2018 Spring Program by The Center for the Performing Arts

APPLAUSE! March-April 2018 Official Program

MUSICAL SIBLINGS

Though not blood relatives, Nick Ziobro and Julia Goodwin have grown up together performing the Great American Songbook MORE ON PAGE 26

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CONTENTS WELCOME...........................................................................................................5 PERFORMANCE PROGRAMS

E L E V A T E YOUR NEXT EVENT

RONNIE MILSAP..............................................................................................8

HOWARD JONES ..........................................................................................11

STAATSKAPELLE WEIMAR ORCHESTRA.......................................................14

PAUL GALBRAITH...........................................................................................24

FEATURE: NICK & JULIA...............................................................................26

CELTIC NIGHTS..............................................................................................30

PINK MARTINI................................................................................................31

"WEIRD AL" YANKOVIC.................................................................................32

BRIAN CULBERTSON.....................................................................................34

MICHAEL FEINSTEIN WITH NICK ZIOBRO & JULIA GOODWIN ..............36

ITZHAK PERLMAN.........................................................................................39

2017-18 SEASON LISTING...........................................................................12 ABOUT THE CENTER.......................................................................................40 PATRON SERVICES & AMENITIES........................................................42-43 BOX OFFICE......................................................................................................44 CONTACT US.....................................................................................................45 ABOUT THE SONGBOOK FOUNDATION................................................47 CENTER BOARD OF DIRECTORS & STAFF..........................................50-51 CENTER ANNUAL PARTNERS................................................................52-56

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DEAR FRIENDS, As winter passes into the rearview mirror, we can look forward to spring blooms and a fantastic range of events on the Center for the Performing Arts campus. Our Center Presents concert calendar runs the gamut, from the classic country of Ronnie Milsap to the classical virtuosity of Itzhak Perlman; from the MTV memories of Howard Jones and “Weird Al” Yankovic to the international flair of Celtic Nights and Pink Martini; from the 500-year history of the Staatskapelle Weimar Orchestra to the youthful energy of Nick Ziobro and Julia Goodwin celebrating the Great American Songbook with Michael Feinstein. Spring is also a wonderful time to explore the broad range of education and outreach events the Center provides for people of all ages – a vital part of our mission that is not always apparent to concertgoers. The popular Group Vocal Coaching class returns on Wednesdays from March 21 through April 11, with professional tips for amateurs on song selection, vocal technique and interpretation. Many participants are looking ahead to our annual World Voice Day celebration on April 16, when the public is invited to perform on the Palladium stage. Both are sponsored by The Voice Clinic of Indiana. Our Dance Discovery classes enable patrons to try out new moves associated with upcoming concerts. “Soft Shoe & Musical Theatre” is the theme for the March 14 session, setting the stage for the March 17 performance by Pink Martini. For youth, our upcoming programs include two summer camps. At Opera Camp, scheduled June 18-22, teens are coached on singing, movement and dramatic interpretation by Indianapolis Opera professionals. At Jungle Jams camp, scheduled July 9-13, kids ages 4-5 learn the basics of rhythm and groove while exploring positive character traits through animal-themed musical activities. These are just a few of the great programs available. For more information, please visit us at TheCenterPresents.org. . Eric S. Payne CHAIRMAN, BOARD OF DIRECTORS

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RONNIE MILSAP: A LEGEND IN MY TIME TOUR

Friday, March 2 at 8PM | The Palladium Ronnie Milsap is one of country music’s most successful and beloved crossover artists, with more than 35 million albums sold and 40 No. 1 country hits including “Smoky Mountain Rain,” “There’s No Gettin’ Over Me,” “What a Difference You’ve Made in My Life” and “It Was Almost Like a Song.” His 31st and most recent album, Summer Number Seventeen, pays homage to the influences that shaped Milsap’s singular brand of soul-steeped country.

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These activities made possible, in part, with support from the Indiana Arts Commission and the National Endowment for the Arts, a federal agency.

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Ronnie milsap wed Mar 2 at 7:30pm | The palladium howard jones Fri Mar 9 at 8pm | The tarkington Staatskapelle Weimar orchestra Fri Mar 9 at 8pm | The palladium

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Paul Galbraith Thu Mar 15 at 7:30pm | The palladium

Itzhak Perlman Sat Apr 28 at 8pm | The palladium DENNIS MILLER FRI MAY 18 at 8pm | The palladium

Celtic Nights: Oceans of Hope Fri Mar 16 at 8pm | The palladium

DIANA KRALL: TURN up THE QUIET WORLD TOUR FRI JUN 8 at 8pm | The palladium

Pink Martini Sat Mar 17 at 8pm | The palladium

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"weird al" yankovic: Self-indulgent tour thu Mar 29 at 7:30pm | The palladium

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brian culbertson: Colors of love fri Apr 13 at 8pm | The palladium 8

Michael Feinstein with Songbook Academy Alumni Julia Goodwin and nick Ziobro Sat Apr 21 at 8pm | The palladium

Repertoire LUDWIG VAN BEETHOVEN (1770-1827)

Coriolan Overture, op. 62 (8’)

BEETHOVEN

Piano Concerto No. 3 in C minor, Op. 37 (36’)

Sunwook Kim, piano

I. Allegro con brio II. Largo III. Rondo: Allegro

INTERMISSION

BEETHOVEN

Symphony No. 5 in C minor, Op. 67 (34’)

I. Allegro con brio II. Andante con moto III. Allegro IV. Allegro

Program Notes

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STAATSKAPELLE WEIMAR ORCHESTRA

Friday, March 9 at 8PM | The Palladium

With a history dating back to the 1490s, the Staatskapelle Weimar is the oldest orchestra in Germany and one of the most illustrious in the world. On this North American tour, General Music Director and Principal Conductor Kirill Karabits – whose predecessors as Kapellmeister have included Franz Liszt, Richard Strauss and Johann Sebastian Bach – will lead the orchestra through an all-Beethoven Program featuring the Coriolan Overture, Op. 62; Piano Concerto No. 3 in C minor, Op. 37; and Symphony No. 5, Op. 67.

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Ludwig Van Beethoven Born December 16, 1770, in Bonn Died March 26, 1827, in Vienna Overture to Collin’s Coriolan, Op. 62 Much like the Colossus of Rhodes straddling the entrance to the harbor, Beethoven was a giant among composers who straddled two musical eras: one foot firmly planted in the Classical Era and the other in the Romantic. His oeuvre is generally classified into three stylistic periods. The Early Period is characterized stylistically by its adherence to Classical tenets and similarity to the compositions by his mentors Haydn and Mozart. The Middle Period works show an independent and more mature composer. The Late Period compositions date from after profound deafness had set in, and the emotionalism that characterizes the Romantic Period is clearly seen in these works. Heinrich Josef von Collin’s Coriolan premiered on November 24, 1802 at the Vienna Hofburg Theater. The play ran for over two years, partly due to the success of Mozart’s brother-in-law, Joseph Lange, in the title role. By the time Beethoven wrote his Overture in 1807, Collin’s tragedy was rarely performed. It is likely that the single performance of the play on April 24, 1808, used Beethoven’s Overture; in fact, the revival may have been arranged expressly for the purpose of adding Beethoven’s music. The plot centers on the Roman general Coriolanus, who led his people to victory against the neighboring Volscians. However, Coriolanus’ contempt

(Continued...) 11

for the Roman plebeians turned the populace against him, and the Senate sent him into permanent exile. Coriolanus, seething with rage and self-righteous vindictiveness, went to the Volscians and led their forces to battle with his native city. He captured Rome and scorned every emissary sent to beg for mercy. At last, the Romans sent Coriolanus’ mother, his wife and young son. Coriolanus’ stern resolution withered; he gave up his thirst for revenge, and with it, his life. In Shakespeare’s tragedy, the Volscians assassinate him for having betrayed his command; in Collin’s, he commits suicide. The thematic significance and the concentration of thematic development of the Overture are almost beyond comparison, even for Beethoven. With the sound of the first C minor theme, Beethoven impressively captures the image of the defiant perseverance of his hero Coriolanus, a noble-minded man, wronged and rejected by his people. The heroic-tragic nature of the key of C minor is firmly established here, as it is in the Fifth Symphony (which was also completed in that same year). After the mournful beginning, the contrast of the softer E major second theme is indeed welcome. The two themes of the Overture are classic examples of the symphonic style that Beethoven formulated, the greatness of which lies in the fact that his themes contrast with, yet are attuned to, one another. The end of the Overture is brilliant: a gradual dispersing and extinguishing of the stormy first theme, an obvious announcement of death of the hero, ending as it began with octave Cs. Beethoven used this idea once before in the “Funeral March” of his “Eroica” Symphony; it is all the more remarkable that the use of the same idea here is so effective once again. © 1997 Columbia Artists Management Inc. Edited by Elizabeth Ely Torres Piano Concerto No. 3 in C minor, Op. 37 Beethoven’s Piano Concerto No. 3 in C minor may be regarded as one of the transitional works between the composer’s first period, reflecting the Mozartian manner, and his second period, in which his individuality was more strongly asserted. With this concerto, Beethoven put his own special stamp on yet another musical form, as he instilled it with the principle of thematic development that was evident in the composer’s piano sonatas, quartets and symphonies of that period; now the concerto had ceased to be an entertainment for social gatherings, as it became a form full of unprecedented meaning and power. Consequently, several of Germany’s leading publishers rejected the work as unplayable and too unpalatable for the public taste. The Concerto No. 3 for Piano and Orchestra, Op. 37 was completed during the summer of 1800. The work then underwent some revisions before its premiere in 1803 at an all-Beethoven concert in Vienna that also included the first two symphonies and the oratorio Christ on the Mount of Olives. Beethoven himself was the soloist for the occasion. 12

