Thames & Hudson Autumn 2024 Distributed Catalogue

Vitra Design Museum02/ Design Museum04/ FUEL6/ The Museum of Modern Art, New York 10/ Hayward Gallery16/ Fondation Cartier pour l’art contemporain, Paris18/ The British Museum 26 / Whitechapel Gallery 30 / delpire&co 31 / Fondation Henri Cartier

Nike: Form Follows Motion

Mateo Kries, Glenn Adamson, Ligaya Salazar, Adam Bradley, Sam Grawe, William Myers, Hanif Abdurraqib, Rick Poynor.

An unprecedented look at the design archives of the iconic sportswear brand.

Mateo Kries is Director of the Vitra Design Museum.

Design

400 illustrations

30 x 22cm

352pp

ISBN 9783945852644

September

£55.00

In autumn 2024 the Vitra Design Museum will present the first ever museum exhibition about Nike, the world’s most revered sport brand. The exhibition and this accompanying catalogue mark the milestones in Nike’s six decade history and explores its ascent into a global brand that holds a central role in popular culture. The focus of the exhibition is on Nike’s design practice – from the company’s beginnings in the 1960s and the design of its famous “swoosh” logo to iconic products such as Air Max Air Jordan and Vapor Fly, and current research devoted to future materials and sustainability.

The main source for the exhibition is the Department of Nike Archives, which contains a unique collection of drawings, prototypes and other documentation. The exhibition marks the most comprehensive access ever given to this archive. Among the objects on show are rarities and one-offs from the company’s early days in the 1960s, original design drawings and prototypes of iconic sneaker models, historical documents and films, as well as the results of collaborations with creative figures such as Virgil Abloh and Marc Newson.

Nike:FormFollowsMotiontraces Nike’s design process, which begins with the scientific analysis of the human body in motion and material research and culminates in the finished product and its branding. Along with Nike designers like Bill Bowerman, Diane Katz, Tinker Hatfield and Eric Avar, athletes – from the world’s greatest to the everyday – have played an important role in this design process.

Tim Burton Designing Worlds

Edited by Maria McLintock

The first publication to explore the relationship between Tim Burton’s cinematic creations and the world of design.

TimBurton:DesigningWorldsis the official catalogue for the exhibition ‘The World of Tim Burton’, opening in October 2024 at the Design Museum, London. It is the first publication to explore the relationship between Tim Burton’s cinematic creations and the world of design. The reader is invited into an examination of what is now broadly referred to as the ‘Burtonesque’, intersecting his iconic films with the impact of these unique design aesthetics on broader visual culture. The catalogue unpacks Tim Burton’s distinctive visual language, exploring the intersection of gothic, carnivalesque and fantastical elements that define his cinematic masterpieces. Insightful essays by design experts and film critics offer a deeper understanding of the director’s creative process, making this catalogue a homage to role that design practice plays in the hauntingly beautiful worlds he creates.

Maria McLintock is Curator at the Design Museum.

Design

250 illustrations

27.0 x 21.cm

368 pp paperback

ISBN 9781872005720

October

£29.95

Propagandopolis Propaganda from around the world

Bradley Davis

Introduction by Robert Peckham

Edited by Stephen Sorrell and Damon Murray

This vivid and fascinating collection of propaganda spans over a century –a visual feast illustrating how persuasion, manipulation and fear were used to influence populations around the world.

Bradley Davies is a historical researcher based in London. He began Propagandopolis as a project in early 2018 which has since amassed over 380,000 followers online @propagandopolis.

Robert Peckham is a cultural historian and the author of the critically acclaimed book Fear: AnAlternativeHistoryofthe World, as well as a contributor to NewStatesman,Prospect, the Guardian,TheIndependent and the TimesLiterarySupplement Damon Murray and Stephen Sorrell (FUEL) have been publishing critically acclaimed books on design and architecture since 2004.

Politics

180 illustrations

20.0 x 16.0cm

208 pp

ISBN 9781739887858

September

£24.95

Do you know what propaganda looks like?

A mural showing Saddam Hussein on horseback.

A colossal cut-out of Benito Mussolini mounted on Milan Cathedral.

A film of North Korea’s Kim Jong Un parading an intercontinental ballistic missile.

A Pakistani newspaper advertisement calling for ‘Jehad’ (sic).

A soldier firing condoms from his gun in a Ugandan AIDS awareness and prevention campaign.

Juxtaposing material from conflicting ideologies,  Propagandopolis presents the broadest range of shocking, unusual and visually arresting images, encompassing all regions and eras of the modern age to demonstrate how propaganda has been wielded to evoke emotions, rally support or instil fear – to leave an indelible mark on the collective consciousness.

Extended captions explain the fascinating stories behind this material, contextualising the strategies used by governments, agencies and individuals seeking to influence, deceive and demoralise through the use of propaganda.

Containing many previously unpublished examples and with an enlightening introduction from Robert Peckham, author of Fear:AnAlternativeHistoryofthe World (2023), Propagandopolis is an essential visual guide to the enduring potency of the most pervasive, manipulative and persuading images of our time.

Chess Players

From Charlie Chaplin to Wu-Tang Clan

Dylan Loeb McClain

Edited by Damon Murray and Stephen Sorrell (FUEL)

With contributions from Martin Amis and Viswanathan Anand

An incredible collection of images of chess players from the last 130 years, showcasing the unique relationship between chess and culture, featuring world famous actors, artists, politicians and musicians.

Damon Murray and Stephen Sorell (FUEL) have been publishing critically acclaimed books on design and architecture since 2004.

Dylan Loeb McClain is a FIDE Master and former chess columnist for The New York Times. Martin Amis was a novelist, essayist, memoirist and screenwriter, twice listed for the Booker Prize.

Viswanathan Anand is unarguably one of the greatest chess players in history, ranked no. 1 in the world for 21 months and remaining among the world’s top-10 players for more than 30 years.

Photography

155 illustrations

24.5 x 18.0cm

196 pp

ISBN 9781739887865

September

£29.95

You don’t have to play chess to appreciate ChessPlayers: fromCharlieChaplinto Wu-TangClan, but as Martin Amis asks in his illuminating essay: What are they playing at?’

These evocative photographs transcend the chessboard, spanning 130 years – from a steamship crossing the Atlantic in 1888, to the zero-gravity of space – showcasing the diverse range of individuals who have embraced the game across continents and eras.

Marcel Duchamp’s iconic quote, ‘All chess players are artists,’ resonates through these pages. David Hockney likened the game's strategic thinking to that of making art: ‘Drawing is rather like playing chess: your mind races ahead of the moves that you eventually make.’

‘Chess is war over the board’, said Bobby Fischer (grand master and world chess champion) – but here John Lennon and Yoko Ono checkmate this notion, with their all-white, chess ‘peace’ set.

Hollywood stars played chess on and off the screen – Humphrey Bogart deploys a Sicilian Defence against Lauren Bacall, while Faye Dunaway and Steve McQueen plot their next gambit in the iconic chess seduction scene from ‘The Thomas Crown Affair’ (1968).

With an introduction by Dylan Loeb McClain, former chess columnist for The New York Times, the photographs in ChessPlayers help explain the enduring attraction of this cerebral game, from pawn to king, amateur to grandmaster.

1. Robert Frank. Mabou. 1977.

Gelatin silver print, 7 5/16 × 19 5/16" (18.5 × 49 cm).

Gift of Robert and Gayle Greenhill.

© 2023 June Leaf and Robert Frank Foundation.

2. Robert Frank. MabouWinterFootage. 1977.

Gelatin silver print, 23 11/16 × 14 3/4" (60.1 × 37.5 cm).

© 2023 June Leaf and Robert Frank Foundation

3. Robert Frank. WouldLiketoExchangeCardswithYou, Souvenirs Preferred. 2002.

Gelatin silver print, 10 13/16 × 13 7/8" (27.4 × 35.2 cm).

Gift of the artist. © 2023 June Leaf and Robert Frank Foundation

Life Dances On

Robert Frank in Dialogue

Edited by Lucy Gallun

With essays by Sarah Greenough and Kaitlin Booher

Provides new insights into the interdisciplinary and lesser-known aspects of photographer and filmmaker Robert Frank’s expansive career by delving into the extraordinarily multifaceted six decades that followed Frank’s landmark photobook

The Americans

Lucy Gallun is a Curator in the Department of Photography at The Museum of Modern Art, New York. Sarah Greenough is Senior Curator and Head of the Department of Photographs at the National Gallery of Art, Washington, DC. Kaitlin Booher is a Newhall Curatorial Fellow in the Department of Photography, MoMA.

Photography

150 illustrations

26.7 x 23.0cm

192 pp

ISBN 9781633451643

October

£40.00

In the six decades that followed his landmark photobook TheAmericans (1958), the photographer and filmmaker Robert Frank maintained an extraordinarily multifaceted practice informed by perpetual experimentation and collaborations across various mediums. LifeDancesOn: RobertFrankinDialogue, published in conjunction with the artist’s first solo exhibition at The Museum of Modern Art, New York, provides new insights into the interdisciplinary and lesser-known aspects Frank’s expansive career.

