Modern & Contemporary Art - 26 February by Tennants Auctioneers

MODERN & CONTEMPORARY ART SATURDAY 26 FEBRUARY 2022

Lot 1066 (detail)

ALSO SELLING THIS WEEK:

20TH CENTURY DESIGN SATURDAY 26 FEBRUARY 9.30AM (245 LOTS)

LINE, COLOUR AND FORM: A PRIVATE COLLECTION SATURDAY 26 FEBRUARY 12 NOON (125 LOTS)

MODERN & CONTEMPORARY ART SATURDAY 26 FEBRUARY 2022 AT 9.30AM

AUCTION The Auction Centre, Leyburn North Yorkshire DL8 5SG

VIEWING Thursday 24 February 10.00am to 4.00pm Friday 25 February 10.00am to 5.00pm Morning of Sale from 8.00am

Live bidding is available on this sale by registering at www.tennants.co.uk All lots illustrated online at www.tennants.co.uk

CONTACT Telephone: 01969 623780 enquiry@tennants-ltd.co.uk www.tennants.co.uk

COVER Lot 1032

MODERN AND CONTEMPORARY ART DEPARTMENT In line with rising interest with this area of visual culture, Tennants offer a wide range of examples by artists and movements from the 20th century through to the present day.

YORKSHIRE PICTURES AND NORTHERN ART Tennants is the leading auction house in the North of England representing and promoting high calibre and varied examples from this genre of artists. The importance of our local consigners and collectors, as well as those works sourced and sold from further afield, is testament to the notable reputation held by the Department. The Picture Department is proud to have successfully represented many important living artists and artists’ estates from the North, including Norman Cornish, Peter Brook, John Ridgewell, Marie Walker Last, Karl Torok and Sally Arnup, to name but a few, and we continue to build new and lasting relationships with numerous living artists and estates.

YOUR SPECIALISTS

Francesca Young Picture Specialist Modern & Contemporary Art

Charlotte Conboy Head of Pictures

Tennants is the UK’s largest family-owned fine art auctioneers, with a well-deserved reputation for delivering unrivalled service and results. Twenty-seven specialist departments offer an outstanding range of depth and expertise that, combined with the company’s strong traditional values and a personal approach, have won Tennants widespread respect in the international marketplace. Each year Tennants holds over 80 auctions and handles in excess of 40,000 lots covering all major disciplines, making it one of the UK’s busiest salerooms.

All lots subject to a buyer’s premium of 24% inclusive of VAT @ 20%

1000

1000  After Laurence Stephen Lowry RBA, RA (1887-1976) “Huddersfield” Signed, with the blindstamp for the Fine Art Trade Guild, a colour reproduction, 48cm by 58cm

£2,500-3,500

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

1001  After Laurence Stephen Lowry RBA, RA (1887-1976) “Britain at Play” Signed, with the blindstamp for the Fine Art Trade Guild, a colour reproduction, 47cm by 60cm

£800-1,200

1002  After Lawrence Stephen Lowry RBA, RA (1887-1976) “Level Crossing, Burton on Trent” Signed, a colour reproduction, 45cm by 55cm

£2,000-3,000

1001

1002 www.tennants.co.uk

1003  After Laurence Stephen Lowry RBA, RA (1887-1976) “St Luke’s Church” Signed and numbered 261/850, with the Grove Fine Art blindstamp, a colour reproduction, 64cm by 47cm

£1,200-1,800

1003

1004  After Lawrence Stephen Lowry RBA, RA (1887-1976) “Group of Children” Signed, with the blindstamp for the Fine Art Trade Guild, a colour reproduction, together with the accompanying three printed sketches after the artist, framed as one, 20cm by 20cm and 31.5 by 11.5cm respectively (2) Provenance: Renoirs Gallery Limited, Harrogate

£1,200-1,800

1005  Edward Bawden CBE, RA (1903-1989) “And the Spies…” Woodblock print heightened with white, number 68/83, 29cm by 19cm Provenance: The Fine Art Society, London

£80-120 8

1004 All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

1006  Tom McGuinness (1926-2006) “The A Team” Signed and dated (19)90, inscribed and numbered 12/50, etching, 22.5cm by 28cm

£150-250

1006

1007  John Kelly (b.1965) British/Irish/Australian “Head” Signed and dated (19)96-(19)98, watercolour over etching, 19cm by 24cm Exhibited: The Piccadilly Gallery Ltd, London

£500-700

1007

1008  John Egerton Christmas Piper CH (1903-1992) ‘’Fountains Abbey’’ Signed and numbered 81/150, lithograph, 48cm by 63cm

£500-800

1009  Allen Jones RA (b.1937) “Runnymede” Signed, lithograph, 36.5cm by 46cm

£150-250 www.tennants.co.uk

1008 9

1011

1010

1012

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

1010 

1011 

1012 

1013 

Edith Lawrence (1890-1973) ‘’Houses on a Hillside’’ Linocut, 31cm by 26cm (unframed)

Edith Lawrence (1890-1973) Harbour scene Linocut, together with another version of the same linocut, 26.5cm by 31cm and 24.5cm by 31cm respectively (unframed) (2)

Edith Lawrence (1890-1973) “France” Signed and numbered 17/50, linocut, 27cm by 36cm (unframed)

Edith Lawrence (1890-1973) ‘’Cricket’’ Signed, inscribed and numbered 21/25, linocut, 27cm by 37cm (unframed)

Provenance: From the artist’s estate

£1,000-1,500

£3,000-5,000

Provenance: From the artist’s estate

£150-250

£250-400

1013 www.tennants.co.uk

1014  Barbara Rae CBE, RA, FRSE (b.1943) Scottish “Karoo” Signed and numbered 47/90, screenprint, 58cm by 75cm

£600-800

1014

1015  Barbara Rae CBE, RA, FRSE (b.1943) Scottish “Rocks” Signed and numbered 29/100, lithograph, 56cm by 76cm

£500-700

1015

1016  Dame Elizabeth Violet Blackadder DBE, RA, RSA (1931-2021) Scottish Two cats Signed and inscribed artist’s proof, etching, 54cm by 70cm

£700-1,000

1016

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

1017 

1019 

Dame Elisabeth Frink CH, DBE, RA (1930-1993) “Bull” Signed and numbered 10/25, lithograph, 76cm by 57cm

After Marc Chagall (1887-1985) Russian/French “David and His Harp” Lithograph from “Illustrations pour la Bible”, Mourlot 134, 35cm by 26cm

Sold together with the frontispiece for the suite of Bull Fighting lithographs and “Frink a Portrait” by Edward Lucie-Smith and Elisabeth Frink, Bloomsbury, 1994 and an exhibition catalogue “Elisabeth Frink 1930-1993”, Beaux Arts, London

Sold together with a certificate from St James Art Books, London

The series was inspired by bullfights Frink had seen whilst living in the Camargue region of France.

