Student Exhibition Catalog 2014 by The Design School at Arizona State University

Cover Photograph:

Canyon Lake west shore: The color of water in a desert manmade lake

Th e 2014 summer exhibition presents the work of students from all of Th e Design Schoolâ&#x20AC;&#x2122;s programs including architecture, industrial design, interior design, landscape architecture, urban design, and visual communication design. Th is yearâ&#x20AC;&#x2122;s volume highlights the strength of each of our respective disciplines and of our ability to investigate complex contemporary problems through a range of disciplinary methods and practices. Th is year our curriculum included a focused semester long collaborative studio experience offering students an opportunity to explore complex

contemporary problems through a range of disciplinary methods and practices. Undergraduates from the schoolâ&#x20AC;&#x2122;s five design disciplines were bundled into multi-disciplinary design teams in order to explore the complex question of water in the 21st century. Over the course of the semester the teams collaborated sharing their research, brainstorming, ideation, and final projects as they developed integrated responses to questions of sustainable uses of water. Th e work of the Bundle studios was exhibited in downtown Phoenix and is represented in this volume.

I invite you to review the projects contained within this catalogue which represent both work of the respective student authors and serve as a summary of the intellectual values of a community of distinguished colleagues committed to re-imagining design education and design practice as a means of improving the quality of the built environment and enhancing the public realm. Craig Barton Director

NEST

THE THE NEST

TRANSECT 6

CONCEPT & GOALS CREATE A HABITAT THAT NOT ONLY ALLOWS THE VERDIN TO THRIVE AND LIVE IN, YET ALSO AN OPEN AND INVITING OBSERVATION AREA THAT ALLOWS VISITORS TO EXPERIENCE THE VERDIN AND ITS HABITAT UP CLOSE.

PAPAGO PARK, PHOENIX , AZ

1/8”=1’

GIVEN

OUR SITES, WE FOCUS FIRST ON

THE TOPOGRAPHY BECAUSE IT IS VERY INFORMATIVE FOR ARCHITECTS AND LANDSCAPE ARCHITECTS.

PEOPLE

GENERALLY EXPERIENCE A SITE THROUGH THEIR SENSES, AND DO SO PRIMARILY THROUGH THE EYE.

PERSISTENT FOCUS AS A DESIGNER

DIFFERENTLY UNTIL

FORCIBLY CHANGED

MY PERSPECTIVE IN UNEXPECTED WAYS,

SUCH AS CHANGING ELEVATION, TIME OF

DAY, AND LOOKING AT IT FROM MICRO AND MACRO SCALES.

ALTHOUGH NIGHTHAWKS LIVE IN PLAIN

SIGHT THEY RARELY GRAB OUR ATTENTION.

USING TOPOGRAPHY IN UNEXPECTED

WAYS OUR FOCUS CAN BE BENT, COAXING OUR PERSPECTIVE AND ENVIRONMENT TO MERGE WITH THEIRS.

FOCUS

1/16”=1’

to concentrate attention or effort

COMMON NIGHTHAWK A NIMALIA -C HORDATA -A VES -C APRIMULGIFORMES -C HORDEILES S CIENTIFIC N AME : C HRODEILES M INOR W HEN SUMMER BREEDING IS OVER , NIGHTHAWKS TRAVEL LEADERLESS , EN L IFESPAN : 4-5 Y EARS MASSE , IN THE THOUSANDS . T HEY W INGSPAN : 20-24” JOURNEY 2,500 TO 6,800 W EIGHT : 55-98 G J ULY O CTOBER AND F EBRUARY ,

KILOMETERS BEGINNING MID THROUGH EARLY

START RETURNING IN LATE

TO FINISH BY MID -J UNE .

Winter (Non Breeding) MIgration Path Summer (Breeding) Year-Round

T HEY

A B I TAT I N G

STYMIED MY ABILITY TO SEE THE SITE

Behaviour -Monogamous -Hop and fly -Rarley seen on ground -Songbird Diet -Various Insects -Fruits -Nectar -Feeders

Habitat Thrives in thorny vegetaion -Mesquites -Saguaros

Range Southwest America and Northern Mexico

SEATING AREAS

VERDIN NEST

Verdin Size Weight: .2-.3ounces Length: 4inches average Wingspan: 6inches average OPTIMAL VIEWING

T TSEN EH

MAIN GATHERING AREA 25’

TRAIL 6’

VEGETATION

OPEN VERDIN HABITAT

LONGITUDINAL SECTION scale: 1/4” = 1’

Velvet Mesquite | Prosopis velutina

Foothills Palo Verde | Parkinsonia microphylla

Creosote | Encelia farinosa

Desert Senna | Senna covesi

Ocotillo | Fouquieria splendens

Globemallow | Spaeralcea ambigua

Fremont Thornbush | Lycium fremontii

Pink Muhly Grass | Muhlenbergia capillaris

PLAN scale: 1/4” = 1’

Compass Barrel | Ferocactus cylindraceous

Saguaro | Carnegica gigantea

MATERIALS

NIGHT .

F OUND

PROCESS

VERDIN CASE STUDY

HUNT ON THE WING FOR LONG PERIODS AT HIGH

ALTITUDES OR IN OPEN AREAS , FROM EARLY DAWN UNTIL FULL

C REPUSCULAR FLYING - ARE THEIR FAVORITE

H ABITAT

-CREATE OPEN, YET INVITING SPACE -GIVE VERDIN OPEN SPACE PROVIDING ALL IT NEEDS TO THRIVE IN -UNITE HABITAT AND OBSERVATION AREA FOR CLOSE YET APPROPRIATE INTERACTION

MOUER PARK, TRANSECT 6

INSECTS

MOTHS , BEETLES , AND FLIES

FOODS . T HEY DRINK BY FLYING JUST

OVER THE SURFACE OF OPEN WATER .

IN FORESTS , DESERT ,

SAVANNAHS , BEACH AND DESERT

Steel (entry lettering)

SCRUB , CITIES , AND PRAIRIES , AT

ELEVATIONS OF SEA LEVEL OR BELOW TO

11,000

FEET .

T HE C OMMON N IGHTHAWK IS DRAWN INTO URBAN BUILT - UP AREAS BY

Rammed Earth

INSECTS .

T HEY

HAVE A

Stabilized Granite

HORIZONTAL STANCE AND

SHORT LEGS , SO THEY AVOID

GROUND TRAVEL AND TEND TO

PERCH ON POSTS , ROOFS , OR GROUND .

Fall 2013

Undergraduate Second Year Architecture / Landscape Architecture: Design Fundamentals III

Student: Susan Brewer Faculty: Scott Murff

Architecture / Landscape Architecture: Design Fundamentals III

Student: Cristal Castro Faculty: Catalina LaFrance

EXPOSURE

GAMBEL’S QUAIL

EXPLORATION

EXPERIENCE Recreation brings people outside to enjoy themselves. The exposure to nature through recreation acquaints people with nature as they explore while having fun. Exploring and exposure leads to experience. People can experience the site, nature, and quail through recreation. The purpose of this site is to facilitate natural experiences for people who live in the urban areas. Inspired by the Goldsworthy art installation on the site, people will leave their normal place in the city and venture into the natural world. As a recreation area, the site will promote exploring and exposure to natural elements, particularly the gambel’s quail habitat area. The design is based on the quail’s habitat, immersing the visitor in the branches the quail uses for cover with shade and enclosed space. The visitor has ample opportunity to view the quail while remaining separated from the birds, ensuring their

Continued habitation.

PLAN

Callipepla gambelii Conservation Status: Least

Concern

-Gambel’s quail are small and plump, with a small bill, square tail, and short wings. Around a foot long with a wingspan of fifteen inches. -Social birds that move in conveys of twelve or more, sometimes joining other conveys in the same territory. -Nest on the ground in small indentations of soft earth and reproduce best when there is ample rainfall. -Naturally paranoid and rely on markings/ability to remain motionless as camouflage. -Live in mesquite thickets, thorny shrub land, cactus tangles, dry grassland, and agricultural fields.

RENDERINGS

View to northwest

View from interior to north

View to northeast HARDSCAPE

Detail Plan

NORTH 1/8”=1’

LANDSCAPE

Rammed Earth

Steel

Stained Concrete

Inspired by Hohokam earth construction. Used for main column and bench support.

Strong and private, used to cover wall openings to avoid frightening quail. Design of horizontal viewing windows to draw the eye out with connecting branches.

Used for main structures and posts. Brown stain blends with landscape so the building does not stand out.

Velvet Mesquite Tree

Creosote

Whitethron Acacia

Brittle Bush

Pozo Blue Sage

Encenelia farinosa

Salvia clevelandii

California Broom

Teddy Bear Cholla

20-40 ft.

3-8 ft.

6-7ft.

1-3 ft.

1-5 ft.

Provides shade for visitors and potential food for quail.

Most abundant plant in the park. Will be the primary plant for providing cover for the quail.

Provides periphery cover for quail and will mainly act as a visual screen for the visitors, directing views to positive aspects of the site.

Also very abundant on site, requiring little water. Provides food for quail and aesthetics with flowers.

Provides food for quail and aesthetics with flowers.

Provides cover and protection for quail and visual texture.

Prosopis velutina

Larrea tridentata

Acacia constricta

Acmispon glaber

Cylindropuntia bigelovii

Transect Plan

NORTH 1”=40’

East Longitudinal Section

Architecture / Landscape Architecture: Design Fundamentals III

Student: Dewen Ju Faculty: Denise Dunlop

1/5”=1’

Architecture / Landscape Architecture: Design Fundamentals III

North Cross Section

Student: Ryan Kiefer Faculty: Thomas Hartman

1/5”=1’

SVÄNGA

Svänga is a rocking chair bent from a single sheet of plywood.

Inspiration

Flattened Chair

Sketches

Models

Svänga’s bends and curves are made to comfortably seat the user and keep them safe while relaxing. The length of the rocker’s base ensures the user will not fall backwards and large radii provides proper weight support for anyone.

Fall 2013

Undergraduate Second Year Architecture / Landscape Architecture: Design Fundamentals III

Student: Derek Knochel Faculty: Allyce Hargrove

Industrial Design: Industrial Design I

Student: Jonathan Lau Faculty: Joseph Velasquez

Christine’s needs for the kitchen: • Range with hood • Double sink • Pantry • Dining room right off kitchen • Space near kitchen to accomodate two laptops, a writing area, and a printer • Access to the backyard from the kitchen

Kitchen Perspective

Bertoia Barstool

Oak Wood

Christine’s needs for the House: • Incorporate warm family atmosphere found in the Saul Bass House • Creative use of art/accent lighting • Great room concept with a fireplace • An accessible home with an ADA compliant grandmother’s suite and bath • Ample storage space and laundry room Living Room Perspective

Womb Chair

E27 Pendant

Saul Bass House

Satellite Chandelier

TOWN & COUNTRY The Brime Family In Scottsdale, AZ, the Brime Family has plans to purchase a mid-century ranch house as their primary residence. The home will be enjoyable for the family due to the unique and accessible design that includes features to make it user-friendlier for the handicapped. The house will be inspired by the Saul Bass House with an emphasis on light, and will provide a warm, open family atmosphere. Energy and movement, as well as ADA compliant elements will allow for the Brime Family to have a functional and uplifting place to make memories as a family. Christine Brime has a 14 year old daughter, Sarah. Christine’s job requires monthly travel so in her absence, her mother will stay at the home to care for Sarah. Both Christine and Sara require their own rooms plus an ADA compliant grandmother’s suite for Christine’s mom.

Granny Bathroom Sketches Granny Suite Perspective

Antler Chandelier Metropolitian Chair

Floor Plan

Rendered Floor Plan

Industrial Design: Industrial Design I

Student: Mark Millhollon Faculty: Joseph Velasquez

Interior Design: Interior Design Studio I

Sarah’s Inspiration Board

Student: Hayley Gutierrez Faculty: Toni Tassell

Master Suite Inspiration Board

INSPIRED BY FASHION DESIGNER COCO CHANEL’S ICONIC LITTLE BLACK DRESS, THIS RANCH HOUSE EMBODIES TIMELESS ELEGANCE. WITH PIERRE KOENIG’S STAHL HOUSE AS AN ARCHITECTURAL MUSE, THE DESIGN HIGHLIGHTS THE SEAMLESS FLOW OF INDOOR AND OUTDOOR SPACE. STRONG HORIZONTAL LINES EXTEND BEYOND THE INTERIOR, CREATING RHYTHM AND A DIRECTION FOR THE EYE TO FOLLOW. THE SAPPHIRE BLUE POOL ACCENTS THE SLEEK INTERIOR, AND IS THE PERFECT ACCESSORY TO THE ENSEMBLE. NEVER OVER OR UNDER DRESSED, THIS HOME IS BOTH A CASUAL RETREAT AND A DRAMATIC SPACE FOR ENTERTAINING. AS THE HOMEOWNERS ARE RELISHING IN THEIR PRIME YEARS, THE LOW MAINTENANCE AND TIMELESS ASPECTS OF THE DESIGN WILL ENDURE, ENABLING THEM TO ENJOY THEIR HOME FOR YEARS TO COME.

