Sworders Asian Art 5 November 2021

Asian Art Friday 5 November 2021

Fine Russian Art & Antiques from the Renowned London Gallery WEDNESDAY 1 DECEMBER 2021

alexanderhallett@sworder.co.uk | 01279 817778

Asian Art - Live Online Friday 5 November at 10am ORDER OF SALE Lots 1 - 78 Lots 79 - 97 Lots 98 - 171 Lots 172 - 189 Lots 190 - 221 Lots 222 - 225 Lots 227 - 241 Lots 242 - 252 Lots 253 - 264 Lots 265 - 273 Lots 274 - 422 Lots 423 - 434

Chinese Porcelain and Ceramics Chinese Jade Chinese Metalware and Cloisonné Chinese Works of Art Chinese Works on Paper Chinese Furniture Japanese Porcelain and Ceramics Japanese Metalware and Cloisonné Japanese Works of Art Japanese Works on Paper Chinese Works of Art - Part 2 Japanese Works of Art - Part 2

VIEWING We will be offering viewing by appointment only, to be held at our London Gallery, 15 Cecil Court, London WC2N 4EZ. You can book an appointment at www.sworder.co.uk/appointments/ One hour time slots will be available from: Saturday 30 October 10am - 1pm Sunday 31 October 10am - 1pm Monday 1 November 10am - 4pm Tuesday 2 November 10am - 4pm Wednesday 3 November 10am - 4pm Thursday 4 November 10am - 4pm

ONLINE BIDDING Bid live via www.sworder.co.uk (0% surcharge) 本图录中文版本部分仅作参考，如有疑义，请以英文版本为准

FURTHER INFORMATION Contact: Yexue Li 01279 817778 auctions@sworder.co.uk

To obtain more detailed images and condition reports for lots in this catalogue, please visit our website www.sworder.co.uk

COLLECTIONS We operate a booking system for collections at www.sworder.co.uk/ appointments/. You must book your appointment 24 hours in advance, to ensure your items are ready when you arrive. Items will be available to collect from the day after the sale at our Stansted Auction Rooms. Please select ‘Collection’ as your appointment type when booking your collection time.

SWORDERS’ DELIVERY SERVICE Sworders offer a delivery service for item(s) purchased. Please see our website for further details.

CHINESE PORCELAIN AND CERAMICS 1-78

Lot 2 A Chinese earthenware jarlet, Song to Yuan dynasties, of baluster form, decorated with brown glaze in dots, revealing the body, 6.5cm diameter, and another, Yuan dynasty, of lobed form with two looped handles, covered by a greyish-blue glaze, 7cm high (2) £100 - 150

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宋至元 小罐 一组两件

1 Lot 1 A Chinese earthenware model, probably Han dynasty (206 BC-AD 220), of a barn with two figures, dogs roaming in the yard and birds perched on the top of a tower, 39cm wide 52.5cm deep 79cm high (2) £200 - 300

3 Lot 3 A Chinese earthenware jar, Qing dynasty (1644-1911), of ovoid form with four looped handles above studs, covered by a pale green glaze, 11.5cm high, and four further jarlets, covered by a green or amber glaze, 5 to 7cm high (5) £200 - 300 清 绿釉四系罐 及 其他小罐 一组五件

汉(可能) 灰陶仓房

4 Lot 4 Four Chinese qingbai dishes, Song dynasty (960-1279), comprising: one lobed with an everted flat rim, 11cm diameter, one with incised scrolls, 10.4cm diameter, one moulded with petals, 10.4cm diameter, and another with lobed rim, incised with scrolls and florets, 14.4cm diameter, all covered with a pale blue or a cream glaze (4) £200 - 300

Lot 5 A Chinese celadon-glazed bowl, Yuan to Ming dynasties, moulded with upright petal lappets, under a pale bluish-green crackled glaze, 10.4cm high £120 - 150 元至明 绿釉钵

宋 青白釉碟 一组四件

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1-78 CHINESE PORCELAIN AND CERAMICS Lot 6 A Chinese sancai-glazed earthenware jar, Liao dynasty (907-1125), of cylindrical form, covered with splashed yellow, amber and green glazes to the rim, dripping down to the shoulder, revealing the body, 9cm high, and an earthenware bowl, Song dynasty (960-1279), the rounded sides rising to an inverted rim, covered in a chestnut glaze stopping above the foot, revealing the body, 9.4cm diameter (2) £100 - 150 辽 三彩小直罐 及 宋 黄釉钵

Lot 7 A Chinese Xing ware white-glazed jar, Tang dynasty (618-907), of ovoid form on a flared circular foot, with four lug handles to the short neck, applied to the exterior with a 6 crackled glaze of a pale ivory tone, stopping irregularly to the middle revealing the fine stoneware body, with a ‘Spink & Son, London, G. de Menasce Collection 19’ label, 18.5cm high £500 - 800

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Provenance: G de Menasce Collection, Spink & Son, London. G de Menasce Collection Sale, item 19.

Baron Georges Ferdinand Joseph Behar de Menasce OBE (1890-1967), whose collection was sold by Spinks in 1971-1972: ‘Catalogue of the Collection of Chinese Porcelain and Works of Art formed by the late G de Menace OBE’, Spink, 10 May-26 May 1972.

For a similar item, see British Museum, museum number 1968,0422.23. 唐 邢窑白釉四系罐

Lot 8 A Chinese Longquan celadon vase, the compressed globular form rising from a circular foot to a tall cylindrical neck with a flared mouth, covered under a crackled pale-green glaze, 17.5cm high £300 - 500 龙泉窑青釉胆瓶

Lot 9 A Chinese Jian ware tea bowl, Song dynasty (960-1279), the deep rounded sides rising from a short straight foot, covered with a black glaze with ‘hare’s fur’ streaks, the glaze draining from the rim and falling short of the foot, revealing the dark brown body, 9.3cm diameter £200 - 300

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宋 建窑兔毫盏

Lot 10 A Chinese Longquan celadon bowl, Yuan dynasty (1271-1368), of conical form on a circular foot carved with lotus petals, covered overall by a pale green glaze, 16.3cm diameter £200 - 300 元 龙泉窑青釉莲瓣纹碗

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CHINESE PORCELAIN AND CERAMICS 1-78

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Lot 11 A Chinese Jizhou ware bowl, Song dynasty (960-1279), decorated on the interior in resist technique with florets reserved in a dark brown glaze, against a finely variegated buff matt ground imitating tortoiseshell, the exterior covered with a dark brown glaze ending on top of a dark reddish-brown slip, gold mounting to the rim, 10.9cm diameter £1,000 - 1,500 宋 吉州窑玳瑁贴花盏 Lot 12 A Chinese Jian ware tea bowl, Song dynasty (960-1279), the deep rounded sides rising from a short straight foot to a rim indented with a thin concave groove, covered with a black glaze with ‘hare’s fur’ streaks, the glaze draining from the rim and falling short of the foot, revealing the dark brown body, with a ‘BLUETT & SONS LONDON’ label, 12.7cm diameter £1,000 - 1,500

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Provenance: F rom the collection of the Principal Sture Nydell (1891-1986) and his wife, Valborg Nydell (1905-2003). The bowl was purchased from Bluett & Sons, London, in 1960. 宋 建窑兔毫盏

14 Lot 13 A Chinese qingbai box and cover, Song dynasty (960-1279), of circular form, the cover moulded with scrolling lotus in relief, covered overall in a translucent pale blue glaze, 8.4cm diameter (2) £1,000 - 1,500 Provenance: From the collection of the Principal Sture Nydell (1891-1986) and his wife, Valborg Nydell (1905-2003).

The box was purchased at an auction in 1965 at Sotheby’s, London, having previously been in the collection of Miss Edna H Bahr. 宋 青白釉莲花纹盖盒

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Lot 14 A Chinese qingbai saucer, Southern Song (1127-1279), of circular form, incised with scrolls, covered in a pale blue glaze, the rim unglazed, 10.8cm diameter £100 - 150 南宋 青白釉卷草纹碟 Lot 15 A pair of Chinese pottery figures, possibly Tang dynasty, each standing with their hands clasped in front of them and on later carved wooden stands, approximately 38 and 38.5cm high (4) £1,000 - 1,500 Provenance: The Sally Hunter and Ian Posgate Collection, Badgemore Green; purchased from Christie's, London, 2 March 1995, Lot 349. 唐(可能) 彩绘陶立俑 一对

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Lot 16 A large Chinese grey pottery horse, Han dynasty (206 BC - AD 220), modelled standing four-square on sturdy, braced legs with a hogged mane on its thick curved neck, its head raised with mouth open in a whinny, revealing rows of teeth below flaring nostrils and bulging eyes, the ears alertly pricked, its short upright tail tied ending in a knot, 115cm high £3,000 - 5,000 Provenance: A private collection in London.

The result of Oxford Authentication Ltd. thermoluminescence test no. C97b48 is consistent with the dating of this lot.

For a similar lot, see Christie’s, New York, 13-14 September 2012, lot 1376. 汉 彩绘陶马

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CHINESE PORCELAIN AND CERAMICS 1-78

Lot 17 A Chinese blue and white jarlet, Ming dynasty (1368-1644), of baluster form, painted with scrolling lotus between ruyi-shaped borders, 9.5cm high, and a celadon glazed jarlet, Ming dynasty, of lobed form with two looped handles to the shoulder, covered with a pale blue glaze stopping above the foot, revealing the body, 7.5cm diameter (2) £150 - 250 明 青花缠枝莲纹罐 及 青白釉小罐

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Lot 18 A Chinese earthenware model, Ming dynasty (1368-1644), in the form of a bed with a pair of door panels, covered with amber and green glazes, 36cm wide 22cm deep 49cm high £200 - 300 明 绿釉拔步床

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Lot 19 A Chinese blue and white charger, Hongzhi (1488-1505), the rounded sides rising from a short circular foot, painted with lotus and leaves against waves, the underside similarly decorated, 32.2cm diameter £300 - 500 明弘治 青花荷塘纹大盘

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Lot 20 A Chinese blue and white jar, of baluster form, painted with scrolling lotus between two scroll borders, 25cm diameter £8,000 - 12,000 青花缠枝莲纹罐

Lot 21 A Chinese blue and white charger, Kangxi (1662-1722), the rounded sides rising from a channelled foot ring, the centre painted with a lotus flower, surrounded by blossoming trees, 35.4cm diameter £100 - 150 清康熙 青花花卉纹盘

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Lot 22 A Chinese blue and white saucer, Kangxi (1662-1722), the rounded sides rising from a circular foot to a flared lobed rim, painted with a lady seated in a garden, six-character Kangxi mark to base, with a ‘John Spaks Ltd., 128 Mount Street. W’ label, 16cm diameter £100 - 150

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Provenance: G iven to Lady Sadie Chapman-Andrews as a New Year’s gift from Julian Taylor FRCS in January 1958; subsequently from the collection of Mr David Fredrick John Chapman-Andrews (1933-2018), inherited from his mother, Lady Sadie, on her death in 2002. 清康熙 青花仕女图碟 《大清康熙年制》青花楷书款

Lot 23 A Chinese wucai dish, Kangxi (1662-1722), the centre painted with two iron-red carp among weed in a lotus pond, the well and underside similarly decorated, four-character Zaichuan Zhile (Rejoicing in the stream) mark to base, 20.4cm diameter £200 - 250 For a similar lot, see Christie’s, Hong Kong, 1 Jun 2011, lot 3568. 清康熙 五彩鱼藻纹盘 《在川知乐》青花楷书款

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Lot 24 A Chinese blue and white plate, Kangxi (1662-1722), the ribbed rounded sides rising to a lobed rim, the centre painted with a pheasant standing on a rock below peony and magnolia, enclosed by florets in shaped panels, 35cm diameter, and a blue and white charger, painted with lotus, 38.5cm diameter (2) £300 - 500

Lot 25 A Chinese blue and white jar, Kangxi (1662-1722), of ovoid form, painted with shou characters between scrolling lotus, 19cm high £300 - 500 清康熙 青花缠枝莲寿字纹罐

清康熙 青花花鸟图大盘 一组两件

Lot 26 A Chinese blue and white vase, Kangxi (1662-1722), of baluster form, painted with blossoming prunus branches against a crackled ice ground, 35cm high £300 - 500 清康熙 青花冰梅纹瓶

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Lot 27 A Chinese blue and white brush pot, Kangxi (1662-1722), of cylindrical form, painted with panels of precious objects, chrysanthemum by rocks, or a landscape, 16cm high £300 - 500 清康熙 青花山水清供图笔筒

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28 alternate view Lot 28 A Chinese blue and white brush pot, Kangxi (1662-1722), of cylindrical form, painted with an emperor meeting officials in a courtyard, 19.5cm diameter 17.8cm high £1,000 - 1,500 清康熙 青花人物故事图笔筒

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mark

Lot 29 A Chinese blue and white brush pot, Kangxi (1662-1722), of cylindrical form, the exterior finely inscribed with the text of the Shengzhu de Xianchen Song (Ode to the Finding of Virtuous Officials by the Divine Ruler) in kaishu script, finished with a seal mark reading Xi Chao Chuan Gu (Transmitting Antiquity from the Court of Kangxi), the base centred with a recessed circle enclosing a six-character Kangxi mark in underglaze blue, 18.2cm diameter 14.5cm high £2,000 - 3,000 The text Shengzhu de Xianchen Song was written by the Western Han poet Wang Bao (90-51 BC) for the Xuan Emperor (91-48 BC), in praise of the Emperor’s attainment of able ministers.

Image courtesy of the Palace Museum, Beijing.

For a similar lot, see Sotheby’s, London, 15 May 2007, lot 52; for examples with the same inscription, see Sotheby’s, Hong Kong, 2 October 2018, lot 141 and Christie’s, London, 5 Nov 2019, lot 188. 清康熙 青花圣主得贤臣颂文笔筒 《大清康熙年制》青花楷书款 《熙朝传古》青花篆书章

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1-78 CHINESE PORCELAIN AND CERAMICS

Lot 30 A Chinese blue and white jar, early Qing dynasty, of ovoid form, painted with a rabbit by lingzhi and rocks under the moon in a roundel, the reverse with birds and flowers, 26cm high £1,000 - 1,500 清早期 青花花鸟图罐

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Lot 31 A Chinese blue and white bowl, Xuantong (1908-1911), the rounded sides rising from a circular foot, painted with pine, prunus and bamboo, six-character Xuantong mark to base, 13.3cm diameter £200 - 300 清宣统 青花岁寒三友图碗 《大清宣统年制》青花楷书款

32 Lot 32 A Chinese blue and white soft-paste bowl, mid-Qing dynasty, of tapering form on a circular foot, painted with sprigs of flowers against a crackled ground, 14.4cm diameter £200 - 300 清中期 浆胎青花折枝花卉纹碗

Lot 33 A Chinese export blue and white jar and cover, Qing dynasty (1644-1911), the rounded sides painted with three theatrical figures, the shoulder with scrolling lotus in ruyi-shaped panels with suspended tassels, four-character Qianlong mark to base, the cover similarly decorated with a shou roundel, jar 24cm high overall 28cm high (2) £200 - 300 清 青花人物故事图盖罐 《乾隆年制》青花楷书款

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Lot 34 A Chinese blue and white bowl, Qing dynasty (1644-1911), of circular form on a circular foot rising to a flared mouth, painted with scrolling lotus above a lotus petal border, 14.9cm diameter £250 - 350 清 青花缠枝莲纹碗

Lot 35 A Chinese blue and white vase, probably early 20th century, of rouleau form, painted with a mountainous landscape with fishermen and travellers, 48cm high £500 - 600

Lot 36 Two Chinese umbrella stands, late Qing dynasty, each of rectangular form, inserted with blue and white porcelain panels, painted with literati in a rocky landscape, ladies and boys in a garden, or birds and flowers, 80 and 80.5cm high (2) £600 - 800

二十世纪初(可能) 青花山水 图棒槌瓶

清晚期 嵌青花人物故事图瓷板 木架 一对

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Lot 37 A Chinese blanc de Chine cup, Qing dynasty (1644-1911), of octagonal form rising from four bracket feet to a flared rim, with incised inscription to the side, 13.8cm long £100 - 150 For a similar Dehua ware with incised inscription, see Sotheby’s, Hong Kong, 26 May 2021, lot 307.

