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August-September, 2021
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India
SR Event
Tale of Two Capital Cities: New Delhi & Tirana Ar Dikshu Kukreja & Anuela Ristani, Deputy Mayor, Tirana
SR Launch Pad
Vitronite by Kajaria with BG Vyas
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Ambassadors of Architecture & Design Mehul Shah, Yatin Patel, Bimal Desai Founders & Principals, DSP Design Associates India | Singapore
SR Rising Stars
Manav & Shivangi Patel, MS Design Studio, Gujarat
SR Material Poetries
Marigold Interiors, Ahmedabad Sian Architects, New Delhi & Meerut
App Ache
Wallpaper or Paints What to choose?
23+
Products & Materials SR SHOWCASE
editorial
Someone asked me:
I see many architects occupied with lots of projects. It is not the same with me. That's making me worried. Am I going wrong somewhere? This message was part of a recent conversation between me and an architect from India. The blatant openness took me aback for a while. I felt glad someone was willing to discuss this. Well, the term 'lots of projects' means different things to different firms and the type of projects they do. We had a fairly
long conversation touching upon how different project sectors were performing. Here are the points picked from the conversation which might benefit others to ponder on: Reality check: After covid, massive changes are taking shaped in the way we operate our businesses, how we meet & communicate as well as how our clients work. The degree of change might be different for different professions. Today, firms and companies who are succeeding have three things in common: (a) They are moving with the flow and not stuck to 'how it was or how it should be' (b) They are creating new abilities & capabilities as preparedness for the future and building the plans A and B around them (c) They are constantly doing reality checks and super agile to move with the ebb and flow of the market. Some people are just waiting for the old-time to be back. Well, time might even be better, but it demands certain actions from your side too. I suggest doing 'Reality Check Surveys' at regular intervals on yourself as well as your work. Make it part of your work culture where people can share new ideas, deliberate on them, and contemplate to make good old processes better. Pivot your work: Among the businesses that fail are 70% who do not pivot their work at the right time. The sessions of 'Reality Checks' should lead to two things - areas that demand your attention and action plan to execute the same. This step-by-step process helps in navigating an organization to a better direction. Technology Adoption: Should I even say why Tech adoption is a must! You have seen how tech is revolutionizing our lives today so also the lives and work of our clients. The technology world is seeing one of the biggest growth in demand currently for skilled professionals. Who had even thought of this during the dark days of the pandemic! Big Data, Tech integration in Design, optimising use of Human Resources from different geographies through tech, Serving clients better, and
executing Projects Faster through collaboration, are some of the expected outcomes from Tech adoption. Design-Leadership: Build your design leadership in an altogether new way. It is time to move up the ladder a few more steps. While being anchored to your originality, it is time to cover up certain distance. Pandemic has catapulted how we work, live, and communicate. To be with the times is not enough. Design leadership demands having the ability to predict the future in certain ways and help clients with ideas around their new needs. Use time to work, not worry: If I need to summarize the points in one sentence, it is all about doing bigger & complex work in a better & simpler way. When you are not doing such work, you should be building capacities and processes for the future. Worrying will definitely not lead you anywhere, work will. It is better not to check out what others are doing if that troubles you. Always check out to appreciate and learn. Take every situation as an opportunity to either deliver or build. In order to reach out to your prospects, share regular developments through articles, blogs, or as speakers in different forums. Have a voice and make it heard. I am thankful to the person in the conversation who insisted I should share this with readers of SURFACES REPORTER. Amid bright market recovery hopes, it is time to gear up and keep your best foot forward. All the best! Write to me at vertica@surfaces.in
VERTICA DVIVEDI Editor-in-Chief, Surfaces Reporter | Founder, WADE ASIA Co-Chair, WEC, PHD Chamber of Commerce & Industry
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SR Advertorial
readers' reviews Thank you readers for the responses! We can be contacted at hello@surfacesreporter.com
What people are saying about "Surfaces Reporter"
The concept is very Interesting. I am amused by the detailing given by each professional & designs that manifest creativity and warmth. - Rini Susan Mattew (On SR Signature spaces)
Thanks SURFACES REPORTER for organising The "Tale of Two Cities- New Delhi and Tirana" seminar and Architect Dikshu Kukreja for a valuable insight. -Manish Gaur Urbane, The Design Workshop, Delhi
Thank you the entire team of SURFACES REPORTER for organizing such a helpful event in these trying times.
A Distinguished panel and very informative discussion. -Ar Sabeena Khanna Principal, Studio KIA, Gurugram (on panel discussion on Building structure; on cracks and seepage)
Very informative session and great explanations given by the panelists. Thanks to all -Santosh Gautam NVCL-Odisha (on panel discussion on Building structure; on cracks and seepage)
Interesting discussion! Thank you Vertica for bringing all experts on one plateform. - Mukhram Tewatia Taj Hotels (On Greenply E-0 Launch by SR), Gurugram
-Kishore Mirchandani Former Office Superitendent at Naval Dockyard, Mumbai (Listener of COVID Care seminar organized by SR)
Congratulations Pragat and team for understanding today’s need & organizing such type of programs. Such events help us to boost our enthusiasm. -Ar Sunil Deshpande Principal, Drishti Architects, Mumbai
Always Implementing Innovative Ideas! -Anshul Pandey CEO, Techgabru, Jalandhar
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Vol. 10 Issue-05 August-September, 2021
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vertica dvivedi
vertica@surfaces.in material stories & market research pragath dvivedi executive editor madhurima chowdhury madhu@surfaces.in bureau chief komal gupta editorial support rajiv parashar rekha joshi fuloriya mehak ahluwalia production control swapan das
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images & research are done by going through encyclopedias, industry experts, wikipedia, various blogs, research, some images from web, books & reference, research journals, interviews published in various media and respected magazines, surfaces reporter's published issues and others, all for the sake of dissipating information and creating inspiration on the subject of article, write-ups, mostly through direct interactions with the designer/ business owner. editorial & correspondence: f-1118, chittaranjan park, new delhi-110019 email: vertica@surfaces.in, printed at Modest Print Pack Pvt. Ltd. C-52, DDA Shed, Okhla Industrial Area Phase-I New Delhi-110020 and published from f-1118, chittaranjan park, new delhi-19 by vertica dvivedi on behalf of bigsea marcom (i) pvt. ltd. we accept all materials and publish with care. however, we do not take the responsibility for the authenticity of the same. The views expressed in the columns of surfaces reporter are not necessarily those of the editor or the publisher & they accept no responsibility for them. We take care that colour is matched but take no responsibility for complete matching. Final decisions should not be done about colour without seeing real product/sample. Every design showcased is not about what is available in india-it may as well be for inspiration. No part of this magazine including advertisements' design, prepared by us or through us should be copied, reproduced or transmitted by anyone without prior written permission of the publisher. surfaces reporter and bigsea marcom wish to promote building material & product awareness in true & unbiased way. We do not claim to be experts so feel free to correct us if something needs correction. We are always eager to learn. All disputes to be settled in delhi (india) jurisdiction only.
Total Pages - 102
Editorial: 6 Readers' Views: 8 Content: 10, 12 14-15 : SR world Bamboo Day Bamboo Cultura Festival organised by Bamboo Society of India (BSI), Karnataka Chapter and World Bamboo Organisation with SURFACES REPORTER as Media Partner 16-21 : SR News Updates 26-37 : SR COVER STORY Tech Ambassadors of Architecture and Design Mehul Shah, Yatin Patel, Bimal Desai 38-41 : SR LAUNCH PAD Launch of Vitronite by Kajaria Ceramics B G Vyas, COO, Kajaria Ceramics 42-67 : SR Showcase A showcase of more than 23 materials and products 68-71 : SR Event Tale of Two Capital Cities New Delhi and Tirana with Ar Dikshu Kukreja and Anuela Ristani, Deputy Mayor, Tirana 72-73 : SR MATERIAL Story “Choose the product over a company and choose the person over the product.” - Manish Bansal, Director, Window Magic 74-82 : SR SPACES & MATERIAL POETRIES Interior Hub by Marigold Interiors- Kshama Parmar, Ahmedabad Stone Print Villa by Sian Architects, New Delhi & Meerut
Advertising queries
83-85 : SR Interaction Moving Forward One Step at a Time Naresh Garg, Chairman & MD, Alex Panels
Contact: +91 9867333972 madhu@surfaces.in
86-88 : SR App Ache How to Choose? Wallpaper/ Paints/ Wall Panelling
subscriBE www.surfacesreporter.com/subscribe
89-99 : SR RISIng Stars Manav Patel and Shivangi Patel, Principal Designers, MS Design Studio, Vadodara, Gujarat
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CONTENT in Visual I
68 Two Capital Cities New Delhi & Tirana with Ar Dikshu Kukreja and Anuela Ristani
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Cover Story
Tech Ambassadors of Architecture and Design Bamboo Cultural Festival with
14 SR as Media & Telecast Partner
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72
SR Interaction
Naresh Garg, Chairman & MD, Alex Panels
SR MATERIAL
SR Application-Ache
How to Choose? Wallpaper/ Paints/ Wall Panelling
Manish Bansal, Director, Window Magic
SR Launch Pad
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89 SR Rising Stars
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Launch of Vitronite by Kajaria Ceramics, B G Vyas, COO, Kajaria Ceramics
Manav Patel and Shivangi Patel Principal Designers, MS Design Studio, Vadodara, Gujarat
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WORLD BAMBOO DAY CELEBRATION
Bamboo Society of India (BSI), Karnataka Chapter and World Bamboo Organisation organises
Bamboo Cultural Festival
Telecast & MeDIA PARTNER - SURFACES REPORTER
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amboo Society of India (BSI), Karnataka Chapter WC- Architecture, Design and Civil Engineering (WC-ADCE, BSI) and World Bamboo Organisation (WBO), in association with Council of Architecture along with IIID - Bangalore chapter, IIA Karnataka Chapter and ISOLA, Karnataka chapter, on the occasion of World Bamboo Day, has celebrated ‘Bamboo Cultural Fest’. With SURFACES REPORTER (SR) as Media and Telecast Partner, the theme for fest was ‘Rethinking Bamboo in Culture Through Design’. Some of the important points from the discussion will be shared in the coming issue.
Bamboo - Material of the Future Bamboo is one of the most versatile building materials that is not only strong with a tensile strength akin to steel, it is also sustainable which makes it a futuristic building material. Already, many renowned architects like are creating newer designs testing Bamboo to its limit. Therefore, in order to make it a more household name in Indian design scenario, on the occasion of World Bamboo Day, BSI Karnataka Chapter (BSI0-KC), WC-ADCE, BSI and WBO are organising Bamboo Cultural Fest 2021. The virtual celebration was held on Sept 19, 2021 from 10 AM till 4:30 PM. Gracing the occasion was Chief Guest, Mr. Shankargauda Patil, Special Representative to Delhi, Govt of Karnataka. World Bamboo Ambassador, Ar Neelam Manjunath commented, “Designing with Bamboo is the required tool to provide traction to the bamboo sector to take it to the next level to Redefine Bamboo in our Culture.”
SURFACES REPORTER has always promoted the use of sustainable building materials and being a media and telecast partner to the event is another step forward in the same direction. From the same group, WADE ASIA supported the event by being the Momento Sponsor. Surfaces Reporter also promised to give one year of free subscription to all the participants.
Event Schedule The speakers of the events include Ar Neelam Manjunath, Chairperson BSI, KC & World Bamboo Ambassador, Ar Habeeb Khan; President, COA; Prof Uday Gadkari, Past President, COA & WC-ADCE, BSI; Neelam Chibbar, Industree Foundation; Dr Jayshree Deshpande, Director, COA-TRC; Prof Krishnarao Jaisim; Ar C R Raju, President, IIA; Ar Jabeen Zackaria, President, IIID. More speakers included, Dr M P Singh, Director, IWST, Bengaluru; Dr Shakti S Chavan, Director, IPIRTI; Dr Vishnukanth Chatpalli, Vice Chancellor, Karnataka State Rural Development and Panchayat Raj University, Gadag; Dr Jagadish Vengala, BSI- WC- ADCE; Vertica Dvivedi, Editor-in-Chief, SURFACES REPORTER; Dr Sridevi Rao, President, ISOLA and Prof Arunava Dasgupta, Chairperson, IUDI, among others. The three technical session wherein various competitions were held were titled, Product Design Competition session, Street Furniture Design Competition and PreFab Structures Competition respectively. Watch out this space for a comprehensive coverage of the event IN THE NEXT ISSUE.