F LO O R P LAN

C O N C E PT STATE M E NT

MATE R IALS & F I N I S H E S

PROCESS SKETCHES

EXTERIOR

PERSPECTIVE

T H E LI T T LE B LAC K D R E S S AM Y P I SAN I - I N T 2 6 1 - G O LAB

BOARD 1

ENTRY PERSPECTIVE

O F F I C E E LE VATI O N

D I N I N G R O O M E LE VATI O N

MASTER BEDROOM PERSPECTIVE

BATH R O O M E LE VATI O N

LOUNGE PERSPECTIVE

KITCHEN PERSPECTIVE

T H E LI T T LE B LAC K D R E S S

Fall 2013

Undergraduate Second Year Interior Design: Interior Design Studio I

Student: Amy Pisani Faculty: Coreen Golab

Visual Communication Design: Design Drawing

Student: Tisha Olson Faculty: Patrick Clark

Visual Communication Design: Letterform I

Student: Karli Pedersen Faculty: Andrew Weed

Visual Communication Design: Visual Communication I

Student: Maxim Golberg Faculty: Andrew Weed

5 2 0 1 m u l t i

f a m i l y

c e n t r a l

h o u s i n g

SITE

C A P T U R E

RESPOND

t o

s i t e

context

p r o f i l e s

GROUND f l o o r plan 1/16” - 1 ’ 0 ”

24420 sq ft c - 2 zoning

a v e n u e c e n t r a l

As a response to the contextual elements of the site, it was crucial to retain a sensitivity to the historical qualities and ideals of the area. Multi-family housing projects are typically vertical and high-density. Coherently, this project is envisioned as a catalyst for more dense, vertical development in this part of Phoenix but it is not a direct visual representation of an ideal building height. Instead, this project responds to the relatively low profiles of the residential areas and the mid-sized profiles of the commercial corridor along Central Avenue. With an intent on a balanced mixture of these two, this project also provides living styles tailored to city-dwellers and dwellers who are attracted in city life but desire the tranquility of single-family homes. Subsequently, this project is designed to create unique space and unique place.

1 5 5 . 0 ’

CREATE s p a c e This market rate multi-family housing project is found on the corner of Central Avenue and Colter Street in Phoenix, Arizona. Since it is situated along Central Avenue, this project is an inherent component of one of the most active and attractive areas here in the valley. It is adjacent to three unique and highly-rated restaurants and within walking distance to essential amenities including a grocery store, a bank, and the Phoenix Light Rail. Historic neighborhoods are located just to the east and to the west of the project site. These neighborhoods display a fantastic variety of building styles throughout the valley's history.

sub-grade

parking

1 6 5 . 0 ’

c o l t e r

s t r e e t

S O U T H s e c t i o n 1/8” - 1’0”

u n i t s

W E S T

u n i t s

E A S T

1/8” - 1’0”

MECH

L 4

1 b e d

1.5bath L 3

3 b e d

2 . 5 b a t h

MECH

L 3

2 b e d

L 2

3 b e d

2 . 5 b a t h

MECH

c o n t .

MECH

L 2

2 b e d

Fall 2013

GROUND

2 u n i t s 2.5bath

+ 1 b e d

2 b e d

2 . 5 b a t h

1.5bath

S T R U C T U R E

To effectively have a dialogue with the historic building styles nearby, it was necessary to select high quality building materials that would allow the project to sit appropriately but also be unique within itself. Dark tones and heavy building materials are most common in the area so this housing project is fitted with concrete masonry on the ground commercial level along central avenue and again in other parts of the project. For the siding on the residential units, a physically softer, but more hardened looking material was selected. Shou Sugi Ban - a method of charring cedar wood for aesthetic and preservation purposes - was the perfect siding for the project. This selection allows the structure to weather and be more susceptible to the desert elements to help the building live. Carefully selected openings in the wood allow light to filter into the living units without compromising privacy for residents. Large glass openings in the facade indicate social living spaces within the units. These glass openings also allow residents to enjoy the extensive views of the camelback corridor and downtown Phoenix.

The living spaces in this multi-family housing development are formatted with relation to the units' proximity to distinct elements in the context. The units along the west side are designed to accommodate Phoenix residents who actively engage in the vibrant development that Phoenix has been experiencing for the past decade. The east units, which are alongside single-family residential homes, are more suited for families who want to preserve the qualities of traditional living but want easy access to the exciting activity nearby.

C O M M E R C I A L

All of the living units are accessed from a private, central corridor which encourages resident interaction. The corridor is vegetated with an indigenous plant palette to enliven the space and the space features warm landscape lighting to ensure the space is comfortable at nighttime. West units are given underground parking and the east units have shaded, on-grade parking. The outdoor environment is designed to enhance the quality of living for all residents.

To ensure that this project was a contributive element to the community, a commercial space is featured on ground level along Central Avenue. Spaces in the commercial units are left blank in order to give business owners maximum freedom when designing their shops. Large glass windows open to the street to promote business and retractable doors on the opposite side open to an enjoyable interior courtyard space with seating. A bike shop is ideal for the southernmost commercial unit next to the residents' bike compound and the other commercial units are ideal for young, local businesses who want to thrive off of the popularity of the area. Of course, privacy for the living units is maintained by specifically placed structural and vegetative screening. The vibe provided by the commercial volume attracts the population and poses as a valuable addition to the Phoenix fabric while it respects all other elements of the project.

Undergraduate Third Year Architecture: Architectural Studio I

Student: Cristina Solis Faculty: Reid Johnson

Architecture: Architectural Studio I

Student: Kelton Spresser Faculty: Greg Brickey

and p l a c e

Bio Stove

Bio Stove is an all in one wood-gas cooking system that uses biomass Collected on your adventure as fuel to cook your meals.

Rotate Handles

Slide pot from stove

Flip support wires

Fill With Biomass

Drink-through silicone lid with strainer

Silicone Grips minimize the heat transfered to your hand

Easy to read measurements

Nesting pot prevents a mess within your pack

Architecture: Architectural Studio I

Student: Richard van Horne Faculty: Thamarit Suchart

Industrial Design: Industrial Design III

Student: Chase Bailey Faculty: L. McDermott / R. Mehdigholi

Benjamin Moore Paints 751 W Grand Avenue Phoenix, Arizona 85007

This building is located in the art district of Downtown Phoenix. The objective was to celebrate the historical integrity of the building while introducing modern elements in order to appeal to the younger market. The coexisting dialogue between the old and the new reflects Benjamin Moore’s goal of modernizing their customers’ experience while retaining their well established heritage of quality products. Evolution of Skylights:

Front Facade

First Floor Plan Scale: 1/8” = 1’0”

Second Floor Plan Scale: 1/8” = 1’0”

Roof Plan Scale: 1/8” = 1’0”

Section A Scale: 1/8” = 1’0”

Stair/Skylight Section Scale: 3/16” = 1’0” Section B Scale: 1/8” = 1’0”

Front Entry

Section C Scale: 1/8” = 1’0”

Gallery/Event The overall design is centered around the idea of bringing in natural light. Natural light is a crucial element in a store selling paint because it shows truer colors. It is important that paint stores give customers the option to view their paint samples under different light temperatures depending on where the paint is going to be applied. There are three areas of natural light: the skylight above the front entry, the moniter above the stairs/ elevator, and the skylights in the retail space. By tapering the skylights and protruding them down into the space, it creates more concentrated areas of light.

Retail

Designer’s Showroom

Fall 2013

POS Station

Designer’s Showroom

Undergraduate Third Year Industrial Design: Industrial Design III

Student: Edmund Jolley Faculty: L. McDermott / R. Mehdigholi

Interior Design: Interior Design Studio II

Student: Chelsea Duran Faculty: Marthe Rowen

Benjamin Moore Paint Retail Design Concept

Ever Engaging Vicinity Map Maricopa county within Arizona

Within the Sonoran Ridge community

Mission Goodyear within maricopa county

Site within Goodyear

Aerial view of site

The City of Goodyear will be the leader in urban preserve management through the excellence with which it stewards the completed Master Planned Community & Open Space Preserve. Through the research conducted by our Field Institute and our educational programs, our stewards will be able to effectively care for the preserve and share our expertise. These activities will result in generations of citizens and visitors enjoying the Preserve in a respectful and informed manner. Our service and expertise will be recognized as a model throughout the country and garner support to expand our impact.

Goals The new development of Goodyear will be a design that honors and reveals the local history and natural context of the site through a process of observation, creative interpretation, and construction. The initial design concepts are driven by attentive observation of site dynamics including prevailing winds, solar orientation, hydrology, geology, soils, and existing plant and animal communities.

Site Analysis

Opportunities & Constraints CON

OPP

Freeway allows easy access to Community and Visitor Center.

OPP

Community can be accessible by freeway, arterial roads and equestrian paths. Any noise issues may be mitigated by implementing planting buffer zones.

Community development may suffer due to location in between freeway alignment.

CON

The sanctuary space may decreases the connectivity of humans from the NE to the SW.

CON

Trails along flood-way may damage environment due to human impact.

CON

Some wildlife may reject the Linkage Design reducing the efficiency of the land bridge.

May prevent direct access from the Sierra Estrella Mountains to the Maricopa Mountains.

OPP

Land-bridge can provide move-through habitat for diverse group of species.

OPP

Trails over floodplain provide a closer view and richer experience of the riparian area.

CON

OPP

The scenic route is a flat drive but captures the Sierra Estrella Mountains along the way.

CON

Few trails to summit may tempt visitors to create their own OPP direct paths. A backcountry campground offers a high level of isolation in an undeveloped Stargazing will and protected provide unique area. recreation for the community and visitors.

OPP

Odor from OPP landfill may Historical Trails inhibit investors offer current from developing visitors to adjacent lands. celebrate many aspects of the past.

Open Space Master Plan The city of Goodyear champions the sustainability of the Project Area Boundary (Open Space + Community) for the benefit of this and future generations. Landscape patterns that promote connectivity for species, communities and ecological processes are a key element for nature conservation in environments modified by human impacts. Conserving wildlife Habitat Blocks and Linkages at the local scale can make a contribution to maintaining biodiversity at the regional scale especially if planned with a broad perspective on how local plans contribute to statewide or regional goals.

First Floor Retail Store

The community is in between the freeway and has 3 anchors pulling in the crowd. The area will first establish a heart to the community, a place of commerce, a place of gathering and a place the community can draw its identity from. 1. Retail, 2. Strong downtown core and 3. Community supported agriculture system.

RESIDENTIAL CATEGORIES:

Legend

LOW DENSITY 2 - 4 DWELLING UNITS

LOW - MEDIUM DENSITY 4 - 6 DWELLING UNITS

Through a linear language and historical interpretation through materials, the components of this design concept infuse a connection of Benjamin Moore’s proud history with its’ high quality retail. Warm, rich woods and industrial steel represent Benjamin Moore’s rich heritage, whereas bold contemporary geometries represent the company’s passion for quality and move the retail store forward in the direction of leadership in the modern retail world.

The integrity of the buildings’ structure and intent is kept, while space and sunlight are utilized through new architectural reveals, adding a new dimension to historic elements and unifying the building as a whole. New geometries contrast with old, but work in harmony to distinguish the antiquity, recognizing the buildings history, but also celebrating its contemporary future.

Relationship from Scenic Road to the Trail System and Camping Grounds The open space plan provides distant views, scenic corridors, interpretive facilities, a variety of trailheads and amenities, active pedestrian oriented urban edges and neighborhood pedestrian access points.

MEDIUM DENSITY 6 - 10 DWELLING UNITS

Community Master Plan The community will provide a rich variety of authentic homes, styles relevant to the southwest, and homes that express small town character. We will integrate the housing to include a small house, next to a big house across the street from a medium sized house so the neighborhoods will flow from one to the other. The homes will be raised up from the streets slightly with front porches so when you walk you see your neighbor on your front porch and meet and engage. The Sonoran Ridge community will enrich the lives of its residents.

The total population of the Sonoran Ridge community is approximately 64, 3000 residents.

Legend

MEDIUM - HIGH DENSITY 10 - 20 DWELLING UNITS

HIGH DENSITY 20 + DWELLING UNITS

Illustrative Site Plan ENGAGEMENT CAN BE ACHIEVED THROUGH THE ART OF DESIGNING SUSTAINABLE LIVING PLACES THAT BOTH THRIVE AND ADAPT TO PEOPLES NEEDS FOR SHELTER, LIVELIHOOD, COMMERCE, RECREATION AND SOCIAL ORDER.

ENGAGEMENT WILL ENHANCE THE COMMON HERITAGE OF THE PEDESTRIAN SCALE TO BUILD AN INNOVATIVE NETWORK OF ENVIRONMENTAL, CULTURAL AND SOCIETAL SYSTEMS FOR RESIDENTS TO ENJOY NOW AND IN THE FUTURE.

Legend First Floor

Scale: 1/16” = 1’0”

Second Floor

Scale: 1/16” = 1’0”

TRANSPORTATION CLASSIFICATIONS: Freeway & freeway interchanges

Major arterial roads

Arterial roads

Relationship from downtown area to trail system adjacent to wash Visitors can walk along a street with storefronts, residential units, landscaping, wide sidewalks, and parked cars. This street has Enclosure, variety, and the kind of interesting building interface that Makes for a walkable environment.

Second Floor Designer Showroom

Collector roads

Relationship from residential block to public park space Homes face a park on either side allowing the Residents to feel less isolated and more comfortable. Each home has a front porch leading to a sidewalk that connects to a local park 10' away! The one way roads allow for low traffic and ensure the residents safety.

Interior Design: Interior Design Studio II

Student: Amanda Schactner Faculty: Elizabeth Minchew

Landscape Architecture: Landscape Architecture I

Local roads

Student: Sophia Essian Faculty: James Coffman

Weaving A Community Goodyear Arizona

Website

The mission for the city of Goodyear and the newly developed community is to create a place that is one with the natural environment and promotes the active use, education, and attraction of the beautiful surroundings. The community will strive to be sustainable and use the resources it has wisely and efficiently. Their goals are to be active in the community and strive to have a walkable and pedestrian friendly environment with extensive trails, and paths providing access to all of the community.

