Robert Marino
Eight on 3 and Nine on 2 duet for multipercussion
Eight on 3 and Nine on 2 by Robert Marino Š 2011 Tapspace Publications, LLC (ASCAP). Portland, OR. All rights reserved. International copyright secured. Printed in USA. www.tapspace.com
Notice of Liability: Any duplication, adaptation, or arrangement of any text or composition contained herein requires the written consent of the copyright owner. No part of any composition contained herein may be photocopied or reproduced in any way without permission. Unauthorized uses are an infringement of the U.S. Copyright Act and are punishable by law.
TSPCD-10
Program Notes Eight on 3 and Nine on 2 is a multiple percussion duet like no other. Written for eight pitched tom toms, 2 rototoms, 2 bongos, and a bass drum, this piece tests percussionists’ abilities to “split” rhythms. Two players perform the piece facing each other, sharing instruments just as they share in playing almost every rhythm in the piece. The listener is engaged aurally and visually as both performers sound like one in an exciting and captivating percussive showcase. Eight on 3 and Nine on 2 was written in 2007 for George Clements’ senior recital at the Eastman School of Music. The piece’s unique name comes from unique experience. Robert Marino played 3rd bass drum for the Cadets Drum and Bugle Corps’ eighth DCI World Championship in 2000, and George played 2nd bass drum in the Cadets for their ninth DCI World Championship in 2005. The piece was written with the goal of combining drum corps elements into a formal recital piece that would challenge any percussionist, regardless of his or her level of experience.
Performance Notes • • • • • • • •
• • • •
The beginning of the piece until Letter A should be played with a laid-back feel that grooves. At Letter B, the dotted quarter-note ostinatos should be secondary to the moving lines. The moving lines in this section should be played musically with strong accents. The quarter-note ostinatos starting at measure 36 should be played at the same dynamic as the opposite player’s part. At Letter C, the quarter and dotted quarter ostinatos should both be played well below the dynamic of the notes on the low bongo, bringing out the long phrase split up between players on the bongo. The section between Letters E and F should be played freely and soloistically. The accelerando at Letter H is a good place for a page turn if you have your music on large cardboard sheets. (See Suggested Setup on opposite page.) Letter I is marked at 168 bpm but can be played faster as long as smooth and accurate rhythms are maintained. Measures 129-30 represent an appropriate test case scenario for how fast this section can be played. Letter J should be bombastic. This section ends in a dramatic ritardando that sets up Letter K. Letter K is played with the hands or fingertips. The whole section should be played with rubato, pushing and pulling each phrase. If the tom toms used have coated heads, the players can strike the third beat of each triplet and then scrape their fingers across the head to fill in the space of the eighth note rests for the first four bars at Letter K. This creates an interesting sweeping effect. Letter L should be laid back like the beginning, while Letter M can be played as fast as desired, provided it has a groove to it. Starting at bar 168 (and then later at 179), the accents should be played at the marked fff dynamic while the unaccented notes should be at mp. Letter N is another bombastic section that sets up the subito mp at Letter O. Letter O to the end should be as exciting as you can make it! The last measure of the piece is a tag and can be taken out of time.
Instrument/Parts list Eight on 3 and Nine on 2 requires 2 players. The following instruments are required: 8 pitched tom toms, 2 rototoms, 1 set of bongos, and 1 kick drum
Notation Key Shared Instruments Tom toms (from high to low) Tom 1
œ
/ T1
Tom 2
Tom 3
œ
œ
œ
T3
T4
T2
Tom 4
High Bongo
œ
B1
(see setup diagram below)
Suggested Setup The eight toms should be tuned so that Player 1 has pitches 1, 3, 5, and 7 and Player 2 has pitches 2, 4, 6, and 8. The bass drum should be around the size of a kick drum and should have a punchy, articulate sound quality. The rototoms and bongos both need to have good separation between the two pitches. The music should be placed next to the bass drum across from each player so it does not obstruct the audience’s view of the set up.