WATCH THE VIDEO
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Surfaces Reporter
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SR News Bulletin
The Harappan-Era City Dholavira in Gujarat and Telangana’s Ramappa Temple Bag The UNESCO World Heritage Site Tag
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uring the 44th session of the World Heritage Committee of UNESCO recently held in China, over 17 of the 21 member nations supported the inscription of the 800-year-old Rudreswara/ Ramappa Templein Telangana as a World Heritage site. Besides Ramappa temple, the World Heritage Committee also inscribed the Harappan-era city of Dholavira, which is located in the present-day Kutch district of Gujarat on UNESCO’s World Heritage List.India now has 40 sites on the UNESCO World Heritage List. Ramappa Temple, also known as Rudreswara temple, is located at Palampet near Warangal in Telangana. The temple has been on UNESCO’s tentative list since 2014. The Indian government proposed Ramappa Temple as its only nomination for the UNESCO World Heritage site list for the year 2019. It was inscribed in UNESCO’s World Heritage List as “Kakatiya Rudreshwara (Ramappa) Temple, Telangana.
Ramappa temple, Telangana, Hyderabad
UNESCO quotes about the Rudreshwara (Ramappa) Temple, “The building features decorated beams and pillars of carved granite and dolerite with a distinctive and pyramidal Vimana (horizontally stepped tower) made of lightweight porous bricks, so-called ‘floating bricks’, which reduced the weight of the roof structures. The temple’s sculptures of high artistic quality illustrate regional dance customs and Kakatiyan culture.” Dholavirahad also been on UNESCO’s tentative list since 2014, and India had shared its dossier in Jan 2020, as per the Culture Ministry statement.Along with becoming the fourth site from Gujarat and 40th from India to make a list, Dholavira has also Ramappa Temple depicts the beautiful craftsmanship of the great Kakatiya dynasty
Harappan-era city of Dholavira, Kutch, Gujarat
bagged the first site of the ancient Indus Valley Civilisation (IVC) in India to get the UNESCO tag. Prime Minister Narendra Modi was elated by this development and shared a series of tweets about this crucial ‘urban centre which is one of our most important linkages with our past.’ “The ancient city of Dholavira is one of the most remarkable and well-preserved urban settlements in South Asia dating from the 3rd to mid-2nd millennium BCE (Before Common Era). Discovered in 1968, the site is set apart by its unique characteristics, such as its water management system, multilayered defensive mechanisms, extensive use of stone in construction and special burial structures,” In its release, UNESCO termed in its press release “The two newly inscribed World Heritage Sites offer great insight into the knowledge and ways of life of earlier societies, customs, and communities.” Why has Rudreswara/ Ramappa Templein Telangana and Harappan-era city of Dholavirabeen conferred the tag of UNESCO World Heritage site? What is special about them? Get to know at wwwsurfacesreporter.com
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SR News Bulletin
Rahul Dravid to be the face of Piramal Realty
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s a brand ambassador for its increasing portfolio of residential projects comprising Piramal Mahalaxmi (Jacob Circle), Piramal Vaikunth (Thane), Piramal Revanta (Mulund), Piramal Aranya (Byculla) and Piramal Agastya (Kurla), and a state-of-the-art commercial project, Priamal Realty has roped in cricketer Rahul Dravid. The former captain of the Indian cricket team is known for his dependable and composed nature and with his reliable, collected and positive approach on field Rahul Dravid will showcase embodying Piramal Realty’s core values of knowledge, action, care and impact, and speak directly to the customers with signature messages on the importance of home ownership. Dravid has always adhered to the mantra of knowledge and hard work in challenging games or life situations. Gaurav Sawhney, Chief Operating Officer, Piramal Realty adds, “Rahul Dravid embodies our philosophy of creating a positive impact on people’s lives. Having Rahul Dravid on board will help us enhance our purpose of doing well and doing good; since he is not just an international sports icon, but also a source of inspiration for many around the world. Rahul Dravid’s qualities of being dependable, authentic, true and impactful perfectly align with our brand values.”
Elaborating on his association with the real estate arm of the Piramal Group, Rahul shares, “A career in sports is impossible to manage without the support and guidance, and reassurance of family and friends. During tough times, there is always home where we go to. As an advocate for the brand, it gives me great pleasure to collaborate with Piramal Realty, which resonates with my own core belief of giving the best throughout the process.”
NGT Levies A Compensation Of Rs 400Cr On 500 Morbi Ceramic Units For Environmental Damage The Gujarat Pollution Control Board (GPCB) told Gujarat High Court that around 500 Morbi ceramic units are in debt of Rs 400 Cr, which they have to pay as compensation for the environmental damage caused by using coal-gasifier plants in their units. The National Green Tribunal (NGT) directed the GPCB to close all the coal gasifier factories and units to deal with the air pollution in Morbi. Read the complete report in www.surfacesreporter.com.
Shut Down of Coal Gasifiers A principal bench of the National Green Tribunal (NGT) directed the GPCB to close all the coal gasifier factories and units to control or deal with pollution in Morbi. The district contains a variety of ceramic industries that are using coal gasifier plants. NGT wants the units to switch over to non-coal gasifiers or PNG or technology. Further, the Tribunal had also directed GPCB that it must initiate “immediate steps for the prosecution of the industries which have operated in violation of law and recover compensation for causing damage to the environment and public health.” Two-Fold Role of Committee NGT also recommended constituting a committee with Central Pollution Control Board (CPCB), GPCB, and NEERI officials to assess the compensation amount recovered and create a restoration plan for the area. For the reparation, Shah submitted a report to incorporate some environmentalists or experts in this field to carry out an “extensive investigation and examination on how this area can be repaired as a long-term measure.”
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SR News Bulletin
Uttarakhand Forest Fire 2016
A view from flooding in the Blessem district of Erftstadt, Germany (2021). Image © Rhein-Erft-Kreis, AP
IPCC Climate Report: Architects and Designers Must “Make Changes to The Way They Design”
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he Intergovernmental Panel on Climate Change (IPCC) released first instalment of its Sixth Assessment Report starkly revealing the “widespread, rapid and intensifying” climate change. The report states the measured increase in greenhouse gases leading to global warming. It documents “unless there are immediate, rapid and large-scale reductions in greenhouse gas emissions, limiting warming to close to 1.5°C or even 2°C will be beyond reach.” Architects Climate Action Network and other UK climate pressure groups say it is a “call to arms’’ for architects and designers that they must “make changes to the way they design” to help avert disastrous climate change. The report stresses that “Achieving global net-zero carbon dioxide emissions is a requirement for stabilizing carbon dioxide-induced global surface temperature increases.” Read out the full sobering report here:
weather events such as heatwaves, putting “billions of people at immediate risk,” according to UN secretary-general António Guterres. The worst-case scenario presented by IPCC forecasts that global warming of up to 5.7 degrees by the end of the century.
A 42-page report, titled Climate Change 2021: the Physical Science Basis, is the first major report, comprising 14,000 studies that will be completed in 2022. The report shows five possible scenarios explaining the different levels of emissions, which concludes 1.5 degrees of warming or more by 2040, breaking the Paris Agreement goals. The report was supposed to be released in April 2021 but was postponed for several months due to the Covid-19 pandemic. 234 authors from 66 countries created this report, and 517 contributing authors, based on more than 14,000 scientific papers.
IPCC Report Suggests Carbon Removal As A Potential Solution
1.5 degrees Celsius of Global Warming will bring “irreversible” changes The report was released on Monday in preparation for November’s COP26 summit. The crucial report reveals that controlling global warming to the vital 1.5-degree Celsius threshold set out in the Paris Agreement is now practically impossible. Furthermore, if the temperature increases, it may lead to “irreversible changes in sea levels and extreme
Require “Immediate, Rapid and Large-scale” Cuts to Greenhouse Gases The report stresses that the quick, fast, and wide-scale reduction in carbon dioxide emissions (CO2) and other greenhouse gases could still help balance global temperatures around the set limit. According to the report, “strong and sustained” emissions reductions and Co2 removal from the atmosphere could help control temperatures between one to 1.8 degrees.
IPCC has to present two further reports, which are scheduled to be published next year, providing more effective solutions to avert climate change. However, the current report has already suggested that removing carbon dioxide from the atmosphere with the help of carbon removal technologies could help to reduce global temperatures and ocean acidification. It will also have a positive impact on biodiversity as well as food and water supplies. Many landscape architects and planners are already working towards it. It is necessary to apply resilient green infrastructure, or sponge city approaches to fight increased temperature and flooding simultaneously. The report is an alarming call that we will not take any necessary measures; climate change will result in 1.5 degrees Celsius of warming or more by 2040. The next report of the IPCC will release in 2022 and the AR6 Synthesis Report in the second half of 2022. Read full news at www.surfacesreporter.com
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Surfaces Reporter
India Ranks Second Most Desirable Destination for Manufacturing More opportunities for Industrial Space Designers!
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ndia officially ranks higher than United States (US) to become the second most desirable destination for manufacturing according to the Cushman and Wakefield 2021 Global Manufacturing Risk Index.
The reports placed the USA at the second spot majorly due to the relocation of manufacturing relocations from China to the other parts of Asia. A major driving factor for the placement is cost-effectiveness according to Cushman and Wakefield. The consultants state that report indicates a positive inclination of manufacturers towards India as a preferred manufacturing hub over other countries such as the USA and other countries of the APAC region. The data assessed 47 countries in Europe, the Americas and Asia-Pacific (APAC). What worked in the favour? The survey indicates that the Indian operating conditions and affordability have worked well for the country. The other reasons also include proven success in meeting the outsourcing requirements which have improved the country’s ranking over the years. The USA follows India at the third position whereas Canada, Czech Republic, Indonesia, Lithuania, Thailand, Malaysia and Poland are placed in the top ten in the same order. The report based its rankings on four prime criteria, including the operational costs, business environment (availability of talent/labour, accessibility to markets), and capability to restart manufacturing. The US-China trade tensions also helped India reserve a better spot on the list. Plant-based relocations from China to another part of Asia proved to be fruitful for the secular land of India. Since the pharma, chemical and engineering sectors have been the centre of Sino-American tensions, the resultant shift has proven beneficial for India. Additionally, The USA has adopted technologies and policies that make it a tough competition to China even though the US itself is a larger consumer.
Indian operating conditions and affordability have worked well for the country. Plant-based relocations from China to another part of Asia proved to be fruitful for the secular land of India.
How did India perform in the other parameters? On the cost outlook this year both India and Vietnam have slipped a spot, overtaken by Indonesia. While China retains its number one position even on the cost front, India slips to the third rank and Indonesia rose to the second from the fifth. Jakarta’s dipping rents have been responsible for Indonesia’s swift movement to the second spot. Vietnam’s Wages costs are lower than China due to the competition from the lowercost locations. Another substantial mention is of Thailand that moved to the fifth spot from the eighth. Columbia too climbed up to the eighth spot from the fifteenth due to its labour costs being similar to Asia. Parameters such as managing the geopolitical risks involved in running a business and its ability to restart the manufacturing businesses after a devastating second wave of the pandemic are some areas where India needs to ponder for becoming the most preferred spot for manufacturing.
In these parameters, India ranks much lower in the list. For the risk scenario involving the lower levels of economic and political risks, India has been clubbed at the third quartile of the rankings along with several other countries. The bouncing back rate which indicates a country’s ability to restart the manufacturing sector is another factor where India currently ranks in the fourth quartile along with Sri Lanka, Mexico, Thailand, Tunisia, Peru, Philippines,Vietnam, Indonesia, Bulgaria, and Venezuela. The road ahead To become the most sought after place for manufacturing, India needs to become a more reliable destination in terms of risks as well as bounce back better after the pandemic! The way ahead is extremely favourable for architects, structural engineers and designer working in the industrial space, feels, SURFACES REPORTER. august-september 2021 | www.SURFACESREPORTER.com | 21
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Surfaces Reporter’s Signature Spaces are special episodes created to cover Signature projects of architects & designers. To be a part of it, write to madhu@surfaces.in
Watch the LIVE 1st episode, season-1, Surfaces Reporter’s Signature Spaces with Amulya Mica
Kavita Sastry
Rakhee Bedi RSDA
N G Associates
Shweta Kaw
Archan Van Gils
Arvind Jain
K S Designs
Studio Meraki
AVG Architecture & interiors
Gunjan Das
A J Architects
Watch the LIVE 2nd & 3rd episode, season-1, Surfaces Reporter’s Signature Spaces with Amulya Mica
Swapnil Valvatkar
Archana Shah
Amit Shah
Archana Amit Shah Ahmedabad
Archana Amit Shah, Ahmedabad
EPISODE-2
Collage architecture studio, Bengaluru
Fasana Alisha Caesar
The Zen Theory, Bengaluru
Rahul Spall Spall Associates, Gurgaon
Nehit Vij
Geetha V G
Intrigue Designs, New Delhi
Flora-Arcade Consultancy, Bengaluru
Devang Shah
Gaurav gupta
DSSPM, Ahmedabad
Decape Studio New Delhi
Bhadri Suthar
Snehal Suthar
Ishvinder Kaur
Nomita Sawhney Design by Meta, New Delhi
Novarch Consultants, New Delhi
Nishant Goel
JANESH JAIN
ANUSHA KATOCH
tHE gRID Architects, Ahmedabad
Geetika Jain DSP Design, Bengaluru
EPISODE-3
tHE gRID Architects, Ahmedabad
ivpartners, Gurugram
Novarch Consultants, New Delhi
arcKala Design Studio, New Delhi
MANU GOEL
arcKala Design Studio, New Delhi
Stay tuned for EPISODE 4 of SR Signature Spaces with Amulya Mica releasing soon featuring some more amazing architects and designers.