Lot 39 A Chinese famille rose bowl, Jiaqing (1796-1820), the shallow rounded sides rising from a circular foot, painted with the Eight Daoist Immortals, six-character Jiaqing mark, 22.5cm diameter £100 - 150 清嘉庆 粉彩八仙图碗 《大清嘉庆年制》青花篆书款

清 德化白瓷刻诗文八角杯

Lot 40 A Chinese famille rose cup and saucer, Yongzheng (1723-1735), the cup with rounded sides moulded with petals in relief, rising from a circular foot to a flared lobed rim, painted with three butterflies among pomegranates, peaches and finger citrons in white enamel, 7.6cm diameter, the saucer similarly decorated, 11.9cm diameter (2) £100 - 150 清雍正 粉彩三多蝴蝶纹茶杯 及碟

Lot 38 A Chinese celadon vase, late Qing dynasty, the globular body rising from a splayed foot to a lobed flared rim, moulded with lotus petals, covered by a pale bluish-green glaze, with a ‘Sydney L. Moss, 81 Davies St, W1’ label, 29.5cm high £100 - 150

Lot 41 A Chinese famille rose teacup, Guangxu (1875-1908), the rounded sides rising from a concave base, painted with butterflies against a yellow ground, six-character Guangxu mark to base, 7.2cm diameter £100 - 200

清晚期 青釉荷花纹花口瓶

清光绪 黄地粉彩蝴蝶纹杯 《大清光绪年制》青 花楷书款

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Lot 42 A Chinese Ge ware teacup, Qing dynasty (1644-1911), of octagonal form, covered by a thick, opaque, crackled glaze of pale greyish-cream colour, 9cm wide £100 - 150 清 哥釉茶杯 Lot 43 A Chinese wucai brush pot, late Qing dynasty, of cylindrical form, painted with a magpie on a blossoming prunus tree, 12.5cm high £100 - 150 清晚期 五彩喜上枝头纹笔筒

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Lot 44 A Chinese famille rose bowl, Qing dynasty (1644-1911), the rounded sides rising from a circular foot to a flared lobed rim, painted with mythical beasts among scrolling foliage against a yellow ground, six-character Daoguang mark, 15cm diameter £150 - 200 清 黄地粉彩瑞兽穿花图花口碗 《大清道光年制》矾 红篆书款

44 Lot 45 A Chinese clobbered blue and white charger, 18th century, painted with precious objects amongst florets, 38cm diameter £200 - 300 清十八世纪 外销青花后加彩博古图大盘 Lot 46 A Chinese famille rose cup, Qing dynasty (1644-1911), the bell-shaped body rising from a circular foot to a flared rim, painted with a blossoming prunus tree by rocks, six-character Daoguang mark to base, 7.6cm high £200 - 300 清 粉彩梅花纹杯 《大清道光年制》矾红篆书款

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Lot 47 A Chinese famille rose vase, Qing dynasty (1644-1911), of baluster form, painted with three literati in a garden, 29.5cm high £200 - 250 清 粉彩人物故事图瓶 Lot 48 A Chinese famille verte vase, late Qing dynasty, of rouleau form, painted with literati and attendants in a rocky landscape with river, 45cm high £200 - 250 清晚期 五彩山水人物图棒槌瓶 Lot 49 A Chinese wucai bowl, Guangxu (1875-1908), the rounded sides rising from a circular foot, painted with dragons and phoenixes amongst scrolling florets, six-character Guangxu mark to base, 14.8cm diameter £200 - 300 清光绪 五彩龙凤穿花纹碗 《大清光绪年制》青花楷书款 Lot 50 A Chinese Canton enamelled famille rose vase, 19th century, of baluster form rising to a flared lobed rim, painted with warriors in combat or figures in a courtroom in a panel surrounded by birds and flowers, applied with Buddhist lion handles to the neck and chilong to the shoulder, 62cm high £300 - 500 清十九世纪 广东粉彩人物故事图花口瓶

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Lot 51 A Chinese famille rose vase, Guangxu (1875-1908), of baluster form, painted with boys celebrating among lanterns, between two borders of scrolling lotus and precious objects to the shoulder and foot, 35cm high £300 - 500 清光绪 粉彩婴戏图瓶

51 Lot 52 A pair of Chinese export famille rose vases, 18th century, each of baluster form, painted with willow and prunus branches coming out of a vase, the reverse with precious objects, 24cm high (2) £350 - 400 清十八世纪 外销粉彩清供图瓶 一对

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Lot 53 A Chinese blue and white plate, the rounded sides rising from a circular foot, painted with dragons in iron-red among blue waves, six-character Qianlong mark to base, 17.5cm diameter £500 - 800 青花矾红彩海水龙纹盘 《大清乾隆年制》青花篆书款

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Lot 54 A Chinese famille rose fishbowl, 19th century, of ovoid form with inverted rim, painted with numerous butterflies, between ruyi-shaped and petal lappet borders, 47.5cm high £500 - 800 清十九世纪 粉彩百蝶纹缸

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Lot 55 A large Chinese porcelain tureen and cover, late Qing dynasty, in the form of a goose, the feathers moulded in relief covered with polychrome enamels, 35cm high 38.5cm long (2) £500 - 800 清晚期 仿生瓷鸭形盖碗

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Lot 56 A large Chinese porcelain tureen and cover, late Qing dynasty, in the form of a goose, the feathers moulded in relief covered with polychrome enamels, 37cm high 40cm long (2) £600 - 800 清晚期 仿生瓷鸭形盖碗

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Lot 57 A pair of Chinese famille rose vases, Guangxu (1875-1908), each pear-shaped body rising from a circular foot to a flared rim, painted with birds and flowers by a fruiting pomegranate tree, the handles applied with pomegranates, 61cm high (2) £600 - 800 清光绪 粉彩花鸟图瓶 一对

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Lot 58 A Chinese doucai vase, late Qing dynasty, of ovoid form with mask and ring handles, painted with scrolling lotus between ribbed bands, the neck with upright petal lappets, six-character Qianlong mark to base, 12cm high £1,000 - 1,500 清晚期 斗彩缠枝莲纹铺首耳尊 《大清乾隆年制》青花篆书款

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Lot 59 A Chinese green-enamelled plate, Guangxu (1875-1908), the rounded sides rising from a circular foot to a flared rim, painted with dragons chasing flaming pearls against incised waves, 18.5cm diameter £1,500 - 2,000 清光绪 绿彩龙纹盘 《大清光绪年制》青花楷书款

Lot 60 A Chinese wucai jar, Qing dynasty (1644-1911), of tapering form with a rounded shoulder rising to a short neck with lipped rim, painted with carp among weeds in a lotus pond, six-character Jiajing mark to base, 23cm diameter £1,500 - 2,000 清 五彩荷塘鱼藻纹罐 《大明嘉靖年制》青花楷书款

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61 Lot 61 A Chinese doucai vase, Qing dynasty (1644-1911), of baluster form, painted with dragons among waves and clouds, between scrolling lotus and petal lappet borders, six-character Qianlong mark, 46.5cm high £3,000 - 4,000 清 斗彩云龙纹瓶 《大清乾隆年制》青花篆书款 Lot 62 A Chinese wucai vase, Qing dynasty (1644-1911), of rouleau form, painted with literati in a landscape or birds and flowers in shaped panels, against a powder-blue ground, 80cm high £10,000 - 15,000 清 五彩开光花鸟图棒槌瓶 Lot 63 A Chinese blue and white jar, of globular form, painted with bamboo and narcissus by prunus and pine, six-character Guangxu mark, 24cm diameter £100 - 150 青花岁寒三友图罐 《大清光绪年制》青花楷书款

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Lot 64 A pair of Chinese ruby-enamelled tea bowls, each steep rounded side rising from a circular foot, the exterior covered overall with a lustrous enamel of vibrant ruby-pink tone, six-character Yongzheng mark, 9cm diameter (2) £100 - 150

Lot 66 A Chinese famille rose vase, Republic period (1912-1949), of square form, painted with landscapes with inscriptions in rectangular panels, enclosed by scrolling florets against a ruby sgraffito ground, four-character Qianlong mark, 19.5cm high £200 - 300

胭脂水釉茶碗 《大清雍正年制》青花楷书款 一对

民国 胭脂红地粉彩轧道开光山水诗题图四方瓶 《乾隆年制》楷书蓝 料款

Lot 65 A Chinese sang-de-boeuf water pot, Republic period (1912-1949), of compressed globular form with rounded sides rising from a concave base, to an incurved mouth recessed into the shoulder, applied overall with a rich strawberry-red glaze, six-character Kangxi mark, 8.5cm diameter £150 - 250 民国 红釉苹果尊 《大清康熙年制》青花楷书款

Lot 67 An unusual Chinese engraved teapot and cover, Republic period (1912-1949), of globular form, diamond-engraved and black-filled with a literatus seated under a pine tree by a fence, with an attendant to his side, dated year of dingwei, the reverse inscribed with a dedication, 13cm long (2) £200 - 300 民国 刻瓷胎高士图茶壶 Lot 68 A Chinese wucai bowl, 20th century, the rounded sides rising from a tapering circular foot to a flared rim, painted with dragons and phoenixes among scrolling florets, six-character Kangxi mark to base, 15.1cm diameter £200 - 250 二十世纪 五彩龙凤穿花纹碗 《大清康熙年制》青花楷书款

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1-78 CHINESE PORCELAIN AND CERAMICS

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71 Lot 69 A pair of Chinese famille rose lotus cups, 20th century, each modelled in the shape of a large lotus blossom, with incised overlapping petals outlined in black enamel and filled with shades of pink, the outer row of petals rising to form the gently flared wall of the vessel, the centre pierced with a small circular aperture leading up into the hollow lime-green stem that forms the handle, inscribed Daqing Guangxu jiu nian Anhui Taihu fujin qiucao jinian bei (Cup commemorating the autumn military exercises held near Taihu in Anhui in the ninth year of Guangxu reign of the Great Qing) in black enamel, 17.5cm long (2) £200 - 300 For a similar lot, see Sotheby’s, St George Street, 10 November 2017, lot 399 and Christie’s, London, 20-28 March 2018, lot 283.

70 Lot 70 A Chinese famille rose vase, Republic period (1912-1949), of ovoid form, painted with Wang Xizhi watching geese by a river, attendants and boys by his side, the reverse inscribed and dated year of Yichou (1925), with the signature of Wang Zhaoli, 59.5cm high £300 - 500 民国 浅绛彩王羲之观鹅图瓶 汪照藜款 Lot 71 A Chinese qianjiang porcelain tray, Republic period (1912-1949), of shaped rectangular form with a channelled border, painted with a lady seated by a window under a blossoming tree, dated year of Dingchou, inscribed with the signature of Jin Pinqing, 23.7cm long £300 - 400 民国 浅绛彩人物故事图托盘 金品卿款

Lot 72 A Chinese sang-de-boeuf vase, Republic period (1912-1949), the globular body rising from a short foot to a tapering slender neck, covered overall in a lustrous rich copper-red glaze of crushed raspberry tone, thinning below the rim and stopping unevenly above the base, 18.5cm high £300 - 500 民国 红釉长颈瓶 Lot 73 A pair of Chinese famille rose bowls, Republic period (1912-1949), the rounded sides rising from a circular foot, painted with quail on a rock surrounded by chrysanthemums, six-character Guangxu mark to base, 11.5cm diameter (2) £300 - 400 民国 粉彩安居乐业图碗 一对

二十世纪 粉彩秋操 纪念杯 一对

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CHINESE PORCELAIN AND CERAMICS 1-78

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Lot 74 A large Chinese famille rose cover, 20th century, of domed form, painted with Daoist immortals among cranes and clouds, surmounted by a Buddhist lion finial, 41.5cm diameter £400 - 500

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二十世纪 粉彩道教人物图狮钮盖

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Lot 75 A Chinese famille rose vase, Republic period (1912-1949), of globular form, painted with boys at play in a garden, six-character Guangxu mark to base, 39.5cm high £500 - 800

Lot 76 A Chinese ruby-enamelled vase, the pear-shaped body rising from a circular foot to a slim neck with a flared rim, the exterior covered overall with a slightly mottled enamel of vibrant ruby-pink tone, four-character Yongzheng mark, 16cm high £500 - 800

民国 粉彩百子图瓶 《大清光绪年制》矾红楷书款

胭脂水釉胆瓶 《雍正年制》蓝料楷书款

Lot 77 A Chinese qianjiang vase, Republic period (1912-1949), of compressed lobed pear form, flanked by mask and tongue handles, the body painted with birds and flowers, inscribed and dated year of Renxu (1934) with signature of Xiancha, four-character Ying Lian Xuan zao mark to base, 35.5cm high £800 - 1,000

Lot 78 A Chinese iron-red meiping vase, potted with a high rounded shoulder below a short-waisted neck, and tapering elegantly towards the slightly flared foot, painted with dragons chasing flaming pearls in roundels surrounded by scrolling lotus, 43.5cm high £2,000 - 3,000

民国 浅绛彩花鸟图花口扁瓶 仙槎款 《映莲轩造》矾红篆书款

矾红彩开光双龙抢珠纹梅瓶

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CHINESE JADE 79-97

Lot 79 A Chinese jade bodhisattva, seated on a double lotus pedestal, wearing elaborate jewellery, 12.5cm high £200 - 250

Lot 80 A Chinese jade carving, late Qing dynasty, of a monkey on the back of a recumbent horse, 4cm long £200 - 300

Lot 81 A Chinese jade carving, late Qing dynasty, of a monkey seated on the back of a recumbent horse, 4cm long £200 - 300

清晚期 玉雕马上封侯把件

清晚期 玉雕马上封侯把件

玉雕菩萨坐像

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Lot 82 A pair of Chinese jade carvings, late Qing dynasty, each in the form of a recumbent rabbit, 5.5cm long, wood stands (4) £200 - 300 清晚期 玉兔摆件 连木底座

Lot 83 Four Chinese spinach jade bowls, the rounded sides rising from a short circular foot to a flared rim, the stone of mottled dark-green tone, 12.4 and 14.9cm diameter (4) £200 - 250

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玉碗 一组四件

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CHINESE JADE 79-97 Lot 84 A Chinese soapstone boulder carving, of literati and attendants in a rocky landscape with buildings and streams, the stone of an amber colour, 10cm long, wood stand (2) £250 - 350

Lot 85 A Chinese jade bangle, Qing dynasty (1644-1911), carved with a pair of confronting dragons, the stone of greyish-celadon tone, 8.5cm long £300 - 400 清 双龙戏珠纹玉镯

寿山石雕山水高士图山子 连 木底座

84 Lot 86 A Chinese jade carving, late Qing dynasty, of a horse with a monkey, the stone with russet inclusions and streaks, 7.3cm long £300 - 500 清晚期 玉雕马上封侯把件

Lot 87 A Chinese jade carving, late Qing dynasty, of a boy seated on the back of a buffalo, 5.5cm long, wood stand (2) £300 - 500 清晚期 玉雕童子牧牛摆件 连木 底座

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Lot 88 A pair of Chinese jade carvings, Ming dynasty (1368-1644), each recumbent mythical beast with its head alertly facing forward, 10cm long (2) £300 - 500

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明 玉雕神兽把件 一对

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79-97 CHINESE JADE Lot 89 A Chinese agate vase and cover, late Qing dynasty, of compressed ovoid form, carved with mandarin ducks in a lotus pond, the neck flanked by two mask and ring handles, the domed cover with a Buddhist lion finial, 25.5cm high, wood stand (3) £400 - 600 清晚期 玛瑙雕荷塘鸳鸯 纹扁瓶 连木底座

90 Lot 90 A Chinese jade carving, Ming dynasty (1368-1644), in the form of a pair of persimmons with a ruyi on the top, 15.5cm long £500 - 800 明 玉雕事事如意摆件

89 Lot 91 A Chinese jade carving, Qing dynasty (1644-1911), carved with a recumbent Buddhist lion holding a brocade ball in its mouth, a pup on its back, their fur engraved in details, the stone of black and white tone, 5cm long £500 - 800 清 黑白玉雕太师少师把件

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Lot 92 A Chinese agate vase and cover, early 20th century, pierced and carved with branches, with leaves and flowers surrounding the body, 22.5cm high, wood stand (3) £700 - 1,000 二十世纪初 玛瑙雕花卉纹盖瓶 连 木底座

92 Lot 93 A Chinese rock crystal censer, Qing dynasty (1644-1911), the oval body incised with peony on a raised pedestal with scroll feet, flanked by mask and ring handles, the cover with a Buddhist lion knop, six-character Qianlong mark to base, 11.2cm high (2) £800 - 1,000 清 水晶雕牡丹纹铺首耳香炉

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CHINESE JADE 79-97

95 94 Lot 94 A Chinese jade vase and cover, of baluster form with a key fret border to the rim, supported by two addorsed phoenixes, each head suspending a loose ring, the sides carved in relief with multiple layers of plumes and archaistic scrollwork, inscribed Da Qing Qianlong Fanggu to base, the domed cover with petal lappets, 19.5cm high (2) £3,000 - 5,000

Lot 95 A Chinese jade brush pot, of cylindrical form on three bracket feet, carved with a pavilion under pine trees in a rocky landscape with waterfalls and a river, 20cm high £6,000 - 8,000 玉雕山水图笔筒

玉雕天鸡盖尊 《大清乾隆仿古》隶书刻款

Lot 96 A Chinese jade belt hook, Ming dynasty (1368-1644), the top carved in openwork with a chilong crawling towards the dragon’s head hook, the underside with a raised oval stud, 12.5cm long £2,000 - 3,000

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Provenance: Acquired by the vendor’s late great grandfather, who was in China c.1900, and thence by descent. 明 玉雕苍龙教子带钩

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79-97 CHINESE JADE

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Lot 97 A Chinese jade moon flask, mid-Qing dynasty, the compressed circular body rising from a flared rectangular foot, flanked by a pair of scroll handles, well carved in low relief on each of the broad sides with a blossoming tree above rocks, the stone of mottled pale greyish-white tone, 12.2cm high £10,000 - 15,000 Provenance: A cquired by the vendor’s late great grandfather, who was in China c.1900, and thence by descent. 清中期 青白玉雕洞石花卉纹抱月瓶

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CHINESE METALWARE AND CLOISONNÉ 98-171

99 98 Lot 98 A Chinese bronze incense burner, Qing dynasty (1644-1911), the compressed globular body on three stud feet with two loop handles, four-character Xuande mark in a recessed rectangle to base, 13.5cm diameter, 1118.8g £200 - 400

Lot 99 A Chinese bronze incense burner, Qing dynasty (1644-1911), of compressed globular form on three stud feet, flanked with two loop handles to the everted rim, six-character Xuande seal mark within a recessed rectangle to base, 12cm diameter, 599.6g £300 - 500

清 铜桥耳三足炉 《宣德年制》篆书模款

清 铜铸三足香炉 《大明宣德年制》楷书模款

100 102 Lot 100 A Chinese bronze weight, Qing dynasty (1644-1911), of a recumbent beast with its head turned to the left, 6.5cm long, 179g £300 - 500

Lot 102 A Chinese bronze censer, the compressed globular body surmounted by a short ribbed neck and an everted flat rim, all supported on three short tubular waisted feet, two-character Xuande seal mark within a recessed rectangle to base, 10.2cm diameter, 978.2g £800 - 1,200

清 铜制瑞兽形镇 Lot 101 A Chinese bronze vase, Yuan dynasty (1271-1368), the compressed pear-shaped body rising from a splayed rectangular foot, moulded in raised ribbed sections with waves, coins or scrolls, the neck flanked by two flat handles, 21cm high, 1095.9g £500 - 800

Lot 103 A Chinese bronze censer, Qing dynasty (1644-1911), in the shape of a drum with two Buddhist lion handles, all supported on three cabriole feet, six-character Xuande seal mark within a recessed rectangle to base, 15cm wide, 649.1g £800 - 1,200

铜铸鬲式炉 《宣德》篆书模款

元 铜双耳方壶

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清 铜铸鼓式铺首耳炉 《大明宣德年制》楷书模款

98-171 CHINESE METALWARE AND CLOISONNÉ

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Lot 104 A Chinese bronze incense burner, Qing dynasty (1644-1911), of tapering form with a flared mouth, on three scroll feet, Buddhist lion handles, six-character Xuande seal mark within a recessed rectangle to base, 14cm diameter 7.5cm high, 818g, on a hardwood stand (2) £1,000 - 1,500

Lot 105 A Chinese bronze incense burner, Qing dynasty (1644-1911), of cylindrical form on a circular foot, Buddhist lion and ring handles, six-character Xuande mark in a recessed rectangle to base, 12cm wide 8.5cm high, 663g £1,000 - 1,500

清 铜铸铺首耳三足香炉 《大明宣德年制》篆书模款 连木底座

清 铜铸铺首耳香炉 《大明宣德年制》楷书款

Lot 106 A Chinese bronze incense burner, Qing dynasty (1644-1911), of compressed globular form on a circular foot, rising to a waisted neck and a galleried rim, Buddhist lion handles, six-character Xuande mark in a recessed rectangle to base, 18.5cm diameter 6.5cm high, 915g £1,000 - 1,500 清 铜铸铺首耳鬲式炉 《大明宣德年制》楷书款

