O I L O F T R O P
jahnavi suthar | Selected Works | 2017 - 2020
jahnavi suthar
“ There are 360 degrees, so why stick to one ? “ - Zaha Hadid
Interior Designer 6th August, 1998
Gujarati | Hindi | English The R.H Kapadia New High School Intermediate Education 2014 - 2016 CEPT University, Ahmedabad Faculty of Design Ongoing Bachelors in Interior Design ( Final Year ) Work Experience Design Intern Space Matrix, Bangalore Sem VIII | 6 months Design Intern Horizons Creations Pvt Ltd, Ahmedabad 2 months Assistantship for End sem exhibition CEPT University, Ahmedabad 10 days jahnavi.suthar.bd16@cept.ac.in +91 7016900273
CURRICULUM-VITAE
Ahmedabad, India
Visualisation
Conceptualization
Space Planning
Structural Understanding
Graphics
Furniture
D E S I G N - T O O L S
Design Thinking
T E C H N I C A L - T O O L S I N T E R E
Sweets
Movies
Sketching
S
Music
T S
C
O
N
T
E
N
T
S
VISUALISATION
PLANNING
INTERNSHIP
STRUCTURE
ADAPTIVE REUSE HOSPITALITY SPACES
WORKING DRAWING
ANCILLARIES
E
Site Plan
d Gh
ee
ka
nt
aR oa
U E R
Mirzap
RC Technical School ( Existing Site )
Primary Purpose of the Central Space
Area
User Group
The RC Technical School Old city of Ahmedabad
1290 sq m
Families of High Income Group International Tourists Indian Tourists Local People
D
Site
A
P
T
The concept was to design a hotel that is interpreted as a symbol for amalgamation of Indian Culture for cultural and heritage enthusiasts. This is achieved by the introduction of a Central space, establishing a connection between the old and the new building.
ur Road
-
The project deals with the transformation of a 174 years old heritage building into a four star luxury Boutique hotel. The RC Technical School, located in the old city of Ahmedabad, has a very strong context as it shares a wall with a mosque on the north side, has a church on the south side and a temple on its east side. I interpreted it as a source that brings different cultures together.
Roman Cathelic Church
E
A hotel is about the experiences of the space rather than just being an accommodation for travellers. When it comes to adapting an old building, the elements you retain become an important symbol and adds to the experience of the user. Those elements can decide the character of a space and serve a connection from the past.
V
Studio 06 | Spring 2020 | Academic Project
Sultan Kudbuddid Masjid
I
harmony : a boutique hotel
S
Temple
https://issuu.com/sutharjahnavi/docs/sem08_adaptive_reuse
A
For detailed Portfolio click on the link below :
Primary Connection between old and new building
Bringing Cultures of India at one place
Connects people from all over the world
Activities
Activities
Exhibition Space
Courtyard - a Space for Interaction
Souveneir Shop
Plan of Level 00 Zoning and Furniture Layout
Adaptive Reuse Methodology : Addition
Reception and Waiting Lounge Vertical Connections Handicapped Suite Suite Presidential Suite Lobby Restaurant Restaurant Kitchen Cafeteria Cafeteria Kitchen Banquet Hall Spa Gymnasium Swimming Pool BOH Office 0
2
4
10
Central Space
Level +750 Reception Waiting Lounge
Central Space A large circular staircase is introduced in the central atrium of the school, which already has characteristic elements from the past. The staircase consists of exhibition panels for the paintings and textiles of different cultures. It opens into a courtyard creating an interactive space.
Level +2820 Exhibition Space
Level +5845 Exhibition Space Souvenir Shop
Inside View of Restaurant The look and feel of the restaurant is based on Gujarati tradition. Warm colours and traditional artworks such as mud mirror are been used. The mud pots with holes on its surface and lighting inside are been used as an installation in the double volume space of the restaurant.
Organisation of Rooms LVL 00
DN
LVL 00
DN
UP
UP
LVL 750
Volume Distribution
Organization in Existing Building
The total volume is divided into four parts to achieve more number of rooms.
The existing space is divided in two parts : one of which becomes a room and other becomes the vertical connection between two levels.
UP LVL 00
Organization in New Intervention The rooms in new building are organised in radially manner, so that each room gets a view of the existing building.
Reception
Private Rooms
Store
Swimming Pool Banquet Hall
Gallery
Souvenir Shop
Drop Off Point
SECTION AA
Section through a room in new intervention
Junction Detail between old and new building
Transition Space The view shows the transition between the school and the new building at the third level. The openings in the old building opens up into lawns which are then connected with the rooms.