SR Cover Story
The Tech Ambassadors oF Architecture and design In conversation with Vertica Dvivedi, Editor-in-chief, SURFACES REPORTER
Yatin Patel, Bimal Desai and Mehul Shah DSP Design Associates, INDIA & SINGAPORE 30+ years of award-winning designs | 2000+ projects across 10 countries 300 million sqft of design delivered
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his kind of special journey of a design firm from India deserves appreciation and applause. As we were studying DSP’s projects and achievements, it made us curious to go deeper and find out more. It was in news for their international association with One Global Design and their partnership with Intelligent Buildings LLC headquartered in the United States specializing in Smart Building Advisory Services to form DSPIB – a dedicated Smart Building Advisory & Design practice serving across India, South East Asia, Australia.
They are alumni of the same college, Manipal Institute of Technology, Manipal. SURFACES REPORTER’s editor-in-chief Vertica Dvivedi sat down for a rendezvous with the three partners.
Clearly a pioneer on the technology side, DSP initiated investment in Prop Tech Consulting Capabilities about five years ago. The year 2018 saw the advent of the property technology wing at DSP with the position of a Chief Technology Officer being introduced within the system. What interested SURFACES REPORTER more was to know the DNA of the firm, how design-leadership flows through the work processes of DSPians, and the secret behind the special bond between the founders for more than three decades.
Yatin Patel’s archiprenuerial journey set the ball rolling back in the late ‘80s with Mehul Shah and Bimal Desai also later joining him in embracing architectural entrepreneurship to establish DSP Design Associates. DSP Design is the culmination of the magnanimous passion for design that this terrific trio envisaged leading the firm as an Indian born international Design Practice today. The founders of DSP have their roots going back to Manipal University where they attained their professional education with Yatin & Mehul sharing the roof as roommates while Bimal sharing the alumni status as a couple of years their junior. The firm name draws its strength from last name initials of the founders and like they said- DSP had a certain ring to it when we coined it so!
With a practice structured around 6 multi-disciplinary studios across India and Singapore, DSP’s 32-year legacy is reflective of transformative, data-driven, high-performance design. It has witnessed a steady progression to be included on the charts of the World’s Largest Architectural & Design practices at #49 among Top100 on the WA100, 2021 list and at #50 among Top100 on the Interior Design, in terms of company value, human capital and turnover for 7 consecutive years. The organization is led by a founding board of three dynamic design professionals, Yatin Patel, Mehul Shah, Bimal Desai who share a common passion for designing spaces that outlast tomorrow!
Here are the excerpts of the interview. To watch the video, log onto www.surfacesreporter.com
Ground Zero
The journey commenced with a reunion at Manipal where they all met and consider their ‘Ground Zero’ while today the firm has six different offices across India and Singapore. As Mehul puts it, “Yatin and I studied in Manipal and even stayed together as roommates. It is funny but, we probably know one another for more time than we know our wives. After that, I finished my Master’s in Construction Management and went away to the US for flying as well. I am a commercial pilot.
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Surfaces Reporter
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SR Cover Story
Ascendas, Pune
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Surfaces Reporter All budding architects must acquire some kind of business training as it is very essential. One should not get an architect license unless they have some knowledge of the business. We have learned it the hard way by making plenty of mistakes.
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SR Cover Story
Knowledge Park, Bengaluru
Leadership greatly thrives on Strategy & Character while an appetite for Risks and Learning is what fuels Success. We’re excited about our foray into the future and truly believe that we’ve just started!
Yatin Patel
Founder & Principal, DSP Design Associates
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Surfaces Reporter
Informative and fun-filled interaction between DSP and Surfaces Reporter were asked if we had done work for a software company. We said no but then added that there has to be a first somewhere. And in this way, we got a break in this sector for a company in Andheri called IMR for a 30,000 square feet space.
I came back and joined Yatin, and Bimal joined 2 years later post his return after a short working stint in Chicago. But, if we are being true to our roots, it’s a journey that started in Manipal.”
The Cardinal Rule to Great Decisions
Mehul: Once we got the taste of blood for corporate offices, things shaped in a completely different way for us.
A cue at their series of successful decision-making is when they spilled the beans to mention that, for any decision, two among three must agree on it while the third follows the suit. There have also been instances where all three have said ‘no’ to something.
The Big Break Reliance Industries was the first big break that came to DSP. This was their first corporate real estate project. Earlier, it was mostly either retail or residential projects. Reliance was their moment under the sun. This was also around the same time when the country was undergoing the IT boom and the market was flourishing with young blood and everybody wanted a piece of the cake. But what distinguished DSP from others was their approach towards the client.
Vertica - How did the project’s trajectory shape up from there onward. Yatin: The first project we did together was for Reliance Industries. Back then it felt like a huge project even though it was around 5000 square feet. Those were the stepping stones for us to get acquainted with commercial real estate projects. Doing the office for Reliance Industries was the path that we wanted to take. That triggered off our journey in the corporate real estate world. And then things just kept falling in place. The next milestone was an interesting one. Back then, tech companies had just started to evolve and there was this huge rush to fit out many more offices because of Y2K. Lots of software companies were expanding and we decided to get into that market. Every time we met a new and potential customer, we
Bimal: IMR allowed us to explore the entire Silicon Valley of India, that is Bangalore, even though our client was based out of Bangalore where Yatin & I flew inter-state to digitally present what we had conceptualized for the client. It was a competition which we won and that created a lot of buzz for DSP as a stepping-stone in the IT world. This was in 1999 and towards the end of that year, another company called Sasken Communication was setting up a 300,000 square feet facility in Bangalore. That was the largest project that the IT world had seen in India during that period. We were invited to participate in that competition as well because of what they heard about us from IMR. DSP went on to win that competition as well and that is what sealed our fate in Bangalore. In between, a PSU played a very important part in our journey which was IDBI bank. When we were doing the Reliance projects, IDBI was setting up branches in Mumbai, Pune, Hyderabad, Bangalore, Chandigarh, and Calcutta. DSP did all those branches in all those cities. Whichever city we went to, we saw its potential and we kept on dropping our anchors in each one. From there we transitioned to the tech world and never looked back. While we were still doing designs of Sasken, we also got a similar project from Wipro and Hewlett Packard within three months. My transition to Bangalore was supposed to be temporary until Sasken happened and I told my friends to handle Mumbai while I take care of Bangalore. Yatin: The first project for us in Bangalore was for IMR where we made a digital design presentation at a time when our industry least anticipated with computers that were part of our travel kit from Mumbai to Bangalore. We also did a factory building for Volvo and the first office for Nike. And that’s where our career graph witnessed an uptick to sustain and scale.
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SR Cover Story The challenge in scaling up is to get the right resources at the right time and the right place. We have a huge population of architects and interior designers in the country. But the work that DSP does and the speed at which our clients expect us to deliver requires intense skills, speed and no scope for errors. There is a shortage of trained professionals due to the specialization required.
Vertica: The story of carrying Monitor and CPU from Mumbai to Bangalore for presentation is very interesting. Please share the incident. Yatin: Our industry at that juncture hadn’t witnessed the use of laptops and portable machines and Voila! We walked into the presentation room with our CPU, Keyboard, & all the ancillary gadgetry that we needed to make our presentation to what we never knew was for a project that was destined to shape our success in Bangalore. Bimal: We did have our challenges with the security at the airport while travelling with our CPUs! We told them that they are computer parts. I also remember coming across some of our competitors on our way to Bangalore on the airplane and did notice the curiosity with our equipment’s too. They were carrying these handmade drawings of their proposal and were quite inquisitive about what we were carrying. That was probably the first time, I’d like to believe, in the Indian architecture industry that the trend of using PowerPoint presentations was initiated.
Vertica - Do you remember who was carrying what? Yatin: It was Bimal and me who went for that presentation and one of our employees had also accompanied us. One of us carried the CPU, another carried the other components, and the third of us was carrying the whole portfolio of large printouts of the drawings. We were carrying our overnight clothes in backpacks.
Vertica - What was the reaction of the client when they saw you with the CPU and Monitor? Bimal: I think they were not expecting anyone to make a presentation in that manner. They had no projectors or screens put up in the meeting room as well. We went into the client’s office and asked for technology-related help. They were curious and we told them that we need to set up our computer here. They were an IT company and were able to provide us with the necessary help. It was assembled properly. I believe they would have sensed that there is a company that understands what technology can do and our designs spoke for us and we won the project.
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The global giants that we learned about 35 years ago in our college are our partners today.
Bimal Desai Founder & Principal, DSP Design Associates
Surfaces Reporter
Compass, Hyderabad
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SR Cover Story A frontrunner in Technology DSP is one of the initial architectural firms in the country that started using technology as a major tool in their working system. DSP initiated investment in PropTech Research, Advocacy, Resources & Capabilities well about 5 years ago. The firm had marked its participation on the world stage through platforms like World IOT Congress in Europe, Realcomm conferences in the USA, and a constant endeavor to converse with global industry leaders in the technology domain towards enabling the firm with early insights into the shift towards technology integrated building & interior design strategies. DSP has been at the forefront of advocating the necessity of “Smart Building Strategies and Consulting Practice” integration with the existing teams of master planners, architects, interior designers, workplace strategists, & MEP design teams within the firm. Recently, DSP Design has also established a partnership with Intelligent Buildings LLC, the USA specializing within Smart Building Advisory Services.
DSP’s association with One Global Design For the last 2+ years, DSP has been a part of One Global Design. This association has increased the firm’s presence across the United States, Canada, Mexico and Europe in addition to its existing foothold in India, Singapore, Indonesia and Australia. With a global research repository and access to a talent pool of multi-domain design experts from across the world enables DSP as a partner firm to the One Global Design Network to envision and deliver leading-edge internationally curated design strategies and transformational spaces to its clientele across its service geographies.
All budding architects must acquire some kind of business training as it is very essential. One should not get an architect license unless they have some knowledge of the business. We have learned it the hard way by making plenty of mistakes.
Vision for DSP, 10 years from now All three partners agree that this is just the beginning for them. So far, DSP has been able to reach out to all the major cities of India and has delivered quality service across. For the next 5 years, the firm is interested in focusing on strengthening its international project delivery capabilities and ground presence. Additionally, it will also focus on improving the technology consulting division. To quote Bimal, it will be a period of “heads-down work” following which the firm will looking forward to globally achievable business milestones and leverage its experience in trying to achieve them in the 5 years that follow.
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Surfaces Reporter The firm shall endeavor to invest beyond what it has done to achieve success in India in fulfilling the firm’s global aspirations. The firm has been operating for the last 32 years and evolution is key to its existence. They plan to keep innovating and coming up with the most unique designs that one can imagine. Mehul remarked that he is always open to competition. He doesn’t mind losing to a firm that has a better design than theirs. But at the same time, he doesn’t want other firms to take DSP for granted, given its veteran status.
Challenges then and challenges now! According to the principals, the initial challenges were to get more projects which were dependent upon the word of mouth. Access to resources at the right place and time was another crucial challenge. Given the kind of clients DSP has to deal with, there is always an expectation from them to deliver the project in a short time and that too without any error. This kind of perfection requires highly skilled professionals who have specializations in different aspects of architecture which is why DSP invests and grooms its human capital. Resultantly, most of DSP’s employees have been around for more than 12 years. Mehul: The type, nature, and scale of projects have changed. But the fact remains that you are still in the race. Now we go in with a certain reputation and experience, so it’s easier to open doors. But that doesn’t mean that things are laid out to us in a platter. You still have to work as hard or probably even harder because there are higher expectations now. Then, running such a big organization has its challenges.
Vertica: What is the Smart Building Advisory Service by DSPIB?
We think and update our ideas with references to the trends that are currently in vogue. We must also be able to anticipate change. Continuous learning is important.