Low Bongo
œ
B2
High Rototom
Low Rototom
œ
œ
RT1
RT2
Kick drum
œ
Level: Advanced Approx. playing time: 6’30”
Dedicated to John H. Beck
Eight on 3 and Nine on 2
Split lick: RH only (headless notes performed by Player 2)
q = 112 Player 1
3
° 4 ffff‰ /4
^ ^ f^ f ff^ ff ™™ ff Œ æ æ Œ
3
ffff‰
ffff‰
ffff‰
ffff‰
ffff‰
mf
4‰ Player 2 ¢/ 4
3
3
ffff‰
ffff‰
ffff‰
ffff‰
ffff Ó
ffff‰
5
P1
fj
/ Œ
ff
f^
>f f f Œ ææ‰
ff
ff/mp
>> > > ‰ ≈ Œ ‰ P2 / ¢ ff f f ff
10
P1
3
^ ^ f™ Œ Œ f ™ ff
fff
ff
mf
fff æææ Ó mp
3
≈
fff
3
3
f^ f f f^ ææ ≈
fff
ff
mf
3
≈
≈
f^
fj
Œ
ffffff 6
f
5 4
f^
R L
Split lick: RH only (headless notes performed by Player 1)
^ fj f ^ f Œ
>f ™ > 4 f ™ f ™™ ^ f f f f ‰ 4 f ff
j f
Œ
f
ff
mf
f
Split lick: RH only (headless notes performed by Player 2)
f^ ™ j ^ f f Œ
> > > > f f f ≈ f ™ ≈ fJ ™ ≈ j f™ J
ff
f/p
>f f >f f >f f >f f f^ f^
≈
f j> fj> ‰ ff f ‰ f f ‰
fff ™ >r >j >j >j Œ ‰ ‰ ≈ ™ ‰ f f f f 3 ff
p
fj
R L
mp
>f f f
ff Split lick: RH only (headless notes performed by Player 1)
≈
>f f f f f f f f f
mp
‰
ff
A
° ≈ f^ f f ^ ^ ^ Œ / ff f
Œ P2 ¢/
Œ
>f f >f f f^ f^
5 > >> > > > > 4 4 ‰™ fr ‰ f f ≈ fj™ f ™ f ‰ fj 4 Ó
ff
mf
°
Robert Marino
> > f^ > >fff > ff f fff f fff f fff ffffffffff 42 Œ 44 ffff‰ ‰ f f
^ ^^ ^ ‰ ≈ f f f f ≈ fj™ R f
3
3
ffff‰
ffff‰
ffff‰
ffff‰
ffff‰
ff
^ > > >fff > ffff ff>ff fffffffffffffff 42 f Œ 44 ‰ f
ffff‰
3
ffff‰
3
ffff‰
ff
© 2011 Tapspace Publications, LLC (ASCAP). Portland, OR. International copyright secured. All rights reserved.
ffff‰
ffff‰
ffff
2
Eight on 3 and Nine on 2 – Marino
e. = q
14
P1
mp
P2
3 7 ¢/ 4 F™
24
P1
°
/
>f >f >f >f >f >f f
P2
fff ffffff
∑
f
f
f^ f ^ f^ > 6 > f f f f fffffff f™ f™ f™ f™ ∑
¢/ f™ f™ f™ f™
>f >f >f f
fff
p
^ ^ ^ f f^ ^ f^ ^ f^ ^ 5 3 8f f f 4f f
∑
>>>> fff fff f f f f f
6
(mf)
> > > f f f f f f f f f ° / f ™f ™ f ™ f ™ f ™f ™ f ™ f ™ f ™ f ™ f ™ f ™ p
3
3
∑
f
f™ f™ f™ f™
3
3
f
p
∑
f
> f f f f f f f ™f ™ f ™ f ™ f ™f ™ f ™ f ™
3
fff‰ fff‰ fff‰ 3
3
5 8
^ ^ > >> > > > f ffffff ff 58 f f f f^ f f f f f^ f fff ffff fff fff
p
3
p
f™ f™ f™ f™
f™ f™ f™ f™
3
f
3 ‰ fff‰ fff‰ fff ‰ fff‰ fff‰ fff 3
3
∑
∑
f
> > > >f>f >f >f >f >f >f>f>f>f >f >f >f f^ f ^ f^ ^ f^ f ^ f^ >f >f >f >f>f>f f f f ≈ ≈ ‰ ≈ ≈ ‰ J 58 f f f f f f f 43 f f f f f f™ f™ f™ f™ 6 mf
(mf)
> > > >f >f >f>f >f >f >f>f>f >f >f f f f ‰ J ‰™ R ‰ ≈ ≈ ‰ J f™ f™ f™ f™ mf
TSPCD-10
f
mf
38
∑
> >f >f >f >f f fff ff
p
mf
6
¢/
fff
p
f™ f™ f™ f™
f^ f^ f^ f^ f^ f^ fff ‰ fff‰ fff‰
f^ f f ^ f f^ f >ffffff 5 f^ f f ^ f f^ f ^ 3 f^ f f ^ f f^ f 3 fff 4 fŒ f f f f P2 8 ¢/ 4
P2
f
p
f™ f™ f™ f™
p
f
P1
> >f >f >f >f >f >f >f >f f fffffffff ffffffff fffffff
p
f
31
P1
∑
f
p
° 3 /4
∑
>f >f >f