Lot 107 A Chinese bronze incense burner, Qing dynasty (1644-1911), of compressed globular form on three stud feet, loop handles, six-character Xuande mark in a recessed rectangle to base, 10cm diameter 6cm high, 480g £1,000 - 1,500 清 铜铸冲天耳炉 《大明宣德年制》楷书款

Lot 108 A Chinese bronze ritual food vessel, Qing dynasty (1644-1911), the hemispherical body supported by three splayed flat legs, with two loop handles to the flat upturned rim, the exterior cast with taotie masks surrounded by archaic scrolls, the interior with an inscription, 16.7cm high, 1412.4g £2,000 - 3,000

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清 铜制饕餮纹扁足鼎

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CHINESE METALWARE AND CLOISONNÉ 98-171

Lot 109 A Chinese bronze incense burner, Qing dynasty (1644-1911), of rectangular form flanked by two mask handles, modelled to each corner with raised horizontal bands within a raised rectangular panel, six-character Xuande mark within a recessed rectangle to base, 7.5cm long, 172.2g £1,000 - 1,500 清 铜铸仿古铺首耳琮式炉 《大明宣德年制》楷书模款

109 Lot 110 A Chinese bronze incense burner, Qing dynasty (1644-1911), of cylindrical form with gilt splash decoration, two-character Xuande mark within a recessed rectangle to base, 6.4cm diameter, 304.8g £1,000 - 1,500 清 铜洒金香炉 《宣德》篆书模款

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Lot 111 A Chinese bronze ritual wine vessel and cover (lei), probably Ming dynasty, of square baluster form divided by vertical hooked flanges to the corners, cast in relief with taotie masks between pairs of confronted birds to the neck and flared pedestal foot, all against a leiwen ground, the tapering body flanked

by D-shaped handles surmounted by a horned dragon mask to each side, the cover similarly decorated, 25.5cm high, 2264.5g (2) £1,000 - 2,000 明(可能) 青铜饕餮纹方罍

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98-171 CHINESE METALWARE AND CLOISONNÉ Lot 112 A Chinese bronze weight, Qing dynasty (1644-1911), in the form of a recumbent Buddhist lion, its head turned to the back, its fur engraved in details, 6.2cm long, 5cm high, 304g £1,000 - 1,500 清 铜铸佛狮纸镇

112 Lot 113 A Chinese paktong Buddhist lion, 18th-19th century, possibly silver, seated on its hind legs with its forelegs raised, with an open-mouthed grimace exposing the fangs and tongue, 6cm high, 7.5cm long, 205.7g, accompanied by an associated wood stand (2) £300 - 500 清十八至十九世纪 白铜佛 狮摆件

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Lot 114 A Chinese gilt-bronze goat, the recumbent beast seated crouching with its head raised high, 11cm long, 510.2g £1,000 - 1,500 铜鎏金羊纸镇

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115 Lot 115 A Chinese bronze censer, Qing dynasty (1644-1911), the compressed globular body surmounted by a short ribbed neck and an everted flat rim, all supported on three short tubular waisted feet, six-character Xuande seal mark within a recessed rectangle to base, 13cm diameter, 931.5g £1,500 - 2,000 清 铜铸鬲式炉 《大明宣德年制》楷书模款 Lot 116 A Chinese bronze incense burner, of tapering form rising from a circular foot with lotus petals, the rim with petal lappets, 17cm diameter, 2600g £2,000 - 3,000 莲瓣纹铜炉

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CHINESE METALWARE AND CLOISONNÉ 98-171

Lot 117 A Chinese bronze vessel, Ming dynasty (1368-1644), the globular body of oval sections, standing on a tall pierced pedestal foot, and tapering to a waisted ribbed neck and flared rim, decorated with taotie masks in gold and silver against a leiwen ground, between flat scroll flanges, the shoulder applied with ox heads, 34.5cm high, 5kg £10,000 - 15,000 明 铜错金银牛头尊

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98-171 CHINESE METALWARE AND CLOISONNÉ

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Lot 118 A Chinese bronze incense burner, Qing dynasty (1644-1911), of globular form flanked by two Buddhist lion handles, moulded with phoenixes among clouds, the domed cover pierced with a dragon above a qilin, 42cm long, overall 15kg, associated wood stand (3) £2,500 - 3,500

Lot 119 A Chinese bronze paperweight, Qing dynasty (1644-1911), in the shape of a Buddhist lion, seated on its haunches with its torso raised and turned to the right, finely incised with flames, its face with a smiling expression, 14.5cm long, 549.5g £5,000 - 6,000

清 铜龙凤呈祥纹熏炉

For a similar lot, see Bonhams, Hong Kong, 26 May 2013, lot 365. 清 铜制佛狮纸镇

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CHINESE METALWARE AND CLOISONNÉ 98-171 Lot 120 A Chinese bronze Shakyamuni Buddha, Ming dynasty (1368-1644), wearing a long loose robe falling into voluminous folds, seated cross-legged on a double lotus pedestal, his hands in Dhyana mudra, 14cm high, 837.9g, wood stand (2) £100 - 150 明 铜铸释迦牟尼坐像 连木底座

Lot 121 A Chinese bronze Shakyamuni Buddha, late Qing dynasty, seated cross-legged on a double lotus pedestal, his hands in Bhumisparsha mudra, 12.7cm high, 681.4g £100 - 150 清晚期 铜释迦牟尼坐像

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122 Lot 122 A Chinese lacquered wood bodhisattva, Qing dynasty (1644-1911), wearing elaborate beaded jewellery, seated cross-legged on a lotus pedestal, each of his four arms holding a Buddhist attribute, 40cm high £100 - 150

123 Lot 123 A Chinese wood carving, early Qing dynasty, of Shakyamuni seated on a raised pedestal, wearing a long robe falling into voluminous folds, 38cm high £400 - 600 清早期 木雕释迦牟尼坐像

清 木雕菩萨坐像 36

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98-171 CHINESE METALWARE AND CLOISONNÉ

Lot 124 A Chinese gilt-bronze Buddha, seated cross-legged in front of a flame-shaped mandorla, with his robe falling in folds down to the front, his hands in Vitarka mudra, 17.3cm high, 254.6g £800 - 1,200 鎏金铜释迦牟尼像 Lot 125 A Tibet bronze bodhisattva, wearing elaborate beaded jewellery, seated on the back of a recumbent lion with his right foot resting on an extended lotus, his hands in Dharmachakra mudra, the caparisoned crouching beast craning its neck to peer up adoringly, all raised on a double lotus pedestal, 13.9cm high, 549.8g £800 - 1,200 铜狮吼观音像

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124 Lot 126 A Tibetan bronze figure of Kurukulla, the four-armed deity wearing a garland of severed heads and beaded jewellery, cast dancing with her right leg raised and bent at the knee, the left leg on a prostrate human figure on a double lotus pedestal, three of her four hands holding an axe, a bow, or a lotus stem, 15cm high, 620.3g £800 - 1,200 铜智行佛母像

126 Lot 127 A Chinese bronze bodhisattva, Qing dynasty (1644-1911), seated cross-legged on a double lotus pedestal, his hands resting in his lap and holding a jar with flame decoration, 13.3cm high, 403.2g overall £1,800 - 2,200 清 铜制菩萨坐像

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CHINESE METALWARE AND CLOISONNÉ 98-171 Lot 128 A Chinese gilt-bronze bodhisattva, seated cross-legged on a raised rectangular pedestal in front of flame-shaped mandorla, his clasped hands resting in his lap, wearing an elaborate headdress and beaded jewellery, cloaked in a long robe falling into elegant folds, inscribed with Qianlong mark, 20.3cm high, 1303.1g £2,000 - 2,500 铜鎏金菩萨像

128 Lot 129 A Chinese gilt-lacquered wood Buddha, 20th century, wearing a long robe tied around the waist revealing his bare chest, seated cross-legged with his hands resting in his lap in Dhyana mudra, his serene face with bow-shaped lips, downcast eyes, finely arched eyebrows, and elongated ear lobes, 67cm high £2,000 - 3,000 Provenance: A cquired in Tibet in the 1960s. 二十世纪 木漆金释迦牟尼像

129 Lot 130 A Chinese bronze guanyin, seated in Dhyanasana, the right hand raised before his chest and the left arm lowered in Abhayamudra, crowned with a headdress surmounted by Amitabha Buddha, wearing elaborate beaded jewellery and a long shawl tied to the waist, hemmed with incised lotus scroll borders, the face with a benevolent expression, 54cm high, 17.4kg £3,000 - 4,000 铜菩萨坐像 Lot 131 A Chinese bronze guanyin, cast seated in Rajalilasana, his right arm resting on his raised right leg, wearing elaborate beaded jewellery and long flowing robes falling into elegant folds, the serene face with downcast eyes and a gentle smile, flanked by a pair of long pendulous ears suspending large earrings, the hair gathered into a knotted chignon crowned with a headdress, 28.2cm high, 1643.6g £3,000 - 4,000

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铜观音像

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98-171 CHINESE METALWARE AND CLOISONNÉ Lot 132 A Chinese bronze luohan, Qing dynasty (1644-1911), standing in a long kasaya with incised scrolls to the hem, his hands clasped in front of his chest, 30.5cm high, 3kg £6,000 - 8,000

Lot 133 A Chinese gilt-bronze Buddha, seated cross-legged, wearing a long robe tied to his waist exposing the bare chest, 30.5cm high, 5kg £6,000 - 8,000

清 铜迦叶像

铜鎏金释迦牟尼像

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Lot 134 A Chinese bronze Ascetic Shakyamuni, Qing dynasty (1644-1911), cast with a serene and meditative expression, seated with his left leg crossing over the right, his hands resting on the raised knee, loosely dressed in a dhoti draped over his left shoulder and diagonally around his body revealing his bare emaciated torso and spine, his head lowered, gazing downwards with a gentle expression, 10cm high, 274.9g and a smaller example, 8.2cm high, 165.6g (2) £200 - 300 The present lot demonstrates the major principles of the Buddhist religion. Shakyamuni is portrayed emaciated after a long period of fasting in a quest to attain enlightenment. In the early phases of his religious quest, he was convinced that a person living in wealth and luxury would not be able to see things in the right perspective, so in an attempt to reach enlightenment, the Buddha tried multiple paths, one of which was fasting. However, he found that his entire experience was spent thinking about his body’s needs, ultimately posing so much of a distraction that he was unable to engage in true spiritual thought. Shakyamuni concluded that extreme self-denial or exaggerated self-mortification is not the path to enlightenment, and thus began to encourage others to follow a middle way, which became a central tenet of Buddhism. 清 铜释迦摩尼苦修像 一组两件

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CHINESE METALWARE AND CLOISONNÉ 98-171 Lot 136 A collection of bronze Buddhist attributes, Qing dynasty (1644-1911), comprising: a ghanta, the handle cast with a figure with incised facial features wearing a dome-shaped crown, the bell body cast in relief with beaded jewel strands, stamped mark to the interior, 17cm high, 270.3g, a vajra, with eight prongs on either side and a baluster-form handle in the centre, 11cm long, 117.7g, and a phurba, of triform, with a tri-headed terminal above a vajra, a mythical beast coming out of its mouth extends the blade, 21.5cm long, 218.9g (3) £300 - 500 清 铜金刚铃、金刚杵 及 金刚橛

135 Lot 135 A Tibetan gau box, early 20th century, of rectangular form, the silver plaque decorated with a bodhisattva seated in a shrine, surrounded by monks and deities, all above an inscription to the bottom, the copper box engraved with a vishvavajra, 11cm long £200 - 300

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二十世纪初 嵌银牌嘎乌盒

Lot 137 A Mongolian gilt-bronze phurba, 19th century, triform with a horse terminal above a stylised vajra decorated with lotus petals, 20cm long £1,000 - 1,500

Lot 138 A Chinese ritual conch shell, the side engraved with an inscription, approximately 17cm long, on a wood stand carved with lotus petals, with brass mounting to the edges, 14.7cm diameter overall 21.5cm high (2) £4,000 - 5,000

十九世纪 蒙古铜鎏金马首金刚橛

法螺 连木底座

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Lots 139 to 162 The following lots were owned by the vendor’s grandparents, John and Anna, who lived in Shanghai from the early 1900s.

John James Sheridan was born on Achill Island, off the west coast of Co Mayo, Ireland, in 1881, the son of a farmer. It is believed he travelled to Shanghai in approximately 1903/04 where his profession is listed as Wine Merchant.

In December 1922, John married Anna Dobershansky (b.1897) She was the daughter of a Russian nobleman - who was involved as an accountant in the building of the Trans-Siberian Railway - and it is believed that the couple enjoyed being part of Shanghai’s ‘High Society’ at that time. They had four sons and lived together in Shanghai until John died of acute appendicitis in 1936.

After her husband’s death, Anna remained in China, later being interned in the Lunghua Civilian Assembly Centre there - more commonly known as a Japanese internment camp, it was the subject of the film ‘Empire of the Sun’ written by J G Ballard. On her release from the camp, she left for Ireland with all her possessions in three large trunks. Following Anna’s death in 1964, the items remained in the trunks, the majority of which the vendor has now decided to sell in the hope that someone else may derive pleasure from them.

Lot 139 A Chinese export silver mug, early 20th century, of ovoid form on a collet foot, decorated in relief with bamboo against a matt ground, inscribed ‘Brian Sheridan’ in a raised circular cartouche, stamp marked ‘TUCK CHANG’ and ‘Gan Sheng’, 7.8cm high, 121.9g £100 - 150 二十世纪初 上海德祥外销银竹纹杯《TUCK CHANG》《干生》印款

139 Lot 140 A Chinese export silver preserve bowl and cover, early 20th century, of tapering cylindrical form, decorated in relief with a dragon against a matt ground, the cover similarly decorated with a ball knop, on a circular stand with three ball feet, stamp marked ‘ZEE WO’ and ‘Qi Chang’, stand 12.2cm diameter, 240g (3) £100 - 150 二十世纪初 上海时和外销银龙纹盖碗 《ZEEWO》《其昌》印款

140

Lot 141 A Chinese export silver salver, early 20th century, of rectangular form with a bamboo border, the centre inscribed ‘In fond memory of the numerous occasions on which John James stepped in to save us when a doctor would have been useless’ enclosed with signatures to the border, stamp marked ‘ZEE WO’ and ‘Bin’, 19.1cm diameter, 269.6g £100 - 150 二十世纪初 上海时和外销银竹节盘 《ZEEWO》《斌》印款

141

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SILVER COLLECTION 139-162

Lot 142 A Chinese export silver salver, early 20th century, of oval form with a bamboo border, on four ball feet, stamp marked ‘ZEE WO’ and ‘He Hua’, 26.2cm long, 420.2g £100 - 150 二十世纪初 上海时和外销银竹 节盘 《ZEEWO》《何华》印款

143 Lot 143 A Chinese silver card case, early 20th century, of rectangular form, decorated in relief with a dragon, stamp marked ‘Ju’, 8cm long, 64.7g £100 - 150 二十世纪初 外销银龙纹名片盒 《居》印款

142

Lot 144 A pair of Chinese export silver repoussé vases, early 20th century, each of tapering form with a lobed rim on a pedestal foot, decorated with a bird and blossoming peony in relief against a matt ground, stamp marked ‘TO’, 22.5cm high, fixed wood stands, overall 575g, and another, with bamboo decoration, 18.4cm high, 140.1g (3) £100 - 150 二十世纪初 外销银制花瓶 一 组三件

Lot 145 A collection of Chinese export silver, early 20th century, comprising: an ashtray, engraved with bamboo against a matt ground, the centre with an ingot moulded with ‘Xi’, stamp marked ‘Jun Yi’ and ‘ZEE WO’, 9.6cm diameter, three saucers, of lobed form, the centre with a coin with Yuan Shikai, stamp marked ‘ZEE WO’, ‘Qi Chang’ and ‘Shi He’, 9.6cm diameter, and a stem bowl, of lobed form with two handles, stamp marked ‘Jiujiang, Tu Mao Xing’, 13.3cm long, overall 335g (5) £120 - 150 二十世纪初 上海时和外销银小碟 及 银制高足碗 一组五件

144

145

Lot 146 A pair of Chinese export silver napkin rings, early 20th century, each of cylindrical form, decorated in relief with a vacant circular cartouche among chrysanthemums against a matt ground, stamp marked ‘He’, 4.7cm diameter, and a silver cover, of lobed form, decorated with birds on a blossoming tree, 9cm diameter, overall 132.7g (3) £120 - 150

146

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二十世纪 外销银器 一组三件

Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20%

139-162 SILVER COLLECTION

Lot 147 A Chinese export silver salver, early 20th century, of circular form with a matt ground, on three ball feet, stamp marked ‘HC’ and ‘Zhuo’, 19.2cm diameter, 287.1g £150 - 250 二十世纪初 上 海鸿昌外销银盘 《HC》《卓》印款

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148

Lot 148 A Chinese export silver salver, early 20th century, of circular form with a pierced border, with birds among blossoming prunus, the centre engraved with birds and flowers, on three ball feet, stamp marked ‘ZEE WO’, ‘Shihe’ and ‘Mingquan’, 18.9cm diameter, 243g £200 - 300 二十世纪初 上海时和外销银花 鸟图盘 《ZEEWO》《时和》及 《明泉》印款

Lot 149 A Chinese export silver salver, early 20th century, of circular form with a bamboo border, on three ball feet, the centre with a regimental badge of a crowned stringed bugle with ‘Pro Aris et Focis’ (for altars and hearths) to a girdle, engraved ‘S.Q.M.S. J.J.Sheidan, from the Officers and Members, Shanghai Light Horse, on the occasion of his marriage, 9.12.22’, stamp marked ‘Qichang’ and possibly ‘WONG CHENG & Co.’, 24.4cm diameter, 486.8g £200 - 300 二十世纪初 外销银竹节盘 《其昌》印款

149

Lot 150 A Chinese export silver swing-handled fruit basket, early 20th century, of shaped circular form on a flared circular foot, with a floral border on a pierced matt background, stamp marked ‘ZEE WO’, 18.5cm diameter, 297.2g £200 - 300 二十世纪初 上海时和外销银花卉纹水果篮 《ZEEWO》印款

150

Lot 151 A Chinese export silver tea caddy, early 20th century, in the shape of a tree trunk, decorated in relief with blossoming prunus branches, pull-off cover, stamp marked to base, 11.5cm high, 266.1g (2) £200 - 300 二十世纪初 外销银梅纹茶叶罐