Coinciding with the centennial of his birth and taking its name from the artist’s poignant 1980 film, LifeDances On, in which the artist reflects on the individuals who have shaped his outlook, the catalogue explores Frank’s artistic and personal dialogues with other artists and with his communities. The lushly illustrated publication features over 200 objects, including photographs, films, books and archival materials, layered with quotes from Frank on his influences and process. Three scholarly essays, excerpts from previously unpublished video footage, and a rich visual chronology together explore Frank’s ceaseless creative exploration and observation of life.

The Museum of Modern Art, New York

Vital Signs Abstraction and the Body, 1920s-1990s

Lanka Tattersall

Precious Okoyomon and Cyrus Grace Dunham

Vital Signs looks closely at how abstraction is often intimately tied with expansive, fluid ideas of the bodily.

Mrinalini Mukherjee. Yakshi, 1984. Dyed hemp. 97 × 48 × 29" (246.4 × 121.9 × 73.7 cm). Committee on Painting and Sculpture Funds, and acquired through the generosity of Marlene Hess and James D. Zirin and the Modern Women's Fund. The Museum of Modern Art, New York. © 2024 Mrinalini Mukherjee. Courtesy of the MM Foundation.

Lanka Tattersall is the Laurenz Foundation Curator in the Department of Drawings and Prints at The Museum of Modern Art, New York. Precious Okoyomon is an artist and poet. Cyrus Dunham is a writer, actor, and activist.

Art

180 illustrations

26.7 x 23.0cm

176 pp

ISBN 9781633451650

October

£40.00

VitalSigns looks closely at how abstraction is often intimately tied with expansive, fluid ideas of the bodily. Bringing together seemingly unalike categories –masculine/feminine, figurative/abstract, self/other, exotic/banal – into newly fused configurations, the publication shows how artists have often conceived of these categories as inextricably intertwined. With a focus on artists working in the 1960s and 70s who, with a few exceptions, identified as women, the catalogue is divided into three thematic sections.

‘Mirror’ explores the ways artists have honed in on the forms of the face and head as a distorted mirror; ‘Matter’ looks at how artists draw on the metaphorical resonances of the body in ways that suggest mutable morphologies, especially in relation to socially constructed definitions of gender, race and sexuality; and ‘Metamorphosis’ examines how artists have used abstraction as a means to transform the human body into different modes of being: new identities, other animals, and spiritual or cosmological entities.

An introductory essay by Lanka Tattersall maps the historical precedents from a feminist and queer art historical perspective, while a prologue by poet and artist Precious Okoyomon and a short essay by Lambda Literary Award finalist Cyrus Grace Dunham open up new forms of language for questions around gender and abstraction.

Opposite: Claude Cahun. M.R.M(Sex), c. 1929-30. Gelatin silver print. 6 × 4" (15.2 × 10.2 cm). Gift of Helen Kornblum in honor of Roxana Marcoci. The Museum of Modern Art, New York. © 2024 Estate of Claude Cahun.

The Museum of Modern Art,

Inventing the Modern

Untold Stories of the Women Who Shaped

The Museum of Modern Art

Edited by Ann Temkin and Romy Silver-Kohn

Foreword by Anna Deavere Smith

Profiles fourteen women who transformed the USA’s foremost modern art museum in its fledgling years.

Ann Temkin is the Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture at The Museum of Modern Art, New York. Romy Silver-Kohn is a researcher in the Department of Painting and Sculpture at The Museum of Modern Art, New York. Anna Deavere Smith is an actress and playwright, and founding director of New York University’s Institute on the Arts and Civic Dialogue.

Biography

235 illustrations

23.5 x 16.0cm

424 pp

ISBN 9781633450790

September £40.00

Founded in 1929, The Museum of Modern Art owes much of its success to a group of remarkable women who shaped its future during its first decades. Because there were few precedents for a museum devoted to modern art, MoMA was free to invent itself without the requirements – professional experience, competitive salaries – that traditionally limited an art institution’s jobs to men. At MoMA women were able to create and define their roles as founders, patrons, curators and department directors, changing, as they did so, the course of art history. In this volume, readers are transported to the grit and glamour of midtown Manhattan in the 1930s and 40s through profiles of fourteen pioneering figures who made an indelible mark not only on MoMA but on the culture of their time.

Featuring:

Mary Schmidt Campbell on Abby Rockefeller • Kate Walbert on Lillie P. Bliss • Nell Irvin Painter on Mary Quinn

Sullivan • Lanka Tattersall on Margaret Scolari Barr • Juliet Kinchin on Ernestine Fantl Carter • Farran Smith Nehme on Iris Barry • Romy Silver-Kohn on Elodie Courter • Sloane Crosley on Sarah Newmeyer • Mary Gabriel on Dorothy Miller • Roberta Smith on Dorothy Dudley • Brenda Wineapple on Nancy Newhall • Jennifer Gray on Elizabeth Mock • Ann Temkin on Olga Guggenheim • Anne Umland on Jean Volkmer

Paulina Pobocha is the Robert Soros Senior Curator at the Hammer Museum, Los Angeles, and formerly Curator in the Department of Painting and Sculpture at The Museum of Modern Art, New York.

Art

230 illustrations

30.0 x 24.0cm

232 pp

ISBN 9781633451636

September

£60.00

Thomas Schütte

Edited by Paulina Pobocha

With contributions by Jennifer Allen, Marlene Dumas, Lydia Mullin, Charles Ray and André Rottman

This comprehensive monograph brings together over 100 works spanning five decades of Thomas Schütte’s career and examines his artistic production across multiple disciplines.

Image: Thomas Schütte. Selbstportrait.30/31.5.75 (Self-portrait:5/30–31/75), 1975.

Oil on nettle cloth.

23 5/8 × 17 11/16" (60 × 45 cm).

Collection the artist, Düsseldorf.

Photo: Luise Heuter.

© 2024 Thomas Schütte / Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

The Düsseldorf-based sculptor, draftsman, model maker and sometime architect Thomas Schütte works in scales ranging from the minuscule to the monumental. His art addresses the mechanisms of power, the fall of empire and end-of-world narratives generated by a culture of societal alienation. Over the past five decades, Schütte’s work has continued its powerful critique of the Western world and today takes on renewed urgency.

Published in conjunction with the first museum survey of the artist’s work in the United States in over twenty years, ThomasSchütte presents a holistic overview of his career from 1975 to the present. Taking aesthetics, form and history as its focus, the publication features sculptures, drawings, prints and experiments in architecture, alongside revelatory archival materials that have never been published before. Essays by Paulina Pobocha, Jennifer Allen and André Rottmann provide historical and theoretical pathways into the complexity of Schütte’s oeuvre, and contributions by artists Marlene Dumas and Charles Ray reflect on Schütte’s significance through close readings of his work.

Tavares Strachan: There Is Light Somewhere

Ralph Rugoff

With contributions from Ekow Eshun and Maggie M. Cao

A major monograph accompanying the first UK exhibition of the Bahamian contemporary artist Tavares Strachan (b. 1979), one of the most urgently compelling, innovative and accomplished artists of his generation.

Ralph Rugoff is Director of the Hayward Gallery.

Ekow Eshun is a British writer and curator whose recent publication include In the Black Fantastic (2022) and  The Time is Always Now: Artists Reframe the Black Figure (2024). Maggie M. Cao is a scholar of eighteenth and nineteenth-century American art in a global context.

Art

130 illustrations

31.0 x 23.0cm

160 pp paperback

ISBN 9781853323782

June

£36.00

‘Strachan’s work is filled with astonishments and surprise.’

The best art and architecture shows to visit in 2024,

The Guardian

This major monograph will focus on the highly inventive ways in which the Bahamian-born artist Tavares Strachan (b.1979) has engaged with questions of cultural visibility and social inequity, through painting, sculpture and installation. A new interview with Ralph Rugoff and essays by Ekow Eshun and Maggie M. Cao will examine the myriad ways Strachan's work turns upside down conventional models of knowledge and education, discussing the artist’s own role as an explorer as well as works that pay homage to pioneers who navigated unknown ideas and uncharted territories. This lavishly illustrated, hardback volume features work from Strachan’s The Encyclopedia of Invisibility – an ongoing, 2,400-page publication and related sculptures and paintings that spotlight figures forgotten by history – as well as recent pieces that imaginatively remap the lost cultural connections between African diaspora people and traditional African societies. Designed in close collaboration with the artist, the book features an Index of Characters and Exhibition History, as well as a dustjacket with gold foiling.

Thames & Hudson is proud to be the new distribution partner of the Hayward Gallery’s beautiful and inspiring publications. Hayward Gallery is a world-renowned contemporary art gallery on London’s South Bank, and a landmark of brutalist architecture.

