Shakespeare’s Wild Sisters Group 莎士比亞的妹妹們的劇團 Founded in the summer of 1995, Shakespeare's Wild Sisters Group owes its name to the fictional character in Virginia Woolf’s novel A Room of One’s Own, meaning to liberate women’s talents from the oppression of patriarchy. Limiting itself to no specific issues or conventional aesthetics, SWSG takes materials from all arts inspiring to create original theatrical works. Having been to Hong Kong, Macau, Beijing, Shanghai, Busan, Tokyo, Berlin, Singapore, Kobe, Paris, and New York, SWSG has been invited by various cities and countries to perform, and takes an important role in international city culture and artistic exchange for many years.
Most of the SWSG’s members started their partnership of staging theatrical productions in college years, who were then members from the Drama Club of National Taiwan University (NTU) and the Linear Theater Group, comprised of the students from the Department of Foreign Languages and Literature of the Night School of NTU. Such partnership continued strongly after their graduation, and led to the birth of the SWSG in 1995 with its debut production A Boring Life, written and directed by its chief creative artist Wei Yingchuan. Having performed in various countries and cities since 1997, the SWSG has been to the 2nd International Experimental Theatre Festival Shanghai, Hong Kong Journey to the East festival 1998, 1999, and 2000, Little Asia Theatre Exchange Network 1998, 1999, and 2001, Festival of Vision Hong Kong – Berlin, The 2nd Girl Play Festival Hong Kong, Physical Theater 2003, etc. In 2008, the SWSG was invited for residency at the Robert Wilson Watermill Center, during which their installment / performance work was named as one of the Top 10 annual evening-party performance by New York Times, and their environmental theatre work
Plastic Holes was praised by Robert Wilson as being “lots of humor, poetic, surprising, touching, special way of listening, interesting way using the architecture, most importantly FUN!” The SWGS has now issued over forty theatrical works to date. Zodiac, written and directed by WANG Chiaming, was selected Top 10 in the 1st Taishin Performing Arts Awards. The 2007 production Tsen，。received a Top 10 Performing Arts nomination and Special Jury Award in the 6th Taishin Arts Awards. In 2008, Baboo’s directed work Hsu Yen-ling × Sylvia Plath and WANG Chia-ming’s directed work Listen to Me, Please~ Deluxe extended version were both nominated Top 10 in the 7th Taishin Performing Arts Awards, the former presented again in Avignon Off Festival, France in 2009. Director WANG Chia-ming’s Once, upon Hearing
the Skin Tone received first prize in the 8th Taishin Performing Arts Award.
Download document here: http://issuu.com/swsg
Wang Chia-Ming / Artistic Director
Wang has been working on experimental theatre for more than ten years, always keeping his creative works a fusion of tradition and innovation, a daring integration of popularity and avant-garde. His works are well-received by the general public without losing its critical power; experimental without becoming pompous claptraps. He intended to introduce theater art to the public and at the same time advance the cultural aesthetics. These years Wang was absorbed in probing the possibilities of new expressions on language, performance and audio/voice in theatre, which invoked fervent discussion from both positive and critical sides. To expand the limit of the empty space as well as to enrich the definition of theater as an total art, he opened himself up to cooperate with artists from cross genres, such as dancers, filmmakers, symphony orchestra, visual artists, academic acrobats, underground bands, music players and even DJ and VJ. By breaking the boundary between art genres, Wang hoped to see through the blind spot on theatrical creativity, and furthermore to explore different routes for artists to create together for a theater of new meanings. As a director and playwright in Chinese, Wang has his works mostly tour to places where Chinese is used. Wang also worked for other productions as a producer or stage manager, which gave him the chances to tour to Hong Kong, Tokyo, Osaka, Paris, Berlin, Macau, Busan, Singapore, Beijing, Shanghai, etc. In addition to theatre, he also works as assistant director for commercial ads, director for music videos and fashion shows. In 2009, Wang was invited as opening show director for the 2009 World Games in Kaohsiung.
