The Pill L
ong before Carrie Underwood was singing about taking a Louisville slugger to a cheating boyfriends’ headlights and Miranda Lambert was singing about a special delivery of gunpowder and lead, Loretta Lynn was raising a ruckus with her own defiant lyrics. And she wasn’t just warning a tomcatting husband with songs like “Don’t Come Home A-Drinkin’ (With Lovin’ on Your Mind)” either. The Country Music Hall of Fame member was also putting ambitious ladies in their place with “You Ain’t Woman Enough (To Take My Man)” — as well as empowering them in the controversial birthcontrol anthem “The Pill.” While Lynn didn’t write all her lyrics, she sure delivered them like she did.
by Loretta Lynn
As feminist anthems go, 1975's "The Pill" is a doozy because it's as funny as it is cutting. Lynn sings as a protagonist who's fed up with getting pregnant, while her no-account husband is still out playing around, so she scores some birth control, declares that it's his turn to watch the kids and steps out herself.
SONG FACTS
The lyrics celebrated the freedom that the advent of the birth control pill afforded to married women who didn't want to have more kids, and while the lyrics were not particularly salacious, 60 country radio stations across the country banned the song for its theme as the conservative country music scene still wasn't ready for a song celebrating the use of contraception. Doctors were grateful to Lynn as the song introduced the availability of the pill to women living in rural areas. Many country stations pulled the song from their playlists, and it stalled at #5. But controversy breeds curiosity and curiosity boosts record sales, so the song became Lynn's highest-charting single on the pop chart at #70. The singer couldn't understand what the fuss was all about. She explained: "I didn't
FOOD, WINE & ISLAND TIMES understand that because everybody was taking the pill. I didn't have the money to take it when they put it out, but I couldn't understand why they were raising such a fuss over taking the pill." Although it was written by a team of songwriters, Lorene Allen, Don McHan, and T. D. Bayless, Lynn could certainly relate to the narrator who is sick of having babies left and right and is "makin' up for all those years, since I've got the pill." By the time she was 19, Lynn had three children and would give birth to three more, including a set of twins, just as the pill was gaining traction by 1964. She told People magazine: "If I'd had the pill back when I was havin' babies I'd have taken 'em like popcorn. The pill is good for people. I wouldn't trade my kids for anyones. But I wouldn't necessarily have had six and I sure would have spaced 'em better." Unbeknownst to Lynn at the time, she was almost banned from singing this at the Grand Ole Opry. She recalled in an interview with Playgirl Magazine: "You know I sung it three times at the Grand Ole Opry one night, and I found out a week later that the Grand Ole Opry had a three-hour meeting, and they weren't going to let me [sing it] … If they hadn't let me sing the song, I'd have told them to shove the Grand Ole Opry!" Lynn performed this on Dolly Parton's variety show, Dolly, in 1988, and on Roseanne Barr's talk show, The Roseanne Show, in 1998. This is the first popular English-language song about birth control. "This old maternity dress I've got is going in the garbage/The clothes I'm wearing from now on won't take up so much yardage/ Miniskirts, hot pants and a few little fancy frills/Yeah, I'm making up for all those years since I've got the pill"
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