>> > f f f f ™ f ™ >f ™ 7 7 f™ f™ f™ f™ f™ f™ f™ f™ f™ f™ f™ f™ f™ f™ f™ f™ f™ f™ f™ f™ f™ f™
F 7
mp
B
>f f Œ Œ
f f f ° 3 f f ff f ff / 4 ff ™™ ff ™™ ff ™™ ff ™™ ff
p
f
> f f™
> f f™
> f
5 f™ f™ 8
∑
3 4
∑
Eight on 3 and Nine on 2 – Marino 46
P1
°
/
fff ‰
fff ‰
3
3
mf
P2
¢/
mf
P1
°
/ ≈
3
fff ‰
3
fff ‰
fff‰
3
fff ‰
3
53
fff‰
3
fff ‰
‰
3
fff ‰
fff‰
3
3
P1
/
∑
∑
> f f™ ≈
> f f™
>f >f >f >f >f
3
3
fff ‰ 3
3
fff‰
fff ‰
3
‰ P2 ¢/
f
3
mf
fff ‰ 3
fff ‰ 3
3
fff‰ 3
fff‰ 3
f™ f™
> f f™
3 8
f™
∑
5 8
f^ f^ f^ f^ f^ f^
3 4Ó
∑
ff
6
>3 > f^ f^ f^ f^ f^ f^ f^ f^ f^ f^ f ^ f^ ^ f^ f f ^ f f^ f 3 5 3 f f f ‰ f f≈ f f fŒ f f 4 f 8 8 j j f f
(f)
sim. >f >Rf Rf Rf > > > > j f f f f f ≈ f ™ f ™ f ™ f ™ f ™ f ™ f ™ f ™ f ™ f ™ f ™ f ™ f ™ f ™ f ™ f ™ f f f f ™ æf f f f ™
mf
fff ‰
f™
> f
ff
3
fff‰
> f
mp
C
fff ‰
> > >f >f >f >f ≈ fj f fj f ≈
f
f
fff ‰
>f >f >f
≈
f
> > (f) > f f >3 > >f >f >f >f f ‰ fj f fj f ≈ f™ f™ f™ f™ mp > > >f >f > > >f >f >f >f f f ‰ ≈ fj f fj f ≈ f™ f™ f™
59
°
∑
Œ
(f) > f f f f f f f f f f f f 3 Œ fff ‰™ f ™ f ™ f ™ f ™ f ™ f ™ f ™ f ™ f ™ f ™ f ™ f ™ f ™ f ™ f ™ f ™
>f >f >f >f >f
> f P2 ¢/ f™
Œ
f
fff‰
3
>f f
3
R L
L
L
L
L
L
L
...
L
>f f f
f f f
f f f
R
L
...
L
L
L
L
L
sim.
(mp)
f f f
fff f
R
L
L
f f f f f >f f >f >f f f >f f f >f f >f >f æ æ æ L R R L R RL R R LH (mp) RH (f)
...
> > > > > > > > > > > > > > >f >f >f >f ^ > > ^ > > > f ™ f ™ >f >f f f f f f f f f f f f f f f f f f f f f f f f f f f f f ° j f ff≈ f f ff f f ™ f f f ™ f f f f ™ / f f f f f f f f f ™ f f ≈f f f f f f f f æ æ æ æ æ æ æ 3 æ æ æ æ ff 67
P1
> f >f f >f >f f f f f f f f f f f f f f ™ f f f ff ™™ >f f f >f f f >f f f >f f f >f f f f f >f >f >f ^ >> fj ^ >>> f >f >f f >f >f f >f >f f ™ >f f >f >f f >f >f f f f f f f f æ æ æ ‰ ‰ ≈ æ æ æ æ æ æ P2 ¢/ 6 ff
TSPCD-10
4
Eight on 3 and Nine on 2 – Marino
D
^(natural ^ f^ f^sticking) > > > > > > > > > > > > > > > > > > > > > > > > f f f^ f^ ° f f f f f f f f f f f f f f f f f f f f f f f f 3 5 P1 8 / f f f f f f f f f f f f f f f f 8 æ æ æ æ æ æ æ æ f mp (natural sticking) ^ ^ ^ f >f >f f >f >f f >f >f f >f >f f >f >f f >f >f f >f >f f >f >f f >f >f f >f >f f >f >f f >f >f 3 f 5 æ æ æ æ æ æ æ æ P2 8 ¢/ f f 8 75
mp
P1
6
f^ f f ^ f f^ f ^ 3 ff f P2 ¢/ 4
3
3
mf
^ ff
3
3
3
3
3
3
3
3
ffff‰
ffff‰
ffff‰
ffff‰
ffff‰
f
3
3
3
ffff‰
ffff‰
ffff‰
ffff‰
ffff‰
ffff ff
f
q = 100
ff/f
3
mp
∑
¢/
3
5
f
°
∑
/
∑
^ f
>j ≈ f™
Œ
Ó
Œ
ff
^ f™ P2 ¢/ f™ ff TSPCD-10
f
∑
91
P1
3
4 ffff‰ 4
^^ ^ 3 > 3 >f f >f f >f f >f f f f >f f f f f f f f f f f > > ^ > > j > fff ^ fj> fj> fj> fj> fff ™ j^ f> ° ^ j f f f f R f f f j f ™ f ‰ f f f f f f fæ æ æ æ æ æ ≈ f f f ff f f f f f ‰™ f f f / f f f f f ‰ ff f f æ æ æ ≈ J f f 6 5 87
