Distributed Publishers Autumn 2017 Catalogue

Distributed Titles July – December 2017

If you are interested in features or review copies for titles distributed by Thames & Hudson please contact: Mark Garland: T 020 7845 5031 | E m.garland@thameshudson.co.uk

Contents

The Museum of Modern Art The Guggenheim Museum Museum of Fine Arts, Boston Art Gallery of New South Wales Ludion Walther König Art / Books Cahiers d’Art Actes Sud Cultureshock Media Cooper Hewitt Vitra Design Museum Fondation Cartier pour l’art contemporain Fontanka FUEL Eight Books Distributed Art Publishers Soul Jazz Books Editions Didier Millet Contrasto Max Ström

2 10 12 17 18, 47 19, 33, 52 21 22, 54 24 26 27 28 32 35, 40 36 41 42, 55 44 46 48 48

Also available:

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Fashion

Items: Is Fashion Modern?

Paola Antonelli and Michelle Millar Fisher Published to accompany the first major exhibition on fashion design at The Museum of Modern Art since 1944, Items: Is Fashion Modern? presents 111 iconic garments, footwear and accessories that have had a profound impact on global culture in the 20th and 21st centuries. The book examines the ways in which these items are designed, manufactured, distributed and used, while exploring the wide range of relationships between clothing and functionality, cultural etiquettes, aesthetics, politics and technology.

It includes such transformative designs as the Levi’s 501 jeans, the pearl necklace, the sari, Yves Saint Laurent’s Le Smoking, the Breton jumper, the kippah and the keffiyeh.

Richly illustrated with historical and archival imagery as well as newly commissioned photography from Omar Victor Diop, Bobby Doherty, Catherine Losing, Monika Mogi and Kristin-Lee Moolman, Items reflects not only on fashion’s power and social history, but also on its design construct and staying power.

£35.00 Hardback ISBN 978 1 633 450363 October 288pp 25.0 x 20.0 cm 450 illustrations

The Museum of Modern Art

Paola Antonelli is a Senior Curator in the Department of Architecture & Design as well as the Director of R&D at The Museum of Modern Art, New York. Michelle Millar Fisher is a Curatorial Assistant in the Department of Architecture & Design at The Museum of Modern Art.

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Art

Robert Rauschenberg: Thirty-Four Illustrations for Dante’s ‘Inferno’ Introduction by Leah Dickerman Contributions by Robin Coste Lewis and Kevin Young

£19.95 Paperback ISBN 978 1 633 450295 July 104pp 25.4 x 20.0 cm 44 illustrations

The Museum of Modern Art

Also available:

£400.00 Boxed hardback 978 0 870 709579

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Between 1958 and 1960, Robert Rauschenberg made drawings for each of the thirty-four cantos, or sections, of Dante’s 14th-century poem Inferno by using a novel technique to transfer photographic reproductions from magazines or newspapers onto paper. The resulting drawings weave together meditations on public and private spheres, politics and inner life. Above all, they pay homage to creativity in dialogue: each drawing is a conversation with Dante across the centuries. This volume includes newly commissioned poems by Robin Coste Lewis and Kevin Young and an essay by MoMA curator Leah Dickerman that explores its making in depth.

Leah Dickerman is The Marlene Hess Curator of Painting and Sculpture at The Museum of Modern Art, New York. Kevin Young is Director of the Schomburg Center for Research in Black Culture and the poetry editor at The New Yorker.

Robin Coste Lewis is a Provost’s Fellow in Poetry and Visual Studies at the University of Southern California.

Art

Louise Bourgeois: An Unfolding Portrait Deborah Wye • Includes interviews with Jerry Gorovoy, Felix Harlan and Benjamin Shiff Published in conjunction with an exhibition at The Museum of Modern Art, Louise Bourgeois: An Unfolding Portrait features over 330 prints and books organized thematically and placed within the context of the artist’s sculpture, drawings and paintings. The book also sheds light on the collaborative relationships between Bourgeois and her printmaking associates who often came to her home studio to work with her there, pulling trial proofs from printing presses she kept in her basement. Interviews with Bourgeois’s primary assistant, with whom she worked for decades, as well as with a printer and a publisher, each of whom helped foster her creative engagement with the medium, provide insight into her working process.

Deborah Wye is the Chief Curator Emerita of Prints and Illustrated Books at The Museum of Modern Art, New York. Jerry Gorovoy is the president of The Easton Foundation, and was Bourgeois’ long-time assistant. The printer Felix Harlan collaborated with the artist from 1989 until the last year of her life.

Benjamin Shiff is the director of Osiris, with whom Bourgeois published many important print projects.

£45.00 Hardback ISBN 978 1 633 450417 October 248pp 27.0 x 23.0 cm 320 illustrations

The Museum of Modern Art

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Art

The MoMA Artist Series Each volume: £14.95 Hardback July 56pp 27.0 x 23.0 cm c. 35 illustrations

The Museum of Modern Art

Featuring artwork from The Museum of Modern Art’s unparalleled collection, each volume in the MoMA Artist Series guides readers through one artist’s most memorable achievements, explaining their significance and placing them in context among the groundbreaking innovations of their time. They are invaluable resources for exploring and interpreting some of the most beloved artworks by key artists who shaped the trajectory of modern art.

Claude Monet: Water Lilies

Jackson Pollock

Ann Temkin

Carolyn Lanchner

Ann Temkin is the The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture at The Museum of Modern Art, New York.

978 1 633 450431

Carolyn Lanchner was a longstanding curator at The Museum of Modern Art, New York.

978 1 633 450455

Vincent van Gogh: The Starry Night

Andy Warhol

Richard Thomson

Carolyn Lanchner

Richard Thomson is the Watson Gordon Professor of Fine Art at the University of Edinburgh, Scotland.

978 1 633 450424

Carolyn Lanchner was a longstanding curator at The Museum of Modern Art, New York.

978 1 633 450448

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Children’s

Yayoi Kusama: From Here to Infinity!

Sarah Suzuki Illustrated by Ellen Weinstein • Artwork by Yayoi Kusama This colourful children’s book tells the story of an artist whose work will not be complete until her dots cover the world, from here to infinity. Growing up in the mountains of Japan, Yayoi Kusama dreamed of becoming an artist. One day, she had a vision in which the world and everything in it – the plants, the people, the sky – was covered in polka dots. She began to cover her paintings, drawings, sculptures, and even her body with dots. As she grew up, she travelled all around the world and brought her dots with her, spreading them over big cities and small islands alike. Some people thought the dots were tiny, like cells, and others imagined them enormous, like planets. Yayoi said, ‘Our earth is only one polka dot among a million stars in the cosmos. Polka dots are a way to infinity.’

Sarah Suzuki is a Curator in the Department of Drawings and Prints at The Museum of Modern Art, New York. Ellen Weinstein is an award-winning illustrator whose books have been published by Scholastic and Simon & Schuster, among others.

£14.95 Hardback ISBN 978 1 633 450394 July 40pp 30.0 x 23.0 cm Illustrated throughout

The Museum of Modern Art

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Photography

Photography at MoMA 1840 to 1920 • Volume I Edited by Quentin Bajac, Lucy Gallun, Roxana Marcoci and Sarah Hermanson Meister • Text by Geoffrey Batchen, Michel Frizot, Shelley Rice and Bonnie Yochelson

£55.00 Hardback ISBN 978 1 633 450288 October 376pp 30.5 x 24.0 cm 400 illustrations

The Museum of Modern Art

Also available:

£50.00 Hardback 978 0 870 709692

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£50.00 Hardback 978 1 633 450134

Photography at MoMA: 1840–1920 is the final volume in a set of three books that together present a new and comprehensive history of photography through works in MoMA’s collection. Beginning with an in-depth introduction, it includes eight chapters of fullcolour plates, each introduced by a short essay. Masterworks by photographers such as Julia Margaret Cameron, Roger Fenton, Nadar, Frances Benjamin Johnston, Henry Fox Talbot, August Sander, Edward Steichen and Carleton Watkins appear alongside lesser-known gems and vernacular forms of photography. Richly illustrated with over 400 reproductions, it offers a fresh lens through which to appreciate works of exceptional significance, surprise and influence.

Quentin Bajac is The Joel and Anne Ehrenkranz Chief Curator of Photography at the Museum of Modern Art New York.

