The Chop #1 by The Chop

Liebe Leser*innen von The Chop,

Dear readers of The Chop,

Ich habe noch nie ein Editorial geschrieben, deshalb beginne ich erst einmal damit den komischen Bart von diesem Typen der neben mir sitzt zu beschreiben. Eigentlich der klassische Mungo Jerry-Stil, riesige Kottletten die durch eine dünne Linie von Barthaaren unter seinem Kinn zusammen laufen. Wortwörtlich unter seinem Kinn. Man kann sie nicht sehen, außer wenn er nach Oben schaut. Ohne diesen schmalen, normalerweise nicht sichtbaren Streifen würde dieser Stil von Bart als “chops” bezeichnet werden. Aber was ist das?

I’ve never written an editorial before, so I’m going to start by describing the strange beard of this guy sitting next to me. It’s basically the classic Mungo Jerry-style huge side burns, however, they are connected by a thin strap of beard which goes under his chin. Literally, under it. As in, you can’t see it except when the guy looks upwards. Without this narrow, usually unseen stripe, this style of beardige would be referred to as “chops”. But with it?

Den Punkt den ich hier versuche zu machen ist, das diese Zeitschrift “The Chop” heißt und wir auch noch nicht 100 Prozent sicher sind was das bedeutet. Es ist ein ziemlich cooles Musik Magazin mit einem Konzert Kalender für umsonst, aber die Form und Inhalte sind immer noch im Entstehen. Dafür brauchen wir eure Hilfe. Schreibst du gerne, machst Kunst, trinkst gerne Bier, machst Fotos, gehst zu Konzerten, oder kennst dich mit Grafik Deisgn aus? Dann trage zu The Chop bei! Dieses Magazin wird von Leuten aus der Community gestaltet um Berlin’s reicher, aber oft überschatteten, Live Musikszene einen Fokuspunkt zu geben. The Chop ist die kleine dünne Barthaar-Linie die die Kottletten verbindet. Die Kottletten stehen als Metapher für die Live-Musik und die Leute die Spaß an ihr haben. Also, schreibt uns eine E-Mail, wenn ihr das Magazin mitgestalten wollt.

The point I’m trying to make is that this paper is called “The Chop”, and we’re still not 100 percent sure what it is either. Yes it’s a badass free music magazine/concert calendar, but its form and content are still very much in flux. Which is why we need your help. Do you like to write, make art, drink beer, take photos, go to concerts, or do graphic design? Contribute to The Chop! This paper is made by members of the community in order to give Berlin’s rich, but often overshadowed, live music scene a focal point. It’s like The Chop is the little chin beard line that connects the two sideburns. The sideburns in this metaphor being live music and the people who enjoy it. So send us an email if you want to help.

Viel Spaß mit The Chop. – Ryan Rosell

The Chop Team – Adrian Rötzscher Amande Dagod Barry Cliffe Julie Gaspard Justin Person Luise Vörkel Marie Beckmann Martin Dziallas Ryan Rosell Therese Koppe Yannis Trouinard – The Chop Issue #1 February 2016 Auflage : 500 Stück – www.thechop.de FB : @thechopmag hello@thechop.de

Enjoy The Chop, – Ryan Rosell

January 17th, Wood & Plastic #1 - Music gear market at Marie-Antoinette Interview with Sylvain Livache, who introduces us to Theodoros Kissiaris by Yannis Trouinard. Hello Sylvain, tell us a bit about yourself and the Wood & Plastic event. “I am a sound engineer, label owner and musician based in Berlin. I am currently working with producer Christian Mevs (Tocotronic) to build & launch a new studio together, around the month of May. We want to gather both his Salon Berlin projects, and my Twaague projects - Twaague being my label. Years ago, I had the idea of a flea market dedicated to sound and production gear. To me, it’s great to also help building communities around the local music scene. For this first event there were 6 stands, including one specialized in synthesizers with Derek Holzer, and one in guitar pedals, with Theodoros.

