-268-2471 . . . . . . www.goodfellowinc.com 15 Hardwoods Specialty Products. . . . . . 916-730-1125. . . . . . . www.hardwoods-inc.com 46 IKE Trading . . . . . . . . . . . . . . . . . . . . . . 800-777-6688. . . . . . www.iketrading.com 35 Interholco AG . . . . . . . . . . . . . . . . . . . . 4141-767-0303. . . . . . www.interholco.ch 19 Interwood Forest Products. . . . . . . . . 502-633-0017. . . . . . www.ifpveneer.com 8 Legno Company . . . . . . . . . . . . . . . . . . 55-41-3087-0800 . . . www.legnocompany.com 7 Liberty Woods International, Inc.. . . . 800-367-7054 . . . . . . www.libertywoods.com

F e at u r in g Up d at e s On :

65 Lumber Liquidators . . . . . . . . . . . . . . . 800-274-2360 . . . . . . www.lumberliquidators.com

Economic Trends and Market Projections for Wood Products

5 Malaysian Timber Council. . . . . . . . . . 603-9281-1999 . . . . . www.mtc.com.my 22 Alan McIlvain Company. . . . . . . . . . . . 610-485-6600. . . . . . www.alanmcilvain.com 37 J. Gibson McIlvain Company. . . . . . . . 410-335-9600. . . . . . www.mcilvain.com 45 Newman Lumber Company. . . . . . . . . 228-832-1899 . . . . . . www.newmanlumber.com 31 Northwest Hardwoods. . . . . . . . . . . . . 800-688-2882. . . . . . www.northwesthardwoods.com 66-67 Pollmeier Inc. . . . . . . . . . . . . . . . . . . . . 503-452-5800. . . . . . www.pollmeier.com 51 Port of New Orleans. . . . . . . . . . . . . . . 504-528-3262. . . . . . www.portno.com 32 Port of Port Arthur . . . . . . . . . . . . . . . . 409-983-2011 . . . . . . www.portofportarthur.com 42 Rex Lumber Company . . . . . . . . . . . . . 978-263-0055. . . . . . www.rexlumber.com

| U.S. Customs Classification and Audits | EPA & CARB Formaldehyde Emission Rules | Sustainable Trade Opportunities and Challenges | Leadership and Business Strategies • Networking Opportunities • Sponsorships • Exhibitors • Fun Activities & Attractions

36 Roberts Plywood . . . . . . . . . . . . . . . . . 631-586-7700 . . . . . . www.robertsplywood.com 39 Robinson Lumber Company . . . . . . . . 504-895-6377. . . . . . www.roblumco.com 61 Sarawak Timber Association . . . . . . . 60-82-332-222 . . . . . www.sta.org.my 23 Shorepoint Insurance Services. . . . . . 714-430-0035. . . . . . www.shorepointinsurance.com 54 South Jersey Port Corporation. . . . . . 856-757-4927 . . . . . . www.southjerseyport.com 17 Swaner Hardwood Company. . . . . . . . 818-953-5350. . . . . . www.swanerhardwood.com 49 Timber Holdings USA. . . . . . . . . . . . . . 888-932-9663. . . . . . www.ironwoods.com 14 TradeLeaf LLC. . . . . . . . . . . . . . . . . . . . 212-595-1371. . . . . . . www.tradeleaf.com FIFC Tradelink Wood Products Inc.. . . . . . . 336-230-2220 . . . . . . www.tradelink-group.com

BC UCS Forest Group

- Sierra Forest Products . . . . . . . . . . . 866 265 0624. . . . . . . www.sierrafp.com - UCS Forest Group. . . . . . . . . . . . . . . . 866 265 0624. . . . . . . www.ucsforestgroup.com - Upper Canada Forest Products. . . . . 866 265 0624. . . . . . . www.ucfp.com

33 Wood Brokerage International . . . . . . 800-453-3554. . . . . . www.woodbrokerage.com

BC: Back Cover (68) IFC: Inside Front Cover (2) FIFC: Facing Inside Front Cover (3) FIBC: Facing Inside Back Cover (66) IBC: Inside Back Cover (67)

Please contact Felicia Johnson for more information. Email: felicia@iwpawood.org PH: 703-820-6696 fax: 703-820-8550

www.iwpawood.org

international wood

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European EuropeanBeech-The Beech-TheChameleonic ChameleonicHardwood Hardwood European EuropeanBeech Beechis isasasversatile versatileasasa aChameleon Chameleon- with - witha alight lightnatural naturallook, look,tight, tight,fine finegrain grainand and uniform uniformcolor colorit ittakes takesa avariety varietyofoffinishes finisheswell, well,emulating emulatinga anumber numberofofdifferent differenthardwoods hardwoods with witha asimple simplechange changeininstain staincolor. color.

About Aboutthe theclosest closestthing thingtotoaaperfect perfectclose-grain close-graintemperate temperatehardwood hardwood Availability: Availability: Value Added German Beech Value Added German Beech

North American Sales Office North American Sales Office Toll Free: 866-432-0699 Toll Free: 866-432-0699 U.S. 503-452-5800 U.S. 503-452-5800

www.pollmeier.com/perfect-hardwood (Intro video) www.pollmeier.com/perfect-hardwood (Intro video) www.pollmeier-usa.com www.pollmeier-usa.com

European Beech is is thethe most available and European Beech most available and sustainable hardwood inin thethe world. sustainable hardwood world.