P2
3
fff‰ fff‰ fff‰
3 ‰ fff‰ fff‰ fff ‰ fff‰ fff‰ fff 44 ‰
mf
P1
f^ f f ^ f f^ f ^ f^ f f ^ f f^ f ^ f^ f f ^ f f^ f ^ fff fff fff f f f
f
83 ^ ^ ^^^ ° 3 f f f f^ f f f f f f f^ f^ f^ fff‰ fff‰ fff‰ f /4
E
f^ f ^ f^ ^ f^ f ^ f^ ^ f^ f ^ f^ ^ fff ffff fff ffff fff ffff
j f
> ≈ fj fJ ™
> ≈ fj j™ f
^
9
mf
9
ff
3
ff
∑
mp
^ ^^ ^ f^ f^ ^ f^ ^ f^ ^ ff^ ff^ f^ f f f f f f f f f f f f j ‰™ r ™ ‰ f f f f f f ‰™ r ff ≈ ff f f f f f f
3
mp
>f f f f f mp
>f f f f f
>f f f f
^ f
Œ
Ó
f
^^ ^ f f^ f f >f f^ f f >f f^ f^ ^ ‰ j f f f 3æ æ æ 3æ
f
Eight on 3 and Nine on 2 – Marino
5
^^ ^ ^ ^ ^ ^ >f f f >f f f > > >f f f f f f f f f f f f f f f f f f f f f f f f f ^ 3 > >ffffff> ^ ^ ^6^ ^ ^ > fff f f f ° f ff j j ™ f f ff ff f fffff ffff ≈ ffff f ≈ f™ f™ ™ f fff ffffffffffff P1 / ‰ fJ f f f f f f f 9 3 6 6 6 6 v vv v v v v v v 6 R R R L R R RL 3 p ff^ ^ ^ ^ Œ Ó Ó Œ ∑ ∑ P2 ff ¢ / f ™ ff 95
ff
>f 6>f >f >f 6>f >f >f 6>f >f ≈ ≈ ≈æ æ æ Œ
99
P1
°
^ ^ / f ™ ff Œ ff
P2
¢/
Ó
Ó
Ó
f
mp ff ^^ ^ > > j j > > > > f f f f > > > fj> > f f^ >f >f f f^ >f >f >f >f >f f > > ^ >>> > > f^ f^ j f f f f f æ æ ≈ ‰™ f f f f f f 45 ff f f f ff f f f ff f f f ff f f f ‰ Œ ‰ f f f f f ff ff f f f R 3 3 3 R R R
Œ
6
f
3
mp
ff
F
5 ^ ^ ^ ^ ^ j > ^ ^ > > > > ^ ^ ^ j ^ 5 ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ j > j ^ ° 4 f f f f f f f æf f f f æf f f f æf æf æf æf f f f f f æf f æf f f f æf f æf f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f /4 103
P1
f^ f^ > > > > f f f f f 5 ‰ Œ 4 ff f f f ff f f f f f f f f
R L R L R
f
R L R
L R L R L R L R L
R L
L
R L R L R
L R L R L R L R L
R L R R L R L R R L R L R R L R L R R L R L R L R L
5 5 f^ f^ f^ f^ f^ fj>f f f fj >f f f f^ f^ >f >f >f >f f^ f^ f^ fj f^ f f f f fj f^ f f f f f^ f^ f^ f^ f f^ f f f^ f f^ f f f^ f f^ f f f^ f f^ f f f^ f^ f f f^ f f 4 æ æ ææææ æ æ æ æ P2 ¢/ 4 R L R L R
f
P1
L R L R L R L R L
R L
>f f f fj >f fj >f f f fj >f >f >f >f >f >f >f >f >f f^ f^ f^ f^ 2 æ æ ææ 4 /
106
°
R L R
L
R L R L R
G
fj
R L R
L
R L R
L R L R L R L R L
∑
R L R R L R L R R L R L R R L R L R R L R L R L R L
Split lick: RH only (headless notes performed by Player 2)
j ^ ^ ^ j> ^ > > ^ 4 f f f f æ f f æf f æf æ æf æ f 4 f
L R L R L R L R L R L R L
f^ f f fj f f f^ f^ æ æ æ æ
j
5
5
Split lick: RH only (headless notes performed by Player 1)
>f f f fj >f fj>f f f fj >f >f >f >f >f >f >f >f >f f^ f^ f^ f^ 2 æ ææ æ P2 4 ¢/ fj
R L R
L
R L R
L R L R L R L R L R L R L
∑
^ ^ 4 f f 4 f
fj
f æ
j
>f f f^ >f >f æ ææææ
f^ f^ fj f f æ æ 5
f^ f f f^ f^ æ æ
j
5
TSPCD-10
6
Eight on 3 and Nine on 2 – Marino
H 110
P1
°
/
f ff f ff f ff f ff f^ f f
accel.