Yatin: Smart Buildings can yield substantial improvements in performance, wellness, and risk mitigation, which can be achieved by a purposeful and methodical approach to technology in design, development, and property management. Our services are designed to bring immediate value to corporations, commercial real estate developers, and tenants looking for technology-infused designs that specifically address public health risks, building cybersecurity and occupant experience. Our services provide the much-needed confidence to enter and work in new or retrofitted buildings, and will also lower building owner cost-structure, transform occupant experience, manage environmental conditions and proactively address vendor risk management (VRM). Our partnership with IB, assures corporations, developers, and all tenants in the region, that their facilities will be able to adapt to rapidly changing conditions, new technologies and shifting occupant demands while also proactively addressing public health and VRM.
Mehul Shah Founder & Principal, DSP Design Associates
Bimal: In this post-pandemic world, the pace of digital transformation in real estate has only gone up, the clients are more aware what technology integration can do in terms of optimization of real estate, enhancing experience of employees and visitors, the combined team of IB and
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SR Cover Story
Nvidia, Bengaluru
DSP have a global team of almost 50 professionals catering to advisory and consulting in this space. This opened up a plethora of things, more than what we were handling.
Vertica: Is workspace design changing due to the pandemic? Yatin: I will start with one example of a project that we are delivering for an MNC. This is in Pune spread across 115,000 square feet. We started the designing before the pandemic and we used technology to map the space utilization to see the efficiency & usage pattern of their existing workspaces, preceded by data analytics. This data-backed design approach resulted into the client optimizing the real estate which they were typically leasing from 1,30,000 sft to 1,10,000 sft, thereby resulting into 15% saving on real estate on day one. The employee strength required to be housed by the client was still met by implementing smart strategies of providing agile settings comprising of a combination of desking and alternative work points. Since the project design was concretized pre-pandemic, a slight course correction was adopted in consultation with the stake holders, and surveys conducted to suit the transition to more hybrid work styles. This resulted into some spaces transforming into more business club-like institutions where people could walk in for their work. There are no assigned desks within this office. Technology has been deployed to provide employees choice of seats that they would like to work from on any given day or for particular tasks, to be able to sync up with colleagues & identify and book meeting with the required amenities, to be able to also exercise choice for F&B services and other concierge needs.
Bimal: There is a progression in terms of everyone wanting to transit to a hybrid work style. We will see a different definition of “Hybrid work style” from company to company. The degree of adoption will depend upon geographies, demographics, urban infrastructure, technology absorption, nature of business and more parameters. Even within the same organization different business groups might adopt a varying degree of hybrid work styles and freedom to work from home in post pandemic era.
Vertica: Who is the futurist among you? Yatin: We all are dreamers. Bimal & I keep innovating and thinking “what next”, Mehul keeps us grounded when we discuss a new initiative or new project and get carried away with things that we have to do for realizing it. Mehul would give us a reality so that we can think realistically.
Vertica to Mehul: Though you are trained as a pilot, I can see that you are the one who is more grounded (laughing). Many times, you ground the other two, who keep flying with new ideas. Mehul: Well, those two are our glamour boys. That’s what we call them. So we have an internal policy that on any key decisions if two vote one way, the third one falls in line, that way two decide and we go ahead with the majority and that’s fine. If that means I am still to say no to something, I will say it. We do need someone to pull the rug occasionally.
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Surfaces Reporter
Residential High Rise-Mumbai
DSP Design Associates is a great example of an Indian born Globally enabled Design Practice that is multi- national in services and outreach. Their data-driven strategies and research are the need of the hour for high-performance buildings. I would suggest keeping a close watch at DSP!
Vertica Dvivedi Editor-in-chief, SURFACES REPORTER
Vertica: Your message about DSP to the design fraternity and construction industry? Mehul: We are always evolving. Even though we have been in the business for almost 32 years now, we will continue to be early adopters in introducing newer trends. We will still come up with stuff that no one expects us to bring to the table. So don’t rule us out or take us for granted. Competition is good and it feels good when someone with a better design wins. I can appreciate them. I don’t mind losing to someone better than me.
Vertica: What is your message for
Surfaces Reporter Magazine.
Mehul: Surfaces Reporter is doing a great job through their coverage of all the important things. I am not much of a reader even though I do read Surfaces Reporter. I am always looking forward to seeing something interesting in Surfaces Reporter every day. It’s a fantastic job that you are doing. Keep it up and never forget to learn every day.
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SR Launch Pad
Launch of Vitronite by Kajaria Ceramics
B G Vyas, COO, Kajaria Ceramics IN TALKS WITH SURFACES REPORTER
Mr. B G Vyas COO, Kajaria Ceramics
Kajaria Ceramics is one of the largest manufacturers of ceramic/ vitrified tiles in India. The globally-renowned brand is bringing an extensive range of vitrified and ceramic solutions to its patrons and has been enabling its customers to design a dream home out of their spaces. Started with 1 mn sqm, today, the company has an annual aggregate capacity of 70.40 mn sqm, distributed across eight plants - Sikandrabad in Uttar Pradesh, Gailpur & Malootana in Rajasthan, Vijayawada & Srikalahasti in Andhra Pradesh and three plants in Gujarat. Founded 30 years ago, Kajaria has grown stronger owing to its team's continued hard work, dedication, creativity, and design ability, along with the innovations and patronage from its discerning customers. The company currently offers more than 2800 options in ceramic wall & floor tiles, vitrified tiles, designer tiles, and much more. Recently, the company has launched its new product- Vitronite. In an exclusive interview with the Vertica Dvivedi, Editor-in-Chief, SURFACES REPORTER MAGAZINE, Mr B G Vyas, the Chief Operating Officer at Kajaria Ceramics updates about the new product, its specialities, and why it is an authentic replacement of Granite & Marble slabs.
What is the thought behind the launching of Vitronite slabs? India has a huge market in the tabletop segment without the presence of an organized player. Due to the change in lifestyle and emerging category of luxury house, customer perception towards the modern kitchen is changing. Therefore, the end users are looking for a product which is technically superior, cost effective and available with a wide range of choices. Three major aspects behind the launch of Vitronite: 1. Tremendous pull of the brand Kajaria and a wide distribution network which will help us in the market penetration and further development in this emerging category. 2. Vitronite has widened our product portfolio and given us scope to explore potential of new application areas. 3. Being a technically superior product -To summarize – the product offers value for money in its category and thus our descriptive product punch line is Vitronite: One Surface – Many Possibilities. august-september 2021 | www.surfacesreporter.com | 38
Vitronite is a ready to use material, pre-sized, pre-polished & with huge potential. No branded product is available in this category. It has great opportunity for designers, dealers and distributors.
Surfaces Reporter
Vitronite has allowed us to enter the hitherto untapped and a vast natural stone market. It is an authentic replacement of Granite and all types of marbles, including Italian Marble.
How is the product positioned in the market? Vitronite has two positioning statements, i.e., Firstly as a New Age Kitchen tops for Modern Kitchen and secondly, as the New Age Granite & Marble.
Why is the size significant in Vitronite? Vitronite is currently available in 800mm X 2400mm and having 15mm thickness. A higher thickness provides extra strength and durability to the product. Technically, we can say that the strength of this 15mm thick vitrified slab is almost two times more than the granite. The thickness adds to natural beauty along with having functional benefit to the edges for profiling (bullnose). Also, due to the higher thickness, it is ideal for high traffic
areas including Airport, mall, school, hospital, and corporate offices etc.
How many SKUs are on the offer? At present, aesthetically, in line with approvers' (Architect and Interior Designer) choice, we are having 35 SKUs. Though, this itself is fairly good choice, yet we will bring in more options as we grow in this category.
How many variants are available? At present, we are offering 5 variants in this segment viz. a) Terrazzo (Homogenous Body) b) Salt & Pepper (Homogenous Body) c) Solid Colors (Homogenous Body) d) Marbellite (Italian Marble Series) e) Plain (Color Body) august-september 2021 | www.SURFACESREPORTER.com | 39
SR Launch Pad
KAJARIA'S VITRONITE
WATCH THE VIDEO
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Product with a promise!
A trained mason who is experienced in granite or marble slabs laying would be able to lay them more easily and in lesser time.
Tell us about the reach of Vitronite? Vitronite is widely available at all our leading dealers across India. Kajaria has a strong supply chain so timely supply is one of our strength. In fact, granite is currently facing a severe issue of availability of good quality material. In addition, it also does not have standardized specification like Vitronite.
Since these tiles appears large, how easy it is to handle and lay? These tiles are securely packed and delivered. Hence, there is an ease of handling. As far as laying is concerned, a trained mason who is experienced in granite or marble slabs laying, would be able to lay them more easily and in lesser time. A correct measurement of the surface and the application area with the normal wastage percentage factored is recommended so that the wastage can be avoided.
How to clean & Maintain Vitronite Slabs/floors? Vitronite countertops /Floors can be washed with a warm water and detergent and dry it with a clean cloth. Also, avoid using hydrofluoric acid. If liquids are spilled, it must be cleaned immediately. The faster you clean and dry spills, the easier it is to remove stains. In addition, some stains/products cannot be removed by normal cleaning options and requires specific chemicals to clean up.
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Terrazzo
Surfaces Reporter It can be used in Kitchen as Tabletop, Bathroom vanity top / countertop, Staircase, Door or Window framing, External wall cladding, Bathroom wall cladding, TV units, Hard flooring etc.
Does Vitronite require surface polishing after laying? Vitronite surface does not require any polishing after laying as it is a ready to use product - pre-sized, pre-cut, pre -polished, and thus it is an authentic replacement of Granite and all types of marbles, including Italian Marble.
How do you compare Vitronite with Quartz and Granite? Vitronite is technically superior to granite and quartz, As explained in the comparative chart below: Vitronite
Granite
Quartz
***
*
***
Usable both Indoor & Outdoor ***
**
*
High Temperature Resistance ***
**
**
Stain Resistance
***
*
**
Chemical Resistance
***
*
**
Resistance to thermal shock
***
***
**
Resistance to UV rays
***
*
**
Scratch Resistance
***
**
**
Easy to Clean and Care for
***
*
***
Impact Resistance
***
**
**
Standardized Specifications
***
*
***
Water Absorption
We feel that Vitronite is an authentic replacement of Granite & Marble slabs with its superior quality and standardized technical specifications. A decade earlier, Vitrified Tiles were launched which quickly took a huge share of marble & other natural stone flooring. Today, Vitrified tile rules the flooring segment and marble has a minuscule share. Similarly, in future, Vitronite Slabs are going to take over the granite/Italian Marble segment in a big way and there lies a huge opportunity to be tapped.
How do you see Surfaces Reporter shaping up in the present times? I have been associated with Surfaces Reporter since a decade, right from its beginning. You people are doing excellect work. You are taking the magazine in the best way and in the right direction.
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SR Showcase
Bring Elegance to Your Space With Kajaria’s Vitronite Slabs
The Vitronite Slabs are nonporous, thus a good option for a kitchen slab. According to the brand, these tiles not only have a classy appearance but they are also durable, stain-resistant, easy to install and maintain. Also, their colour consistency stays the same for years to come. Variants: Terrazzo (Homogenous Body) Salt & Pepper (Homogenous Body) Solid Colors (Homogenous Body) Marbellite (Italian Marble Series) Plain (Color Body)
Application Areas: Bathroom Vanity Tops Tabletops Wall paneling or external cladding Window or door framing Staircase Hard Flooring TV Units Kitchen slabs Sizes: 800mm X 2400mm and having 15mm thickness.