Performance Art

Club 57 Film, Performance, and Art in the East Village, 1978–1983 Edited by Ron Magliozzi and Sophie Cavoulacos Text by Jim Hoberman, Jenny Schlenzka, Laura Hoptman, Lucy Gallun and Ann Magnuson This book taps into the legacy of Club 57’s founding curatorial staff to examine how the convergence of film, video, performance, art and curatorship in the club environment of New York in the 1970s and 1980s became a model for a new spirit of interdisciplinary endeavour. The richly illustrated publication features film and video stills; photographs of Club event and activities; ephemeral documents such as flyers, posters and period zines; and a robust plate section of rarely-seen artwork from the period by the likes of Keith Haring, Kenny Scharf, Tseng Kwong Chi, Kitty Brophy, Fab Five Freddy, Richard Hambleton, Dan Asher, Ellen Berkenblit and John Sex. Ron Magliozzi is a Curator in the Department of Film at The Museum of Modern Art, New York, where Sophie Cavoulacos is an Assistant Curator.

£35.00 Hardback ISBN 978 1 633 450301 November 240pp 27.0 x 23.0 cm 225 illustrations

The Museum of Modern Art

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Art

Art and China after 1989: Theater of the World Edited by Alexandra Munroe, with Philip Tinari and Hou Hanru Text by Jane DeBevoise, Katherine Grube, Lu Mingjun, Stephanie H. Tung, Anthony Yung. and Xiaorui Zhu-Nowell

ÂŁ62.00 Hardback ISBN 978 0 892 075287 September 320pp 28.5 x 23.5 cm 275 illustrations

The Guggenheim Museum

Published on the occasion of the exhibition organized by the Solomon R. Guggenheim Museum, Art and China after 1989: Theater of the World explores recent experimental art from what is arguably the most transformative period of modern Chinese and recent world history.

Featuring over 150 iconic and lesser-known artworks by more than 70 artists and collectives, it offers an interpretative survey of Chinese experimental art framed by the geopolitical dynamics attending the end of the Cold War, the spread of globalization, and the rise of China.

Critical essays explore how Chinese artists have been both agents and skeptics of China’s arrival as a global presence, while an extensive entry section offers detailed analysis on works made in a broad range of experimental mediums, including film and video, ink, installation, Land art, performance, as well as painting and photography.

Alexandra Munroe is Samsung Senior Curator, Asian Art, and Senior Advisor, Global Arts, Solomon R. Guggenheim Museum, New York.

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Art

Josef Albers in Mexico Lauren Hinkson with a text by Joaquin Barriendos “Mexico is truly the promised land of abstract art,” Josef Albers wrote to his former Bauhaus colleague Vasily Kandinsky in 1936.

Josef Albers in Mexico reveals the profound link between the art and architecture of ancient Mesoamerica and Albers’s abstract works on canvas and paper. With his wife, the artist Anni Albers, Albers toured pre-Columbian archeological sites and monuments during his twelve or more trips to Mexico and other Latin American countries between 1935 and 1968. On each visit, Albers took black-andwhite photographs, which he later assembled into rarely seen photo collages. The resulting works demonstrate Albers’s continued formal experimentation with geometry, this time accentuating a preColumbian aesthetic. This book brings together photographs, photo collages, prints, and significant paintings from the Variants/Adobe (1946-66) and Homage to the Square (1950–76) series from the collections of the Solomon R. Guggenheim Museum and the Anni and Josef Albers Foundation. Two scholarly essays, an illustrated map, and vivid color reproductions of paintings and works on paper illuminate this little-known period in the influential artist’s practice.

£40.00 Hardback ISBN 978 0 892 075362 November 144pp 32.4 x 23.5 cm 110 illustrations

The Guggenheim Museum

Lauren Hinkson is Associate Curator, Collections, at the Solomon R. Guggenheim Museum, New York.

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12

Art

The Propaganda Front Postcards from the Era of World Wars Anna Jozefacka, Lynda Klich, Juliana Kreinik and Benjamin Weiss Millions of postcards intended to change minds and inspire actions circulated around the time of the two World Wars. Whether produced by governments, opportunistic publishers, aid organizations or resistance movements, postcards conveyed their messages with striking graphics, pithy slogans and biting caricatures – and in a uniquely personal format. The more than 350 cards reproduced in this book advocate for political causes and celebrate war efforts on all sides of the major conflicts of the first half of the 20th century.

The text shows how a ubiquitous form of communication served increasingly sophisticated campaigns in an age of propaganda, and highlights the postcards collected here as both priceless historical documents and masterworks of graphic design.

Anna Jozefacka is a postdoctoral Fellow at the Leonard A. Lauder Research Center for Modern Art, The Metropolitan Museum of Art. Lynda Klich is Assistant Professor in the Department of Art & Art History and Macaulay Honors College at Hunter College, CUNY. Juliana Kreinik is an art and photography historian. Benjamin Weiss is Leonard A. Lauder Curator of Visual Culture at the Museum of Fine Arts, Boston.

ÂŁ30.00 Hard back ISBN 978 0 878 467631 November c. 320pp 24.0 x 21.5 cm c. 380 illustrations

Museum of Fine Arts, Boston

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Art

Kuniyoshi X Kunisada Sarah E. Thompson • Contributions by Masato Matsushima, Chika Kagami, Noriko Katsumori, Kazushi Kuroda, Yuiko Miwa and Akira Tsukahara

£35.00 Hardback ISBN 978 0 878 468478 October 256pp 23.5 x 27.3 cm c. 150 illustrations

Museum of Fine Arts, Boston

Rival ukiyo-e masters Kuniyoshi and Kunisada were the two most admired designers of figure prints in 19th-century Japan. Famous for the realism of his portraits of Kabuki actors, the sensuality of his beautiful women and the luxurious settings he imagined for historical scenes, Kunisada was the popular favourite during his lifetime. Kuniyoshi is loved by connoisseurs and collectors today for his dynamic action scenes of warriors and monsters, his comic prints, and even a few especially daring works that included forbidden political satire in disguise. With scores of illustrations in glorious full colour, this beautifully produced volume presents Kuniyoshi and Kunisada’s artistic rivalry through a selection of outstanding works from the Japanese art collection of the Museum of Fine Arts, Boston.

Readers are invited to decide for themselves which of the two is their personal favourite.

Sarah E. Thompson is Curator of Japanese Art at the Museum of Fine Arts, Boston.

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Art

Tattoos in Japanese Prints Sarah E. Thompson Many tattoo connoisseurs consider the Japanese tradition to be the finest in the world for its detail, complexity, and compositional skill. Its style and subject matter are drawn from the visual treasure trove of Japanese popular culture, in particular the colour woodblock prints of the early 19th century known as ukiyo-e. This book tells the fascinating story of how ukiyo-e first inspired tattoo artists as the pictorial tradition of tattooing in Japan was just beginning.

It explores the Japanese tattoo’s evolving meanings, from symbol of devotion to punishment and even to crime, and reveals the tales behind specific motifs. With lush, colourful images of flowers blooming on the arm of a thief, sea monsters coiling across the back of a hero, and legendary warriors battling on the chests of actors, the tattoos in these Japanese prints can offer the same vivid inspiration today as they did 200 years ago.

Sarah E. Thompson is Curator of Japanese Art at the Museum of Fine Arts, Boston.

ÂŁ20.00 Hardback ISBN 978 0 878 468461 September 152pp 24.8 x 19.1 cm 90 illustrations

Museum of Fine Arts, Boston

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Art

Casanova The Seduction of Europe Edited by Frederick Ilchman, Thomas Michie, C. D. Dickerson III and Esther Bell

£35.00 Hardback ISBN 978 0 878 468423 August 344pp 24.2 x 19.1 cm c. 180 illustrations

Museum of Fine Arts, Boston

16

This volume accompanies the first major art exhibition outside Europe to recreate Casanova’s visual world, from his birthplace of Venice to the cultural capitals of Paris and London and the outposts of Eastern Europe. Summoning up the people he met and the cityscapes, highways, salons, theatres, masked balls, boudoirs, gambling halls and dining rooms he frequented, it provides a survey of important works of 18th-century European art by such masters as Canaletto, Fragonard, Boucher, Houdon and Hogarth. Twelve essays by prominent scholars illuminate multiple facets of Casanova’s world as reflected in the arts of his time, providing a fascinating grand tour of Europe conducted by a quintessential figure of the 18th century as well as a splendid visual display of the spirit of the age.

Frederick Ilchman is Chair, Art of Europe, and Mrs. Russell W. Baker Curator of Paintings at the Museum of Fine Arts, Boston. Thomas Michie is Russell B. and Andrée Beauchamp Stearns Senior Curator of Decorative Arts and Sculpture at the Museum of Fine Arts, Boston. C. D. Dickerson III is Curator and Head of Sculpture Department at the National Gallery of Art, Washington. Esther Bell is former Curator of European Paintings at the Fine Arts Museums of San Francisco.