£400-600

1018 

£200-300

1020  Dame Paula Rego DBE, GCSE, GOSE, RA (b.1935) Portuguese/ British “The Baker’s Wife II” Signed and numbered 12/75, etching, 18cm by 22cm

£800-1,200

Michael Rothenstein (1908-1993) “Turkey and Farm Machine III” (1959) Linocut, 54cm by 84cm

£80-120

1017

1020 www.tennants.co.uk

1021  Dame Elisabeth Frink CH, DBE, RA (1930-1993) “Running Man” Signed verso and dated 1988, inscribed proof state II, 76.5cm by 56.5cm (unframed)

£700-1,000

1022  John Bellany CBE, RA (1942-2013) Scottish “Anya and Luke” Signed and inscribed publisher’s proof 2/5, with the KG blindstamp, lithograph, 76cm by 66cm (unframed)

£150-200

1022

1021

1023  John Bellany CBE, RA (1942-2013) Scottish “North Sea Maiden” Signed and numbered 37/100, screenprint, 75cm by 55cm (unframed)

£200-300

1024  John Bellany CBE, RA (1942-2013) Scottish “Celtic Maiden” Signed, inscribed and numbered V/VI, screenprint, 95.5cm by 75.5cm (unframed)

£200-300

1023 14

1024 All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

1025  John Bellany CBE, RA (1942-2013) Scottish “Odyssey” Signed and dated (19)98, numbered I/X, screenprint, 85cm by 117cm (unframed)

£300-500

1026  Sir Eduardo Paolozzi CBE, RA (1924-2005) Scottish “History of Nothing” Signed and dated 1986, inscribed A/P “for John”, etching with aquatint, together with a screenprint by the same hand “Magic Flute”, 57cm by 76cm and 65cm by 50cm (unframed) (2)

£300-500

1027  Sir Eduardo Paolozzi CBE, RA (1924-2005) Scottish “Magic Flute II” Signed and dated 1995, numbered 1/40, screenprint, 54.5cm by 46cm

1025

£250-400

1028  Sir Eduardo Paolozzi CBE, RA (1924-2005) Scottish “Jabberwocky” Signed and inscribed, publisher’s proof 8/10, screenprint, 75cm by 111cm (unframed)

£250-400

1029  Alan Davie (1920-2014) Scottish “Culture in the Barbarian West” Signed and dated (19)99, numbered XIV/XV, screenprint, 76cm by 85cm (unframed)

£250-400

1027

1028 www.tennants.co.uk

1029 15

1030

1031

1030 

1031 

1032 

After David Hockney OM, CH, RA (b.1937) “Diver Poster for Olympische Spiele München” Lithograph printed in colours, 1972, printed by Matthieu AG, Zurich, published by Edition Olympia 1972 GmbH, Munich, 99cm by 63cm (unframed)

After David Hockney OM, CH, RA (b.1937) Poster for The Australian National Gallery, Canberra Opened by Her Majesty The Queen Elizabeth II, October 12th 1982, lithograph, 79cm by 132cm

Sir Michael Craig Martin CBE, RA (b.1941) Irish “Deconstructing Seurat” (blue) (2004) Each signed and numbered 19/40 verso, a pair of screenprints, 62cm by 92.5cm (2)

£100-200

Provenance: Alan Cristea Gallery, London

£1,200-1,800

£200-300

1032 16

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

1033

1034

1033 

1034 

1035 

1036 

Jean (Hans) Arp (1886-1966) French/German “Vollier No.3” Signed and numbered V/X, woodcut, 17.5cm by 15cm

Pierre Soulages (b.1919) French “LITHOGRAPHIE N°17” (1964) Lithograph, 32cm by 24cm

Fernand Léger (1881-1955) “Les Nuages” Numbered 38/180, lithograph, 49cm by 64cm

£400-600

£150-250

Fraser Taylor (b.1960) Scottish “Moved from Other Things” Signed and dated (19)95, monoprint, 56cm by 76cm Provenance: Jill George Gallery, London

£300-500

£150-250

1035

www.tennants.co.uk

1036

1037

1038

1041 

1042 

Carlos Nadal (1917-1998) “Promenade” Signed, with atelier stamp verso, mixed media, 32cm by 31.5cm

Stuart Scott Somerville (1908-1983) Yachts at dusk Signed, watercolour, 28cm by 40cm

Provenance: Tennants Auctioneers, Autumn Catalogue Sale, 18/11/10, lot 783

£100-150

Literature: “Carlos Nadal Works on Paper”, John Duncalfe and Hilary Diaper, Tillington Press, 2014, p.82

1043 

£500-800

1038 

Sold together with a certificate of authenticity from Le Comité Nadal

Josef Albers (1888-1976) American/ German “I-S d, Yellow Squares” Initialled and dated (19)69, inscribed and numbered 17/125, screenprint, 40cm by 40cm Provenance: Alan Cristea Gallery, London

Banksy (b.1974) “Walled off Hotel, Box Set” (2017) Offset lithograph, accompanied with a concrete chunk, together with a selection of chocolates and sweets from the hotel, 21.5cm by 21.5cm

£1,000-2,000

Janet Rawlins (b.1931) “Robin Hoods Bay” Signed, fabric collage, 51cm by 77cm

£150-250

Sold together with a copy of the receipt from The Walled Off Hotel

£600-800

1039  Mr Doodle/ Sam Cox (b.1994) “Sylvano, This World” Numbered 99/300, limited edition album cover, 29cm by 29cm (framed and glazed)

£80-120

1040  Grayson Perry RA (b.1960) “100% ART PLATE” (2020) China plate, with artist’s seal printed to base, produced for the Holburne Museum Bath, 21cm (dia) (framed and glazed)