When Forms Come Alive

Includes texts by Ralph Rugoff and Natalie Rudd

140 illustrations 24.2 x 17.0cm

240 pages 9781853323775

£35.00 hb

Mike Nelson: Extinction Beckons

Includes texts by Dan Fox, Helen Hughes, Yung Ma

180 illustrations 29.7 x 21.0cm

240 pages 9781853323751

£35.00 pb

Kiss My Genders

Includes texts by Amrou Al-Kadhi, Charlie Fox, Susan Stryker, Binghao Wong

100 illustrations 26.0 x 21.0cm

240 pages 9781853323645

£29.99 pb

Grayson Perry : The Vanity of Small Differences

Texts by Grayson Perry, Suzanne Moore, Adam Lowe

120 illustrations 25.0 x 21.5cm

128 pages 9781853323157

£22.95 hb

Slow Painting

Texts by Martin Herbert, Hettie Judah

70 illustrations 30.0 x 23.5cm

160 pages 9781853323652

£24.99 pb

A Century of Prints in Britain

Text by Julia Beaumont-Jones

230 illustrations 24.6 x 18.9cm

240 pages 9781853323454

£22.50 pb

Dear Earth: Art and Hope in the Time of Crisis

Includes texts by Maja & Reuben Fowkes, Rebecca Solnit, Greta Thunberg

100 illustrations 26.0 x 19.5cm

176 pages 9781853323768

£29.99 pb

Kader Attia : The Museum of Emotion

Includes texts by Nicola Clayton, Jean-Michel Frodon

100 illustrations 21.0 x 16.5cm

176 pages 9781853323591

£24.99 pb

Drawn from Life : People on Paper Text by Martin Herbert

52 illustrations 22.7 x 15.4cm

92 pages 9781853323423

£14.99 pb

Hayward

Fondation Cartier pour l’art

Ann Coxon is Curator of International Art at Tate Modern, London. María Wills Londoño is a Colombian researcher and curator. Marie Perennès is Curator of the exhibition on Olga de Amaral at the Fondation Cartier. Lina Ghotmeh is a French-Lebanese architect.

Art

220 illustrations

29.0 x 22.0cm

300 pp paperback

ISBN 9782869251854

October

£40.00

Olga de Amaral

Ann Coxon, María Wills Londoño, Marie Perennès  and Lina Gotmeh

Gathering around a hundred works as well as many archive photographs, this book on artist Olga de Amaral retraces the evolution of her practice over time and the major role she played in the revolution of Fiber Art.

Olga de Amaral is an emblematic figure of the Colombian art scene and of Fiber Art. Unclassifiable, her work borrows as much from Modernist principles, as from her cultural heritage and traditional Colombian weaving techniques. A contemporary of Magdalena Abakanowicz and Sheila Hicks, she participated in the revolution of Fiber Art in the 1960s and 1970s.

Amaral’s hand-woven works combine natural fibres, paint, plaster and precious metals, and reflect her interest in architecture and geometry. While her early works featured geometric motifs and bright colours, those of the 1970s marked the start of her research on three-dimensionality, with works that free themselves from the wall to invade space. She then returned to a more human and intimate scale, with colours inspired by Colombian landscapes.

From October 2024 to March 2025, the Fondation Cartier unveils the full richness and power of Amaral’s art in her first major retrospective in Europe. Bringing together historical works never presented outside Colombia, as well as contemporary pieces with vibrant shapes and colours, the exhibition highlights the artist’s career-long experimentation with materials, scale, and three-dimensionality.

Fondation Cartier pour l’art contemporain: Voir Venir, Venir Voir

Alain Dominique Perrin with Emanuele Coccia

A celebration of forty years of the Fondation Cartier pour l’art contemporain

Alain Dominique Perrin is the President of the Fondation Cartier pour l’art contemporain, which he founded in 1984.

Emanuele Coccia is an Italian philosopher who has been close to the Fondation Cartier since 2019.

Art

800 illustrations

24.0 x 16.4cm

436 pp

ISBN 9782869251878

October

£35.00

In 1984, acting on a suggestion by the artist César, Alain Dominique Perrin, who was then President of Cartier International, decided to create the Fondation Cartier pour l’art contemporain, the first corporate foundation dedicated to contemporary art in France. In October 2024, it will celebrate its fortieth anniversary.

To mark the occasion, the Fondation Cartier is publishing a book retracing the history of its creation and artistic programme since 1984. Richly illustrated with over 800 images, the book bears witness to the unique character of this world-famous art institution, presents the principles that have guided it since 1984, and allows us to rediscover forty years of patronage dedicated to contemporary creation.

l’art

Francis Bacon Portraits

Rosie Broadley

With contributions from Richard Cavocoressi, Martin Harrison and John Maybury.

Featuring works from the 1950s onwards, this book explores Francis Bacon’s deep connection to portraiture and how he challenged traditional definitions of the genre.

Rosie Broadley is Senior Curator, 20th-Century Collections, at the National Portrait Gallery, London. She has contributed to publications including Paul McCartney 1964: Eyes of the Storm (2023).

Art

130 illustrations

29.0 x 23.0cm

224 pp

ISBN 9781855145498

October

£40.00

From his responses to portraiture by earlier artists, to large-scale paintings memorialising lost lovers, Francis BaconPortraits showcases Bacon’s life story via works from private and public collections. As well as the artist’s self-portraits, sitters include Lucian Freud, Isabel Rawsthorne and lovers Peter Lacy and George Dyer.

The first publication in over twenty years dedicated to the portraits of Francis Bacon, this book accompanies the exhibition of the same name opening at the National Portrait Gallery, London, in October 2024. From his renowned triptychs and paintings of ghostly figures, to tender and psychologically revealing individual portraits, the figurative works displayed in this publication chart the development of a groundbreaking artist, highlighting the influence of his peers and other artists.

Edited and with introductory texts by National Portrait Gallery curator, Rosie Broadley,FrancisBacon Portraits also features biographies and photographs of Bacon and his circle, bringing lesser-told stories to the fore. A series of short essays from a range of contemporary thinkers and experts on Bacon explore the individuality of the artist through different lenses, providing fresh perspectives on the artist, his portraits and his world.

Pre-Raphaelite Sisters

Jan Marsh With contributions from Peter Funnell and Alison Smith

A new edition of the National Portrait Gallery’s important, highly illustrated reference on women of the Pre-Raphaelite movement.

Jan Marsh is a writer whose books include The PreRaphaeliteCircle,Pre-Raphaelite Sisterhood and Black Victorians

Art

150 illustrations

28.0 x 24.0cm

208 pp paperback

ISBN 9781855147928

September

£29.95

When the Pre-Raphaelite Brotherhood (the ‘PRB’) exhibited their first works in 1849 it heralded a revolution in British art. Styling themselves the ‘Young Painters of England’ this group of young men aimed to overturn stale Victorian artistic conventions and challenge the previous generation with their startling colours and compositions.

Think of the images created by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti and others in their circle, however, and it is not men but palefaced young women with lustrous, tumbling locks that spring to mind, gazing soulfully from the picture frame or in dramatic scenes painted in glowing colours. Who were these women? What is known of their lives and their roles in a movement that, in successive phases, spanned over half a century? For far too long the male protagonists of the Pre-Raphaelite movement have dominated accounts of this revolution in British art. This book redresses the balance in showing just how engaged and central women were to the endeavour – as the subjects of the images themselves, certainly, but also in their production.

The Royals

Tudors to Windsors

Introduction by Rab MacGibbon

Explore 500 years of the British royal family through beautiful artworks from the National Portrait Gallery’s Collection.

Rab MacGibbon is CrossCollections Curator at the National Portrait Gallery, London. Contributions made to recent publications include: NationalPortraitGallery: The Collection (2023), Icons& Identities (2021), Elizabethan Treasures:MiniaturesbyHilliard and Oliver (2019) and The Lost Prince:TheLife&DeathofHenry Stuart (2012).

Art

88 illustrations

22.0 x 19.0cm

144 pp

ISBN 9781855145344

July

£16.95

TheRoyals:TudorstoWindsors features some of the earliest works in the National Portrait Gallery’s Collection alongside their most recent acquisitions.

This beautiful publication includes a timeline of key events and is illustrated through photographs and paintings of the British royal family, from King Henry VIII to King Charles III. Discover how the monarchy have positioned themselves within images of strength, domesticity and love; from traditional paintings by Nicholas Hilliard and Joshua Reynolds, to modern-day photographs by Dorothy Wilding and Nadav Kander. An introduction by Rab MacGibbon explains the history of the British royal family and their continued relevance today.

TheRoyals is a chronological, highly-illustrated book. Showcasing the Gallery’s collection of royal portraiture, works are accompanied by captions that explore reigns, relationships, biographies and portraiture. This publication is the newest addition to the National Portrait Gallery’s Royalty Book Collection.

Herbert Smith Freehills Portrait Award 2024

Tanya Bentley

The leading showcase for artists throughout the world specialising in portraiture.

Taylor Wessing Photo Portrait Prize 2024

Clare Freestone

Showcases a wide range of portraits from inspiring contemporary photographers.

The prestigious Herbert Smith Freehills Portrait Award showcases the very best in contemporary portrait painting and is judged this year by a panel including Barbara Walker, Tom Shakespeare and Russell Tovey. Since its inception over 40 years ago, the competition has attracted over 40,000 entries from more than 100 countries and over 6 million people have seen the exhibition.