Designed for a restaurant that specializes in lunch and breakfast. Typography and colors were selected to reflect the brand’s tradition of handcrafted culinary expression.

events

take out

our team

contact

Open Space Master Plan LITCHFIELD

CONSTRAINTS

OPPORTUNITIES VIEWS- Enhance experience and connection with nature, provides a destination for hikers and scenic roads .

SLOPE- not suitable for building LINKAGE ZONES- community density restricted to allow for movement of wildlife PROPOSED FREEWAYeasy access for community, employment, and tourism.

POWER LINES- Visual barrier of natural views and landscape

7 MILE MOUNTAIN- recreational hiking, rock climbing and diversity in habitat and vegetation.

WATERMAN WASH- restricted human presence for wildlife preservation EXISTING LAND USE- restrictions for development and limiting natural vegetation and wildlife corridors

DIAGRAM

INTERACTION

SIERRA ESTRELLA

WIND- restrictions for building and smell from landfill

TRAIL

VIE S

TRAILS

WATERMAN WASH- Creates biodiversity, and unique educational and connection opportunities

we carefully build our menu with locally grown produce

COMMUNITY AT

W N

MA ER H

EDUCATION GE

VIE

LIN

MARICOPA MOUNTAINS

CAMPGROUND

FREEWAY SCENIC ARTERIAL TRAIL HEAD COMMUNITY FUTURE DEVELOPMENT

events

OPENSPACE WASH

special occasions are our specialty

3/4”= 1 mile

Community Master Plan DIAGRAM

Diviso

take out

ARTERIAL

WALKABLE COMMERCIAL

love a night in? We do too! MIXED USE

EN OP

DOWNTOWN

AC SP

6‘

12‘

MIXED RESIDENTIAL N DENSITIES TIO EC NN CO

12‘

108’ ROW

12‘

6‘

1”=17’

COMMUNITY CENTER

RETIREMENT COMMUNITY

COLLECTOR

SCENIC ROAD

5‘

6‘

12‘

6‘

12‘

90’ ROW

(602) 264-2295 2603 N Central Ave Phoenix, AZ 85004 email address

5‘

tell me more!

1”=15’

LOCAL LOOP 303 2‘

5‘

6‘

12‘

12‘ 66’ ROW

Collector Street Trails Major Arterial

6‘

2‘

5‘

1”=15’

OPEN SPACE

Parks High Density -Studios and Apartments 40+ /AC -10 ac

Medium- High density -Condos, townhouses 20-40 DU/AC -30 ac Medium Density-multifamily, Assisted living 10-20 DU/AC -100 ac Medium low -Single family homes 5-10 DU/AC -150 ac Low density -custom homes 0-5 DU/AC -200 ac Mixed Use, commercial, office, studios -150 ac

Openspace -500 ac

Commercial -60 ac Public -90 ac Area of focus for illustrative site plan

3” = 1 MILE

Illustrative Site Plan RESORT TO SHOPPING PLAZA

RESORT

PAVED TRAIL

SHOPS

PLAZA

1”=8’

PLAZA

RESORT POOL

PARKING

Animation

10s animation that served as the final element of the brand. Its concept consist of a simple and organic sequence of ingredients that are in par with the restaurant’s brand identity.

SHOPS PLAZA STREET VISITOR CENTER OPEN SPACE

EDUCATION CENTER

WATERMAN WASH

COMMERCIAL URBAN PLAZA

PARK

ECTI

N CT IO TR A AT

VIEWS

INTERACTION

WATERMAN WASH

VISITOR CENTER OPEN SPACE

EDUCATION

VACATION

RESORT

WASH AND RAISED BOARD WALK RESORT 1”=30’

RESORT

1”= 60’

1”=45’

OPEN SPACE TO VISITOR CENTER

PLAZA

SHOPS

VISITOR CENTER 1”=20’

Fall 2013

Undergraduate Third Year Landscape Architecture: Landscape Architecture I

Student: Kennetha Perkins Faculty: Allyce Hargrove

Visual Communication Design: Technology for Design I

Student: Lizelle Galaz Faculty: K. Larkin / A. C. Sanft

Chasing the Largest Tornado in History

El Reno, Oklahoma EF5 Tornado Chase May 31 2013

E1020 Rd

:06

66 Tornado Radar Analysis

:11

:10

:16 :16

:20 :18

:26

:08 :20 :06

:18 :06

:20

:13

81 :16

Time 6:xx pm

:02

:04

:06

:10

:14

:18

:22

:26

:30

:34

:38

Tornado Width (Miles)

0.2

0.5

1.0

1.2

1.5

2.0

1.4

0.8

0.3

0.2

0.1

Minor damage to vehicle

1 Individual sustaining minor injuries

Major damage to vehicle

1 Individual sustaining major injuries

= 1 Death

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Tim Samaras Paul Samaras Carl Young

Chasing the Largest Tornado in History

El Reno, Oklahoma EF5 Tornado Chase May 31 2013

Brandon Sullivan Brett Wright

Sound of Silence Simon and Garfunkel

John Allen

6:06

6:08

6:10

6:12

6:14

6:16

6:18

6:20

E1020 Rd

:06

This information graphic shows data regarding the storm chasers who tracked the EF5 tornado in El Reno, Oklahoma on May 31st, 2013.

Chasing the Largest Tornado :10 in History

Tornado Radar Analysis

El Reno, Oklahoma EF5 Tornado Chase May 31 2013

:11

:16 :16

:20 :18

Chasing the Largest Tornado in History

:26

El Reno, Oklahoma EF5 Tornado Chase May 31 2013

N :08 81

:20 :06

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The topRdportion is a map of the affected area and an E1020 illustration of the tornado radar analysis. Tornado Radar Analysis

Time 6:xx pm

:02

:04

Tornado Width (Miles)

0.2

0.5

:06

:16

:11

:06

:10

1.0

1.2

:10

:14

:18 :16

1.5

:16

:22

2.0

Tornado Radar Analysis

:26

:30

:34

:38

0.8

0.3

0.2

0.1

:20

1.4

:11 :18

:10

:26

1 Individual sustaining minor injuries

Major damage to vehicle

1 Individual sustaining major injuries

:20

= 1 Death

:06

:20

:18

:26

:06

:08

:20 :20

:13

Dan Robinson

:16

:08 :16

Minor damage to vehicle

Sound of Silence Simon and Garfunkel

:06

:18 :06

:20

:16

:13

Skip Talbot

Mike Bettes Weather Channel Crew

Tim Samaras Paul Samaras Carl Young

Brandon Sullivan Brett Wright

Time 6:xx pm

:02

:04

:06

:10

Tornado Width (Miles)

0.2

0.5

1.0

1.2

Time 6:xx pm

:02

:04

:06

1.5

:10

The scale underneath data regarding1.2 the storm. Tornado 0.2 0.5 shows 1.0 Width (Miles)

:14

:18

:22

:26

:30

:34

:38

2.0

1.4

0.8

0.3

0.2

0.1

:16

Minor damage to vehicle

:14

:18

:22

:26

:30

:34

:38

1.5

2.0

1.4

0.8

0.3

0.2

0.1

1 Individual sustaining minor injuries

Major damage to vehicle

= 1 Death

1 Individual sustaining major injuries

Minor damage to vehicle

1 Individual sustaining minor injuries

Major damage to vehicle Dan Robinson

1 Individual sustaining major injuries

= 1 Death

hell

Dan Robinson

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Skip Talbot

John Allen

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Skip Talbot

Mike Bettes Weather Channel

Crew Mike Bettes Weather 6:06 Channel Crew

Sound of Silence Simon and Garfunkel

6:08

6:10

6:12

6:14

6:16

6:18

6:20

Tim Samaras Paul Samaras

Tim Samaras Carl Young Paul Samaras Carl Young

Brandon Sullivan Brett Wright

Brandon The lowerSullivan portion of the data includes information about Brett Wright each individual and what they experienced.

John Allen

6:06

6:08

Visual Communication Design: Visual Communication III

6:10

6:12

6:14

6:16

6:18

Student: Heather Chase Faculty: S. Curtis / L. Peña

6:18

6:20

Visual Communication Design: Visual Communication III

Student: Jocelyn Shaver Faculty: S. Curtis / L. Peña

Undergraduate Fourth Year Architecture: Architectural Studio III

Student: Joshua Leger Faculty: Matthew Salenger

ARCHITECTURE + PLACES OF WORK Location Monorchid

Re-purposed for client use

CO+HOOTS at MonOrchid

Located in a growing arts district near downtown Phoenix, the plan opens to the south and west to activate the adjacent street and park. Entry through a café encourages chance encounters and interaction. A relatively constrained coworking space prevents members from feeling anonymous and encourages a sense of community. Leasable space in the north allows small groups to expand beyond the coworking environment, while maintaining a relationship with the coworking community.

Client: 180 Degrees Build + Design

Entry Cafe

FLOOR PLAN

12. 7.

Co-Working Space

3/32’’ =1’

Storage

Public Workshop

Wood Shop

Reception

Office Space

Cafe

Metal Shop

Personal Storage

Conference Room

Site Plan

North ▲

Scale 1” = 20’

0’

20’

40’

80’

10.

12.

11.

10.

Gallery

2. 6.

DETAIL

11.

lounge

12.

Service Rooms

First Floor

North ▲

Scale 1/16” = 1’

16’

32’

Second Floor

ADAPTIVE SPACE DIAGRAM

1/2’’ screw 16 OC / alluminum sheet channel

Acrylic clear frosted panel

Steel floor guide 1 1/2’’ above grade

South Elevation

Scale 1/8” = 1’

0’

8’

16’

Section A-A

Scale 1/8” = 1’

0’

8’

16’

Roosevelt Entry

Mechanical Diagram

Fall 2013

0’

Main Stair

Rainscreen Detail

Undergraduate Fourth Year Architecture: Architectural Studio III

Student: Jorge Diaz Faculty: Jason Griffiths

Architecture: Architectural Studio III

Student: Nathan Leber Faculty: John Meunier

Workspace

HECKLER DESIGN HEADQUARTERS Health & Wellness + Creativity & Imagination

WAREHOUSE

PROTOTYPE

OFFICE PRODUCT ARCHIVE

TESLA

KITCHEN

RETAIL DEAN

WAREHOUSE

$ ACCOUNTS

CLIENT

GYM RESEARCH

DESIGN

CONSULTANTS

FUTURE

TEMP

Lighting Diagram

Client: Heckler Design

Hierarchy

Adjacencies

Area Overlay

The Zoombot is a kids’ camera that we want to market as the modern day magnifying glass. Many parents today believe that their children need more outside playtime, however kids don’t enjoy playing outside as much because of all the games they can play inside. The Zoombot will encourage kids once again to go out and explore, but still take a piece of technology with them. The camera will allow kids to take pictures of things in their environment: animals, toys, plants, bugs, food or anything else they can see. The Zoombot will only have basic kid-friendly features such as zooming in and out, and will be devoid of the complexities of most cameras.

Site: monOrchid

Initial Sketches

GYM

STORAGE

PROTOTYPING

Site Plan

Scale: 1” =60’-0” NORTH

A BREAKROOM

OFFICE

WAREHOUSE

MEETING

HVAC Diagram RETAIL

Lighting Diagram

Scale: 3/32”= 1’-0”

Floor Plan

NORTH

Hecklerdesign

North Elevation

Scale: 3/32”= 1’-0”

South Elevation

Scale: 3/32”= 1’-0”

East Elevation

Scale: 1/16”= 1’-0”

West Elevation

Scale: 1/16”= 1’-0”

The Magic Mat is an interactive mat that would combine elements of the Dance Dance Revolution mat and the Wii Fit Board with a visual feedback system. From our research, we found that kids are spending too much time playing games on phones, tablets, and computers. This mat would take the concepts of some on these games and turn them into physical-digital games. For example, instead of playing games like Temple Run with your �ngers on an iPhone, you could play them on a Magic Mat using your feet to turn, slide, and jump.

Section 1

Scale: 1/8”= 1’-0”

Section 2

Scale: 1/8”= 1’-0”

Draw Section A

Scale: 1/8”= 1’-0”

Section B

Build

Dance

Scale: 1/8”= 1’-0”

View 2 View 3

Dash is a game that that combines elements of popular games like Bop-It and Simon into an agility game thatis fun for the whole family. Parents have expressed that they feel their children need to be more active, and that technology has led them into a sedentary lifestyle. Dash will help solve that problem by getting kids off the couch and urging them to run across the backyard or swim across the pool to reach the beacons as they light up in random sequence.

Architecture: Architectural Studio III

Student: Joshua Leger Faculty: Matthew Salenger

Industrial Design: Collaborative Design and Development I

Students: J. Hammitt-Shiltz / B. Pierone / D. Poindexter / K. Thomas / T. Tran Faculty: Prasad Boradkar

Endo

HOW CAN WE ENABLE USERS TO MAKE EDUCATED AND PERSONALIZED BUYING + EATING DECISIONS?

wound monitor

Endo is a children's high-tech wound monitor which creates a protective environment around an open wound. Endo eliminates unnecessary hospital visits and docor check-ups concerning wounds.

Step 1.

Step 4.

Endo is placed on a wound infection, stitch area, or open wound.

Endo wirelessly updates the parent on their child’s wound status, giving them estimated recovery time and percent bacte-

A wearable, needle-less, blood chemistry monitor that produces personalized diet guidelines just for you.

Interface

Step 2.