£150-250

1041 18

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

Frederick (Fred) Cecil Jones RBA (1891‑1966) Frederick Cecil Jones was a Yorkshire painter, etcher, and art teacher who produced extraordinarily detailed townscapes of his native county, that capture the spirit of time and place. Jones was born in Bradford, the son of artist Maud Raphael Jones. After a brief period at Bradford College of art, in 1916 Jones enlisted into the army where his artistic skills were quickly utilised. He served for the remainder of the war as a reconnaissance artist on the Western Front, earning the nickname ‘Detail Jones’ for his ability to precisely render even the finest details of his subjects. Returning to his West Yorkshire home after the War, he continued to hone his skills in panoramic drawing, capturing the towns and cities of Northern England with acutely observed detail. However, Jones did not just focus his powers of observation on landscape and architecture, he put people at the heart of his paintings which are often busting with life. He manages to capture small details of everyday life with a gentle, benevolent humour that makes his work so engaging; in a crowded shopping street a small child squirms in his mother’s arms, a shopper bends to peer into a window, and woman rummages for a lost item in her handbag. Jones returned to his artistic education, attending Leeds College of Art part-time between 1930 and 1935, and married fellow artist Ethel Mary Kitson. Whilst continuing to paint, he taught at Pudsey School of Art, where he became Deputy Principal. He would go on to exhibit both locally and nationally, showing at Cartwright Hall, Bradford, the Royal Academy and the Royal Scottish Academy. His paintings are now held in numerous collections such as Tate Britain and Wakefield Art Galleries.

www.tennants.co.uk

1044  Frederick (Fred) Cecil Jones RBA (1891-1966) “Hull” Signed and inscribed, mixed media, 27cm by 37.5cm

£600-900

1044

1045  Frederick (Fred) Cecil Jones RBA (1891-1966) Figures beside rowing boats, Knaresborough Signed and dated 1958, pencil and watercolour, 28cm by 38cm

£700-1,000

1045

1046  Frederick (Fred) Cecil Jones RBA (1891-1966) “Knaresborough” Signed, inscribed and dated 1953, mixed media, 28cm by 38cm

£700-1,000

1046 20

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

Eric H Hill (1921‑2021) Eric Hill was born in Hellifield, North Yorkshire in 1921, moving with his family to Royston near Barnsley when he was seven years old. After leaving school, Hill went to work as a painter and decorator for the National Coal Board, where he was to work for the rest of his life except for a period of six years when he served in the Army as a driver during the Second World War. It was on his return from service that Hill first discovered his love of art and his talent for painting. As well as deriving inspiration from the Yorkshire landscape, Hill documented the streets of his hometown as well as the collieries that were the hub of the West Yorkshire mining communities. He exhibited in numerous art galleries, including the Cooper Gallery in Barnsley, and he has paintings held in the collections of the National Mining Museum for England and the Doncaster Arts and Museums Society. A member of active local art societies, Eric Hill also entered numerous competitions organised by the National Coal Board and the British Watercolour Society, in which he won many prizes.

www.tennants.co.uk

1047

1050

1047 

1049 

Eric H Hill (1921-2021) “Prop Setting” Signed, inscribed to artist’s label verso, mixed media together with a further mixed media work by the artist “Pit Pony”, 17.5cm by 12.5cm (2)

Eric H Hill (1921-2021) “Full belt of Coal” Signed, inscribed to artist’s label verso, together with two further mixed media works by the artist “Empty Tubs” and “Going on afters Grimethorpe”, 21cm by 31cm, 19cm by 30cm and 20.5cm by 25cm respectively (3)

Provenance: From the artist’s estate

1048

£100-200

Provenance: From the artist’s estate

1048 

£100-200

Eric H Hill (1921-2021) “Changing Shifts” Signed, inscribed to artist’s label verso, together with a further mixed media work by the artist “Pit Yard”, 21cm by 32cm (2) Provenance: From the artist’s estate

£100-200

1050  Eric H Hill (1921-2021) “Pit Pony” Signed, inscribed to artist's label verso, mixed media, together with two further mixed media works by the artist “Pit Pony” and “The Filler”, 18 cm by 13cm 15cm by 19.5cm and 22cm by 31cm respectively (3) Provenance: From the artist’s estate

£100-150

1049 22

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

1051

1052

1053

1051 

1052 

1053 

Eric H Hill (1921-2021) “Going on Afters” Signed, inscribed to artist’s label verso, mixed media, together with a further mixed media work by the artist “Coming on Afters”, 28cm by 40cm and 34cm by 45cm respectively (2)

Eric H Hill (1921-2021) “Barnsley Coal” Signed, inscribed to artist’s label verso, mixed media, together with a further mixed media work by the artist “Changing Shifts”, 28.5cm by 39cm and 34cm by 45cm respectively (2)

Eric H Hill (1921-2021) “Pit Row and Pigeon Flyers” Signed, mixed media, together with a further mixed media work by the artist “Denby Grange”, 19.5cm by 30.5cm and 20cm by 31cm respectively (2)

Provenance: From the artist’s estate

£150-250

£200-300

£100-200

www.tennants.co.uk

1055

1057

1056

1058

1054 

1056 

1058 

Allen Tortice (b.1948) “Our Cricket Pitch” Signed, watercolour, 60cm by 40cm

Stuart Walton (b.1933) “Looking Down Westgrove Street, Bradford” Signed and dated (19)72, pencil, 39.5cm by 25cm

Simon Palmer (b.1956) “Waiting in the Car and Dreaming” Signed and inscribed, watercolour, 61cm by 52cm

Provenance: Sands Gallery, Harrogate

£600-800

£150-250

1055  Stuart Walton (b.1933) “Railings, Hunslet” Signed, inscribed and dated 1964, charcoal, together with a further example by artist, “White Fence, Anchor Street, Hunslet” dated 1966, 24.5cm by 17cm and 17cm by 24.5cm respectively (2) Provenance: Headrow Gallery, Leeds

£300-500 24

£200-300

1057  Stuart Walton (b.1933) Northern street Signed and dated (19)73, pencil, 31cm by 46cm Provenance: Headrow Gallery, Leeds

£200-300

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

1059

1060

1059  Peter Brook RBA (1927-2009) “Darfield Church” Signed, inscribed, mixed media, 31.5cm by 39.5cm

£200-300

1060  Norman Adams RA (1927-2005) “Winter Ribblesdale” Initialled and dated (19)74, inscribed, watercolour, 24.5cm by 34cm