I would like to keep a nice & friendly atmosphere for the next events. I have 9 registered stands for the second event so far” What about you, Theodoros, can you tell us a bit about your work ? “Sure, I am an electronic engineer and I have live din Berlin since 2009. When I started to design pedals, the market was pretty limited. By then, Mogwai asked me to produce handmade pedals for them. In the past 7 years, I have made 4 different models, under the name Kleissonic. Some of them are used by Sonic Youth and Brian Jonestown Massacre as well. If you want to check them out you can come over to the next Wood & Plastic event !”

Wood & Plastic is a series of music instruments and production gear market. Musicians (pros or not) and all music lovers are welcome to sell and purchase musical items on the spot. – Wood & Plastic #2: February 7th, 11am - 6pm at Marie Antoinette To register for a stand: woodandplastic@twaague.com

Interview by Luise Voerkel Drei Girls, ohrenbetäubender Garage – das sind Gurr. Der Name ist einerseits gelebte Aversionstherapie, andererseits subtile Anspielung auf die Riot Grrrl-Sache. Die Energie und die Kratzigkeit, die man mit letzterer verbindet, können Andreya, Jil und Laura auf jeden Fall vorweisen. Der Atem wird Gurr nie knapp, selbst bei hoher Geschwindigkeit singen sie an Schlagzeug und Gitarre mühelos im Duett. Und auch auf Platte bringt die Band ihre Punk-Attitüde und den rumpeligen Sound der 60er lässig, ohne Anzeichen von Nostalgie, zusammen. Zum Beispiel auf der „Furry Dream“ EP. Oder auf dem Soundtrack zum Film „Desire Will Set You Free“. Wenn Gurr nicht gerade mit befreundeten Bands einen Drink in der 8mm Bar nehmen, oder sich anderen Projekten wie Orchestra Hit und No Fun widmen, basteln sie an ihrem Debüt: in Proberaum-Kellern und in den Hansa-Studios. Jetzt fehlt nur noch ein Video – dafür sind Gurr gerade auf der Suche nach der passenden Unterstützung. Wer sich dazu berufen fühlt, bitte melden! Your name suggests you’ve got a thing for pigeons, is that true? L: On the contrary! We were looking for a short name and came up with Gurr. It eludes to the Riot Grrrl movement and it also fits because I’m very scared of pigeons. I sometimes even cross the street if there’s too many of them. You’ve all played in other bands what’s different with Gurr? A: With Gurr we all take it more seriously, we invest a lot, usually we rehearse two times a week. L: For me Gurr is the first band that really has an original sound. Where you going after a specific sound from the beginning? A: No, it was kind of a no-brainer. L: When we started we listened a lot to Jeff The Brotherhood, Ty Segall, Thee Oh Sees. We’re still into this kind of music but we listen to a lot of different stuff. A: And we appreciate all of Jil’s funky bass lines. We manage to blend everything together. So how did it all start? L: Gurr is our first Berlin project. Andreya and I met at uni in 2012 and decided to form a band. We met Jil at Thee Oh Sees shows. After we gave her a flyer, she asked us if we needed a bass player. She had to learn all our songs super-fast because we had our first show lined up at SO36! Obviously she did a great job.

“Exposure in the city is really good. And there’s tons of venues to play at.” Do you have a new release coming up? A: We have been recording for the last weeks. We played a show organised and recorded by Die Letzte Metro and did some demos with them. And we recorded at Hansa Studios because we’d won a sponsorship. We’re definitely going for an album but we don’t know what we’ll end up with yet. What do you like about having a band in Berlin? L: It’s very easy to get shows here and to get payed to play. I can only compare it to the States or to what I hear about London. It all seems to be a bit more easy-going here. And there’s so much opportunities and so many different bands, you just start thinking bigger when you live here. J: Also, there’s the government funding in Germany, there’s a lot of support programmes here. And Berlin’s a film city. We’re on a feature film soundtrack, we’re playing a Berlinale party next month, and we’re in this indie film of Andreya’s friend.next month, and we’re

in this indie film of Andreya’s friend. Exposure in the city is really good. And there’s tons of venues to play at. A: We’re on the soundtrack for „Desire Will Set You Free“ a movie by Yony Leyser, about queer culture in Berlin. And we did a performance and got a little cameo in „Vitches“ by Maria Neheimer. The movie was shot at a women-only set in Bavaria.