Like its predecessors, the Third Piano Concerto follows the pattern established by Mozart by including an orchestral introduction, but in this case it is a full thematic exposition, as in a symphony. (Indeed, the music historian Sir Donald Tovey has described this concerto as a sonata for piano with orchestral accompaniment, as Beethoven broke with the practice of alternating the solo and tutti sections that had persisted since the Baroque, and attempted a more symphonic blending.) After the orchestra has had its initial say, three simple chords of octave Cs mark the entry for the soloist; after three ascending scales, the piano repeats the statement of the exposition with embellishments. The same three ascending scales begin the development section that consists of further elaboration of all the thematic material already heard, but emphasizing the first four measures of the main theme. A short trumpet and horn fanfare based on the main theme brings forth the recapitulation, which leads into the cadenza, followed in turn by a short coda. The Largo movement is built upon a three-part (ABA) form; this is the longest and most elaborate slow movement of any Beethoven piano concerto. The soloist introduces the subject in the remote key of E major; this is repeated by the orchestra and again by the piano with ornamentation. The contrasting middle section introduces a new subject, given to a duet between bassoon and flute, with the piano soloist providing a florid, arpeggiated accompaniment. The first subject is then repeated, leading into a brief cadenza and a coda. The final movement is built upon an inventive rondo structure exhibiting elements of sonata form. The piano immediately presents the first half of the main theme, one of strong rhythmic power, which the oboe then takes up while the piano provides a 16th-note accompaniment against pizzicato strings; then the piano presents the second part of the main theme, which is in turn taken up by the orchestra. After a contrasting section is presented, with its own theme played by the soloist against light orchestral support, wind chords bring us back to the main recurring section, which includes a short cadenzalike passage in its center. A third contrasting section is introduced, where the clarinet intones a lyrical theme before it is taken up by the piano. After a short fugal section based on the main theme, the piano takes up this theme, this time in the major mode, but quickly returning to the original minor mode. Following the development of the second section, the main theme is heard once more before the piano plays another short cadenza, and a brilliant coda, marked Presto, brings the concerto to its conclusion. © 1994 Columbia Artists Management Inc. Symphony No. 5 in C minor, Op. 67 “Keep your eye on him; he will make the world talk about him some day.” So did Wolfgang Amadeus Mozart write in a letter to his father about the then-16year-old Beethoven. Indeed, Mozart’s words proved to be prophetically true, (Continued...) 13

as even during his lifetime, Beethoven’s works attained a strong – and since then, unshakable – place in the repertoire, while some of the older masters like Bach and Vivaldi, Beethoven’s younger contemporary Schubert, and even Mozart himself in some cases, had to wait for revivals of their works in order to establish their place in concert programs. Strongest in the repertoire amongst Beethoven’s works are both the Fifth and Sixth Symphonies. Beethoven’s Symphony No. 5 in C minor was heard for the first time on December 22, 1808, at an extraordinary benefit concert at the Theater an der Wien in Vienna. The program conducted by the composer included his Fourth Piano Concerto, the scena and aria Ah! perfido, excerpts from the Mass in C major, and the premiere performances of the Pastoral Symphony (No. 6) and the Choral Fantasy, Op. 80; Beethoven was also the soloist in the two piano works. Beethoven was occupied with the composition of the Fifth Symphony at the small village of Heiligenstadt, near Vienna, in 1807, and he completed the work early the following year. It is known, however, that he had been working on his sketches for this Symphony since 1804 or even earlier, shortly after the completion of the Third Symphony. The Fifth Symphony requires greater instrumental resources than any of Beethoven’s earlier symphonies or his next three symphonies, for that matter. In addition to the pairs of woodwinds, horns and trumpets that were commonly used at the time, this work calls for several instruments borrowed from the more colorful opera orchestra: a piccolo, a contrabassoon, and three trombones. The organic structure of the first movement may serve to illustrate the distinction between constituent ideas and what a composer does with them. Its way of developing broad melodic spans out of brusquely unmelodic little motifs is original by any standards. Equally so is the Andante con moto’s brilliant utilization of variation form and the third movement’s dissolution of the main scherzo section into an evanescent wraith of itself after the robustness of the trio. The first movement, Allegro con brio, is dominated by the rhythmic four-note motif that opens the work. This motif probably has wider recognition than any other theme in the history of music, being perhaps the best-known four notes in the entire concert literature. “Thus Fate knocks at the door” is the significance that Beethoven himself is quoted as having placed on this opening theme, which establishes within the first measure a mood of despair and oppression. The motif itself forms the core of this movement’s first subject, as well as providing the first two measures of the more lyrical second subject; this second subject arrives early in the proceedings, in the form of a horn-call, with the new melody taken up by the violins. Indeed, the “Fate” motif is so pervasive in this work that 14

it can be heard in almost every measure of the first movement; it also makes its appearance – albeit in modified form – in all the other movements. Relief from the previous struggle comes with the second movement, an Andante con moto; built upon a freely varied song-form, the predominant mood here is one of consolation and meditation. As in the first movement, the mood is established with amazing technical economy within the first two measures. Barely supported by pizzicato basses, the violas and cellos present the placid melody that constitutes the theme of the movement. This is followed by three variations, the second of which is extended in the manner of a development section, and the third that has a coda appended to conclude the movement. The Scherzo that makes up the third movement is marked Allegro. It begins with a solemn introduction in which an ascending arpeggiated melody is heard twice in the basses. Abruptly, the horns enter with a relentless march-like theme obviously derived from the “Fate” motif heard in the first movement; soon this is taken over by the entire orchestra. After a modified repeat of the introduction, the Scherzo theme is developed further in a passage where the constantly shifting dynamics create a sense of tension and expectancy. The trio section begins with a forceful theme in the cellos and basses, followed by the bassoons and violas, and eventually, with different entrances, by the rest of the orchestra. The short recapitulation of the Scherzo is announced by another variation of the introduction. As in the last four concertos, so in this Symphony (and again in the Sixth and Ninth) Beethoven decided to dispense with the customary break between the last two movements. Instead, we encounter a passage in the form of a coda exhibiting extraordinary breathless tension; the timpani maintains a soft inexorable rhythm under the shadowy pianissimo strings, until the last movement bursts forth exultantly. The Allegro finale begins with a martial theme encompassing several diverse motifs. After a short transitional passage, these motifs are further elaborated before Beethoven presents his second theme, one of ascending triplets, again derived from the “Fate” motif. For all the revolutionary aspects of the first three movements, the last is in some respects the most forward-looking of the four. Two aspects of this truly majestic finale are absolutely unprecedented among the major classics. First is its instrumental coloring, as in the opening measures a piccolo, a contrabassoon, and three trombones make their first appearance in the symphonic literature. The other is the dazzlingly dramatic stroke Beethoven achieves in briefly quoting motifs from the scherzo just after the development section. After the recapitulation of the finale’s thematic material, the grandiose, extended coda is announced by a motif in the bassoons, heard immediately in the horns and passing through all the woodwinds in fugato fashion. An almost relentless pedal point on the note of C brings the symphony to its triumphant conclusion. © 2000 Columbia Artists Management Inc. (Continued...) 15