Art

Victorian Watercolours Peter Raissis This new book features over eighty artworks by more than seventy artists that represent the glory of British watercolours from the Victorian period. Artists include: Dante Gabriel Rossetti, Edward Burne-Jones, George John Pinwell and Myles Birket Foster. It is the second in a series on prints and drawings drawn from the collection of the Art Gallery of New South Wales.

Peter Raissis explores the social, cultural and technical background to the works, as well as the reception and appreciation of the medium both in Britain and Australia. Entries on each of the works give insights into the painters’ lives and the differing subject matter, ranging from everyday life and landscape to the worlds of fantasy and imagination.

Beautifully designed and luxuriously illustrated, this book will appeal to both specialists and a broader audience.

Peter Raissis is author of Prints and Drawings: Europe 1500–1900. He has curated numerous exhibitions and has contributed to many other books.

£25.00 Hardback ISBN 978 1 741 741315 July 208pp 28.0 x 23.8 cm Over 120 illustrations

Art Gallery of New South Wales

Also available:

£25.00 Hardback 978 1 741 741087

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Photography/Film

René Magritte: The Revealing Image Xavier Canonne

£35.00 Hardback ISBN 978 9 491 819735 September 272pp 29.5 x 22.5 cm 350 illustrations

Ludion

In this richly illustrated book, Xavier Canonne dives into René Magritte’s photo and film archive, revealing a lesser-known side of the surrealist master. Discovered in the 1970s, this collection gives us access to a family album, an informal Magritte, from his childhood to the last years of his life. We see Magritte with his family, as a newly married man with his wife Georgette, and with his contemporaries in the Brussels Surrealist group. Spontaneous snapshots are complemented by posed scenes, including improvised tableaux with his fellow artists, parodies of famous films, portraits of Magritte at his easel, and staged photographs as models for his paintings. Images where the artist and his friends hide their faces or turn away from the camera particularly resonate with his paintings and his investigation of the ‘hidden visible’. This book demonstrates that Magritte’s photographs and home movies are so pervaded with his spirit that they are inseparable from his oeuvre of paintings.

Xavier Canonne is Director of the Musée de la Photographie in Charleroi, Belgium.

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Art

Egon Schiele Masterpieces from the Leopold Museum Texts by Elisabeth Leopold, Rudolf Leopold, Franz Smola and Birgit Summerauer • Foreword by Hans-Peter Wipplinger This book gathers some 140 paintings, watercolours and drawings

by Egon Schiele housed in the Leopold Museum in Vienna, which owns the world’s most comprehensive and eminent collection of works by this most beloved of modern artists. It covers all periods of Schiele’s oeuvre, with examples of his earliest creations, his renowned Expressionist period and the work created shortly before his untimely death. Among the classic Schiele paintings are the Seated Male Nude, The Hermits and Houses by the Sea. Numerous full-page illustrations afford exceptional insight into Schiele’s genius for line and colour. Essays by Elisabeth Leopold, Rudolf Leopold, Franz Smola and Birgit Summerauer outline the milieu and career of this provocative artist, but also highlight Schiele’s place among the great masters of the 20th century.

£35.00 Paperback ISBN 978 3 960 980810 July 304pp 28.0 x 23.5 cm 164 illustrations

Walther König

Elisabeth Leopold is Director of the Leopold Museum, and Franz Smola is its Managing Director. Birgit Summerauer is a researcher at the same institution.

William Kentridge: Triumphs and Laments Edited and with an introduction by Carlos Basualdo Foreword by Federica Galloni Texts by Gabriele Guercio and Salvatore Settis With an interview between William Kentridge and Carlos Basualdo Triumphs and Laments is both a celebration of William Kentridge’s monumental frieze drawn along the banks of the River Tiber in Rome and the performance which inaugurated it, and a guide to one of his most memorable and ambitious projects.

This bilingual book acts as an essential component to viewing Kentridge’s erased-graffiti figures and understanding the process of their creation, with useful foldouts, a poster and a leporello of the frieze to accompany the texts. These include a conversation between Carlos Basualdo and the artist, and two essays by Salvatore Settis and Gabriele Guercio that explore the meaning behind the work and its resonance with the millennia-long history of the city of Rome.

£38.00 Hardback ISBN 978 3 960 981817 October 300pp 19.5 x 14.5 cm 192 illustrations

Walther König

Carlos Basualdo is the Keith L. and Katherine Sachs Curator of Contemporary Art at the Philadelphia Museum of Art. William Kentridge is a worldrenowned artist.

19

Art

Anthony Cragg Works in Five Volumes Works on Paper (Vol.1) Edited by Cragg Foundation • Introduction by André Buchmann

£48.00 Hardback ISBN 978 3 960 981169 July 420pp 28.5 x 22.0 cm 478 illustrations

Walther König

Over the past thirty years, Tony Cragg has created an impressive oeuvre of drawings and prints alongside his major sculptural works. Collected together here for the first time, the extensive and representative selection of images displays the diversity of styles and content in Cragg’s drawings, watercolours, gouaches and prints.

With just a few dynamic lines, Cragg’s drawings and prints open our eyes to the contained forms in our surroundings and reveal unfamiliar spaces. Drawing allows him to visualise our complex, unseen world of sound waves, radio frequencies, wind currents and magnetic fields. Cragg often says that for him, drawing is a way of inventing descriptions of imperceptible processes. In his work, he expresses the emotion within and between things.

The book concludes with an index which documents over 1,800 works, including the corresponding archive numbers, thus providing an almost exhaustive record of his works.

Anthony Cragg is a noted British sculptor.

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Art

Becoming Henry Moore Edited by Hannah Higham Texts by Sebastiano Barassi, Tania Moore and Jon Wood Coinciding with the 40th anniversary of the Henry Moore Foundation, and accompanying an exhibition of the same name, Becoming Henry Moore tells the story of the artist’s creative journey between 1914 and 1930, from gifted schoolboy to celebrated sculptor. Sebastiano Barassi presents a lively account of Moore’s formative years, from his time at Castleford Secondary School, where his talent was first spotted, through his active service in the First World War and student life at Leeds School of Art, and culminating with his move to the Royal College of Art in London and subsequent entry into the world of contemporary sculpture.

Richly illustrated with sculptures, drawings and photographs from his life, and including a chronology of the early years, this book shows the myriad influences at play as Henry Moore took his first steps on the path to becoming Britain’s foremost modern sculptor.

£22.50 Hardback ISBN 978 1 908 970329 July 128pp 27.5 x 22.0 cm 200 illustrations

Art / Books

Sebastiano Barassi is Head of Henry Moore Collections and Exhibitions at the Henry Moore Foundation. Hannah Higham is Curator at the Henry Moore Foundation. Tania Moore is Curatorial Assistant at the Royal Academy of Arts, London. Jon Wood is Research Curator at the Henry Moore Institute, Leeds.

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Art

Cahiers d’Art N°1, 2012 36th Year Staffan Ahrenberg, Sam Keller and Hans Ulrich Obrist

£65.00 Paperback ISBN 978 2 851 171740 July 136pp + Ellsworth Kelly lithograph 31.5 x 24.5 cm 101 illustrations

Cahiers d’Art

Also available:

£65.00 Paperback 978 2 851 171764

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£65.00 Paperback 978 2 851 171795

‘Cahiers d’Art’ refers at once to a publishing house, a gallery and to a revue founded by Christian Zervos in 1926. Cahiers d’Art was entirely unique: a journal of contemporary art defined by its combination of striking typography and layout, abundant photography and juxtaposition of ancient and modern art.

Issue N°1, first released on 18 October 2012, was the first Cahiers d’art revue to be published since 1960. Now reissued in both English and French, it contains an extensive article dedicated to Ellsworth Kelly, and texts from renowned architects, art historians and critics.

Issue N°1 also includes an original lithograph by Ellsworth Kelly, artwork by Sarah Morris, Cyprien Gaillard and Adrián Villar Rojas, and texts by Yve-Alain Bois, Tadao Ando and Jean-Louis Cohen.

Staffan Ahrenberg is the publisher of Cahiers d’Art. Sam Keller is the Director of the Fondation Beyeler in Switzerland and Chairman of Art Basel. Hans Ulrich Obrist is Co-Director of the Serpentine Gallery in London.

Art

Cahiers d’Art 2016–2017 Gabriel Orozco André Rottmann, Béatrice Gross, Benjamin Buchloh, Briony Fer, Daniel Birnbaum and Harald Theil The latest edition of Cahiers d’Art revue 2016–2017 focuses on Gabriel Orozco. It explores the artist’s recurring themes of geometry, games and working tables, and features specially commissioned texts by Briony Fer, Benjamin Buchloh, André Rottman and an interview between Hans Ulrich Obrist and Orozco.