www.surfacesreporter.com/brand/2180/vitronite-by-kajaria
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Surfaces Reporter
Tiles IN STYLE Bagno stiles
Collection: Slab Series Sizes: 1200x2400 mm, 800x1600mm & 900x1800 mm www.surfacesreporter.com/brand/2181/bagno-stiles august-september 2021 | www.SURFACESREPORTER.com | 43
SR Showcase
Emboss Wall Tiles Collection by Somany Geometrical shapes, multifaceted patterns and wave reliefs marks the Emboss collection. With the interplay of light and shadows, the sculpted textures and original reliefs create interesting wall patterns to suit the interiors. www.surfacesreporter.com/brand/2022/somany
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Surfaces Reporter
NITCO Wall HighlighterS INSPIRED BY zEN bUDDHISM
Collection: Ultima Collection | Product: Enso Decor | Brand: Nitco | Size: 300x600mm Rustic finish; joint free and suitable for Wall / Façade in Interiors Inspiration: Enso is a sacred symbol in Zen Buddhism meaning circle, or sometimes, circle of togetherness. It is traditionally drawn using only one brushstroke as a meditative practice in letting go of the mind and allowing the body to create, as the singular brushstroke allows for no modifications. Material used (CEMENT+GOLD): Layers of metallic gold within a cement art object can create an effect that reminds of geology, shaping the illusion that the pigment and layers of cement and “gold” settled naturally. www.surfacesreporter.com/brand/2124/nitco-tiles
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SR Showcase
Chefstone by Simpolo Product: Saga Pixel Created using colored clay powder and clay flakes throughout the body without using any conventional liquid ink on the surface, the Chefstone is made using ‘Digital Dry Decoration (DDD)’. Size: 790 x 3000 15 mm | Body: Full Body Surface: Glossy | Available in 9 Designs www.surfacesreporter.com/brand/2090/simpolo-ceramics
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SR Showcase
Art Couture by SICIS The Art Couture Collection enables the creation of multi-dimensional walls that expand and enrich, transforming a space into a living work of art. The overlapping shapes create depths that intrigue the senses. Sicis rediscovers the infinite expressive possibilities of art, creating works with inimitable style and mastery. www.surfacesreporter.com/brand/2182/sicis
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Surfaces Reporter
Green Quartzite Stone by CMC
The emerald green quartzite stone has distinct white patterns across its surface, which when book-matched, makes for splendid wall highlighters. Product Name : Esmeraldo Amethyst Collection : 9th Avenue | Material : Quartzite | Thickness : 30 mm Application options : Wall Cladding, book match Highlight Wall www.surfacesreporter.com/brand/2069/classic-marble-company-cmc august-september 2021 | www.SURFACESREPORTER.com | 49
SR Showcase
Exotica Collection by A-Class Marble Product: Patagonia The collection blends the elegance of marble with the aesthetic of quartz, rubies, and emeralds to create oneof-a-kind patterns. The burnished textures of the Patagonia range add a lavish touch to entertainment spaces. The stones are available in translucent finish and vivid colour palette.
www.surfacesreporter.com/brand/2183/a-class-marble
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Surfaces Reporter
Designer Wall Panels by Spanezia Product: Terra Dios Application: Bespoke surface décor USP: Spanezia designer finishes are customized exclusive designs and wall art décor that take inspiration from ‘Nature’, ‘Moods’, ‘Aesthetics’, ‘Emotions’ and ‘Self Vision’. Size: It varies depending on wall sizes for wall application and 4X4 sq ft frames. ‘Spanezia’ gives a choice of self revelation to its connoisseur’s through its “Terra Dios” series along with little to no maintenance. www.surfacesreporter.com/brand/2184/spanezia
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SR Showcase
An interplay of Marble, wood and Texture Paint Project Type: Private Residence Architect: Aum Architects, Mumbai “The clients are the followers of Lord Krishna and wanted to echo the same sentiment in their home. The color palette in the formal seating is chosen to reflect the same. The main challenge was to have a modern treatment for something traditional. The Feature wall in this area is a consolidation of three components; a turquoise texture wall, a custom-made marble feature (that forms the focus of this wall), and a wooden partition overlapping the texture paint. Since the seating extends beyond the feature wall, we used this wooden partition for two purposes, i.e., to give a length to the seating arrangement and use the partition as a divider between the formal seating and the informal seating on the other side. As a reminiscent of Lord Krishna, we chose to have a peacock feather for the custom-made marble feature. We had an artist recreate these feathers in MDF and they were hand-painted in a way that the feathers appeared like they were carved from the background of the travertine marble.” - Ar Manish and Sonali Dikshit. www.surfacesreporter.com/architect/191/manish-dikshit
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Surfaces Reporter
Ice Jade Marble Highlighter Design: The Zen Theory Location: Bangalore (ongoing - project) Height: 13 ft “Exquisite living room that blends luxury and tranquility. This beautiful space is designed for a mansion (approx 26,000 sqft) coming up in Bangalore. The idea was to create an element of luxury with just one material and when it’s about bringing luxury into a space nothing matches the grandeur of a beautiful marble/stone wall highlighter. This is a beautiful ice jade marblea stone with dramatic grains that resembles digital art. With its unique color scheme and coverage, the installation is striking and adds to the overall glam vibe of the space. We waited for a very long time to get that ONE piece that will do justice to this wall standing high at 13ft. Though my clients kept pushing I patiently listened and kept looking everywhere. I always had this material - Ice jade on my mind. Ice jade is also known as primavera, white beauty, ice green, cold jade, and ice connect are known for their hardness. This exotic and rare stone is quarried in China. After a long waiting period, we finally got a small portion in one of the stores, the stone was so beautiful it required very little convincing from my end and the result was spectacular. Carefully book-matched at the center so the transition of marble grains is seamless horizontally and vertically in all the panels and the final effect is that of a huge art. Though this project is still ongoing and this is just a snippet of what this place offers can’t wait to reveal this project.” - Fasana Alisha Caesar www.surfacesreporter.com/architect/169/fasana-alisha-caesar august-september 2021 | www.SURFACESREPORTER.com | 55
SR Showcase
FENIX surfaces by Formica Application: kitchens, bathrooms, design furniture, retail and offices USP: Low light reflectivity, Soft touch, Anti-fingerprint & Thermal healing of superficial micro scratches Size: 8x4 / 10 x4.25 - 0.7- 0.9mm thick Variants: Three varients, i.e., FENIX NTM with 20 solid colors, FENIX NTA with 3 metallic colors and FENIX NTM Bloom with solid colors. Applying proprietary technologies, the external surface of FENIX is characterized by the use of next generation acrylic resins hardened and fixed through an Electronic Beam Curing process. With FENIX NTM Bloom, lignin technology has been introduced to significantly reduce the amount of phenol included in the resin by 50%. Lignin is a natural polymer defined as the glue that holds wood fibres together. Full range edge band solution with same touch feeling. Matched core from 1.2mm to 12mm can be selected. www.surfacesreporter.com/brand/2185/formica-laminates
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Surfaces Reporter
Latest Laminate collection by Amulya Mica Product: Digital Laminates | Thickness: 1.00 mm | Size: 8’x4’ USP: Kills 99.99 % bacteria on Surface; Tested & Certified by Bio-care & SGS Lab with 10 years warranty Perfectly Matched Edge Band Available “Anti-Bacterial” means that the treated and tested surface will inhibit the growth of bacteria and kill them when it comes in contact with the treated surface. On a laminate surface, bacteria can double in number every 20 minutes due to which staining, unpleasant odour and premature degradation occurs that affects the durability and lifespan of a laminate product. Therefore, to protect the laminate surface against the growth of bacteria, Edge Band is a strip of Plastic to cover the wooden edges of the Furniture. It enhances the look of
furniture and makes the edges smooth. In India, the edge band is setting new designing trends with the fastest-growing market from few years. It is designed in wide variants of color, shade, finish, texture, etc. PVC Edge Band is used to cover the edges of panels such as plywood/particle board/MDF/laminates increasing durability and giving great matching appearance. PVC Edge Band is popularly known for exclusive feature such as Comparatively cost-effective, UV Layer coating, Waterproof, Termite Proof, Easy to Install, Long Lasting, Eco-friendly, 100% recyclable product, Nail free product, Minimum adhesive. In the retail market, the customer first chooses the laminate and then starts looking for the edge band.
www.surfacesreporter.com/brand/2003/amulya-mica
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SR Showcase
Wall & Deco Wallpaper available at Sources Unlimited, Delhi. www.surfacesreporter.com/brand/2186/sources-unlimited august-september 2021 | www.surfacesreporter.com | 58
Surfaces Reporter
Bathroom
Brand: WallPepper®/Group | Product: WP/H2O System WP/H2O is a technical waterproof, heat-resistant and moisture-proof material. This system is scratch resistant and very strong, as it is composed by smooth pressed-glass-fibers sheets coated with a special antibacterial protective covering. Suitable to be placed behind bathroom fixtures, in the shower stall or poolside, wallpaper can transform every corner into an unexpected and surprising world, with the added value of superior hygiene and safety. This material is flame-retardant and can be easily cleaned with common detergents. This exclusive system can be used as base for any graphics, in order to embellish the restroom with freedom and creativity. www.surfacesreporter.com/brand/2193/wallpepper-group august-september 2021 | www.SURFACESREPORTER.com | 59
SR Showcase
CONVERT MANUAL TAP INTO AUTOMATIC IN MINUTES by Euronics Tap Adaptor
Product: Sensor Bidet In public washrooms, there is a high risk of contamination as a person touches multiple equipment and faucets while visiting the washroom. Sensor operated Bidets by Euronics prevent any kind of touching while letting you use the washroom without contracting disease like Covid-19. You can start the flow of water by just a wave of your hand, the Automatic Bidet system is controlled by a sensor panel powered by infrared sensors. With the Euronics Sensor Bidet, you can also regulate the amount of water that is let out through the stream, making it sustainable in operation. Product: Tap Adapter Euronics Tap Adapter can easily convert any manual tap spout into automatic within a matter of seconds. This smart, battery-operated device can be installed by removing the existing aerator from the faucet body. You can easily choose the size that fits your spout through various available fitting options. Installing a tap adapter does not need any professional help, anyone can easily do it according to the instruction provided. It is also very easy in operation as you can control it with just a wave of hand. You can also control the amount of the flow through the automatic spout without touching any part of it. www.surfacesreporter.com/brand/2187/euronics Sensor Bidet
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Surfaces Reporter
D-Neo Monochrome by Duravit
Finish: Oak Terra A range of complete bathroom furniture with numerous design options. The interplay between the new Oak Terra furniture finish (35) and the generously sized oval above-counter basin (600 x 400 mm) lends the washing area an air of contemporary solidity. The combination of a wall-mounted DNeo toilet and the A.1 actuator plate by Duravit underlines the coherent character of the range. www.surfacesreporter.com/brand/2045/duravit august-september 2021 | www.SURFACESREPORTER.com | 61
SR Showcase
Vive Faucets by Kohler Product: Single Control Monoblock Wall Mount LAV Faucet Specification- with Easy & Playful Handle, unique handle movement which intrigues you upon every usage Structural sanctity (symmetry) is preserved through a unique monobloc design giving a seamless usage experience to both right & left handed users. Superior reach: Avoids contact with the vessel wall even at low pressure Life-50: Cartridges tested for 50 years of use Life-Bright: Finishes that last 2 times longer than industry standards according to the brand. www.surfacesreporter.com/brand/2189/kohler
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Surfaces Reporter
Gold plated customised shower heads from Sherle Wagner www.surfacesreporter.com/brand/2188/sherle-wagner
Product/Collection Name: 0841CSHD-N-GPGrey Rain dome with nozzles in Gold plate/ Shower heads Use/Application: Shower USP: Grey Rain Dome with Nozzles is a component of the customized bathing experience. Available in various metal finishes. Specifications, Sizes: Solid Brass/Bronze construction, 3/4” NTP female connection, Includes mounting arm. Dome width 10 inches.
Product/Collection Name: 0847SHHD-GP Dolphin shower head in Gold plate/ Shower heads Use/Application: Shower Specifications, Sizes: Solid Brass/Bronze construction, 1.8 gpm (6.8 L/min) flow rate, Includes 45° mounting arm threaded 1/2˝ NPT, Includes shower arm and flange, adjustable spray, shower head width approx. 3.47inches. Sherle Wagner designs and manufactures in-house, with complete customisation available.
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SR Showcase
Wooden Stair Board flooring by Notion Material: Solid wood With a smooth sanded surface with no coating, they can be polished as per your color selection in accordance with your space and interiors. From curved stairs to spiral or either to straight ones, these can be istalled anywhere. Price: On request www.surfacesreporter.com/brand/2190/notion
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Surfaces Reporter
Eco-friendly HDF Laminate Flooring by Action Tesa The Laminated Boards are artificially manufactured and consist of four layers where each layer serves an exclusive purpose. The ‘Bottom Layer’ prevents the absorption of moisture, and provides support to the board. Above this is the ‘Core Layer’ comprising of HDF 8mm & 12mm, made up of HDF plank to give more strength. Next is ‘Pattern or Designer Layer’ which is a printed decorative paper layer. On the top is ‘Surface Layer’ consisting of Aluminum Oxide coated tissue that makes it resistant to impact, scratches, burns & stains. Price: On Request | Availability: PAN India www.surfacesreporter.com/brand/2004/action-tesa august-september 2021 | www.SURFACESREPORTER.com | 65
SR Showcase
Vegetable Dyed rugs from Sterling Collection: Nomad | Material: Jute | Size: Customized sizes available Application: Indoors/Semi-outdoors, Verandah Area, Living room, Porch, Lobby, corridor areas. 100% Vegetable dyed rug. NO Chemical dyes. Grown in abundance in West Bengal, Jute is not only sustainable but also bio-degradable. A lot of synthetic imported rugs end up in landfills. Such rugs are made of non-natural, synthetic raw materials/fibres and end up being undecomposed in the soil for decades. They not just harm the eco-system but also disturb the soil balance, leaving the area infertile. With jute and specially with a non-chemical dyeing technique, these rugs ensure that not just the product but also the dyes are plant friendly, animal friendly and ecologically helpful. USP: Used only natural dyes such as Madder, Natural Indigo, Tea leaves, Turmeric and Pomegranate leaves. www.surfacesreporter.com/brand/2191/sterling
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Surfaces Reporter
The ‘Distorted’ Range by Insigne Carpets A distortion is a change, twist, or exaggeration that makes something appear different from the way it really is. You can distort an image, a thought, or even an idea. The heat from the highway creates a distortion in the way objects in the distance appear; they wiggle and dance. The ‘Distorted’ Range by Insigne Carpets was created with an intention of being able to find comfort and accept distortion as part of life. Distortion is all around us, creating art out of daily lives. A tea spill on our cushion creating a new design from the existing one or shadows in the dark taking shape in the middle of the night. Walls often witness distortion during the monsoons in the form of seelan while borders of the world have been distorted on numerous occasions by world leaders overtime. However, when it comes to art, no amount of distortion can change its title. The range by Insigne subtly hints on the fact that certain imperfections double as artforms and we can simply choose to look at such distortions as added character. www.surfacesreporter.com/brand/2192/insigne-carpets
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SR EVENT
Tale of Two Capital Cities New Delhi and Tirana
Ar Dikshu Kukreja in an exlusive conversation with Aneula Ristani, Deputy Mayor, Tirana, Albania. This talk focused on the capital cities of India and Albania with regards to their urban transformation and policies that influence city engagement and efforts in achieving a sustainable habitat.