Kirill Karabits, Conductor Kirill Karabits is Chief Conductor of the Bournemouth Symphony Orchestra and General Music Director and Principal Conductor of the Deutsches Nationaltheater and Staatskapelle Weimar. His relationship with the Bournemouth Symphony Orchestra has been celebrated worldwide and together they have made many critically acclaimed recordings, most notably a Prokofiev symphony cycle. They opened their 2015-16 season with hugely successful concert performances of Salome, and together they have made numerous appearances at the BBC Proms and returned in summer 2017 for a performance of Walton Belshazzar’s Feast. In September 2016, Karabits assumed the position of General Music Director and Principal Conductor of the Deutsches Nationaltheater and Staatskapelle Weimar, and his first season included productions of Die Meistersinger von Nurnberg and his own transcription of St. John Passion. The 2017-18 season will see productions of Le nozze di Figaro and Tannhaeuser, plus an extensive tour of the United States with the Deutsches Nationaltheater and Staatskapelle Weimar. Karabits has worked with many of the leading ensembles of Europe, Asia and North America, including the Cleveland, Philadelphia, San Francisco and Chicago Symphony orchestras, Philharmonia Orchestra, Rotterdam Philharmonic, Yomiuri Nippon Symphony Orchestra, Orchestra Filarmonica del Teatro La Fenice and the BBC Symphony Orchestra – including a concertante version of Bluebeard’s Castle at the Barbican Centre. The 2016-17 season saw his acclaimed debut with the Munich Philharmonic, and in Spring 2016, he conducted the Russian National Orchestra on their tour of the US and returned to the RNO in August 2016 to conduct two concerts at the Edinburgh International Festival, both with Mikhail Pletnev as a soloist. The 2017-18 season will include his debut with the Dresden Philharmonic at the Kulturpalast and further concerts in Moscow with the Russian National Orchestra. The 2016-17 season saw the prolific opera conductor’s debuts at the Deutsche Oper (Boris Godunov) and Oper Stuttgart (Death in Venice). He has conducted at Glyndebourne Festival Opera (La bohème and Eugene Onegin), Staatsoper Hamburg (Madama Butterfly), English National Opera (Don Giovanni) and Bolshoi Theatre, and he conducted a performance of Der fliegende Holländer at the Wagner Geneva Festival in celebration of the composer’s anniversary. Working with the next generation of bright musicians is of great importance to Karabits. As Artistic Director of I, CULTURE Orchestra, he conducted them on their European tour in August 2015 with Lisa Batiashvili as soloist. In 2012 and 2014, he conducted the televised finals of the BBC Young Musician of the Year Award (working with the Royal Northern Sinfonia and BBC Scottish Symphony Orchestra). 16

He was named Conductor of the Year at the 2013 Royal Philharmonic Society Music Awards. Sunwook Kim, Piano Sunwook Kim came to international recognition when he won the prestigious Leeds International Piano Competition in 2006, aged just 18, becoming the competition’s youngest winner for 40 years as well as its first Asian winner. His performance of Brahms’ Concerto No.1 with the Hallé Orchestra and Sir Mark Elder in the competition’s finals attracted unanimous praise from the press. Since then, he has established a reputation as one of the finest pianists of his generation, appearing as a concerto soloist in the subscription series of some of the world’s leading orchestras, including the London Symphony Orchestra, Royal Concertgebouw Orchestra, Berlin Radio Symphony, NDR Sinfonieorchester Hamburg, Finnish Radio Symphony, Philharmonia Orchestra, London Philharmonic, Radio-France Philharmonic, NHK Symphony, Hallé Orchestra, and the Bournemouth Symphony Orchestra for his BBC Proms debut in Summer 2014. Born in Seoul in 1988, he graduated from the Korean National University of Arts in February 2008 and then completed an MA in conducting at the Royal Academy of Music. Besides Leeds, international awards include the first prize at the 2004 Ettlingen Competition (Germany) and the 2005 Clara Haskil Competition (Switzerland). In 2013, Sunwook was selected by the BeethovenHaus Bonn to become the first beneficiary of its new Mentoring Programme. In 2014-15 he completed a highly acclaimed residency with the Bournemouth Symphony Orchestra and returns there this season for a performance of Tchaikovsky’s 1st Concerto. At the start of last season, they gave a six-concert tour together with Rachmaninov’s Concerto No. 3 and recorded Brahms’ Piano Concertos No. 1 and 2 for release next year on the Hallé’s own label. Other concerto highlights included a performance of Unsuk Chin’s Piano Concerto with the Radio-France Philharmonic at the prestigious Festival d’Automne in Paris, and debut projects with the Deutsche Kammerphilharmonie Bremen, Hamburger Symphoniker, Opera di Roma and Hong Kong Sinfonietta. Recital highlights to date include regular appearances in the “Piano 4 Etoiles” series at Salle Pleyel in Paris, as well as recitals at the Jerusalem International Chamber Music Festival, Piano aux Jacobin Festival, Wigmore Hall, the London International Piano Series (Queen Elizabeth Hall), Stockholm Konserthuset, Teatro Colon Buenos Aires, La Roque d’Antheron International Piano Festival in France, Kioi Hall in Tokyo, Symphony Hall Osaka, Brussels Klara Festival, Beethoven-Haus Bonn, Klavier-Festival Ruhr and Mecklenburg-Vorpommern Festspiele. In 2012-13, he presented a complete cycle of the Beethoven Sonatas at the LG Arts Centre in Seoul. Last season Sunwook made his debut with the RTSI Orchestra in Lugano, the Gurzenich-Orchester Kölner Philharmoniker (Continued...) 17

and the Orchestre National du Capitole de Toulouse for a performance of Beethoven’s Triple Concerto. In 2017-18, recital highlights will include performances at the Wigmore Hall and Leeds Piano Festival, as well as concerto appearances with the Hallé, Philharmonia, BBC Concert, Bournemouth, Dresden Philharmonic, Royal Scottish National and Seoul Philharmonic Orchestras. Other highlights include duo recitals with Jian Wang in Korea and Guy Braunstein in Berlin and a tour of the United States with the Staatskapelle Weimar with Kirill Karabits. Sunwook Kim’s debut recital disc was released on the Accentus label in October 2015, featuring Beethoven’s Waldstein and Hammerklavier sonatas. This was followed by a recording of Franck’s Prelude, Choral et Fugue paired with Brahms’ Sonata No. 3 and a further disc of Beethoven: Sonata No. 8, “Pathetique”; Sonata No. 14, “Moonlight”; and Sonata No. 23, “Appassionata.” His discography also includes two concerto recordings, both on Deutsche Grammophon and with the Seoul Philharmonic conducted by Myung-Whun Chung: a CD featuring Unsuk Chin’s Piano Concerto (2014), which attracted outstanding reviews and awards from BBC Music Magazine and International Classical Music Awards, and a CD featuring Beethoven Concerto No. 5 (2013).

COLUMBIA ARTISTS MANAGEMENT LLC. Tour Direction:

R. Douglas Sheldon Executive Vice President & Managing Director Karen Kloster Tour Coordinator

Maria Keith Tour Manager Allison Helms Backstage Manager James Putnam Driver

Sarah Everitt Executive Assistant

FIRST VIOLIN

CELLO

HORN

Ursula Dehler Concert Master Gernot Süßmuth Concert Master Johannes Hupach Hannelore Birckner Ralph Schmidtsdorf Andreas Schneider Ulrich Kliegel Maria Kersten Barbara Demel-Voß Hans-Holger Simon Caterina Frenzel Ryutaro Omura Fabian Bischof Olga Jemeljanowa Laura Freier

Alexandre Castro-Balbi Aidos Abdullin Gabriele Azeroth Kassian Krömer Lukas Dihle Jieun Yang Nassib Ahmadieh Rolando Fernandez Lara

Simon Breyer Gillian Williams Jens Pribbernow Andreas Nickel Stefan Ludwig Ingolf Liebold Joachim Wåhlstedt

BASS

Viktor Spath Zsolt Nagy-Major Frieder Kermer Klaus Wenzel

SECOND VIOLIN

Alexandra Guiraud Louise Grandjean

David Castro-Balbi Magdalena Krömer Astrid Schütte Hannah Burchardt Antje Donath Susanne Rost Katharina Kleinjung Raphael Hevicke Benita Förster-Salge Yutaka Shimoda Jörg Emmrich Silke Weller VIOLA

HES

NATIO

NA 18

I MAR DE U T

HE LT

ATE R U N D

S K AP E LL AAT E ST

Neasa Ni Bhriain Kerstin Schönherr Almut Bormann Jakob Tuchscheerer Erhard Fritz Cornelia Möbius Michael Rost Thomas Häring Annalena Zenner Fatima Poblete

Yun Sun Hans-Dieter Koch Michael Kogan Matthias Krüger Bärbel Richter Ronald Güldenpfennig HARP

FLUTE

Anna Cuchal Mareike Friedel Kirill Mikhailov Benjamin Plag OBOE

Brigitte Horlitz Hiroyuki Tatsumiya Sachiko Uehara Haruna Kinugasa CLARINET

Matthias Demme Jan Doormann Junko Kada Lisa Liszta BASSOON

Michael Abé Marco Thinius Christian Seidel Thoralf Knüpfer

TRUMPET

TROMBONE

Thomas Schneider Karsten Meyer Michael Schröter-Hölbing TUBA

Maximilian Wagner-Shibata TIMPANI AND PERCUSSION

Ingo Wernsdorf Matthias Schröder Timo Schmeichel Pedro RosenthalCampuzano Alexander Schuchert ORCHESTRA MANAGER

Nils Kretschmer ORCHESTRA STAFF

Michael Rieber Michael Krüger Alexander Langbein ORCHESTRA DOCTOR

Dr. Michael Scholl

Origami model by Daniel Brown.

