O U T S I D E
Jacqui Keogh
Anna Heath
| |
I N
Irene Tartiris
Adam Jordan
A C K N O W L E D G M E N T
O F
C O U N T R Y
We would like to acknowledge that this presentation is taking place on the lands of the Wurundjeri People people and we wish to acknowledge them as Traditional custodians and pay our respects to Elders past, present and emerging.
S i t e
O S J H
l d A d m i n i s t r a t i o n b u i l d i n g w i n b u r n e U n i v e r s i t y o h n s t a w t h o r n
D e s i g n
i n t e n t
Site
Light
Human experience
Connection
Context History
Ephemeral Transient
Immersion presence
New & old Circulation
S p a t i a l
c o n c e p t
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Addition of timber fins
Addition of forms
Subtraction of forms
Addition of space
D e s i g n
c o n c e p t
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Outside
In
Outside
In
D e s i g n
i m p l e m e n t a t i o n
Site
Light
Human experience
Connection
Proposed Area for renovation.
Original bell tower
Circulation
Arched window from the Facade
Ground and first floor foyer
Insertion of light Connect the new and the old
Circulation is repeated & reversed from floor to floor Creating internal forms that both feel familiar and unfamiliar.
Influence internal forms & opening
M i d
P a n d e m i c
z o o m
m e e t i n g s
D e s i g n
I t e r a t i o n s
1.
2.
3.
6.
9.
12.
C o n c e p t u a l
d e s i g n
N o r t h
f a c i n g
Section AA North
AA
AA
s e c t i o n
E a s t
f a c i n g
Section BB EAST BB
BB
s e c t i o n
F l o o r
Ground floor plan
p l a n s
First floor plan
R e f l e c t e d
C e i l i n g
p l a n
0
Ground floor reflected ceiling plan
First Floor reflected ceiling plan
1
35
S t a i r c a s e
&
H a n d r a i l
Section S1
S1
Section CC stair in context
c
c
not to scale
S t a i r c a s e
&
H a n d r a i l
Timber panels
Subtract shapes - Arch stairway, handrail - Void - Window
Form : stairway
D
Section DD staircase, arch window
D
not to scale
S t a i r c a s e
&
H a n d r a i l
Handrail
E
Section EE staircase
E
not to scale
S e a t i n g
Glass
Steel frame
Timber fins
A1 First floor seating
1
Glass Steel frame Timber fins
2 Section: Seating
A2 Ground floor seating
not to scale
P a r a m e t r i c
d e s i g n
p r o c e s s
Boundary lines to attractor point
Extrude lines to create mass
Subtract shapes to form interior space
Entry points
Skylights
Stairway, handrail
Void
Final form
M a t e r i a l i t y
P r i m a r y
m a t e r i a l s
Exposed Brick
Victorian Ash
Most common wood-based material used in Australia Readily available & sustainably managed Strawberry blonde hues complements red brick
Researched materials for timber fins River Red Gum
Silvertop Ash
Blackwood
(Indigenous to area)
(local to Victoria)
(Indigenous to area)
Native to Australia and fast growing
Grown in mainly souther NSW, Vic & Tas.
Native to Tasmania & Victoria.
Colour varies from red to red-brown with fine texture
Good fire resistance (BAL rating 12.5)
Colour varies from golden honey to dark brownish with a fine texture.
Medium texture with lots of feature. Sometimes large & deep feature veins.
Source: R.Cornall & Sons, cornalls.com.au
C o n s t r u c t i o n
C o n s t r u c t i o n
S t a g e s
Construction Strategy During construction, we aim to: • Retain as much of the orginal building as we can • Use fixing techniques that require little to no
Stage 1 - Demolition
Stage 2 - Stairs & Skylight
• Remove existing bell tower
• Attach stringer & steps
• Expose brick and remove carpet
• Build frame for new skylight
• Modify roof structure and ceiling
• Attach new tower and insert glass
• Modify first floor structure
• Add flashing and cladding to tower
• Remove existing staircase
experience, where possible • Reduce the amount of heavy and/or expensive machinery required • Ensure everything can be brought on site without modifying existing building • Create a clear plan for assembly akin to building a DIY flatpack or puzzle
Stage 3 - Finishes
Stage 4 - Fins
• Sand and stain floors
• Segmentation
• Paint ceiling and walls
• Transport and Access
• Attach mirror to wall
• Order of assembly • Build seating and adjust feet
S t a g e
1 :
D e m o l i t i o n
1. Modify ceiling & roof trusses
2. Remove staircase and modify first floor Cut out skylight hole in floor
Remove ceiling battens
Remove stairs
Cut out ceiling
Modify trusses
3. Remove existing bell tower
Source: AD Building, Swinburne History Collection
4. Expose brick
4. Remove carpet
S t a g e
2 :
N e w
t o w e r /
1. Construct Skylight Tunnell
s k y l i g h t
2. Construct New Tower
3. Attach Tower Cladding
Tower Supports Marine Plywood
Modified Roof Window glass
Mirror finish Tunnell frame Tower frame Mirror lining Mirror lining Base frame
Modified trusses
Tower Cladding
S t a g e
2
( c o n t i n u e d )
1. Attach Steel Stringer
S t a g e
3 :
A p p l y
2. Attach Step Sleeves
F i n i s h e s
Flooring
Ceiling & Walls
North Wall
South Wall
Sand and stain existing timber floor boards
Paint remaining walls and ceilings
Fix black lined mirror glass to North wall.