P R
N
S
H
I Three of the projects are involved in this portfolio which shows some of the designs I have worked on with a senior designer.
E
During this time period, I got the opportunity to work on different projects which were at different stages of design. Some of the projects were at pitching stage while some were at execution stage. From arranging the material samples in the library, talking to vendors for mock-ups to being a part of client meetings, everything was a part of my learning process.
T
Space matrix is an international corporate company which is involved in interiors of office spaces. As a part of my academic internship, I worked as a design intern at space matrix, Bangalore for six months.
N
Semester 07 | Monsoon 2019 | Work Experience
I
internship
Projects worked on during the internship...
Designing
Brillio | Conceptualization Designing
Standard Chartered Bank | Conceptualization Designing
Vocera | Conceptualization Cargill | Conceptualization Zynga | Designing Site Supervision
McAfee | Construction Drawings Tally | Space Planning Nutanix | Conceptualization Ansys | Presentation Drawings Legato | Due Diligence George P. Jhonson | Presentation Drawing
O I
Site Analysis of Brillio was done where its location was an important factor to which they were not shifting and renovating the same office.
Brillio provides digital transformation services for global brands. It is a company focused on digital technologies and big data analytic.
L
Pitch Project | Work Experience
SUBTLE | AGILITY | DYNAMIC | RESTLESS | MODERN | INFORMALITY Considering all the aspects, the concept of meandering ( getting lost ) was developed.
L
The Client requirements involved spaces which felt like home away from home ; closer to nature ; breaking the monotony and Creative Spaces. The key words affecting the concept and design of the space were :
GF : 3430 sq ft | FF : 16020 sq ft | SF : 22500 sq ft |
I
Approximate Area for the Site :
TF : 22500 sq ft | FF : 22500 sq ft
Client Briefing | Due Diligence | Conceptualization |
R
Scope of Work during the process :
B
Designing Spaces | Presentation Drawings | 3D Views
Translating MEANDER into the layouts, two alternatives were designed - one with sharp edges and angles and other with curved angles.
Reception | Sketch
Reception
Developing the ceiling for reception area through sketches
Layout Options
Designed Wall Element
Developing collab spaces through sketches and transforming the ideas into 3d.
Collab | 01
Collab | 02
On the left : Views of collab areas | On the right : View of Open office showing workstations with smaller collab areas in between and other designed interior elements.
Open Office
Standard Chartered Bank is a British multi-national banking and financial services company. The design approach was to transform the logo of SCB into the spaces reflecting its brand identity. Design decisions were taken on the basis of its brand value and identity. The materials and colour palette were chosen accordingly.
Scope of Work during the process : Due Diligence | Conceptualization | Space Planning | Designing Spaces | Presentation Drawings | 3D Views
STANDARD-CHARTERED-BANK
Pitch Project | Work Experience
Conceptualizing ideas through sketches.
Reception | Process
Metal Baffles
Hera Board Ceiling
Gypsum Ceiling
Profile Light
Reception | View 01
Reception | Final
Reception Development
Reception | View 02
Collab | 01 | View 01
Collab | 01 | View 02
Collab | 02
Collab | 03
Cafeteria
A R Vocera is a wireless communication platform that provides hands free voice communication. The project included two floors where one floor was for refurbishment and other was to be fully designed.
E
Refurbishment | Pitch Project | Work Experience
O
The sketches above shows details of reception area.
V
Due Diligence | Conceptualization | Designing Spaces | Presentation Drawings | 3D Views
C
Scope of Work during the process :
Reception
Design element outside the board room.
Collab Conceptualisation
Board Room Conceptualisation
Cafeteria Facade Conceptualisation
Cafeteria
Cafeteria | Refurbishment
Board Room
1130
1025
1050
945
905
920
1045
1015
1100
990
CLEAR GLASS PLACED ON THE TABLE WITH SILICON 1400*600*4
A
615
A
BLACK AND BLUE MIRRORS CLADDED ON THE PLY WOOD WITH SILICON
A
615
A
265
1400
150
1820
1400
105
265
1820
BLACK AND BLUE MIRRORS CLADDED ON THE PLY WOOD WITH SILICON PLAN 1:10
150
1395 1115
BLACK AND BLUE MIRRORS CLADDED ON THE PLY WOOD WITH SILICON
1295
1395
1115
1295
135
40 135
105
40
PLAN 1:10
950
Materials can play a big role in achieving illusion. Reflective materials have tendency to deceive the normal perception of a human. For my furniture broken - which is a bar table designed to create illusion by using tessellations as its base pattern and placing mirror above it.