Illustration by Adrian Rötzscher Next exhibition : A Fine Line – February 26th – 28th at ReTramp gallery, Reuterstr. 62 Neukölln Vernissage opening Feb. 26th – 18 - 22h

calendar key :

Kometenmelodien > Gun Outfit + Whitney + Tendre Biche* – Kantine am Berghain

Soft Grid* + Helen Fry* – Antje Öklesund

Deadverse + New Golden – Tiefgrund

Muyassae Kurdi + Mathieu Sylvestre – Madame Claude

The Residents – Columbia Theater

CTM > Love Cult + Alina Filippova “Nada” + Buttechno – HAU 2

Monday / Montag

#The Chop Launch Party – Das Gift (20h)

promoter > bands – venue

Karrera Klub > PINS – Musik & Frieden

Shameless Limitless – Jaako Eino Kaalevi – Kantine am Berghain

Mika Bajinski* + Dune Messiah – Madame Claude

Empress Of – Kantine am Berghain

Trinity Music > Tortoise + Sam Prekop + Blondy Brownie – Berghain

Schnick Schnack Schnuck > Shopping + Levitations* – Tiefgrund

* local band

– Monarch

Melt Booking >

# Killing Capitalism with Kindness : A New Zealand Special – Schokoladen

Puschen / Shameless Limitless > Better Person* + Promise Keeper – Urban Spree

Die Letzte Metro > Black Heino + Les Aspirateurs + The Diegos – Urban Spree (21h)

Kometenmelodien > Darkstar, Jim Cassady & Pablo, Persian Empire – Kantine am Berghain

Puschen > Car Seat Headrest – Acud Macht Neu

Poliça –Kantine am Berghain

Fête d’Adieu > Brookland +

# What Difference Does It Make? – Antje Öklesund (23h)

media performances and installations) – Haus der Kultur der Welt

27 # Forecast Festival (multi-

Greyzone Concerts > King Dude & The Demon Brothers – Kantine am Berghain

King Gizzard & The Lizard Wizard – Bi Nuu

Motte* – Westgermany

Flennen about Neu

20 > AG Form* + Fun Fare +

William Basinski – Roter Salon (additional show)

Greyzone Concerts > Kind Dude (solo) – Kantine am Berghain

– Gretchen

Loft Concert >

Sunday Funday : Puschen / Shameless Limitless > Novella + Fake Laugh + karaoke – Monarch

# Wood & Plastic #2 – Marie Antoinette (11h - 18h, music gear fleamarket)

21 Other Lives

CTM > Ah! Kosmos + Pole & MFO + Floating Points – Astra

Puschen > Air Waves – Monarch (20h)

Sunday / Sonntag

venues addresses and U/S-Bahn stops listed on last page

# Forecast Festival (multimedia performances and installations) – Haus der Kultur der Welt

Mutter – Antje Öklesund

26 amStart >

MAGNIFICENT MUSIC NIGHT Vol. 6 – Psychedelic Garage Daze : The Sonic Dawn, Duck Duck Grey Duck, Have Blue* – Bassy Club