Endo is placed over the wound area, and is held in place by strong skin-safe adhesive.

AT&T

75%

Status

Infected

Bacteria level

65%

Estimated recovery time

Step 3.

Disinfectants and wound protectors can be sprayed into the lower right corner area.

neosporine

10:05 PM

Endo

Save Update

4 Days

INSTALL

RECORD

Slide to install transdermal patch.

Press button to activate voice recorder.

Sent to doctor

ASSESS Receive personalized diet guidelines, remedies for your ailments, and a summary of your progress.

Features Flexible silicon with skin-safe adhesive. Air filtering vents

Transparent screen

Spray mechanism

Impulse

A smart water bottle that enables you to respond to your body’s diet needs in an effort to balance your internal and external ph levels.

Auto-injector Impulse is a wearable auto-injector for children with life threatening allergies. Impusle allows Parents and children to feel safe in remote places without Hospitals or First Responders.

Step 4. Interface

Step 1.

Impulse wirelessly updates the parent on their child’s allergy threat and records the date and medicine used to stop the reaction.

Prescription

epinephrine epinephrine

AT&T

10:05 PM

A prescription of epinephrine or antihistamine is acquire and over the counter or from a doctor. Impulse is filled up with the fluid and is ready for use.

Step 2.

75%

Impulse is worn on the upper arm near the shoulder muscle. It can be worn during trips, hikes, or during every day tasks.

Impulse

HOLD Monitor your skin’s pH level by grasping your hand around the digital pH meter.

September 14, 2013 antihistamine June 3, 2014 epinephrine

DRINK Monitor your saliva’s pH level by taking a drink from the mouth valve pH meter.

BALANCE Check app to view your pH results and receive advice on how to balance them.

Step 3.

Bzzzz

Once Impulse detects a high histamine level in the skin, it lights up and begins to vibrate to worn the user. Thirsty seconds is given to the user to stop the device from injection in case of a misreading.

Features Liquid level gauge Stop button (in case of misreading) Adjustable band Lithium-ion battery LED light strip Vibration sensors

A barcode + receipt scanning device that provides feedback about the nutrition content of your food choices: before, during, and after the purchase.

memo capture system

Memo is a 180 degree camera and accelerometer bracelet team, working together to provide the parent with a clear video of a captured incident.

Memo allows parents to send the recorded incident to a first responder or a hospital, elliminating any communication problems.

Step 1. Memo is placed in the corner of the playing space. It scans the room and records a 180 degree video. Memo learns the different rooms each time it is moved and set up in a different location.

AT&T

memo Step 2. The child wears an accelerometer bracelet which alerts the camera when to save the video recording. Memo saves the previous 10 seconds and the next 10 seconds after an accident occurs.

PRESS BUTTON.

Step 4. Interface The memo application allows the parent to check the estimated severity of the injury, save the video, and sent it to a first responder or hospital if necessary.

Send Save Severity

Step 3. The bracelet is plugged into the camera base , which transfers the obtained information from the bracelet. The camera software combines the information and creates a video which is sent to the Memo application wirelessly.

Features 180 degree camera Processing software Induction Charger Accelerometer Lithium-ion battery

Fall 2013

Undergraduate Fourth Year Industrial Design: Design Project I

Student: Lora Dimitrova Faculty: Tejas Dhadphale

OPEN KEYCHAIN.

75%

10:05 PM

SCAN BARCODE.

Industrial Design: Design Project I

Student: Amanda Ruck Faculty: Jason Minyard

SCAN RECEIPT.

PHOENIX WORKPLACE BUILDING 90,000 SQ FT - 8 TENANTS

n. an artist

/ writer’s best creative work

Phoenix is a central hub of creativity. Arizona’s cutting-edge marketing, branding, and advertising strategists help local restaurants, retails, and businesses grow. A variety of unique specialities and companies contribute to this industry. EGRESS

SAATCHI & SAATCHI PENTAGRAM OFF MADISON AVE CO+HOOTS

PLUMBING WALL COURTYARD

OVERVIEW

Arizona State University alone has over 9,000 students in marketing and business that will be seeking job opportunities.

WOLFF OLINS OVO MELTMEDIA E.V.E. BAR

Level 13-14 Saatchi & Saatchi

An office building full of creatives will result in community support, cross-collaboration, and revitalize the city’s appeal.

PUBLIC COURTYARD: LEVEL 11

BALCONY

CAFE/DRINKS

Advertising Agency

OPEN TO BELOW

STG./ SUPPLY

PRINT DN

SMALL MEETING ROOM

TOUCHDOWN

SAATCHI & SAATCHI UPPER LEVEL

Each common space is designed to be uniquely dynamic and distinct. Hollistic modular elements are in each department of advertising, marketing research, and editorial.

UNI-SEX

STG./ SUPPLY

UNI-SEX

LEVEL 14 NORTH

BALCONY

STG. STG.

UP RECEPTION PRINT

TOUCHDOWN

SAATCHI AVENUE

STG. BRANCH CFO

STG.

SAATCHI AVENUE

BRANCH CEO

BENCH/FILES SYSTEMS

PRIVATE ROOM

CAFE/DRINKS

PRIVATE ROOM

STG.

RECEPTION

TOUCHDOWN

STG.

LIBRARY/ REFERENCES

STG./SUPPLY

STG./ SUPPLY

STG.

The “Saatchi & Saatchi Avenue” is a bridge dedicated to the agency’s social and philanthropic public events.

LEVEL 13 NORTH

GARDEN

SAATCHI & SAATCHI AVENUE

Level 11-12 West Pentagram

The world’s largest independent design consultancy run by 19 partners, friends, and creative leaders.

Design Consultancy

BALCONY

EGRESS STAIRWAY

TEAM ROOM

LIBRARY PLANTER

OPEN TO BELOW

BALCONY

BENCH

OPEN TO BELOW PLANTER

QUIET NOOK

OPEN TO BELOW

PRINT ZONE

OPEN TO BELOW

STORAGE / SUPPLY

OPEN TO BELOW PLANTER

BALCONY OPEN TO BELOW

CALL ROOM

BALCONY

EGRESS STAIRWAY

ELEVATOR LOBBY

KITCHEN

YOGA ROOM

LOCKERS

STORAGE

ADA SHOWER ROOM

STORAGE KITCHEN

PRINT ZONE

UNISEX RESTROOM

COFFEE BAR

WINE BAR

RESOURCES / SUPPLY

CALL ROOM

BUSINESS MANAGER

LEVEL 12 NORTH

BALCONY

The open office plan suggests equality between employees, directors, and business partners. The closed offices are used for securtity-required roles outside of the design department. EGRESS STAIRWAY

PENTAGRAM UPPER LEVEL

OPEN TO BELOW

FOOD GARDEN

BALCONY

SYSTEMS ANALYST (IT) TOUCHDOWN STATION

TOUCHDOWN STATION

HR MANAGER

TOUCHDOWN STATION

STORAGE COLLAB. TABLE

PRINT ZONE

COLLAB. TABLE

OUTDOOR COURTYARD

HR MANAGER STORAGE / SUPPLY

RECEPTION

CALL ROOM

COLLAB. TABLE

EGRESS STAIRWAY

STORAGE ELEVATOR LOBBY

PRESENTATION ROOM

STORAGE GALLERY

CALL ROOM OFFICE MANAGER

PRESENTATION ROOM

FINANCIAL MANAGER

KITCHEN

Existing steel beams are exposed at the large, central opening.

LEVEL 11 NORTH

BALCONY

PENTAGRAM LOWER LEVEL

Level 11-12 East Wolff Olins

BALCONY

Brand & Innovation

EGRESS STAIRWAY

TEAM ROOM

LIBRARY

PLANTER

OPEN TO BELOW

BALCONY

BENCH

OPEN TO BELOW PLANTER

QUIET NOOK

PRINT ZONE

OPEN TO BELOW

STORAGE / SUPPLY

OPEN TO BELOW PLANTER

BALCONY OPEN TO BELOW

OPEN TO BELOW

CALL ROOM

BALCONY

EGRESS STAIRWAY

ELEVATOR LOBBY

KITCHEN

YOGA ROOM

KITCHEN

WINE BAR

International brand firm with 150 current designers, strategists, and account managers.

LOCKERS

STORAGE

ADA SHOWER ROOM

STORAGE

UNISEX RESTROOM

COFFEE BAR

LEVEL 12 NORTH

BALCONY

FOOD GARDEN

BALCONY

PRINT ZONE

EGRESS STAIRWAY

RESOURCES / SUPPLY

CALL ROOM

BUSINESS MANAGER

SYSTEMS ANALYST (IT) TOUCHDOWN STATION

TOUCHDOWN STATION

HR MANAGER

TOUCHDOWN STATION

STORAGE COLLAB. TABLE

PRINT ZONE

COLLAB. TABLE

OUTDOOR COURTYARD

HR MANAGER STORAGE / SUPPLY

RECEPTION

CALL ROOM

COLLAB. TABLE

EGRESS STAIRWAY

STORAGE ELEVATOR LOBBY

PRESENTATION ROOM

STORAGE

Design features in this office emphasize employee health and happiness: including a yoga space, fresh vegetable/fruit garden, and indoor plant life.

GALLERY

CALL ROOM OFFICE MANAGER

PRESENTATION ROOM

FINANCIAL MANAGER

KITCHEN

LEVEL 11 NORTH

BALCONY

Level 10 Off Madison Ave

WOLFF OLINS LOWER LEVEL

Local company that specializes in online strategy and services.

Marketing Strategy

BALCONY

CALL ROOM

CCO

BENCH / FILES SYSTEM

PRINT /FILES CEO

COWORKING PRINT

CAFE/ READING

CFO

DISPLAY COVE

STG. /SUPPLY

PRINT /FILES

RECEPTION HR

WAITING/RECEIVING

CALL ROOM

STG./SUPPLY

SERVER

COWORKING

STG.

Off Madison Ave features formal partial cubicles with dividing “windows” and dynamic designs to break up the space.

LEVEL 10 NORTH

BALCONY

OFF MADISON AVE WORK STATIONS

Level 8-9 West Co+Hoots Coworking Space

CO+HOOTS LOWER LEVEL

EGRESS STAIRWAY

STG.

LEVEL 9 NORTH

Co+Hoots is a local coworking space with a public cafe bar, private offices available for rental, membership areas such as conferences, and a diverse variety of open seating options. EGRESS EGRESS STAIRWAY STAIRWAY

STG.

GRASS BALCONY

READING ZONE

CONFERENCE ROOM

STORAGE

PRINT /FILES

MINGLE

FILES /REFERENCES

CCO

SHELVING SYSTEM RECEPTION CTO

PRIVATE ROOM

STG. /SUPPLY

CEO

STG. /SUPPLY

EGRESS EGRESS STAIRWAY STAIRWAY

LOCKERS

ARCADE

KITCHENETTE

SERVER

Level 8 has a public courtyard which Co+Hoot’s cafe intersects.

Ground Level E.V.E.

LEVEL 8 NORTH

CO+HOOTS CAFE ON COURTYARD

BALCONY

LANDSCAPE

Bar & Lounge

PRIVATE LOUNGE

HIGH-BACK CHAIR

PRIVATE LOUNGE

COAT CLST.

WINE CELLAR OPEN TO BELOW

PARKING

KITCHEN

TO PARKING GARAGE

RECEPTION BAR

TO PARKING GARAGE WAITING STG.

WINE CELLAR

UNI-SEX

OPEN TO ABOVE

OPEN TO BELOW

Edgy. Venturous. Enticing. E.V.E. is a bar with a very eclectic atmosphere for any social evening.

SUSPENDED PENDANT

UNI-SEX

STG.

Interior Design: Interior Design Studio V

LEVEL 1 NORTH

BALCONY

LEVEL 1 MEZZANINE

Students: J. Chang / H. Wu Faculty: Stephanie Fanger

Interior Design: Interior Design Studio V

Student: Lisa Miller Faculty: Rachel Rosso

Location Map

Proposed Program

Concept To create and design a Public infrastructure, using the street of Washington , that responds to economic, social, and ecological factors of the study area. A space that enahnces these factors and synthesizes them into a dynamic Pedestrian system, so one can percieve and embrace city functions as an interactive and inviting experience. It is not to change the bones and muscle of the system, but to change the nerves that transport and connect vital functions.

AZ Capitol Building

AZ Mining Museum

AZ State Parks

Personnel Board

Bolin Memorial Park

3 Story Lot

AZ Housing Dept

AZ Utilities Division

6 Story Lot

Large Lot

AZ Industrial Commission

Fox News

Police Dept

Ernst + Young Towers

Municipal Court

Dodge Theater

City Hall Tower

Wells Fargo Tower

Justice Court Admin Accounts Payable CityScape Supreme Court

5 Story AZ Attorney Lot General

Library Park

Commercial Crime Lab Retail

Vacant

Federal Courts Security

8 Story Lot

Goals

Adams Ave

Economic -Create a distinguished “economic culture” that drives the core.

Washington Ave

Social

Jefferson Ave

Planting Details

4” Pre-cast light weight concrete Beam Air Pocket Steel Frame

1st

t Cen

4th

3rd

7th

9th

-An ecological effect can be created through the planting design of the Pedestrian system.

Site Plan

12th

15th

Ecological

10th

-Give social and physical identity to the space and be a social example or experiement of what the street can become within our Urban setting.