151

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SILVER COLLECTION 139-162

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152

154

Lot 152 A collection of Chinese silver, early 20th century, comprising: a tea strainer, of lobed form, engraved with butterflies and chrysanthemum, monogrammed ‘JJS’, stamp marked ‘S.C’ and ‘Jie’, 17.4cm long, a pair of serving spoons, of lobed form with bamboo handles, decorated in relief with blossoming prunus trees, stamp marked ‘TC’ and ‘Sheng’, 23.3cm long, a cake knife, the handle with a Fu character against a matt ground, stamp marked ‘HC’ and ‘Lun’, 26.5cm long, and a snuff spoon, the handle with an official with a fan, stamp marked ‘HC’ and ‘Ruizhen’, 14.7cm long, overall 317.7g (5) £200 - 250

Lot 153 A set of ten Chinese export silver vodka cups, early 20th century, of tapering form with a spot-hammered ground, stamp marked ‘Jiujiang, Tu Mao Xing’, 5.8cm high, 336.8g (10) £200 - 300

二十世纪初 外销银器 一组五件

二十世纪初 上海德祥外销银花鸟 图香烟盒 《TUCK CHANG》印款

155

二十世纪初 外销银酒杯 《九江涂茂兴》印款 一组十件 Lot 154 A Chinese export silver cigarette box, early 20th century, of rectangular form, decorated in relief with an owl on a blossoming prunus tree, wood liner, monogrammed ‘J. J. S. 1927’ in an oval cartouche, stamp marked ‘TUCK CHANG’, 12.4cm long £250 - 300

Lot 155 A Chinese export silver box, early 20th century, of shaped rectangular form on four hoof feet, with an oval vacant cartouche against a matt ground, stamp marked ‘ZEE SHUN’, ‘Qichang’ and ‘SHANGHAI’, 18cm long £300 - 500

Lot 157 A Chinese silver stem bowl, early 20th century, of circular form with lobed rim on a collet foot, decorated in relief with a butterfly among fruiting branches of peaches, finger citrons, pomegranate and lychee, stamp marked ‘HC’ and ‘Houxiang’, 13.2cm diameter, 223.7g £300 - 500

二十世纪初 外销银盖盒 《ZEESHUN》《其昌》及《上海》印款

二十世纪初 外销银三多纹高足碗 《HC》《厚祥》印款

Lot 156 A Chinese export silver preserve jar and cover, early 20th century, of cylindrical form on a flared foot, decorated in relief with a magpie above an owl standing on a blossoming prunus tree, and a vacant circular cartouche against a matt ground, swing handle, stamp marked ‘TUCK CHANG’ and ‘Gan Sheng’, 14cm high, 280.2g (2) £300 - 500 二十世纪初 上海德祥外销银花鸟图盖盒 《TUCK CHANG》《干生》印款

156

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20%

139-162 SILVER COLLECTION

Lot 158 A Chinese export silver teapot, early 20th century, of shaped oval form, engraved with birds and flowers to one side and carp to the other side, monogrammed ‘JJS’, stamp marked ‘SINCERE Co.’, ‘Xianshi’ and ‘Dian’, 26.6cm long, 562.3g, and a milk jug, similarly decorated, 15.5cm long, 169.9g (2) £350 - 400

158

二十世纪初 香港先施花鸟图茶壶及牛奶罐 《SINCERE》《先施》及《典》印款 一组两件

Lot 159 A Chinese export silver cocktail shaker, early 20th century, of tapering form, embossed with dragons chasing a pearl on a matt ground engraved with bamboo, the pull-off cover similarly decorated, stamp marked ‘Jiujiang, Tu Mao Xing’, 22cm high, 639.7g (2) £400 - 600 二十世纪初 外销银双龙抢珠纹调酒器 《九江涂茂兴》印款

159

Lot 160 A large Chinese export silver cocktail shaker, early 20th century, of tapering form, embossed with a dragon and a circular vacant cartouche on a matt ground, pull-off cover, stamp marked ‘ZEE WO’ and ‘En’, 26.2cm high, 459.4g (2) £400 - 600 二十世纪初 上海时和外销银龙纹 调酒器 《ZEEWO》《恩》印款

160

Lot 161 A Chinese export silver kettle on stand, early 20th century, the kettle of half-fluted oval form with a hinged cover, the stand with a burner on bamboo-shaped supports, stamp marked ‘ZEE WO’ and ‘Dian’, 34cm high to top of handle, overall 1319.4g (3) £600 - 800 二十世纪初 上海 时和外销银提梁壶 《ZEEWO》《典》印款

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161

Lot 162 A Chinese export silver model of Budai, early 20th century, the smiling immortal seated wearing a flowing loose robe open to the chest, exposing his right shoulder and a rotund bare belly, holding a precious pearl in his left hand and a cloth sack in his right hand, stamp marked ‘Shang Fengxiang, Yuji’, 15cm high 432.6g, associated wood stand (2) £800 - 1,200 二十世纪初 外销银布袋和尚坐像 《上凤祥裕记》印款

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CHINESE METALWARE AND CLOISONNÉ 98-171

163

Lot 163 A Chinese cloisonné zhadou and cover, late Ming dynasty, of cylindrical form with a flat everted rim, enamelled with scrolling lotus against a blue ground, enclosed with dragons and phoenixes to the rim, the domed cover similarly decorated, 18.2cm diameter (2) £300 - 500 Provenance: The collection of Mr David Fredrick John Chapman-Andrews (1933-2018), inherited from his mother, Lady Sadie Chapman-Andrews, on her death in 2002. Lady Sadie had a close family connection with China at the turn of the last century. 明晚期 铜胎掐丝珐琅龙凤呈祥纹带盖渣斗

Lot 164 A Chinese cloisonné bowl, late Ming dynasty, the rounded sides rising from a concave base, enamelled on a blue ground with Buddhist lions and pups playing with brocaded balls, 13.2cm diameter £200 - 250

164

Provenance: The collection of Mr David Fredrick John Chapman-Andrews (1933-2018), inherited from his mother, Lady Sadie Chapman-Andrews, on her death in 2002. Lady Sadie had a close family connection with China at the turn of the last century. 明晚期 铜胎掐丝珐琅太师少师纹碗

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20%

98-171 CHINESE METALWARE AND CLOISONNÉ Lot 165 A Chinese cloisonné vase and cover, 19th century, of baluster form, enamelled with double xi characters surrounded by butterflies and scrolling lotus coming out of boxes, between key fret and false gadroon borders against a blue ground, the domed cover similarly decorated with a spear knop, 33cm high (2) £200 - 250 清十九世纪 铜胎掐丝珐琅缠枝莲纹囍字盖瓶

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165

Lot 166 A Chinese cloisonné jar, Republic period (1912-1949), of globular form, enamelled with scrolling lotus against a blue ground, 12.5cm diameter £400 - 600

Lot 167 A Chinese cloisonné censer, the rounded sides rising to a flared flat rim with two Buddhist lion handles, supported by three elephant feet, enamelled with scrolling lotus against a blue ground, the interior with a roundel of cranes enclosed by grapes and vine, six-character Jiajing mark in a recessed rectangle, 27.7cm diameter £6,000 - 8,000

民国 铜胎掐丝珐琅缠枝莲纹罐

铜胎掐丝珐琅缠枝莲纹铺首耳炉 《大明嘉靖年制》楷书模款

167

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CHINESE METALWARE AND CLOISONNÉ 98-171

Lot 168 A Chinese export Canton painted enamel dish, Qianlong (1736-1795), the rounded sides rising from a circular foot, painted with warriors in a rocky landscape, enclosed by scrolling florets against a yellow ground, six-character Qianlong mark, 21.4cm diameter £300 - 500 清乾隆 广东制外销铜胎画珐琅人物故事图盘 《大清乾隆年制》楷书款

168 Lot 169 A pair of Chinese export Canton painted enamel saucers, 18th century, of quatrefoil form, painted with chilong surrounding a shou roundel against an aubergine ground, the underside with bats amongst clouds, the base with finger citrons, 11.8cm long (2) £300 - 500 清十八世纪 广东制外销铜胎画珐琅螭龙捧寿图碟 一对

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Lot 170 A Chinese Canton painted enamel tray, late 18th century, of shaped rectangular form on four feet, painted with pine trees beside a river, a traveller with a staff crossing a bridge, the border with blue archaic chilong forming key frets against an apple-green ground, the base with peony, peach and melon, with ‘J. T. Tai & Co.’ trade label, 20.5 x 31cm £400 - 600 清十八世纪末 铜胎画珐琅山水图托盘

170

Lot 171 A Chinese Canton painted enamel dish, Qing dynasty (1644-1911), the rounded sides rising from a circular foot to a flat rim, painted with a shou roundel surrounded by Eight Buddhist Emblems and scrolling flowers, against a blue ground, 19cm diameter £200 - 300 清 广东铜胎画珐琅缠枝花卉八吉祥纹盘

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CHINESE WORKS OF ART 172-189

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Lot 172 A Chinese ivory bowl, c.1920, the rounded sides rising from a circular foot, incised with King Wen of Zhou visiting Jiang Ziya when fishing, the reverse with the story of Zhang Guolao, 7.7cm diameter £50 - 80 Provenance: T he Peter and Pat Crofts Collection. 民国约1920年 象牙刻人物故事图茶杯 Lot 173 A pair of Chinese ivory cups, Qing dynasty (1644-1911), each tapering body rising from a ribbed circular foot to a flared rim, plain, 5cm diameter (2) £200 - 250 清 象牙杯 一对 Lot 174 A Chinese coral figure, 20th century, of a lady wearing a long robe, standing with a basket of fruit in her hands, 18cm high, 339.9g, associated wood stand (2) £500 - 800 二十世纪 珊瑚雕仕女立像 Lot 175 ‘China Through the Stereoscope’,

by Underwood & Underwood, eighty-three cards, plus book, maps and plans, housed in a ‘three volume’ booklet box, fifty-nine cards on pale card, twenty-four on grey card, all with captions on the reverse £500 - 800

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立体镜下的中国

175

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CHINESE WORKS OF ART 172-189 Lot 176 A Chinese export drinks cabinet, late 19th century, of box form, the rosewood meticulously inlaid in mother-of-pearl with a profusion of butterflies, flowers, tendrils, birds, bats, tree rats and fish, the lid with the initials ‘J.D.’, the apron well carved with scrolling clouds, with key, 34.5cm wide 25.5cm deep 30cm high £2,000 - 3,000 清十九世纪末 红木嵌螺钿花鸟图酒柜

176

Lot 177 A Chinese rhinoceros horn cup, Qing dynasty (1644-1911), the compressed onion body rising from a circular foot to a flared rim, 10.2cm diameter, 136.2g, wood stand (2) £10,000 - 15,000 This lot is subject to CITES regulations when exporting outside the UK. Non-UK potential purchasers should be aware that, under EU/UK guidance issued March 2014, it is possible that you may not be able to obtain a CITES re-export permit for this lot. 清 犀角雕撇口杯 连木底座

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172-189 CHINESE WORKS OF ART

Lot 178 A Chinese bamboo brush pot, mid-Qing dynasty, carved with the Eight Daoist Immortals and other deities, among pine trees and cranes in a rocky landscape, 14cm high £2,000 - 3,000 清中期 竹雕八仙图笔筒

178

179 Lot 179 A Chinese carved cinnabar lacquer bowl, mid-Ming dynasty, the deep rounded sides rising from an angled base to a lipped rim, carved in low relief with magpies among blossoming prunus and peony, the interior lacquered in black, 10.7cm diameter £1,000 - 1,500 Provenance: Sotheby’s, Hong Kong, 28 November 2019, lot 638.

Lot 180 A rare Chinese carved cinnabar lacquer treasure box, Qianlong (1736-1795), of square form with a gilt metal, key fret border, carved on the top with a wan symbol centred with a shou roundel, surrounded by bats and fruiting peach branches above waves, each side with two panels with gilt metal handles in the shape of bats against a diapered ground with wan symbols, each right-hand panel opening to reveal a drawer, 21cm square £6,000 - 8,000

明中期 剔红雕漆喜上眉梢纹碗

For a similar lot, see Christie’s, Hong Kong, 30 May 2018, lot 3012. 清乾隆 剔红雕漆云蝠万寿纹正方宝盒

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CHINESE WORKS OF ART 172-189 Lot 181 A Chinese agate snuff bottle, Qing dynasty (1644-1911), of tapering form, carved with a phoenix by a blossoming peony branch, the reverse with a butterfly and magnolia, on a jade scroll stand, overall 11.5cm high (2) £200 - 250 Provenance: The Peter and Pat Crofts Collection. 清 玛瑙雕凤凰牡丹图鼻烟壶

Lot 182 A Chinese jade snuff bottle, Qing dynasty (1644-1911), of compressed tapering form, flanked by mask and ring handles to the sides, the stone of mottled greyish-white tone, overall 8.4cm high, another jade snuff bottle, Qing dynasty, in the shape of two gourds with leaves, 4.5cm high, and an agate snuff bottle, plain, with two handles, overall 6.2cm high (3) £200 - 250 清 鼻烟壶 一组三件

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Lot 183 A Chinese underglaze blue and copper-red snuff bottle, Qing dynasty (1644-1911), of cylindrical form, painted with figures in a sitting room, overall 7cm high, a copper-red snuff bottle, painted with two figures by a tree, four-character ‘Ruo Shen zhen cang’ mark to base (in the collection of Ruo Shen), 7.5cm high, and another copper-red vase, painted with a hunting scene, four-character Qianlong mark, 9.8cm high (3) £200 - 300 清 人物故事图鼻烟壶 一组三件

Lot 184 A Chinese wood ruyi sceptre, Qing dynasty (1644-1911), in the form of lingzhi branches, 23.5cm long, and a root carving, of a Budai, seated with a rosary in his right hand, 12cm wide (2) £100 - 150 清 木雕如意 及 根雕布袋 一组两件 Lot 185 A Chinese hardwood inkstand, early 20th century, of rectangular form on four ball feet, carved with blossoming prunus branches to the corners, two wood inkwells mounted with silver, stamp marked ‘LH’, ‘90’ and ‘Jiao’, 35.4cm long £200 - 300

185

二十世纪初 木制梅花纹墨水瓶架

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20%

172-189 CHINESE WORKS OF ART

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Lot 186 Two Chinese zitan libation cups, Republic period (1912-1949), one carved as a large flower with a smaller blossom and peach issuing from a thick stem, the other similar, in the shape of a peach, 10 and 11cm long (2) £1,000 - 1,500

Lot 187 A Chinese wood cup, Qing dynasty (1644-1911), the rounded sides pierced and carved with a blossoming prunus tree supported on gnarled branches, with metal liner, 9.8cm high £2,000 - 3,000

民国 紫檀桃式杯 一组两件

清 木雕梅花纹杯

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Lot 188 A Chinese table screen, late Qing dynasty, inset with marble painted with figures in a garden, the reverse with an inscription, overall 40.3cm wide 15.5cm deep 50cm high £300 - 500 清晚期 人物故事图桌屏

188

Lot 189 A Chinese sandalwood box, 19th century, the hinged cover carved with Daoist immortals along with attendants in a rocky landscape, each of the other sides with literati or numerous figures practising different pursuits, 50.3cm wide 32.5cm deep 26.5cm high £300 - 500

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清十九世纪 人物故事图木箱

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CHINESE WORKS ON PAPER 190-221

191 Lot 190 A Chinese gouache painting,

by Chen Banding (1877-1970), of a fruiting tree by rocks, signed with four artist’s seals, inscribed and dated February, year of gengyin (1950), ink and colour on paper, 80 x 28cm, framed and glazed £2,500 - 3,500 陈半丁 岁寒图 设色纸本 镜框 款识： 岁寒不改色，可以比君子 庚寅春二月，半丁老人 铃印：年七十后所作 Lot 191 A Chinese gouache painting,

by Shen Zhongqiang (1893-1974), of chrysanthemum and daisy by a fence, signed with two artist’s seals and dated year of renchen (1952), ink and colour on paper, 29.5 x 42cm, framed and glazed £300 - 500 沈仲强 菊花 设色纸本 镜框 款识：壬辰秋，沈仲强画 铃印：仲强、霜杰楼印

Lot 192 A Chinese gouache painting, 20th century, of peony and other flowers, signature of Wu Weiwen, inscribed and dated year of xinchou with adedication, ink and colour on paper, 45 x 29cm, framed and glazed £100 - 150 伍伟文款 牡丹图 设色纸本 镜框

190

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190-221 CHINESE WORKS ON PAPER

Lot 193 A Chinese gouache painting, late Qing dynasty, painted with a literatus seated under a pine tree on a cliff, overlooking a rocky landscape, inscribed with the signature of Yu Lan (1742-1809), dated year of renwu in Daoguang period, ink and colour on paper, 85.5 x 40.5cm £300 - 500 清晚期 松下高士图 喻兰款 设色纸本 Lot 194 A Chinese gouache painting, 20th century, of houses in a misty rocky landscape, painted by Liu Qu with artist’s seal, inscribed by Liu Taixi (1899-1989), ink and colour on paper, 90.4 x 43cm £300 - 500 二十世纪 山水图 刘曲款 刘太希题 设色纸本

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Lot 195 A Chinese gouache painting, late Qing dynasty, of chrysanthemum by rocks under a tree, signature of Jiang Tingxi with two artist’s seals, Jiang Tingxi yin and Nansha, ink and colour on paper, 104 x 42cm, framed and glazed £300 - 500 蒋廷锡款 东篱秋影 设色纸本 镜框 钤印: 蒋廷锡印、南沙 Lot 196 A Chinese hanging scroll, late Qing dynasty, painted with bamboo by rocks, signed with two artist’s seals, inscribed and dated year of bingzi, ink and colour on paper, 115 x 40.5cm £300 - 500 清晚期 墨竹图 设色纸本 立轴

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CHINESE WORKS ON PAPER 190-221 Lot 197 A collection of four Chinese gouache paintings, late Qing dynasty, attributed to Gai Qi (1773-1828), painted with stories from Dream of the Red Chamber, including flying kites, the writing of poems appraising chrysanthemum, Miaoyu and Jia Baoyu listening to Lin Daiyu playing qin, Shi Xiangyun falling asleep on a rock, inscribed and dated year of jiachen, ink and colour on paper, 25.3 x 29cm (4) £400 - 600 清晚期 红楼梦人物故事图 改琦款 设色纸 本 一组四件