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In this promising episode of the Tale of Two Capital Cities: New Delhi and Tirana, Surfaces Reporter and CP Kukreja Architects (CPKA) hosted an exclusive tete-a-tete between Ar Dikshu Kukreja, Managing Principal, CPKA and Ms Anuela Ristani, Deputy Mayor, Tirana, Albania, in the presence of chief guest Mr Rahul Shrivastava, Ambassador of India to Romania, Albania and Moldova. Moderated by Ms Vertica Dvivedi, Editor-in-Chief, SURFACES REPORTER and Ms Aurela Cuku, Founder, Artissima Art Gallery and Artissima Art Agency. Ar Rajendra Kumar offered the vote of thanks.
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Surfaces Reporter
“Tirana is a very beautiful and colourful city. One thing I have noticed is that every building is coloured differently, like a painting. I was told that the present Prime Minister, who was the mayor of Tirana back then, is a painter and wanted to add this colourful landscape to the Tirana skyline.”
A common thread between New Delhi and Tirana The session commenced by Ms Dvivedi introducing Ambassador Mr Shrivastava, who at the age of 40 became India’s youngest appointed ambassador. Born in Chhattisgarh, India, he grew up in Odisha where he attended Ravenshaw University, Cuttack and National Institute of Technology, Raurkela. Being a diplomat, Ambassador Mr Shrivastava’s work has taken him to interesting places. Although a current resident of Bucharest, he often visits Albania. Reminiscing one of his visits to Tirana, he said, “Tirana is a very beautiful and colourful city. One thing I have noticed is that every building is coloured differently, like a painting. I was told that the present Prime Minister, who was earlier the mayor of Tirana, is a painter and wanted to add this colourful landscape to the Tirana skyline.” Drawing a connection between the two capitals, he further adds, “Other than the strong connection of Mother Teresa, just like Tirana, New Delhi is also a green city. You may be surprised to see monkeys and birds in the capital city with a population of 30 million. While New Delhi is an old city with almost1,000 years of history, Tirana with a population of about 1 million, is a smaller and comparatively newer (600-year-old) city. Tirana has a bit of character as it combines its rich history with modern time. On the other hand, New Delhi, which has accommodated several rulers in the past, has historical gates. Of the 30 gates, five stand tall at present.”
New Delhi: Fine transformation, best architecture and the urban turmoil Continuing further, Ar Dikshu Kukreja, Principal, CPKA, Delhi joined the panel. Touted to be among the top 100 in the world and the top five architectural firms in Asia, CPKA has achieved a unique distinction of being the first design firm in India to acquire US-based design practice, specializing in sustainability. Drawing the connotation from the tale of four blind men and an elephant, Ar Kukreja narrated the tale of New Delhi. Taking us 75 years back, he painted a distinct picture of Delhi during the independence era. The partition caused millions migrating to the capital, which transformed the character of the city. Fast forwarding to the early 70s, the government realized that for the country to prosper a strong educational foundation is a must, and this lead to the genesis of Jawaharlal Nehru University (JNU), one of the largest universities in the country. The JNU project was awarded to Ar CP Kukreja, Founder, CPKA.
Other than the strong connection of Mother Teresa, just like Tirana, New Delhi is also a green city. You may be surprised to see monkeys and birds in the capital city with a population of 30 million. While New Delhi is an old city with 1,000 years of history, Tirana with a population of about 1 million, is a smaller and comparatively newer (600-year-old) city. Tirana has a bit of character as it combines its rich history with modern, present time. On the other hand, New Delhi, which has accommodated several rulers in the past, has historical gates. Of the 30 gates, five stand tall at present. Mr Rahul Shrivastava
Ambassador of India to Romania, Albania and Moldova
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SR Event Although there were many universities coming across India around that time, what makes JNU so special even today according to Ar Kukreja is, “it was a completely new departure, one of which was how you embrace nature and create anarchitecture which is sustainable to modern and resurgent India. Deep overhangs to reduce heat glare into the building and natural use of brick material enhanced the sustainable aspect of its architecture. Becoming the first-of-its kind in the country, JNU fused faculty housing at one end and student housing on the other.” With the help of a slideshow, he further highlighted the transitory spaces between one building to another against the play of light and shadow which is significant in tropical architecture and brick-concrete made Karmapa International Buddhist Institute. He also informs CPKA’s involvement in New Delhi’s Master Plan for 2041 and with the help of a pictorial representation of the Marina Bay in Singapore a century back and at present, he imparts knowledge on how design transformed a water feature of a city into an iconic architecture. Explaining the challenges of the capital, Ar Kukreja says, “Other than the River Yamuna, New Delhi is clogged with traffic and is one of the most polluted cities in the world. CPKA is one the first Indian architecture firm to be involved with the underground metro. This has improved connectivity and has changed the urban vocabulary. Besides, we are designing India’s and New Delhi’s first transit-oriented development across the city over 85 acre. We aim at creating New Delhi as a vertical city with intelligent skyline.”
Tirana: Young, vibrant and growing Joining the city in 2015 as the Chief of Staff, Ms Ristani became the Deputy Mayor after the 2019 elections. Being in charge of international affairs, she has also overseen the city’s Green City Action plan, Tirana child-friendly agenda, and the resilience and sustainability strategies. With such strong credential work, she has amazing plans for the city ahead. A small and young city located in the south centre of Europe, Tirana was expected to celebrate its 100th anniversary last year, which got held on the account of the ongoing pandemic. Deputy Mayor Ms Ristani told us that the city will be a European youth capital in 2022, which is a first as no capital city in Europe has ever been a capital of the youth before. Sharing comparative images of first urban map of the city with a few decades later and at present, she started her presentation on highlighting how quickly the city has quadrupled its population and grown over the years, registering 25,000-30,000 new inhabitants yearly. For a city this small, it is challenging to accommodate the rising population by transforming the infrastructure. Dept Mayor Ms Ristani adds, “We started from the Skanderbeg Square, nestled in the heart of Tirana, a place where people often visit and history resonates. Back till the 80s, people didn’t own private vehicles and the centre turned out to be a place for people to meet and walk. After the fall of the Berlin Wall, this place started to shrink and grew smaller as new cars started invading the place. Although it is named Skanderbeg Square, it is almost only a roundabout for cars – a transit point when you first step into the city from anywhere. We realized it was not suitable for a city that aspires to be vibrant, modern and urban. Today, it is 100 percent pedestrian friendly. The footfall we received was humongous and we realized how much people need public space, a space that is safe and sustainable. I believe this is a human right which was taken away due to development. We introduced some green spaces and water features to mitigate the temperature.”
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Other than the River Yamuna, New Delhi is clogged with traffic and is one of the most polluted cities in the world. CPKA is one the first Indian architecture firm to be involved with the underground metro. This has improved connectivity and has changed the urban vocabulary. Besides, we are designing India’s and New Delhi’s first transit-oriented development across the city over 85 acre. We aim at creating New Delhi as a vertical city with intelligent skyline. Ar Dikshu Kukreja Principal, CPKA, Delhi
We started from the Skanderbeg Square, nestled in the heart of Tirana, a place where people often visit and history resonates.
Surfaces Reporter She further citied few more transformational examples in her presentation including the 100-year-old bazaar, boulevard, allocation of space for transportation and pedestrian movement, playgrounds, bike lanes for young kids, and creating a horizontal, orbital forest and a neighbourhood hosting residential and business centre.
Way to the future for New Delhi and Tirana Ms Vertica Dvivedi, Editor-in- Chief, SURFACES REPORTER Magazine asked Deputy Mayor Ms Ristani on Tirana’s health infrastructure for the ongoing pandemic. “We were lucky to close up early with an aggressive lockdown for the first month. This enabled health institutions to get ready for the future rise. We also started vaccination as soon it was made available. People took walks in the parks when gyms were closed and opted for bikes as private vehicles weren’t allowed,” she informed. On the concluding note, Ar Kurkreja allures that one cannot put a stop on how much you can allow a city to grow, however, “As designers and urbanites you have to come out with the right solution. For example, New Delhi faces the challenge of scarcity of water or the quality of air; it doesn’t mean that it’s going to go away if you reduce the number of people coming into the city. I believe in going vertical in response to the needs of the city. Land is a finite resource and water on the Earth’s surface is a far greater available risk than land. So as futuristic as it may sound, it is imperitive for cities to develop on water. But for now, it is important to go vertical without losing the characteristic of a good neighbourhood. I think the solutions are about how you build it by making it resilient with the environment-friendly technologies and systems. It is important to thrive for public spaces such as playgrounds, plazas, riverfronts, etc.” Resonating the sentiment of Ar Kukreja, Vertica Dvivedi concluded, “While going vertical is the need of the hour for a city like Delhi which is overcrowding with each passing day, the growing infrastructure must consider environment as a major point. We must not put the environment at stake for the sake of the development. The approach must be to accommodate for the rising population while looking for alternate resources that can be replenished and also save the environment at large.”
Although it is named Skanderbeg Square, it is almost only a roundabout for cars – a transit point when you first step into the city from anywhere. We realized it was not suitable for a city that aspires to be vibrant, modern and urban. Today, it is 100 percent pedestrian friendly. The footfall we received was humongous and we realized how much people need public space, a space that is safe and sustainable. I believe this is a human right which is taken away due to development. Ms Anuela Ristani Deputy Mayor, Tirana, Albania
While going vertical is the need of the hour for a city like Delhi which is overcrowding with each passing day, the growing infrastructure must consider environment as a major point. The approach must be to accommodate for the rising population while looking for alternate resources that can be replenished and also save the environment at large. Ms Vertica Dvivedi Editor-in-Chief, Surfaces Reporter
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SURFACES REPORTER’S MATERIAL MARKET
“Choose the product over a company and the person over the product.” Manish Bansal, Director, Window Magic
W
indow Magic is amongst the initial introducers of uPVC to India. Setup in 2002, “Window Magic”, a division of Window Magic India Pvt Ltd., it emerged from collaboration with the Profine Group of Germany which is the world’s largest manufacturers of uPVC profiles operating under the brand name of Kommerling. As a company today, with years of experience, they have succeeded in building up a range of state-of-the-art technologies to manufacture windows and doors, profile lamination in various colors, insect screen and glass solutions. In an exclusive tête-à-tête with SURFACES REPORTER (SR), Mr Manish Bansal, Director, Window Magic, reveals the secret behind the success of the brand and status of market at large.
How has Window Magic coped up in the months following the devastating second wave of Covid? What are your suggestion to the fellow business owners. The second wave of Covid-19 was very challenging but surprisingly, from June onwards we have seen an upward move in the sales. Though the market has not completely recovered to the Pre-Covid levels, it’s moving up quickly. We have adapted to overcome the economic challenges linked to the lockdowns thereby limiting the economic impact. However, we do see august-september 2021 | www.surfacesreporter.com | 72
Surfaces Reporter Customers are not delaying their purchase decisions. It seems that the fear of the Covid’s third wave is pushing them towards faster actions which is giving a boost to the sales as well as helping the market to recover.
that customers are also not delaying their purchase decisions, it seems that the fear of the Covid’s third wave is pushing them towards faster actions which is giving a boost to the sales as well as helping the market to recover. As Covid took over our lives and changed our way of living and doing business in the last one and half year, we saw that companies have started running through the bird’s eye view. They are keeping track of every minute detail. So my suggestions especially for the new entrepreneurs of the MSME sectors are to keep a check on the business at every level. Make sure that you have all the reports and facts with you and to review work every week. This small step will help you to approach head-on, any issue and you will be prepared beforehand. Though business was normal all over India, but due to the lack of awareness, basic facilities and strict Covid 19 lockdown norms, the Northeast regions, some parts of Rajasthan, and a few tier-1 and tier-2 cities had to face challenging situations in order to continue business.