– Antje Öklesund

19 Tincan Folklore

Mueran Humanos + secret guest – Badehaus Szimpla

13 Fave Rave >

Elekto Guzzi – Kantine am Berghain

TV Eye > Cobalt Cranes + The International Noise Pollution* – Schokoladen

Greyzone Concerts > Beach Slang – Cassiopeia

TV Eye > Singapore Sling + The Third Sound – Urban Spree

The Postman is the music scene > The Things + Pleasure Dome – Antje Öklesund

Saturday / Samstag

CTM > Easter – Yaam

Cranky Booking > Janek Sprachta + Window Magic – La Cave (20.30h)

Friday / Freitag

Die Letzte Metro > Fotzen Power Germany* + Nunofyrbeeswax* – Urban Spree Basement

Soft Grid* + Fith – Schokoladen (19h)

.The Good Life + Big Harp – Privatclub

CTM > Kink Gong + Christoph Schlingensief’s “African Twin Towers” re-played by Carolin Brandl* & Hanno Leichtmann* – HAU 1

Thursday /Donnerstag

# non live music event but music related (party / Dj set / market)

#Das Gift x Shameless Limitless w/ guest DJ V – Das Gift

Fave Rave > Night Beats + The Maggie’s Marshmallows + Odd Couple* – Badehaus Szimpla

Loft Concerts > Together Pangea – Cassiopeia

Grimes + HANA –Astra

amStart > Unhappybirthday + Sfir* – Acud Macht Neu (20h)

24 Wyoming

Fourtrack on Stage > Any other + Islaja* – Schokoladen

# Rrose Sélavy – Neubar

# Das Gift x Shameless Limitless w/ guest DJ Windows – Das Gift

– Schokoladen

03 Gewalt

CTM > Iancu Dumitrescu & Ana-Maria Avram with Hyperion Ensemble featuring Stephen O’Malley + Stephen O’Malley (SUNN O)))) – solo live) – Berghain

CTM > Jerusalem In My Heart – HAU 2

Wednesday / Mittwoch

Tuesday / Dienstag

by Barry Cliffe > Local concert promoter Schnick Schnack Schnuck brings you Shopping (UK,Fat Cat Records) who are a storm of post-punk influences whose latest album has some soon to be classics on it, one of the best records to be heard round The Chop way recently. Local gals Levitations provide support and you can look forward to their debut album later this year which is to be released on Berliner label Adagio 830. A superb local venue also. If you don’t know it, get into it. Shopping + Levitations* Feb 2nd – Tiefgrund

> Fête d’Adieu, another local promoter, brings you more German post-punk and indie newcomers this time in the shape of Brookland from Dortmund and local kid Tincan Folklore, the solo project from Alex Roth of Yoga. Also happens to take place in, hands down the best venue in town.

> King Gizzard & The Lizard Wizard possess not only the raddest rock ‘n roll band name of all time, they also have the records to back it up. Having released six albums since autumn 2012 it is sometimes hard to keep up with this Melbourne outfit and their spectacularly mind-bending records, which have blended garage-surf, space-rock, psych-jazz and beachpop. So get along for one of their legendary live performance at Bi Nuu cos once you see them, you’re a fan for life. King Gizzard & The Lizard Wizard Feb 27th – Bi Nuu

> Paper and Iron Booking agency continue their excellent Kometenmelodien series at Berghain Kantine this February with two shows. The second of these is the Berlin debut of Gun Outfit from Los Angeles. Their 4th and latest LP, Dream All Over, is an exquisite record full of country-esque rock grooves reminiscent of earlier Kurt Vile, all textured and layered and spun into something approaching a road trip soundtrack. Support is from Whitney, whose similarly soulful, grooving indie-rock is also a breath of fresh air. Local indie kids Tendre Biche complete the line-up, their Go-Betweens tinged indie a real treat and welcome addition to the local scene. Local label Späti Palace provide the sounds in between bands and afterwards til you all get thrown out. Gun Outfit + Whitney + Tendre Biche* Feb 29th – Bergkain Kantine