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Lot 198 A Chinese gouache painting,

by Tang Yiying (1904-1993), of a pavilion and a stream in a rocky landscape, signed Shi Xia, dated year of dingyou (1945), inscribed with a dedication to Mr Hopkins, and with two seals of the artist, yi and ying, ink and colour on silk, 28 x 75.5cm, framed and glazed £1,500 - 2,500 唐怡莹 山水图 设色绢本 镜框 款识： 鹤健士先生大雅，峻安敬赠 丁酉夏日，石霞画 铃印：怡莹

Lot 199 A Chinese gouache painting, late Qing dynasty, in the shape of a circular fan, painted with a lady opening a window, looking out at a blossoming tree, inscribed with signature of Yuan Chao and an artist’s seal ‘Zixin’, ink and colour on silk, 26cm diameter £100 - 150 Provenance: From the collection of Mrs May Waldroup, compiled whilst living in Japan from 1952 to 1961. 清晚期 袁潮款 仕女团扇 设色绢本

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190-221 CHINESE WORKS ON PAPER

Lot 200 A Chinese fan-shaped painting, of peony and leaves against a gold-coloured ground, inscribed with dedication and signature of Zhang Daqian, the reverse with a poem, ink and colour on paper, 71cm open £200 - 300 张大千款 牡丹图扇面 设色纸本

200

201 Lot 201 Four Chinese fan-shaped paintings, 20th century, comprising: one with swallows and bamboo, inscribed and dated year of gengzi, signature of Nai Yuanju, ink and colour on paper, 51.5cm long, one with a dragonfly above a pond, inscribed with signature of Yanqing, ink and colour on paper, 48.5cm long, one with a fruiting loquat branch, inscribed with signature of Wang Youqiao, ink and colour on paper, 51cm long, and another with chrysanthemum, inscribed and dated year of jisi, signature of Xiaqing, ink and colour on paper, 44.5cm long (4) £200 - 250 Provenance: F rom the collection of Mrs May Waldroup, compiled whilst living in Japan from 1952 to 1961. 二十世纪 花鸟图扇面 设色纸本 一组四件

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202 part lot

Lot 202 Four Chinese pith paper paintings, 19th century, painted with officials wearing court robes seated in a living room, 31 x 18.5cm, framed and glazed, and two further paintings, with junk boats, 19 x 30.5cm, framed and glazed (6) £250 - 350 清十九世纪 通草画 一组六件

Lot 203 Three Chinese pith paper paintings, 19th century, with numerous figures, 19 x 32cm, framed and glazed, and three further paintings, each with two ladies practising different pursuits, 31.5 x 19.5cm, framed and glazed (6) £250 - 350 清十九世纪 通草画 一组六件 Further images available on www.sworder.co.uk

203 part lot

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190-221 CHINESE WORKS ON PAPER

204 details Lot 204 Two Chinese export albums, 19th century, of pith paper paintings, comprising: one with ladies practising various everyday pursuits, each image 17 x 12cm, and another, similar, with a Manchurian hunting or playing with birds, each image 20.5 x 13cm (2) £500 - 800 清十九世纪 外销通草人物图画册 一组两件 Lot 205 A collection of eight Chinese pith paper paintings, 19th century, of butterflies, flowers, or fruits, each image 19 x 31cm approximately, framed and glazed (8) £300 - 500

205 part lot

清十九世纪 佚名 花鸟图 水彩通草纸本 镜框 一 组八件 Lot 206 A Chinese gouache painting, Republic period (1912-1949), painted with ladies holding books and scrolls in a rocky landscape, standing with literari and a monk, between two panels painted with birds and flowers, or cockerels, ink and colour on silk, 82.5 x 44cm, framed and glazed £300 - 500 民国 佚名 人物故事图 设色绢本 镜框 Lot 207 A Chinese gouache painting, 20th century, of chrysanthemum by a fence, signature of Jiemei with an artist’s seal, ink and colour on paper, 144 x 39cm, framed and glazed £300 - 500 二十世纪 介眉款 菊花图 设色纸本 镜框

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CHINESE WORKS ON PAPER 190-221 Lot 208 A Chinese hanging scroll, of a lady putting a flower in her hair, inscribed with dedications and signature of Zhang Daqian with artist’s seals, ink and colour on paper, 132 x 59cm £300 - 500 张大千款 簪花仕女图 设色纸本 立轴 Lot 209 A Chinese hanging scroll, of literati in a pavilion among pine trees and a snowy landscape, inscribed with the signature of Pu Ru and two artist’s seals, ink and colour on paper, 135 x 67cm £300 - 500 溥儒款 楼台雪景 设色纸本 立轴

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209 Lot 210 A Chinese hanging scroll, of an eagle, with a dedication and signature of Xu Beihong with three artist’s seals, ink on paper, 59 x 97cm £300 - 500 徐悲鸿款 鹰 水墨纸本 立轴

210 Lot 211 A Chinese hanging scroll, painted with bamboo and pine, with the signature of Wu Changshuo, ink on paper, 179 x 69cm £300 - 500 吴昌硕款 双清图 水墨纸本 立轴 Lot 212 A Chinese gouache painting, of boys seated on the back of buffaloes under a willow tree, inscribed with a dedication and signature of Li Keran with artist’s seals, ink and colour on paper, 82 x 55cm £400 - 600 李可染款 牧牛图 设色纸本

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190-221 CHINESE WORKS ON PAPER Lot 213 A Chinese album, comprising a total of nine leaves of landscapes, inscribed with signatures of Wu Changshuo, ink on paper, each image 26.6 x 35.7cm £500 - 800 吴昌硕款 山水图 设色纸本 九开册

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213 detail

215 Lot 214 A Chinese gouache painting, late Qing dynasty, anonymous, of Zhong Kui riding a horse and carrying a sword on his back, ink and colour on paper, 110.5 x 63cm, framed and glazed £500 - 800 清晚期 佚名 钟馗出行图 设色纸 本 镜框 Lot 215 A Chinese gouache painting, of lotus flowers and leaves, with a dedication to Shen Yibing and a signature of Zhang Daqian with three artist’s seals, ink and colour on paper, 65.4 x 132.5cm £500 - 1,000 张大千款 荷 设色纸本 Lot 216 A collection of ten Chinese paintings, of various ghosts, inscribed with signatures and seals of Pu Ru, ink on paper, each 64.5 x 32cm (10) £500 - 1,000

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溥儒款 鬼怪图 水墨纸本 一组十件 Further images available on www.sworder.co.uk

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Lot 217 Su Xinping (Chinese, b.1960), ‘Netted Sheep’, a set of three lithographs, each signed and dated 1992, numbered 2/30, 4/30 and 15/20 in pencil, image 59 x 42cm, framed and glazed (3) £1,000 - 1,500 Provenance: P urchased from Red Gate Gallery, Beijing, in 1997.

Lot 218 Tan Kay Nguan (Singaporean, b.1965), Prosperous Longevity, signed with artist’s seal, oil on canvas, 75.5 x 122cm, accompanied with Certificate of Authenticity £500 - 800 Provenance: Purchased from Ode To Art Gallery, Singapore, on 12 May 2007. 陈泇元 鹤舞千年 布面油画

苏新平 网与羊 纸本石版 镜框 一组三件

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190-221 CHINESE WORKS ON PAPER Lot 219 Fang Xiang (Chinese, b.1967), Streams of Clarity, signed with artist’s seal, ink and colour on paper, 95 x 34cm, framed and glazed £1,500 - 2,500 Provenance: P urchased from HaKaren Art Gallery, Singapore, on 29 December 2007. 方向 丽江水巷 设色纸本 镜框 Lot 220 Fang Xiang (Chinese, b.1967), A Medley of Company, signed with artist’s seal, ink and colour on paper, 77 x 52cm, framed and glazed £1,500 - 2,500 Provenance: P urchased from HaKaren Art Gallery, Singapore, on 10 October 2009. 方向 无题 设色纸本 镜框

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220

221 Lot 221 Fang Xiang (Chinese, b.1967), The Faraway Jade Dragon Mountain, signed with artist’s seal, ink and colour on paper, 67 x 136.5cm, framed and glazed £4,000 - 6,000 Provenance: P urchased from HaKaren Art Gallery, Singapore, on 25 September 2010. 方向 仰望玉龙山 设色纸本 镜框

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CHINESE FURNITURE 222-225

Lot 222 A Chinese hardwood vase stand, late Qing dynasty, the hexagonal top inset with rouge marble supported by S-shaped legs, the apron pierced and carved with xi characters among blossoming prunus branches, 35cm wide 81cm high £200 - 300

223 Lot 223 A Chinese hardwood altar table, Qing dynasty (1644-1911), with a pierced openwork frieze carved with ruyi heads, 202cm wide 43cm deep 87cm high £1,000 - 2,000

清晚期 喜上眉梢纹嵌大理石花几

清 硬木如意纹条案

222

Lot 224 A six-fold screen, after a design by the French painter François Boucher of 1742, of an imaginary view of a Chinese marketplace by a river, where the Dutch would have visited to export Asian luxury goods such as porcelain and silk, each fold 200.5 x 43cm £1,000 - 1,500 人物故事图六扇屏风

224

Lot 225 A Chinese huanghuali folding chair, 17th century or later, the shaped rail with a pierced and carved panel of a ruyi-shaped cloud, with a woven string seat, 56cm wide 66cm deep 94.5cm high £20,000 - 30,000 十七世纪或更晚 黄花梨如意纹交椅 Lot 226 Spare lot

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JAPANESE PORCELAIN AND CERAMICS 227-241

Lot 227 A Japanese aubergine and turquoise-glazed vase, 19th century, of baluster form rising to a flared rim, decorated in relief with shou roundels among lotus between ruyi-shaped borders, all glazed in turquoise and aubergine, the base unglazed written with Kairakuen sei, 37cm high £100 - 150 Kairakuen was the official kiln of the Daimyo (provincial lord) of Kii (modern-day Wakayama prefecture), who was a member of the ruling Tokugawa family. In response to the revival of interest in Chinese art during the late 18th and early 19th centuries, many of the kiln’s wares imitated Chinese ceramics - in this example, the Fahua ware of the Ming dynasty.

For a similar item, but Japanese Edo period, c.1800-1850 with impressed mark, see Victoria and Albert Museum, Accession Number 289-1877.

227 Lot 228 A Japanese Hirado ware okimono, Meiji period (1868-1912), in the shape of a dog seated on its haunches with its left front paw raised, 14cm high £100 - 150

228

229

Lot 230 A large Japanese Imari dish, Meiji period (1868-1912), of rectangular form with a raised lobed rim, painted with an attendant presenting a hand scroll to a samurai, the sides with birds and flowers in shaped panels against a diapered ground, 49.5cm long £100 - 150

Lot 229 A Japanese Hirado ware okimono, Meiji period (1868-1912), of a tiger seated on its haunches, 15cm high £100 - 150

Lot 231 A Japanese blue and white jar, late 17th/early 18th century, of ovoid form with a rounded shoulder, painted with chrysanthemum among rocks, 20.5cm high £150 - 250

231

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JAPANESE PORCELAIN AND CERAMICS 227-241

232 Lot 232 A Japanese Kutani ware cat, 20th century, sleeping with a knotted collar, realistically enamelled with black, orange and white fur, 26.5cm long £200 - 300

Lot 233 A Japanese porcelain okimono, early 20th century, probably Ao Kutani, of an hawk perched on a rock, its feathers enamelled in green and yellow, 32cm high £200 - 300

233

Lot 234 A large pair of Japanese Satsuma ware vases, Meiji period (1868-1912), of ovoid form, painted with literati with attendants in a mountainous landscape, or in a sitting room surrounded by precious objects, enclosed by a raised shaped border imitating bamboo, between panels of flowers and birds including quail, cranes, pheasants and geese, all against a diapered ground with roundels of mythical beasts, 56cm high (2) £800 - 1,200

234

235 Lot 235 A collection of Japanese Satsuma wares, Meiji period (1868-1912), comprising: a bowl, the rounded sides rising from a circular foot to an inverted rim, painted with three leaves in a roundel, 11cm diameter, and a pair of miniature vases, of ovoid form, painted with butterflies, 3cm high (3) £100 - 150

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Lot 236 A Japanese Satsuma ware vase, Meiji period (1868-1912), of baluster form, painted with a bijin under a blossoming tree in a panel, the reverse with a landscape, surrounded by florets against a black ground, signed ‘Kinkozan’ to base, 12.5cm high £150 - 200

236 mark

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227-241 JAPANESE PORCELAIN AND CERAMICS Lot 237 A Japanese Satsuma ware koro and cover, Meiji period (1868-1912), of compressed globular form on three stud feet, painted with flowers in fan-shaped panels among clouds, signed Shida Baika to base, 13.5cm diameter £200 - 250

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238

Lot 238 A Japanese Satsuma ware plate, Meiji period (1868-1912), by Yabu Meizan (1853-1934), of circular form, painted with blossoming wisteria, signed on the underside in gilt Yabu Meizan, 21.4cm diameter, and a vase, of baluster form, similarly decorated, signed on the underside in gilt Yabu Meizan, 18cm high (2) £200 - 250

239 mark

Lot 239 A Japanese Satsuma ware vase, Meiji period (1868-1912), of tapering square form, each side painted with monkeys, birds, boys or landscape, signed Meizan sei to base, 11.7cm high £250 - 350

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240

239 Lot 240 A pair of Japanese Satsuma ware saucers, Meiji period (1868-1912), of shaped rectangular form, painted with farmers in a landscape, signed Kinkozan zo, 14.2cm long (2) £400 - 600

Lot 241 A large Japanese Satsuma ware charger, Meiji period (1868-1912), painted with Susanoo no Mikoto slaying the Yamata no Orochi (eight-forked serpent) and discovering Kusanagi no Tsurugi (Grass-Cutting Sword), inscribed in a box to the lower right corner, signed to the base, 44.8cm diameter £700 - 1,000

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JAPANESE METALWARE AND CLOISONNÉ 242-252

Lot 242 A Japanese cloisonné vase, early 20th century, by Ando Jubei, of ovoid form, enamelled with a bird perched on a blossoming branch, the base stamped with mark of Ando Jubei, 18cm high £150 - 200

Lot 243 A Japanese cloisonné vase, Meiji period (1868-1912), of lobed globular form, enamelled with butterflies against a black ground, 15cm high £150 - 250

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243

Lot 244 A Japanese Ginbari wireless cloisonné vase, early 20th century, by Kumeno Teitaro (1861-1939), of ovoid form, enamelled with egrets against a red ground, signed on the underside with the stamped mark of the Kumeno workshop, silver-mounted rim and foot rim, 15cm high £150 - 200 Lot 245 Spare lot

244

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242-252 JAPANESE METALWARE AND CLOISONNÉ Lot 246 A Japanese cloisonné charger, Meiji period (1868-1912), enamelled with two dragons chasing a flaming pearl among scrolling peony, 45.2cm diameter £400 - 600

246

Lot 247 A pair of Japanese bronze vases, Meiji period (1868-1912), each pear-shaped body cast with grapes and vine in relief, stamped mark to base, 25.5cm high (2) £100 - 150

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247

Lot 248 A Japanese bronze vase, Meiji period (1868-1912), of baluster form, decorated in relief with carp, inscribed and signed, 20.5cm high £200 - 300 Lot 249 A Japanese iron vase, Meiji period (1868-1912), of ovoid form rising to a long neck with a flared rim, inlaid with cranes in silver and gold, silver-mounted rim and base, signed Gyokutosai to underside, 22cm high £500 - 800

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JAPANESE METALWARE AND CLOISONNÉ 242-252

Lot 250 A pair of Japanese bronze okimono, Meiji period (1868-1912), each of a rat holding a nut with their front paws, their long tails curled round to the side with their dark-brown patinated bodies rendered with minutely-chiselled fur details, one signed with Morimasa to base, 16.5 and 17cm long (2) £700 - 1,000

250

250 mark Lot 251 A Japanese silver box and cover, early 20th century, the cover inset with a metal panel decorated in low relief with a pine tree by a river, Mount Fuji in the far distance, signed Arikuni koku to the lower right corner, the interior inscribed ‘Presented to F. Mantelli Esq, by the Asahi Shimbun in commemoration of his valuable services rendered to the Asahi’s First & Second Round the World Parties, July 1910’, the base marked ‘samurai zo’, ‘jungin’ and ‘Yukimi’, 14.9cm long, overall 821.4g (2) £200 - 300

251 marks 251

Lot 252 A Japanese silver three-piece tea service, Meiji period (1868-1912), comprising: a teapot, a milk jug, a sugar bowl and sugar tongs, all of globular form on a tapering circular foot, decorated with dragons in relief against a hammered ground, stamp marked ‘jungin’, ‘Sterling’, and ‘Takamura zo’, teapot 14cm high to top of finial 26.5ozt, 824.5g (6) £1,000 - 1,500

252

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JAPANESE WORKS OF ART 253-264

Lot 253 A Japanese ivory box and cover, early 20th century, of circular form, the cover inlaid with a blossoming branch in mother-of-pearl and hardstones, 7.7cm diameter (2) £100 - 150

Lot 254 A Japanese ivory okimono, early 20th century, of Hotei standing carrying his cloth sack on a stick with a fan and reishi, signed Jukou to base, 10cm high £100 - 150

Provenance: The Peter and Pat Crofts Collection.

253

Lot 255 A Japanese ivory okimono, early 20th century, of Hotei wearing a long robe tied to his waist exposing his bare chest and belly, standing carrying a cloth sack over his shoulder, signed to base, 10.8cm high £120 - 150

254 mark

255

254

255 mark

Lot 256 A Japanese ivory manju netsuke, Meiji period (1868-1912), pierced and carved with a courtyard, with a cockerel and chickens in gilt under a pine tree, signed Kosai, 5cm diameter £150 - 250 Provenance: The Peter and Pat Crofts Collection.