Alongside stunning artwork reproductions, this catalogue includes extended interviews with all prize-winning artists by journalist Richard McClure, and descriptive captions for all exhibited works by National Portrait Gallery curator Tanya Bentley, providing fascinating insight into the people and techniques behind the portraits.

Tanya Bentley is Curator, Contemporary, at the National Portrait Gallery, London. She has contributed to recent publications including Icons & Identities (2020).

Art

50 illustrations

26.0 x 21.0cm

80 pp paperback

ISBN 9781855145443

July

£18.95

The Taylor Wessing Photo Portrait Prize is one of the most prestigious global photography awards, celebrating the very best in contemporary portraiture.

Exhibited annually at the National Portrait Gallery, London, it showcases talented professional and amateur photographers from around the world. Fully illustrated in colour throughout, this catalogue includes interviews with all prize-winning photographers, alongside extended captions for each exhibited work and insights from the judges. It provides a unique opportunity to see an inspiring range of portraits from contemporary photographers selected from thousands of submissions.

Clare Freestone is Curator of Photography at the National Portrait Gallery, London. She is the author of Yevonde: Life and Colour (2023).

Photography

64 illustrations

26.0 x 21.0cm

80 pp paperback

ISBN 9781855145542

November

£18.95

Cocktails at Larry’s

Tom Onions

Experience iconic works from the National Portrait Gallery’s Collection and the cocktails inspired by the collection, in the menu for the Gallery’s awardwinning underground speakeasy Larry’s, by the Daisy Green Collection.

Tom Onions is the co-founder of Daisy Green Collection, a group of restaurants and cafes in London. In 2023, Daisy Green launched the Gallery’s underground speakeasy, serving award-winning cocktails in the evenings.

Art

40 illustrations

21.0 x 14.8cm

80 pp

ISBN 9781855145399

September

£14.95

The regal gin cocktail ‘The Beaton’; the experimental, colourful ‘The Yevonde’, a Gin Fizz inspired by the pioneering female photographer; the award-winning dirty martini McBean cocktail... These fabulous cocktails evoke bygone eras and the creative spirit of London’s West End, which is known for its hub of creativity and pioneering jazz scene.

introduction to Larry’s Bar and the story of its namesake, the actor Sir Laurence Olivier. It then showcases each of Larry’s bespoke cocktails, telling the stories behind their inspiration, ingredients and design. Each story is illustrated with images of each drink and portraits of iconic figures ranging from Audrey Hepburn to Francis Bacon from the National Portrait Gallery’s Collection.

Hew Locke

Hew Locke, Isabel Seligman and Indra Khanna

Together with his own artworks, contemporary artist Hew Locke uses the British Museum’s collection as a springboard to explore themes of colonialism and cultural interactions.

Hew Locke is interested in dissecting the messy and complex ways in which museums are implicated in histories of empire. ‘This project has enabled me to engage with the museum’s collections in a much deeper way than ever before, and in a way few artists have had the privilege of doing. I have always been interested in the way objects are interpreted through display in museums. What story has been distilled and is being told or implied about the past? How does it relate to the present? How can this telling be questioned, disrupted, or complicated?’

The British Museum’s history and collections are closely linked to those of the British Empire, which this book addresses alongside a consideration of today’s often contentious and deeply felt debates around cultural heritage. Focusing on Britain’s historic interactions with Africa, India and the Caribbean from around 1600 onwards, all of which had an impact on Guyana (where Locke grew up), Locke creates a personal exploration of the subject, weaving in his own works such as the Souvenir series and a new commission titled The Watchers. Using interventionist techniques to reframe the collection’s historical objects, the artist hopes to leave readers with more questions than answers.

Art

200 illustrations

24.6 x 18.9 cm

208 pp paperback

ISBN 9780714123509

October

£25.0

Hew Locke OBE RA is a leading contemporary artist and sculptor. Isabel Seligman is the Monument Trust Curator of Modern and Contemporary Drawing at the British Museum. Indra Khanna is an artist, author and Studio Curator for Hew Locke.

Hew Locke, Armada 6, 2019.

Photo by Stuart Whipps, courtesy Ikon Gallery.

Picasso

Printmaker

Catherine Daunt

Picasso was one of the most creative and experimental talents ever to explore the medium of print. This book charts his career as a printmaker, which was characterised by close collaboration with skilled printers, through which extraordinary artworks were produced.

Printmaking was a vitally important activity in the long artistic career of Spanish artist Pablo Picasso (1881–1973). His longstanding, if at times episodic, engagement with printmaking, stretched from his early years in Paris until his old age in 1972. This book explores how the technical challenges of working in different print media (etching, aquatint, linocut and lithography) inspired Picasso’s creativity.

Together with a stunning selection of works on paper by Picasso, it also includes sculptures, drawings and prints by other artists and cultures of the kind that inspired Picasso. His prints often demonstrate his keen sense of belonging to an artistic lineage stretching back to antiquity (stemming from his kinship with the Mediterranean world of his birthplace, Málaga), as well as great artists of the past such as Raphael, Rembrandt and Ingres. One section explores the contradictions and controversies relating to Picasso’s relationships with his wives and lovers. The focus on Picasso as a printmaker will argue for the importance of this activity in his long artistic career, and his continued relevance as one of the most creative and experimental talents ever to explore the medium of print.

Art

130 illustrations

25.0 x 22.0cm

160 pp paperback

ISBN 9780714126999

November

£30.00

Catherine Daunt is Hamish Parker Curator, Modern and Contemporary Art at the British Museum and Curator of the exhibition Picasso: printmaker, opening at the British Museum in November 2024.

Nature morte sous la lampe, 1962, colour linocut. British Museum, London, 2013,7075.9.

© Succession Picasso/DACS, London 2024

The British Museum

Sue Brunning is Curator: European Early Medieval & Sutton Hoo Collections in the Department of Britain, Europe and Prehistory at the British Museum and co-curator of Silk Roads, an exhibition opening in September 2024. Yu-ping Luk is Curator: Chinese Paintings, Prints and Central Asia in the Department of Asia at the British Museum and co-curator of Silk Roads, an exhibition opening in September 2024.Elisabeth R. O’Connell is Curator: Byzantine World in the Departments of Britain, Europe and Prehistory and Egypt and Sudan at the British Museum and co-curator of Silk Roads, an exhibition opening in September 2024.

Tim Williams is Emeritus Professor of Silk Roads Archaeology at University College London.

History

350 illustrations

27.0 x 24.0cm

304 pp

ISBN 9780714124971

September

£45.00

Silk Roads

Sue Brunning, Yu-ping Luk, Elisabeth R. O’Connell and Tim Williams

A richly illustrated publication that explores the networks of contacts and exchanges spanning Afro-Eurasia from 500 to 1000 ce, highlighting how the movement of people, objects and ideas shaped cultures and histories.

In the ninth century ce, an Arabian ship sank off the coast of Indonesia. The objects found in the wreckage have provided extraordinary evidence of the nature, scale and diversity of trade between Tang China and the Islamic Abbasid dynasty, revealing the extent of a large-scale operation. This is just one example of the sprawling and extensive networks of contacts and exchanges across Afro-Eurasia, from Japan to Britain, in the period 500 to 1000 ce.

This book challenges the concept of the ‘Silk Roads’ as a simple history of trade between East and West. Focusing on a series of overlapping geographic zones, interspersed with case studies of particular peoples who were active along these networks – seafarers in the Indian Ocean, Sogdians, Vikings, Aksumites, and the peoples of al-Andalus – it reveals remarkable human stories, innovations and the transfer of knowledge that emerged from these connections. Each section explores notable examples of contacts, connections and integrations, while emphasising the environmental and historical conditions that shaped them, featuring the latest scientific research.

The dazzling range of objects includes a wooden panel with a painting of the ‘silk princess’ who smuggled the eggs of the silk moth from China; a lion sculpture from Jordan; a miniature wooden pagoda from Japan; gold coins from Yemen; wall paintings from the Hall of Ambassadors in Uzbekistan; a kaftan from the Caucasus region; an ivory cross from Spain; and a gold and garnet scabbard slide from the Sutton Hoo burial in Britain.

The British Museum

Andrew Pierre Hart: Bio-Data Flows and Other Rhythms

A Local Story

Foreword by Gilane Tawadros With an essay by Allie Biswas

The first publication on London-based artist

Andrew Pierre Hart, published to accompany his major commission at Whitechapel Gallery.

Gilane Tawadros is the Director of Whitechapel Gallery. Allie Biswas is a writer and editor.

Art

56 illustrations

22.0 x 17.0cm

96 pp paperback ISBN 9780854883219

Available £15.00

Both a visual artist and an electronic music producer, Andrew Pierre Hart has consistently explored the interrelationship between sound and painting, while also incorporating aspects of sculpture, mural-making, installation, language, performance and film. In this accessible publication, an illustrated essay by writer Allie Biswas discusses how Hart materialises these overlapping sensory qualities across recent exhibitions and artworks.