East Entry

Root Systems

Soil Geotextile Layer

Ernst/Young Towers

NTS

CityScape

1st

Wells Fargo Tower

Planting Series 1

Accounts Payable

Tree Species

Perennials

Dalbergia sissoo Ulmus parvifolia Olneya tesota

Pestemon eatonii Melampodium leucanthum Lantana montevidensis (yellow cultivar)

Grasses

Street Trees

Stipa tenuissima Nolina microcarpa

The Walkway

Fraxinus velutina Parkinsonia x

NTS

Justice Court Admin

City Hall Tower

3rd

Current Land Use

Planting Series 2

8 Story Lot

Municipal Court

Tree Species

Perennials

Ulmus parvifolia Quercus fusiformis

Zephyranthes candida Hymonoxy Acaulis Lantana montevidensis (red cultivar)

Grasses

Street Trees

Stipa tenuissima Muhlenbergia capillaris

4th

Fraxinus velutina Parkinsonia x

Walkway Section

NTS

Dodge Theater

Municipal Court

40’

6’ 10’ 11’

15’

11’

10’ 6’

Federal 5th Courts Security Planting Series 3

Fox News

Tree Species

Perennials

Ulmus parvifolia Quercus fusiformis

Salvia clevelandii Hymonoxy Acaulis Lantana montevidensis (red cultivar)

Grasses

Street Trees

Stipa tenuissima Muhlenbergia capillaris

Fraxinus velutina Parkinsonia x

Retail Area

Scale: 1” = 20’

NTS

6th

Crime Lab

Police Dept

Re-energizing the city of Phoenix, VerdeBrae’s vision is to connect the city’s built and natural environment with a linkage of greenways and public parks. A healthier lifestyle is encouraged as this design promotes multi-use recreational areas for runners, bicyclists and daily pedestrians.

Downtown

Residential Land

dfddfdfdfdfdddddd dddddd dddd dddd ddd ddd Phoenix ddd

Residential Land

Dense Mixed Use

Central Ave. & Proposed greenway

7th Light rail Extension

Original Street View

Proposed Street Design

Large Lot

Retail

Retail Section City Hall Tower

Accounts Payable

AZ Industrial Commission

50’

6’ 10’ 11’

15’

15’ 11’

10’ 6’

9th

3 Story Lot

Light Rail Gateway Development - Site 1

Vacant

West Entry

10th

Scale: 1” = 20’

6 Story Lot

Library Park Planting Series 4

Tree Species Dalergia sissoo Ulmus parvifolia Fraxinus velutina

AZ Housing Dept

Grasses Stipa tenuissima Muhlenbergia capillaris Nolina microcarpa

12th

Mixed-Use Development - Site 3

Perennials

Zephyranthes candida Hymonoxy Acaulis Lantana montevidensis (red and yellow cultivar) Psilostrophe cooperi Pestemon eatonii Melampodium leucanthum Salvia clevelandii

Street Trees Fraxinus velutina Parkinsonia x

Open Space Amphitheater

AZ Utilities Division

AZ Attorney General

With a five step process, VerdeBrae expands its reach through the seams of 1st Avenue and open green space to establish the birth of a pedestrian oriented development that welcomes the people of Phoenix to a safer and more enjoyable community.

AZ State Parks

Amphitheater Section 5 Story-Structure

5 Story Lot

Personnel Board

6’

16’

This ecological friendly design creates the backbone of a healthier and stronger environment as it brings back the aesthetics, functionality, and beauty of the Sonoran desert.

Library Park

8’

42’

8’

16’ 6’

15th

AZ Mining Museum

Supreme Court

Scale: 1” = 20’

Open Space Section Library Park

Housing Department 6’ 10’

21’

25’

0 0

100

300

200

Scale: 1” = 100’

Fall 2013

10’ 6’

Scale: 1” = 20’

Undergraduate Fourth Year Landscape Architecture: Landscape Architecture III

Student: Connor Covey Faculty: Kristian Kelley

Landscape Architecture: Landscape Architecture III

Student: Kevin Klassman Faculty: Kenneth Brooks

EST

MANIF

Meet Our Team Take On The Day

Robert Bui

Business Expert

Engineering Expert

Kenny Denike

Industrial Designer

Duncan Thomson Graphic Designer

Introduction

Daily Survival Pack Therapeutic Compression Straps provide compression when an electronic current contracts nonmaterial providing aid if anxiety rises.

Proximity Alert Alert is triggered if RFID stickers for daily items are left behind. This ensures security and piece of mind for routine based children.

iPad Integration App that helps promote orginization and inter activity with RFID stickers and settings.

Navigating Communication Using

Hurt Scared

and WORDS Thirsty

Play

Hungry

Tired

Home

Ready

To navigate needs and feelings

Connected In Crisis

Portable Speech Solutions

Use Built In Camera Nanoscale camera built in right on the back of the pass.

Select Your Photos

Stress Alert Each photo can then be retrieved Contact Loop Bandso you can use personal objects as well as pre-programmed common phrases and objects.

Pass On Your Message Pass on your message so others can clearly understand what you need to convey without use of speech.

Threshold

Emotion/Location Tracking

Stress Level Monitor Meltdown Alert Push Care Giver

Child

STAY CONNECTED Messaging (voice, text, vibrations) GPS Push Notification

MANIFE

Visual Communication Design: Collaborative Design and Development I

Student: Duncan Thomson Faculty: M. Fehler / P. Boradkar

Visual Communication Design: Visual Communication V

Student: Esther Kim Faculty: Alfred C Sanft

emerge

site conditions

verb: to move out of something and come into view appear, surface, manifest when simple entities operate in an environment forming more complex behaviors as a collective. behaviors can occur because of intricate casual relations across reshape the topography

flat land

integrate the building

view the wetland and river

building/site system the rio salado audubon center establishes an intricate web of plants, animals, land, water, buildings and people. through the emergence of both the topography and structure results the rehabilitation of the center’s mission statement, which is; connecting people with nature using science, education, and advocacy to protect arizona’s birds, other wildlife and their habitats. the form of the entire building/site system provides various learning and exploration spaces for the public to enjoy upon many visits.

section AA 1/8” = 1’ 0”

5 4 5

c e n t r a l

a v e n u e

site plan 1” = 40’ 0”

solid/open

mechanical

-ground built up to shield from sun. -open conditions face wetland and river.

program mechanical

main building

7133sqft

80%

exhibition

4216sqft

lecture

classrooms

1878sqft

20%

64%

room 1

610sqft

32%

1193sqft

17%

room 2

1062sqft

57%

administration 1317sqft

18%

bathroom 166sqft

11%

bathroom

407sqft

building plan 1/16” = 1’ 0”

sustainability

-photovoltaic sun shade system -waste water recycling system -low water use fixtures -pervious surfaces -biowales to capture rain and run-off water

structural system

-concrete roof, walls, and flooring -light gauge channels support drywall panels for interior ceiling and walls -butted glass

section BB 1/8” = 1’ 0”

model

process

Fall 2013

Undergraduate Fourth Year Visual Communication Design: Visual Communication V

Graduate Three Plus Year Student: Meryl Pritchett Faculty: Alfred C Sanft

Architecture: Core Architectural Studio I

Student: Lauren Bucher Faculty: Scott Murff

WELCOM E VA L L E Y OPE N & COM MU NIT Y MA ST E R WELCOME NEW IDEAS

WELCOME EXPERIENCE

S PAC E PL A N

WELCOME LIFE

CONNECT | EXPERIENCE | SUSTAIN | SHARE | PARTICIPATE

Open Space

hydrology

SITE CONTEXT

riparian

SUITABILITY ANALYSIS N

DETERMINING OPEN SPACE unique views

soil

historical 0

most suitable

STUDY & PROJECT BOUNDARIES

4 mi

GOODYEAR SITE INVENTORY

not suitable

suitable

compilation

wildlife corridor

4 mi

OPEN SPACE MASTER PLAN

Community Plan

IDENTITY

GOALS

• Foster interpersonal connections & To live openly is to welcome new ideas and experiences. With an interest in strengthen community involvement strengthening connections between people and the environment, the com• Enhance human relationships with the natu- munity is structured on a circulation system that is designed for the pedesral environment trian. Roads built for vehicular traffic are accompanied by “greenbelts”, • Conserve water and sustainable stormwa- or landscaped areas of open space that contains both paved and unpaved ter management practices path options and connects users to the numerous parks within the 6 mi² site.

WASHES

CIRCULATION

GREEN BELTS

COMMUNITY MASTER PLAN

PARKS

WALKABILITY

Wash Corridor

Major Collector (Downtown)

8’

10’

12’

20’

12’

10’

8’

12’

8’

20’

40’

8’

12’

Major Arterial & Greenbelt

15’

16’

14’

12’

16’

12’

14’

60’

8’

12’

Jenny Robertson | LDE 590 Hargrove | Fall 2013

Industrial Design: Core Industrial Design Studio

Student: Dhyey Acharya Faculty: Donald Herring

Landscape Architecture: Core Landscape Architecture Studio I

Student: Jennifer Robertson Faculty: Allyce Hargrove

Adaptive reUSE + Facade reDESIGN The Farmer Education Building ASU, Tempe Campus Current Conditions

Transformative Lenses The New American University A Vision for Higher Education

Life's Principals + Biophilic Design

Leverage Cyclic Process + Modularity Be Resource Efficient

+ Use redily available materials + Energy Employ Redundancy + Decentralization

spare small sense

Sustainable Design Local issues + Local Knowlege

Re-Shuffle Information

Adapt to Changing Conditions Be Locally Attuned + Responsive Integrity Through self Renewal New model for higher education inclusive environment

Achieve Multifunctional Design

Employ Low Energy Process Replicate Strategies that work Curiosity + Enticement Sensory Variability

Dynamic intellectual interaction Learn from immediate environment

On the one hand is the world of

mechanical industry claiming to be able to give happiness to men and all the delights

of human life - provided we are content to

have them in our spare time and do

not demand such things in the work by which

Architectural Poisitons

we earn our living; a world regulated by the factory whistle and the mechanical

time-keeper ; a world wherein no man makes the whole of anything, wherein the

product is standardized and the man simply the tool, a tooth on a wheel.

Existing Face brick | Interior + Exterior

Existing structural system

Existing Precast Panel System

On the other is the languishing but indestructible world of the small

shopkeeper, the small workshop, the studio and the consulting room - a world in

which the notion of time hardly exists, for the thing is hardly known and ver y

little desired; a world wherein the work is the life & love accompanies it.

Cell

Building

Figured Voids Inform Facade

Architectural Manifestations

There are, then, two worlds & these

There twain are, then, two be worlds & these can never one flesh. They twain are notcan

never complementar be one flesh.yThey areanother not complementar y to to one ; they one another ; they are, in the of liveliest sense of the are, in the liveliest sense the words, words,mortal mortal enemies. enemies.

Breakout Collaboration Spaces

Cross-Pollenation Spaces

Porous Mall Connection

Re-Imagined Interior Courtyard Original Ground Level

Staggered Stud Wall

Reveal Joint for existing Brick

Ground Level 1/16" = 1'-0

Fall 2013

Graduate Three Plus Year Visual Communication Design: Core Visual Communication Design Studio I

8' 4'

32' 16'

Graduate First Year Student: Soumya Kasuganti Faculty: Mookesh Patel

Architecture: Advanced Architectural Studio I

Student: Daniel Gault Faculty: Darren Petrucci

FARMER EDUCATION BUILDING

The existing architecture of the Farmer Education Building is ineffective in transforming its space and surroundings from a traditionally introverted, protective piece of architecture to one that represents ASU's design aspirations towards social impact, civic engagement and community relationships. This adaptive resue project identifies these issues and proposes an integrated built environment with the campus community.

Southwest EXISTING SITE There is an existing day care providing real life in class experience of teaching and its methods for students. Students also observe and conduct research learning from both the children and the teachers. The day care also provides a service for faculty, students, and anyone else in the who drops off their children. Because of the programs unique role for the school as both a teaching tool and a community service its importance should be presenced amongst the project. The existing space is lacking a strong connection to the outdoors to take advantage of the relatively pleasant climate Arizona has for a majority of the year. Studies show that comparable indoor and outdoor spaces have positive effects on the learning capabilities for young children.

Day care

PEDESTRIAN AND VEHICLE TRAFFIC

L MA GE FOR RAN OES TM AL L

Funded by a grant the program built upon the New American University Vision. Students study the positive effects video games have as a tool for teaching. The program also currently forges partnerships with game developers and professionals within the industry. There is untapped potential for collaboration with other majors at ASU such as computer information scientists to work together in the making of an educational video game. The existing office space was clearly not designed for a computer design program and the existing facade only allows for a minor amount of one directional light. There is no place in the building for students to sit down with lap tops or use a computer. A computer lab on the ground floor provides a utility not just for students in the program but also the greater student population on campus.

EXTEND EXISTING PEDESRIAN TRAFFIC INTO NEW PLAZA AND COURTYARD

To keep functioning for another 50 years the classroom must essentially become a programmable shell. Teaching no longer follows the traditional linear learning process. Therefore a flexible room layout is required to successfully allow for a non-linear learning process. Versatile furniture facilities the changing program allowing for a classroom at one moment and a conference room the next. The room then becomes suited for the unique style and method of each teacher and class. The existing classrooms can benefit from a balance between various light sources. The brick wall that creates a barrier between the interior courtyard and the activity of teaching will be removed. There is also potential for a connection outside with outdoor classrooms. The outdoor spaces can then be utilized through their placement to create a connection within ASU and the surrounding context.

Classroom

EXISTING CONDITION INTROVERTED RESTRICTIVE

The Farmer Education building contains a hidden gem, a central courtyard, a small micro climate and oasis to students during the hot summer months. Unfortunately this is not easily accessed due to the fortress-like appearance of the building.