Yield && Throughput: has fewer defects-wider widths Yield Throughput:Beech Beech has fewer defects-wider widths and will increase both yield and throughput. and will increase both yield and throughput. Sustainability: Sustainability: Machinability: Machinability: Affordability: Affordability:

Europeâ&#x20AC;&#x2122;s forests areare increasing at at Europeâ&#x20AC;&#x2122;s forests increasing 2 times thethe rate ofof North American forests. 2 times rate North American forests. PEFC && FSC certified. PEFC FSC certified. Although it is very hard and strong, it machines Although it is very hard and strong, it machines 96% perfect parts and hold a fine edge better. 96% perfect parts and hold a fine edge better. European beech will provide a lower output cost European beech will provide a lower output cost inin most products. most products.

Pollmeier Beech your readily available, sustainable, durable and easy-to-machine Pollmeier Beech is your readily available, sustainable, durable and easy-to-machine Pollmeier Beech isisis your readily available, sustainable, durable and easy-to-machine Pollmeier Beech your readily available, sustainable, durable and easy-to-machine hardwood that isis-best best all surprisingly ordable. hardwood that isis-best bestofof ofof all surprisinglyaff aff ordable. hardwood that all-surprisingly affordable. hardwood that all-surprisingly affordable.

Now available sale ininNorth America Now availablefor for sale North America Now available for sale North America Now available for sale in North America Nowavailable available for sale in North America Now for sale in North America from Pollmeier Value Added German Beech™ from Pollmeier Value Added German Beech™ from Pollmeier Value Added German Beech™ from Pollmeier Value Added German Beech™ from PollmeierValue Added German Beech from PollmeierValue Added German Beech Now introducting the newest, only high-quality engineered hardwood product ofof its kind Ingenious hardwood Ingenious hardwood Now introducing the newest, only high-quality engineered hardwood product kind Now introducting the newest, only high-quality engineered hardwood product ofits its kind Now introducing the newest, only high-quality engineered hardwood product of its kind

BauBuche BauBuche “IngeniousHardwood HardwoodBauBuche” BauBuche” “Ingenious

BauBuche usesuses local rawraw materials from sustainable forests withwith BauBuche local materials from sustainable forests

PEFC certification. PEFC certification.

BauBuche is beneficial bothboth to the environment andand people BauBuche is beneficial to the environment people because at its source in the forest, it produces oxygen and binds CO2. because at its source in the forest, it produces oxygen and binds CO2. Applying precise engineering technology, BauBuche preserves Applying precise engineering technology, BauBuche preserves the the morphology and strength of the natural wood. morphology and strength of the natural wood.

BauBuche carries heavier loads softwood products. BauBuche carries heavier loads thanthan softwood products. BauBuche hashas a wide range of applications – from the the smallest BauBuche a wide range of applications – from smallest

component up to boards andand beams. component up60 to-ft. 60 long -ft. long boards beams.

load-bearing capacity of BauBuche reduces dimensions TheThe load-bearing capacity of BauBuche reduces dimensions andand cross-sections in timber construction – more space and less material cross-sections in timber construction – more space and less material consumption. consumption.

BauBuche is distinguished by0.15-inch its 0.15-inch veneer layer precision BauBuche is distinguished by its veneer layer precision andand exceptional surface quality. exceptional surface quality. BauBuche as easy to machine as solid wood, is ideally suited BauBuche is asiseasy to machine as solid wood, andand is ideally suited for use in visible construction elements. for use in visible construction elements. BauBuche revitalized possibilities of laminated veneer lumber BauBuche revitalized the the possibilities of laminated veneer lumber top-quality aesthetics unmatched strength. withwith top-quality aesthetics andand unmatched strength. BauBuche cancan be stained to any color justjust like like solid European BauBuche be stained to any color solid European

beech lumber. beech lumber.

BauBuche is price competitive through efficient manufacturing BauBuche is price competitive through efficient manufacturing andand economical use of materials. economical use of materials.

Where sustainability, innovation, aesthetics and cost-efficiency come together Where sustainability, innovation, aesthetics and cost-efficiency come together Where sustainability, innovation, aesthetics and cost-efficiency come together Where sustainability, innovation, aesthetics and cost-efficiency come together At 70% least 70% At least least At 70% of our our production production of our production of is PEFC-certified. is PEFC-certified. is PEFC-certified.

Value Added German Beech Value Added German Beech™ North American Sales Office North American Sales Office Portland, Oregon Portland, Oregon Free 866-432-0699 TollToll Free 866-432-0699 Outside U.S.U.S. 503-452-5800 Outside 503-452-5800 www.pollmeier.com/en/baubuche/ingenious_hardwood ™ ™

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QUALITY. ADVOCACY. LEADERSHIP. QUALITY. ADVOCACY. LEADERSHIP. QUALITY. ADVOCACY. LEADERSHIP .

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Direct Supply Programs

Globally Sourced Solutions UCS Global experts search the world to deliver on our customers very exacting standards in lumber, panels or veneers. We can supply FSCÂŽ Certified or CARB compliant products and alwaysâ&#x20AC;Ś our products will come from sustainable sources.

Contact the experts at UCS Global to discuss your wood needs Hugh Reitz

Paul Fosh

Director Import Lumber

Director Import Panel

Cell 856 693 7571 Tel 1 866 656 3830 | 630 231 0563 Fax 630 231 0454 hreitz@ucsglobal.com

Cell +44 7736 326169 Tel +44 1480 300626 Fax +44 (0)808 171 0070 pfosh@ucsglobal.com

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