CLEAR GLASS PLACED ON THE TABLE WITH SILICON 1400*600*4
BLACK AND BLUE MIRRORS CLADDED ON THE PLY WOOD WITH SILICON
950
Illusion : An instance of a wrong or misinterpreted perception of a sensory experience, a deceptive appearance or impression, a false idea or belief. It is created when one sees something else despite the fact that it is actually something else. It can be achieved through two major things : FORM and MATERIAL.
FRONT ELEVATION 1:10
1125
Furniture Element | Exercise
BLACK AND BLUE MIRRORS CLADDED ON THE PLY WOOD WITH SILICON
1125
Studio 05 |Spring 2019 | Academic Project
W O R K I N G - D R A W I N G
broken : a bar table
CLEAR GLASS PLACED ON THE TABLE WITH SILICON 1400*600*4
BLACK AND BLUE MIRRORS CLADDED ON THE PLY WOOD WITH SILICON
BLACK AND BLUE MIRRORS CLADDED ON THE PLY WOOD WITH SILICON
TRUE LENGTH RIGHT ELEVATION 1:10
TRUE LENGTH LEFT ELEVATION 1:10
TRUE LENGTH RIGHT ELEVATION 1:10
TRUE LENGTH LEFT ELEVATION 1:10
145
235
0
17
21
5 210
160
BLACK AND BLUE MIRRORS CLADDED ON THE PLY WOOD WITH SILICON
11
PLY WOOD OF 19 MM THICKNESS IS USED TO MAKE THE STRUCTURE OF FURNITURE
20
20
14
ANCHOR FASTENER IS USED TO ATTACH PLY WOOD TO CONCRETE CONCRETE IS USED IN THE BASE TO MAKE THE FURNITURE STAND
15
0
SITE: CLIENT: PROJECT: FURN DRAWING NO: 0 DATE: 28-01-201 SCALE: 1: 5
IR 20
PRODUCED BY AN AUTODESK STUDENT VERSION
ILLUSION - A BAR TABLE IN AN OFFICE SPACE
路 路
BLUE MIRROR CUT INTO 150*150 MM SQUARE PEICES
路 路
NO.
ALL DIMEN ALL DIMEN MEASURE. THIS DRAW THE DRAW WITHOUT T
JAHNA
REVISIO
S C P D D S
15 15
ANCHOR FASTENER OF 6 MM DIA
CONCRETE
0
15
BLACK MIRROR CUT INTO 150*150 MM SQUARE PEICES
PRODUCED BY AN AUTODESK STUDENT VERSION
ANCHOR FASTENER OF 6 MM DIA 19 MM THICK PLYWOOD ATTACHED TO CONCRETE SURFACE THRPUGH ANCHOR FASTENER OF 6MM DIA CONCRETE
0
20
19 MM THICK PLYWOOD ATTACHED TO CONCRETE SURFACE THRPUGH ANCHOR FASTENER OF 6MM DIA
15
SECTION AA 1:10
PRODUCED BY AN AUTODESK STUDENT VERSION
15
20
125
P
15 0
80
145
12
5
90
N
0
190
PRODUCED BY AN AUTODESK STUDENT VERSIONPRODUCED BY AN AUTODE
CLEAR GLASS PLACED ON THE TABLE WITH SILICON 1400*600*4
150
BLACK MIRROR CUT INTO 150*150 MM SQUARE PEICES
PRODUCED BY AN AUTODESK STUDENT VERSION
FRONT ELEVATION 1:10
SITE: CLIENT: PROJECT: FUR DRAWING NO: 0 DATE: 28-01-201 SCALE: 1: 5
P
IR 20
125
BLUE MIRROR CUT INTO 150*150 MM SQUARE PEICES
JAHNA
4 MM THICK MIRROR CLADDED ON 19 MM THICK PLYWOOD WITH SILICON
19 4
19 4
PRODUCED BY AN AUTODESK STUDENT VERSION
4 MM THICK MIRROR CLADDED ON 19 MM THICK PLYWOOD WITH SILICON
Model | 1:10
Studio 05 | Spring 2019 | Academic Project
The studio is mainly focused on material explorations in design. It requires to produce construction drawings for the office design keeping into considerations their learning from relevant exercises conducted during the semester tenure. The process involves as follows : - Studying various determining properties of a construction material - Conceptualizing & developing interior layout with various elements and furniture of interior spaces considering their client’s requirements - Learning technical representation and producing series of interior drawings which are required for its construction. Integrating services with their concept design - Detailing out elements of interior spaces such as, partition and furniture elements like, work desks, seating, storage, etc.