£200-300

1061  Roy Turner Durrant (1925-1998) Untitled Signed and dated (19)55, watercolour, 21.5cm by 14.5cm Provenance: Belgrave Gallery, London

£150-200

1062

1062  William Johnstone OBE (1897-1981) Composition Ink on canvas laid onto board, circa 1970, 58cm by 76cm Provenance: The artist’s studio Private Collection, Scotland

£300-500

1063  William Crozier (1930-2011) Irish “Kilcoe Strand” Signed and dated 1990, black ink, 28cm by 38cm

£400-600

1063 www.tennants.co.uk

1064  William Gear RA, FRSA, RBSA (1915-1997) Scottish “Crowlink” Signed and dated (19)74, mixed media, 58.5cm by 83cm

£400-600

1065  Barbara Rae CBE, RA, FRSE (b.1943) Scottish “Spanish Landscape/Lecrin Hillside” Signed and inscribed, mixed media, 57cm by 60cm Provenance: The Scottish Gallery, Edinburgh, “Barbara Rae Sierra”, 4th August 5th September 2006

£1,000-1,500

1064

1065 26

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

1066  Charles Frederick Tunnicliffe RA, RE, ARCA, OBE (1901-1979) “Scarlet Ibises” Signed, watercolour, 72cm by 33.5cm Provenance: Royal Academy Summer Exhibition, 1970, no.532, where purchased by the vendor Sold together with the page from the relevant Royal Academy Summer Exhibition catalogue and letters of correspondence between the vendor and the artist referencing the painting.

£2,000-3,000

1067  Peggy Somerville (1918-1975) Cockerel Pastel, 25.5cm by 17.5cm Provenance: Messums, London, Spring Exhibition, 1997, no.11 Messums label verso

£80-120

1066 www.tennants.co.uk

1068

1069

1068 

1069 

Peggy Somerville (1918-1975) “Pink Pony and Boy in Red” Signed and inscribed, pencil and watercolour, 13cm by 13cm

Josef Herman OBE, RA (1911-2000) “Man with Cloth Cap” Oil on paper, 16.5cm by 11.5cm

Provenance: Messums, London The artist’s studio collection, Winter, 2002 Messums label verso, 2002

£250-400

£120-180

1070  Edward Bawden CBE, RA (1903-1989) “Salome” Mixed media, 17.5cm by 18cm Provenance: The Fine Art Society, London

£300-500

1070 28

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

1071

1071  Ruskin Spear CBE, RA (1911-1990) “Conversation in the Pub” Pastel, 46cm by 40cm Provenance: With the Leicester Galleries, London Beaux Gallery, London Crane Kalman Gallery, London Exhibited: Exhibition of Works, Artists of Fame and Promise II, Leicester Galleries, London, August 1950 No. 68.

£2,000-3,000 www.tennants.co.uk

1072

1072 British School (20th/21st century) Royal Academy of Art Agenda, 1st October 1968 Mixed media, 33cm by 20cm

£250-400

1073

1073 

1074 

1075 

Paul Reid (b.1975) Scottish “Pan” Signed, conté crayon, 61cm by 65cm

Attributed to Patricia Douthwaite (1939-2002) Scottish Female dancer with auburn hair and green dress Coloured chalks, 63.5cm by 49cm

Mackenzie Thorpe (b.1956) “Leaving Home” “Home Time” Signed, inscribed verso and dated (19)99, pastel, 28cm by 22.5cm (2)

£800-1,200

£600-800

£400-600

1074 30

1075 All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

1076

1077

1078

1079

1076 

1078 

1080 

Mackenzie Thorpe (b.1956) “At Home” Signed, inscribed verso and dated (19)99, pastel, 28cm by 22.5cm

George Chapman (1908-1993) “Penarth Pier” Signed, oil on board, 33cm by 43cm

Stephanie Dingle (1926-2017) “Boats Point du Bue” Signed, inscribed to artist’s label verso, oil on canvas, 70cm by 90cm

Sold together with a copy of “George Chapman, A Welsh Story”, A Retrospective Exhibition by Aberystwyth Arts Centre

£200-300

£300-500

1077  George Hammond Steel (1900-1960) “Mousehole” (Cornwall) Signed, inscribed verso and dated 1954, mixed media on board, 13.5cm by 19cm

£600-800

Provenance: The Gallery Manchester’s Art House, Manchester

£200-300

1079  Gillian Roberts (Contemporary) “Whitby Harbour, Low Tide” Signed, oil on board, 34cm by 44cm Provenance: Walker Galleries Ltd., Harrogate

£200-300

1080 www.tennants.co.uk

1081 

1082 

1083 

John Mackie (b.1953) “Beach at Canet” Signed and dated (19)88, inscribed verso, oil on board, 19cm by 29.5cm

Roy Petley (b.1951) "Small Beach Scene" Initialled, oil on board, 14.5cm by 24.5cm

Ken Howard OBE, RA, RBA, NEAC (b.1932) “Sennen Beach” (1987) Signed, oil on board, 20cm by 25cm

£200-300

£150-250

£800-1,200

1082

1084

1083

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

1084  Jeremy Barlow (Contemporary) “Kite Flying, Norfolk” Signed, oil on board, 28cm by 38cm Provenance: Walker Galleries Ltd., Harrogate

£300-500

1085  Andrew Macara NEAC (b.1944) “Roses Spain” Signed, inscribed verso, oil on canvas, 34.5cm by 44.5cm

£500-800

1086  Andrew Macara NEAC (b.1944) “Puglia” Signed, inscribed verso and dated 2015, oil on canvas, 50.5cm by 61cm (unframed)

1085

£300-500

1087  Cecil Rochfort D’Oyly John (1906-1993) “Cap d’Antibes, South of France” Signed, inscribed verso, oil on canvas, 38.5cm by 73cm Provenance: Aldridge Bros, The Little Gallery, Worthing

£1,000-1,500

1086

1087 www.tennants.co.uk

Gino Hollander (1924‑2015) American

1088

Born in New Jersey in 1924, Gino Hollander was a painter who began his artistic life in New York in 1960 during the height of the

1088

a filmmaker. Part of the illustrious group of abstract expressionist

Gino Hollander (1924-2015) American Sailing boats Signed and dated. (19)63, oil on canvas, 83cm by 163cm

artists working in New York at this time, Hollander was one of

£800-1,200

abstract expressionist movement, following a successful career as

the first artists to explore the potential of the versatile and vivid new acrylic paints. After setting up his first studio and gallery on Bleeker Street in Greenwich Village, Hollander moved his family to Spain, where he found his voice as an artist separated from the rest of the art world. Drawing on a life filled with adventure, Hollander used his paintings to express the human condition and his own inner world. In his words 'painting provides me with a constant mirror of my being'. Hollander would eventually move back to the United States, having established a string of galleries around the world. His work is held in numerous public and private collections.