Curator and director Gilane Tawadros introduces Hart’s new commission, which is grounded in Hart’s research into the Whitechapel area and his conversations with those who live and work locally. Extensive illustrations document the resulting installation, which features colourful abstract and figurative paintings, a large-scale collaborative mural, a towering bamboo sculpture and video shot with three dancers in the streets surrounding the Gallery. Extended captions by curator Cameron Foote draw out how these imaginative artworks engage with Whitechapel’s history of anti-racist activism.

A conversation between Hart and artist Larry Achiampong outlines synergies between their work and their shared experiences growing up in rapidly gentrifying parts of east and west London. Hart intervenes in the book with a playful and disruptive artist’s section, fusing journallike snapshots taken in Whitechapel, and on recent trips to Nigeria and Barbados, with concrete poems, reflections and annotations that reveal the motivations surrounding his artwork.

Koudelka Theatre

Photographs by Josef Koudelka Text by Tomáš Pospěch

‘Moving among the actors on set, I was able to take the same scene, multiple times, but differently. It taught me how to get the most out of a given situation, and I have continued to apply this method to my work.’

Josef Koudelka

Josef Koudelka is a CzechFrench photographer. He is a member of Magnum Photos and has won awards such as the Prix Nadar, a Grand Prix National de la Photographie, a Grand Prix Henri CartierBresson, and the Hasselblad Foundation International Award in Photography. Tomáš Pospěch is a Czech photographer, theorist, lecturer and curator.

Photography

58 illustrations

25.0 x 21.0cm

96 pp paperback

ISBN 9791095821403

Available

£30.00

In his own words, Josef Koudelka was not particularly interested in theatre in his youth. When he arrived in Prague from his Moravian village in the late 1950s, his focus was on his studies. His interests were airplanes, folk music and photography, which he practised as an amateur. A classmate recommended that he meet his uncle, who worked in the editorial staff of the magazine Divadlo (Theatre), then looking for a photographer. It was in this context that Josef Koudelka, soon to become an aeronautical engineer by profession, became a theatre photographer.

In the 1960s, Prague theatres were one of the rare places in Soviet Czechoslovakia where relative freedom of expression continued. Following the Prague Spring (1968), these stages were forced to close, and their animators dissented or left the country.

There is a rich correlation of levels between Koudelka’s theatrical photography and his later way of conceiving his images as a reflection on the theatre of the world. Everything that we know of his practice of the image can be found from his beginnings in the work he did in Prague in the 1960s: his attention to graphic composition, his ease of working in tight spaces among people in movement and in difficult lighting situations, his obsession with returning again and again to the same motif, the same gestures and rituals.

The Decisive Moment

Henri Cartier-Bresson. With text by Clément Chéroux.

A new edition of photography’s most famous book.

Henri Cartier-Bresson (1908-2004) brought a new aesthetic and practice to photography, initiated modern photojournalism, and co-founded Magnum Photos. In 2003, with his wife and daughter, he created the Fondation Henri Cartier-Bresson in Paris for the preservation of his work. Clément Chéroux is the Director of the Fondation Henri Cartier-Bresson.

Photography

Illustrated in b&w throughout 23.0 x 17.0cm

180 pp

ISBN 9782959335112

July

£40.00

The Decisive Moment is one of the greatest photography books ever published, bringing together photographic material from the first twenty years of Henri CartierBresson’s career.

The book was published in French as Images à la Sauvette in 1952, with an original cover by Matisse. It was the result of a collaboration between the photographer, the famous art critic and publisher Tériade, and the painter, at the peak of his career. The American version, published the same year, was the first to introduce the now-famous expression ‘decisive moment’. The book, which reveals the intrinsic duality of Henri Cartier-Bresson’s work, the combination of intimate interpretation with documentary observation, received tremendous critical acclaim within the art world and is considered a ‘bible for photographers’, in the words of photographer Robert Capa. It remains an essential reference for photographers to this day.

The original book, now out of print, has become a collector’s item. The Fondation Henri Cartier-Bresson sought to make this classic photography book accessible again, in a smaller and practical format, at an affordable price. This new edition features the same material as the original 1952 edition, and is accompanied by a comprehensive study of the making of the book, its enduring popularity, and the considerations behind its title, written by Clément Chéroux, Director of the Fondation Henri Cartier-Bresson.

Sophie Calle: True Stories

66 Short Stories

Sophie Calle

The latest edition of Sophie Calle’s classic artist’s book features three new tales.

Sophie Calle (born 1953) is an internationally renowned artist whose controversial works often fuse conceptual art and Oulipolike constraints, investigatory methods and the plundering of autobiography. Her work has been shown at the Museum of Modern Art, New York, the Whitney Museum of American Art, the Carnegie Museum of Art, the Museum of Fine Arts, Boston, the Hayward Gallery and the Museum of Contemporary Art, Chicago, among others. She lives and works in Paris.

Photography

64 illustrations

19.5 x 11.0cm

152 pp

ISBN 9782330182465

July

£19.00

First published in 1994 and regularly reissued and expanded since, True Stories returns in a new edition with three new stories. Calle’s projects have frequently drawn on episodes from her own life, but this book – part visual memoir, part meditation on the resonances of photographs and belongings – is as close as she has come to producing an autobiography, albeit one highly poetical and fragmentary, as is characteristic of her work. The tales – never longer than a page – are by turns lighthearted, humorous, serious, dramatic or cruel. Each is accompanied by an image; each offers a fragment of life. Calle herself is the author, narrator and protagonist of her stories and photography. Her words are sombre, chosen precisely and carefully. She offers up her own memories –childhood, marriage, sex and death – with brilliant humour, insight and pleasure. By turns serious, hilarious, dramatic or cruel, these real-life stories represent a form of work in progress recounting fragments of her life.

SAGA

A Photographic Journey from Eugène Atget to Tarrah Krajnak

Urs Stahel

A fascinating journey through the self-reflexive and conceptually-inflected documentary photography of the 20th century, with plenty of surprises alongside the well-known landmarks.

Urs Stahel is a freelance writer, curator, lecturer and consultant. Curator of MAST – Manifattura di Arti, Sperimentazione e Tecnologia – in Bologna, consultant of the MAST collection of industrial photography, Advisor to Foto Colectania, Barcelona, and to the Collection of Art Vontobel, Zürich. He is the co-founder of Fotomuseum Winterthur and was its director and curator from 1993 to 2013.

Photography

1800 illustrations

30.0 x 24.0cm

576 pp

ISBN 9789464781038

July

£65.00

Twenty years ago, at the Basel Art Fair, Astrid Ullens bought a photograph by Brancusi, more or less on the spur of the moment. This proved to be the first step in the formation of an impressive collection that today comprises more than 5,000 photographs, some by such renowned figures as Lewis Baltz, Lee Friedlander, Helen Levitt and Walker Evans, others by young photographers like Francesco Neri, Georges Senga, Massao Mascaro and Tarrah Krajnak.

This substantial volume provides an excellent introduction to the collection of Ullens’ Fondation A Stichting, with more than 100 photographers plentifully represented in no fewer than 2,000 images. In doing so, it takes the reader on a fascinating journey through the self-reflexive and conceptually-inflected documentary photography of the 20th century, with plenty of surprises alongside the well-known landmarks. It also offers a portrait of a cohort of photographers who still, in one way or another, have sought to give the viewer a better understanding of the world, of nature, mankind, society, and photography itself.

As well as the images and brief entries on each photographer, the book includes several essays by scholars and others, among them curator Urs Stahel, author and journalist Guy Duyplat, and photographers Nicholas Nixon, Judith Joy Ross and Jim Goldberg. An indispensable volume for all lovers of photography, SAGA is to be published to coincide with the exhibition When Images Learn To Speak at Les Rencontres d’Arles in the summer of 2024.

Hokuei: Masterpieces of Japanese Actor Prints

John Fiorillo

The ultimate publication on Hokuei, the master of Osaka ukiyo-e printmakers and one of the most intriguing artists ever in kabukiactor prints.

John Fiorillo is an independent researcher and writer on traditional and modern Japanese prints, with a particular interest in Kamigata-e (‘Osaka prints’) and Sōsaku Hanga (‘Creative prints’).

Art

150 illustrations

29.0 x 23.5cm

288 pp

ISBN 9789464781151

September

£55.00

Hokuei:MasterpiecesofJapaneseActorPrints profiles one of the most intriguing artists ever in kabuki-actor design: Shunbaisai Hokuei (active 1828–1836). A culminating figure in Osaka printmaking, Hokuei produced more masterworks than any other artist of his day. The prints, all shown in colour, are largely drawn from the most extensive collection of Hokuei’s works to be found anywhere. The book presents two chapters on the artist’s life and work, situating his oeuvre within the demimonde of pleasure and entertainment known as the Floating World (Ukiyo). The world of kabuki comes alive in fascinating detail, while assessments of design and technical attributes bring into focus the achievements of Hokuei and printmaking artisans of his age. Of particular importance for scholars and collectors, there is a fully illustrated and annotated catalogue raisonné of 270 prints—the artist’s entire known print oeuvre—including designs not to be found anywhere else. As an added bonus, all Japanese inscriptions are translated into English. Well-illustrated appendices cover essential tabulations of Hokuei’s prints and their formats, his students, his artist signatures and seals, publishers, carvers, printers, theaters, a glossary, an index, and a bibliography. All-told, the range of comprehensive information featured in this publication make it a singular reference not only for admirers of Hokuei, but also for those interested in the world of actors on stage.