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HOWARD JONES SOLO – THE SONGS AND THE STORIES

Friday, March 9 at 8PM | The Tarkington

The electronic pop pioneer’s current tour is an intimate trip through a threedecade career marked by hits like “Life in One Day,” “Things Can Only Get Better,” “What Is Love?” and the Top 5 smash “No One Is to Blame.” This Palladium appearance is a solo performance on piano and vocal, just as the songs were written. In these stripped-down shows, the British-born, Canadaraised artist shares behind-the-scenes stories and reveals the inspiration behind the songs.

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PAUL GALBRAITH: CLASSICAL GUITAR

Thursday, March 15 at 7:30PM | The Palladium Stage A native of Scotland, Paul Galbraith has shaken the world of classical guitar with his innovative style on the “Brahms Guitar,” an eight-string instrument he helped to design. Positioned like a cello and offering an additional octave beyond the standard guitar range, the revolutionary instrument opens new possibilities in technique and repertoire. Galbraith is known for his critically acclaimed recordings of works by Bach, Haydn and Brahms, as well as his own arrangements of folk tunes from various countries. The unique staging of this Palladium performance will create an intimate setting while making the most of the hall’s pristine acoustics.

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Despite their youth, you could say Nick Ziobro and Julia Goodwin have lived parallel lives. “We’re basically brother and sister,” says Goodwin, a sophomore at Syracuse University in New York. “It’s really easy to see the connection that we have on stage.”

TWO OF A KIND

Songbook Ambassadors Nick Ziobro and Julia Goodwin look forward to Palladium 'homecoming' with Michael Feinstein By: Scott Hall

The two grew up outside Syracuse and met as middle-schoolers acting in community theater. Fast forward several years, and the 21-year-old Ziobro and the 19-year-old Goodwin are widely known performers, sometimes as a duo simply dubbed Nick & Julia. Both have released albums as vocalists, competed on NBC’s America’s Got Talent, appeared at such venues as Carnegie Hall and Kennedy Center, and won praise from the New York Times, to name a few accomplishments. What happened in between was the Great American Songbook Foundation’s annual Songbook Academy® summer intensive, which brings 40 of the nation’s top high school vocalists to central Indiana for a week of immersion in the history, interpretation and performance of timeless popular music. Each of them, Ziobro in 2012 and Goodwin in 2013, attended the Academy and claimed the title of Songbook Youth Ambassador, along with a national career launch under

the wing of acclaimed performer, preservationist and Songbook Foundation Founder Michael Feinstein. On April 21, these young talents will reunite with their mentor at the Palladium to share an evening of the music they have come to love. Since their initial visits for the Academy, the two have built a bond with local audiences through several appearances at the Center for the Performing Arts. “It kind of feels like home, coming back,” says Ziobro, freshly graduated from Rider University and now busily auditioning for musical theater roles in New York City. “We just want to show everyone how much we’ve grown and how much we appreciate everything that we have experienced down there.” Feinstein also looks forward to the night and expresses more than a little pride in his protégés. “It’s a great joy to have played a small part in helping to bring their talents to the fore,” says the fivetime Grammy® nominee. “Nick is a naturally gifted musician, with perfect pitch and amazing instincts. He can sing any kind of music and inhabit it with a depth and understanding that belie his youth. Julia has charisma, talent, beauty and charm and is a songwriter as well. Her work ethic (Continued...) 27

is extraordinary, and she has a voice that touches the soul.”

she would probably win, and she did, and here we are.”

Ziobro began piano lessons in second grade and discovered the Songbook catalog around age 11, when a jazz pianist became his new teacher.

Goodwin was less familiar with the music of the Songbook, but as she attended the Academy, she fell hard. What did she find so compelling?

“He said, ‘Hey, I’m going to show you how to make some money in college,’ and he opened up a book of jazz standards,” Ziobro says. “He said, ‘If you can play and sing these at a bar when you’re trying to make some money in college, this will definitely help you out, because everybody loves this music.’”

“I think just the storytelling quality that each song has,” she says. “Each song, you’re able to really put yourself into it and help the audience connect with the story, and it’s cool to see that connection.”

The teen began singing at his teacher’s gigs, caught a Feinstein performance in Syracuse and, as a high school sophomore, applied for admission to the Songbook Academy. “I just wanted an opportunity to meet Michael,” he says. “I didn’t think I’d win.” Ziobro came out on top, however, and he hit the road with Feinstein that summer. Upon his New York club debut at age 16, both the Times and the Huffington Post compared him to crooner Michael Bublé. He encouraged Goodwin to follow his lead. “I had a blast, and I just wanted Julia to have that same experience,” he recalls. “I told her 28

After winning the Youth Ambassador title, Goodwin began her own whirlwind of high-profile concerts and TV appearances, including the launch of Nick & Julia as a duo. The two have performed together at Carnegie Hall, Lincoln Center and the legendary Birdland nightclub as well as Feinstein’s/54 Below in Manhattan. Italian billionaire Nicola Bulgari flew them to Tuscany to perform at a daughter’s birthday party. “We’ve just made a really good team,” Ziobro says. “We do everything from Cole Porter to Carole King and Billy Joel. It’s something that is always growing and expanding.” “We’ve been able to travel a lot of places,” Goodwin says. “It’s really awesome.” While learning the business side of

entertainment as a Music Industry major, Goodwin is building her reputation as a singer-songwriter, composing jazz-influenced pop tunes on guitar and piano. “The Great American Songbook has definitely influenced my writing,” she says. “I’m just really inspired by the way that these songwriters used to write, and so I look at people like Cole Porter and Johnny Mercer and Irving Berlin, and I hope that I can tell stories in my songs just like they did.” Likewise, Ziobro finds particular inspiration in learning the personal backgrounds of legendary songwriters, a trait he picked up from Feinstein. “He’s always interested in finding out the history of the writers of the songs and what they were doing when they wrote,” Ziobro says. “A Cole Porter song, there is so much personality and personal depth that he put into his music that is a completely different story than the Gershwin brothers and their music, which is also different from a Frank Lester song or a Johnny Mercer song.”

actor,” he says, “so I can continue to perform and share this music, whether it’s in concert or on a Broadway stage, performing a classic musical or even a new musical with music that is also going to be part of the Great American Songbook in another 50 years.” He hopes others of his generation also will pick up the torch. “The Songbook Academy has continued to grow since I was a part of it, and there are still so many young people who are interested in finding out about this music and sharing it and performing it and loving it as much as Julia and I do,” Ziobro says. “And that’s all a credit to Michael, because that’s really the only way this music is going to live on, is if people my age are appreciating it.”

Michael Feinstein with Special Guests Nick & Julia Saturday, April 21 at 8pm

TheCenterPresents.org 317.843.3800

With his new BFA in Musical Theatre and a couple professional acting roles under his belt, Ziobro is now working toward a career on stage and screen. “The goal is to become a Broadway actor or a TV/film 29

University of Indianapolis Passport Series

CELTIC NIGHTS: OCEANS OF HOPE

PINK MARTINI

Friday, March 16 at 8PM | The Palladium

Saturday, March 17 | The Palladium

These singers, dancers and musicians champion the proud tradition of Celtic music and culture. Celtic Nights’ new production, Oceans of Hope: The Epic Journeys of Our Ancestors, captures the essence of the immigrant experience, exploring the saga – through Irish eyes – of all people who have braved the sea to build lives free from hunger, war, persecution and famine in the new lands of North America, Australia and New Zealand.

For over two decades, this "little orchestra" of a dozen musicians and vocalists has delighted audiences around the world with its multilingual mix of jazz, classical and old-school pop music. Led by pianist-founder Thomas Lauderdale and vocalist China Forbes, the Portland-based band has collaborated and performed with artists as diverse as Carol Channing, Rufus Wainwright, filmmaker Gus Van Sant, NPR host Ari Shapiro and the cast of Sesame Street. Pink Martini’s ninth and latest studio album, Je dis oui!, features 15 tracks spanning eight languages.

“… a triumphant display of sight and sound, song and dance, woe and joy.” — Broadway World

series sponsor

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THE RIDICULOUSLY SELF-INDULGENT, ILL-ADVISED VANITY TOUR WITH SPECIAL GUEST EMO PHILIPS

Thursday, March 29, at 7:30PM | The Palladium The beloved musical satirist behind “Eat It” and “Amish Paradise” foregoes his usual high-octane, big-production show for an intimate evening of music, focusing on original, non-parody songs from his 14-album catalog. After his 2016 world tour, which included venues such as the Hollywood Bowl and Radio City Music Hall, this is a rare opportunity to get up close and personal with this legendary performer. Weird Al’s most recent album, Mandatory Fun, was the first comedy album in history to debut at No. 1 on the Billboard Top 200 chart. In 2018, Yankovic will be awarded a star on the Hollywood Walk of Fame.