>f f fj >f >f >f >f f^ f^ f^ f f f f f f f f f f f f f f f f 2 4 Œ ææ 4 4
>f f fj ææ
j
j
f
P2
f^
¢/
f^ f^
f^ f^
f^ f^
f^ f f^ f
fj
f ææ
j
>f fj f ææ
j
>f >f >f >f >f f^ f^ 2 4
4 ≈f f f f f f f f ≈f f f f f f f f 4
∑
f
I
q = 168
^ ° f f f f f f f f f f f f f f f f f fff >f fff > > f fff f fff Ó / 115
P1
ffffffff ffffffff ≈ ≈ P2 / ¢
121
P1
°
> / f
Œ
>f >f >f >f f ™ ≈ ≈J
>f f f f ™ ≈J
fff fff fff mp
P2
¢/
126
P1
°
/
>f ff fff f
>f >f >f >f >f f f f ™ >f f f f ™ ≈J ≈J fff
¢/
Πmp
TSPCD-10
f
>f ‰J‰
Ó
‰
>f >f f f
3
> f
> f
f^ f^ f^ ffff
fff
Œ
> f
^ f
ff
mf
^ f™
^ jΠf
^ f
3
mf
^ f
^ f
>f f f 9 ‰™ f
f
f^
f^
^ f
3
^ f
> f
mp
f^
f^
> f
> f
3
^ f
f^
f
mp
9 9 ff 9ff ff ‰ ≈ ≈ ≈ ≈ ff ≈ff≈ ff ≈ ff ≈ ff ≈ff
mp
f
9 > >f f f >f >f >f >f >f >f æfJ æfJ f æfJ æfJ æfJ ™‰ ‰ ‰ æJ ‰ ‰ ‰ ‰
f
^ f
>f f^ J
3
fff
3 3 6 6 f^ f^ f^ f^ f^ f^ >f >f >f >f >f >f >f >f >f >f >f >f >f >f ‰ J ‰ ‰ ‰ ‰ ‰ ‰™
ff
‰
3
9
>f f f f ffffffff
mp
f^ fff > > > f fff f fff f fff Œ
3
mp
P2
9
>f >f f f
>f ff > > > > > f ff f ff f ff ff
∑
>f ff > > > f ff f ff f ff Œ
∑
>f f f
>> >> ffff
Œ
3
3
3
3
3 3 f^ ™ ≈ >f >f >f ≈ >f >f >f ‰ æfJ ‰3æfJ ‰ æfJ ‰ æfJ ‰3æfJ ‰ æfJ J
Eight on 3 and Nine on 2 – Marino
131
P1
°
f^
f f™
f f™
/ f
> f f™
f f™
> ffŒ
‰
mf
‰ ff‰ P2 / ¢
ff‰
ff‰
ff ‰
f f f f™
> fff
> fff
‰ >r f f f™
f f f f ‰™
mf
7
> ≈ f f f ‰™
>f f f ™ R
> ≈ f f f ‰™
>f f f ™ R
f^ f^ f^
>f f f ‰
>f f f
> fff ‰
≈
^^^ fff
J
f^ f >f >f f >f >f f >f >f >f f f^ f >f >f f >f >f f >f >f >f f f^ f >f >f f >f f f >f >f >f f >f f >f >f >f f f f f^ f >f f f f^ f >f f f f^ f >f f f f^ f >f f f f^ f f > f f^ f f > f >f >f >f >f >f >f f f /
135
P1
°
R L R R L R R L R R R L R L R R
L R R L R R R L R L R R L R L L
ff
^ ^ ^ f f ^ f >f f f ^ f f ^ P2 ¢/ f f f f f f R
ff
R
‘
R
K
hands ° >f >f >f >f >f >f >f >f >f > > > > > > " 4 with f / f f f f f f 4 ‰ ff ‰
fff
...