Tell us about your new aluminium range. After a huge success in the uPVC, we are now foraying into the aluminum market as well. The state-of-the-art aluminum window and door systems are available in various categories like Magnus, Murphy, Marquee, and Marquee+. To enhance the look and feel and to catch up with your personality, the new age aluminum windows and doors are available in various colors and shades of interiors. The palette offers more than 200 colors available in glossy, matt, and textured finish. Ensuring the highest standards window and doors market, we are delivering visually appealing products and diligently withstand the topmost quality.
How do you see the rest of the financial year for Window Magic? We are targeting a 20% higher sales figure than the Pre Covid time, but everything depends on how the Covid 19 situation unfolds. Though we are prepared for any mishaps, still if the third wave hits then just planning may not be sufficient in achieving the goals.
One liner message for architects and designers. “Choose the product over a company and choose the person over the product”.
Zigzag Mesh
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Surfaces Reporter | Spaces & Material Poetries
Kshama Parmar Principal Designer, Marigold Interiors
Ahmedabad
Marigold Interiors is leading the Interior Designing and Architecture Industry since 2008 under the leadership of Founder and Principal, Kshama Parmar. With more than 200+ clients spread across Gujarat, Maharashtra and Rajasthan to vouch for our work and commitment, Marigold Interior has managed to stay ahead of the competitive curve because of its perfect balance between the client expectations and the unique design concepts. Whether you need to redefine your residential, commercial or public space/building with a quick furniture refresh or you need to adapt to the modern-day architectural amenities by undergoing a complete renovation of your owned property, their team of experienced and disciplined Interior Designers can deliver inspiring designs that can turn any location into a beautiful landmark.
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Surfaces Reporter
INTERIOR HUB Project Details Project Type: Veneer and Laminate | Showroom Location: Ahmedabad Architecture Firm: Marigold Interiors | Area: 2486 sq.ft
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SR Spaces & Material Poetries
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Surfaces Reporter
K
shama Parmar of Marigold Interiors, an interior designing and architecture practice, has designed this unusual and eye-catching veneer and laminate showroom in Ahmedabad. The architect says, “Showroom is a book of ideas, it should serve as a window for the people who explore them.” Hence, the entire design process revolved around creating a space that allow the people to submerge in the beauty of the showroom. Along with this, it should offer the people to select an idea within to implement or to amalgamate them according to their requirements. Exotic Veneers This showroom was predominantly designed for the display of veneer. The veneer samples are displayed in the gallery, along with a few space making elements to compliment the display, which will help visitors to understand the material in and out. The Grace of Natural Wood Finish We wanted our visitors to experience the elegance of wood finish around their journey for which we utilised their manufactured teak wood finish veneer in maximum ways possible. From reception to the ceiling, wood is amalgamated really well, such that it provides variation in the spaces.
Showroom is a book of ideas, it should serve as a window for the people who explore them. Along with this, it should offer the people to select an idea within to implement or to amalgamate them according to their requirements. Focal Point One of the main highlights of the showroom was the pyramid ceiling. Strips of Burma teak were used to design the structure very carefully calculating the load of the pyramids on the ceiling. Instead of making them at an acute angle, the degree was kept off, hence multiple types of pyramids were made with different angles so that when looked from below, the pyramids altogether create a wave. Each pyramid weighed 50kgs but the heaviness of it wasn’t reflected on its look.
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Surfaces Reporter | Spaces & Material Poetries
Ar Surbhi Singhal & Ar Deepanshu Arneja Sian Architects
New Delhi
Weaving Nostalgia and Aspiration Through Natural Stone Facade
SIAN ARCHITECTS is an architecture practice based in New Delhi and Meerut, India. Established in the year 2017, SIAN is a collaboration between Surbhi Singhal and Deepanshu Arneja, working in the fields of architecture, interior design, and material innovation. With their practice they aim to produce a clear architecture that differentiates evident spaces with attention to detail and materiality, invariably relating to the capacity of architecture to contain the activities of daily life often achieved in stringent budget and site constraints.
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ested on a narrow, quiet, old cul-de-sac street of Meerut, Uttar Pradesh, the Stone-Print Villa is reincarnated to match the old charm of the neighborhood. What was once a large living quarter occupied by related members of a mercantile community now stands as a segregated smaller residential place. Holding strong onto their ancestral land, the occupants of Stone-Print Villa wanted to emancipate their reverential association with the property in an extremely bold and visible manner through the facade. Known for crafting immersive and functional authentic spaces, New Delhi-based SIAN Architects encapsulated the dynamism of the bygone stone-print oomph into the Stone-Print Villa. Architects Surbhi Singhal and Deepanshu Arneja created the structure by unfolding its aesthetic appeal into the occupant’s unyielding connection with their home. Intermingle of two Indian natural stones have been weaved in together to bring out a similar yellow tone through the house. Use of Bold Materials Polished, rough, mango and pale-yellow samples were sourced out of the same base materials to explore cladding possibilities. To achieve textural rough surfaces, the stones were processed with varying degrees of sand blasting techniques. When mixed with resin, the chips from the base stone led to a flexible stone-resin prototype. The helped for micro-detailing and ornamentations such as a heavily embellished plinth composed of stone-resin panels cut in stepped patterns, continuously wrapped around the masonry. It was cladded with a comparatively pale sand-blasted
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Surfaces Reporter
At StonePrint villa, a residential facade is unexpectedly pushed to a monumental status.
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SR Spaces & Material Poetries
Project Details Project Name: Stone-Print Villa Architecture Firm: Sian Architects Location: Meerut, Uttar Pradesh Area: 3,600 sqft Year of Completion: 2020/2021 Lead Architects: Ar Surbhi Singhal and Ar Deepanshu Arneja of SIAN Architects Design Team: Sian Architects; Contractors: V. L. And Sons And Design Excelsior Photography: Niveditaa Gupta
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Surfaces Reporter
The occupants of the Stone-Print Villa asked for an aesthetic that doesn’t shy away, has a powerful presence and unfolds as an artefact representing their unyielding connection with home.
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SR Spaces & Material Poetries
version to distinguish the upper story, which fashioned an overarching and powerful presence on the street. Complementing the scale of the house, the terrace was exaggerated to an almost unacceptable boundary with stone cladding with a warm-toned elevation. Hand-Crafted and 3D-Printed Motifs on the Façade To set up the facade, the architects decided to retain the existing structure and approach it as a canvas that could be cladded. The facade is designed as an art piece to pull off the envisioned idea effortlessly.
Apart from the bold material choice, the facade is designed as an art piece to achieve the envisioned imageability and presence.
The facade is artistically beautified with numerous handcrafted and 3D-printed motifs inspired by the heritage of the residence, such as floral plates on the parapet and the boundary wall, peacock motifs, terrace corbels, and columns. The architects have marvelously balanced the structure by ornamenting it in a way that would only appear from specific vantage points on the street and within the building, thereby not overwhelming viewers. The Stone-Print Villa is a structure of fine balance between varied concepts and materials, which is seamlessly patterned in art and architecture, thereby echoing the shiny urbanity of Meerut alongside the vibe of the old neighbourhood.
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SR Interaction
Moving Forward One Step at a Time
Naresh Garg, Chairman & MD, Alex Panels Mr. Naresh Garg is a first generation serial entrepreneur in the building materials segment in India. He is the Chairman and MD of the Black Cobra and Alex Panels group which is one of the leading manufacturers in India for Plywood, ACP, WPC, Laminates and a wide range of premium quality products. In an exclusive interview with SURFACES REPORTER Mr Garg spoke about the nitty-gritty of the surface panel industry while reminiscing about his journey and the road ahead.
Please tell us about your Journey so far? It’s been a long arduous journey. We started on a very small scale as a plywood manufacturer in Yamunanagar, Haryana in the year 1992. After achieving success in the plywood segment with Black Cobra Plywood, we were looking to replicate the same in some newer age building materials. This was the starting point of Alex Panels. We were among the pioneers of the ACP segment in India in 2005. It has been an exhilarating journey of ups and downs. The ACP industry has grown significantly and various new manufacturers have also forayed into the space, which has led to healthy competition and overall increase in demand for the product. For us, it’s still very early days for the ACP sector in India. What excites me the most about ACP are the recent innovations in this segment such as Fire Proof ACP, Honeycomb and 3D ACP and we are proud to be leading this new wave with the latest technology and machineries at Alex. august-september 2021 | www.SURFACESREPORTER.com | 83
SR Interaction
Lush green compound of the Alex Panel unit
For ACP, till date, there is no BIS standard in India. This leads to a lot of low quality non standardised variants in the market which erodes customer trust in ACP products. To overcome this, we had to invest significantly in customer education to make them aware of the optimum standards that ACP should have.
What is the Current capacity and presence of Alex across India? We recently expanded our capacity with the installation of India’s 1st ever machine that can be used to make A2 grade FR ACP, Honeycomb and 3D ACP as well. After this recent expansion, our current manufacturing capacity is more than 4 million square meters per year. We are looking at both organic and inorganic growth in the coming few years to cater to the rising demand for ACP, especially for the newer products in this segment. In terms of our presence, we have one of the widest distribution networks in the ACP segment in India with company owned godowns in major states and a channel partner network in the rest of the states.
What were the challenges you faced initially and how did you overcome them? Challenges are quite normal as a first generation entrepreneur, and we too faced a lot of challenges. For instance, for ACP, till date, there is no BIS standard in India. This leads to a lot of low quality non-standardised variants in the market which erodes customer trust in ACP products. To overcome this, we had to invest significantly in customer education to make them aware of the optimum standards that ACP should have. There is also a pressure from smaller manufacturers who make sub-par products and compete solely on pricing. It took time
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Surfaces Reporter and resources to educate the customers on how to choose and identify the appropriate quality of ACP for their needs. Initially, ACP was a relatively unknown product in the market. Customers did not know about its installation, usage or benefits. Today, with the combined efforts of other good quality manufacturers of ACP, we have created multiple case studies for ACP to educate the people.
Being a successful player in the ACP Segment, tell us about how Alex Panel differentiates from other players. We believe that the ACP industry is large enough to accommodate multiple players. Our focus is never on competing with other players. Instead, we try to find new applications and innovations in this segment that can expand the overall market for ACP. Given our 30 years of experience in the building materials manufacturing industry, we have developed certain systems to ensure better product standards. Specifically, there are certain USPs that make our ACP the best in market. For example, our ACP is certified by some of the best certification agencies and institutions such as IIT Delhi. We use the best adhesive by DUPONT for better bonding strength and Kynar PVDF coated aluminium coils. Further, we ensure that our products are as per the defined dimensions and thickness, which is uncommon among low quality product manufacturers who compromise on these to lower prices.
Your Message to the architects community as well as consultants.
Our focus is never on competing with other players. Instead, we try to find new applications and innovations in this segment that can expand the overall market for ACP.
My message to the architect and consultant community would be to ensure that they are purchasing ACP from manufacturers who uphold good manufacturing practices and ensure high quality of the product. Beautiful and durable architecture can never be possible by using non standardised products. I would also highly recommend them to consider using ACP in their designs due to it’s versatility and exceptional finishes that are unmatched in the building materials segment.
Are there any collection or designs about to be launched? At Alex, innovation is our mantra. We recently launched Honeycomb, 3D and A2 Fire Rated ACP. In addition to this, we are soon launching an exquisite collection of wooden, natural stone, metal extract and eco range collections which will set new trends in the ACP segment in India.
ACP Usage - What are the different applications possible with Aluminium Composite Panels. Few things that designers must know. ACP is a very versatile product. There are many kinds of facade designs possible which range from tray form, wooden cladding and 3D. Since it is a technical product, designers should know the application methods and techniques involved to bring their ideas to life. At Alex, we are always open to helping and sharing knowledge with the designer and architects community on how ACP can be incorporated to make buildings more durable and beautiful. august-september 2021 | www.SURFACESREPORTER.com | 85
ApplicationSurfaces Reporter’s | Way out
Wallpanels by Ventura International
Bisazza Olivina The Crystal Collection Mosaic
How to Choose?