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Jazz Series

BRIAN CULBERTSON:

COLORS OF LOVE TOUR

Friday, April 13 at 8PM | The Palladium Across two decades and 18 albums, Brian Culbertson has blazed his own trail through the worlds of R&B, funk and smooth jazz. The multiinstrumentalist, songwriter and producer grew up to the sounds of Earth, Wind & Fire, Tower of Power and Chicago but began developing his own sound while still in his teens. He has since posted 30 Billboard No. 1 singles while collaborating with such artists as Michael McDonald, Chris Botti, Natalie Cole and Bootsy Collins. Following up on his acclaimed 2016 album, simply titled Funk!, Culbertson is back with Colors of Love, a new collection of 13 songs inspired by love, romance and his recent 20th wedding anniversary. The Great American Songbook Exhibit Gallery in the Palladium will open at 7 p.m. the evening of this performance.

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Songbook Series

MICHAEL FEINSTEIN WITH NICK & JULIA

Saturday, April 21, at 8PM | The Palladium

Michael Feinstein, founder of the Great American Songbook Foundation and artistic director for the Center for the Performing Arts, takes the Palladium stage once again for an evening of timeless music. The Ohio native maintains his title as “Ambassador of the Great American Songbook” through his performances and his many projects for public radio and television. Joining him will be two top alumni of the Songbook Foundation’s annual Songbook Academy® summer intensive: Songbook Youth Ambassadors Nick Ziobro (2012) and Julia Goodwin (2013). Longtime friends, the two have been juggling TV appearances, recording projects and other solo opportunities while also building a fan base as the duo Nick & Julia. The Great American Songbook Exhibit Gallery in the Palladium will open at 7 p.m. the evening of this performance.

Find unique gifts including home goods, jewelry, and musically themed items at the Basile Gift Shop. New location is directly across from the Box Office in the West Lobby of the Palladium.

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The reigning virtuoso of the violin brings his remarkable artistry to the Palladium. Israeli-American violinist and conductor Itzhak Perlman has been making waves since his 1958 appearance on The Ed Sullivan Show at age 13 and remains one of the great ambassadors and popularizers of classical music. His recordings have claimed 15 Grammy® Awards, as well as the Grammy Lifetime Achievement Award, and his PBS specials have won four Emmy Awards. Other career highlights have included performing for several presidents and receiving the Presidential Medal of Freedom in 2015.

ABOUT THE CENTER The mission of the Center for the Performing Arts is to welcome, engage, inspire, and transform through compelling performing arts experiences in a world-class environment. A home for world-class entertainment, the Center for the Performing Arts is a nonprofit arts and education organization responsible for the operation and programming of a three-venue campus at Carmel’s City Center. Together, the Palladium, the Tarkington and the Studio Theater create a welcoming place for the community to engage with all forms of the performing arts. The campus also provides a home for the affiliated Great American Songbook Foundation and hosts six Resident Companies, along with other organizations that utilize the facilities for their events. Since opening in 2011, the Center’s campus has hosted over 1,800 performances and welcomed more than 840,000 patrons representing all 92 counties in Indiana, all 50 states, and 24 countries. Each year the Center provides access to the arts for thousands of people of all ages – building community, enriching lives, and inspiring minds young and old. Our programs for upcoming generations include the Peanut Butter & Jam concert series, an interactive learning experience for young children; Palladium PALS, a reading club linked to our diverse performances; educational videoconferences for students around the state; and our Student Discount Ticket program.

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w h at i s i t y o u l i v e f or ? SYM BEGINS WITH THE PREMISE that people don’t do what they do simply for money. We understand our relationship with you goes beyond mere numbers. We’re here to help you feed your passions, realize your dreams. It may be a rather uncommon approach but we think it’s an approach that helps us better know you and your dreams. And really, isn’t that what it’s all about?

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PORTFOLIO MANAGEMENT

RETIREMENT PLAN SERVICES

RICK HARRISON Vice President 317.848.2180

PATRON SERVICES & AMENITIES ACCESSIBILITY

Accessible Parking: Accessible parking spaces are available along the South Loop drive between the Palladium and the Tarkington.

BASILE GIFT SHOP & BASILE CAFÉ

The Basile Gift Shop, now located in West lobby across from the Box Office, boasts a wide selection of jewelry, art, books, cards, and many boutique items. Every purchase helps support the Center for the Performing Arts. The Basile Café is located in the East lobby. SONGBOOK EXHIBIT GALLERY

Arrival: Street level and elevator access is available in the Palladium’s West Lobby, located at the 3rd Avenue entrance, and is also available in the East Lobby located near the Monon Greenway.

Take elevators to Gallery level of the Palladium.

Seating: Wheelchair accessible seating is located in various sections of the venues. Special seating arrangements may be made in advance by calling the box office at 317.843.3800.

Performance Hours: One hour prior to Songbook Series and Jazz Series performances and select additional events.

PARKING

Latecomers will be seated at the discretion of house management. Video and audio simulcast of the performance is available in the lobbies for your convenience.

Valet: Beginning one hour prior to each performance, valet parking is available at the West Lobby entrance. The valet service is sponsored by Land Rover Indianapolis & Jaguar Indianapolis. The valet service is $15 or is complimentary for Jaguars and Land Rovers. Free Self-Park: Secure, on-site garage parking is located south of the Palladium. Enter the Center’s parking garage off 3rd Avenue. RESTROOMS

Restrooms are located in the lower Salon level, Payne & Mencias Box Tier and Gallery level of the Palladium, and on the first floor in the lobby of the Studio Theater and the Tarkington (all restrooms are handicap accessible.) COAT CHECK

Coat check services are available on a seasonal basis at the west side of the lower Salon level near the restrooms at the Palladium. Coat room facilities are also available at the Tarkington and the Studio Theater. FOOD & BEVERAGE

Concessions are available before the performance through intermission. Food is not permitted in the theaters. Beverages purchased at the Center are allowed in the theaters. ASSISTED LISTENING DEVICES

Assisted listening devices are available free of charge. Please see an usher to request one. ELECTRONIC DEVICES

Use of cellular phones, pagers, cameras and recording devices are strictly prohibited in the theater. Please deactivate sounds on any electronic device so it will not disrupt the performance.

Exhibit Gallery Hours: Monday - Friday, 10am - 4pm

LATE ARRIVAL POLICY

EMERGENCY PROCEDURE

In the event of an emergency, you will be instructed by an announcement indicating the best method of exit. Please notice the multiple red exit signs. For your safety, please exit in a calm and orderly manner. POLICY ON CHILDREN

Children 4 and older are welcome to attend performances. All patrons must have a ticket and be able to sit quietly throughout the performance. Children of all ages are welcome at Family Shows with paid admission. NO SMOKING

The Center for the Performing Arts campus is smoke-free. WEATHER POLICY

The Center does not cancel performances due to inclement weather. TOURS

Group tours of the Palladium are offered twice a month. For more information, visit the Center’s website and click on The Center Tour to sign up. Or you may stop by the Box Office during normal business hours for a brief look, pending availability. FACILITY RENTAL

Individuals, businesses and performing groups may rent seven distinct spaces suitable for your special event as well as the Palladium (1,600 seats), the Tarkington (500 seats) or the Studio Theater (200 seats). Let our experts help you determine which space best suits your important event. Call 317.819.3521 for pricing and availability or e-mail: SpecialEvents@TheCenterPresents.org. 43

BOX OFFICE

ONLINE

THE GREAT AMERICAN SONGBOOK FOUNDATION

BUSINESS PARTNERSHIPS & PROGRAM ADVERTISING

317.844.2251 Info@TheSongbook.org TheSongbook.org

317.819.3519 Sponsorship@TheCenterPresents.org TheCenterPresents.org/Sponsorship

GROUP SALES

YOUNG PROFESSIONALS GROUP

Buy online at any time of the day at TheCenterPresents.org. For the best available seats, purchase a series package and enjoy great savings on single ticket prices. BOX OFFICE AT THE PALLADIUM

Monday-Friday: 10am-6pm or until curtain Saturday: 12pm-4pm & 2 hours prior to performance Sunday: 2 hours prior to performance The Studio Theater and Tarkington box office is open 60 minutes prior to performance. PHONE

Order tickets by phone at 317.843.3800 or toll-free 877.909.2787. STUDENT DISCOUNTS

Student tickets are available to select performances. Contact the Box Office or visit TheCenterPresents.org for more discount information.