Brookland + Tincan Folklore* Feb 19th –Antje Öklesund

An inside look into one of Berlin’s most unique record shops by Barry Cliffe Staalplaat is a physical and online record and book store which focuses on experimental, obscure and extreme music, underground tape culture, DIY art, and graphic design. It also hosts an in-house label, publisher and itinerant gallery called Le Petit Mignon. With The Chop having set itself towards re-establishing the physical as a vital source of information to the local music community, we see it only fit that we honour the record shops continuing to provide physical music to the masses. This month we focus on Staalplaat which is based in the Schiller Kiez area of Neuköln. It might be well-hidden, but we’re sure once you visit you’ll return time and time again to this most welcoming and unique of record shops. A trip to Staalplaat might involve ringing the doorbell to gain entry, but inside you’re free to roam and peruse the stacked shelves. Local tape labels sit alongside established experimental music labels releasing only on vinyl. The central table is laid out with with zines and art books and the walls are adorned with impressive poster art which is regularly changed. Take a seat and read or make your way through the record shelves, it’s about as relaxed as a record shop can get. Staalplaat is a store with a long history. Founded in Amsterdam in 1982, it grew into a label for sound artists, an organised

network with a record label, an e-zine, radio programme, shop, and a mail order and distribution company. The label was founded by Geert-Jan Hobijn and became famous in the 1980s for its Mort Aux Vaches series, a collaboration between Staalplaat and Dutch National Radio, VPRO, in which the station provided the recording sessions and Staalplaat released them in limited edition runs. Some of the better known artists to have been released on this series are Jazzkammer, Yellow Swans, Ryoji Ikeda, Alva Noto, CoH, Oren Ambarchi, Merzbow, and Tim Hecker. Having relocated from Amsterdam to Berlin in 2004, the store is the only physical Staalplaat shop remaining. Here, Guillaume Siffert took over and incorporated his own piece of DIY history into the ever-evolving story of Staapplaat: Le Petit Mignon. Before taking over at Staalplaat this was Siffert’s first store and also the name of his concert series for experimental music which he then fused with Staalplaat in 2007. Le Petit Mignon is also an independent record label, publishing company and itinerant gallery focused on DIY and underground visual art and innovative music. In the past few years, it has released a wide range of publications combining unconventional music and illustration, in close collaboration with musicians, visual artists and printing studios.

These very limited editions are mostly hand-printed and handassembled in the pure DIY spirit. After having regularly brightened the walls of Staalplaat store with atypical exhibitions, Le Petit Mignon has recently initiated a series of traveling group shows aimed at presenting contributors to the international underground art scene. It’s this DIY spirit that we at The Chop are also trying to maintain. Hopefully, if you get out there to support your local record shops and the artists’ works they house, then we can all reap the benefits to the cultural landscape of Berlin.

STAALPLAAT Kienitzer Str, 108, 12049, Berlin staalplaat.com facebook : staalplaat.berlin

Poem by Ryan Rosell You are the bassist in every band, In every genre, in every land. Your fingers are calloused From years of practice. Your mind is sharp Like a cactus. And so to give credit Where credit is due, This poem was written Just for you. The unsung hero, everyday. It is unknown just why you play. You do not play for glory or fame Or to hear people shout your name. You do not flail about the stage Or spew out bouts of love and rage. You play because you are a bassist. As sure as Donald Trump’s a racist. Some people may say you look bored or stiff, As you pluck at that same chord or riff. “Look at that nerd,” they might think As they sip their fancy drink. But what those buttholes don’t understand. Is the power in your bassy hands. The power to move. The power to sway. The power to lead youths astray. The power to keep a song afloat Or if you choose, to rock the boat. You play those thick vibrating strings And bath in the harmony that bass brings. So know that as you play your parts. Your playing the bass strings in our hearts.

art recomendations by EVGB MARK LECKEY Dream English Kid 1964 – 1999 AD at Galerie Buchholz, Fasanenstr. 30, 10719 Berlin opening 05 February 7-9pm, on view until 19 March