Site
Area
Client
304, Colonnade SG Highway, Ahmedabad
100 sq m
Interior Designer
W O R K I N G - D R A W I N G
diagon studio
Bohemian styles interiors is all about Layering, Consistency , juxtaposing different elements. Taking forward the word JUXTAPOSE as my concept for designing the office space, the first decision taken was to keep the office at an angle in such a way that the angle should be experienced even when you are working. Juxtapose is achieved by experiencing the space and also in the furniture element the workstations are designed in a manner that it appears as in two materials are going through one another.
Taking Juxtapose as my concept and moving forward with it, the first design decision made was to have an entrance at 45 degree.
Workstations at an angle. But because of negative spaces that were created the layout was rejected.
Partitions are at ange and workstations at 90 degree.
Final Layout
The false ceiling in the passage is lower than rest of the areas.
On the top : Furniture layout of the office. On the Bottom : Material Palette
Axonometric View showing furniture and Services.
1
2
3
4650
· · ·
4
4655
2370
12775
GENERAL NOTES ALL DIMENSIONS ARE IN MM. ALL DIMENSIONS ARE TO BE READ NOT TO BE MEASURE. THE DRAWING SHOULD NOT BE COPIED OR USED WITHOUT THEIR PRIOR PERMISSION.
EXISTING DOOR WINDOW SCHEDULE NAME
Sr. No. W1 2
W2 1
W1 1
C
C
1
D1
1400 X 2095
2
D2
760 X 1930
HINGED
3
W1
1200 X 1415
OPENABLE
4
W2
1200 X 1415
FIXED
5
W3
1220 X 1415
FIXED
6
V1
552 X 1790
OPENABLE
HINGED
LEGENDS 1415
ALTERATION IN LEDGE WALL HEIGHT - 900 TO 1200 THICKNESS - 205 TO 140
1620
1415 B
TYPE
SIZE
V1 1
COLUMN - ACB BLOCKS WALL - ACB BLOCKS B
BRICK WALL
545
W2 2
LVL +175
D2 1
LVL +90
ALTERATION IN LEDGE WALL HEIGHT - 900 TO 1200 THICKNESS - 205 TO 140
D W V
DEMOLITION
DOOR WINDOW VENTILATION
ADDITION
130
CHANGE IN FLOOR LEVEL LEVELLED AT 900
850
ALIGN
ALTERATION
850
2315
7750
4105
7750
650
W3 1
W3 2
KEYPLAN D1 1
4675
1785 ENTRY
1410
SITE CLIENT PROJECT SHEET NO. DATE SCALE
0
LVL +00
ENTRY
2070
W3 3
A
A
COLLONADE, SG HIGHWAY INTERIOR DESIGNER OFFICE SPACE DESIGN 01 23 April 2019 1 : 50 @ A3
DRAWING NUMBER
AR - 1.1 - R0
DRAWING NAME
CIVIL DRAWING - ADDITION / ALTERATION/ DEMOLITION
NORTH
IR 2024 4650 1
4655 2
EXPLORATION OF DESIGN (MATERIAL IN FOCUS) LEVEL-2 STUDIO SPRING SEMESTER- 2019
2370 3
4
JAHNAVI SUTHAR UI7816
1
2
3
4650
· · ·
4
4655
2370
GENERAL NOTES ALL DIMENSIONS ARE IN MM. ALL DIMENSIONS ARE TO BE READ NOT TO BE MEASURE. THE DRAWING SHOULD NOT BE COPIED OR USED WITHOUT THEIR PRIOR PERMISSION.
EXISTING DOOR WINDOW SCHEDULE NAME
Sr. No. W1 1
W2 1
W1 2
C
B
D1
1400 X 2095
2
D2
760 X 1930
HINGED
3
W1
1200 X 1415
OPENABLE
4
W2
1200 X 1415
FIXED
5
W3
1220 X 1415
FIXED
6
V1
552 X 1790
OPENABLE
HINGED
W2 2
1415
NEW DOOR WINDOW SCHEDULE 2090
1415
D7 1
1
1065
C
TYPE
SIZE
V1 1
B
1010
TYPE
Sr. No.