SWSG
《R3-the life and death of Richard III》 Premiere :10th April 2015 2015 TIFA Taiwan International Festival of Arts
“But say, my lord, it were not register'd, Methinks the truth should live from age to age, As 'twere retail'd to all posterity, Even to the general all-ending day.”
--Richard III
In 2012, a skeleton suspected to be the remains of King Richard III was found underneath a parking lot near a church in the Leicester city center. Later, it was confirmed by DNA tests that the skeletal remains were those of King Richard III, for centuries the most reviled of English monarchs. Through the description by Shakespeare, this deformed cripple has become the most infamous monarch in the English history and has even been described as a monster in fairytales, the destroyer of innocence, and the synonym of evil. However, historians and literary writers have been trying to rehabilitate the medieval king and to promote a more balanced view of Richard III. If history is a face, how could it be molded and reshaped? Director Wang Chia-ming, twice Taishin Arts Award winner, tries his hands on Shakespeare’s works for the third time after Titus Andronicus and
Romeo & Juliet, and challenges Shakespeare’s history play, Richard III. By real-time recordings, onsite sound-dabbing, and putting men along with puppets on the same stage, Wang Chia-ming aims to echo the contemporary politics in Taiwan with the history 400 years ago, exploring such questions as “What is history?” and “What is truth?”
Watch video here: https://www.youtube.com/watch?v=d5i0dwqwiJY
SWSG
《SMAP X SMAP – in love with the 90’s》 Premiere :4th September 2013 2013 Taipei Arts Festival
Following Michael Jackson – Back to the 80s and Bluesy Lee – Welcome to the 70s, Wang Chia-ming, the Taishin Arts Award winning director and the Godfather of pop theatre, is adding SMAP X SMAP – In love with the 90s to his trilogy of popular culture. Our 90s, our march of happiness. But as we headed full-speed towards the final destination of happiness, the so-called happiness had long departed… “It wasn’t the era we lost, but the courage.”– AsunaroHakusho
In 2010, theatre director Wang Chia-ming fired up the popular culture and common phenomena of the 80s in Taiwan via Michael Jackson – Back to the 80s, the first of his pop culture trilogy, with the flashing energy of pop concerts and declarations of frenzied fans. Similarly themed in pop culture, SMAP X SMAP –
In love with the the 90s is a new production anchored in the 90s, aiming to explore the cultural mixture in Taiwan from the microscopic historical viewpoint.
Michael Jackson – Back to the 80s demonstrated how the American culture had influenced Taiwan in depth, SMAP X SMAP – In love with the 90s, on the other hand, targets the post-colonization identification in Taiwan, demonstrated by the influence of various common culture from Japan. Languages used in the play come in a mixture of Japanese and Taiwanese with manga-style subtitling, scenes are filmed on-site with the background-extraction effect enabled by DIY stage settings to be assembled and disassembled on demand, all which point to the heterogeneous space and culture in our society. Geological factors behind natural disasters including the 1995 Kobe Earthquake in Japan and 1999 September 21 Earthquake in Taiwan were also found in the play, highlighting the fact that though on different islands, the two countries are connected by the same unstable seismic belt, while sharing a peppy, happy but fundamentally unstable era.
Watch video here: https://www.youtube.com/watch?v=JigfeljG1kE
SWSG
SMAP X SMAP
SMAP X SMAP
《Michael Jackson-back to the 80’s》 Premiere: 19th August 2010 2010 Taipei Arts Festival
We scream and shout along with Michael Jackson’s songs and dance, we reminisce together… Once, we revered and worshipped recklessly; once, we depleted our passionate youth lavishly; once, the most righteous generation of the 80s. The very first stage performance based on pop culture and idol, a theatre builds in the scale of a live concert.