mp
144
P1
°
/ ‰
>fff ‰ 3
P2
¢/
>fff ‰ 3
> fff ‰
" 4 >3 4 fff ‰ mp
>3 fff ‰
>f ff ‰ 3
> fff ‰ 3
R
RL L R L R L L R L R L
>f ff
‰
3
fff ‰
f ff ‰
L R L R L L R L R L L R L R L L
3
3
>3 ‰ fff
> ff f
‰
3
3
3
>3 ‰ fff
3
>f ff ‰
fff ‰
f ff ‰ >f ff
‰
3
>f ff ‰ 3
3
> f™
R
ff f ‰
f ff ‰
3
3
>3 ‰ fff
>f ff ‰
>f ff ‰
3
3
>f ff
fff
f ff ‰
3
3
> ff f
>3 ‰ fff
‰
3
‰
3
q = 86
accel.
>>>f ff ‰ 3
3
>f>> ff ‰ fff‰ 3
3
fff ‰
3
with hands
> > > > Œ P2 ¢/ f™ f™ f™ f™
RL L R L R L L R L R L R L R L
q = 60 with rubato
140
P1
L R L R L L R L R L L R L R L L
^ ^ ^ f f ^ f >f f f ^ f > f f ^ f > f f ^ f > f f ^ f > f f ^ ^ ^ ^ ^ ^ > f ff≈f ff f™ f f f f f f f f f f f f
R L L R L R L L R L L R
molto rit.
R R R L R L R R R L L L R L R L
fff‰ 3
fff‰ 3
fff ‰ ff‰ f 3
>f > >3 ff > 3 ff f ‰ ‰ ‰ ‰ fff f ff 3 3
3
fff‰ >ff ‰ >fff ‰ ff‰ f f 3
3
3
>f > >3 ff >f ‰ ‰ ff‰ f ff‰ fff 3 3
3
3
fff‰ 3
fff
ff f‰
3
3
>f >3 ff > 3 ‰ ‰ ‰ fff f ff 3
> ff f
‰
3
TSPCD-10
8
Eight on 3 and Nine on 2 – Marino
P1
q = 104
poco rit.
148
° ‰ >f ff‰ >f ff‰ > 3 ‰ >f>f>f ‰ / f ff 3
3
3
>f ff > ‰ f ff‰ P2 / ¢ 3 3
> >>> f ff‰ f f f ‰ 3
f f f‰ >f f f‰ 3
3
3
3
3
f f f‰ >f f f‰
3
3
3
3
3
fff
fff‰
3
3
3
>f f f 3
3
3
fff
‰
>f f f > f >f f >3 ‰ ‰ f‰ ff ‰ f ff 3
>f > f f‰ >f f f‰ f f f‰
> f ff ‰
3
f f f‰ >f f f ‰
>3 ‰ f f f‰
>3 f f f‰
>f>> ff 3
>f >3 >3 ff ‰ ‰ f f f‰ f f f‰ 3
poco rit. 152
P1
P2
°
¢/
P1
ffff ‰
ffff ‰
ffff‰
ffff ‰
ffff‰
mf
>f f f >f
f 3
> 6> > > ffffff ‰
> > ffff
3
3
3
3
ffff ‰
ffff ‰
ffff ‰
ffff‰
with sticks
ffff‰
mf
3
> > f^ ffff ‰ ff ‰ ff
f^ ^ ^ ^ ^3 ^ Ó fffff
3
3
ffff ‰
3
^ ^^ f ^^ Πf f ff
3
ffff‰
ffff Ó f
A tempo
with sticks
/ Ó
> > ffff
3
3
L
°
3
>f f f >f
155
> > ffff
>f f f >f
/ ‰
3
ffff‰
ffff‰
ffff‰
ffff‰
mp
ff
^ ^ ^ ^ ff ff ff ff p
Split lick: RH only (headless notes performed by Player 2)
‰
>f f
>f f >f f >f f >f f f^ f^
mf
‰
ff
Split lick: RH only (headless
^ ^ >> f j Ó P2 ¢/ f ff ff ff
159
P1
°
/ Ó
ffff‰
‰
3
ffff‰
ffff‰
ffff‰
ffff‰
ffff Ó ff
mp
6
6
> > ‰ ffffffffff ffffffffffffffffffffff mf