Turner prize winner Mark Leckey made his mark with the video piece “Fiorucci Made Me Hardcore” in 1999 chronicling the British clubscene from 1970s northern soul to 1990s acid house. Working in installation, performance and film, Leckey’s work does not fit boxes and eludes definition. – MADELEINE - Group exhibition with Tully Arnot, Geta Brătescu, Daniel Gustav Cramer, Franziska Furter, Antonia Low, Reto Pulfer, Chulayarnnon Siriphol at Insitu, Kurfürstenstraße 21-22, 10785 Berlin, on view until 05 March

Insitu, a project space located in Schöneberg designs its program in annual cycles with a thematic focus. For the third cycle a number of group exhibitions were developed as if they were fictional characters. The artists are free to explore each exhibition’s character and create a private world for the viewer to explore. On the 22nd of January Insitu introduced Madeleine, whose memories are starting to falter and who feels most secure at home. – CAROL RAMA Ferite della memoria - selected works at Isabella Bortolozzi, Schöneberger Ufer 61, 10785 Berlin opening 26 January, on view until 05 March & Carol Rama’s studio home selected photographs at Eden Eden, Bülowstraße 74, 10783 Berlin opening 09 February, on view until 05 March

Real artist’s artist Carol Rama’s first show in 1945 was shut down by the police due to the sexual content of her work. Described by Frieze Magazine as “dark perversions of Grimm’s fairy tales”, Rama explores themes of fetishism, feminism and the body in her often crude and confronting watercolours and paintings A look into her private world will be on view at Eden Eden. – EVBG is a venture by Marie Beckmann and Julie Gaspard dedicated to working curious work. Small investigations into contemporary life, dealing with the concepts of FOMO, FOGO, feminism, representation and expectation. www.evbg.org

TOP OF THE CHOP 5 of the best pinball joints in Berlin

Played in smokey bars and feared to corrupt young minds, pinball (aka flipper) has long stood alongside rock music as an emblem of counter culture. While rock and roll has continued to flourish and grow, playing the silver ball has largely become a bygone amusement. We here at The Chop think this is a damn shame, so here’s a list of the 5 best places in town to flip some balls. 1. East Side Bowling Alley - Star Trek The Next Generation, The Flintstones, Indiana Jones: The Pinball Adventure, The Addams Family, Dr. Who 2. Bassy Club - Elvis, Funhouse 3. Lenau-Stuben - Attack From Mars 4. Bar Franken - Medieval Madness 5. Bohnengold - Creature From The Black Lagoon, Super Mario Brothers

NEGLECTED ESSENTIALS

Some of the best cuts from bands on this month’s calendar along with some suggested songs by Gurr.

* local bands,

$ suggested by the featured band or artist of the month Gurr* - Ode to Oatmeal Teen $ - Electric Tronics $ - The Other Man T. Rex $ - Baby Strange Islaja* - Siren Call Gun Outﬁt - Legends of My Own Air Waves - Shine On Helen Fry* - pcnc310-pcnc King Gizzard & The Lizard Wizard - Hot Wax Sﬁr* - Bodies Better Person* - Sentiment Get a listen at: mixcloud.com/TheChopBerlin

Missed connections !

Did you lock eyes with someone from across the dance floor, but never had the chance to say hello ? The Missed Connections section of The Chop gives you a second chance at romance. All posts will be printed anonymously, and if the apple of your eye responds to us, we’ll put you two in touch. It’s kind of like analogue tinder. Here’s an example: WsM: I was at the Slow Steve show at Anjte and you were playing the bass When you took off your bass to play keys, your shirt came up a bit and I saw your hairy, rock-hard abs. I’d love to go for a drink and find out whats behind those dreamy eyes.

In this scenario, Slow Steve bassist, Charley, would email the chop at love@thechop.de and we would put these to young lovers in touch. Send your missed connections to love@thechop.de and don’t let a shot at love pass you by.