Michael Jackson, the superstar of Rock’n’Roll music, died on June 25, 2009. Suddenly, after the missilelike bombardment of news media, this has-been superstar, who has been frequently mocked, exploited, and studied by cultural analysts, studies has become a new immortal cultural legend. The three creators of
Michael Jackson-back to the 80’s in 2005 decided to restage this well-received and sold-out theatre in a new version under this new cultural atmosphere. In Michael Jackson-back to the 80’s, three of Michael’s most representative albums (Thriller in 1982,
Bad in 1987, and Dangerous in 1991) are selected as the core sections of the play. Starting from the memory of Michael and his symbolic meanings, the play attempts to interpret this cultural phenomenon from a Taiwanese point of view, bringing the audience back to the Taiwanese pop culture of the 80s through a collage of news events and elements of popular culture. The fragmental but sweet collective memory of the generation born in the 1970s towards the 80s are evoked by reenacting scenes from “Entertainment 100”, the legend of swordsman “Chu Liu Xiang”, the pop music group The Little Tigers, love soap operas of Chiung Yao, the bank robber Li Shike, the Olympic taekwondo gold medalist Chen Yi-An, the athlete Li Fu-en, Knight Rider’s car, and the Taiwan version of “We are the world”— “A better tomorrow”.
Watch video here: https://www.youtube.com/watch?v=MXivZ2mLPNU
SWSG
Michael Jackson-back to the 80’s
Michael Jackson-back to the 80’s
《Once, upon hearing the skin tone》 Premiere: 10th April 2009 The 8th Taishin Arts Award 2013 tour in Hong Kong art center.
A wall separates the audience on both sides; a tightly-strung plot and funny twist. The denouement only comes at the very end that takes everybody by surprise. I’m going to tell you a story about my murder----Eyes
Once, upon hearing the skin tone is a detective story with 12 characters. Its complex story line is full of love, mysterious murder, and imaginary realities. Rather than developing the suspension, the story presents scenes of seemingly ordinary life and the hidden connections among characters slowly reveal, like a complicated map showing endless loops of psychology, relationship, and desire among the 12 actors. In the end, those who kill and their accomplices are not punished by law. Life goes back to normal for them. Another cycle of life continues, so do more new romantic relationships and murders in this imaginary life full of violence. Through the use of symbols such as thin skins and retina, and through the alternating scenes of imaginary scenarios and realities, the play shapes this detective story as a philosophical parable. The play title “Skin” comes from Director Wang’s interpretation of the shallowness of love. In love, Wang discovers the element of shallow and further discusses the conflicts between negative emotions in the surface and the strong desire deep inside. Jealousy and envy between lovers, together with abnormal behaviors that eventually lead to murder, become elements in this detective story that the playwrightdirector employ to compose this music theatre mixing love and murder together.
Watch video here: https://www.youtube.com/watch?v=EvJBB9_r-jA
SWSG
Once, Upon Hearing the Skin Tone
Once, Upon Hearing the Skin Tone
《Tsen, 。》 The 6th Taishin Arts Awards 「Jury’s Special Award」 2007 National Theater Innovation Series
This is a piece discusses the love condition of human being. The name of the play originates from Aristophanes’ comic script in Plato’s The Symposium. It is, he says, because in primal times people were globular spheres who wheeled around like clowns doing cartwheels (190a). There were three sexes: the all male, the all female, and the "androgynous," who was half man, half woman. The creatures tried to scale the heights of heaven and planned to set upon the gods (190b-c). Zeus decided to cripple them by chopping them in half and turned half their faces around and pulled the skin tight and stitched it up to form the belly button. Ever since that time, people run around saying they are looking for their other half because they are really trying to recover their primal nature. This is where the play extends from and introduces the love chapter in Tsen， 。 The play is divided into five chapters: “Prologue of Encounter,” “Fugue of Vulgarness,” “The Ocean of Lust,”“Grown-up Fairytale,”“All About Love.”The chapters are introduced with music, not in a musical performance or fragmentary music pieces, but to try to merge different formats and contents of life experiences and form a unique sense of musical notes and space in a theatre.
The director bravely makes the performance in progress with the concept of “playback” such as reverse, forward, slow-down, and repetition.
