ARCHITECTURE
POR TFO LIO MARÍA TERESA
ALOMOTO
“All the objetcs that surround us and nature itself, the lights, the sky, the water and the storm, everything is a symphony. And that symphony is what architecture is all about.”
Balkrishna Doshi
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PROFILE
Professional in formation of the architecture career from the Pontificia Universidad Católica del Ecuador. I am characterized by being a creative, responsible, proactive person with focus on results. My goal is to enhance my skills from my field of action with passion and determination.
593 997925667 teresaalomoto0606@gmail.com malomoto296@puce.edu.ec Quito - Ecuador
NOTE: For more information and detail review CV.
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MARÍA TERESA ALOMOTO ROMÁN Architecture student WORK EXPERIENCE TZE ARCHITECTS Drawing Internship aug 2021 - dec 2021
Quito - Ecuador
DRAWING INTERNSHIP - PONTIFICIA UNIVERSIDAD CATÓLICA DEL ECUADOR feb 2021 - jun 2021
Quito - Ecuador
INVESTIGATION INTERNSHIP - PONTIFICIA UNIVERSIDAD CATÓLICA DEL ECUADOR aug 2020 - dec 2020
Quito - Ecuador
TEACHER ASSISTANT - PONTIFICIA UNIVERSIDAD CATÓLICA DEL ECUADOR Subjects: Architectural and Urban drawing I Theory and history of architecture II feb 2020 - jun 2020
Quito - Ecuador
INVESTIGATION INTERSHIP - SECOND LANDSCAPING CONGRESS feb 2020 - jun 2020
Quito - Ecuador
A0 ARCHITECS Investigation Internship - Amazon communes aug 2019 - sep 2019
El Coca. Comunidad Pañacocha Comunidad Añangu
MARIO CUEVA ARCHITECTS Drawing Intership jun 2018 - sep 2018
Quito - Ecuador
SOFTWARE SKILLS
EDUCATION ARCHITECTURE Pontificia Universidad Católica del Ecuador feb 2016 - present - Best design project - Taller III (aug 2017 - dec 2017) - Best design project - Taller IV ( feb 2018 - jun 2018)
HIGH SCHOOL DEGREE - IB EDUCATION Emile Jaques Dalcroze Educational Unit sep 2002 - jul 2015 - Primera escolta del pabellón nacional
Part of the academic honor roll during the school year 2014 - 2015.
LANGUAGES SPANISH
Native
ENGLISH
Higher
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CONTENTS
Architecture Proyect 1
Page 8
Architecture Proyect 2
Page 12
Architecture Proyect 3
Page 13
5
Architecture Proyect 4
Architecture Proyect 5
Photography
Expression Techniques
Page 18
Page 24
Page 30
Page 50
“Architecture is everywhere, or better said, it interferes in all the objetcs of daily life.”
Le Corbusier
ARCHITEC
CTURE
BAHÍA ECO - RECREATIONAL SPACE
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Proyect 1 - Level 4 / Ubication: Bahía de Caráquez - Manabí, Ecuador
Site Analysis - This proyect was located in Fanca community, Bahía de Caráquez. - The poblation suffered consequences about the earthquake in 2016. - There is a community with out cultural and recrearional equipments. - Lack of road infrastructure and services.