Wassily Kandinsky: Concerning the Spiritual in Art

Wassily Kandinsky

An essential reference text from one of the most important abstract artists of all time.

Wassily Kandinsky (1866-1944)

was a Russian painter, graphic artist and art theorist, considered the greatest pioneer of abstraction in Western art.

Art 2 illustrations

18.1 x 11.1cm

144pp paperback

ISBN 9783753305448

September £14.95

This slim but powerful text is required reading for anyone interested in the history of 20th century art. The book, which Kandinsky claimed had been gestating for nearly a decade, elucidates his artistic theories and his valuing of expression and spirituality over naturalistic representation. With reference to and analysis of earlier masters such as Picasso and Matisse, Kandinsky calls for a spiritual revolution in painting in which artists to express their lives in abstract terms. The treatise also delves deeper into the psychology of colours, the language of form and the responsibilities of the artist.

Coming in Spring 2025

Walter Benjamin: A Little History of Photography

Walter Benjamin

An extraordinary document in the history of photographic criticism.

Walter Benjamin (1892–1940)

was one of the most influential cultural thinkers of the 20th century, best known for his post-Marxist interpretations of history, modernity and authorship.

Photography

13 illustrations

18.1 x 11.0cm

48 pp paperback

ISBN 9783753304014

September

£9.95

Perhaps more than any other text, ALittleHistoryof Photography by the German-Jewish thinker Walter Benjamin has shaped the way in which we understand early photography and the photographic act. One of the first theoretical studies of visual culture, this essay laid the foundation for modern cultural criticism. Instead of regarding the artwork as a unique object, Benjamin emphasized the political and artistic potential of a new technology based on endless reproduction. ALittleHistory ofPhotography was originally published in the German literary journal DieLiterarischeWelt in 1931 as three short essays reviewing several books dedicated to early photography. In this text, Benjamin introduced concepts that remain central to critical theory of the medium: the aura, optical unconscious, reproducibility, among other topics. It constitutes a remarkably prescient description of the limits and potentials of photography which remains thought-provoking today.

Walther & Franz König

Josef Helfenstein is Director of the Kunstmuseum Basel. Olga Osadtschy is Assistant Curator at the Kunstmuseum Basel.

Art

150 illustrations

28.0 x 22.0cm

256 pp

ISBN 9783753306094

June

£49.00

Dan Flavin: Dedications in Lights

Josef Helfenstein and Olga Osadtschy

This catalogue dedicated to the pioneer of Minimal Art accompanies the exhibition at the Kunstmuseum Basel.

Dan Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called ‘situations’, he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works; the space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated colour from the two-dimensionality of painting.

DanFlavin:DedicationsinLightsis a lavishly illustrated catalogue, in which longer research essays are complemented by more focused introductions to selected core loans and topics. It places emphasis on looking at Flavin’s oeuvre in a less familiar setting; his pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists – as in the work ‘untitled’.

Radical!

Women Artists and Modernisms

1910 –1950

Edited and with contributions from Stephanie Auer, Andrea Jahn and Saskia Bak

A groundbreaking catalogue for the exhibition co-organised by Museum Arnhem, Saarlandmuseum and the Belvedere, Vienna.

Stephanie Auer is Assistant Curator at the Belvedere, Vienna. Andrea Jahn is Director of the Saarlandmuseum. Saskia Bak is Director of the Museum Arnhem.

Art

236 illustrations

27.2 x 22.4cm paperback

262 pp

ISBN 9783753305424

October

£30.00

Radical!WomenArtistsandModernisms1910–1950 questions the concept of modern art as a linear development primarily driven by men. Instead, it brings artists from a wide range of backgrounds into a dialogue and thus opens up new perspectives on the diversity and crossborder dimension of modernism. The works featured here can be considered as not only bearing witness to rapidly advancing industrialisation, urbanisation and technological development but also reflecting the complexity and contradictions that came with emancipation and evolving gender roles. Regardless of their artistic expression or origin, these artists were united by the search for a new visual vocabulary in order to understand the rapidly changing world and respond to the pressing questions of their time. Their works became an act of rebellion against patriarchy, capitalism, fascism and colonialism. Featured artists include Gertrud Arndt, Louise Bourgeois, Claude Cahun, Benedetta Cappa, Elizabeth Catlett, Sonia Delaunay, Maya Deren, Friedl Dicker-Brandeis, Alexandra Exter, Leonor Fini, Trude Fleischmann, Erika Giovanna-Klien, Natalia Goncharova, Hannah Höch, Käthe Kollwitz, Lotte Laserstein, Tamara de Lempicka, Alice Lex- Nerlinger, Jeanne Mammen, Marlow Moss, Hanna Nagel, Alice Neel, Anton Prinner, Gazbia Sirry, Sophie Taeuber-Arp, Dorothea Tanning, Charley Toorop, Toyen, Madiha Umar and Fahr-El-Nissa Zeid.

Walther & Franz König

Walther & Franz König

Josep Lluís Mateo:

In Transit

Edited by Moisés Puente

A survey of architectural projects by mateoarquitectura.

Giancarlo de Carlo: Experiments in Thickness

Edited by Kersten Geers and Jelena Pancevac

The second title in the ‘Everything Without Content’ series.

Josep Lluis Mateo’s Barcelona-based architectural firm mateoarquitectura, which was selected by DOMUS magazine as one of the world’s top 100 firms, strives to connect artistic ambition with pragmatism and objectivity.

InTransit presents buildings and projects from 2020 to 2023, and through architectural plans, photographs, and interviews, elucidates the repercussions of the pandemic on architecture: chiefly the renewed demand for a connection with nature and proximity to others.

Moisés Puente is Editor of the 2G series.

Architecture

145 illustrations

22.0 x 15.5cm

112 pp paperback

ISBN 9783753305592

July

£20.00

Italian architect Giancarlo de Carlo first visited Urbino in 1951 to carry out a minor refurbishment of the offices of the rector of the University. This was the beginning of his lifetime engagement with the small town where he continued working over the next five decades, and in which he constructed eight buildings which are presented here in the context of de Carlo’s criticism of modernist doctrines on architecture and urbanism.

Kersten Geers  is an architect and co-founder of OFFICE Kersten Geers David Van Severen.

Architecture

128 illustrations

24.0 x 16.0cm

264 pp paperback

ISBN 9783753305783

March

£39.00

Sverre Fehn Architecture

Edited by Neven Fuchs and Aleksandra Ognjanov

A new reference book on the work of Norwegian master Sverre Fehn and his art of constructing spaces.

Christ & Gantenbein: Projects I-III

Emanuel Christ and Christoph Gantenbein

The first comprehensive catalogue of Christ & Gantenbein’s work.

SverreFehnArchitectureis a monographic collection of the Pritzker prize-winning architect’s 80 built and unbuilt projects, offering new insights into his fascinating architectural strategies, developed during his lifelong practice. The physical and experiential qualities of his buildings are brought to life through new drawings and photographs, pictured with the high precision. The projects presented here reflect diverse perspectives, their extensive network of relationships, architectural, cultural and social and the overall richness of Fehn’s architecture.

Neven Fuchs is an Oslo-based architect, and professor emeritus at the Oslo School of Architecture and Design. Aleksandra Ognjanov is an architect.

Architecture

256 illustrations

32.0 x 24.5cm

448 pp

ISBN 9783753306063

September

£90.00

Published in three volumes, Christ&Gantenbein:Projects I-IIIcaptures the duo’s architectural endeavours from 1998 to 2023: an annotated retrospective of the design, planning, and execution of over 160 projects. The innovative book concept, developed in collaboration with Basel based graphic designer Ronnie Fueglister, creates a concise visual impression for the chronological survey of their body of work. Each volume is accompanied by complementary texts by various authors and detailed information, providing an even deeper insight into this carefully curated collection.

Emanuel Christ and Christoph Gantenbein founded their eponymous Basel architecture practice in 1998.

Architecture

2400 illustrations

32.0 x 24.0cm

600 pp

ISBN 9783753306018

September

£120.00

Walther & Franz König

Archetypes: Essential Works of Danish Design

Michael Sheridan

Twenty-one portraits of objects from Danish Modernism that remain relevant to this day.

Architect Michael Sheridan is an internationally recognised scholar of modern Danish Architecture and design. His books on these subjects include Landmarks: The Modern House in Denmark and most recently Room 606: The SAS House and the Work of Arne Jacobsen.

Design

350 illustrations

30.5 x 20.5cm

336 pp

ISBN 9788794102889

December

£40.00

From 1940–80, a group of Danish architects and designers created a series of mass-produced objects that have the quality of archetypes: basic equipment for daily life reduced to their essential and timeless forms. Created at the intersection of craft tradition and industrial production, these items of furniture, lighting, cookware and tableware remain absolutely relevant and a number of them are still in production.

A decade in the making, Archetypes offers the reader illuminating and richly illustrated profiles of twenty-one extraordinary designs that are emblematic of Danish material culture: modest, ethical and sustainable. Chapters on each archetype include biographical information on the designer, their creative processes, and detailed descriptions of the objects.