Other musical approaches, similar to canon and counterpoint,
transform the stage into a music movement of space. Aside from the art form, the director furthers the theme from “love”to “war”and “death”with a unique communication. It is a magical touch to lift the sarcastic-toned performance up to an epic vision. The production creates an un-precedent criteria for both the art form and in aesthetics --by Taishin Arts Awards Jury Lin Yu-Pin
Watch video here: https://www.youtube.com/watch?v=h76TQhQOaFE
SWSG
Shakespeare’s Wild Sisters Group (1995-2015) 2015 Sept 《Skin Touching》 Director: Hsu,Yen-ling Experimental Theatre, National Theatre May 《Listen to Me, Please~》Director: Wang Chia-Ming. Tour in Beijing Apr 《R3-The Life and Death of Richard III》 Director: Wang, Chia-Ming National Theatre 2014 Dec《Four》Director: Wei Ying-Chuan, Wang Chia-Ming, Baboo Liao, Hsu Yen-Ling. Nov《Listen to Me, Please~》Director: Wang Chia-Ming. Chunghua Theatre Arts Festival. Mar《Show On》Director:Baboo Liao. Wellspring Theatre. 2013 Sept《Absente: Rendez-vous avec Sophie Calle》Director: Baboo Liao. TNUA Experimental Theatre. Sept《SMAP x SMAP-in love with the 90’s》Director: Wang Chia-Ming. Taipei Arts Festival. Jul《Absente: Rendez-vous avec Sophie Calle》 Director: Baboo Liao. Festival Off d’Avignon. May《iI》Director: Wei, Ying-Chuan. Huashan 1914 Creative Park E3. Tour in China Jan《Once, upon hearing the Skin Tone》Director: Wang, Chia-Ming. Tour in Hong Kong. 2012 Dec《One Table and Two Chairs》Director: Wei Ying-Chuan, Wang Chia-Ming, Baboo Liao, Hsu Yen-Ling. Nov《Once, upon hearing the Skin Tone》Director: Wang Chia-Ming. Oct《Show On》Director: Baboo. National Theater Experimental Theater, Huashan 1914 Creative Park E3 Sept《Listen to Me, Please~》Director: Wang Chia-Ming. Tour in Hsinchu, Taoyuan, Changhua Jul《I Am Beautiful Facetival》 Curator: Wei Ying-Chuan. Nanhai Gallery Jun《Listen to Me, Please~》Director: Wang Chia-Ming. 2012 Kaohsiung Spring Arts Festival Jan《Sylvia Plath x Hsu Yen-Ling》Director: Baboo Liao. 「Made in Asia Festival」 Theatre Garrone, Toulouse, France 2011 Nov《Listen to Me, Please~》Director: Wang Chia-Ming. Cheng Shui University, Kaohsiung. Sep《Drift》 Director: Hsu Yen-Ling National Theatre Experimental Theatre. Jul《Michael Jackson-back to the 80’s》Director: Wang, Chia-Ming. Tour in Kaohsiung, Taipei and Taoyuan. May《Bruce Lee’s Bluesy Life》Director: Wang Chia-Ming. National Theatre. Mar《Sylvia Plath x Hsu Yen-Ling》Director: Baboo Liao. Tour in Rethel, Chaumont and Troyes, France. 2010 Oct 《Quartet》 Director: Baboo Aug 《Michael Jackson》 Director: Wang, Jia-ming 2010Taipei Arts Festival Jun 《Jumel》 Director: Franck Dimech Apr 《Tracks on the Beach》 Director: Hsu Yen-ling Jan 《Listen to Me, Please~》 Director: Wang, Jia-ming ShanJian Youth Theater Invited production
2009 Dec 《Maison de Wong》 Director: Wang, Jia-ming Solopasta, Taipei Jul 《Remix--Hsu Yen-ling×Sylvia Plath》 Director: Baboo Theatre de la Condition des Soies, Avignon Festival d'Avignon Off 2009 Jun 《Remix--Hsu Yen-ling×Sylvia Plath》 Director: Baboo Crown Arts Center, Taipei Jun 《Listen to Me, Please~》 Director: Wang, Jia-ming The Star Live, Beijing 2009 Beijing Four Seasons Theater Festival Apr 《Once, upon Hearing the Skin Tone》 Director: Wang, Jia-ming Eslite Exhibition/Performance Hall, Taipei 2009 Eslite Spring Stage Awarded the 8 