CONCEPT - Interactive and community integration space for the population of Fanca. - Inclusion of open spaces for communication with nature and the immediate context. - Permanent and freight forwarding services. - Funeral services, cultural center, food center and technological workshops for the promotion of learning in its canton and preventive measures for safe construction
INTENTIONS - Generate meeting points for the people of Fanca. - Provide services to the residents of the area. - Integration and development of recreational activities. - Use alternative transportation systems such as pedestrian streets and cobblestone streets
9
1
2
20
1 24
2
3 5
4 5 6 7
6
8
23
9
10
7
18 11
17 8
12
9
13
14
15 16
12
15 14 13
Chova waterproofing sheet e=5mm Structural wooden decking e=17mm Wooden beams Threaded rod O 10mm Steel bolt O 10mm Structural wood panels Assembly by piecework Wood Ribbons Wooden beams e= 13 cm O 10mm steel bolt Reinforcing steel O 12mm rammed natural soil Replant e=4cm Foundation slab f´c= 210 kg/cm2 Machimbrada chanúl stave concrete beam Welded Mesh metal handrail anchor rod wooden trusses 14*8cm O 10mm steel bolt Concrete column e= 20cm Wooden sunbreaker
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“Modern architecture doesn´t mean the use of new materials, instead it means the use of the materials in a more human shape”
B
4.00 4.00
4.00 +/-0.00
2.00 4.00
1.00
A
A'
B'
Architectural plan - Second Level
B
7.20
0.87 3.00
3.43
1.00
5.00
2.70
2.00
+/-0.00
1.50
2.00
+/-0.00 +/-0.00
2.00
A 0.90
3.11
2.00
Architectural plan - First Level
1.50 9.00
1.89 1.50
B'
A'
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Ventilation = Light structure
Sunning
Relation between architecture and landscaping
Longitudinal Section N.P.A. 8.00
N.P.A. 4.00
N.P.A. 2.00
N.P.A. 0.00
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COLLECTIVE HOUSING Proyect 2 - Level 5 / Ubication: La Mariscal - Quito, Ecuador
City Stance URBAN ACTIVATOR PROJECT PROFILE:
CULTURAL SPACES “ACTIVE SPACES”
TAMAYO STREET
16 Flats Residential
64m
Families
8 Flats 32m
Cultural
Comercial
Commercial
Architectural Proposal
AV. 12 DE OCT
Students
USER TYPES
The population is growing disproportionately, and this includes a challenge to contemporary cities to provide quality of life to its inhabitants, in addition to being self-sustaining. One of the solutions is to create spaces free of nuisances, such as pollution, noise, dirt or environmental discomfort, and thus ensure social welfare, where there are sites with green and communal areas. To generate these new spaces, the resources available should be used, such as those of nature, taking advantage of light, shadow or the materials it provides, generating an architecture that is more harmonious with its context.
La Mariscal
Workers
Everyone
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14
N=+ 64.00
N=+ 61.00
N=+ 58.00
N=+ 55.00
N=+ 52.00
N=+ 49.00
N=+ 43.00
ACTIVA
URBANO
N=+ 38.00
N=+ 35.00
N=+29.00
N=+ 26.00
N=+ 21.00
N=+ 18.00
N=+ 15.00
N=+ 12.00
N=+ 7.00
N=+ 0.00
CIRCULACIÓN VEHICULAR
N= -3.00
CIRCULACIÓN VEHICULAR
N= -6.00
CIRCULACIÓN VEHICULAR
N=-9.00
CIRCULACIÓN VEHICULAR
N=-12.00
The intention of the project is to link up the city with the building, create accesses and universal spaces through a tray of equipment in which they complement the Mariscal sector. Promote green space and co-relation spaces. A transverse axis is born that crosses the entire land from Av. 12 de Octubre to Tamayo secondary street, in that space the most public use activities will be carried out. The shape of the facade formed by planes encourages me a better entry of light into the living spaces. Due to the location of the project, the user is very varied and the building offers spaces for each one of them in which they can satisfy their needs.