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

1089

1090

1091

1089 Gino Hollander (1924-2015) American “Spanish Landscape with Finca” Oil on canvas, 77cm by 102cm

£400-600

1090

1092

Gino Hollander (1924-2015) American Spanish landscape in ochre Signed and dated (19)83, oil on canvas, 82cm by 120cm

£400-600

1092

1091

Gino Hollander (1924-2015) American Spanish seascape Oil on canvas, 100cm by 74cm

Gino Hollander (1924-2015) American Spanish landscape with buildings Signed and dated (19)72, oil on canvas, 98.5cm by 99cm

£300-500

£400-600

www.tennants.co.uk

1093  Lydia Bauman (Contemporary) “Sicilian Landscape” Mixed media on panel, 119cm by 122cm Provenance: Cork Street Gallery, London

£600-800

1094  Nino Tirinnanzi (1923-2002) Italian A Tuscan landscape Signed, oil on canvas, 48cm by 58cm

£1,000-1,500

1093

1094 36

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

1095

1096

1097

1098

1095 

1097 

1099 

John Mackie (b.1953) “Evening Sun, St. Tropez” Signed and dated (19)92, oil on canvas, 64.5cm by 90cm

John Mackie (b.1953) “Early Evening, Las Rambas” Signed and indistinctly dated, oil on canvas, 34cm by 44cm

Matthew Alexander (b.1953) “French Road, Dappled Light” Signed, oil on board, 29cm by 39cm

Provenance: Gallery Six, Harrogate

£200-300

£250-400

£400-600

1098 

1096  John Mackie (b.1953) “The Old Square, St. Guilhem, Le Dessert” Signed and dated (19)99, inscribed verso, oil on canvas, 59cm by 74.5cm

Provenance: David Messum Fine Art, London

John Mackie (b.1953) “Into the Avenue Montpellier” Signed, inscribed verso, oil on canvas, 69.5cm by 89.5cm

£500-800

Provenance: Walker Galleries Ltd., Harrogate

£600-800

1099 www.tennants.co.uk

1100

1100  Henry Lamb MC, RA (1883-1960) Summer landscape Signed, oil on board, 25.5cm by 34cm

£700-1,000

1101

1101 

1102

Orlando Greenwood (1892-1989) Farmyard Signed, oil on canvas, 38cm by 45cm

Enslin Hercules du Plessis (1894-1978) South African English Country Lane - Dusk Signed, inscribed verso, oil on canvas, 49cm by 59.5cm

£400-600

£200-300

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

1103  Stephanie Dingle (1926-2017) “Landscape with Horses, St Ives” Signed, inscribed to artist’s label verso and dated 1996, oil on canvas, 90cm by 90cm

£200-300 1103

1104

1105

1104 

1105 

Andrew Macara NEAC (b.1944) Ponies beside a woodland Signed, oil on canvas, 50.5cm by 61cm (unframed)

Gwyn Roberts (b.1953) Welsh “Tryfan and Glyder from Fach” Signed and inscribed verso, oil on canvas, 69.5cm by 100cm

£250-400

£500-700

www.tennants.co.uk

1106

1106  John Lowrie Morrison “Jolomo” OBE (b.1948) Scottish “Croft by the Sea, South Uist” Signed, inscribed verso and dated 2007, oil on canvas, 39cm by 39cm

£2,000-3,000

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

1107

1108

1107  Padraig Macmiadhachain (1929-2017) Irish “Caves Under Purbeck Cliffs” Signed and dated (19)83, oil on board, 23cm by 22.5cm

£300-500

1108  Kitty North (b.1963) “Night Farm” Signed and inscribed verso, oil on canvas, 31cm by 41cm

£250-400

1109 Brian Alderman (b.1954) “November Snowfall” Signed and dated 2021, inscribed to artist’s label verso, oil on board, 49cm by 59cm

£300-500

1110 Brian Alderman (b.1954) “Morning Sun, January” Signed, inscribed to artist’s label verso, oil on board, 49cm by 58.5cm

1109

£300-500

1110 www.tennants.co.uk

Stuart Walton (b.1933) Stuart Walton was born in Leeds in 1933. A self-taught artist, he focused on depicting the fast-disappearing Victorian terrace houses, cobbled streets and dark yards of Leeds. His paintings capture the atmosphere of the post-industrial North and his time growing up in the area. Walton plays with the use of light throughout his compositions to create a dramatic and often dark atmosphere. Employing a brightly lit oil lamp or the sun reflecting off the side of a building, he adds great depth into his paintings, exaggerating contrast between light and shade in a modern chiaroscuro. The industrial revolution dramatically altered cities across the North of England and created strong working communities. Following early employment as a signwriter and a spell in the army, Stuart Walton depicted the decline of industry in the North and the effects this had on urban settings. Recently his street scenes have had a rebirth in popularity. He was named the Inaugural Yorkshire Television Fine Arts Fellow in 1975.

1111  Stuart Walton (b.1933) “Gasholder Street, Hunslet, Leeds” Signed and dated (19)65, oil on canvas board, 120cm by 120cm Provenance: Sands Gallery, Harrogate Exhibited: Yorkshire Artist’s exhibition 1965

£2,500-4,000

1111 42

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

1112  Stuart Walton (b.1933) “Landscape, Armley” Signed and dated (19)65, oil on canvas board, 120cm by 120cm Provenance: Sands Gallery, Harrogate

£2,500-4,000

1112 www.tennants.co.uk

1113

1113  Stuart Walton (b.1933) "Glasshouton Colliery" Signed and dated (19)71, oil on canvas board, 75cm by 52cm

£2,500-4,000 44

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

1114  Peter Brook RBA (1927-2009) “Pennine Sheep Farm 1683-1973” Signed and inscribed, oil on canvas, 49cm by 75cm Provenance: Thomas Agnew & Sons Ltd., London