S h o w _ r o _ scope Text by Luise Voerkel Illustrations by Martin Dziallas

The cosmos might not always control your destiny, but when they do, The Chop has experts on hand to keep you in the celestial-know. GEMINI – Your pragmatism is admirable, but take your time. It might be better to use a matchstick than an axe to break the ice. CANCER – Battle cries and champagne don’t sound like you at all? Be aware that your own tables might turn and surprise you. TAURUS – Anytime you feel trapped, look over to the bartender. You’ll know how to sway through the crowd to an empty space. VIRGO – Ambition is nice, but it won’t bring you far without a day or two spent unwashed and somewhat slightly dazed. LIBRA – It can be healing to gossip till your lips are bleeding. A good chapstick and a sincere voice make the difference. SCORPIO – Everyone says hi, but do they ever say good-bye? Be careful, your attention is not an infinite good. SAGITTARIUS – Will all the cacti find a home? Don’t worry about it. In fact you’re entitled to some not-giving-a-damn time now.

photo of the month by Therese Koppe at The Chop Funraiser Party, Slow Steve, 15.01.2016 – send your show photos to hello@thechop.de Friedrichshain Antje Öklesund – Rigaer Str. 71-73 (U5 Samariterstraße) Astra – Revaler Str. 99/RAW-Gelände (S+U Warschauer Straße) Badehaus Szimpla – Revaler Str. 99/RAW-Gelände (S+U Warschauer Str.) Berghain + Kantine am Berghain – Am Wriezener Bahnhof (S Ostbahnhof) Cassiopeia – Revaler Str. 99/RAW-Gelände (S+U Warschauer Straße) La Cave (Spud Bencer) – Gubener Straße 41 (S+U Warschauer Straße) Tiefgrund – Laskerstraße 5 (S Ostkreuz) Urban Spree – Revaler Str. 99/RAW-Gelände (S+U Warschauer Straße) Yaam – An der Schillingbrücke (S Ostbahnhof) Neukölln Das Gift – Donaustraße 119 (U7 Rathaus Neukölln) Prenzlauer Berg Bassy Club – Schönhauser Allee 176A (U2 Senefelderplatz) Neubar – Greiswalder Straße 218

ARIES – The world is full of life, full of folks who don’t know you. That spark you have will get you the right connections. Kreuzberg Bi Nuu – im U Schlesisches Tor (U1 Schlesisches Tor) Gretchen – Obentrautstr. 19-21 (U6/7 Mehringdamm) HAU 2 – Hallesches Ufer 32 (U1/7 Möckernbrücke) Monarch – Skalitzer Str. 134 (U1/8 Kottbusser Tor) Musik & Frieden – Falckensteinstraße 48 (U1 Schlesisches Tor) Privatclub – Skalitzer Straße 85-86 (U1 Schlesisches Tor) Westgermany (U1/8 Kottbusser Tor) Mitte Acud Macht Neu – Veteranenstr. 21 (U8 Rosenthaler Platz) Haus der Kultur der Welt – John-Foster-DullesAllee 10 (U Bundestag) Marie Antoinette – Holzmarktstraße 15-18 (U8 Jannowitzbrücke) Roter Salon – Rosa-Luxemburg-Platz (U2 Rosa-Luxemburg-Platz) Schokoladen – Ackerstraße 169 (U8 Rosenthaler Platz) Tempelhof Columbia Theater – Columbiadamm 9-11 (U6 Platz der Luftbrücke)

CAPRICORN – Will you ever know when to go out and when to stay in? It doesn’t matter. Just pack an umbrella in case of rain. AQUARIUS – There’s a million dead-end streets in town and you’d never set foot in one of them. It pays off to trust your instincts. PISCES – Dignity is valuable, but your life is valuable too. Let go of your composure for once and embrace the consequences. LEO – Yes, unlike the early bird you will never ever suffer from FOMO, but please note: it’s too late to be late again.