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ADOR A
B
3
3
C
3
D
3
E
5,34 A
9
3
B
4,13 3
C
3
D
3
E
9
9
3
3
9
8
8
8
7
12,25
3
8,5
3
8
7
7
3
7
3
+ 7.00 6
GUARDIANÍA SEGUNDO EDIFICIO
6
6
6
5,74
0.00
5
2,12
5
3
6
3
6
+ 9.00
5
5
6,64
5,76
+ 0.00
0.00
4
4
4
3
TALLER 1
3
3
6
3
6
4
+3.00
3
GUARDIANÍA PRIMER EDIFICIO
0.00
3
+ 9.00 2
2,3
TALLER 2
6
3
3
8,75
6
3
2
3,2
2
1
3
6
3
6
2
1
3
3
3
3
1
1
3 A
B
C
D
E
2,88 A
Architectural Plan - Level 1 - Equipments
3
3 4,13
3 B
3
C
D
E
Architectural Plan - PB - Equipments
9,25
+ 7.00
16
ARCHITECTURAL HOUSING PLAN - FLOOR 8 A
B
C
D
E
ARCHITECTURAL HOUSING PLAN - FLOOR 2 A
B
C
D
E
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HOUSES UBICATION
3,36
2
HOUSING TYPE 1
Bethrooms
7.35 m2
Mechanical room
2.60 m2
Bathrooms
3.18 m2
Balcony
4.00 m2
3
7,95
4,96
Kitchen/ Living Room/ Dining room 6.44 m2
7,75
6,7
3,89
3,03
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HOUSING TYPE 3
ARCHITECTURALHOUSING PLAN - FLOOR 11 A
B
C
D
E
5,82
3,33
9,35
ACTIVITING QUITO BORDER
CONCEPT
Spinning p
Another approach is sou historic center and inst spaces (downtown Quito go through and recover spaces, with unique and curity and unused space
Ubication: San Juan Balcony Miraflores Park
Plaza existente (reactivar)
Break
Ciudad mirador
Quebrada Mirador
Teatros - escenarios permeables (cuyo telón de fondo y paredes son conformaciones vegetales, o el paisaje lejano de la ciudad y las montañas)
Walking
Landscape conection
Vegetación media
Veget
13 19 Intermediate situations between natural and artificial
A previously hidden landscape is revealed, offering the user an experience of meeting places where the individual and the collective converge under a route that involves activities, programs that result in a diversity of interconnected spaces that promotes social integration and bonding of the inhabitants of San Juan and Miraflores neighborhoods.
people in the nature of walking
ught to have another perception of the tead of going through consolidated o), in the crowds, I can establish myself, r the edge that are currently potential d attractive visuals but for issues of insees are not inhabited or visited. Moment 1: Urban Events
Moment 2: Meeting Spaces
Plaza Cauce - Jardín Interacción con agua
tación baja
Bosque mirador
Vegetación alta
Proyect 4 - Level 8 / Ubication: San Juan Balcony - Quito, Ecuador
Architectural prototype plan - meeting space
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Architectural prototype plan - playful space
The border becomes in the new public space Revalue the periphery Place of convergence and exchange between people and their environment
Need to Connect, Activate and Inhabit
A Transversal section 1
Transversal section 2
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Miraflores Park Intervention
Height Connection: Miraflores Park - San Juan Plaza
A1
Architectural and Landscaping plan
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ENVIRONMENTAL REGENERATIVE CENTER
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Undergraduate thesis / Ubication: La Marín - Censo’s Ravine Architectural - natural activator in the Censo’s ravine Third Landscape - Machangara River - Residue Catalyst: Architectural Ruin
This project focuses the attention on the recovery and reconnection of a residual ecosystem "the ravine and the river" inside an urban landscape. Therefore, an integral systematic project is proposed to connects neighborhoods, ravines, rivers and desolated landmarks, creating connectors, routes, viewpoints, spaces for integration with the built context, public and private spaces, causing the pedestrian to re-enter the ravine and find recreational spaces to relate and reconnect.
The third landscape is into the architecture
Architecture (walkways) in height to protect the residue of green space that exists in the ravine
Peripheral circulation system which relates with the landscape and other space
Understanding a ruin, new structure and skin
Understand openings, porous walls, heights. Possible projection axes to see where architecture can grow
Understand the ruin
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Sustainable roofs Rainwater harvesting Solar panels
Lookout circuit Appreciate the landscape at different levels
Vertical circulation Transverse and longitudinal curculation An element that join 3 spaces
First termical facade Principal protection for greenhouse Second termical facade New facade with vertical rythms
A new metalic structure Structural backbone that crosses all spaces for a new architecture
Architectonical ruin Waste catalyst milestone Censo´s old factory
Reception terraces
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Sustainable roofs Rainwater harvesting Solar panels
Use: Feed vertical urban gardens
Rainwater harvesting
Use: environmental recovery filter harmful gases regulate temperatures produce oxygen
Use: roofs and facades inside the greenhouse to maintain thermal comfort Interior and vertical gardens
Solar Panels
Beams IPE 100
Beam IPE 300 transversal
wooden protection panels metal walkways
1-axis mobile doors wood panels
Wooden floor Machimbrada Stave
Beam IPE 300 transversal
Framework of metal columns HEM 140 metalic plate Reinforced concrete footing
Use: produce and consume food
self-sustaining market
Uso: división de alcantarillado
Water recovery
“I am gratefull for the architecture that has allowed me to see the world with new eyes” Rafael Moneo
PHOTOGR
RAPHY
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Bahía de Caráquez - Ecuador Taller: Taller Constructivo - taller IV 09 de mayo del 2018
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-Photographic survey in the Fanca community in Bahía de Caráquez, coastal region. -City with beautiful landscapes, warm people, and tourism that can be an economic power for the community but that has suffered damage due to the earthquake in 2016, one of the earthquakes that has caused the displacement of many families, cultural losses and structural losses. Fanca is a community that continues to fight day by day to transform and improve its city, despite the harsh living conditions, people always show their most sensitive side and it is time to start carrying out solidarity aid and social architecture that solve architectural and socio-cultural problems.