NAME
1
D3
2300 X 1290
2
D4
2300 X 1185
PIVOT
3
D5
2300 X 850
HINGED
4
D6
2090 X 1230
PIVOT
5
D7
2300 X 1065
HINGED
SIZE
PIVOT HINGED
LEGENDS 850
D5 2
1645
1205
COLUMN - ACB BLOCKS
70
0
WALL - ACB BLOCKS
55
BRICK WALL
55
PARTITION
23
80
1540
12
40
45
D6 1
ALTERATION
2535
10
30
24
7750
21 W3 2
DOOR WINDOW VENT
ADDITION
55
30
D6 2
D W V
DEMOLITION
12
eq
1060 3990
2610
15
1060
00 15
eq
11
12
7750
D5 1
850
12
W3 1
KEYPLAN
1540
00 12 ENTRY
SITE CLIENT PROJECT SHEET NO. DATE SCALE
D4 1
LVL +00
D3 1
90 12
ENTRY
11
2005
2005
85
W3 3
3135
3435
A
A
COLLONADE, SG HIGHWAY INTERIOR DESIGNER OFFICE SPACE DESIGN 02 23 April 2019 1 : 50 @ A3
NORTH
DRAWING NUMBER
AR + ID - 1.2 - R0
DRAWING NAME
CIVIL DRAWING - DRY WALL + CIVIL DRAWINGS
IR 2024 4650 1
4655 2
EXPLORATION OF DESIGN (MATERIAL IN FOCUS) LEVEL-2 STUDIO SPRING SEMESTER- 2019
2370 3
4
JAHNAVI SUTHAR UI7816
1
2
3
4650
· · ·
4
4655
2370
GENERAL NOTES ALL DIMENSIONS ARE IN MM. ALL DIMENSIONS ARE TO BE READ NOT TO BE MEASURE. THE DRAWING SHOULD NOT BE COPIED OR USED WITHOUT THEIR PRIOR PERMISSION.
EXISTING DOOR WINDOW SCHEDULE NAME
Sr. No. W1 2
W2 1
W1 1
C
C
850
1775
425
STORAGE
V1 1
1135 B
W2 2
WORKSTATIONS 8450 X 4645
930
SR. DESIGNER'S TABLE
65
1220 X 1415
FIXED
6
V1
552 X 1790
OPENABLE
NAME
TYPE
SIZE
1
D3
2300 X 1290
2
D4
2300 X 1185
PIVOT
3
D5
2300 X 850
HINGED
4
D6
2090 X 1230
PIVOT
5
D7
2300 X 1065
HINGED
PIVOT HINGED
650
PARTITION
7750
500
80 21
300
580
00 15
240
1265
1420
335
24 45
00
530
300
SITE CLIENT PROJECT SHEET NO. DATE SCALE
25 15
2005
910
52
EN
5
TR
Y
930
1930
05
13
425
11
85
25
18 865
DOOR WINDOW VENTILATION PARTITION CHAIR TABLE SOFT FURNISHINGS BLINDS
RECEPTION AND WAITING 4605 X 3630
12
900
D W V P C T S B
425
2005
W3
BRICK WALL
900
MEETING ROOM 3725 X 3435
1265
W3 3
FIXED
5
PANTRY 2135 X 1500
23
40
30
530
OPENABLE
1200 X 1415
COLUMN - ACB BLOCKS
500
10
12
450
1200 X 1415
W2
LEGENDS
45
425
30
7750
13
W3 2
980
W1
WALL - ACB BLOCKS
30
12
500
HEAD DESIGNER'S CABIN 4600 X 3135
3 4
TOILET 2135 X 1345
850
60
11
45
30
0
1275
12
12
0
60
385
HINGED
70 1630
W3 1
760 X 1930
0
465
12
945
1690
465
00
750
1695
850
930
D2
1645
1695
HINGED
2
Sr. No.
B
1215
1400 X 2095
NEW DOOR WINDOW SCHEDULE 1415
1775
1415
850
TYPE
D1
1065
795
SERVER RACK
SIZE
1
A
A
COLLONADE, SG HIGHWAY INTERIOR DESIGNER OFFICE SPACE DESIGN 04 23 April 2019 1 : 50 @ A3
DRAWING NUMBER
ID - 1.2 - R0
DRAWING NAME
LAYOUT + DIMENSIONS
NORTH
IR 2024 4650 1
4655 2
EXPLORATION OF DESIGN (MATERIAL IN FOCUS) LEVEL-2 STUDIO SPRING SEMESTER- 2019
2370 3
4
JAHNAVI SUTHAR UI7816
1
2
3
4650
· · ·
4
4655
2370
GENERAL NOTES ALL DIMENSIONS ARE IN MM. ALL DIMENSIONS ARE TO BE READ NOT TO BE MEASURE. THE DRAWING SHOULD NOT BE COPIED OR USED WITHOUT THEIR PRIOR PERMISSION.