Watercolours by Hans J. Wegner

The artistic dimensions in his work

Anne Blond

Hans J. Wegner’s iconic furniture is rediscovered through his tactile and alluring watercolours.

Also available:

Watercolours by Finn Juhl 9783775742092

Anne Blond is a designer educated at the Royal Danish Academy, and the Director of Foreningen Museum Wegner.

Design

100 illustrations

27.5 x 24.0cm

192 pp

ISBN 9788794102568

November

£40.00

The Danish furniture designer Hans J. Wegner (1914–2007) is known and loved around the world for his sophisticated chairs – but few people are familiar with his masterly watercolours.

Throughout his career, his workshop drawings were often finished as watercolours. On one hand, his artisanal background linked him to tradition, while on the other hand his artistic temperament sought new and boundarybreaking paths in the search for the perfect chair.

This book showcases his watercolours in thematic chapters and delves into the artistic dimension of selected chairs by one of the 20th century’s greatest furniture designers.

Beyond Words

Calligraphy from the World of Islam

Joachim Meyer

Peter Wandel and Rasmus Olsen

Highlights the beautiful forms and various applications of calligraphy in Islamic art.

Joachim Meyer is Museum

Director at The David Collection.

Rasmus Bech Olsen is Curator at The David Collection.

Peter Wandel is Curator at The David Collection.

Art

259 illustrations

28.5 x 25.5cm

356 pp

ISBN 9788794418034

July

£45.00

Calligraphy means ‘the art of writing beautifully’. Driven by its use in the Koran, artfully executed Arabic script became a key religious and political marker at a very early stage; since then calligraphy has played a central role in the Islamic world.

In addition to appearing on paper, artful writing can be found on everything, from coins, weapons, dishes, lamps and textiles to the façades and interiors of buildings. The many types of texts offer rich and varied insights into Islamic art, culture and societies.

BeyondWords presents 128 objects featuring calligraphy, most notably from The David Collection. In addition, the book contains articles on such subjects as the Arabic alphabet, classical scripts, the calligraphers and the different types of texts. The publication also explores the use of Arabic lettering in earlier European art and in modern-day Arabic graffiti.

Anish Kapoor –Unseen

Sarah Fredholm

Showcases forty years of works from one of Britain’s most acclaimed living artists

Sarah Fredholm is Curator at ARKEN Museum of Modern Art.

Art

119 illustrations

27.0 x 22.0cm

160 pp

ISBN 9788794418249

July

£25.00

In the spring of 2024, ARKEN Museum of Modern Art presents Scandinavia’s first solo exhibition of one of Britain’s most renowned artists. In his monumental and spectacular installations, Anish Kapoor explores the tension between mass and emptiness, between what can be seen and what cannot. This is evident when he invites viewers to let their gaze disappear into his ‘black holes’ – the paradoxical manifestation of invisibility that fundamentally challenges the experience of the spectator. Kapoor’s works evoke both awe and a sense of disquiet; they are often executed on a very large scale and are extremely physical and present.

The richly illustrated exhibition catalogue delves into Anish Kapoor’s work through selected pieces and texts, opening up a wide range of philosophical, poetic, physical and existential questions.

Tal R Painting

Pernille Albrethsen

The first comprehensive book on Danish artist Tal R’s multi-faceted painting practice from the 1990s to the present

Inuuteq Storch

Louise Wolthers

The Danish representative at the Venice Biennale 2024

For more than 25 years, Tal R (b. 1967) has been an unmissable figure on the Danish art scene. TalRPainting is the first comprehensive presentation of his multifaceted painting practice from the 1990s to the present, for which he has been internationally recognised as an innovative force in figurative painting.

The book is based on a series of conversations between the artist and the author, Pernille Albrethsen, structured around so-called ‘families’, a term used by Tal R to describe his series of painterly concepts. The book’s nine chapters follow nine such families. In addition, there is an introductory essay on Tal R’s painting in an arthistorical context, especially focusing on how it emerged from the 1990s Copenhagen art scene.

Pernille Albrethsen is an art critic and writer for Kunstkrittik, the leading Nordic journal of contemporary art.

Art

283 illustrations

29.5 x 24.5cm

368 pp

ISBN 9788794418072

August

£50.00

Greenland’s history has been narrated for decades through images captured by outsiders. This is something artist and photographer Inuuteq Storch aims to change. Since childhood, he has documented his homeland and the lives of Greenlanders, using found photographic materials such as family photos and historical records, which gain new relevance in combination with Storch’s contemporary photos of everyday life in Greenland. In 2024, Storch, as the first artist from the North Atlantic part of the Danish Realm, will represent Denmark at one of the world’s most prestigious art exhibitions, the Venice Biennale.

Louise Wolthers is Research Manager and Curator at the Hasselblad Foundation.

Art

171 illustrations

27.5 x 21.5cm

308 pp

ISBN 9788794418225

July

£30.00

René Kural is an architect and lecturer at the Royal Danish Academy of Arts’ School of Architecture.

Architecture

208 illustrations

27.0 x 22.5cm

208 pp

ISBN 9788794418263

August

£35.00

Catz

Kural

An in-depth exploration of the iconic St. Catherine’s College in Oxford by Arne Jacobsen.

Arne Jacobsen has designed numerous buildings of worldclass calibre, but in his later years, the architect revealed that if he had to choose just one of his works, it would be St. Catherine’s College. Completed in 1964, it stands as Oxford’s youngest college. Commonly referred to as St. Catz – or simply Catz.

The architecture at that time led a rejuvenation process that, in the following years, influenced the entire United Kingdom stylistically, morally, and economically. The book delves into the architecture and the surrounding park, recounting the stories of the students who have lived and continue to live there today. The masterpiece Catz is illuminated through untold, forgotten, or overlooked narratives, drawings, and photos as a supplement to architect photographer Rasmus Hjortshøj’s comprehensive documentation – inside, outside, night, day, with and without people.

René

Art/Books

Michael Bracewell is the author of six novels and two works of non-fiction, as well as the Art/Books title Modern World: The Art of Richard Hamilton

Art

300 illustrations

29.0 x 25.5cm

320 pp

ISBN 9781908970619

September

£60.00

Michael Craig-Martin

The Complete Prints and Multiples

Michael Bracewell

The complete prints and multiples of one of Britain’s most influential artists

Sir Michael Craig-Martin is one of Britian’s most celebrated and influential artists working today. To coincide with a major retrospective exhibition at the Royal Academy, this volume is the catalogue raisonné of Craig-Martin’s entire work in print and multiples. Having produced his earliest prints in the late 1960s and early 1970s, the artist has made printmaking an important part of his practice for the past thirty-five years, alongside his distinctive wall pieces, paintings, and sculptures. Screenprints, letter-press, pigment prints lightboxes and computer works all present his familiar signature style of everyday objects drawn in outline and often in intense saturated colours. A text by the acclaimed writer Michael Bracewell considers the significance of prints and printmaking in Craig-Martin’s work. Featuring high-quality reproductions of almost 300 works, this book is the complete resource for specialist and general reader alike.

Kasmin’s Camera

Dr Chris Stephens and Judith Goldman

An intimate collection of private photographs of artists and writers, friends and family by a legendary art dealer.

Dr Chris Stephens has been Director of the Holburne Museum since 2017. Prior to that he worked at Tate for over 20 years, as Head of Displays, Tate Britain, for much of that time, and also as Head of Modern British Art. Judith Goldman is an award-winning writer, curator, and publisher in New York City. A former editor of ARTnews, she was also the curator of prints at the Whitney Museum of Art from 1977 to 1991.

Photography

100 illustrations

24.0 x 20.0cm

144 pp

ISBN 9781908970626

July

£30.00

John Kasmin, known to all simply as Kasmin, was the most important dealer in contemporary art in Britain in the 1960s. At the eponymous Kasmin Gallery on New Bond Street, he worked with many of the leading British and American artists of the day, notably Barnett Newman, Helen Frankenthaler, Frank Stella, Robyn Denny, Gillian Ayres, Howard Hodgkin and David Hockney. In the process, he transformed the London art world and became almost as recognized as his gallery artists. Less well known is that Kasmin was also a trained photographer, having started his working life as an assistant to the celebrated portrait photographer Ida Kar. Throughout his life he has always carried his camera with him, constantly photographing – and being photographed with – his bohemian artist and writer friends and family members. This remarkable book is the first time he has shown a collection of intimate and private photographs. We see Newman, Frankenthaler and others in their studio; we join Hockney as he travels, works and holidays with Kasmin and their shared circle. We follow Kasmin as he and his close friend the travel writer Bruce Chatwin voyage to Africa and the Caribbean. Each image, whether a posed portrait or a hastily grabbed snapshot, reveals something new, something private about some of the best known names in postwar art and the world in which they lived and worked. Art historian and curator Chris Stephens writes about Kasmin’s circle of artists and friends in the 1960s and 1970s, while his long-time friend Judith Goldman writes a more personal account of Kasmin and his life.