Abundantly illustrated with series of major works as well as the artists most recent and largely unpublished works, this unique publication also includes an original silk-screened artwork made specially by Orozco for the issue.

Staffan Ahrenberg is the publisher of Cahiers d’Art. Sam Keller is the Director of the Fondation Beyeler in Switzerland and Chairman of Art Basel. Hans Ulrich Obrist is Co-Director of the Serpentine Gallery in London.

£65.00 Paperback ISBN 978 2 851 171856 July 286pp + artwork 31.5 x 24.5 cm 278 illustrations

Cahiers d’Art

Also available:

£65.00 Paperback 978 2 851 171818

£65.00 Paperback 978 2 851 171832

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Art

PascALEjandro Edited by Donatien Grau

£26.00 Hardback ISBN 978 2 330 075408 July 256pp 24.0 x 17.0 cm 80 illustrations

Actes Sud

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This is the first monograph devoted to the work of PascALEjandro, an artist’s collective composed of the painter, costume and set-designer and photographer Pascale Montandon-Jodorowsky and the poet, writer, filmmaker, comic-book writer, director and playwright Alejandro Jodorowsky. The book primarily catalogues the pair’s illustration work, Alejandro Jodorowsky having provided the lines and Pascale Montandon-Jodorowsky the colour. The vibrant universe they create brims with ancestral myths, contemporary tales and metaphysical reflections on life, and expresses the spiritual, philosophical and artistic soul of their relationship.

Along with movie stills of their films The Dance of Reality and Endless Poetry, there are also interviews with PascALEjandro by Klaus Biesenbach and Hans Ulrich Obrist, and essays by Adonis, Diego Moldes, Edgar Morin, María Inés Rodriguez, Philippe Rouyer, Diana Widmaier Picasso and Olivier Zahm.

Donatien Grau is a contributing editor of Flash Art International.

Art

My All Sophie Calle Over the past thirty years, Sophie Calle has invited strangers to sleep in her bed, followed a man through the streets of Paris to Venice, hired a detective to spy on herself before providing a report of her day, taken a job as a chambermaid in a hotel to photograph guests’ personal belongings, asked blind people to tell her about the final image they remember, and chased down the ghosts of works stolen from museums and much more besides. In doing so, she has orchestrated small moments of life, establishing a game, then settings its rules, for herself and for others, while blurring the boundary between art and life. Although the lived experiences she stage-manages are methodically selected, she is not afraid of unveiling her failed love affairs and the exquisite pain of absence and its concomitant melancholy.

This set of fifty postcards brings together Sophie Calle’s best known works.

Sophie Calle is the author, narrator and character of her stories and photographic scenes.

£25.00 inc VAT | £20.83 exc VAT ISBN 978 2 330 053697 July Fifty postcards 15.0 x 10.5 cm Illustrated throughout

Actes Sud

Also available:

£40.00 Hardback 978 2 330 000585

£17.00 Hardback 978 2 330 060404

£56.00 Hardback 978 2 742 768936

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Art

‘We’re here because we’re here’ 1st July 1916 – 1st July 2016 Jeremy Deller and Rufus Norris

£9.95 Hardback ISBN 978 0 995 454620 July 92pp 23.0 x 16.8 cm 80 illustrations

Cultureshock Media

This book tells the story of the modern memorial created by Jeremy Deller to mark the centenary of the Battle of the Somme. ‘We’re Here Because We’re Here’ occurred across the UK on 1 July 2016.

Throughout the day, some 1,600 volunteers, all men, dressed in replica World War I British army uniforms, appeared in groups at railway stations, shopping centres and other places. Each volunteer represented an individual soldier who died on the first day of the battle. When approached, they did not speak, but instead handed cards to members of the public, bearing the name, age and regiment of the person they represented. Deller described these cards as ‘like small tombstones’. From time to time, the volunteers would sing the refrain ‘We’re Here Because We’re Here...’, as sung in the trenches before the battle. This book is an important record of one of the largest arts participation projects ever staged in the UK. Jeremy Deller is an English conceptual, video and installation artist.

Rufus Norris is the Artistic Director of the National Theatre.

26

Design

Design is Storytelling.

Ellen Lupton Design is Storytelling. shows how designers can use the principles of storytelling and visual thinking to create beautiful, surprising and effective outcomes. This lively book unpacks the elements of narrative into a fun and useful toolkit, bringing together principles from literary criticism, narratology, cognitive science, semiotics, phenomenology and critical theory to show how visual communication mobilizes instinctive biological processes as well as social norms and conventions. It uses 250 illustrations to actively engage readers in the process of looking and understanding, and is written with a sense of humour and a respect for the reader’s time and intelligence. Although the book is full of practical advice for designers, it will also appeal to people more broadly involved in branding, marketing, business and communication.

Ellen Lupton is Senior Curator of Contemporary Design at Cooper Hewitt, Smithsonian Design Museum in New York City. She received the AIGA Gold Medal for Lifetime Achievement in 2007.

ÂŁ14.95 Paperback ISBN 978 1 942 303190 November 160pp 18.0 x 15.3 cm 250 illustrations

Cooper Hewitt

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Design

Atlas of Furniture Design Edited by Mateo Kries, Henrike BĂźscher and Jochen Eisenbrand

ÂŁ149.00 Hardback ISBN 978 3 931 936990 October 1,008pp 30.5 x 22.9 cm 2,595 illustrations

Vitra Design Museum

The Atlas of Furniture Design is the most comprehensive overview of the history of furniture design ever published. It documents 1,691 objects by over 300 designers and 121 manufacturers, and features more than 2,500 images, from detailed object photographs to historical documentation such as interiors, patents, brochures and reference works in art and architecture.

The basis for the Atlas of Furniture Design is the furniture collection held by the Vitra Design Museum, one of the largest of its kind in the world, with more than 7,000 works. Several years in the making, the Atlas of Furniture Design has employed a team of over sixty authors and features in-depth essays as well as 550 detailed texts accompanying key objects. The book is enriched by a detailed annex containing designer biographies, bibliographies, a glossary of manufacturers and an index, along with information graphics offering a complementary visual approach to the history of furniture design. Both an encyclopedic reference tool and an indispensable resource for collectors, scholars and experts, this beautifully designed object will speak to design enthusiasts around the globe.

Mateo Kries is the Director of the Vitra Design Museum. Henrike BĂźscher is an art historian. Jochen Eisenbrand is Head Curator at the Vitra Design Museum.

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29

Design

Essential Eames Words & Pictures Edited by Eames Demetrios and Carla Hartman

ÂŁ25.00 Hardback ISBN 978 3 945 852170 September 216pp 24.0 x 16.5cm 125 illustrations

Vitra Design Museum

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Charles and Ray Eames are among the most influential designers of the 20th century. Enthusiastic and tireless experimenters, this beloved husband-and-wife duo moved fluidly between the fields of photography, film, architecture, exhibition-making and furniture and product design. The Eames Office was a hub of activity where the Eameses and their collaborators produced an array of pioneering designs, communicating their ideas with a boundless creativity that defined their careers. The Eameses embraced the joy of trial and error and approached design as a way of life.

From personal letters, photographs, drawings and artwork, to their products, models, multimedia installations and furniture, Essential Eames includes not only some of the designs for which they are best known, but provides an insight into the lives of the Eameses, the Eames Office and the breadth of their pioneering work, bringing their ideas and playful spirit to life.

Eames Demetrios is Director of the Eames Office. Carla Hartman is Director of Education at the Eames Office.

Design

The Eames Furniture Sourcebook Mateo Kries and Jolanthe Kugler American designers Charles Eames (1907–78) and Ray Eames (1912–88) are celebrated for their groundbreaking work in furniture, architecture, exhibitions, graphic design, toys and film. Their molded plywood chair was called ‘the chair of the century’ by the famous architecture critic Esther McCoy. Through models, material studies, prototypes and production examples of the Eames estate held at the Vitra Design Museum, this publication reconstructs the genesis of the most relevant furniture designs by Charles and Ray Eames and sheds light on their influence on the development of new and innovative materials.

New insights into the thought processes and work practices of this legendary couple are revealed, designers whose work was driven by philosophical ideals that privileged knowledge, discovery and discipline, and embraced the potential of technology and science for the common good.

Mateo Kries is the Director of the Vitra Design Museum.

Jolanthe Kugler is a curator at the Vitra Design Museum.