Repair and clean exposed brick
S t a g e
4 :
Order of Assembly
F i n s
Connection & Segmentation
F4 Timber panel
S4
F3 Bolt
F2
S3
Timber panel
F1
Panel connection diagram
G4
S2
G3
G2
S1 G1
Exploded axonometric: Panel segmentation
Plan: Row numbers
Connection & Segmentation 1440
All wooden panels cut using the CNC router for its precision when cutting large spans of curves and angles.
260
N Wooden panels: 1262
1100 1220
Sheets: 126.2
40
24
1220
CNC Router size: 2440 x 1220
Plan: Stair segment S1 (91 total panels)
CNC Sheet S1.1: Cut panels S1.48-S1.57 (10)
CNC Sheet S1.1: Cut panels S1.57-S1.66 (10)
C o n n e c t i o n
t o
t h e
E x i s t i n g
B u i l d i n g
FIn to Ceiling Detail CONCRETE SLAB @150MM PLASTERBOARD @12.5MM FASTENER TRACK PENDANT BOLT TIMBER FINS @30MM
NOTE: DARK LINES INDICATE THE SEGMENTATION LINES
Fin to Floor Detail TURN TO ADJUST FEET TO APPROPRIATE HEIGHT
TIMBER FINS @30MM ADJUSTABLE FEET (25MM WIDE BASE) FLOORBOARDS @19MM TIMBER JOISTS @90X35MM INSULATION
Scale 1:20
Elevation
C o n n e c t i o n
t o
t h e
E x i s t i n g
B u i l d i n g
Section View 135
110 110 36
13.5 150
1000
150
76 10
12.5 110 110
BRICKS (110X76MM)
CHEMICAL ANCHOR BOLTS
M16 STUDDING RESIN ANCHORED INTO THE STEEL STRINGER
RHS STEEL (30X160MM) WELDED TO STEEL FIXING PLATE 13.5MM GYPROCK PLASTERBOARD 8MM STEEL FIXING PLATE 36MM STEEL STRINGER
Detail 36 8
Axonometric
1300 400
240
80
80
87
400
240
20
20
160 30 10
50
1300
8MM STEEL PLATE
225
87
50
Section A-A
Front View | Riser
Scale 1:10
Scale 1:20
225
Top View | Run
RHS STEEL (30X160MM) 50MM OAK HARDWOOD TIMBER
F i n a l
d e s i g n
Ground floor
T H A N K
Y O U !
i s
t h e r e
a n y
q u e s t i o n s ?
U n u s e d
s l i d e s
S t a g e
4 :
F i n s
Order of Assembly 1. First Floor - from top to bottom
2. Stairs - from top to bottom
3. Ground Floor - from top to bottom
4. Seating - from top to bottom
T - B o u t i q u e
Source: Studio Pha, Archdaily.com
b y
S t u d i o
P h a
C h o s e n
M a t e r i a l s
The following chosen materials have been carefully selected to honour the existing heritage building and its materials. Care has been taken to also to clearly show the contrast between new and old. For the timber fin material, we also wanted to ensure we chose a sustainable and local material for it’s low environment impacts as well as the practical benefits of choosing a material suited to this climate.
Timber Fins
Flooring
South Wall
North Wall
Victorian Ash
Existing Timber Floor
Exposed Brick
Black Glass Mirror
Most common (wood-based) material used in Australia (also known as Tasmanian or Australian Oak)
We want to keep the existing timber floor to honour the heritage building and to reduce unnecessary waste.
The foyer is surrounded by structural brick walls. We plan to remove the plasterboard to expose the beautiful 100+ year old brick.
Similar to the dark flooring, adding a black mirror glass to the south wall, the wall behing the staircase, will add depth to the space, reflecting the fins and elongating their width.
Applications: Joinery, Flooring, Staircases, Furniture and Linings
These beautiful timber floors will be stripped back, sanded, and repaired, ready for a dark grey-almost black stain.
By exposing the raw, course brick along one of the main pathways, it becomes something tangible people can actually get up close to and touch, as well as being able to experience a juxtaposition of the new, smooth timber fins directly opposite.
Readily available & Sustainably Managed Course texture Colour varies from pale straw to pale pink
This floor will dissapear, drawing your eyes to the pale timber fins and making the overall space around and in the structure feel spacious.
Even though the stairs are enclosed, the mirror finish well help make the space not fill as cramped as it will also reflect the feature lighting between the staircase and the central structure.
F i n s :
V i c
A s h
e x a m p l e s
With its pale strawberry blonde variations, the Victorian Ash (also known as Tasmanian Oak and Australian Oak) sits well with the the Brick, especially being such a similar colour to the grout between the brick, the strawberry hues creating the perfect bond between new and old. Not only is the colour the most suitable, but it happens to be a readily available and sustainable sourced material, making it the most affordable and easily accessible option.
Exposed Brick
Source: Nicholson Street, S&A Stairs
Source: South Melbourne House, Mitsouri Architects
Source: Tassal Head Office, Preston Lane Architects
Vic Ash
S t a g e
3 :
A p p l y
F i n i s h e s
North Wall Fix black lined mirror glass to North wall.
Flooring
Ceiling & Walls
Sand and stain existing timber floor boards
Paint remaining walls and ceilings
C o n n e c t i o n
12.5 110 110
135
110 110 36
13.5 150
t o
1000
t h e
E x i s t i n g
B u i l d i n g
150
76 10
Top View | Run
Front View | Riser
Detail
Section A-A
Section View
Scale 1:20
Axonometric
Connection & Segmentation
Plan: Ground floor segment G1
CNC Sheet G1.1: Cut panels G1.1 -G1.4 (4)
Plan: Ground floor segment G1
CNC Sheet F1.1: Cut panels F1.108-F1.112 (4)