t h Taishin Arts Awards- Performing Art Yearly Top 10 2008 Nov 《Listen to Me, Please~》 Director: Wang, Jia-ming Crown Arts Center, Taipei Independent Production Awarded the 7 t h Taishin Arts Awards- Performing Art Yearly Top 10 Aug 《Plastic Holes》 Director: Wang, Jia-ming The Bridge Golf Course, New York Invited production by Robert Wilson 2008 Watermill Summer Program Apr 《Hsu Yen-ling×Sylvia Plath》 Director: Baboo Experimental Theater, Taipei National University of the Arts Independent Production Awarded the 7 t h Taishin Arts Awards- Performing Art Yearly Top 10 2007 Nov 《Tsen， 。》 Director: Wang, Jia-ming National Experimental Theatre, Taipei National Experimental Theatre New Idea Theater Festival Awarded Special Jury’s Awards, the 6 t h Taishin Arts Awards and Performing Art Yearly Top 10 May 《A Date》 Director: Hsu,Yen-ling The Eslite Vision, Taipei Independent Production Apr 《Zodiac》 Director: Wang, Jia-ming Oriental Pioneer Theater, Beijing 2007 the 1st Asian City Theater Festival 2006 Dec 《Scenes of Love Etude II》 Director: Wei, Ying-chuan Black Box Theater, Taitung Theater Independent Production Dec 《Listen to Me, Please~》 Director: Wang, Jia-ming Black Box Theater, Taitung Independent Production Oct 《Scenes of Love Etude II》 Director: Wei, Ying-chuan Experimental Theater, Stock 20 in Taichung Railway Station Independent Production Oct 《Listen to Me, Please~》 Director: Wang, Jia-ming Experimental Theater, Stock 20 in Taichung Railway Station Independent Production Oct 《Scenes of Love Etude II》 Director: Wei, Ying-chuan Spring Wind Art Theatre, Kaohsiung Independent Production
SWSG
Oct 《Listen to Me, Please~》 Director: Wang, Jia-ming Spring Wind Art Theatre, Kaohsiung Independent Production
Oct 《Scenes of Love Etude II》 Director: Wei, Ying-chuan Eslite Book Store, Tainan Independent Production
Oct 《Listen to Me, Please~》 Director: Wang, Jia-ming Eslite Book Store, Tainan Independent Production Sep 《Vincent van Gogh and 7 Performers》 Director: Wang, Jia-ming The Eslite Vision, Taipei 2006 Eslite Theatre Festival May 《Sisters Trio》 Director: Hsu,Yen-ling Crown Arts Center, Taipei The 12th Crown Arts Festival Jan 《One Hundred Years of Solitude》 Director: Baboo Forest theatre, Taipei National University of the Arts Independent Production 2005 Nov 《333 Dante Soup》 Director: Wei, Ying-chuan Tiny Alice Theatre, Tokyo 2005 Little Asia Theatre Exchange Network, Tokyo Nov 《333 Dante Soup》 Director: Wei, Ying-chuan Alice Zero-IST, Osaka 2005 Little Asia Theatre Exchange Network, Osaka Nov 《333 Dante Soup》 Director: Wei, Ying-chuan Cattle Deport Theatre, Hong Kong 2005 Little Asia Theatre Exchange Network, Hong Kong Oct 《333 Dante Soup》 Director: Wei, Ying-chuan National Theatre Plaza, Taipei 2005 Festival in the Square May 《Ten nights of dream》 Director: Baboo Crown Arts Center, Taipei The 11th Crown Arts Festival Mar 《Listen to Me, Please~》 Director: Wang, Jia-ming Qingdao Youth Theater, Qingdao 2005 Qing Dao -Taipei Theater Festival Feb 《e.Play.XD》 Director: Jiang Tau Crown Arts Center, Taipei Independent Production Feb 《e.Play.XD》 Director: Shiu,Sz-shian Crown Arts Center, Taipei Independent Production Feb 《e.Play.XD -∞》 Director: Tsia,Pao-chang Crown Arts Center, Taipei Independent Production Feb 《e.Play.XD – Crossover:No.1》 Director: Chen,Ming-feng Crown Arts Center, Taipei Independent Production 2004 Nov 《Jacques Prevert》 Director: Ma,Jau-chi The Red Playhouse, Taipei Independent Production Sept 《Full Moon Fest》 Director: Wang, Jia-ming National Theater Plaza. Taipei Invited production celebrating Chinese Moon Festival Jul 《Emily Dickinson》 Director: Wei, Ying-chuan Small Auditorium, Macao Culture Centre Invited Production Jul 《Emily Dickinson》 Director: Wei, Ying-chuan McAulay Studio, Hong Kong Arts Centre Invited Production Jul 《Where is “Home”?》 