notes performed by Player 1) > > >f f^ f f f f f f f f f Œ ≈ff
3
6
6
^ fff f f f f ff
mf
ff mf
ff
M Slightly faster
Œ
^ > ^ ^ ^ > > f^ f f >f >f >f >f >f >f >f >f >f >f >f >f f ≈ ff f f f f j f
mf
f
6 ^ j ^ ^ ^ > 6f f >f f f f ff f f f f f f ^ ^ j ^ ^ ^ ≈ j ^ > ^ ^ ^ > > f^ f f >f >f >f >f >f >f >f >f >f >f >f >f f f f ‰ f f f f f f f f f f P2 f ff f f fffff ¢/ f ff f f f f fff f f ff f f f f f f
mf
TSPCD-10
6
6
ff
mf
f
Eight on 3 and Nine on 2 – Marino
9
> > > > ^ ^ ^ ^ ^ ^ ^ ^ ^ f f f f f f f f f f f f f f f f f f f f^ f f > >ffff > > > > > > > > > > ° >f f f^ f ff f f ^ f f f f f^ ff >f >f >f > ff >f>fff >f>fff ff ffff ffff ffff ≈ ≈ æ æ / æ f f f f f f f f f f f f ff æ æ æ æ ææ ææ ææ 163
P1
ff
(mp)
> >^ > >^ > >f æff > > f^ ff > > æff > > f^ ff > > > > > >f ff >f >f >f ^ f f^ f^ ^ f^ f^ ^ >f >>> >> >f>fff f f f f ff f f f fæ fæ f f ff f f ff ffff f ff P2 f f f f f æ f f f f æ f f æ æ f f f ff f ff ¢/ æ f æf (mp)
ff
f^ >> > ^^ ^^ ^^ ^ ^ f ^f ^ f f ff f ≈ ≈ ff≈ ff≈ f / f f ff ≈ ff f f f f f f f f ≈ f f ff f ff f ff ff ff ‰
>fffff >f f f f f^ 3 4
168
P1
°
ff/mp
ff P2 ¢/
f^
RL
f^
fj
f f‰
f^
f^ f^ fj f^
f‰
ff/mp
> >3 fffff
° 4Œ /4
RL
RL
> > fffff
3
RL
RL
RL
mp 3
p
P1
fff
mp
/ ‰
fff
‰
3
fff
‰
3
fff
‰
3
ff
mf
‰
ffff
‰
ffff
‰
ffff
P2
¢/
3
‰
fff 3
‰
fff
Œ
3
3
‰
fff 3
ff
‰
3
f
ffff
‰
ffff
‰
ffff
‰
3
f
9 f^ ff^ ff^ ff^ ff^ >f f f >f f f f^ f^ >f >f ^ > f ff æ æ ≈ ≈æR ≈æR f f f f ff f
ff/mp
fff
^ ^^^ ≈ f fff
3 ^^^ 4 ≈fffŒ
> ≈ fj fJ ™
f
mf
177
°
> ≈ fj fj™
> >3 > >f f3 f >f f f 2 >f f f >f f f >f f f 4 f f f f f f f f > f f f ‰ ‰ ‰ ‰ fff 4 4 fff fff
>f3 f f f >f
> > fffff
ff
> x=x > 3> >f f f f >f f > f 3>f f f >f f 2 f >f f f >f f f f f 4 ff ff ff ff f ‰ ‰ ‰ f ff 4 4‰ f fff ff
p
> > 4 P2 ¢/ 4 fffff
6
f
f^ f f^ f ^ f ≈ f f f ≈ f f f f ≈ ff≈ ff≈ ff≈ ff ‰ j Œ f f≈ f RL
173
P1
RL
f^ f f fff f^ æ æ æææ
f
9 ^ >f > > > > f f f f f f ff f f ff f
ff
ff/mp
f
R
^ ^ ^ f™ f f
Œ
R
>f >f æR ≈æR ≈ ‰ ^j f R
R
TSPCD-10
10
Eight on 3 and Nine on 2 – Marino
N
^ ° ff ff ff f ff Œ æ / 181