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-Photographic survey of the culture of the Eugenio Espejo community (Lake San Pablo) - Otavalo. Theme: Material production of the communities (symbology identity - culture). -Man is related to the world through culture, he is a value system through art. -Art has been the means of communication, integration, and cultural transmission of Andean societies. - This is considered as a magical act in which man is constituted as an observer and an interpreter of his surroundings.
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Otavalo - Ecuador Taller: Espacio Andino 30 de marzo del 2019
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Technology Ancient and Identity
Walk
-
-Photographic survey of the culture of the Eugenio Espejo community (Lake San Pablo) - Otavalo. - Inca culture and landscape: Culture is the expression of art which determines nature and language which determines a concept. The landscape is of cultural origin, it is the portion of the planet that the human being can appreciate, it arises from the distancing of man from nature, therefore there is no landscape without nature and there is no landscape without a culture. -For the Andean concept, the earth has life (water, jungle, plants, animals, stones). -We cannot separate the human being from his environment because that is where we can exist. -Culture is constituted by a communication network that responds to a pattern of organization and principles of identity through a territory.
Otavalo - Ecuador Taller: Tecnologías en Tierras 30 de marzo del 2019
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Cofiec Building, Quito - Ecuador January 2019
Inmaculate Conception Cathedral, Cuenca - Ecuador August 2021
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San Pablo, Imbabura - Ecuador October 2021
Vasconcelos Library, Mexico D.F - Mexico May 2019
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Cathedral Inmaculada, Cuenca - Ecuador August 2021
Cartonera Old Factory, Quito- Ecuador June 2021
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Cartonera Old Factory, Quito - Ecuador June 2021
Cartonera Old Factory, Quito - Ecuador June 2021
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Immaculate Conception Cathedral, Cuenca - Ecuador August 2021
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Basilicas Church, Quito - Ecuador October 2021
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RESIDUE IN THE CITY OF QUITO Ravine - River - Abandoned landmark
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The ravines and the Machángara River as infrastructure of a residual ecosystem and the abandoned landmark as a starting point for a new architecture that is born from the imperfection of the ruin
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Norte
Ravines Ravines Machángara River 1
Old Factory Martinod
2
Plasterboard company El Censo
3
Miller El Censo
Centro 3 1
Sur
2
Ravines in the Metropolitan District of Quito
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“Poetry is the painting of the ears, such as painting is poetry to the eyes.” Lope de Vega
EXPRESSI
ION TECNIQUES
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SKETCH
SKETCH
SKETCH NOTE
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SCHEME
SCRIBBLE
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Graphic expression exercises with the watercolor technique, spontaneity and ease of stroke.
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“Despite everything, we have not lost faith in man, in his ability to rise up and build; because art covers life. It's a way of loving." Oswaldo Guayasamín
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“La poesía es pintura de los oídos, como la pintura poesía de los ojos”. Lope de Vega
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“La vida es un gran lienzo sobre el que hay que arrojar toda la pintura que se pueda”.
Danny Kaye
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University: Pontificia Universidad Católica del Ecuador Architecture, Design and Arts School 2016 - 2022
2016
- 2022