£45.00 Hardback ISBN 978 3 945 852200 September 300pp 24.0 x 16.0 cm 350 illustrations

Vitra Design Museum

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Architecture

Junya Ishigami

£30.00 Hardback ISBN 978 2 869 251380 December 96pp 42.0 x 30.0 cm 70 illustrations

Fondation Cartier pour l’art contemporain

Junya Ishigami (b. 1974) established his architecture practice junya.ishigami+associates (Tokyo) in 2004. Some of his large-scale projects include the Kanagawa Institute of Technology (Japan); the restoration of Moscow’s Polytechnic Museum and its transformation into a garden-museum; and the design of the House of Peace for the city of Copenhagen. In his architectural works, which he compares to clouds, landscapes or forests, Ishigami eliminates the boundaries between exterior and interior space. He draws inspiration from nature, lending a dreamlike quality to his work.

This book accompanies Ishigami’s exhibition at the Fondation Cartier pour l’art contemporain, Paris, which reveals, on an unprecedented scale, his latest research into freedom, fluidity and the future of architecture. It traces the genesis of the project, and includes photographs, drawings, models, and all the poetry of the work of Ishigami.

Junya Ishigami is a Japanese architect.

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Architecture

Neues Museum Berlin David Chipperfield Architects in collaboration with Julian Harrap Photographs by Candida Höfer This book documents David Chipperfield’s most important project to date: the Neues Museum, centrepiece of the Berlin Museumsinsel.

Photographs by Candida Höfer, perfectly reproduced in the book as matt colour plates, show the rooms after their completion and before they were furnished. Höfer’s photographs are complemented by texts from well-known architects, architectural historians and art historians: Kenneth Frampton responds to Chipperfield’s architectural interventions, and Joseph Rykwert describes the fragmented history ‘of which this building is evidence, thanks to its manifold layers’. An interview with David Chipperfield by Wolfgang Wolters discusses the problems and questions that the restoration posed, and Thomas Weski takes a closer look at Candida Höfer’s photography.

A chronology offers an overview of the history of the building, the request for proposals for its reconstruction and the restoration itself.

David Chipperfield established his eponymous architectural practice in 1984.

The practice has won over forty competitions and many international awards and citations for design excellence, including RIBA, RFAC & AIA awards and the Stirling Prize 2007.

£38.00 Paperback ISBN 978 3 865 607041 October 288pp 24.0 x 17.0 cm 176 illustrations

Walther König

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Architecture

Amunt 2G #75 Texts by Amunt, Christian Holl and Moritz Küng

£39.95 Flexibound ISBN 978 3 960 980278 September 160pp 30.0 x 23.0 cm c. 140 illustrations

Walther König

Also available:

£29.95 Flexibound 978 3 863 358723

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£35.00 Flexibound 978 3 863 359348

The latest in the 2G Architecture series focuses on the German based practice Amunt, winners of the German Architecture Prize in 2013. Amunt started in 2009 as a collaboration between Björn Martenson (1966), Sonja Nagel (1972) and Jan Theissen (1972), with independent offices in Aachen and in Stuttgart. The JustK House in Tübingen was their first joint project. Among other prizes, they have been awarded the Weißenhof-Architekturförderpreis for Young Architects in 2010, the Hugo-Häring-Prize in 2011, and the German Architecture Prize in 2013. Their JustK project won first prize at the international AR-Awards in 2011, and their Schreber project – the renovation and extension of a miner’s house – was presented in the German Pavilion at the 2012 Venice Architecture Biennale as part of the Reduce/Reuse/Recycle exhibition. Amunt 2G offers insight into their multifaceted work.

Christian Holl writes widely on architecture. Moritz Küng is an exhibition curator and book editor.

Architecture / History

Dwelling Five Years’ Work on the Problem of Housing Moisei Ginzburg Moisei Ginzburg (1892–1946) was the founder of the Organisation of Contemporary Architects (OSA) group and lead architect behind the first Constructivist building ever built – the Narkomfin building in Moscow (completed in 1932), which is currently being restored by the architect’s grandson, Alexei Ginzburg. As part of this project, Ginzburg Design Ltd has initiated the publication of Moisei’s four seminal works on architecture and the built environment. The third of these, Dwelling, is now published in English for the first time, in a facsimile of the original Russian edition. Published in 1934, Dwelling was written just two years after the completion of the Narkomfin building and provides a fascinating insight into the architect’s ideas about creating new housing for the socialist city, communal living and the use of new materials and technologies.

Moisei Ginzburg was an architect, theorist, teacher and a leader of the Constructivist group in Soviet avant-garde architecture.

£29.95 Hardback ISBN 978 1 906 257255 September 200pp 29.0 x 21.0 cm 238 illustrations

Fontanka

1917: The Year that Changed the World The Russian Revolution through Eyewitness Accounts Mikhail Zygar • Editors: Karen Shainyan, Andrey Borzenko, Mikhail Degtyarev, Serafim Orekhanov, Yuri Saprykin and Victoria Malyutina Here is a dramatic and compelling account of Russia’s revolutionary year as told by those who lived through it. The book consists entirely of primary sources, taken from letters, memoirs, diaries and other documents of the period, accompanied by remarkable images, many previously not published. The story is told through several chapters that reveal the ebb and flow of events over the year, from increasing disillusionment with the monarchy to revolutionary fervour after the abdication of Nicholas II, then the gradual unravelling of the Provisional Government, and eventually the ‘Great October’ that brought the Bolsheviks to power. There were many who thought that Russia’s second revolution would also be short-lived, but it was the decisive moment in a year that influenced the entire course of the 20th century, as this book vividly demonstrates.

Mikhail Zygar, founder and director of Project1917, is a journalist and former editor-in-chief of the only independent TV station in Russian, TV Rain (Dozhd).

£25.00 Hardback ISBN 978 1 906 257279 November 208pp 29.0 x 22.0 cm 150 illustrations

Fontanka

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Photography

Soviet Bus Stops Volume II Christopher Herwig • Editors: Damon Murray and Stephen Sorrell

£19.95 Hardback ISBN 978 0 993 191183 September 192pp 16.0 x 20.0 cm 160 illustrations

FUEL

Christopher Herwig has an insatiable appetite for ‘Soviet Bus Stops’.

After the popular and critical success of his first book, Herwig has returned to the former Soviet Union to hunt for more. In this second volume, as well as discovering new stops in the remotest areas of Georgia and Ukraine, Herwig turns his camera to Russia itself.

The diversity of architectural approaches is staggering: juxtaposed alongside a slew of audacious modern and brutal designs, there are bus stops shaped as trains, birds, light bulbs, rockets, castles, even a bus stop incorporating a statue of St George slaying the dragon.

A foreword by Owen Hatherley examines the government policy that allowed these ‘small architectural forms’ to flourish. He explains how they reflected Soviet values, and how ultimately they remained – despite their incredible individuality – far-flung outposts of Soviet ideology. An essential companion to the first volume, this book provides a valuable document of these important and previously overlooked constructions.

Christopher Herwig is a Canadian photographer and videographer.

Owen Hatherley is a British writer and journalist who writes primarily on architecture, politics and culture.

Also available:

£19.95 Hardback 978 0 993 191107

£19.95 Hardback 978 0 956 896292

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£19.95 Hardback 978 0 993 191152

£19.95 Hardback 978 0 956 896285

£18.95 Hardback 978 0 993 191114

£12.95 inc VAT Paperback 978 0 993 191145

£19.95 Hardback 978 0 955 862076

£19.95 Hardback 978 0 955 006128

£19.95 Hardback 978 0 955 006197

£18.95 Hardback 978 0 956 896278

Also available:

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Photography

Looking for Lenin Niels Ackermann and Sébastien Gobert Edited by Damon Murray and Stephen Sorrell

£19.95 Hardback ISBN 978 0 993 191176 July 176pp 16.0 x 20.0 cm 90 illustrations

FUEL

The most dramatic demonstration of Ukraine’s determination to achieve decommunization is the phenomenon of Leninopad (Lenin-fall) – the toppling of Lenin statues. In 2015 the Ukrainian parliament passed legislation banning these monuments as symbols of the obsolete Soviet regime. From an original population of 5500 in 1991, today not a single Lenin statue remains standing in Ukraine.

Niels Ackermann and Sébastien Gobert have scoured the country in search of the remains of these toppled figures. They find them in the most unlikely of places: Lenin inhabits gardens, scrap yards and store rooms. He is cut into pieces; daubed with paint in the colours of the Ukrainian flag; transformed into a Cossack or Darth Vader… Despite these attempts to reduce their status, the statues retain a sinister quality, resisting all efforts to separate them from their history.

These compelling images are combined with witness testimonies that reveal how Ukrainians perceive their country, and how they are grappling with their Soviet legacy to conceive a new future.

Niels Ackermann is a photojournalist and founding member of the photography agency Lundi13. Sébastien Gobert is a Ukraine-based correspondent for various media.