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256

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JAPANESE WORKS OF ART 253-264 Lot 257 A Japanese ivory okimono, Meiji period (1868-1912), of a recumbent hare, 11.5cm long, associated wood stand (2) £150 - 200 Lot 258 A Japanese ivory okimono, early 20th century, of Hotei in a long robe tied to the waist exposing his bare chest and belly, carrying a cloth sack on a stick over his shoulder, signed Rakumin to base, 13.5cm high £150 - 200

257

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258

Lot 259 Two Japanese ivory okimono, Meiji period (1868-1912), from the Tale of Heike, carved with the Buddhist monk Mongaku, kneeling in a long robe with a rosary in his hands, showing Minamoto no Yoritomo the skull of his late father and urging him to rise up against the Taira clan, inscribed and signed to base, Mongaku 11.8cm high Yoritomo 12.5cm high (2) £1,000 - 1,500

259 mark

259

Lot 260 A Japanese gilt-lacquered box and cover, Meiji period (1868-1912), of rectangular form, the cover decorated in low relief with two cockerels standing on a fence under a maple tree by a river, 12.4cm long (2) £100 - 150

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253-264 JAPANESE WORKS OF ART

Lot 261 A Japanese tortoiseshell plate, Meiji period (1868-1912), of shaped hexagonal form, painted in gilt lacquer with an eagle perched on a pine tree, signed Kogyoku, 18.6cm wide £120 - 150

261 mark

Lot 262 Spare lot

261

Lot 263 A Japanese lacquered bowl, Meiji period (1868-1912), the shallow rounded sides rising from a splayed circular foot, the well inlaid with boys appraising a hanging scroll, holding a plant or scrolls, all against a gilt background, their faces ivory, signed to base, 18cm diameter £400 - 600

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263

Lot 264 A Japanese Shibayama-style inlaid box and cover, Meiji period (1868-1912), of rounded rectangular form, decorated on all sides with millefleurs, including chrysanthemum, peony, hydrangea and other overlapping flower heads and foliage, in various shades of mother-of-pearl and stained ivory, the interior of dense nashiji and the rims mounted with silver, signed Masayoshi on a red-lacquer tablet, 11.3cm long (2) £400 - 600 Provenance: T he Peter and Pat Crofts Collection.

264 264 mark

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JAPANESE WORKS ON PAPER 265-273

265

Lot 265 Three Japanese woodblock prints, mid 19th century, comprising: Utagawa Yoshiiku (Ochiai Yoshiiku, 1833-1904), ‘The Kingoro Restaurant in Kayabacho’ from the series ‘Colors of Spring at Thirty-six Restaurants’, 34 x 22.5cm, Utagawa Kunisada (Toyokuni III, 1786-1865), from the series ‘Famous Restaurants of the Eastern Capital’, 34.7 x 24.7cm, another by Utagawa Kunisada II (1823-1880), 36 x 24.6cm (3) £100 - 150 Provenance: From the collection of Mrs May Waldroup, compiled whilst living in Japan from 1952 to 1961.

Lot 266 Utagawa Kunisada (Toyokuni III, 1786-1865), a triptych of the leading actor of the Kabuki drama Kanjincho on an illustrated scroll, each sheet 35.8 x 24.4cm (3) £100 - 150 Provenance: From the collection of Mrs May Waldroup, compiled whilst living in Japan from 1952 to 1961.

266

Lot 267 Yoshu Chikanobu (Hashimoto Chikanobu, 1838-1912), Osusu harai (house leaning), from the series Chiyoda No Ooku (The Inner Chiyoda Palace), Meiji period (1868-1912), dated twenty-eighth year of Meiji (1895), two sheets from an oban triptych of woodblock prints of the large Year’s End Cleaning when all the unnecessary things are carried out, their kimonos decorated with the karazuri embossing technique on the collar, signed 267 Yoshu Chikanobu, published by Fukuda Hatsujiro, each sheet 35.8 x 24cm, and another Japanese woodblock print, attributed to Suzuki Harunobu (1725-1770), Edo period (1615-1868), of Lovers Walking in the Snow (Crow and Heron), their kimonos decorated with the karazuri embossing technique, signed Suzuki Harunobu ga, sheet 29 x 21cm (3) £100 - 150 Chiyoda no ooku (The Inner Chiyoda Palace) depicts the hidden world of the shogun’s princess and other women serving him in Edo Castle, engaged in a variety of activities and rituals during a full year.

For similar lots, see Metropolitan Museum, Accession Numbers: JP3559 and JP2453.

Provenance: F rom the collection of Mrs May Waldroup, compiled whilst living in Japan from 1952 to 1961.

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265-273 JAPANESE WORKS ON PAPER Lot 268 Yoshu Chikanobu (Hashimoto Chikanobu, 1838-1912), Uta-awase (Poetry Contest), from the series Chiyoda No Ooku (The Inner Chiyoda Palace), Meiji period (1868-1912), dated twenty-eighth year of Meiji (1895), an oban triptych of woodblock prints of ladies practising poetry surrounded by lacquered low tables and shelves, their kimonos decorated with the karazuri embossing technique on the collar, signed Yoshu Chikanobu, published by Fukuda Hatsujiro, each sheet 35.8 x 23.6cm £100 - 150

268

Chiyoda no ooku (The Inner Chiyoda Palace) depicts the hidden world of the shogun’s princess and other women serving him in Edo Castle, engaged in a variety of activities and rituals during a full year.

For a similar lot, see British Museum, Museum Number: 1943,0410,0.9.12.

Provenance: F rom the collection of Mrs May Waldroup, compiled whilst living in Japan from 1952 to 1961.

269

Lot 269 Two Japanese woodblock prints,

by Haku Maki (1924-2000), of kanji characters, comprising: Poem 71-87, signed and numbered 196/202 in pencil, sheet 30.4 x 22.2cm, and Work 73-23, signed and numbered 77/102 in pencil, sheet 24.6 x 34.4cm (2) £100 - 200

Lot 270 A collection of five Japanese woodblock prints,

by Haku Maki (1924-2000), of kanji characters, comprising: three Poem 69-43, signed and numbered 25/201, 26/201 and 27/201 in pencil, sheet 22.5 x 17.2cm, Poem-J, signed and numbered 17/50 in pencil, sheet 34.5 x 17.3cm, and Poem 69-47, signed and numbered 17/154 in pencil, sheet 53 x 16.6cm (5) £150 - 250 Provenance: F rom the collection of Mrs May Waldroup, compiled whilst living in Japan from 1952 to 1961.

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JAPANESE WORKS ON PAPER 265-273

271 Lot 271 Roamcouch (Japanese, b.1976), ‘London calling’, screenprint in colours, 2015, signed and numbered 59/100 in pencil, on wove paper, sheet 90 x 60cm, unframed £100 - 150

272 Lot 272 Roamcouch (Japanese, b.1976), ‘Freedom Fighters’, giclée print with stencil spray, 2017, signed, inscribed ‘UK’ and numbered 6/20 in pencil, on wove paper, sheet 50 x 91cm, unframed £100 - 150

Lot 273 Mishima Go (1921-81), Gashu Wakamono (Book of Pictures of Young Men), the portfolio containing twenty-four lithographs, 1972, published by Daini Shobo, Japan, each sheet 420 x 290mm £1,000 - 1,500 Tsuyoshi Mishima, who worked under the name of Go Mishima, was one of the first contemporary gay artists in Japan. He contributed to ‘Barazoku’ (The Rose Tribe), the first gay magazine published by Daini Shobo in Tokyo in 1971. In 1974, Mishima founded his own gay magazine called ‘Sabu’.

He created a series of 24 lithograph portraits titled ‘Mishima Go Book of Young Men’.

Further images available on www.sworder.co.uk

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CHINESE WORKS OF ART –XXXXXX PART 2 274-422 xx-xx

Lot 274 A Chinese earthenware figure, Republic period (1912-1949), of a Daoist immortal, possibly Lü Dongbin, seated wearing a long robe decorated with bagua roundels, with a sword and a flywhisk in his hands, 20cm high £50 - 80

Lot 275 Two Chinese blue and white tureens and covers, 18th century, each of shaped octagonal form, painted with landscape or quails, the cover similarly decorated, 35cm long (4) £200 - 250

Lot 276 A blue and white vase, of double gourd form, painted with precious objects above ‘Yu Tang Jia Qi’ characters (Fine vessel for the Jade Hall) between scrolling florets against a blue ground, 17.5cm high £100 - 150

Lot 277 A Chinese porcelain tea set, 20th century, comprising a teapot and four cups and saucers, painted with a lotus pond, inscribed with the signature of Hu Xianya and dated year of Guihai, teapot 17.5cm high (10) £50 - 80

Lot 278 A Chinese hanging scroll, of a print by Rongbao Zhai, with pumpkins in the style of Qi Baishi, 136 x 33cm £50 - 80

Lot 279 A Chinese jade cup, Ming dynasty (1368-1644), the waisted body rising from a splayed circular foot to a flared rim, incised with florets, flanked by two handles carved with lingzhi and shou characters, 10.5cm long, associated wood stand (2) £50 - 80 Provenance: The collection of Mr David Fredrick John Chapman-Andrews (1933-2018).

Lot 280 A Chinese bamboo armrest, carved with an inscription below a blossoming prunus branch, 27.6cm long £100 - 150

Lot 281 A Chinese blue and white meat plate, 18th century, of shaped octagonal form, painted with two deer by rocks, peony and prunus in a garden, 38.5cm long £60 - 80

Lot 282 A Chinese gilt-lacquered wood carving, early Qing dynasty, of a Buddha seated cross-legged with his hands resting in his lap, wearing elaborate jewellery and a long robe, 22.5cm high £50 - 80

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CHINESE WORKS OF ART – PART 2 274-422

Lot 283 A Chinese boxwood panel, 19th century, pierced and carved with figures in a rocky landscape, 19cm long, and a boxwood guanyin, standing wearing a long robe with a scroll in his left hand, 18cm high (2) £100 - 150

Lot 284 Three Chinese blue and white plates, 18th-19th century, two painted with deer below a pine tree, one with a landscape, 17 to 17.5cm diameter, and a Japanese lobed Imari plate, 21.2cm diameter (4) £100 - 150

Lot 285 A Chinese brass Daoist figure, late Qing dynasty, seated wearing a long robe with his hands clasped in front of his chest, 16.5cm high, 590.8g, wood stand (2) £100 - 150

Lot 286 A Chinese blue and white vase, of hexagonal form, painted with scrolling flowers, six-character Qianlong mark, 13.5cm high £200 - 300

Lot 287 A Chinese bronze incense burner, of compressed globular form on three stud feet with two loop handles, six-character Xuande mark within a recessed rectangle to base, 12cm diameter, 514.6g £100 - 150

Lot 288 A Chinese blue and white plate, of circular form on a channelled foot rim, painted with fruiting finger citrons and persimmon branches among leaves, 31.7cm diameter £100 - 150

Lot 289 A Chinese blue and white tureen and cover, 18th century, of shaped octagonal form, painted with blossoming peony and magnolia, the cover similarly decorated, 35cm long (2) £100 - 150

Lot 290 A Chinese bronze incense burner, early 20th century, of compressed globular form on a flared circular foot, decorated with figures in shaped panels, six-character Xuande mark to base, 20.5cm diameter, 1258.2g £200 - 300

Lot 291 A Chinese copper-red and underglaze-blue vase, of globular form, painted with bats among ruyi-shaped clouds, six-character Qianlong mark, 39cm high £100 - 150

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Lot 292 A Chinese bronze vase, in the shape of a tree branch with blossoming prunus, 17.5cm high, 596g £100 - 150

Lot 293 A Chinese calligraphy, in running script, with the signature of Zhao Puchu and an artist’s seal, ink on paper, 50 x 111.5cm £100 - 150

Lot 294 A Chinese famille rose brush pot, of cylindrical form, painted with a literatus resting in front of a rocky landscape, six-character Yongzheng mark, 12cm high £100 - 200

Lot 295 A Chinese calligraphy, with a dedication and signature of Wu Changshuo with three artist’s seals, ink on paper, 64.5 x 131cm £100 - 150

Lot 296 A Chinese Canton enamelled famille rose vase, 19th century, of ovoid form flanked by two chilong handles to the neck, painted with figures in shaped panels, surrounded by butterflies and flowers, 60cm high £100 - 200

Lot 297 A Chinese hanging scroll, of calligraphy ‘Xue Yuan Dong Liu’, with a dedication and the signature of Lao She, ink on paper, 82 x 36.7cm £100 - 150

Lot 298 A Chinese copper-red and underglaze-blue vase, late Qing dynasty, of hexagonal form with a flared rim, painted with butterflies and peony, all against a sky-blue ground, 29.5cm high £100 - 150

Lot 299 A Chinese export clobbered blue and white jar and cover, 18th century, painted with butterflies among a landscape, the domed cover similarly decorated with a Buddhist lion knop, 48cm high (2) £100 - 150

Lot 300 A Chinese hanging scroll, in the style of Zhao Mengfu, painted with a horse and a groom, inscribed, ink and colour on silk, 57 x 44.5cm £100 - 150

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Lot 301 A Chinese jade archer’s ring, Qing dynasty (1644-1911), carved with shou roundels against a diapered ground, 3.4cm diameter, and two further examples, 2.9 and 3.2cm diameter (3) £120 - 150

Lot 302 A Chinese famille rose basin, 19th century, the rounded sides rising to an everted rim, painted with historical figures amongst precious objects and florets, 41.4cm diameter £100 - 150

Lot 303 A Chinese famille rose garden seat, 19th century, of hexagonal form with pierced cash-shaped panels, painted with figures in a garden surrounded by birds and flowers, 47cm high £100 - 150

Lot 304 A Chinese gouache painting, of a mountainous landscape with buildings, waterfalls and a river, inscribed and signed with an artist’s seal, ink and colour on paper, 116.7 x 66.5cm £100 - 150

Lot 305 A Chinese jade carving, late Qing dynasty, of a recumbent buffalo, 6cm long, wood stand (2) £100 - 150

Lot 306 A collection of five hanging scrolls, comprising: a Chinese couplet, with the signature of Huang Danshu, ink on paper, each 103 x 20cm, and another poem, with the signature of Lü Canming, ink on paper, 91.5 x 28cm, a Chinese painting of a fisherman, inscribed, ink and colour on silk, 33 x 26cm, and a Japanese painting of a dog, ink on silk, 36 x 33cm (5) £80 - 120

Lot 307 A Chinese famille rose bowl, the rounded sides rising from a tapering circular foot, painted with chrysanthemum by a rock, six-character Guangxu mark to base, 11.6cm diameter £100 - 150

Lot 308 A pair of Chinese jade carvings, of horses, 5.5cm long, wood stands (2) £100 - 200

Lot 309 A Chinese famille rose teapot and cover, of ovoid form, painted with scrolling lotus against a blue ground, six-character Daoguang mark to base, the domed cover similarly decorated with a spear knop, 17.5cm high (2) £100 - 150

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Lot 310 A Chinese woodblock print, of Chairman Mao standing with his right arm raised, 113.5 x 41cm, framed and glazed £100 - 150

Lot 311 A Chinese jade carving, of two mandarin ducks among flowers and lingzhi by a rock, 6cm long £100 - 150

Lot 312 A Chinese hanging scroll, in the style of Li Sixun, painted with a pavilion in a mountainous landscape, ink and colour on silk, 105.5 x 57cm £100 - 150

Lot 313 A collection of three Chinese gouache paintings, of studies of the caisson ceilings at Dunhuang, with the signature of Zhang Daqian, ink and colour on paper, 68 to 72cm (3) £300 - 500

Lot 314 A Chinese iron red-glazed bowl, the rounded sides rising from a circular foot to a flared rim, painted with scrolling lotus and other flowers against a red ground, six-character Daoguang mark, 11cm diameter £100 - 150

Lot 315 A Chinese reverse glass painting, 19th century, with a lady in blue robe holding a fan in her hands, 39 x 30cm, wood frame £100 - 150

Lot 317 A Chinese iron red-glazed plate, the rounded sides rising from a circular foot, painted with two dragons chasing a flaming pearl against a red ground, the underside similarly decorated, six-character Jiajing mark, 17.9cm diameter £100 - 150

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Lot 316 A Chinese hanging scroll, in the style of Ding Yunpeng, painted with Buddhist immortals among clouds, ink on silk, 72 x 37.6cm £100 - 150

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Lot 318 A Chinese jade ball, pierced and carved with a bird in a lotus pond, 5cm diameter, associated wood stand (2) £100 - 150

Lot 319 A collection of four Chinese jade pendants, comprising: one carved with a crane by bamboo, 5.7cm long, one pierced and carved with two confronting chilong enclosing a shou character, 6cm diameter, one with a chilong above a pendant with scrolls, 5cm long, and a bi disk, 3.4cm diameter (4) £100 - 150

Lot 320 A Chinese jade pendant, Qing dynasty (1644-1911), of rectangular form with a chilong clambering to the top, 7.2cm long £100 - 150

Lot 321 A Chinese robin’s egg-glazed meiping vase, late Qing dynasty, the tapering body sweeping up to a broad rounded shoulder, surmounted by a short, waisted neck and lipped rim, covered with a turquoise-blue glaze of robin’s egg type, suffused overall with finely mottled lavender and dark blue, 14cm high £100 - 150

Lot 322 A Chinese table screen, inserted with a rectangular hardstone panel, inscribed and signed Wuzhen Daoren, 23 x 30cm, the hardwood stand pierced and carved with scrolls, overall 33.3cm wide, 16.5cm deep, 37.8cm high (2) £100 - 150

Lot 323 A Chinese tea-glazed waterpot, in the form of a conch shell on a stand with ruyi-shaped feet, four-character Qianlong mark to base, 7cm long £100 - 150

Lot 324 A Chinese white-glazed goat, 20th century, recumbent with its head turned back and with engraved hair and two horns, details picked out in cold-painted red and black, 13cm long £100 - 150

Lot 325 A Chinese jade carving, Republic period (1912-1949), of axe head form with a pair of addorsed dragons to the top, carved with a ‘fo’ (Buddha) character, 6cm long, and a jade pendant, pierced and carved with a movable central disk carved with ‘fu’ and the reverse with ‘shou’, enclosed with scrolls, 5cm long (2) £100 - 150

Lot 326 A Chinese white-glazed vase, 18th century, of baluster form, moulded with a qilin surrounded by Daoist Emblems in a shaped panel, covered under a crackled white glaze, 46.3cm high £100 - 150

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part lot Lot 327 A Chinese wucai jarlet, of compressed globular form, painted with dragons chasing flaming pearls above waves, six-character Wanli mark, 6.6cm diameter £100 - 150

Lot 328 A collection of four Chinese Cultural Revolution posters, comprising: one with Chairman Mao in front of people and red flags, above a slogan reads ‘Follow the great leader Chairman Mao and march forward’, Sheet 72 x 106cm, and three others, with workers or revolutionary opera players, sheet 76.5 x 105cm, all framed and glazed (4) £100 - 150

Lot 330 A collection of four Chinese export famille rose chargers, 18th century, painted with two birds perching on blossoming prunus or a rock, 32.4 to 34.8cm diameter (4) £100 - 150

Lot 331 A collection of nine Chinese prints, 20th century, with various flowers in baskets or vases, 19 x 13.5cm (9) £100 - 150

Lot 333 A pair of Chinese famille rose teacups, Guangxu (1875-1908), each cup with rounded sides rising from a circular foot, painted with egrets among lotus flowers and leaves, 7cm diameter, a matching saucer, 11.4cm diameter, and another saucer, similarly decorated with peony, 11.3cm diameter (4) £100 - 150

Lot 334 A Chinese calligraphy, in running script, with a dedication and signature of Guo Moruo with an artist’s seal, ink on paper, 70.7 x 270.5cm £200 - 250

Lot 329 A Chinese jade carving, Qing dynasty (1644-1911), in the form of a coin, carved with ‘Chong Ning Zhong Bao’, 5.2cm diameter £100 - 150

part lot

Provenance: From the collection of Mrs May Waldroup, compiled whilst living in Japan from 1952 to 1961.