P1
3
3
mp
f
3
^ ^3 ^ ^ Œ P2 ¢ / f f ff
^ f
> > ≈ f ff ‰™ f ff‰ R
ff
mp
>f >>> > f f f ‰ f ff
∑
3
P1
f
mf
q = 180
> ™™ f
ff ‰
ff‰
∑
TSPCD-10
> f f‰ ff ‰
ffffŒ
f^
Œ
ffffŒ
™™
Ó
^ ffffff f f^ f ™ ff ff ‰ ‰ ffff‰ ™ 7
3
mp
mf
f
> ‰ f fff ‰
^ >> ™™ fff
mp
ff
> > ‰ f fff‰ ‰ f fff ‰
mf
f
f^ ™ f^ f^ f^ ™ f^ ™ f^ f^ f^ ™ f^ ™ f^ f^ f ™ f‰ f ≈f ™ f ™ f ‰ f ≈f ™ f ™ f‰ f J J J J J
f
3 9 > 9 >f fff > f^ f^ ff^ ff^ ff^ ff^ ff^ ff^ ff^ ff^ ff^ ff^ ff^ ff^ ff^ ff^ ff^ ffff fff fff ™ ™ ™ ™ Œ ‰ ‰ ‰ fff ™ Œ ‰ f fff ‰ ‰ f f ff‰ ‰ ‰ ‰ ‰J ‰ ‰J ‰ ‰J ‰
f
mp
3
mf
ff
ff
^ ^ ^ ^ f^ f^ f^ f^ f^ f^ f^ f^ 2 ^ ^3 ^ ^ 4 Œ ffff P2 4 f f ff 4 Œ ¢/ fff
3
ffff Œ
mp
3 ^^^^ ^ ° Œ f f f f f^ f^ f^ f^ f^ f^ f^ f^ 2 f^ ^ f^ ^ f^ ^ 4 f æf f Œ 4 f f f4 /
fff
3
3 ffff Œ
™™ ‰ ff‰ ff ‰ ff ‰ ff ‰ ff ‰ ffŒ
f^ f f æ Œ
199
P1
ff‰
ff ‰ ff‰ ffffŒ
f
f^ fff 9 9 ‰™ fff‰™ fff‰™
ff Œ ™‰ P2 ¢ / ™ ff‰
f^ f f^ f f f^ f f^ f f f^ ff^ f^ ff ^ f^ ff ^ f f^ f f^ f f f f
ff
ff‰ ffffŒ
193
f^ f f^ ff f^ f f^ ff f^
mp
f^ f f^ f f f^ f f^ f^ ™ ^ f f P2 ¢/ f
> / ™™ f
>f ff >f ff ‰
> > f ff ‰ f f f
O
^^^ ^ ^ f f f ° ^ ff ^ ff / f f f f ff
°
ff
mp
187
P1
f^ f^ f^ f^ f^ f^ f^ f^ f^ f^ f^ f^ f^ f^ f^ ^ f^ ff ^ f^ ff >f ff >f ff f ff f ff f ff f ff f ff ff ≈ ‰™ R ‰ ≈ f f f f f
3
ff
>f f f f
3
f^ f f æ Œ 3
f
>f f f f
Œ
3
f^ f f æ Œ 3
>f >f >f
Œ
3
Œ
>f >f >f
Œ
>f3 >f >f
Œ
3 3 f^ f^ f^ f^ f^ f^ æJ ‰ æJ ‰ æJ ‰ æJ ‰ æJ ‰ æJ ‰
3
>f ff f 3
Œ
>f ff f 3
3
Œ
>f>f>f
Œ
>f>f>f
3
Œ
>f>f>f
3 3 f^ f^ f^ f^ f^ f^ ‰ æJ ‰ æJ ‰ æJ ‰ æJ ‰ æJ ‰ æJ
Eight on 3 and Nine on 2 – Marino
205
P1
P2
°
/
¢/
f^ ™ fff
Πfff
^ ^ j f f™ ^ ^ ‰ fj f ™
209
P1
°
/ Πf^ f^ f^
P2
¢/
fff
^3 ^ ^ Πf f f
^ ^ j f f
f^ f^ f^ ^ f
^j ^ ^ ^ ^ ^ ^ f^ f^ f^ f^ Πf f f f f f f
9 9 ^ f f f f fffff f f f f f f fff
mp
3
‰
‰
f^ f^ f^ J
fff
^j ff Œ ‰
9 9 fff fffffffffffffff
∑
mp
3
^ ff
11
f^ f^ f^
ff
^ ^ f^ f f
^3 f
^ f
f^ f^ f^ f^ f^ f^ f^ f^ f^ 3
∑
3
^ ff
3
^ 3 ff
^j ff ^j ff
∑
∑
‰ ff^ ™™
^ ff
^j ^ ff ff
Œ
^j ^ ff ff
Œ
TSPCD-10
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