I IN Interiors

Edited by François-Luc Giraldeau and Noor Al Qayem

Discover the luxurious and sensorial world of I IN, the celebrated Tokyo-based interior design studio stirring up the world of interiors with its vibrant and distinct use of colour, shapes and materials.

How (not) to be an Architect.

ACDF

Edited by François-Luc Giraldeau

Hailing from Montreal, but with eyes on the rest of the world, ACDF is pushing the boundaries of atelier-focused spatial design.

IINInteriors is the first dedicated publication to the Tokyobased studio I IN, exploring Japanese design conventions and the way the two co-founders maintin the delicate balance between honouring their heritage and pushing it into new directions, both in terms of the final product and the process by which they get there. The studio refuses to be restricted by pre-existing paradigms and uses familiar tools to achieve innovative and out-of-the-box designs. Featuring thirteen of the studio’s most recognisable projects, this monograph has been carefully curated and designed to inspire and evoke feelings of calm and luxury.

François-Luc Giraldeau and Noor Al Qayem are Editors at FRAME.

Architecture

150 illustrations

27.0 x 21.0cm

256 pp

ISBN 9789492311634

September

£39.00

Wishing to pay respects to its Montreal heritage while also taking inspiration and liberties from the international design scene, the architectural studio ACDF is adept at balancing various goals and identities to achieve distinct results. The team champions both a rigorous work ethic as well as an eccentric approach to creativity, finding a steady, yet idiosyncratic, process. Within these pages the team reveals their characteristic values and methodologies which allow them to realize their iconic projects. Encompassing a wide range of typologies, from residential to hospitality and commercial outputs, the featured projects are sure to inspire in readers a new approach to creativity and design-based work.

François-Luc Giraldeau is Editor at FRAME.

Architecture

200 illustrations

26.5 x 20.0cm

272 pp

ISBN 9789492311658

October

£49.00

The Palace of Holyroodhouse

‘A house of many memories’

Edited by Deborah Clarke

The first ever official history of the official residence in Scotland of His Majesty the King.

SANAA in Sydney

New architecture for the Art Gallery of New South Wales

Edited by Michael Brand Foreword by Juhani Pallasmaa

Celebrating SANAA’s new building for the Art Gallery of New South Wales in Sydney, with photography by Iwan Baan.

From its origins as an abbey and a place of religious sanctuary founded in 1128, to its role in the infamous murder of David Rizzio in the bedchamber of Mary, Queen of Scots, the early history of the palace and its grounds covers uncharted territory as well as shedding light on well-known stories. James V’s lost Renaissance palace is reimagined using specially commissioned archaeological plans. Almost completely rebuilt in the 1670s, the sumptuous baroque interiors were designed to represent the monarch in Scotland and emphasise Edinburgh’s royal and government role. The unlikely residence of a Jacobite court, a Russian Princess, and even a few lions, the Palace later served as a family home to Queen Victoria and Prince Albert on their regular visits to Balmoral.

Deborah Clarke is an independent curator and author. She was previously Senior Curator at the Palace of Holyroodhouse, Royal Collection Trust.

Architecture

300 illustrations

30.0 x 24.5cm

272 pp

ISBN 9781909741744

October

£55.00

This important new book celebrates the design of SANAA’s new building for the Art Gallery of New South Wales in Sydney led by Pritzker Prize-winning architects Kazuyo Sejima and Ryue Nishizawa.

The building is the culmination of a decade-long vision – the Sydney Modern Project – to transform a 152-year-old public institution into an art museum campus with a seamless connection between art, architecture and landscape. It is Australia’s newest and most significant cultural landmark of the 21st century.

Richly illustrated, SANAAinSydney takes readers behind the scenes of this ambitious project – from the international architecture competition, through the design and construction process, to the building’s opening – and offers reflections on its built form and engagement with art, people and the environment.

Michael Brand is the director of the Art Gallery of New South Wales, where he has led the transformation and expansion of the institution through the Sydney Modern Project.

Juhani Pallasmaa is a distinguished architect and professor emeritus based in Helsinki.

Architecture

180 illustrations

26.0 x 28.0cm

250 pp

ISBN 9781741741575

November

£100.00

The Magic Ring

Boris Shergin adapted by Sian Valvis

Charming folk story ingeniously adapted by translator Sian Valvis from a traditional tale told in the Pomor (northern Russia) dialect.

Boris Shergin was a writer, folklorist and artist, active from the 1920s to his death in 1973. Sian Valvis is a writer. Her rhyming translation of Kolobok (2021) won a PEN Translates award. Dovile Ciapaite is an illustrator and architectural designer who also illustrated Kolobok

Children’s 10 illustrations

27.0 x 20.0cm

48 pp

ISBN 9781906257446

November

£12.99

TheMagicRing is a traditional folk tale that was rewritten by the writer Boris Shergin in the 1930s. Translator Sian Valvis has translated and adapted the text, written in Pomor, a northern Russian dialect that survived despite attempts to suppress it during the Soviet period. Creating her own version by mixing northern English dialect with ingenious neologisms and rhyme, Sian retains the strongly regional flavour of the original and its madcap, anarchic feel while making it accessible and entertaining for children and adult readers alike.

A peasant boy, Vanya, comes across a magic ring which grants him wishes. To marry the tsar’s daughter he must build a bridge connecting the palace with his village, and this he does with the help of the ring. The princess tricks him into sharing the secret of the ring, and uses it to transport herself to Paris and her lover. Through the initiative of Snowy the dog and Mashka the cat, the ring is retrieved and all ends well.

The Knitwear Manual

An Industry Guide to Knitwear Design

The go-to guide for knitwear designers.

Also available:

Fashionpedia 9789881354761

Textilepedia 9789887711094

Fashion

Illustrated in colour throughout

21.0 x 14.0cm

288 pp

ISBN 9789887711186

September

£29.50

Knitting is a versatile technique of textile production that can produce fabrics with a wide range of properties for many uses, from apparel to medical applications to technical textiles. As a knitwear designer, it is crucial to have a comprehensive understanding of the industry and the materials and techniques used in knitwear production.

The Knitwear Manual provides comprehensive technical information on the industry. The visual elements throughout the book make it easy to understand the various aspects of knitting, from fiber and yarn to common knitting techniques and structures, as well as postproduction and quality control.

The 101 examples of common knitted stitches at the end of the book provide inspiration and practical examples of how to incorporate the techniques and materials covered in the book into designs.

The Knitwear Manual is a valuable tool for designers, providing support and insight, and serving as a go-to guide throughout any knitwear design career.

Recent Highlights

Louise Bourgeois

300 illustrations 28.9 x 23.5cm 292 pages 9781741741681 £40.00 hb

The Unconquerable Game

65 illustrations 19.0 x 14.0cm 288 pages 9781737205142 £35.00 hb

Audio Erotica

400 illustrations 22.0 x 18.0cm 240 pages 9781739887810 £26.95 hb

Legion

260 illustrations 26.0 x 19.0cm 320 pages 9780714122939 £45.00 hb

Stylepedia

1194 illustrations 21.0 x 14.0cm 224 pages 9789881354792 £29.50 hb

Turning Heads

134 illustrations 26.5 x 22.0cm 192 pages 9789464666786 £45.00 hb

Michelangelo: the last decades

175 illustrations 25.0 x 23.0cm 256 pages 9780714126982 £35.00 hb

London Estates

340 illustrations 16.0 x 20.0cm 304 pages 9781739887841 £26.95 hb

Raphael: Revolution in Tapestry Design

144 illustrations 28.0 x 29.8cm 228 pages 9789464666595 £55.00 hb

The Art Gallery of New South Wales

Callaway

FUEL

British Museum

Fashionary

Hannibal Books

British Museum

FUEL

Hannibal Books

Annika Nordenskiold : From Nothing

209 illustrations 22.0 x 22.0cm 112 pages 9789171266194 £25.00 hb

Francesca Woodman and Julia Margaret Cameron

170 illustrations 30.0 x 24.0cm 224 pages 9781855145535 £35.00 hb

Six Lives: The Stories of Henry VIII’s Queens

170 illustrations 29.0 x 24.5cm 224 pages 9781855145290 £35.00 hb

Kathe Kollwitz

190 illustrations 27.0 x 23.0cm 256 pages 9781633451612 £55.00 hb

The Time is Always Now

80 illustrations 30.0 x 24.5cm 208 pages 9781855145580 £35.00 hb

100 Photographs from the Collections of the National Trust

150 illustrations 15.6 x 18.6cm 224 pages 9780707804675 £10.00 hb

Joan Jonas: Good Night, Good Morning

220 illustrations 27.0 x 23.0cm 200 pages 9781633451605 £50.00 hb

Reframing the Black Figure

50 illustrations 19.5 x 16.5cm 112 pages 9781855145481 £14.95 hb

Transform ! Design and the Future of Energy

350 illustrations 32.0 x 24.0cm 200 pages 9783945852606 £60.00 pb

Max Strom

National Portrait Gallery

National Portrait Gallery

The Museum of Modern Art, New York

National Portrait Gallery

National Trust

The Museum of Modern Art, New York

National Portrait Gallery

Vitra Design Museum

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