317.819.3503 Group@TheCenterPresents.org TheCenterPresents.org/Group EVENTS & SPACE AVAILABILITY

317.819.3521 SpecialEvents@TheCenterPresents.org TheCenterPresents.org/SpecialEvents INDIVIDUAL GIVING

317.819.3528 Donate@TheCenterPresents.org TheCenterPresents.org/Support

The Scene 317.819.3506 BeInTheScene.org EDUCATION & TOURS

317.819.3516 Outreach@TheCenterPresents.org TheCenterPresents.org/Virtual-tour BECOME A VOLUNTEER

317.819.3524 Volunteers@TheCenterPresents.org

GROUP SALES

Book your next outing of 12 people or more and you may save up to 20% on tickets. Contact Group Sales at 317.819.3503 or e-mail Group@TheCenterPresents.org. THE CENTER GIFT CERTIFICATES

Gift certificates for Center Presents events are available in any denomination and may be purchased online, by phone or at the Box Office. They are redeemable over the phone or in person. Certificates are not valid for events presented by our Resident Companies or external organizations.

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When businesses partner with the arts, everyone profits. Join thenew PARTNERSHIP today. Because the arts inspire ideas, freshMOVEMENT thinking and creative collaboration. Andwhat see how partnering withfrom the Arts is goodwho business. Just think, it’s exactly you’re looking for the people work with you every day. partnershipmovement.org Join the PARTNERSHIP MOVEMENT today. And see how partnering with the Arts is good business. 44

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ABOUT THE GREAT AMERICAN SONGBOOK FOUNDATION The mission of the Great American Songbook Foundation is to inspire and educate by celebrating the Great American Songbook. The beautiful melodies and thoughtful lyrics created by the musical masterminds of Tin Pan Alley, Broadway, and Hollywood during the first half of the 20th century represent the golden age of American popular music. Based at the Palladium, the Great American Songbook Foundation is permanently affiliated with the Center for the Performing Arts and is one of only five worldwide Cultural Affiliates of the Los Angeles-based GRAMMY Museum®. The Foundation carries out its unique mission to preserve America’s rich musical legacy in numerous ways:

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Our goal is to have relationships based on trust and transparency. This is the driving force behind our customized advice and guidance and strategies.

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Phone: 317.706.3161 E-mail: ronald_mencias@ml.com

The Songbook Hall of Fame recognizes individuals who have made significant contributions to the Great American Songbook, with a new class inducted each year. A permanent exhibit honoring the people who created and popularized this extraordinary music is located in the Shiel Sexton Songbook Lounge on the Palladium’s Gallery level. The Songbook Archives houses sheet music, recordings, and other artifacts from the careers of artists such as songwriters Meredith Willson (The Music Man), Johnny Burke (“Swinging on a Star”), Gus Kahn (“It Had to Be You”), and Hy Zaret (“Unchained Melody”). The Songbook Exhibit Gallery presents rotating interactive exhibits that share the music, history, and culture of the Songbook.

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The Songbook Academy® Summer Intensive is a national performing arts program for high school vocalists and the only one of its kind dedicated to the music of the Songbook. PERFECT Harmony provides therapeutic music programming for individuals with Alzheimer’s, dementia, and other neurodegenerative conditions.

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Visit the Songbook Exhibit Gallery! Located on the Gallery level of the Palladium Hours: Monday-Friday, 10:00 AM-4:00 PM

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PERFORMANCE RUNS IN THE FAMILY.

Proud Supporter of the Center for the Performing Arts.

JAGUAR INDIANAPOLIS A TOM WOOD DEALERSHIP

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Staff EXECUTIVE Jeffrey C. McDermott President/CEO

Board of Directors Eric S. Payne Chairperson

ADMINISTRATIVE

Joshua Hasty Technical Director Tarkington Theater

Veronica Melton Housekeeping Supervisor

Scott Hall Communications & Media Manager

Ben Dobler AVL Technician

Paco Rodriguez Landscaping Supervisor

John Kroetz Audience Development Coordinator

Ellen Kingston Artist Concierge

Miguel Rosas Landscaping Specialist

John A. Moskal II Business Intelligence Administrator

VENUE MANAGEMENT

Soli Pinott Housekeeping Specialist

PATRON SERVICES

Laura Varnau Events Manager

Roberto Rodriguez Landscaping Specialist

Melissa Stapleton Barnes Vice Chairperson

Grace Crowell Assistant to the President/CEO

Rollin M. Dick Treasurer

PROGRAMMING

Brian Seitz Patron Services Manager

Jim O’Connor Events Coordinator

Douglas Tatum Vice President of Programming

Chandler Appleby Patron Services Supervisor

Sharon Holyoak Gift Shop Manager; Volunteer Coordinator

Julia Shildmyer-Heighway Director of Education & Community Engagement

Patron Services Representatives Amanda Boldt Bill Eckert Larry Goens Lindy Siefker

Lisa Hillard Beverage & Concessions Manager

Anne Hensley Poindexter Secretary James (Andy) Anderson, Jr., MD, FFPM, FACE Frank Basile Henry Camferdam Bruce Cordingley Traci L. Dossett Michael Drewry Melissa L. Eldredge Stephanie C. Fuhrmann Donald S. Gottwald William Hammer Douglas C. Haney, Esq. Cheryl A. Harmon John C. Hart, Jr. Nancy S. Heck Zak Khan Kathleen Krusie Lawrence (Larry) E. Lawhead Justin Moffett Jane Niederberger Michael C. Rechin Paul G. Reis Tony Robertson Quinn Shepherd David Stirsman Ashley M. Ulbricht, Esq. Pamela Campbell Williams, Esq.

Michael Feinstein Artistic Director

Becky Lee Meacham Marketing Manager

DEVELOPMENT Leslie M. Hoggatt, CFRE Director of Development – Individual Emily M. Lovison, MPA Director of Development – Corporate & Institutional Robin Briskey Annual Fund and Donor Relations Manager Sheila Morone Development Strategy and Research Manager FINANCE & ADMINISTRATION Susan Springirth Vice President of Finance & Administration Cynthia Ille Controller Nancy Hamilton Payroll & Payables Manager Kim Linton Accounting Support Associate

OPERATIONS Jeff Steeg Vice President of Operations FACILITIES Ed Penman Facility Manager Ryan Gray Maintenance Engineer PRODUCTION Tim Todd Director of Production Lisa Posson Production Manager Jared McGowan Lighting Director

MARKETING & COMMUNICATIONS

Devin Schonsheck Lead Audio Engineer

Mark Truett Vice President of Marketing & Communications

Joe Wisner Technical Director Studio Theater

House Managers Kelley Johnson Katherine Jones Marilyn Melangton Kim Moe Cindy Teeters Lisa Thornberry THE GREAT AMERICAN SONGBOOK FOUNDATION Chris Lewis Executive Director Cathy Burton Director of Programs Lisa Lobdell Archivist Asherwood Staff Jason Butrum Property Manager & Director of Security Joe Landers Maintenance Supervisor Tony Miller Maintenance Specialist Angel Franco Equipment Maintenance Specialist 51

Annual Partners Thank you to the following individuals and organizations that have contributed to the Center for the Performing Arts during the past year. This list reflects gifts received through January 24, 2018. For more information, please contact the Development Office at 317.819.3520. ANNUAL FUND

Diamond Palladium Society ($100,000+) Allied Solutions, LLC City of Carmel Jean Yorke Memorial Fund, a fund of Central Indiana Community Foundation Zak Khan Krieg DeVault LLP

Gold Palladium Society ($25,000-$49,999) Bridgestone Americas Trust Fund Drewry Simmons Vornehm, LLP First Merchants Bank Katz, Sapper & Miller, LLP Leah & Eric Payne Printing Partners Shepherd Insurance St. Vincent Health, Inc. United Fidelity Bank Pedcor Companies Current Publishing Anonymous (1)

Silver Palladium Society ($15,000-$24,999) Collina Foundation, a fund of Legacy Fund Engledow Group Indiana Arts Commission KAR Auction Services Land Rover Indianapolis and Jaguar Indianapolis Jim & Ginny Purvis

Bronze Palladium Society ($10,000-$14,999) Rollie & Cheri Dick Melissa Eldredge Don & Pam Gottwald John C. & Marianne S. Hart Suzanne & Ron Mencias Dr. Stephen J. Shideler James B. & Joyce Winner

Fanfare Tickets Hamilton County Tourism, Inc. Keller Macaluso LLC Old Town Design Group Renaissance Indianapolis North Hotel Taft Law The Voice Clinic of Indiana

President's Circle ($5,000-$9,999)