Lot 332 A collection of three Chinese gouache paintings, of Daoist immortals, inscribed with the signature of Pu Ru, ink and colour on paper, each image 11.9cm diameter (3) £100 - 150

Lot 335 A pair of Chinese gouache paintings, of door gods, surrounded by other Daoist immortals and attendants, ink and colour on paper, image approximately 112.5 x 45cm and 114 x 44.5cm, framed and glazed (2) £100 - 150

Further images available on www.sworder.co.uk

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Lot 336 A pair of Chinese turquoise-glazed porcelain cats, possibly Republic period, each modelled seated on its haunches and with a curled tail, 20cm high (2) £100 - 150

Lot 337 A Tibetan thangka, painted with a double wheel of immortals surrounding a pair of bodhisattvas, within a square on a lotus base, all surrounded by various deities, 77.5 x 55.5cm £100 - 150

Lot 338 Two Chinese famille rose plaques, Guangxu (1875-1908), each of square form, painted with figures in a garden, 14.8cm square, and a famille rose milk jug, 18th century, with florets in shaped panels, 9.3cm high (3) £100 - 150

Lot 339 Two Chinese hardstone carvings, in the style of Hongshan culture, comprising: one in the shape of zhulong (pig dragon), the coiled body with protruding ears, the stone of white tone, 4.7cm long, the other in the shape of an eagle, 7cm long (2) £100 - 150

Lot 340 A Chinese famille rose tureen and cover, Guangxu (1875-1908), of lobed oval form, painted with butterflies and sprigs of florets, flanked by two handles to each side, 23cm long, and a stand, similarly decorated, 23.7cm long (3) £150 - 250

Lot 341 A Chinese agate carving, late Qing dynasty, of a recumbent horse, 7.5cm long, wood stand, and a carnelian carving, of a ram, 5.8cm long (3) £120 - 180

Lot 342 A Chinese export famille rose punch bowl, Qianlong (1736-1795), painted with figures appraising birds in a garden, 28.2cm diameter, and another, with figures in a garden, 28.2cm diameter (2) £150 - 250

Lot 343 A Chinese porcelain wall vase, of ovoid form flattened at the back, painted with birds perched on a blossoming tree, signed with signature of Hu Xianya and dated year of Guihai, 57.7cm high £120 - 150

Lot 344 A boxwood ruyi sceptre, in the shape of bamboo, with a cicada on top, 20cm long, and a model of a Chinese wood altar table, pierced and carved with peaches, 35.5cm long (2) £150 - 250

For a similar lot, see Bonhams, San Francisco, 1 Nov 2011, Lot 2030.

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Lot 345 A Chinese earthenware censer, Qing dynasty (1644-1911), of globular form on three splayed mask and tongue feet, flanked by two Buddhist lion handles, covered under a turquoise and purple glaze, 21.5cm high £150 - 200

Lot 346 A Chinese export famille rose charger, 18th century, painted with a landscape surrounded by the Eight Daoist Immortals, 35cm diameter, and a soup bowl, similarly decorated, 23.5cm diameter, another charger, painted with a vase and a scroll among peony and other flowers, 35.2cm diameter, and an octagonal bowl, with peony and a blossoming prunus tree, enclosed by panels of precious objects, 29.3cm long (4) £150 - 250

Lot 347 A Chinese blue and white jar, of compressed globular form, painted with birds among pine and bamboo, 26.5cm diameter £200 - 250

Lot 348 Three Chinese famille rose plates, Qianlong (1736-1795), painted with phoenixes by rocks, peony and other flowers, 25.6cm diameter (3) £150 - 250

Lot 349 A Chinese porcelain charger, early 20th century, of circular form, painted with butterflies, 41cm diameter, and two plates, similarly decorated, 26cm diameter (3) £150 - 250

Lot 350 A Chinese rock crystal carving, 20th century, of an elephant, 6cm long, wood stand, and a rutilated quartz crystal carving of a cat, 5.8cm high, wood stand (4) £150 - 250

Lot 351 A Chinese blue and white vase, the compressed globular body rising from a splayed circular foot to an inverted rim, painted with scrolling lotus above precious objects and clouds, 31cm high £200 - 300

Lot 352 A collection of six blue and white Nanking cargo tea bowls and saucers, c.1750, painted with two intertwining pine trees on a grassy rocky terrace, tea bowl 7.5cm diameter, saucer 11.8cm diameter (12) £150 - 250

Lot 353 A Chinese wood box and cover, early 20th century, the cover carved with a 'xi' (double happiness) character in a roundel surrounded by fruiting vines and butterflies, 22cm square (2) £200 - 300

Provenance: Christie’s, Amsterdam, 28 April - 2 May 1986, lot 5531.

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Lot 354 Two Chinese walnut carvings, 19th-20th century, comprising: one carved with numerous monks, 4.5cm long, and the other with boys surrounding a Buddhist lion, 3.5cm long, together with a coral carving of a chilong among clouds, 4.5cm long, and an agate archer’s ring, carved with an egret under a lotus leaf, 3cm wide (4) £150 - 250

Lot 355 A Chinese famille rose vase, 19th century, of baluster form, painted with figures in a sitting room, in shaped panels surrounded by birds and flowers, the shoulder applied with chilong and the neck with Buddhist lion handles, 46.5cm high, and another, with peony and prunus in relief, against a turquoise ground, the handles in the shape of peach branches, 29.5cm high (2) £180 - 220

Lot 356 A Chinese blue and white jar, of ovoid form, painted with dragons and phoenixes among scrolling florets, the shoulder with precious objects in panels against a diapered ground, six-character Wanli mark to base, 22cm high £200 - 250

Lot 357 A Chinese calligraphy couplet, in running script, with a dedication and signature of Qi Gong with three seals of the artist ‘Changqing’, ‘Yuanbai’ and ‘Qi Gong zhi Yin’, ink on paper, each 177 x 47cm (2) £200 - 300

Lot 358 A Chinese cloisonné box and cover, 20th century, of rectangular form, each side enamelled with birds and flowers, the top with a Buddhist lion finial, 12.6cm long (2) £200 - 250

Lot 359 A Chinese sancai-glazed monk, seated cross-legged on a tall pedestal with his long robe falling down to the sides, covered with amber, cream and green glaze, 51.5cm high £200 - 300

Lot 360 A Chinese cloisonné dish, Republic period (1912-1949), of lobed form on a splayed stem, enamelled with Buddhist lions and pups playing with brocade balls, 33.4cm diameter £200 - 300

Lot 361 A Chinese famille rose jar, of ovoid form, painted with a dragon and a phoenix among scrolling lotus against a green ground, six-character Qianlong mark to base, 26.5cm high £200 - 300

Lot 362 A Chinese famille rose punch bowl, 18th century, the rounded sides rising from a circular foot, painted with blossoming peony by rocks in a garden, 40.2cm diameter £200 - 300

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Lot 363 A Chinese famille rose tray, 19th century, of lobed quatrefoil form, painted with fishermen having a feast on a rock by a river, 27.5cm long, and an export famille rose dish, Qianlong (1736-1795), painted with the ‘lady on the lily pad’ tobacco leaf design, 22.8cm diameter (2) £200 - 300

Lot 364 A Chinese smokey quartz carving, of a dog, its head turned to the right, 6.5cm long, wood stand, and an agate mandarin duck, 6.4cm long, wood stand (4) £200 - 300

Lot 365 A Chinese jade carving, of two geese above a lotus leaf, one of them holding a lotus stem in its beak, 7.5cm long £200 - 300

Lot 366 A Chinese porcelain hu, of rectangular form on a short foot, with lug handles to the neck, moulded with peach-shaped panels to each side, covered overall in a sky-blue glaze, six-character Xuantong mark, 29.5cm high £1,800 - 2,200

Lot 367 A Chinese jade carving, of a recumbent dog, the stone with russet inclusions, 6.5cm long £200 - 250

Lot 368 A Chinese jade cicada, possibly Han dynasty, 4.8cm long, a jade tube, Ming dynasty (1368-1644), in the archaic form, 5.5cm long, a bi disk, 5.2cm diameter, and a cong, 4.2cm long (4) £200 - 250

Lot 369 A Chinese smokey quartz turtle, c.1900, 7.5cm long, and a rock crystal eagle, 5cm high, wood stand (3) £200 - 300

Lot 370 A Chinese wood plaque, c.1900, in the form of a bat, grasping a string of coins with its feet, 52.5cm long £200 - 300

Lot 371 A Chinese wucai brush pot, of cylindrical form, painted with figures in a garden, 13.8cm high £200 - 250

Provenance: T he Peter and Pat Crofts Collection.

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part lot Lot 372 A Chinese wucai vase, late Qing dynasty, of ovoid form, painted with phoenixes standing on rocks by peony under a bodhi tree, surrounded by other birds, all against a yellow ground, 36cm high £200 - 300

Lot 373 A collection of eleven Chinese pith paper paintings, late 19th century, including butterflies, figures in official robes or junk boats, 15.6 to 27cm (11) £200 - 250

Lot 374 Two Chinese export famille rose chargers, 18th century, painted with cranes standing on a rock by peony in a garden, 38.8 and 39cm diameter, a large plate, 29cm diameter, and eleven smaller examples, 23cm diameter (14) £200 - 300

Lot 375 A pair of Chinese famille rose tea bowls, each of tapering form on a circular foot, the exterior painted with leafy bamboo stalks and a butterfly fluttering over blossoming peony, the branch extending over the rim to the interior issuing further foliage, four-character Yongzheng mark, 8.3cm diameter (2) £200 - 300

Lot 376 A Chinese wucai box and cover, of shaped square form, the domed cover painted with two figures under a pine tree, enclosed by sprigs of flowers, six-character Jiajing mark, 13.5cm square (2) £300 - 500

Lot 377 A pair of Chinese jade figures, each in the shape of feitian (apsaras), their scarves and robes flowing, 6.6cm long (2) £200 - 300

Lot 378 Three Chinese jade carvings, comprising: a plaque, Ming dynasty (1368-1644), in the shape of a flower with ruyi-shaped petals, 7.4cm long, a pendant, Qing dynasty (1644-1911), in the form of a ruyi-shaped lock, incised with a peony, the reverse with characters, 5.4cm long, and a cicada, Qing dynasty, 5.4cm long (3) £200 - 250

Lot 379 Two Chinese blue and white tureens and covers, 18th century, of shaped octagonal form, painted with precious objects, the cover similarly decorated, 32cm long (4) £200 - 250

Lot 380 Two Chinese blue and white vases, 19th-20th century, each of rouleau form, painted with peacocks standing on a rock by blossoming peony and prunus, 60cm high (2) £200 - 250

Further images available on www.sworder.co.uk

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Lot 381 Two Chinese embroidered robes, Qing dynasty (1644-1911), both with butterflies and flowers in roundels, surrounded by sprigs of florets, above rocks and precious objects amongst waves, one against a green ground, 169cm across the arms, 115cm long, the other against a midnight-blue ground, 177cm across the arms, 142cm long (2) £200 - 300

Lot 382 A Chinese copper-red water pot, of rectangular form with rounded shoulder and two loop handles, painted with bats above lingzhi and rocks among waves, 12.5cm high £300 - 500

Lot 383 A Chinese hanging scroll, painted with a literatus staring at a river in a mountainous landscape, inscribed with signature of Xu Ben, ink on paper, 134 x 66cm £300 - 500

Lot 384 A Chinese famille rose Buddha, seated cross-legged on a double lotus pedestal, wearing a long robe exposing his right shoulder, 27cm high £600 - 800

Lot 385 A Chinese jun ware tea bowl, the rounded sides rising from a circular foot, covered by a sky-blue glaze with purple splashes, 8.6cm diameter £300 - 500

Lot 386 A large Burmese gilt-lacquered papier-mâché Shakyamuni Buddha, 20th century, seated cross-legged on a raised pedestal, his hands in Bhumiparsha mudra, the base inset with four iron rings, 90cm wide, 50cm deep, 148cm high £300 - 500

Lot 387 A Chinese famille rose vase, painted with Fu, Lu and Shou with boys by a pine tree, 45.4cm high £600 - 800

Lot 388 A pair of Chinese famille rose garden seats, 20th century, each of barrel shape, painted with lotus flowers on a pink ground with applied bosses and pierced cash motifs, 50cm high (2) £300 - 500

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Lot 389 A pair of Chinese rank badges, late Qing dynasty, of the fifth civil rank, each with the pheasant in gold thread standing on a rock above waves, surrounded by Eight Buddhist Emblems amongst clouds, all against a black satin ground, 25.5 x 26.5cm, together with another pair, of the ninth military rank, each depicting a seahorse standing on a rock above waves, surrounded by a fruiting peach tree, bats, lingzhi and clouds, 24.5 x 25.5cm, framed and glazed (4) £300 - 500

Lot 390 A Chinese doucai brush pot, of waisted cylindrical form, painted with ladies dancing or playing instruments in a garden, 21.3cm high £400 - 600

Lot 391 A Chinese peach bloom-glazed plate, the rounded sides rising from a circular tapering foot, covered with an even crimson-red glaze suffused with pink sprinkles near the rim, 23.2cm diameter £400 - 500

Lot 392 A Chinese calligraphy, in regular script, with a four-character Qianlong seal, ink on paper, 82 x 255.5cm £500 - 800

Lot 393 A Chinese copper-red glazed stem plate, the shallow rounded sides rising from a splayed hollow stem with a raised horizontal ridge simulating a bamboo node, covered on the exterior with a rich glaze of deep copper-red colour, thinning to white towards the rim and around the foot, the interior, rim and base left white, six-character Qianlong mark, 20.6cm diameter £2,000 - 3,000

Lot 394 A Chinese famille rose jar and cover, Republic period (1912-1949), of compressed globular form, painted with peony, lotus and chrysanthemum in shaped panels, surrounded by gourd tendrils against a yellow ground, the domed cover similarly decorated, four-character Qianlong mark to base, 20cm diameter, associated wood stand (3) £500 - 600

Lot 395 A Chinese rock crystal abstinence plaque, of rectangular form with pierced ruyi-shaped border, carved with the characters 'zhai jie' (fasting and purification), the reverse inscribed in Manchu script, 6.4cm long £500 - 1,000

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Lot 396 A Chinese blue and white meiping vase, potted with a high rounded shoulder below a short waisted neck, and tapering elegantly towards the slightly flared foot, painted with an official surrounded by servants in a garden, six-character Xuande mark, 26cm high £600 - 800

Lot 397 A Chinese famille rose bowl, the deep rounded sides rising from a circular foot, painted with peony enclosed by foliage and tendrils, against a copper-red glaze, six-character Qianlong mark, 11cm diameter £700 - 1,000

Lot 398 A Chinese famille rose ‘balsam pear’ bowl, the rounded sides rising from a circular foot, the exterior enamelled with a butterfly above blossoming and fruiting balsam pear vines and leafy bamboo stalks, extending over the rim to the interior, six-character Daoguang mark, 10.8cm diameter £1,000 - 1,500

Lot 399 A Chinese famille rose bowl, of deep rounded form on a circular foot, painted with four pink medallions enclosing Chinese characters ‘Fori Changming’ (the light of Buddha shines eternally), surrounded by scrolling lotus, all against a yellow ground, 10.7cm diameter £700 - 1,000

Lot 400 A Chinese famille verte vase, of rouleau form, painted with figures riding horses in a landscape, 46cm high £800 - 1,200

Lot 401 A Chinese lacquered tray, of square form, carved with figures in a pavilion overlooking a river in a mountainous landscape, 26cm square £800 - 1,000

Lot 402 A large Chinese famille rose charger, the rounded sides rising from a circular foot, painted with a phoenix and dragon chasing a flaming pearl among clouds, the underside with scrolling flowers, six-character Xuantong mark to base, 53.8cm diameter £800 - 1,200

Lot 403 A pair of Chinese famille rose planters, of rectangular form on four bracket feet, painted with poppy below prunus, four-character Tihe Dian zhi (made for the Hall of Manifest Harmony) mark to base, 27.7cm long (2) £1,500 - 2,000

Lot 404 A Chinese blue and white jar, the rounded sides rising from a circular foot to an inverted rim, painted with dragons chasing flaming pearls amongst clouds between ruyi-shaped borders, six-character Wanli mark, 14cm diameter £1,000 - 1,500

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Lot 405 A Chinese famille rose bowl, 20th century, the rounded sides rising from a circular foot, painted with lotus among bats suspending a tasselled musical chime, four-character Cai Hua Tang Zhi (Hall of Brilliant Colours) mark in iron red to base, 13.1cm diameter £1,000 - 1,500

Lot 406 A Chinese blue and white bowl, delicately potted with ogee sides rising from a short foot, painted with dragons among clouds, six-character Daoguang mark to base, 17.2cm diameter £1,800 - 2,200

Lot 407 A Chinese famille rose jar and cover, of ovoid form, painted with bats amongst scrolling lotus against a green ground, the domed cover similarly decorated with a spear knop, six-character Jiaqing mark, 29cm high (2) £1,000 - 1,500

Lot 408 A Chinese jade censer, of cylindrical form supported by three boys, carved with a butterfly above flowers, inscribed, 6.3cm high £1,500 - 1,800

Lot 409 A Chinese wood table screen, of rectangular form on a raised pedestal, carved with petal lappets and scrolls above ruyi-shaped feet, inserted with nine jade Buddha surrounded by incised scrolls, the reverse with an inscription in a recessed rectangle, 46.5cm wide, 13.5cm deep, 42.5cm high £500 - 800

Lot 410 A pair of Chinese famille rose plates, each of circular form, painted with blossoming florets and leaves against a ruby ground, six-character Daoguang mark, 22.5cm diameter (2) £1,000 - 1,500

Lot 411 A Chinese blue and white jar, of ovoid form, painted with florets among leafy scrolls, six-character Xuande mark to base, 12.6cm high £1,500 - 2,000

Lot 412 A Chinese copper-red glazed bowl, the deep rounded sides rising from a splayed circular foot, covered on the exterior with a rich glaze of deep copper-red colour, thinning to white towards the rim and around the foot, the interior, rim and base left white, six-character Qianlong mark, 15.2cm diameter, wood stand (2) £2,000 - 3,000

Lot 413 A Chinese bronze incense burner, of circular squat form on three stud feet, seal mark ‘Yu Tang Qing Wan’ (pure pleasure of the jade hall) inset to base, 14cm diameter, 1451.5g £1,500 - 2,000

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20%

274-422 CHINESE WORKS OF ART – PART 2

Lot 414 A Chinese doucai charger, of circular form, painted with cranes among rocks, bamboo and pine by a river, the underside similarly decorated, six-character Yongzheng mark, 32.7cm diameter £1,500 - 2,000

Lot 415 A Chinese jade carving, of guanyin in a long robe standing on waves, with a boy holding lotus to her right side and an incense burner to her left, 9cm high £1,500 - 1,800

Lot 416 A Chinese celadon bowl, the ogee sides rising from a short foot, the exterior covered under a pale green glaze, six-character Qianlong mark, 15.6cm diameter £1,800 - 2,000

Lot 417 A collection of four Chinese famille rose porcelain panels, of circular form, painted with flowers and birds, inscribed with signature of Li Daoren, 17.5 to 18cm diameter (4) £2,000 - 3,000

Lot 418 Two Chinese jade plaques, of rectangular form pierced with a pair of confronting chilong to the top, both carved with a literatus by a river in a rocky landscape, the reverse with an inscription, 6cm long (2) £3,000 - 4,000

Lot 419 A Chinese agate snuff bottle, Qing dynasty (1644-1911), of tapering form, carved with a bird perched on a blossoming branch, the domed cover with a bird finial, 7.5cm high, and a soapstone snuff bottle, pierced and incised with scrolls, flanked by phoenix and ruyi handles, 5.2cm high (2) £100 - 150 Provenance: The Peter and Pat Crofts Collection.