Director: Wang, Jia-ming National Experimental Theatre, Taipei Independent Production May 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan Centre Culturel de Taiwan a Paris Invited Production Apr 《Skin Touching》 Director: Hsu,Yen-ling Crown Arts Center, Taipei 2004 Taiwan Women Theatre Festival Mar 《Zodiac in Developing》 Director: Wang, Jia-ming Kaohsiung Museum of Fine Arts Forum for Creativity in Art: City Odysseys--Loosing and Lost
2003 Dec 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan Kobe Art Village Center 2003 Alice Festival co-work with Replicant, Osaka Dec 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan North Theater, Beijing Beijing Taipei & Hong Kong Theatre Festival co-work with Replicant, Osaka Sep 《30P:eslite anti-reader》 Director: Wei, Ying-chuan & Wang, Jia-ming The Eslite Vision, Taipei 2003 Eslite Theatre Festival Jun 《Emily Dickinson》 Director: Wei, Ying-chuan Crown Arts Center, Taipei The 9th Crown Arts Festival May 《Titus Andronicus》 Director: Wang, Jia-ming National Experimental Theatre, Taipei Shakespeare in Taipei Festival 2002 Dec 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan Spring Wind Art Theatre, Kaohsiung New Wave Little Theatre Festival Nov 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan Theatre Studio, Esplanade Singapore 2002 Esplanade Opening Festival (Asian Contemporary Theatre Festival) co-work with Replicant, Osaka Oct 《Zodiac(II)》 Director: Wang, Jia-ming National Experimental Theatre, Taipei The Experimental Theater Series of the National Theatre 15th Anniversary Festival, The Formosa Experimental Theater Awarded the 1 st Taishin Arts Awards- Performing Art Yearly Top 10 May 《Scenes of Love Etude II》 Director: Wei, Ying-chuan Crown Arts Center, Taipei The 8th Crown Arts Festival May 《Listen to Me, Please~》 Director: Wang, Jia-ming Crown Arts Center, Taipei The 8th Crown Arts Festival May 《♂ 5th hs》 Director: Dai, Chun-fang Crown Arts Center, Taipei The 8th Crown Arts Festival 2001 Nov 《Lecture on Nothing》 Director: Wei, Ying-chuan Crown Arts Center, Taipei Formosa Little Theatre Festival Nov 《Whatever Doing》 Director: Wei, Ying-chuan Crown Arts Center, Taipei Formosa Little Theatre Festival Oct 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan Experimental Theatre, Shanghai Theatre Academy 2001 Little Asia Theatre Exchange Network, co-work with Replicant, Osaka Oct 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan Hong Kong Arts Centre 2001 Little Asia Theatre Exchange Network, Hong Kong co-work with Replicant, Osaka Oct 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan Crown Arts Center, Taipei 2001 Little Asia Theatre Exchange Network, Taipei co-work with Replicant, Osaka
SWSG
Oct 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan Art Center,
Kyungsung University, Busan 2001 Little Asia Theatre Exchange Network, Busan co-work with Replicant, Osaka