Wallpaper/ Paints/ Wall Panelling Our homes reflect our personalities. No matter how spacious your house is, a dull appearance can take away all the charm. In order to highlight the rooms, creating a feature wall is a common practice. But how to create it? That’s a big question that requires constant pondering. Therefore, to overcome the dilemma of choosing between wallpaper, wallpanels or texture paints, SURFACES REPORTER (SR) draws parallels and differences between them so that you can easily make a choice weighing all the pros and cons. august-september 2021 | www.surfacesreporter.com | 86
-Ache Affordability This factor doesn’t include only the cost of purchase but also bring focus on the labour as well as the maintenance cost. Wall paints are an easily accessible resource. Since it’s a primitive technique, finding the labour isn’t difficult too. Hence, the cost of completion of painting a room will be cheaper than both wallpaper and wall panelling. But it is limited to the quality of the paint. If you go for basic finishing paint, the onetime cost will be lesser than the other two forms. For panels and wallpaper, the initial cost may be higher but they are usually a one-time investment. The best option for a long term solution is wall panelling. Paints require additional touch-ups and even cleaning up which may scale up the costs.
Variety With wall panels, various options are available in the form of an array of designs, colours, finishes, effects and styles. You can choose the option that best matches the decor of your space. Similarly, wallpapers allow you to choose from vinyl, vinyl-coated fabric, solid-sheet vinyl, non-woven, pre-pasted, grasscloth, etc. The revolutionary technology of 3D printing is a boon to wallpapers as one can print any image on the wallpaper and get it installed. Unique images will help you add the personalized touch to a particular space! Lastly, paints have no scarcity of options too. In wall paints too, you can either opt for water and oil-based paints along with different finishes such as matte finish, semi-gloss & gloss finish, eggshell finish and satin finish. You can also experiment with mixing colours and shades. The only limitation is the availability of labour as wall paint mixing can be tricky.
Ease of application Wall panels are a straightforward, mess-free and quick. They often requires little to no expertise in setting up. Additionally, this also lets you use your room immediately after the work is done. Wall paints are comparatively a more messy and time consuming affair. not to forget the toxic fumes emitted by a majority of paints available in the market. With skilled workers painting a new wall may not be a tedious process but for worn-out walls, it will take significant time. The drying up process is slow too, which means you need to stay clear of the room until the wall paint dries.
Gold Crane wallpaper, Levante collection by Wallpepper Group
For an average Indian household, the costs for painting a standard room, from finding the best quality paint up till the completion could come down to Rs 35,000 to get a 1000-sqft home.
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SR App Ache
Generally wallpapers can range from Rs 50 to Rs 55 per sq. ft. While the installation charge could vary between Rs 200 to Rs 500 per roll, depending on the contractor you are hiring to do the job.
On the other hand, Wallpapers are the most trickier of them all. They require an expert along with patience. Unlike paint, wallpaper cannot be applied to an already existing one.
Durability
Aquaeductus wallpaper by Wall&decòr
Wallpanel- The panels are available in various materials including wood, aluminium, PVC, cork, stone etc., in almost every shape and sizes depending upon your choice. Their pricing too defer depending upon the material, design, craftmenship etc., as the world of wall paneling know no bounds.
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As already discussed, both wall panelling and wallpapers are your long term partners. The higher costs are covered by their lasting qualities. This is why if you are someone who gets bored easily, wall panelling or wallpaper might not be the best bet. Wall paints do not last more than five years even with the best of quality. If you do not get a repaint done, your wall starts looking dull and lifeless. For areas with good sunlight exposure or traffic, the shelf life is even lesser. Wallpapers are not immune to wear and tear too. Also, for homes prone to drainage issues or termite infestation, the preferable choice is wall paints. Both wall panelling and wallpaper are not immune to such problems.
Conclusion Each one of wallpaper, wall paint and wall panelling have some great features to offer. Depending upon the requirement and choice you can make your choice. Some other aspects to consider include the area that you want to cover and the theme that you wish to give to your room. For an average Indian household, the traditional choice continues to be wall paint but it won’t harm to expand your choices.
#SRRisingStars
SURFACES REPORTER’S
RISIng Stars
Manav Patel and Shivangi Patel, Principal Designers, MS Design Studio, Vadodara, Gujarat
Please tell us about your journey. It has been quite an exciting journey. We started our studio around 6 years ago with a vision to have a small but unique firm that will make an impact in the designing world. Since then, we have taken each project as a challenge and thus we have enjoyed every bit of the journey.
Your love for bricks is clearly visible in your projects. What are the few things about exposed bricks that everyone must know?
Manav Patel & Shivangi Patel
Principal Designers, MS Design Studio Vadodara, Gujarat Manav Patel and Shivangi Patel are the principal designers and co-founders of MS Design Studio, a Vadodara-based young and modest design firm established in 2015. In a short span of time, the practice garnered much attention with its outstanding projects that prominently reflect earthy, modern and minimalistic design approaches. The studio engages with architectural, interior and landscape designing projects. Further, each of their projects has its own distinct and relevant identity.
Firstly, brick is a timeless and earthy material that gets with different aesthetics & eras. One never gets tired of seeing it. It’s a very versatile material with a huge potential. We have used it as an elevational cladding & sun-screens. One thing that every person who works with brick should know is that skilled labour is a must for brick work to turn out with great finishing.
What are the other materials you like to work with? We are big fans of earthy aesthetics and thus we like kota stone, Jaisalmer stone, bricks, exposed concrete etc., Stone such as jaisalmer is very versatile and can be used as flooring as well as the cladding material. Additionally, metal is another material we love to work with as a very fine detailing is possible in metal which adds an otherworldly charm to the overall aesthetics of a space.
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Tell us about your first project? Our very first project was a commercial project for a clothing wholesaler. It was a 2200 sq.ft. space dedicated mainly to display the seller’s articles coupled with other spaces such as reception, office studio space and a space for accountants.
What are your Top 4 projects till date? 1. Brick screen house: A house should reflect the taste and the personality of its owner as well as the ability of the architects to make the whole place come together and form a space fit for its occupants and its context. This is the philosophy we followed while designing this residence. The house follows a subtle Indian and earthy aesthetic as per the client’s taste, and has been designed keeping in mind the climatic conditions of the place. 2. The Blue Aparture House : In striving for a home that would blend in yet stand apart from surrounding houses, the front edifice consists of an imposing brick wall against a soft grey background as, “Nothing else can beat the timelessness of an exposed brick façade.” On the first floor, the windows get a charming makeover with signature blue aperture screens, which inspire this project’s name. 3. Dogra’s Residence: In this home, the design concept marries the familiar with the new. It is your quintessential classic meets contemporary august-september 2021 | www.surfacesreporter.com | 90
How To begin is probably the biggest challenge any designer faces during his initial days. At that point of time, you have little to no work to show your perspective or vision to the client, which makes gaining his confidence and landing a project a very challenging task.
Surfaces Reporter tale but told through the lush textures of Italian marble, yellow Jaisalmer stone, aged metal, wood and plenty of indoor greenery. The combination of these natural materials used in the right proportion creates a wonderful ambience. 4. Devdattam Residence: Functional, durable spaces were the first priority of the client. As a result of his profession, he was also very familiar with materials and various design aspects. He briefed us that the family had a simple lifestyle, so they were not looking for anything over the top. The subdued combination of Italian marble, concrete textures, metal and wood tones create a sophisticated backdrop for the furniture, all in timeless silhouettes.
What were the greatest challenges when you started out and learnings from them? How to begin is basically the biggest challenge any designer faces in the starting days as you have little to no work to show your perspective or vision to the client. This makes gaining his confidence and landing a project a very challenging task. Another challenge that every designer faces is to strike a balance between the client’s requirements (which are always on the higher end) functionality and aesthetics. Almost every project is a challenge as every client is different with varied tastes for aesthetics and different vision for their homes. In orcer to culminate all of these in a project is also a very important aspect of every project.
The house follows a subtle Indian and earthy aesthetic as per the client’s taste, and has been designed keeping in mind the climatic conditions of the place.
How did the experience of working with prominent firms in the past help you in your career? It has helped us in a big way. Our time there has helped us to create a base of learning along with a professional training which helped us start up our own firm. Looking back, we can’t even imagine whether we could have started a firm straight out of college.
What is your message for other young designers just starting out or still studying? Enjoy the journey!! Try to work as much as you can, gain loads of experience, explore the firms of your liking and work there. One more thing we would like to convey is that we might not always succeed in convincing the client to accept our suggestion, but to persist is the key to success. Not all clients have the ability or the vision to imagine the end product, but when the end product turns out to be great the client always appreciates. So always be confident about your visions.
How is the design scenario in Vadodara currently in terms of preferences and choices? As Most of our projects are based in Vadodara, we feel people here are totally aware of the ongoing design trends and majority have a specific taste: Earthy or Minimalistic.
Your message for SURFACES REPORTER Magazine. We have been following Surfaces Reporter Magazine for a long time now. The format of this magazine is very informative, gives all the info about materials and ongoing design trends.
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SR Rising Star
Dogra Residence
Project Details Location: Antica Greens, Vadodara, Gujarat Client: Mrs. & Mr. Nidhi & Dharmendra Dogra Project Area: 5500 sq. ft. Category: Residential
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seamless integration of classy yet sassytouch combined with the tinge of contemporary look completes the designed spaces. An apt use of double heighted spaces; allowing each corner of the house to interact with the main space, is the catch point of the design,where the maximum play of light is allowed within the spaces making it more lively. Exploring materials like combination of Jaisalmer stone + white marble, leather finished granite, antique wooden frame with fabric ceiling, makes the space look more aesthetically appealing. Elements like motifs with golden leafing in the living room; corten steel jali used in dining and living room adds on the sophistication to the spaces.
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Brick Screen House
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house should reflect the taste and the personality of ifs owner as well as the ability ofthe architects to make the whole cometogether and form a space fit for itsoccupants and its context. And that’s thephilosophy that was followed while designingthis residence. The house follows a subtle Indian and earthy aesthetic as per the client’s taste, and has been designed keeping in mind the climaticconditions of the place. The material palette of the project consists of earthy materials such as the Kota Stone, terrazzo tiles with a plenty of wood and a dashof cane. The kota has been used in different colors and finishes such as mirror finish andriver finish to define the different areas. Along with this the terrazzo ‘galicha’ (carpet)tiles have also been used to distinguish areassuch as the dining area. Even the furnitureand the fixtures have been carefully selectedto match the Indian aesthetic, for example the Anglo Indian Handi lamps in hanging inthe courtyard and the swing in the coveredterrace area.
Project Details Location: Subhanpura, Vadodara, Gujarat Client: Mr. Vishal Patel Project Area: 5097 sq. ft. Category: Residential august-september 2021 | www.SURFACESREPORTER.com | 95
SR Rising Star
Blue Aperture House
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lient’s Requirements and the Site setting were the two major players in the planning of this house. Being located in a society, the structure stands in a tightly packed jungle of houses making it difficult to maintain the client’s privacy. To solve the privacy problem, little spill overspaces were added to the spaces. On the ground floor, these spilloverspaces became the buffer between the garden and the main living spaces. While on the first floor these spaces got a little colonial makeover through the Blue Aperture Screen. The screen acts as semi permeable aperture, allowing in the precious light and air and keeping out the prying eyes of the people. In an effort of make the house look one from the society a yet strikingly different, one of the facades was planned as an exposed brick facade, as
nothing else beat the timelessness of an exposed brick facade. To further highlight the brick facade and to adda pop of colour to it a full height slit window wasadded with a pop yellow perforated screen. In the interiors, the house plays with the thinline between the modern and the earthyaesthetic.
Project Details Location: Karma Lifestyle, Harni, Vadodara, Gujarat Client: Mr. Dhaval Patel Project Area: 5500 sq. ft. Category: Residential
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Tofurther highlight the brick facade and to adda pop of colour to it a full height slit window wasadded with a pop yellow perforated screen.
To solve the privacy problem, little spill-overspaces were added to the spaces. On the ground floor these spill-overspaces became the buffer between the garden and the main living spaces.
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Ashesh Shah’s Residence
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unctionality and durable design of the spaces were the main priorities of this project. The client had a simple lifestyle and wanted interiors which were not too jazzy and matched their taste. A minimalistic approach with subtle tones were adopted keeping in mind the client’s taste. Since the client got us involved in the project from an initial stage, we had the liberty of make civil changes. This allowed us to add features such as the OTS (open to sky) to the doubleheighted dining area which in turn enhanced the verticality of the space.
Project Details Location: Nizampura, Vadodara, Gujarat Client: Mr. Ashesh Shah Project Area: 5500 sq. ft. Category: Residential
The living room and garden are connected by opening up the sliding folding glass doors. For privacy purpose, we designed aselfstanding RCC wall at the junction. This wall was casted with a Mahbubani tree which gels well with overall garden concept. A close attention was paid to detailing which led to the long passage ways of the house being highlighted with intricate inlay flooring of thepassage way on all the floors.
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