The Ackerman Foundation Susan & James Anderson Melissa & Bradon Barnes Frank & Katrina Basile Eloise L. Bowers Jason & Traci Dossett Lisa & Michael Drewry Stephanie C. Fuhrmann Sandra & Steve Hageman Cheryl A. Harmon Stan & Sandy Hurt Kathy & Steve Krusie Vivian & Lawrence Lawhead Rod & Jayme McComas Jeffrey C. McDermott Mo Merhoff & Paul Reis Justin & Jennifer Moffett Jane & Mark Niederberger Karen & Donald Perez Brian G. & Anne Hensley Poindexter Michael & Debra Rechin Mr. & Mrs. Tony Robertson Judith Roudebush Charitable Fund, a fund of the Indianapolis Foundation Armen & Marie-Claude Shanafelt Lei Shen & Soomin Park Micki & David Stirsman Susan Tobin

Rosemary & Paxton Waters Pam & Bill Williams Deborah & Will Wood Jennifer & Lebbeus Woods Shari & Jeff Worrell Carte Blanche Limousine DCG: Digital Color Graphics, LLC Huntington Bank Indiana Vein Specialists Marquis Commercial Solutions Old National Bank Proscenium/Denizen Management Salon 01 & Aquage Sharp Business Systems Telamon Foundation

Director's Circle ($2,500-$4,999) Patricia & Rafik Bishara Elizabeth Chamberlin Eric Daugherty Charles & Debbie Finkbiner Philip & Patricia Gibson

William M. Goodwin Judy Gripp Mr. & Mrs. William Hammer Douglas & Tammy Haney Diane & Bruce Houtman Sally & James Hubbard James G. Jenkins Jim Leslie Millie & Greg Mitchell Sally & Russell Mobley Thomas & Karen Poyser Bruce & Jan Reynolds Pat Scahill & Gary Larreategui Cheryl & Kiros Sistevaris Larry & Sandra Speer Dr. Pamela A. Steed Thorne Family Trust W. Michael & Sue Wells Jayne Ann & Doug Wilson Anonymous (2) A Cut Above Catering Arsenal Insurance Corporation List continued on next page.

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Arts Midwest Touring Fund Gastroenterology of Indianapolis PC J. C. Hart Company Kahn's Catering The National Bank of Indianapolis New England Foundation for the Arts Riverview Health Southern Glazer's Wine and Spirits Sun King Brewing Co. SYM Financial Advisors

Founders Circle ($1,000-$2,499)

Drs. Sandy & Gary Bacon Cindy & Kevin Beauchamp David & Susan Blish Ron & Ann Thompson Brock Randy & Libby Brown Deb & Mike Bush Joan & Larry Cimino Rick and Penny Conner Family Foundation K. Douglas & Becky Cook Drs. Molly & Jeff Cooke Randy & Joelyn Craig Julie & Cary Curry Deborah Daniels & Lyle Mannweiler Gina Davidson Waneta Dunkerly Craig & Marsha Dunkin Diann & Jim Eggleston John A. Ericson Drs. Will & Julie Fecht John & Donna Findling Lynn & Robert Fritsche Tom & Liz Fuller Bradley & Teresa Fuson Dr. Thomas & Elaine Green Megan & Martin Gregor Nancy S. Heck Dawn & Andy Hein Diane & Jack Houtman Susan G. Johnson Tina & Gary Malone Ron & Linda Maus Dr. Greg & Rose-Ann Mazanek Jim & Mary Ann Meyer Mike & Sheila Morone Roberto Paliza Steve Perrine and Family Phelan Family Foundation John Phelan Jeff & Clare Quinn 54

April & Curtis Rector Mr. & Mrs. Keith Reissaus Cathleen Rooney & Rick Moyer Mark & Roxann Ryan Pat & John Schuler Mr. Ronald B. Schwier & Ms. Marti T. Starkey Scott S. Semester Quinn & Ali Shepherd Giving Fund Robert & Barbara Shortle Randy & Kimberly Sorrell Betty & James Streeter Betty & Paul Swartz John & Judy Tomke Saundra & Mark Truett Brian & Carol Urbanski Ann & Mark Varnau Wendy & Karl Volkmar Mr. & Mrs. Dennis Whitaker Hank Wong & Dr. Christine Bishop Dan & Diana Yates Robina M. Zink Family Charitable Fund Jonathan Byrd's MBP Distinctive Catering Republic National Distributing Company

Advocate ($500 - $999)

Donna & Rick Adams Elaine & Mike Akermann Becky & Gary Aletto Nellie Beam Tom & Vicki Brandenburg Connie Brown Milo & Mary Chelovitz Bob & Mary Christianson Charles & Ann Conrad Peter & Carol Czajkowski Grace & Galen Davis Luanne & Lawrence Dewey Bill & Marge Dorsch Helen M. Eby Paula & Steve Engelking Thomas & Judith Ertl Beverly & Tom Feller Phil & Cherie Flannagan Gary and Peggy Ford Charitable Fund Nancy A. Hague Mary Ann Hart & Doug Tatum Steve & Shannon Hawkins Bill & Nancy Heath John Michael Henne

Maureen & Ron Hubbard Marie Jett Doug & Marty Kaderabek Rahul & Alka Kapur Kevin Keating Sherrie & Tom Kegley Cecile Kinney Kraabel Charitable Foundation, Inc. Michael & Paula Lazaroff Drs. Robin & Thomas Ledyard Toni & Terry Lovison Claire Magna Andrea Moore John Nichols & Janet Roe Ted & Cathy Osborn Kenneth & Karen Pennington James & Carol Phillips Scott & Kristin Pike Patrick Poyser Mr. & Mrs. Kevin R. Robbins Capi Scheidler Dave & Judy Sholly Dr. Jon Simala Kathy Summers Jim & Vickie Theis Tip & Margaret Tollison Sara Wessel Cindy Whitaker Carolyn & Doug Willard Lisa & Lew Willis Bob & Barb Wolf F.C. Tucker Office Installation Services Inc. Ritz Charles

Supporter ($250-$499)

Margaret & Adam Arceneaux Jack Babbert Julie Bacome Michael Barker Charlene M. Beaver Joe Bentivoglio David A. Betz Bill & Renee Bilgram Gary & Pam Bollier Paula & Greg Bosler Dr. Nancy Branyas & Mr. Vern Petri Christina Bredhold Mimi & Terry Brookie Jim & Joyce Burrell Rebecca & Rodney Byrnes

David & Judith Chadwick Mr. John Chlapik Sam & Megan Clark Steve & Grace Crowell Janet & Mervyn Cohen Jan & Matt Cohoat Ron & Dorothy Conley Barbara Coppinger Matthew & Courtney Corley Mr. & Mrs. William E. Corley Jack & Karen Crane Kelley & Thomas Creveling Rebecca Dora Culbertson Lynn & Milton Cuppy James & Sarah Dicks Diana & Cam Edwards Judith & Robert Evard D. L. Falcone George Faulstich Bronwen & Marvin Ferguson Alex & Joan Fraser Frank & Nancy Fults Genee & Norm Godden Gordon Graham & Sue Greenlee John & Margaret Graham David & Annette Greene Barbara & Robert Gregory Pat & Steve Gross Bruce & Mary Hakes Renny & Stephanie Harrison Mr. & Mrs. Edward Hartigan Dennis & Amy Haworth Ronald Held Ken Hoffman Leslie M. Hoggatt Janet & Richard Howse Judy & Robert Huber David & Leanne Jackson James Jackson Jerry & Jean Jansen Dr. Kevin Jarrell Michael & Kimberly Keller Nick & Katy Kestner Family Fund Marjorie Kimes Bob & Sandee Kleymeyer Cham & Jami Kong John & Mary Dawn Krege Nancy & Otto Krohn Lowell Gene LaBaw Jan & Jeff Lefton Dr. & Mrs. R. Stephen Lehman Ron & Teri Lenz Vera Long List continued on next page.