LEGENDS COLUMN - ACB BLOCKS W1 2
W2 1
WALL - ACB BLOCKS
W1 1
BRICK WALL C
C
1415
CP28
B
VRF UNIT ODU
STORAGE
V1 1
GYPSUM FALSE CEILING AT 260 PLYWOOD FALSE CEILING AT 510
OUT SWP IN
B
W2 2
ELECTRICAL LEGENDS
WP9 CP22 JB3
CP23 JB4
JB5
JB6
CP26
WORKSTATIONS 8450 X 4645
SB7 JB2
CP24
ECP - EXISTING CEILING POINTS
WP - WALL POINTS
CP - NEW CEILING POINTS
DB DISTRIBUTION BOARD
SB SWITCH BOARD
JUNCTION BOARD
COVE LIGHTING ALUMINIUM STRIP
DEMOLISHED SWITCHBOARDS
CP25
JB7
SR. DESIGNER'S TABLE
CP27
TOILET 2135CP29 X 1345
JB1
CP21
CP20
CP18
CP19
W3 1
PANTRY CP30 2135 X 1500 WP8 WP6
WP7
SB6
HVAC SCHEDULE TYPE - CONCEALED SPLIT AC
SB8
Sr. No. NAME AC 1 1.5 TON
AC 5 1.5 TON
SB5
SB2 CP14
CP13
AC 2 1.5 TON
CP12 AC 4 1 TON
W3 2 CP15 WP5 SB4
AC 3 2 TON
HEAD DESIGNER'S CABIN 4600 X 3135 CP16
CP7
CP3
CP6
7750
7750
PARTITION
1415
SERVER RACK
SIZE
TONNAGE
1
AC 1
250 X 900 X 580
1.5
2
AC 2
250 X 900 X 580
1.5
3
AC 3
250 X 1150 X 580
2
4
AC 4
250 X 900 X 580
1
5
AC 5
250 X 900 X 580
1.5
COOLANT
SWP
HVAC DRAIN PIPE
OUTLET
CP5
CP4
INLET
MEETING ROOM 3725 X 3435 CP11
CP8 CP2
WP2
RECEPTION AND WAITING 4605 X 3630
SITE CLIENT PROJECT SHEET NO. DATE SCALE
D4 1
W3 3
WP1 D3 1
CP17 CP1 CP9
NORTH
DRAWING NUMBER
EL + PL + HV - 01 - R0
DRAWING NAME
CONSOLIDATED SERVICES LAYOUT
EN
SB1
WP3
WP4
TR
Y
CP10
OBJECT LIGHTING TO HIGHLIGHT THE LOGO OF THE COMPANT
COLLONADE, SG HIGHWAY INTERIOR DESIGNER OFFICE SPACE DESIGN 08 23 April 2019 1 : 50 @ A3
SB3
A
4650 1
A
4655 2
2370 3
IR 2024 EXPLORATION OF DESIGN (MATERIAL IN FOCUS) LEVEL-2 STUDIO SPRING SEMESTER- 2019
4
JAHNAVI SUTHAR UI7816
230
R
R 2
SP 1
R
LEGENDS BEAM
R
R
555
F4
425
460
F3 460
1275
R
R
F3
R
425
F5
320
665
R
F7
F7
R
R R
R
R
ELEVATION A
D
230
235
ELEVATION B 2135
R
R
555
390
SP 1 A
F10
C
F9
R R
R
C
F4
WASHROOM 2135 X 1345 F4
525
820
D
100 330
815
LVL 00
580
LVL +90 795
2
B
F3
525
830
1345
F9
B
1345
R
R
A
490
F6 275
450
500
850
F1
F8
F7
F2
R
330
2
R
995
215
R
SITE CLIENT PROJECT SHEET NO. DATE SCALE
COLLONADE, SG HIGHWAY INTERIOR DESIGNER OFFICE SPACE DESIGN 12 23 April 2019 1 : 20 @ A3
DRAWING NUMBER
TL - 1.1 - R0
DRAWING NAME
TOILET
NORTH
IR 2024 780
460
685
R
R
CFT
885
180
R F6
R
R
550
R
FX1
F9 2
815
395
R
R
R
240
R
1275
F2
R
1275
2510
PARTITION
160 190
F10
255
2135
2
BRICK WALL
2510
F11
WALL - ACB BLOCKS
R
R
R
R 2510
640
850
975
R
R
GENERAL NOTES ALL DIMENSIONS ARE IN MM. ALL DIMENSIONS ARE TO BE READ NOT TO BE MEASURE. THE DRAWING SHOULD NOT BE COPIED OR USED WITHOUT THEIR PRIOR PERMISSION.