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Photography

Holidays in Soviet Sanatoriums Maryam Omidi • Editors: Damon Murray and Stephen Sorrell Originally conceived in the 1920s, Soviet sanitoriums afforded workers a place to holiday, courtesy of a state-funded voucher system. At their peak they were visited by millions of citizens across the USSR every year. A combination of medical institution and spa, the sanatoriums are among the most innovative buildings of their time. Sanatorium breaks were intended to edify and strengthen visitors – health professionals carefully monitored guests throughout their stay, so they could return to work with renewed vigour.

While today some sanatoriums are in critical states of decline, many are still fully operational and continue to offer their Soviet-era treatments to visitors. Using specially commissioned photographs by leading photographers of the post-Soviet territories, and texts by sanatorium expert Maryam Omidi, this book documents over thirtynine sanatoriums and their unconventional treatments. From Armenia to Uzbekistan, it represents the most comprehensive survey to date of this fascinating and previously overlooked Soviet institution.

£19.95 Hardback ISBN 978 0 993 191190 September 192pp 16.0 x 20.0 cm 200 illustrations

FUEL

Maryam Omidi was the Features Editor of The Calvert Journal. She has been published in the Guardian, the Wall Street Journal and Reuters.

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Children’s

The Story of Synko-Filipko and other Russian Folk Tales Louise Hardiman, Frank Althaus and Mark Sutcliffe

£12.00 Hardback ISBN 978 1 906 257262 September 64pp 25.0 x 19.0 cm 11 illustrations

Fontanka

Also available:

£12.00 Hardback 978 1 90 6257149

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Russian folk tales have a timeless, slightly unworldly quality that children, and those who read to them, find particularly appealing.

This is Fontanka’s second book of folk tales with illustrations by the artist Elena Polenova, with stories that are possibly even more beguiling than those in Why the Bear. The same team that produced the first book is responsible for Synko-Filipko too: the translator Dr Louise Hardiman, the descendent of the artist, Natalia Polenova, and the designer Christoph Stolberg. The book is designed to be a companion to the first, with the same quarter binding, and individually coloured chapters.

Elena Polenova, sister of the landscape artist Vasily Polenov, was a leading figure in the Russian craft revival in the 1890s. She took traditional folk patterns and developed them into fashionable designs for handmade wooden furniture which was produced by rural people and sold in Moscow boutiques.

She was also a talented watercolourist, textile designer and illustrator of children’s fairy-tales. She died in 1898 aged 48. Louise Hardiman is an art historian and specialist in Russian art, design and culture.

Children’s

Big Cats, Little Cats A Visual Guide to the World’s Cats Jim Medway and Mark Fletcher Big cats, little cats, bob-tailed cats, long-tailed cats, smooth cats, skinny cats, funny cats, scary cats, wild cats... Here they all are in their furry, fanged and clawed glory. The second title in the Big & Little series, this large-format, illustrated children’s book brings together in one volume every domestic cat breed in the world alongside coloured drawings of rare wild cats and the well-known big cats. It also features both a charming kitten identifier and a cub identifier, and an extensive cat index gives the reader fun facts about every breed and species featured. This is a great new reference guide for all the family that will make your little children cat experts!

Jim Medway has illustrated numerous books, including The Land of the Frontiebacks: A Curious Alphabet of Confused Creatures (winner of the Children’s Book of the Year, 2014, Junior Magazine) and Turvytops: A Really Wild Island. His previous book was Big Dogs, Little Dogs.

£12.99 Hardback ISBN 978 0 957 471795 October 32pp 35.0 x 28.0 cm 200 illustrations

Eight Books

Also available:

£12.99 Hardback 978 0 957 471764

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Also available:

42

Fashion

GingerNutz The Jungle Memoir of a Model Orangutan Illustrated by Michael Roberts • Afterword by Grace Coddington Michael Roberts’s charming text and hand drawn illustrations tell the story of GingerNutz, an orangutan born in the wilds of Borneo who has dreams of making it big in the fashion world. One day while playing on the beach, the ten year old GingerNutz finds a bottle washed up on the shore containing a copy of Vogue magazine.

Entranced by its glamorous images, the precocious primate sets her mind to becoming a high fashion model. Unlikely as it may seem, she encounters other likeminded jungle creatures – the creative orangutan duo Dolce and Grubbana, a haughty and chic silverback gorilla – who together create their own hyper-stylish coterie, and GingerNutz fulfils her dream of sashaying down the runway. The story of GingerNutz was inspired by Grace Coddington, the longtime creative director of American Vogue and a close friend of the author. The book contains 65 hand drawn illustrations that vividly depict the colourful Bornean fashion community.

Michael Roberts is the fashion and style director of Vanity Fair.

Grace Coddington is the creative director of American Vogue.

£22.00 Hardback ISBN 978 0 998 701806 September 80pp 23.5 x 17.1 cm 65 illustrations

Distributed Art Publishers

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Music

Freedom, Rhythm & Sound Revolutionary Jazz Original Cover Art 1965–83 Gilles Peterson and Stuart Baker ‘A remarkable book’ The New Yorker ‘Like the uncompromising music they represent, all the covers broadcast a sense of bold, brazen ideology’ Pitchfork ‘Preserves the memory of a special time’ Guardian £30.00 Flexibound ISBN 978 0 957 260061 July 192pp 29.7 x 29.7 cm 400 illustrations

This new flexibound edition of Soul Jazz Records’ classic publication is published to coincide with the exhibition ‘Soul of a Nation: Art in the Age of Black Power 1963–83’, showing at Tate Modern from July to October 2017. It remains the definitive collection of cover artwork for revolutionary jazz released in the USA in the 1970s.

Soul Jazz Books

Gilles Peterson is a BBC Radio presenter, internationally respected DJ and head of his own Brownswood Recordings. Stuart Baker is the founder and owner of Soul Jazz Records.

‘Revolutionary … a chance to wallow in the Afrocentric visual language of the non-mainstream black jazz vinyl of this extraordinary fertile and creative period.

A welcome addition to the canon of music design’ Eye Magazine

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Music

Dancehall The Rise of Jamaican Dancehall Culture Beth Lesser ‘Lesser’s book is a vibrant anthology of all that mattered; the soundsystems, singers, producers, singers and deejays’ Guardian ‘Features Dancehall and all its luminaries, with a back-drop of bass bins, heat-hazed colour and excellent knitwear, plus interviews, biographies and diversions into the music’s development’ MOJO From its roots in Kingston in the 1950s to its heyday in the 1980s, Dancehall has conquered the globe. This definitive study and essential guide to Jamaican Dancehall in the 1980s features hundreds of exclusive photographs with accompanying text, interviews and biographies. With unprecedented access to the incredibly vibrant music scene during this period, it provides a unique way in to a previously hidden part of Jamaican culture.

£30.00 Flexibound ISBN 978 0 957 260085 October 216pp 29.7 x 29.7 cm 400 illustrations

Soul Jazz Books

Beth Lesser is a noted music writer. In the early 1980s, as Jamaica was in the throes of political and gang violence, she ventured where few others dared, and produced this book – a unique record of the exciting, dangerous and vibrant world of Dancehall.

‘This superb book of Beth Lesser’s photographs, supplemented by her emphatic text and wonderful candid interviews with many of the main players gives us a unique view straight to the heart of dancehall reggae.’

Steve Barrow, author of The Rough Guide to Reggae

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Illustrated Travel

Sicily Sketchbook Illustrations by Fabrice Moireau and Edith de la Heronniere

£22.50 Hardback ISBN 978 9 814 610506 October 92pp 24.4 x 28.0 cm 120 illustrations

Editions Didier Millet

Overlooked by Etna – the highest volcano in Europe – Sicily, the largest island in the Mediterranean, has always excited interest because of its strategic position and rich land. Over the centuries, Sicily has come under various rulers and has had a fertile history: Carthaginian, Greek, Roman, Norman, Byzantine and now Italian.

It is a model of architectural diversity and cosmopolitanism, with Roman villas, baroque palaces, medieval castles and Islamic vestiges.

This book proudly unveils the many facets of Sicily, through its architecture as well as scenes from daily life. Fabrice Moireau spent weeks walking the landscapes of Sicily with his palette and his brushes to depict this land of mountains and lava, of sand and grapevine.

Fabrice Moireau has illustrated many publications in Editions Didier Millet’s Sketchbook series, including Paris Sketchbook, Rooftops of Paris, Loire Valley Sketchbook, Provence Sketchbook, Venice Sketchbook and New York Sketchbook.