Oct 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan Tiny Alice Theatre, Tokyo 2003 Alice Festival co-work with Replicant, Osaka
Jun 《Chronicles of Women: Illness as Metaphor》 Director: Sha Tin Town Hall, Hong Kong Co-work with Zuni Icosahedron, HK May 《Zodiac》 Director: Wang, Jia-ming Crown Arts Center, Taipei The 7th Crown Arts Festival 2000 Sep 《Le Testament de Montmartre》 Director: Wei, Ying-chuan National Experimental Theatre, Taipei Taiwan Literature Theatre Festival Aug 《Unbalance》 Director: Wei, Ying-chuan Haus der Kulturen der Welt, Berlin Festival of Vision. Hong Kong - Berlin─ A Creative Venture Between Asia and Europe, Video Circle Performances Aug 《Lecture on Nothing》 Director: Wei, Ying-chuan Haus der Kulturen der Welt, Berlin Festival of Vision ─A Creative Venture Between Asia and Europe, One Table and Two Chairs in Berlin May 《Unbalance》 Director: Wei, Ying-chuan Exposition Hall, Hong Kong University of Science and Technology Hong Kong Video Circle Performances 2000 Apr 《Lecture on Nothing》 Director: Wei, Ying-chuan Shouson Theatre, Hong Kong Arts Centre Journey to the East 2000, Hong Kong 1999 Apr 《...between...》 Director: Wang, Jia-ming Crown Arts Center, Taipei Independent Production Apr 《Unbalance》 Director: Wei, Ying-chuan Crown Arts Center, Taipei Independent Production Mar 《Unbalance》 Director: Wei, Ying-chuan Small Auditorium, Macao Culture Centre Macao Fringe Festival Mar 《Unbalance》 Director: Wei, Ying-chuan Studio Theatre, Hong Kong Culture Centre Journey to the East 99, Hong Kong 1998 Oct 《2000》 Director: Wei, Ying-chuan Crown Arts Center, Taipei 98 Little Asia Theatre Exchange Network, Taipei Oct 《2000》 Director: Wei, Ying-chuan China Youth Theatre, Beijing 98 A Season of Experimental Theatre, Beijing Aug 《2000》 Director: Wei, Ying-chuan Tiny Alice Theatre, Tokyo 98 Little Asia Theatre Exchange Network, Tokyo May 《Whatever Living》 Director: Wang, Jia-ming a8 Underground Shelter Arts Café, Taipei Independent Production May 《Whatever Doing》 Director: Wei, Ying-chuan a8 Underground Shelter Arts Café, Taipei Independent Production Jan 《Whatever Doing》 Director: Wei, Ying-chuan Shouson Theatre, Hong Kong Arts Centre Journey to the East 98, Hong Kong 1997 Dec 《Ebola: A Pure Rational Critique of the Ethics of Virus》 Director: Wang, Jia-ming Ping Fong Theatre, Taipei 1997 Ping Fong Theatre Festival Sep 《666─Limbo》 Director: Wei, Ying-chuan Crown Arts Center, Taipei 97 Little Asia Theatre Exchange Network, Taipei
Aug 《666─Limbo》 Director: Wei, Ying-chuan Tiny Alice Theatre, Tokyo 97 Little Asia Theatre Exchange Network, Tokyo Apr 《A Room of One's Own》 Director: Wei, Ying-chuan Tiem Educational Center Theatre,
Taipei
Independent Production Mar 《A Room of One's Own》 Director: Wei, Ying-chuan McAulay Studio, Hong Kong Arts Centre The Other Space─Taiwan Focus, Hong Kong Arts Centre 1996 Jan 《Three Color-haired Women Dance upon the Broom》 Director: Wei, Ying-chuan Hong Kong Fringe Club Entertainment Room 1996 Hong Kong Fringe Festival Jan 《Three Color-haired Women Dance upon the Broom》 Director: Wei, Ying-chuan B-Side Pub 1996 Taiwan Women Theatre Festival 1995 Aug《A Boring Life》 Director: Wei, Ying-chuan Dance Studio, Taipei SWSG founded by Wei, Ying-chuan
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