R
R
585
R
R
235
230
SP 1
555
515
REFER TL -1.2 - R0 FOR DETAIL A
· · ·
R
1135
140
2105
PLAN AT 1500 ELEVATION C
EXPLORATION OF DESIGN (MATERIAL IN FOCUS) LEVEL-2 STUDIO SPRING SEMESTER- 2019
JAHNAVI SUTHAR UI7816
230
375
235
SR NO.
3
FIXTURE NAME
TOILET DESCRIPTION
SIZE
PRODUCT CODE
COMPANY
1
F1
Table top basin
635 X 425 X 160 mm
White ceramic ( Vitreous China )
JDS-WHT-25901
Jaquar
2
F2
Aquisense Sensor Faucet
185 X 160 X 190 mm
Aquisense Sensor Faucet for Wash Basin with 200mm Long Spout (Wall Mounted Model)
SNR-STL-51071
Jaquar
PRODUCT IMAGE
· · ·
GENERAL NOTES ALL DIMENSIONS ARE IN MM. ALL DIMENSIONS ARE TO BE READ NOT TO BE MEASURE. THE DRAWING SHOULD NOT BE COPIED OR USED WITHOUT THEIR PRIOR PERMISSION.
LEGENDS BEAM
585
R
375
SP 1
FX NO.
3
F3
County
365 X 535 X 360 mm
Wall Hung Water Closet
CNS-WHT-961S,N
Jaquar
WALL - ACB BLOCKS 340 X 320 X 650 mm
White ceramic ( Vitreous China )
URS-WHT-13263
Jaquar
5
F5
Bottle Trap
300 X 345 X 32
Material - Stainless Steel
ALD-CHR-769L
Jaquar
6
F6
Two way Bib-Cock
140 X 100 X 55
Two way bib-cock with wall flange
ARI-CHR-39041
Jaquar
1275
190
F2
INLET
OUTLET 7
F7
Brass floor drain
100 x 100 mm
Brass gray polished surface treatment - plated chromium
HIDL005
HIDEEP
8
F8
Trinsic Tissue Paper Holder
Length - 155
Black Matte finish
75950-BL
Delta
9
F9
Towel Holder Ring
200 X 165
Black Matte finish
79446-RB
Delta
1070
410
F1
R
BRICK WALL
SWP
F10
2135
Urinal
PARTITION
685
4
R
F4
2510
2
4
R
425
435
685
F5
A SP5 D SP5 B SP5 SP5 C SP5
ELEVATION D
BEAM DEPTH 260MM
115 MM THICK BRICK WALL
R
GYPSUM FALSE CEILING AT 260 SUSPENDED BY METAL GRID FROM THE SLAB
SP 1
2
10 MM PLASTER 60
R
0
R
R
1345
MORTAR
SP 1
R
60
R R
R
10MM THICK TILES
850
2
210
LVL 00
0
R
R
SP 1
18 MM THICK BLACK GRANITE FOR FOOR FRAME
SITE CLIENT PROJECT SHEET NO. DATE SCALE
COLLONADE, SG HIGHWAY INTERIOR DESIGNER OFFICE SPACE DESIGN 13 23 April 2019 1 : 20 @ A3
DRAWING NUMBER
TL - 1.2 - R0
DRAWING NAME
TOILET
NORTH
IR 2024
DETAIL AT A FLOORING PLAN
PLYWOOD CEILING AT 510 SUSPENDED BY METAL GRID FROM THE SLAB
EXPLORATION OF DESIGN (MATERIAL IN FOCUS) LEVEL-2 STUDIO SPRING SEMESTER- 2019
JAHNAVI SUTHAR UI7816
E R Studio 03 |Monsoon 2018 | Academic Project
U
intersect : a metal structure
Process model using the same method of construction
T
R
U
The existing construction method includes the metal box section all around the surface and having small sections in between which is then cladded with thin metal sheet. Taking inspiration from this, the form was designed using similar construction method.
C
Polish - American architect Daniel Libeskind’s 18.36.54 house in western Connecticut is named after the 18 planes, 36 points and 54 lines which define its living spaces. The exterior of the property is clad in mirror finish bronzed in stainless steel, making the appearance of the building entirely dependent on the changes in the natural environment surrounding it.