Emily Meaux Lovison, MPA Mariol Luddy DUG & Libby Macomber Dale & Sharon Mansberger Kelly & Stephan Masoncup Susan Massela Joe McCann Dr. William K. McGarvey Terry & Joyce Metzger Corrie & Nate Meyer Mandy Moore & Neal Rothermel Laura & Dan Moriarity John & Catherine Mulvihill Rita & Patrick Murphy Brian Myers Ken & Chyrise Ney Karlon Olson Paul Orzeske Tim & Susan Ottinger Charles Phillips R. Bruce Pickens Roger & Sharon Prasuhn Paula Presnoples Jerri & John Ramsey Dana Randall Linda Reisner Tim & Dee Renner Karen & Darrell Richey Dr. Steve Ripperger & Lynn Wilson Jennifer & John Robbins John & Madelaine Schiering Roger Schmelzer & Lucinda Phillips Kay & Charles Scott Terri Scott Brian & Christine Seitz Julia Shildmyer-Heighway & Rob Heighway Susan & Greg Springirth Tracy & Jim Storts William Swigart Cindy Teeters Richard & Jacqueline Thompson Bill & Mary Tierney Glenn & Cheryl Troyer Mike Turley William & Laurie Uebele Allen & Jonna Valenti Gregory Volovic Alexander Volyk Sharon & Chris Wardrip Nan & Robert Webber Michael & Patricia Wilson 56

Neal & Donna Wixson Larry & Carolyn Woodling Robert Yee Steve & Judy Young David & Carol Yount Richard & Sandra Zeckel Anonymous (3) AlphaGraphics Halter Ferguson Financial MEMORIAL & HONOR GIFTS In memory of Thomas W. Bowers Eloise Bowers In honor of Cathy Bergstrom The Capital Group Companies Charitable Foundation In celebration of Jan & Bruce Reynolds’ birthdays Greg B. Reynolds In honor of Jan & Bruce Reynolds' Wedding Anniversary Greg B. Reynolds In honor of Greg Reynolds Jan & Bruce Reynolds In memory of Hugo & Ann Strubel and James Wall Anonymous MATCHING GIFT COMPANIES Bank of America Charitable Foundation Duke Realty Eli Lilly and Company Foundation Gartner, Inc. GE Foundation John Wiley & Sons, Inc The RMR Group LLC ENDOWMENT DIRECTED GIFTS Indianapolis Colts

The stage is set for your success. At Katz, Sapper & Miller, we are proud supporters of the Center for the Performing Arts. We are also entrepreneurial-minded professionals dedicated to our clients’ success. Looking for a tax, accounting, and consulting provider that will always put your needs center stage? Talk to us about how we can put our talents to work for you.

PALLADIO SOCIETY Jim Ackerman Family Katrina & Frank Basile Beck's Hybrids The Carruthers Family Rollie & Cheri Dick Pedcor Companies Shiel Sexton Co. Inc. St. Vincent *Deceased

ksmcpa.com

Friends

Board of Directors Melissa S. Barnes Chairperson

Pamela Campbell Williams Vice Chairperson Robert Pullen Secretary

Rollin M. Dick Treasurer

Carolyn Anker Brook Babcock Sara Carruthers Marc Cherry Del Demaree

ANNUAL FUND

Diamond Songbook Legacy ($100,000+) The Carruthers Family Michael Feinstein & Terrence Flannery Ira & Leonore S. Gershwin Philanthropic Fund Bren Simon

Songbook Society Platinum ($50,000 - $99,999) Efroymson Family Fund

Luke Frazier

Gold Songbook Legacy ($25,000 - $49,999)

William Hammer

Dr. & Mrs. Charles M. Simons

Terrence Flannery

Mary Lane Haskell Stan C. Hurt Kate Edelman Johnson Karen Kelsey Paul Lowden Maria Ferrer Murdock Troy D. Payner, MD Tom Postilio Roger Schmelzer Dr. Charles Simons Mike Strunsky Michael Feinstein (Founder, Ex officio) Irwin Helford (Member Emeritus) Ronald G. Shaw (Member Emeritus)

Thank you to the following individuals and organizations that have contributed to the Foundation during the past year. This list reflects gifts received through January 24, 2018. For more information, please contact the Development Office at 317.819.3520.

Silver Songbook Legacy ($15,000 - $24,999) The Music Man Foundation The Ted Snowdon Foundation

Bronze Songbook Legacy ($10,000 - $14,999) Lisa & Paul Andre Carolyn & Terry Anker Gary Carnow Marc Cherry Luke S. Frazier Stan & Sandy Hurt Doug & Karen Kelsey Sue & Paul Lowden Jeffrey C. McDermott Maria Ferrer Murdock Troy Payner & Cara Peggs Tom Postilio & Mickey Conlon

Robert Pullen Roger Schmelzer & Lucinda Phillips Van Heusen Music Corp.

Hollywood Musical ($5,000 - $9,999) Melissa & Bradon Barnes Hal Brody & Don Smith Mr. & Mrs. Jay Michael Cook Rollie & Cheri Dick Michael & Margie Draper The Don and Abby Funk Charitable Trust William M. Goodwin William & Barb Hammer Mary Lane Haskell Sam & Mary Haskell Leah & Eric Payne Pam & Bill Williams Applegate Elder Law The Blanche and Irving Laurie Foundation The Harold Wetterberg Foundation Ray and Bernice Charles Trust Salon 01 & Aquage

Broadway Show ($2,500 - $4,999)

David & McNally Sagal Pat & John Schuler Maryanne Siek Jon & Cleo Sonneborn Drs. Pamela Steed & Peter Furno Sheila M. Stone Jim & Joyce Winner Barrie & Margaret Zimmerman United Healthcare

Big Band ($500 - $999) Diane & John Abrams Cathy A. Burton Peggy Lee Associates Nancy A. Hague Marjorie Kimes Michael & Sharon O'Hair Carol & Al Pope The Rains Family, Michael, Kathryn & Logan Bruce & Jan Reynolds Carol & Dick Schwartz Saundra & Mark Truett Larry Weber Anonymous (2)

Randy & Libby Brown Jim & Ray Luther-Pfeil Jim & Ginny Purvis

A Cut Above Catering Carte Blanche Limousine

The Edward and Helen Oppenheimer Foundation Ella Fitzgerald Charitable Foundation Guardian Relocation, Indy Hamilton County Tourism, Inc. The Tony and Renee Marlon Charitable Foundation The Voice Clinic of Indiana

Tin Pan Alley ($250 - $499)

Cabaret ($1,000 - $2,499)

Jack Bethards Jill & Mark Bonnett Ms. Sydney Jeanne Book Kimber Cross Gary & Peggy Ford Charitable Fund Carla Gordon Don & Pam Gottwald Nancy & Dean Hoke Rick & Cindy Leffler Dr. & Mrs. Ronald Maus Dr. & Mrs. Steven & Candice Rosen

Cindy & Kevin Beauchamp Jane & Jerry Bintz Christopher Brush Steven J. Bush Helen M. Eby Leslee & Wayne Feinstein Brian Fick & Mary Yeager Roger & Susan Frick Brent & Linda Hartman Karen E. Kennedy Chris & Kelli Lewis Jerry & Harriet McDermott J & E Palladino Family Trust Jill & Jason Reese Carol Schutt Gerald & DeAnn Shrewsbury The Sierra-Wysong Family Elayne Techentin Kathy & Hal Thurston Barbara Wulfe List continued on next page.

Anonymous (1) MEMORIAL & HONOR GIFTS In honor of Michael Feinstein Mr. & Mrs. Jay Michael Cook In memory of Mr. & Mrs. Adrian Levy, Jr. and Mr. & Mrs. Adrian Levy, Sr. The Edward and Helen Oppenheimer Foundation In honor of Michael Feinstein & Terrence Flannery Leslee & Wayne Feinstein In memory of Miss Ella Fitzgerald, the beloved First Lady of Song Ella Fitzgerald Charitable Foundation

In memory of Steve Madrick and his contribution to the Big Band era Kimber Cross In memory of John Muldowny Sheila M. Stone MATCHING GIFT COMPANIES Eli Lilly and Company Foundation ENDOWMENT DIRECTED GIFTS The Family of Louis F. Edelman *Deceased

In honor of Mary Lane Haskell Sam & Mary Haskell

Sharp Business Systems is a Bronze Palladium Society Sponsor

SBS offers a unique and consultative approach to help you better communicate with staff and customers to drive business success faster. We embark in a discovery process to assess four primary forms of communication: Document-Based, Image-Based and Collaborative-Based Communication, all supported by a strong infrastructure and Network Services.

Document

Imaging

Paper Driven Process

Software Driven Process

Communicate your message through paper documents via copying, printing or scanning technologies

Create, access and secure digital documents and data to improve staff/client experience

Collaboration

Networking

Visualization and Cooperative Communication

IT Infrastructure and Support Services

Encourage group dialogue, brainstorming and innovation to drive results faster

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www.sbsindiana.com • 317-844-0033

WE’LL DO YOUR DIRTY WORK

Proactive IT services to keep staff focused on positive outcomes

High-end residential landscape design, build, and management. ENGLEDOW.COM/ESTATES

317.575.1100

THANK YOU The Center thanks the following major partners.

Dave Shepherd Founder, CEO

Quinn Shepherd Managing General Partner

SHEPHERD PROUDLY SUPPORTS THE CENTER FOR THE PERFORMING ARTS.

m a k i n g t h e a rt s h a p p e n

317.846.5554 These activities made possible, in part, with support from Indiana Arts Commission and the National Endowment for the Arts, a federal agency. 62

vip@shepherdins.com shepherdins.com

With appreciation to our community partner

Big enough to help you. Small enough to know you.

Free Mobile Banking* Personal and Business Banking Free Online Banking and Bill Pay Access Anytime Telephone Banking Commercial and Consumer Lending Surcharge-Free access to over 85,000 ATMs

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*Text/SMS message & data rates may apply Member

FDIC

www.unitedďŹ delity.com

UNITED FIDELITY BANK - CARMEL