£1,000-2,000

1114

1115  Peter Brook RBA (1927-2009) “Winter Monday” Signed and inscribed, oil on canvas, 122cm by 182cm Provenance: Thomas Agnew & Sons, London To Be Sold Under Temporary Import 5% VAT on Buyer’s Premium

£2,000-3,000

1115

1116  Peter Brook RBA (1927-2009) "Autumn" (Bradley Woods) Signed and inscribed, oil on canvas, 50cm by 75cm (unframed)

£1,200-1,800

1116 www.tennants.co.uk

1117

1117 

1118 

Norman Stansfield Cornish MBE (1919-2014) “Street with Horse and Cart” Signed, oil on board, 33cm by 40.5cm Provenance: University Gallery, University of Northumbria, Newcastle-upon-Tyne, no. NC158

Allen Tortice (b.1948) “Old Morley” Signed and dated 1985, oil on board, 37cm by 30cm

Sold together with the original frame hand made by the artist

£120-180

For a possible preparatory study see “Norman Cornish A Shot Against Time”, Northumbria University Gallery, Newcastle upon Tyne and Kings Place Gallery, London, 2010, p.48 “Edward Street with Horse and Cart”.

1119 

£3,000-5,000

Allen Tortice (b.1948) “The Corner Shop” Signed, inscribed verso and dated 2020, oil on board, 45cm by 29cm

£150-250

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

1120

1121

1120  Steven Scholes (b.1952) “Market Street Manchester, 1961” Signed, inscribed verso, oil on canvas, 39.5cm by 49cm

£400-600

1121  Steven Scholes (b.1952) “Scarborough” Signed, inscribed verso, oil on canvas, 39.5cm by 49.5cm

£300-500

1122  Steven Scholes (b.1952) “Bankside Wharf, Southwark London, 1962” Signed, inscribed verso, oil on canvas, 38.5cm by 28.5cm

£300-500

1122

1123  Peter Brown NEAC (b.1967) “Last Edition, Royal Exchange”, London Signed and dated (20)05, oil on canvas, Provenance: Messums, London, Peter Brown Solo Exhibition, September 2005, no.25

£400-600

1123 www.tennants.co.uk

1124  Peter Stanaway (b.1943) “Josh’s Nosh - Cafe Manchester” Signed, inscribed verso, oil on board, 30cm by 24.5cm

£300-500

1125  Peter Stanaway (b.1943) “2 Men and Horses” Signed, inscribed verso and dated 2015, oil on board, 24.5cm by 34.5cm

£300-500

1124

1125

1126

1127

1126 

1127 

Peter Mckee (1966) “Biker of the Estate” Signed, oil on board, 46cm by 35.5cm

Peter Mckee (1966) “Take Two” Signed and dated (20)06, oil on board, 30.5cm by 30.5cm

£500-700

£200-300

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

1128

1129

1128 Jonathan Armigel Wade (b.1960) “Leaving by Night” Signed, inscribed verso and numbered 1638 with artist’s numbering system, oil on board, 21cm by 14.5cm

£300-500

1129  Simeon Stafford (b.1959) “On the Prom” Signed, inscribed verso, oil on board, 45.5cm by 92cm

£500-800

1130  John Randall Bratby RA (1928-1992) “Patti Naked in High Heels & Thrice Clothed at Kings Langley Hertfordshire” Signed, oil on canvas, 121cm by 90cm Provenance: The Catto Gallery, London Exhibited: John Bratby RA Retrospective, Hartlepool, 1992

£1,200-1,800

1130

www.tennants.co.uk

1131

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

1132  1131  Geoffrey Key (b.1941) “Girls and Clouds” Signed and dated (20)03, inscribed verso, oil on canvas, 48.5cm by 39cm

Attributed to Arthur Dooley (1929-1994) Madonna Bronze, together with a further bronze depicting the Madonna and Child, 19cm high (2)

£150-250

Provenance: The Oriel Gallery, Dublin

£3,000-5,000

1133  Michael Duhan (b.1956) Irish Acrobats Signed and numbered 1/9, patinated bronze, 35cm high

£1,000-1,500

1134

1134  Endre Röder (b.1933) Hungarian “A Small Bouquet” Signed, inscribed verso, oil on board, 54.5cm by 44.5cm Provenance: Derwent-Wye Fine Art, Peak District

£600-800

www.tennants.co.uk

1135

1135 Malcolm Drummond (1880-1945) Girl sitting at a window Oil on canvas, 59cm by 49cm

Provenance: With Salander O’Reilly Galleries Inc, New York The Maclean Gallery, London Christie’s Sale, 6 November 1981, lot 56, sold for £750 Sotheby’s Sale, 16 November 1978, lot 65, sold for £850 We are grateful to Dr Wendy Baron for her assistance in cataloguing this piece. She dates it as circa 1910-12.

£3,000-5,000 52

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

1136 Gino Hollander (1924-2015) American Portrait of a young lady, head and shoulders Signed and dated 4.(19)63, oil on canvas, 101cm by 75cm

£300-500

1137  Peter Blagg (b.1937) Head study of a lady Signed and dated (19)58, oil on board, 25.5cm by 26cm

£100-150

1138  John Wonnacott CBE (b.1940) Self-portrait before a window Oil on board, 65cm by 42cm With artist’s numbering verso JW35679

£1,500-2,000

1139  Harry Holland (b.1941) Seated model Signed, oil on board, 32.5cm by 29.5cm

£700-1,000

1138

1136 www.tennants.co.uk

1139 53

1141

1140

1140  Don Mckinlay (b.1929) The Dinner Party Initialled and dated (20)09, oil on board, 49cm by 64cm

£200-300

1141  Brenda Lenaghan RSW (b.1941) Scottish Lady holding a parrot Signed, oil on board, 28cm by 28cm Provenance: A gift from the artist

£400-600

1142  Donald McIntyre RCA (1923-2009) Scottish Two young girls arranging a vase of flowers Signed, oil on canvas board, 49cm by 39.5cm

£700-1,000

1143  * S.C (Contemporary) “Bees on a Summer Day” Initialled, mixed media on board, 39cm by 49cm

£150-250

1142 54

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

1144

1145

1144 Sam Toft (b.1964) “It’s a Fair Wind Doris” Signed, oil on board, 21cm by 15cm Provenance: John Noott Galleries, Broadway

£700-1,000

1145  Peter Hibbard (b.1945) “Windblown Tree” Signed and numbered 2/6, bronze on a granite base, 20cm high (including base) Peter Hibbard was an assistant to Henry Moore for two years in the 1960s.