T
Taking inspiration from the house, exploring the form through sketches and models.
https://issuu.com/sutharjahnavi/docs/sem_05_designing_a_structure
S
For detailed Portfolio click on the link below :
Metal Angular Flange Metal Castellated I-Beam
Truss System for an inclined triangular surface
Angular cleat Buttresses to strengthen the structure Ball Joint
Extending Plates
Section BB Connecting two I girders
Metal Castellated I-Beam
Metal Cylindrical structural element Metal Castellated I-Beam Metal Plate surrounding the I-Beam The Corner Junction
E R R
U
Considering these activities and after doing research on the Acoustics, the idea was to have a curved ceiling. The concept was developed from the diagrams placing three activities represented by circles. Connecting these activities and entrance a square like shape is formed, which is then given heights according to the function.
T
The main project of the studio was to design a clubhouse for musicians. Three major activities that were included in the clubhouse were Meditation room, where people meditate with the help of music ; Music Library, where people can have access to the books of music and a Studio / Theatre, where musicians can perform and practice the music.
C
Studio 03 |Monsoon 2018 | Academic Project
U
float : clubhouse for musicians
Area
User Group
Hypothetical Site
350 sq m
Musicians
T
Site
https://issuu.com/sutharjahnavi/docs/sem_05_designing_a_structure
S
For detailed Portfolio click on the link below :
3D view of the structure
Front Elevation
Section CC
G Lakme was launched in 1952 and is the first home grown successful cosmetics brand. It is a leading Indian cosmetic brand which talks about FEMININITY | SOPHISTICATION | BOLDNESS | INTEGRITY
Area
Client
Forever 21 Ahmedabad
900 sq m
Lakme
I P
Site
L
A
Considering these brand values, a concept was developed where the brand values are transformed into the space through organic forms connecting to the concept of a mother’s womb.
N
The studio focused on space planning with the help of multiple exercises that included transforming words into the spaces, measure drawing a site, learning basic anthropometrics and doing various office planning exercises. The main project involved designing an office space for a well known brand, which is Lakme in my case.
N
Studio 02 |Spring 2018 | Academic Project
N
lakme office space
Design Criteria : Bay 1, 2 and 3 are selected as the site for designing the Zonal office of the given company. The site is considered as a clear 27mtr X 23mtr X 7mtr high volume without a mezzanine floor. As a part of the project, we have to analyse and decide the size from location and level for the mezzanine floors based on their requirements. Maximum permissible area for the mezzanine level is 50 % of the total ground.
Sction BB showing Reception, Cabins, Meeting Rooms, Staircase alo
ong the curved wall, CEO’s cabin and washroom.
Furniture Layout Plan Lower Level at 00
Reception : As one enters through the large double door of the office, one sees the reception desk with a curved back wall which is painted purple with velvet like texture. The sofas are also of velvet fabric. The flooring is of white ceramics tile and the facade of meeting rooms are made of translucent glass on the curved wall, lakme logo made out of MDF with LED recessed down light at the top of it. The reception desk is made of white corean with curved edges.
View from Access control door : Entering into the office through the access control doors, one experiences a giant curved wall expanding throughout the office with variations in it’s height and materials. The wall is covered with purple velvet fabric and a staircase is running alongside the wall. The treads and banister of the staircase are of gray tinted glass, while the handrail and stringer are of black stainless steel. The floor is covered with grey carpet.
Axonometric View
N O I T
Gym meets Garment workshop
Program
CEPT Library
900 sq m
Cross Programming
S I
Area
Plan | Basement 01 | Hand Drawn
V
Site
S
U
A
L
My project involved Gymnasium as an activity of play and Garment workshop, as an activity of work. The two activities were merged using method of Insertion. The fabric produced in the garment workshop, is used as a hammock for the aerial yoga. These hammocks are then extended into the triple volume void, where the fabric is stretched and merge to form an installation.
I
The project is about cross programming two different activities where one activity is about WORK and other is about PLAY. Merging these two activities at the CEPT library ( which has three basements and two floors ) where each student gets a quarter of every floor, was a challenging task.
A
Studio 01 |Monsoon 2017 | Academic Project
The above plan shows gym on the left side and the garment workshop on the right. on the top,
The above garme
Section AA | Hand Drawn
e plan shows gym on the left side and the ent workshop on the right. on the top,
Sliced Section of the Void
Axonometric View
S E I R A L L I C N A
Cultural Night Backdrop | CEPT Roots
Brick Wall | Construction
Coconut Installation | CEPT Roots
Acknowledgements This portfolio consist of the projects and work done from 2017 to 2020. With due respect and credits to the organizations, companies and university for allowing me to use the work I had done at the respective places.
jahnavi.suthar.bd16@cept.ac.in +91 7016900273