Re-appropriated Panels

ORANGE MALL

FOREST MALL

Degrees of Porosity

The Farmer Education building currently sits on the ASU campus as a heavy gray building, clad with heavy concrete panels, surrounding the building are raised planters that succeed in pushing visitors and students away from the building. Farmer sits at one of the busiest intersections on campus and fails to kindly invite students in to the amazing central courtyard.

ORANGE MALL

PROPOSED CONDITION INTEGRATED EXTENDED MEDIATED OPEN CONNECTED

The design aspirations of ASU have changed significantly since the construction of the Farmer Education building in the 1960s. The University is striving to connect the campus and extend its services to not only the campus but also to the greater community. The central courtyard will be preceded by a grand plaza in the NE corner, removing the existing programming and opening the ground level of the corner towards the new plaza will provide students with additional services and access to more of the built environment on campus.

FOREST MALL

Center for Games + Impact

EXISTING COURTYARD SPACES AND PLAZAS

Interior Skin Thickened Skin

Office

Interior Exterior

9,000 sqft

Classroom

PROPOSED SITE PLAN

34,000 sqft

Outdoor Classroom

5,000 sqft

Day Care

5,000 sqft

Outdoor Day Care

3,600 sqft

Computer Lab

4,400 sqft

Suggested Courtyard

Cafe/Coffee

800 sqft

Public

Private/Public

Private

Public

Typical Floor 2-4

Skin Program WALL SECTION 1

PIN AND CLEVIS CONNECTOR

CONCRETE ANCHOR BOLT

1” STEEL PLATE 1/2” WELD

4 EXISTING FACADE PANELS 1

STEEL PLATE CONNECTOR

STEEL C CHANNEL

HIDDEN OPERABLE PROJECTOR SCREEN

AIR-LUX FRAMELESS ALUMINUM WINDOW SYSTEM

TURF AND TOPSOIL

10 SAND SOIL

11 COMMPRESSED AGGREGATE 12 EXISITNG CONCRETE SLAB 13 POWDER COATED ALUMINUM SCREEN 14 EXISITING CONCRETE COLUMN

7 8

OUTDOOR GROUP LEARNING

2 INDIVIDUAL LEARNING SPACES 3 OPEN VIEW PRESCHOOL INSTRUCTION

Lemon St.

4 OPEN CONFRENCE ROOM

Floor 1

3/32” N 4

Section 1/8”

5 NATURAL LIGHT THROUGHOUT

3 7

The interior courtyard functions as an extention of the classrooms, acting as a living textbook. The Farmer Education building allows students to observe the learning environment of the children.

6 WATER AND NATURE BROUGHT INTO COURTYARD 7 CAFE COURTYARD SEATING

7 8 13

The courtyard provides several additional learning spaces, including additional seating for the cafe to flow into. The interior courtyard is flooded with diffused natural light and plants that can exisit in the microclimate.

6 1

COURTYARD BALCONY CLASSROOM EXTENSION SMALL GROUP COLLABORATION SPACE

2 FLEXIBLE CLASSROOM INSTRUCTION

The classrooms have been re-programmed to provide innovative learning spaces, replacing the traditional classroom with a learning studio. Allowing each professor to customize the room according to their own instruction style.

2 1

The classrooms have large windows open to the North, with a projector screen and curtain that can be lowed to allow for presentations. The classroom also utilizes extended spaces outside the classroom for small group learning.

3 SMALL GROUP COLLABORATION SPACE 4 MOVABLE FURNITURE 5 RAISED PROJECTOR SCREEN 6 NORTH CAMPUS VIEW 7 LED LIGHT TRACK 14

Day Care

Interior Courtyard

Architecture: Advanced Architectural Studio I

View from Memorial Union

Student: Trevor Kowal Faculty: Wendell Burnette

Architecture: Advanced Architectural Studio I

Student: Wesley Tafoya Faculty: Richard Labonte

Fall 2013

Graduate First Year Industrial Design: Advanced Industrial Design Studio I

Student: William Bingman Faculty: Joseph Velasquez

Industrial Design: Advanced Industrial Design Studio I

Student: Benjamin Schaub Faculty: Dosun Shin

A M P L E PERSPECTIVE C A M E R A

Link Up AGILITY LADDER

The Ample Perspective Camera design began with a study of a window within the home of a middle-age female user. Through observations of the activities on both sides of the window, along with insight from the user herself and the objects surrounding the interior landscape, as well as photographs of the existing window and the connections inside and outside of the home, a structure was developed, placed in an existing location in downtown Phoenix, and modified to adapt to its new surroundings. The object created became a way to understand connections. A window, as we know it, is a connection, usually between an interior space and its exterior landscape. The new structure represents direct connections of an interior to its landscape. The project is used to frame people, places, moments, and history, as well as project direction and offer various perspectives which may not typically be observed in the setting of which it has been placed. The object offers a connection between the interior and exterior of an apartment community (seeing as it is placed in two areas of an apartment complex as seen on the site plan), a new contemporary way of living and a preserved historic home (Skyline Loft Apartments and the historic Emerson house located directly across the street), and urban and domestic living through the functions that can occur within the space (ie. dining, gathering, observing). The voided areas in the walls of the structure, along with different heights that allow for seating, as well as resting/leaning, and a mobile viewport within the structure, offering the diverse users fresh new various perspectives to the extended world around them.

SWAN REHAB Ideation LinkUp is an innovative equipment specifically designed for rehabilitation of adult stroke patients. Its modularity allows the therapist to vary the level of intensity depending on the patient and the type of exercise in a short amount of time. Links one link = 3 inches four links = 1 foot

Rungs 20 inches each snap-on clips

Shock cords & Clips

North Elevation

Assembly East Elevation

1. Set down two rails 2. Use clips to tighten the shock cords 3. Attach rungs in needed distance

West Elevation

Form obstacles of adjustable heights and gaits.

South Elevation

Safety

The system collapses without tripping the patient.

Manufacturing

Ladder Links- Injection Molded ABS Ladder Rungs - Extruded ABS

Storage Pull the links apart to snap flat on the ground. Then loosen the clips to release tension. Fold and store.

Alternate Use

Arrange in various patterns or use for sports training.

Industrial Design: Human Factors Systems and Documentation

Students: S. Nelson / Y. Wang / B. Warke / Q. Zhang Faculty: Donald Herring

Interior Design: Advanced Interior Design Studio I

Student: Brittany Cavallotti Faculty: Elena Rocchi

Performative Accumulation

Performative Accumulation is located on Bladimir, an island formed around twenty years ago, apparently by the accumulation of sediments provoked by a shipwreck. Bladimir’s west coast is currently being used as a seasonal recreational beach. Being placed on the main channel of the river, the island suffers dynamic floods, high levels of accumulation, erosion, and propagation of sediments over time. The project reveals those processes of river morphodynamics, and articulates them with the performance of human movement and interaction. Ann designed a random constellation of aliso trees, posts, and nodes translating Markov stochastic chains from landscape ecology into landscape architecture. Markov chains are used for projecting the evolution of landscape patterns over time from an initial set of parameters, with one state predicting the next. In this project, random processes of performance both of sediment accumulation, and people create a place to be discovered, and experience nature’s change over time. The actions run, jump, swing, balance, over, under, and through create nodes of interaction within the project. The final node, through, is formed through a series of dichotomies relating to the first actions, resulting in a space of rest, reflection, tranquility and calming darkness.

Navajo Pottery & Culture Exhibit Exhibit Design & Information Manual

Middle Paraná River 2011

2006

Rosario

Rosario 2012

2008

Middle Paraná Delta

Bladimir Island

2009

Beaches

Drawing from references of Navajo history, culture and architecture, the space is designed to mimic a traditional Hogan structure. The entire exhibit is plated with cedar plank panels for a visual aesthetic quality, but also to entice the olfactory sense. The exterior wall panels each contain unique artifacts and video touch-screens that relate to pottery history, artistry and functionality. The central space has video projections that display high impact imagery and video scenes of Navajo pottery and culture.

The manual was created as a reference guide to construct the exhibit. Each component is diagramed and dimensioned to achieve an ideal representation of Navajo pottery & culture.

prediction

2010

River

The Native American Navajo pottery & culture exhibit showcases history, pottery, and lifestyle of the Native American people of the southwestern United States. This exhibit was carefully designed for Red Square, located within the Design School north building at Arizona State University in Tempe, Arizona.

2013

Inland Water

Sediment Accumulation According to Velocity tsus=V2/RgD

Scale Determination

(V2) Velocity of Water (D) Diameter of Sediment (Rg) Gravity of the Speciﬁc Grain

Island Forming: 1986

6 4

Stochastic Process with Markov Chain A stochastic process was used to determine the density of the sediment collecting posts as well as the distribution of new Aliso del Rio trees. In this case a markov chain, which is used in landscape ecology to predict the evolution of landscapes, was used to determine the numbers through 50 steps for the density and 10 steps for the trees. Then, using a randomly numbered list of 1- 50, the rows were applied to the actual 10’ x 20’ space grid in the ﬂood plain. The trees were applied to their appropriate grid location, and often resulted in zero posts. This process was repeated to determine the two paths on either side of the main path.

600’

600’ Flood Path Source: Prof. Gary Parker University of Illinois - Urbana-Champaign

The Markov chain projects one possibility in one million, which means that this project is just one possibility. This idea compliments the goal of the nodes by not being prescriptive, connecting performance with natural processes, speciﬁcally the spreading of Aliso trees and sediment accumulation.

1 3

01 04

02 01

14 09 08 14 12 17 09 12 17 02 13 10 01 13 20 11 19 14 15 17 16 12 24 08 11 18 02 13 10 10 11 11 20 15 10 10 18 16 15 01 13 11 15 16 10 19 09 09 14 11 18 12 16 18 12 04 14

06 07 04 07 07 06 08 05 05 06 08 06 05 06 19 02 06 07 08 08 08 06 10 03 01 05 09 06 05 05 03 06 05 09 07 05 05 09 08 07 06 01 05 07 08 05 11 04 05 07 01 05 09 06 08 09 17 06 07

Run 01

RUN

Jump

Swing

1 Vinyl panel and screen / introduction 2 Projection surface 3 Wayfinding map 4 Wooden log tiered ceiling 5 Rotating seat structure 6 Navajo history wall 7 Artistry of pots wall 8 Manufacturing process wall 9 “What’s Inside?” interactive wall 10 Navajo rug threshold

Balance Under

Over 04 10

Exhibit manual 02 03

Elevation 1

Elevation 2

Scale: 1′= 1/2″

Through

JUMP

1' - 0''

A109.a

3 2

content CD (insert into computer to run exhibit)

Sediment Accumulation Aliso del Rio Growth Flood Water Velocity Flood Level Human Interaction Time

Scale: 1′= 1/2″

12' - 3''

Native American Pottery & Culture Exhibit

42 28 43 36 52 29 36 51 40 32 39 47 34 43 47 53 50 38 55 26 34 54 41 31 31 35 32 57 46 30 30 56 48 46 39 33 45 50 29 57 27 28 44 33 55 37 49 56 37 41

8' - 0''

07 05 07 06 09 05 06 09 07 05 07 32 06 07 08 09 08 06 11 05 06 09 07 05 05 06 05 10 08 05 05 10 08 08 07 06 08 09 05 12 05 05 07 06 09 06 08 09 06 07

Native American Pottery & Culture Exhibit

04 02 04 03 05 02 03 04 03 03 03 15 03 04 04 05 04 03 15 02 03 05 04 03 03 03 03 06 04 03 03 05 04 04 03 03 04 04 03 05 02 02 04 03 05 03 04 05 03 04

Native American Pottery & Culture Exhibit

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50

The Native American Southwest Pottery & Culture

History

Artistry

Economy

Process

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A109.a

0 1’ 2’

5’

1 2x12 cedar plank panels 2 Christie Microtile video modules for content, video, and imagery display 3 Rusted fasteners

10’

1 2x12 cedar plank panels 2 White projection board 3 Internal wood frame construction with plywood face for support. See S102 for construction information.

A103

SWING

Elevation 3

Elevation 4

Scale: 1′= 1/2″

12' - 3''

3''

12' - 3''

A109.c

1'' 10,000 BC

2,500 BC10,000 BC

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2,500 BC

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6''

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asdfAD asdsd faasfas asdfas 950asdfasdfsdfaa asasd d

950 AD

asdf as asdfasdfaa ss asdf asdfasdf aassdf

800 AD

6''

1' - 0''

1''

11''

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800 AD asdf as asdfasdfaa ssASDF asdf asdfasdf aassdf

1050 AD

1050 AD asdf as asdfasdfa asdf asdfasdf aass

12' - 3''

A109.e

1995 AD

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pottery

what's inside? asdf as asdfasdfaa ssdfaas asdf asdfasdf aassdf asd asdf asdsd faasfas asdfas d

click & Drag

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asdf asdfasdf aassdf CLAY

MOLD asdf as asdfasdfaa ssASDF asdf asdfasdf aassdf

1995 AD

what's inside?