Lot 420 A Chinese monochrome Peking glass vase, the cobalt blue globular body rising from a short circular foot to a long straight neck, 22.5cm high £140 - 250

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Lot 421 A pair of Chinese walnut carvings, with numerous monks, approximately 4cm long, a soapstone snuff bottle, carved with precious objects or a deer, 6.3cm high, and a mother-of-pearl snuff bottle, carved with bats and lingzhi, 5.7cm high (4) £150 - 200

Lot 422 A Chinese overlay Peking glass brush pot, decorated in spinach green with two scholars seated in a boat in a lotus pond, against a purple ground, four-character Qianlong mark to base, 14.7cm high £150 - 250

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JAPANESE WORKS OF ART – PART 2 423-434

Lot 423 A Japanese ivory netsuke, Meiji period (1868-1912), carved with seven Noh masks, signed to base, 4cm long £50 - 80

Lot 424 A Japanese ivory netsuke, Meiji period (1868-1912), of a boy holding a cloth sack and a double gourd, 4cm long £50 - 80

Lot 425 A Japanese ivory okimono, Meiji period (1868-1912), carved with four of the Seven Gods of Fortune travelling on a cloth carried by two oni, signed to base, 8cm high £50 - 80

Lot 426 A Japanese Saiko-Kutani ware plate, 19th century, painted with a tiger in the bamboo, Fuku mark to base, 21.9cm diameter £50 - 80

Lot 427 A Japanese Satsuma ware vase, 20th century, painted in gilt with a tree with wisteria and vine, signed Kizan, 18.8cm high £50 - 80

Lot 428 A Japanese metal box and cover, 20th century, the circular domed cover painted with pheasants on a blossoming tree, signed Kouho, 11.7cm diameter (2) £60 - 80

Lot 429 A Japanese miniature Satsuma ware vase, Meiji period (1868-1912), by Kinkozan, of cylindrical form on three bracket feet, painted with wisteria, stamped marked Kinkozan zo and signed Kinkozan to base, 5.6cm high £60 - 80

Lot 430 A Japanese porcelain okimono, early 20th century, probably Ao Kutani, of a duck with its feathers enamelled in blue and green, 17.5cm long £60 - 80

Lot 431 A Japanese ivory okimono, early 20th century, of Hotei wearing a long robe, loosely tied to the waist exposing his bare belly, standing with a fan in his right hand and his left foot resting on a mallet, signed to the back, 9.5cm high £70 - 100

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423-434 JAPANESE WORKS OF ART – PART 2

Lot 432 A Japanese ivory okimono, Meiji period (1868-1912), carved with a bear searching for a samurai hiding under a large melon, 4cm long £80 - 120

Lot 433 A pair of Japanese bronze vases, Meiji period (1868-1912), of tapering cylindrical form inlaid with bamboo in silver, three-character mark to base, 15.4cm high (2) £100 - 150

Lot 434 Three South Asian earthenware jarlets, comprising: one ovoid, under a brown glaze, 7.4cm high, one with diagonal decoration, 7cm diameter, and another, plain with two looped handles, 8.5cm high (3) £100 - 150

Lot 435 A large collection of books and catalogues on CHINESE arts, including: Tsang, Gerard and Hugh Moss: Arts from the Scholar’s Studio. Catalogue of an Exhibition Presented

by The Oriental Ceramic Society of Hong Kong and the Fung Ping Shan Museum. 1986, Limited edition #360 of 1500 copies, with dust jacket. 4to; Low, Denis S K: Chinese snuff bottles: from the sanctum of enlightened respect III. 2007, dust jacket and slipcase, FINE; Yixing Zisha Wares in the Palace Museum . 2007, card covers and slipcase. Fine; Selective collection of Chinese Ancient Coins for Dynasties. A fine copy in fold over covers; Sale Catalogues from some of the main auction houses; Etc. (33) £300 - 600

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Consigning Arts & Crafts I Art Deco I Modern Design

TUESDAY 25 JANUARY 2022 johnblack@sworder.co.uk | 01279 817778 A near pair of Rozenburg Den Haag twin handled porcelain vases, dated 1911-12 and 1914, 19.5cm high, estimate £1,500-2,500

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TERMS AND CONDITIONS 1. INFORMATION FOR BUYERS Introduction The following notes are intended to assist Bidders and Buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Terms and Conditions and any notices that are displayed in our salerooms or announced by the Auctioneer at the auction. Our Terms and Conditions are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Terms and Conditions that you do not fully understand.

Please make sure that you read our Terms of Sale carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale.

Methods of payment Lots must be paid for before they are collected or shipped. For those attending the auction we ask that Lots are paid for on the day of the sale. Methods by which we accept payment are detailed on our Website, including online payment upon receipt of your invoice, and these should be paid by 5pm on the Friday following the sale.

We accept cash to an upper limit of 10,000 euros equivalent. We accept credit card payments to an upper limit of £5,000. Usually any cheques will need to be cleared before you can take the Goods away.

Collection and storage All Lots should be paid for and collected by 5pm on the Friday following the sale.

Commission Bidders should check the success of their bids and arrange payment, and collection or shipping within this time. For our specialist auctions please refer to the collection and storage requirements detailed in the catalogue and on our Website, which specifies the applicable fees. For our Homes and Interiors auctions, items not removed by 5pm on Friday may be removed at the purchaser’s expense and storage charges of £10 (plus VAT) for administration and £2 (plus VAT) per lot per day.

Agency As Auctioneers we usually act on behalf of the Seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the Goods is with the Seller, not with us as Auctioneer.

Estimates Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular Lot. Estimates may change and should not be thought of as the sale Price. The lower estimate may represent the Reserve Price (the minimum Price for which a Lot may be sold) and will not be below the Reserve Price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the Auctioneer before the auction of the Lot. They are not definitive.

Buyer’s Premium The Terms of Sale oblige you to pay a Buyer’s Premium at 25% on the Hammer Price of each Lot purchased, except for our Fine Wine and Port auctions when it is 15%. In addition, VAT is charged on these Premiums (see below).

VAT Items in our catalogue may be marked with a dagger † or double dagger ‡, which indicates that VAT is payable by the Buyer on the Hammer Price and the Buyer’s Premium at either the standard rate (currently 20%) or a reduced rate (currently 5%), depending upon the legal requirements relating to that Lot. Lots which do not have either of the above symbols have no VAT payable on the Hammer Price. This is because such Lots are sold using the Auctioneers’ Margin Scheme. The VAT included within the Premium is not recoverable as input tax.

Shipping Costs are liable for VAT and are payable by the Buyer.

Inspection of Goods by the Buyer As we act on behalf of the Seller, we are dependent on information provided by the Seller about their Goods. We may inspect Lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of Lots to check their condition in the way a Buyer would do. You will have ample opportunity to inspect the Goods. You must inspect and investigate Lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of Lots set out in the Terms of Sale at clause 12.4.

Condition reports We may be able to assist Buyers unable to view by emailing a condition report, but these are based solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy. Intending Buyers are strongly encouraged to view. Condition reports cannot be prepared on the day of the sale.

Shipping of Goods We offer a delivery service for Lots purchased. Estimates for Shipping Costs for smaller items can be calculated pre-sale on our website under each Lot and are based on value, size and your chosen UK destination. For items purchased the actual cost can be added to your account and paid online after the sale. If you purchase multiple Lots from the same auction, we will combine packaging/deliveries to reduce the Shipping Costs. For lots for which Shipping Costs cannot be automatically calculated, such as furniture, you can obtain a bespoke Shipping Cost from our website to any destination in the world either in advance of the sale or after you have purchased.

Estimates of Shipping Costs on our website are based on the low estimate, whilst the actual cost is based on Hammer Price.

Electrical goods These are sold as ‘antiques’ only. If you buy electrical Goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

Export of Goods If you intend to export Goods you must find out: a. whether an export licence is needed; and b. if there is a prohibition on importing Goods of that character e.g. because the Goods contain prohibited materials such as ivory.

Bidding Bidders will be required to register with us before the auction starts. We Reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a Commission bid. If you wish to bid on high value Lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.

Commission bidding You may leave Commission bids with us indicating the maximum amount to be bid against a Lot (excluding the Buyers’ Premium and/or any applicable VAT). We will execute Commission bids as cheaply as possible having regard to the Reserve (if any) and competing bids. If two Buyers submit identical Commission bids we may prefer the first bid received (where this can be reasonably ascertained). We recommend leaving Commission bids online via our Website, though please contact us about leaving bids by telephone or fax/email. All absentee bids should be received at least 30 minutes before the auction commences; we cannot guarantee to execute Commission bids received after this time.

Telephone bidding If you are unable to come to the auction it may be possible to bid on the telephone for higher value Lots. Please note that this service is for Lots with an estimate of £500 or more. The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate. It is advisable to leave a maximum covering bid in case we are not able to contact you by telephone.

All lines must be booked and confirmed in writing before the day of the auction and preferably some time in advance. Telephone bidding involves many variables and whilst we take every care to ensure the smooth operation of this service, we cannot be held liable if your bids are missed for any reason.

Online bidding Any Lots purchased via a live online bidding service will be subject to an additional Commission charge on the Hammer Price payable by the Bidder, in accordance with rates specified by the online service. From 1 January 2020, these charges will be charged at 0% while bidding via Sworders Website. If bidding through the-saleroom.com this will be charged at 4.95% plus VAT. These charges will be payable to us on top of the Hammer Price and our Buyer’s Commission.

IMPORTANT NOTICES Removal of Lots All Lots are to be removed from the premises by 5.00pm at the latest on the Friday following each sale. Sworders retain the right to remove Lots remaining after this time into safe storage, for which a charge will be made.

Electrical Goods All electrical Goods offered in this sale have either been tested and certified safe or unsafe by an appropriately qualified electrician. All electrical Goods certified safe must be re-Commissioned by an appropriately qualified electrician and we recommend those certified safe are similarly re-Commissioned.

Post 1950 Upholstered Furniture All items of furniture included in this sale are offered for sale as works of art.

The items may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason, they should not be used in a private dwelling.

Furniture made of Brazilian Rosewood (Dalbergia Negra) To comply with CITES Regulations on Post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial Buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. Items are marked with this sign §.

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2. TERMS OF SALE Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale. These Terms of Sale relate to auctions conducted by an Auctioneer only.

We have separate terms for online only auctions.

1. Definitions and interpretation 1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning: In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words ‘we’, ‘us’, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a Commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition.

5. VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price, Premium and Shipping Costs (if applicable) due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the ‘Information for Buyers’ in our auction catalogue for further information.

3.3 If you instruct us in writing, we may execute Commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your Commission bid, unless our failure to do so is unreasonable. Where two or more Commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

5.2 We will charge VAT at the current rate at the date of the auction.

‘Auctioneer’

means GES & Sons Ltd trading as Sworders Fine Art Auctioneers, a company registered in England and Wales with registration number 6858916 and whose registered office is located at Cambridge Road, Stansted Mountfitchet, Essex CM24 8GE or its authorised Auctioneer, as appropriate;

‘Bidder’

means a person who places a bid for Goods at our auction;

‘Buyer’

means the person who makes the highest bid for the Goods accepted by the Auctioneer;

‘Commission’

means the Commission that we charge you on the sale of the Goods as set out in Clause 5 below;

‘Consumer’

means an individual acting for purposes which are wholly or mainly outside that individual’s trade, business, craft or profession;

‘Consumer Contracts Regulations’

means the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013;

‘Deliberate Forgery’

means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described;

6. The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the Auctioneer records the winning Lot in the sale book accepting the highest bid for the Lot at auction, unless due diligence information required by the Auctioneer under the Money Laundering Regulations 2019 in accordance with their internal procedure remains outstanding, in which case the contract will be formed when that information is accepted by the Auctioneer as complete.

6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment.

6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may at our discretion provide the Seller with information or assistance in relation to that claim.

6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot).

7. Payment 7.1 Immediately following your successful bid on a Lot you will:

‘FCA’

means the Financial Conduct Authority;

‘Goods’

means the Goods that have been consigned to us for sale at our auction;

‘Hammer Price’

means the level of the highest bid for a Lot accepted by the Auctioneer;

‘Premium’

means the Premium charged to the Buyer on the sale of the Goods in accordance with the Terms of Sale;

‘Price’

means the total of the Hammer Price, Premium, Shipping Costs (if applicable) and any applicable VAT;

7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and

‘Proceeds’

means the Price less the Commission, the Premium, Shipping Costs, any expenses incurred to your account and any applicable VAT;

7.1.2 pay to us the total amount due in any way that we agree to accept payment.

‘Reserve’

means the minimum Price at which the Goods may be sold;

‘Seller’

means the owner of the Goods and any agent who consigns the Goods for sale on the owner’s behalf (if applicable);

7.1.3 pay in full the Shipping Costs prior to the Goods being shipped, should you agree to the Auctioneer’s shipping agent delivering the Goods.

‘Shipping Costs’

means the charges applied to the shipping of all Goods purchased, should the Buyer ask for the Auctioneer’s shipping agent to deliver the Goods (if applicable);

7.2 If you owe us any money, we may use any payment made by you to repay these debts.

‘Terms of Consignment’

means these Terms of Consignment;

‘Terms of Sale’

means the Terms of Sale for Bidders or Buyers at our auctions;

‘Trader’

means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the Trader’s name or on the Trader’s behalf (such as an agent and/or the Auctioneer);

‘VAT’

means any value added tax or equivalent sales tax; and

‘Website’

means our Website available at www.sworder.co.uk.

2. Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may re-offer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.

2.3 The Price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

2.4 The arrangements for collection or delivery of the Goods as set out in Clauses 8 and 9.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

3. Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

4. The purchase price As Buyer, you will pay: a. the Hammer Price; b. a premium of 25% plus VAT of the Hammer Price or 15% plus VAT for our Fine Wine and Port Auction; c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due.

8. Title and collection of purchases 8.1 Once you have paid us in full the total amount due for any Lot, ownership of that Lot will transfer to you.

You may not claim or collect a Lot until you have paid for it.

8.2 You will (at your own expense) collect any Lots that you have purchased and paid for not later than 5pm on the Friday following the auction, or such later date as is specified in the printed catalogue or on our Website.

8.3 If you agree to the Auctioneer delivering the Goods, only when the full Shipping Costs have been paid will the Goods be dispatched. We reserve the right that some Lots will not be suitable for an automated shipping estimate and will require bespoke quotes from the shipping agent.

8.4 Should you decide to use the delivery service, you thereby agree to allow the Auctioneer to share relevant personal data that we hold with the shipping agent in order to allow effective communication between the shipping agent and you, and to enable delivery.

8.5 If you do not collect the Lot within the time period under Clause 8.2, you will be responsible for any reasonable removal and storage charges in relation to that Lot. 8.6 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot. 8.7 If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the Proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling Commission at our standard rates on any such resale of the Lot.

9. Remedies for non-payment or failure to collect purchases 9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the Price you should have paid for the Lot and the Price we sell it for as well as the charges outlined in Clause 8.7).

Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the total amount due, including Shipping Costs where applicable; 9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or 9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

9.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any non-compliance by you with these Terms of Sale.

10. Health and safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our employees’ or our agents’ negligence.

11. Warranties 11.1 The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the Lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.

11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the total amount due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.

11.3 Please note that many of the Lots that you may bid on at our auction are second-hand.

11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015).

These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.

11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

12. Descriptions and condition 12.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for

which we are not liable); and (b) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

15.2.1 by delivering it by hand;

12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot.

15.2.3 by email, provided that receipt of the email is acknowledged by the recipient.

12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling Price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.

12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold ‘as is’ (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.

13. Deliberate Forgeries 13.1 You may return any Lot which is found to be a Deliberate Forgery to us within thirty days of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if: 13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or 13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2.

13.3 If you have sold the Lot to another person, we will only be liable to refund the Price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot. 13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale.

14. Our liability to you 14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction.

14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Terms and Conditions. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. 14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or 14.4.3 any liability which cannot be excluded by law.

15. Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

15.2 Any notice referred in Clause 15.1 may be given:

15.2.2 by first class pre-paid post or recorded delivery; or

15.3 Notices must be sent: 15.3.1 by hand or registered post; a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 15.3.2 by email: a. to us, by sending the notice to the following email address: auctions@sworder.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing.

15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 if sent by first class pre-paid post or recorded delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that receipt is acknowledged by the recipient).

15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.

16. Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our Website.

17. General 17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate.

Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues.

17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.

17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them.

17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right.

Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale.

Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.

17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any non-contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

These terms are based upon the recommended terms of sale by the Society of Fine Art Auctioneers and Valuers

The Stansted Auction Rooms Cambridge Road Stansted Mountfitchet Essex CM24 8GE 01279 817778 auctions@sworder.co.uk Hertford Office 42 St Andrew Street Hertford SG14 1JA 01992 583508 hertford@sworder.co.uk London Office 15 Cecil Court London WC2N 4EZ 0203 971 2500 london@sworder.co.uk Kent Office 01732 757675 kent@sworder.co.uk

www.sworder.co.uk

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