Also available:

£22.50 Hardback 978 9 814 068116

£22.50 Hardback 978 9 814 155052

£22.50 Hardback 978 9 814 610025

£22.50 Hardback 978 9 814 610216

£22.50 Hardback 978 9 814 260435

£22.50 Hardback 978 9 814 155083

£22.50 Hardback 978 9 814 068123

£22.50 Hardback 978 9 814 217064

£22.50 Hardback 978 9 814 217675

£22.50 Hardback 978 9 814 068338

£22.50 Hardback 978 9 814 385589

£22.50 Hardback 978 9 814 217521

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Craft

Urban Potters Makers in the City Katie Treggiden • Edited by Ruth Ruyffelaere and Micha Pycke Clay is back: the age-old craft of ceramics is being embraced by a new generation of urban makers and collectors. Katie Treggiden explores the contemporary revival of pottery, focusing on six inspiring cities and their makers. More than thirty young and passionate ceramicists in New York, London, Tokyo, Copenhagen, Sydney and Sao Paulo introduce us to their work, their studios and their inspiration. Urban Potters will appeal to a broad audience – not only those who practice pottery themselves, but anyone who is interested in the handmade. The book also includes a practical source list of places to buy handmade ceramics in the six cities featured.

Katie Treggiden is the author of The Makers of East London and of The Residents: Inside the Iconic Barbican Estate. She is also the founder of Fiera, the magazine discovering new talent at world’s design fairs, and of the UK’s leading online magazine for product and furniture design, Confessions of a Design Geek.

£30.00 Hardback ISBN 978 9 491 819704 September 228pp 26.5 x 21.5 cm 250 illustrations

Ludion

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Photography

Martial Martial Cherrier

£30.00 Hardback ISBN 978 8 869 657054 July 96pp 28.0 x 20.0 cm 50 illustrations

Contrasto

‘I create my body and its image, therefore I am. Ecce Homo’ Martial Cherrier

Published on the occasion of the exhibition at the Maison européenne de la photographie, this new book by renowned French photographer Martial Cherrier presents his new series Body ergo sum.

For years, Cherrier’s body and body image have been as one.

The bodybuilder’s body, images of bodybuilding – one body, multiple images. Having depicted the body in its glorified, evolving, damaged and aging state, he has created a new aesthetic – an aesthetic situated in the environment of dreams and imagery from his youth.

His self-portrait is complex, composite, contextual, conditioned.

Like Nietzsche’s superman, Martial Cherrier invents a world shaped by the desire to worship a glorious and deified body.

Martial Cherrier (b. 1968) has lived and worked in Paris since 1991.

He was the bodybuilding champion of France in 1997. Cherrier’s powerful photographic and video work reflects on his career as a professional bodybuilder and the notion of the body within contemporary society, resulting in an uncensored art that blends with his life.

Last Night in Sweden Petter Karlsson

£18.00 Hardback ISBN 978 9 171 264305 October 160pp 22.0 x 24.0 cm 80 illustrations

Max Ström

Plenty of ‘alternative facts’ about Sweden have been shared recently, most notably when, in February, Donald Trump made a headscratching reference to ‘what happened last night in Sweden’. Many of the opinions shared about Sweden are fuelled by ignorance or form the basis of a hidden agenda, and come from people who have never been to Sweden.

Swedish photographers now want to set the record straight – telling the true story of what really happened in Sweden last night.

A collection of brilliant, diverse and award-winning photo-journalists have been commissioned to document everyday life all over Sweden.

The photos encapsulate a true and candid Sweden, and include all the little moments that rarely make the news.

Petter Karlsson is an award-winning writer with more than 30 books to his name. He is best-known for humorous and precise narratives on everyday life.

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Photography

Nick Veasey: Inside Out Nick Veasey ‘We live in a world obsessed with Image. What we look like, what our clothes look like, houses, cars… I like to counter this obsession with superficial appearance by using x-rays to strip back the layers and show what it is like under the surface. Often the integral beauty adds intrigue to the familiar. We all make assumptions based on the external visual aspects of what surrounds us and we are attracted to people and forms that are aesthetically pleasing. I like to challenge this automatic way that we react to just physical appearance by highlighting the, often surprising, inner beauty’ Nick Veasey

Human activity and everyday objects are shown in an entirely new light in this highly unusual photo book. Nick Veasey uses X-ray technology to depict daily life and the result is amusing, overwhelming – and sometimes slightly disturbing. While most artists claim to delve beneath the surface of their subjects, none has got to the core of our being in quite the way that Nick Veasey has managed.

£19.95 Hardback ISBN 978 9 171 264268 October 128pp 22.0 x 25.0 cm 80 illustrations

Max Ström

Nick Veasey is a British photographer working primarily with images created from X-ray imaging. He won many awards, and his work has been exhibited internationally.

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Photography

Being There Paul Hansen

£50.00 Hardback ISBN 978 9 171 264220 September 304pp 29.0 x 23.0 cm Illustrated throughout

Max Ström

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Paul Hansen is one of Scandinavia’s most experienced photojournalists. He has a unique ability for connecting with the people he depicts. No other Swedish photographer has ever received so many awards – including being named World Press Photo of the Year winner, Photographer of the Year by POYi in 2010 and 2012, Photographer of the Year in Sweden eight times, and two first place awards from NPPA. This book is the first major retrospective of his work, covering conflicts and disasters around the world, from Ukraine and northern Africa to the Middle East and Haiti. This heartfelt photonarrative presents almost 200 of his very best images.

Paul Hansen is a photographer for Dagens Nyheter, the largest morning newspaper in Scandinavia. He lives in Stockholm, but travels the world constantly.

Photography

Natten Margot Wallard In 2012 Margot Wallard moved to Sweden with her partner, the photographer JH Engström, to a hamlet in the back of beyond.

Experiencing an overwhelming need to turn the lens on herself, she took refuge in nature and started a new project Natten.

The forest became a place of resistance, somewhere where she could give free rein to that part of herself that does not cheat.

Long exposures gave the shutter sufficient time to etch onto the film the movements of the soul. Besides being her own model, she scanned the things around her – animal, vegetable or mineral. By using the means of recording reality in its purest expression, she found a different way of coming to grips with it. The space she leaves between the camera and herself is also the space she puts between the spectator and her image. The project was exhibited in Landskrona Foto Festival, Sweden and also shortlisted for The Source-Cord Prize in 2014.

Margot Wallard has published several books, including three with her partner JH Engström. In 2012 they founded the Atelier Smedsby, a one-year workshop based in Paris that drew participants from all over the world.

£40.00 Hardback ISBN 978 9 171 264169 September 240pp 26.0 x 19.5 cm Illustrated throughout

Max Ström

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Photography

Robert Adams: An Old Forest Road Edited by Thomas Zander Text by Henry David Thoreau and W.S. Merwin

£40.00 Hardback ISBN 978 3 960 981237 October 72pp 25.4 x 19.0 cm 31 illustrations

Walther König

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The subject of Robert Adams’ latest book is a little-visited forest reserve near the photographer’s home in Oregon. Sunlight plays a pivotal role in this sequence of pictures, as it pierces through the canopies of branches and leaves to reveal the hidden shapes and structure of the forest and the well-trodden path ahead. Shadows, too, are prominent in these images, adding gentle drama and contrast; they occlude the way forward, rendering it a portal to a destination unknown. These photographs, made between 2012 and 2013, constitute a lyrical meditation on walking and the natural world.

Thomas Zander is the owner of the Galerie Thomas Zander in Cologne.

Photography

Manhattan Transit The Subway Photographs of Helen Levitt Edited by Marvin Hoshino and Thomas Zander In 1938, Helen Levitt (1913–2009) accompanied Walker Evans on a project to photograph passengers on the New York subway. Soon she was taking her own pictures. More empathetic and informal than Evans, Levitt’s finest photographs are the product of her willingness to participate as a fellow citizen, not as a photographer setting herself apart. The disarming ease of Levitt’s pictures quickly accrues into an undeniably singular attitude to both the medium and the world. Around 1978 – four decades after her first foray – Levitt returned to the New York subway, by which time public behaviour on the subway was visibly less formal. She seems to have picked up exactly where she had left off in 1938, but in general her photography was even less restricted, more in keeping with her looser street photographs. This is the most comprehensive publication of Helen Levitt’s photographs from the New York subway, many of which are published here for the first time.

£40.00 Hardback ISBN 978 3 960 981220 October 84pp 20.9 x 24.1 cm 51 illustrations

Walther König

Marvin Hoshino, Professor in the Fine Arts department at CUNY Queens College, New York, was a close friend of Helen Levitt’s. Thomas Zander is the owner of the Galerie Thomas Zander in Cologne.