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CLAY

click & Drag

MOLD asdf as asdfasdfaa ssASDF asdf asdfasdf aassdf

A109.b

A109.c

A109.d

1 2x12 cedar plank panels 2 Christie Microtile video modules for content, video, and imagery display 3 Rusted fasteners 4 Cedar plank shelf (3'' depth) 5 Clay pottery for interactive experience

1 2x12 cedar plank panels 2 Christie Microtile video modules for content, video, and imagery display 3 Rusted fasteners

3''

4 3

12' - 3''

8' - 0''

asdf as asdfasdfa asdf asdfasdf aass

3''

A109.d

8' - 0''

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8' - 0''

1050 AD 5,000 BC

8' - 0''

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5,000 BC asdf as asdfasdfaa ssdfaas asdf asdfasdf aassdf asd asdf asdsd faasfas asdfas asdfasdfsdfaa asasd d

Scale: 1′= 1/2″

12' - 3''

Native American Pottery & Culture Exhibit

3''

Native American Pottery & Culture Exhibit

12' - 3''

Elevation 6

Scale: 1′= 1/2″

Native American Pottery & Culture Exhibit

Node 7: Through

Elevation 5

Scale: 1′= 1/2″

A109.b

A104

A109.e

1 2x12 cedar plank panels 2 Christie Microtile video modules for content, video, and imagery display 3 Rusted fasteners 4 Cedar plank shelf (3’’ depth) 5 Clay pottery for interactive experience

A105

A106

1 2x12 cedar plank panels 2 Christie Microtile video modules for content, video, and imagery display 3 Rusted fasteners 4 Clay pottery for interactive experience

A107

A108

BALANCE Wall Sections

1' - 0''

2' - 0''

b.5

c.5

1' - 0'' 1' - 0''

3 3

- 10''

The Native American Southwest Pottery & Culture

radi us:

12'

1' - 6'' 6'' 3' - 0''

3' - 0''

1 1

6 1

4 4

4 5

3''

2 2

6 6

2 3

3''

1 Introduction 2 History of the Southwest 3 Artistry of Pots 4 Manufacturing of Pots 5 “What’s Inside?” 6 Navajo in Video

2 3

The Native American The Native American 4 Southwest Southwest Pottery & Culture Pottery & Culture

3' - 0''

5 1 Introduction 2 History of the Southwest 3 Artistry of Pots 4 Manufacturing of Pots 5 “What’s Inside?” 6 Navajo in Video

5 5

Node 7: Through

Scale: 1′= 1/2″

width 5’ 2”

radius 12’ 10”

overall width 27’ 8”

1 Introduction 2 History of the Southwest 3 Artistry of Pots 4 Manufacturing of Pots 5 “What’s Inside?” 6 Navajo in Video

3 1 Introduction Introduction The Native American21 History 3 2 History of theofSouthwest the Southwest 3 Artistry 3 Artistry of Pots of Pots Southwest The The Native Native American American 4 Manufacturing 4 Manufacturing of Pots of Pots 5 “What’s Inside?” Inside?” Southwest Southwest Pottery & Culture 65 “What’s 6 Navajo Navajo in Video in Video Pottery Pottery & Culture & Culture

6''

Electrical Reflected Ceiling Plan

Scale: 1′= 1/2″

Native American Pottery & Culture Exhibit

1' - 0''

Native American Pottery & Culture Exhibit

10''

Native American Pottery & Culture Exhibit

1' - 0''

1 Introduction 2 History of the Southwest 3 Artistry of Pots 4 Manufacturing of Pots 5 “What’s Inside?” 6 Navajo in Video

Node 7 is the final node along the path of movements and contains the “hidden treasure”, a dark space focused on personal reflection and calmness. The entrance to Node 7 is through the top, at openings that one must “pass through” and drop in. This is meant to be difficult to most users until sediments have accumulated high enough to easily climb up and pass through. Like all areas along the path, the sediments will eventually accumulate high enough that the infrastructure is completely covered and the new beach is created. At this point the infrastructure will be buried treasure.

Plan Dimensions

Wayfinding Location Plan and Detail

Scale: 1′= 1/2″

1 a

Scale: 1′= 1/2″

UNDER

b.5

Scale: 1′= 2″

c.5

Scale: 1′= 2″

Lighting Fixture 1 Painted, DE3345 Chocolate 2 Water jet cut corten steel elevated 1/2” from surface with metal bolts 3 Vinyl print applied directly to surface 4 Water jet cut aluminum 1/2” thick, mounted per manufacturer’s recommendations 5 Water jet cut aluminum 1/4” thick, mounted per manufacturer’s recommendations

Overhead Projector LED Video Panel

Notes: 1 Electrical wiring should be hidden from view. Determined by contractor. 2 See E104 for typical ceiling panel wiring plan.

A109

A110

Electrical Wiring

A111

E102

Node 7 is meant to isolate users from natural elements, so they can not see out, but they can hear and smell what is around them. A small gap around the edge lets a stream of water trickle down, so that users hear water after a ﬂood, but do not see it.

Exhibit wall components

Ceiling panel components

plywood top with ventilated hatch

paint drywall CPU system

OVER

notch for electrical wiring wall structure 2x12 wood frames

drywall

THE NATIVE AMERICAN SOUTHWEST POTTERY & CULTURE ECONOMY

tech modules

THE NATIVE AMERICAN SOUTHWEST POTTERY & CULTURE

PROCESS

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HISTORY

paint metal bolt and cable structure

cedar planks

wooden log structure ECONOMY

PROCESS

HISTORY

LED screen

routed ventilation space

paint

Node 1: Run

15 degrees rotation

cedar planks floor threshold

Node 2: Jump

Node 3: Swing

THROUGH

Hand woven carpet

Hogan structure exterior

Navajo pottery

Navajo tribe

Navajo pottery

Cedar wood texture

Hogan structure interior

Node 4: Balance Node 5: Under

Node 6: Over Aerial perspective

Video projection + seating structure

Ceiling panels + exhibit

REFLECT

Node 7: Through

Fall 2013

20’

40’

80’

Graduate First Year Landscape Architecture / Urban Design: Advanced Landscape Architecture Studio I / Advanced Urban Design Studio I

Student: Ann Rothove Faculty: A. Valderrama / J. Ball

Visual Communication Design: Advanced Exhibit Design

Student: David Rose Faculty: Mookesh Patel

Navajo pottery

MAP

Marking the Landscape of My Present

TORNADOES IN UNITED STATES This project relates to research, learning, and teaching others about the recent tornadoes affecting our nation. Display where tornadoes been located in time and space. We will investigate total area impacted, size and wind speeds, injuries, energy expended to aid in recovery, and many more aspects that we discover through extensive research. Given the complex information it displays, I have organized them into different layers to present clearly. By using the interactions, the users can combine different layers of information based on their demand. E d w a rd H op p er

MY J OUR N E Y I NTO T H E D E S I G N W O R LD HAEJIN PARK

Mountain of Origin

KO R EA

J on g H y u n H a Ho ng - i k Uni ve rsi t y

Eunj ung Park

Self Expression

Unwave ri ng D evo t i o n to Pare nt s A r ro g a n t S u cce ss o f Yo u t h C l a u d e Mon et

F I N E

M i j ung Han ce

i e

l d

y Jo

A R T

L A N D

Yves K lei n

S ea of Per m i ss i on

Amedeo Modigliani

C at hy Ki m

A m ed eo Mod i g l i a n i Isth

mus

of D et

no Current of K

Seoul

Pa b lo P i ca ss o

E g on S h i ele erm

inat

G u sta v K l i m t

ion

Design Invasion

Pho e ni x

wle

dg e

Is les of Collage

Relaxation Cape

I l l ust rat i o n

Archipelago of Memory C h en Des i g n S tu d i o

Ma r i a n Ba n tj es Ky le P i erce

C h ron i c le B ooks

J u erg en S c h lotte r Da v i d Ma ca u l a y

Edi to ri al D e si g n

Photography

Pen g u i n Books Trust Wood

Zim & Zue

Ta c t i le 3 4 4 E m p i re

F A M I L I A

A r t E d u ca ti on

A lex a n d ra B r u el

Hands on

S ea of I n i ti a ti ve Strait of Openess

J os h u a Da v i s Mookes h Pa tel L i s a Pen a

I nfo g raphi c

Ex pe ri m e nta l M e t ho d o f Des i g n

S ter

S uccess Peak

HAPP-E-QUATOR re

Love

Craft Island

Communication L i n d s a y K i n ka d e

The

Unconditional Love

D E S I G N

Love of 21 years C ol l a b ora ti on

Pen ta g ra m

Don g h o S h i n

C on ti n u ou s H a r b or Port o f

Trust Wood

A l fa l fa S tu d i o

E m i ly P i l lo to n

V i sual C o m m uni cat i o n D e si g n

Oasis of Passion

Des i g n E d u ca ti on

S u p p o r t C

A l f red S a n f t

P l a i n

Ziba

Mu cca Des i g n

H y p era kt Rob er t d e Vi c q

S u n g m i n C h oi

Riv

oti

vat

Ty po g rap h y

E eko S tu d i o P. S . S tu d i o, I n c .

Sangsu Ahn

D RE A M L A N D

E r i k S p i eker m a n n

l e I s

C are fre e I s l a n d

Fountain of Youth

Po ste r D e si g n

Mi l ton G l a s er

u of

r e

LOST

THE

C o nt i ne nt Prov i nce

L A ND NAME Name

Procrosnation Swamp S tr es s H a r b or

C api tal C i t y o f C o nce pt C i t y o f I nfl ue nce C i t y o f F i rm Pe ak C urre nt M y Jo urney A Tri p fo r C o l l abo rat i o n

Nightmare Wood

U n d efi n ed A d ven tu re O cea n

PURPOSE MERIDIAN

PLAYFUL MERIDIAN

CREATIVE MERIDIAN

CYBERV I L L E

SELF DISCPLINE MERIDIAN

TRUST MERIDIAN

RISK MERIDIAN

NOSTALGIA MERIDIAN

C od i n g for Web Des i g n

Edward H opper

N W O R LD J ong H y un H a

Edward Hopper

M Y J OUR N E Y I NTO T H E D E S I G N W O R LD A EJIN S e l f E xH pre ss i o n

PA R K

C laude M onet

Mountain of Origin

F I N E M

A R T

L A N D

Jong Hyun Ha

Ho n g-i k Un i ve rsi ty

Y ves K lei n

Sea of Per mi ssi on

Eu n j u n g Pa rk

S el f E x p ress ion

Un wa ve ri n g Devo ti o n to Pa re n ts A r ro g a n t S u cce ss o f Yo u t h Claude Monet

Pablo Pi cass o

Mi j u n g Ha n no Current of K

A medeo Modi gli ani

Amedeo Modigl iani

Egon Shi ele

G ustav K li mt

Design Invasion

wle

i e

l d

y Jo

Mar i an Bant j es

Isth

mus

of D eter

atio

Am edeo Modigliani

Gustav Klim t

This layer contains EF (Enhanced Fujita Scale), max width and the location of the tornados.

Photography

Illu stra ti o n

Archipelago of Memory Chen Design Studio

Background Layer

A r t E du cat i o n

A lexandra Br uel

Marian Bantjes

This layer contains the map of United States with the state names. As the Chronicle Books background of this system, it can help to view information of tornados.

Photography

Trust Wood

Zim & Zue

M o o ke s h Patel L i sa Pena

Infographic er

E xp e ri m e n tal M e t ho d o f De s i g n

S u cce ss Pe a k

HAPP-E-QUATOR r

t ea

Craft Island

Tactile

C om m uni ca t i on

344 Em pire

D E S I G N

Love of 21 years C ollaborat i on

Sungmi n C hoi

Unconditional Love

L ove n

H y perakt Robert de V icq

ver

oti

Lindsay Kinkade

vat

Collaboration

Continuous Harbor

S angs u Ahn

Port o f

Trust Wood

Alfalfa Studio et

Po ste r D e s i g n

S u p p o r t

Mi lton Gl as er

Alfred Sanft

P l a i n

Ziba

Mucca Design

Sungm in Choi

u of

P.S.Studio, Inc.

LO ST

Sangsu Ahn

en t

T H E

Hyperakt R obert de Vicq

Typo gra ph y

Eeko Studio

O F

De si gn Edu ca ti o n

L A N D

Em ily Pilloton

Vi su a l Co mmu n i ca ti o n De si gn

l e I s

Er i k Spi eker mann

Founta i n of Yout h

Pentagram

Dongho Shin

Ty po g raph y

Eeko St udi o P.S.St udi o, I nc.

Procrosnation Swamp

Erik Spiekerm ann

l e I s

Ca re fre e Isla n d

S t r e s s Ha r b o r

Fou n ta in of You th

Po ste r De si gn

Milton Glaser

ev em

en t

NAM E

Co n ti n e n t

Na m e

Provi n ce

Procrosnation Swamp Stress Harbor

Ca pi ta l Nightmare Wood

Ci ty o f In flu e n ce Ci ty o f Fi rm Pe a k Cu rre n t My Jo u rn ey A Tri p fo r Co lla bo ra ti o n

PLAYFUL MERIDIAN

CREATIVE MERIDIAN

SELF DISCPLINE MERIDIAN

Co d i n g fo r We b De s i g n

Ci ty o f Co n ce pt U ndefined A dvent ure Ocean

Undefined Adventure Ocean

Coding for Web Design

CY B E R V I L L E

Visual Communication Design: Advanced Visual Communication Design Studio I

Craft Island

C ommu n ica tion

Love of 21 years

Z i ba

Mucca Desi gn

Expe ri me n ta l Me th o d o f De si gn

S u ccess Pea k

ll Oasis of Passion

De s i g n E du cat i o n

A lfred Sanft

a i n

Emily P il loton

Vi s ua l Co mmuni ca t i o n D e s i gn

Lisa Pena

HAPP-E-QUATOR

A lfalfa St udi o

e er

The

Strait of Openess

Joshua Davis Mookesh Patel

In fo gra ph i c

Co nt i nuous H ar bor

Port o f

H a n d s on

Se a o f In i ti a tive

Pentagram

Dongho Shi n

Art

Alexandra Bruel

L i ndsay K i nk ade

The

Juergen Schlotter David Macaulay

Penguin Books

Strait of Openess

J oshua Dav is

Kyle Pierce

Edi to ri a l De si gn

H a n ds o n

Trust Wood

Is les of Collage

Relaxation Cape

S e a of I n itia tive

Love

Pablo Picasso

Translucent Layer

Tactile

Unconditional Love

Y ves Klein

Sea of Perm ission

Ph o e n i x

Zim & Zue

E R V I L L E

Pe n g u i n B o o k s

3 4 4 E m p i re

Egon Shiele min

Dav i d Macaulay

Editorial D esign

This layer contains the EF (Enhanced Fujita Scale) of tornados, and the counties where tornados were located.