1146

£250-400

1146  Sally Arnup FRBS, ARCA (1930-2015) Toad Signed and numbered IV/X, bronze, 4cm high

£500-700

1147  Sally Arnup FRBS, ARCA (1930-2015) Common Frog on Leaf Signed and numbered I/X, bronze on a marble base, 12.5cm high (including base)

£500-700 1147 www.tennants.co.uk

1148  Michael Duhan (b.1956) Irish “Lady with Outstretched Arms on Horse” Signed and numbered 1/9, dated 2009, bronze, 40cm high

£1,500-2,500

1149 Darren Yeadon (b.1970) Ammonite Monogrammed, Carrara marble, 25cm high

£300-500

1150 Darren Yeadon (b.1970) Seahorse Monogrammed, Carrara marble, 80cm high

£1,000-1,500

1148

1149 56

1150 All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

1151

1151  Mark Rode (b.1965) Irish Walrus Signed and numbered 2/7, bronze, 20cm high

£1,000-1,500

www.tennants.co.uk

1152

1152  Mark Rode (b.1965) Irish “Charging Elephant” Signed and numbered 3/7, patinated bronze, 25cm high

£1,500-2,500

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

1153

1153  Steve Burgess (b.1960) Lioness on a rock Signed, oil on board, 25cm by 19cm

£1,200-1,800

www.tennants.co.uk

1155

1154

1156

1154  Doris Lurot Betjeman (b.1915) “Moulin à Poivre” Signed and dated (1983), oil on canvas, 24.5cm by 17cm Provenance: Messums, London, Winter Exhibition 1996

£150-250

1155  Audrey Johnson (1918-2010) “Azalea” Signed verso, oil on board, 28.5cm by 26cm Provenance: Coach House Gallery, Brantwood

£200-300

1156  Audrey Johnson (1918-2010) “Jack by the Hedge” Signed and dated (19)93, oil on board, 28.5cm by 23cm Provenance: Coach House Gallery, Brantwood

£200-300

1157  Ken Howard OBE, RA, RBA, NEAC (b.1932) “Daffodils and Snow, Jan 13” Signed, oil on board, 24cm by 19cm Provenance: Richard Green Fine Paintings, London

£700-1,000

1157 60

All lots subject to a buyer’s premium of 26.4% inclusive of VAT @ 20%

1158  Ceri Allen (Contemporary) Kitchen Still Life Signed, oil on board, 66cm by 74.5cm

£300-500

1158

1159  Ann Oram RSW (b.1956) “Lemons in a Bowl” Signed, oil on board, 20.5cm by 25.5cm Provenance: The Scottish Gallery, Edinburgh

£300-500

1159

1160  Robbie Wraith RP (b.1952) Three red onions Signed, oil on board, 15cm by 21cm (unframed)

£300-500

1160 www.tennants.co.uk

BRITISH, EUROPEAN & SPORTING ART SATURDAY 19 MARCH 2022

For further information please contact: Lucy Campbell lucy.campbell@tennants-ltd.co.uk or Charlotte Conboy charlotte.conboy@tennants-ltd.co.uk

William Kay Blacklock (1872-1922) “Bathers, Walberswick” Signed, indistinctly dated?, signed and inscribed verso, oil on canvas board, 24cm by 34cm £1,200-1,800

ABOUT TENNANTS

UNIQUE FACILITIES Tennants is the only auctioneers in the UK with the capability to exhibit single items and collections to the public months ahead of sale. Museum-quality display galleries were built in 2014 to provide ever-changing displays of highlights from the saleroom. The Company has a long history of handling outstanding private collections and estate sales of all sizes. Notable private collection sales have included: An American Collector - from Virginia The P Lamaison Van Heenvliet Collection of Arms and Armour - from Holland Modern Life in Print - from the estate of Edith Laurence The El-Shamy Wine Collection An Attic Sale: The Final Instalment of the Collections of the late Stanley J Seeger The Historical Collection of Natural History and Taxidermy from Hodnet Hall

www.tennants.co.uk

NON-SELLING EXHIBITIONS AND EVENTS Tennants hosts a busy and varied programme of exhibitions and events, which not only support and enhance the auction programme but provide a diverse cultural experience for visitors and the local community. Frequently working in association with museums, private collectors and educational establishments, highlights of the non-selling exhibition programme include curated displays of treasures from The Bowes Museum and fine art exhibitions including 350 Years of British Art and Light & Shadow, which showcased major loaned works from over twenty museums and numerous private collections. The applied arts have been celebrated with exhibitions dedicated to William Morris, antique quilts and the furniture and furnishings of Robert ‘Mouseman’ Thompson. Northern Art is championed too, with frequent selling exhibitions. Recent highlights have included Norman Cornish: Bishop’s Close Street and Sally Arnup: Life in Bronze, both of which were staged in conjunction with the artists’ estates.

CONTACT US To discuss consigning single items or collections please contact us on 01969 623780 enquiry@tennants-ltd.co.uk

BUYERS’ INFORMATION Buyer’s Premium

Absentee Bidding

A Buyer’s Premium of 22% of the Hammer Price, plus VAT, is payable on each lot.

Whilst reasonable endeavours will be made to execute absentee bidding up to the Day of Sale, Tennants will not be liable for any default or neglect in connection with this service. All such arrangements therefore are made entirely at the Prospective Buyer’s risk.

Condition Reports We are happy to provide Condition Reports to Prospective Buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale. A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the Seller. We accept no liability for the opinions expressed in any Condition Report.

Caveat Emptor

VAT Value added tax or any equivalent tax chargeable in the UK or elsewhere.

Agency We act as agents for the Seller, whose details remain confidential. If you buy at auction your contract is with the Seller, not us.

The principle of caveat emptor applies to the sale of all goods sold at auction by us. Furthermore, we have no control over the condition of any item offered for sale.

Picture Descriptions

Additional Images

The initials of the forename(s) and the surname of the artist indicates in our opinion a work of the period of the artist which may be wholly or in part his work.

Requests for additional images of items in the sale can made up to 48 hours before the Day of Sale.