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Photography

The Picture Collection Taryn Simon • Text by Tim Griffin

£110.00 Hardback ISBN 978 2 851 171030 November 404pp 33.6 x 25.4 cm 245 illustrations

Cahiers d’Art

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This book presents Taryn Simon’s photographs of and material sourced from the New York Public Library’s image archive, exquisitely presented as mounted and tipped-in plates.

Taryn Simon meticulously re-sorted the Library’s archive, pulling out images from various categories to reveal the often arbitrary ways humans categorize images. She photographed over 200 documents and letters of correspondence about the library’s operations, dramas and inner workings. This publication also offers a new perspective on some of the great 20th-century artists, as she responds to previously unseen archival material, photographs and correspondence by such artists as Diego Rivera, Lewis Hine, Paul Strand and Walker Evans. It includes an essay by Tim Griffin, former editor of Artforum magazine and current Executive Director and Chief Curator at The Kitchen, New York.

Taryn Simon is a multidisciplinary artist who works in photography, text, sculpture, and performance.

Photography

William Henry Fox Talbot and the Promise of Photography Dan Leers • Contributions by Larry Schaaf This beautiful publication serves as a primer on the work of William Henry Fox Talbot, a true interdisciplinary innovator who drew on his knowledge of art history, botany, chemistry and optics to become one of the inventors of photography in 1839. Talbot’s ‘photogenic drawings’ (photograms), calotypes and salted paper prints are some of the first ever examples of images captured on paper. Accompanying an exhibition at Carnegie Museum of Art in Pittsburgh opening in November 2017, this book brings together approximately thirty photographs by Talbot, some of which have never been published.

Through thematic groupings elucidated by noted Talbot scholar Larry Schaaf, the book reveals the photographer’s early striving to test the boundaries of his medium at a historic moment when art and science intersected.

Dan Leers is Curator of Photography at the Carnegie Museum of Art, Pittsburgh. Larry J. Schaaf is the Director of the William Henry Fox Talbot Catalogue Raisonné.

£19.95 Hardback ISBN 978 0 880 390606 November 96pp 26.7 x 21.3 cm 40 illustrations

Distributed Art Publishers

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Photography

Autophoto Edited by Xavier Barral and Philippe Séclier Text by Clément Chéroux, Marc Desportes, Simon Baker, Nancy W. Barr and Pascal Ory

£40.00 Hardback ISBN 978 2 869 251311 July 464pp 26.0 x 21.0 cm 600 illustrations

Distributed Art Publishers

Since its invention, the automobile has reshaped our landscape, extended our geographic horizons and radically altered our conception of space and time, influencing the practice of photographers worldwide. Autophoto shows how the car provided photographers with new subject matter and a new way of exploring the world. It brings together 500 works made by 100 artists from around the world, including Jacques-Henri Lartigue, Man Ray, Lee Friedlander and Jacqueline Hassink. Capturing formal qualities such as the geometric design of roadways or reflections in a rear-view mirror, these photographers invite us to look at the world of the automobile in a new way. Autophoto also includes other projects such as a series of car models that cast a fresh eye on the history of automobile design, plus a history of automobile design and photography, essays by scholars and quotes by participating artists.

Nancy W. Barr is Curator of Photography Detroit Institute of Arts, Detroit.

Clément Chéroux is Chief Curator at the San Francisco Museum of Modern Art. Simon Baker is a curator at Tate Modern. Xavier Barral is a publisher.

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Picture credits Front cover image Luciano Rigolini, Tribute to Giorgio de Chirico, 2017 Appropriation (unknown photographer, 1958) © Luciano Rigolini From Autophoto, page 52

Erotic Art Show. 1981. The Museum of Modern Art, New York; Kenny Scharf.

p2 Clockwise from top left: Knit Aran Style Woolen Jumper. 1942. Image © National Museum of Ireland

p10 Cai Guo-Qiang, The Century with Mushroom Clouds: Project for the 20th Century (Looking toward Manhattan), 1996 Photo by Hiro Ihara, courtesy Cai Studio

Waist overall “Spur Bites” circa 1890, courtesy Levi Strauss & Co. Archives; Repetto (Est. 1947) Red Ballet Flats. 2010. Image © 2017 Bata Shoe Museum, Toronto, Canada. Photo by Tanya Higgins and Fiona Rutka White T-shirt. Image courtesy Shutterstock/ SFIO CRACHO; Christian Dior Two Piece Evening Dress (Bodice and Skirt). ca.1950. Image © Indianapolis Museum of Art, 2017. Gift of Eleanore R. Carruth

I’m Off. 1979. Collection Bruno Testore Schmidt © Kenny Scharf, courtesy Honor Fraser Gallery, Los Angeles

p11 Josef Albers Variant/Adobe, Orange Front, 1948-58 Oil on Masonite, 59.6 × 68.5 cm The Solomon R. Guggenheim Foundation, Gift, The Josef and Anni Albers Foundation in honor of Philip Rylands for his continued commitment to the Peggy Guggenheim Collection (97.4555) © 2017 The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York

p3 from top to bottom: © 2017 Kristin-Lee Moolman & IB Kamara; © 2017 Catherine Losing

p12-13 All images from: Leonard A. Lauder Postcard Archive Eugen Bracht, London Surrounded, 1914–15 American Millionaire, about 1900 Liberty! Equality! Fraternity!, before 1923 Keep ‘em Flying, 1941 German Storm Surge, about 1914

p4 Canto XXXI: The Central Pit of Malebolge, the Giants. 1959–60. Solvent transfer drawing, colored pencil, gouache, and pencil on paper, 14 1/2 x 11 1/2 in. (36.8 x 29.2 cm). The Museum of Modern Art, New York.

Given anonymously © Robert Rauschenberg Foundation, New York.

p14 Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864) Ryôgoku Bridge in the Eastern Capital: Illustration of the Prosperity of the River Opening, 1858 Woodblock print; ink and color on paper 36 x 74.5 cm (14 3/16 x 29 5/16 in.)

p5 Untitled, from the portfolio, Ode à ma mère.

1995. Drypoint. Sheet: 11 13/16 x 11 13/16” (30 x 30 cm). The Museum of Modern Art, New York. Gift of the artist. © 2017 The Easton Foundation/Licensed by VAGA, NY.

p15 Toyohara Kunichika (Japanese, 1835–1900) Actors Kawarazaki Gonjūrō I as Takaramusubi no Gon (right), Ichimura Uzaemon XIII as Tachibana Hishizō (center), and Nakamura Shikan IV as Sanba Jafuku (left), in Unity of Three Happinesses: Favorite Actors before a White Waterfall, 1863 Woodblock print; ink and color on paper 35 x 73.6 cm (13 3/4 x 29 in.)

Museum of Fine Arts, Boston William Sturgis Bigelow Collection, 11.41572a–c Museum of Fine Arts, Boston Source unidentified, 1999.184a-c

Adidas Superstar, ca. 1983. Courtesy Adidas Archives.

Spiral Woman. 2003. Drypoint and engraving.

Sheet: 17 x 15” (43.2 x 38.1 cm). The Museum of Modern Art, New York. Gift of the artist. © 2017 The Easton Foundation/ Licensed by VAGA, NY. p7 Illustration for Yayoi Kusama: From Here to Infinity © 2017 Ellen Weinstein p8 Julia Margaret Cameron (British, 1815–1879).

Untitled. c. 1867. Albumen silver print, 13 3/16 × 11” (33.5 × 27.9 cm). The Museum of Modern Art, New York. Gift of Shirley C. Burden p9 John Sex. Acts of Live Art. 1980. The Museum of Modern Art, New York; John Sex.

p16 Canaletto (Giovanni Antonio Canal) (Italian (Venetian), 1697–1768) Bacino di San Marco, Venice, about 1738 Oil on canvas 124.5 x 204.5cm (49 x 80 1/2 in.)

Museum of Fine Arts, Boston Abbott Lawrence Fund, Seth K. Sweetser Fund, and Charles Edward French Fund, 39.290

p17 George John Pinwell A seat in St James’s Park 1869 (detail) p24 Le vent de l’amour 2014, 41 x 31cm © pascALEjandro p56 William Eggleston, Untitled Los Alamos Series, 1965-1974 © William Eggleston From Autophoto (Éditions Xavier Barral, Fondation Cartier pour l’art contemporain, 2017) p57 Bernard Plossu, On the Acapulco road, Mexico Le Voyage mexicain series, 1966 © Bernard Plossu From Autophoto (Éditions Xavier Barral, Fondation Cartier pour l’art contemporain, 2017) William Eggleston, Untitled Los Alamos Series, 196-1974 © William Eggleston From Autophoto (Éditions Xavier Barral, Fondation Cartier pour l’art contemporain, 2017)

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