Online Bidding We offer an online bidding service via our own platform - Tennants Live Bidding at www.tennants.co.uk. Items purchased via this platform will be subject to an additional 1.5% commission charge plus VAT at the prevailing rate. We also offer online bidding via www.the-saleroom.com for prospective buyers who cannot attend the sale. Items bought via this platform will be subject to an additional 4.95% commission charge plus VAT. By completing registration on www.the-saleroom.com and providing your credit/bank card details and unless alternative arrangements are agreed with us, you; (a) authorise Tennants, if they so wish, to charge the credit/bank card given in part of full payment, including all fees, for items successfully purchased in the auction via www.the-saleroom.com; and (b) confirm that you are authorised to provide these credit/bank details to Tennants through www.the-saleroom.com and agree that Tennants are entitled to permit the shipping of the goods to the card holder and card holder address provided in fulfilment of the sale. We do not accept any liability for any losses, however arising, as a result of a prospective buyer’s use of www.the-saleroom.com. Use of www.the-saleroom.com is subject to separate terms and conditions which do not form part of these conditions.

Telephone Bidding Requests for telephone bidding must be registered at least one hour prior to the close of the View Day. We will not accept requests on the Day of Sale. Telephone Lines are booked on a first-come, first-served basis and are subject to a minimum lot value of £500 for Fine Art Sales and £200 for all other sales.

www.tennants.co.uk

The forename(s) (or asterisks where not known) and surname of the artist indicates, in our opinion, a work by the artist named.

The following terms apply in our determination of a picture description: (a) “Attributed to” - is in our opinion probably a work by the artist. (b) “Studio of” - is in our opinion a work from the studio of the artist which may or may not have been executed under his direction. (c) “Circle of” - is in our opinion a work of the period of the artist executed under his immediate influence. (d) “Follower of” - is in our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (e) “Manner of” - is in our opinion a work in a style related to that of the artist, but of a later date. (f) “School accompanied by the name of a place or country and a date” - means that in our opinion the picture was executed at that time and in that location; e.g. Flemish School, 17th century. (g) “After” - an artist is in our opinion a copy of any date after a work by that artist. (h) “Signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription” - are from the hand of the artist. (i) “Bears signature and/or dated and or inscription means that in our opinion the artist’s name and/or date and/or inscription” - have been added by another hand. (j) All references to signature, inscriptions and dates refer to the present state of the work. (k) Dimensions are given height before width and do not include the frame (l) Pictures are framed unless otherwise stated.

Droit de Suite/ Artists’ Resale Rights

Collection

All items in this catalogue that are marked with “” are potentially qualifying items, and the royalty charge (set out below) will apply if the Hammer Price is more than the UK sterling equivalent of €1,000. The royalty charge will be added to purchase invoices, and must be paid before items can be cleared. All royalty charges are paid to either the Design and Artists Copyright Society (“DACS”) or the Artists’ Collecting Society (“ACS”) by the auctioneers, and no handling costs or additional fees with respect to these changes will be retained by the auctioneer.

All purchases must be collected from our Leyburn offices, unless stated otherwise, within seven days of the Sale (Monday to Friday 8.30am to 5.00pm).

From 14 February 2006 United Kingdom art market professionals (which includes auctioneers) are required to collect a royalty payment for all works of art that have been produced by living artists, and those who have died within the last 70 years. This payment is calculated on qualifying works of art which are sold for a Hammer Price more that the UK sterling equivalent of €1,000 (the UK sterling equivalent will fluctuate in line with prevailing exchange rates). It is the responsibility of the Buyer to acquaint themselves with the actual Euro to UK sterling exchange rate on the Day of Sale. The actual qualifying threshold will be calculated by the “Artist’s Resale Right Service Hub” based on the “European Central Bank” reference rate published at 2.15pm on the Day of Sale and can be found on www.dacs.org.uk

Bradleys Antique Packing Services Ltd 01325 281332 info@antiquepacking.co.uk

The royalty charge for qualifying items which achieve a Hammer Price of more than the UK sterling equivalent of €1,000 is as follows: Up to €50,000 – 4% €50,000.01 to €200,000 – 3% €200,000.01 to €350,000 – 1% €350,000.01 to €500,000 – 0.5% Exceeding €500,000 – 0.25%

For certain lots, we offer a packing and shipping service up to a total value of £5,000 (inclusive of buyer’s premium, VAT and any other associated charges). Prices start from £20 depending on the size and destination. Please note, we are unable to post items of a fragile nature. Items are fully insured and can be tracked from dispatch to delivery.

For further information please visit www.dacs.org.uk or www.artistscollectingsociety.org. There is no VAT payable on this royalty charge.

Method of Payment Payment is accepted online via our website. Card payments where the card holder is not present will only be accepted for transactions up to £500. Payment can be made and purchases collected during the auction. All accounts must be settled within 14 days of the sale. Accounts not paid within 14 days will automatically be subject to an interest charge of 5% above base rate from the day of sale.

Despatch/Delivery Buyers may appoint their own shippers or use one of our preferred suppliers for all UK deliveries and international shipping. Their contact details are as follows:

Carrs Carriers Ltd 01423 297088 01913 077024 carrscarriersltd@gmail.com Mailboxes Etc 0113 242 8715 info@mbeleedscity.co.uk

In-House Shipping

To obtain a quote for packing and shipping, please email shipping@tennants-ltd.co.uk or call 01969 623780. You will need to have paid your invoice in full, including delivery, before items are dispatched. For full Terms of Business please refer to www.tennants.co.uk

2022 AUCTION DATES Saturday 12 February

Antiques & Interiors Saturday 12 February

Costume, Accessories & Textiles Wednesday 16 February

Coins & Banknotes Friday 25 February

Antiques & Interiors Saturday 26 February

20th Century Design Saturday 26 February

Modern & Contemporary Art Saturday 26 February

Line, Colour and Form: A Private Collection Friday 4 March

Stamps & Postcards Friday 11 March

Antiques & Interiors Friday 18 & Saturday 19 March

Spring Sale Saturday 19 March

British, European & Sporting Pictures Saturday 19 March

Jewellery, Watches & Silver Wednesday 23 March

Militaria & Ethnographica Friday 25 March

Antiques & Interiors Wednesday 30 March

Books, Maps & Manuscripts

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The Auction Centre, Leyburn North Yorkshire DL8 5SG 01969 623780 enquiry@tennants-ltd.co.uk www.tennants.co.uk