Se o u l

Juergen S chlotter

Wood

wle

Ky le Pi erce

no Current of K

Is les of Collage

Illust ra t i o n Ch e n De s i g n S t udi o C h ro n i c le B o o k s

Clear Layer

Ca th y Ki m

y Jo

Student: Hae jin Park Faculty: Lindsay Kinkade

Visual Communication Design: Information Design I

Student: Yixin Cao Faculty: Mookesh Patel

Graduate Final Year Architecture / Landscape Architecture / Urban Design: Advanced Architecture Studio III / Advanced Landscape Architecture Studio III / Advanced Urban Design Studio III

Student: Conor Patton Instructor: Thomas Hartman

Mesa Plaza and Promenade jerome

Identity of Mesa... flagstaff

sun city

scottsdale

glendale

Mesa

ART AND CULTURE

mesa

phoenix

tempe

bisbee

Mesa Plaza and Promenade

studioKANY NI

jerome

This unique interdiciplinary studio was charged to design a wellness center for substance abuse rehabilitation as well as a 74 units of afforable housing on a 4 acre site in Phoenix, AZ. Working with a client, Native American Connections and their project architects, Perlman Architects and JSRa provided a real world experience with research based design.

Identity of Mesa... flagstaff

sun city

scottsdale

glendale

Mesa

ART AND CULTURE

mesa

phoenix

bisbee

tempe

learning from australia Topography

Existing Buildings

Topography

Existing Buildings

New Buildings

Promenade

serving in arizona

Promenade

New Buildings

research

method

values

confirmation

nac mission, vision, and values

user voice

site visits

best practices 333 e. virginia ave

Shade Structure

Plaza

Shade Structure

operations

process

analysis

easement

View from Centennial Way looking West towards open Plaza

Plaza

client

journey

program

density

View from Centennial Way looking West towards open Plaza

45.68 units/gross acre View from Centennial Way looking West towards the open plaza @ 4 gross acres = 182 units

View from Centennial Way looking West towards the open plaza

40 ft electric easement

View from Promenade looking out to the open Plaza

LED facade creates an interactive backdrop to the Plaza. View looking at new multi-use building

e-w site section

View at new lightrail station looking North

View from path looking West to detention pond with Plaza beyond

View looking North to sunken orchard with 1st street beyond

The Promenade serves as an opportunity to build up the intensity of urbanism, increase property tax value, and encourage walkability. Its main entry begins at the light rail station just north of the Mesa Arts Center and strings all the way to the Convention Center off site. The layers of the Promenade provide space, seating, and elevated entries for various activities that offer interaction to the Plaza. The Promenade is the link to every program in and around the Mesa Downtown Plaze.

View looking North to sunken orchard with 1st street beyond

site plan

View from open Plaza looking South East towards new housing building

Bio-Filtration Wetland and Detention Pond

Bio-Filtration Wetland and Detention Pond The shade module is a lightweight corten steel frame with metal mesh. It is eco-friendly and easily assembled. The repeated module provides a visual identity to the plaza.

Water Collection Rainwater from the roof

Rainwater from the roof

A/C condensation

Water from drinking fountains

Storage

Wetland Filtration

The shade module is a lightweight corten steel frame with metal mesh. It is eco-friendly and easily assembled. The repeated module provides a visual identity to the plaza.

Water Collection

Storage

Underground collection sistern

Three wetland ponds

Wetland Filtration

Irrigation storage sistern

Natural and synthetic UV Disinfection

Portable structucres inside Plaze with a, b, and c configurations

Fall 2013

et,

Irrigation storage sistern

Natural and synthetic UV Disinfection

ini

g Vir

re St

n oe

Portable structucres inside Plaze with a, b, and c configurations

Graduate Final Year Architecture / Landscape Architecture / Urban Design: Advanced Architectural Studio III / Advanced Landscape Architecture Studio III / Advanced Urban Design Studio III

Students: A. Atkins / E. Graves / K. Martinez / K. Wang / R. Wozniak Faculty: Edward Cook

Architecture / Landscape Architecture / Urban Design: Advanced Architectural Studio III / Advanced Landscape Architecture Studio III / Advanced Urban Design Studio III

Students: Furniss / Hulme / Janousek / Matijevic / McDonnell / Mehta / Mosman / Price / Riddell / Rothner / Russo / Slim / Stahlbuhk / Swensen / Tsaparis / Westad / Zenteno Gomez Faculty: Debartalo / Shraiky

Release: Tightly bound accumulation of biomass that becomes increasingly fragile

http://www.ecologyandsociety.org/vol7/iss1/art14/

Japan is currently at release because of climate change and urban fragmentation

Why it is important for people to stay connected to the water

and storage of energy and material

23%

58.71”

Per Year

4.67”

Per Day

1. Filtration

Broad Scale

Site Scale

River Front

They are implementing design strategies from other countries to deal with present and future hazards.

3. Rainwater Harvesting

Already Stable

Park

Urban

Agriculture

Street

Ponds Plant Life Swales

Plant Life Swales

Ponds Plant Life Pervious Pavers

Pervious Pavers Plant Life

Plant Life Swales

Swales Reusable Water for Play

Ponds Swales

Ponds Swales Cisterns

Rain Garden Pockets Swales

Playground representing the creating of rain where people play Thunder Gods Urban | Agriculture site educating people on food & water plus surface runoff, filtration and water harvesting River which enhances the south entrance while also celebrating water destination

Large Road

Large Roads break up hard surfaces and filtrate water while supporting larger vegetation

HUB

Bus Stop

Schools

Kyoto Notre Dame University

Shimogamo Hon Dori

Large Path mo Ka

Botanical Garden

er Riv

Medium Path

Streets | Paths moves water through the system. It helps support vegetation and helps prevent flooding Ponds stores, retains and filtrates water River that supports the system, but is already a wildlife preserve

Green Street that supports the system, but is already filtrating water

Kyoto Concert Hall

Green Space

Small Path

Large Paths pedestrians walking along major roadways and intersecting with bus stops Medium Paths pedestrian walking along residential homes Small Paths pedestrians walking within sites

Paths

Site

Streetscape

Garden of Fine Art

Entertainment

Small Roads break up hard surfaces and filtrate water while supporting smaller vegetation

Waterway

Residential Kitayama Dori

Context

• Set between the Kamo and Takano rivers • Surrounded by commercial and residential activity • Kamowakeikazuchi shrine to the north, Kamomioya shrine to the south. Both sites dating back to historical Kyoto. Kamo family lives in the area still • Kitayama Station on the green line and the number 4 bus route • Multiple schools in the area • Modern art buildings (Garden of Fine Art, Kyoto Concert Hall) and Botanical Gardens

Large Roads busier streets with heavier traffic. Taking vehicles outward and around the site Medium Roads streets that run through edges of residential and commercial areas Small Roads streets that run through residential and commercial areas

ira

ka w

ui D

Roadways

Kyoto Perfectual University

Opportunities

Isolated from system Engineered hardscape

Hardscape runoff Little for retention | harvesting

Pervious Pavers Plant Life Ponds

Celebration Sites

2. Breaking Hardscape

Runoff creates more flooding Decreased storage

Neighborhood Scale

Already Stable

Climate change has also taken its toll on Japan by reducing stored water in the form of snow, increasing evaporation from reservoirs and reducing rainfall.

Small Road

The small cycles eventually begin to change the larger cycles, which then have an affect on the smaller cycles

Strategy Development

• Streets & Greenways used to filtrate water • Pockets used to trap and filtrate water

Because the water drains from the mountains to the river, historical development has increased runoff to the rivers and created an increase of flood disasters during the monsoon and typhoon seasons.

Medium Road

Remember: Large, slow moving cycles interact with the smaller cycles

Flooding | Lack of Water Storage

Web of Resilience

Water Sources

Commercial

Revolt: Small, Fast moving cycles interact with the larger cycles

Rain Cycle

Conservation: Slow accumulation

27 %

E c oin l Flood o g i| cStorage al

http://www.ecologyandsociety.org/vol7/iss1/art14/

Exploitation: Rapid colonization of recently disturbed areas

Annual Rainfall

Crisis

Revolt Remember

as seen in Resilience of Past Landscapes: Resilience Theory, Society, and the Longue Durée

Climate Change

Reorganization: Resources are reorganized into a new system to take advantage of opportunities

i on agmentat Urban Fr

Resilience

Four Ecosystem Functions

as seen in Resilience of Past Landscapes: Resilience Theory, Society, and the Longue Durée Project is the reorganizational response to the release

Water Filtration System

• Connection between the entertainment areas that currently are separated • Connection to the wildlife preserve along the Kamo river • Using the circulation of space to create educational and cultural moments to connect the population back to the water cycle

Plant Life Swales Rain Garden Pockets

Using the Site as a Water Filtration Network Biofiltration swales: Collect polluted water and sediment from the streets and begin the process of cleaning and infiltrating water towards ground aquifers. They also slow down runoff. Ponds: Work as filtrating wetlands. They help clean the water while also slowing down runoff. They help store and infiltrate water while also creating habitat.

Permeable Hardscape Treatment

Ponds Plant Life Swales Pervious Pavers

Ponds Plant Life Ponds Swales Plant Life Pervious Pavers Swales Pervious Pavers Plant Life Swales Rain Garden Pockets Plant Life Swales Rain Garden Pockets

Plant Life Swales Rain Garden Pockets

Plant Life Swales

Permeable Pavers: Using pavers that will help infiltrate water and decrease runoff. Sites: Need to be able to let water through, plants can grow, still wheelchair accessible. Streets: Need to be able to let water through.

Rainwater Harvesting System

Plant Life Swales Rain Garden Pockets

Using the Hardscape for Infiltration

Decreased Runoff

Using the Site as a Water Catchment | Storage Rainwater Gardens: Spaces to catch water through retention. They help decrease runoff and infiltrate water. Life Points: Areas on the site that are for storage and use. Life points are small scale | decentralized water sources off the main grid in case of crisis.

Buffer Emergent, Ravine, Grassland, Riparian species

B A 4 Wetland base of gravel and sand with Submerged, Floating, Emergent species

6 D

Water Storage

1,152 X 32 = 36,864 gal underground 1 full tank supports 1,316 families of 4 for 1 week each family receives approx 4 gallons a day

3 X 20,000 = 60,000 gal above ground 1 full tank supports 2,142 families of 4 for 1 week each family receives approx 4 gallons a day

1 = 1,025 gal above ground 1 full tank supports 36 families of 4 for 1 week each family receives approx 4 gallons a day

r u t l c

Life Point • Potable Water • Electric Generator • Edible Plants Water • Wetland filtration • Habitat assistance

Urban

Thunder Park Plan NTS

g A

Water • Wetland filtration • Habitat assistance

South Entrance • Create a more dynamic entrance • Subtle enough to blend with preserve • Art piece to celebrate the flow of water

Opportunities • Create connection to Botanical Garden • Overflow for Garden of Fine Art + Kyoto Concert Hall Life Point • Potable Water

Agriculture

Wildlife Preserve • Sensitive plants for the area • Help support wildlife

River Plan NTS

r e v i R

1,620 X 32 = 51,840 gal underground 1 full tank supports 3,702 families of 4 for 1 week each family receives approx 4 gallons a day

A Play • Water play of creating rain • Manual pumps for water • Manual generator for electricity • Water movement

Thunder God Park

864 X 32 = 27,648 gal underground 1 full tank supports 987 families of 4 for 1 week each family receives approx 4 gallons a day

Opportunities • Community Garden • Small market space Life Point • Potable Water • Electric Generator • Edible Plants Water • Wetland filtration • Habitat assistance

Urban | Agriculture Plan NTS

Architecture / Landscape Architecture / Urban Design: Advanced Architectural Studio III / Advanced Landscape Architecture Studio III / Advanced Urban Design Studio III

Student: Christine Kimpel Faculty: Max Underwood

Architecture / Landscape Architecture / Urban Design: Advanced Architectural Studio III / Advanced Landscape Architecture Studio III / Advanced Urban Design Studio III

Student: Conor Patton Faculty: Thomas Hartman

MATADEROS, BUENOS AIRES, ARGENTINA The neighborhood of Mataderos – a neighborhood located within the Autonomous City of Buenos Aires – comes with a stigma; it is known for the slaughterhouses and cows that have been present since the development of the neighborhood. This project is influenced by The Feria de Mataderos, which is a successful Sunday market that welcomes participants from other Argentina provinces and visitors are able to experience the multiple crafts, practices and diverse aspects of the country, with the intent to develop a new identity for the neighborhood. The idea would be to be able to “visit” Argentina in one day and be able to get to experience the country for those who are unable to do so, both visually and physically. Through analysis of the provinces area, population, density and region a pavilion would be created to characterize the differences between each one. The pavilion has a base starting point (equality between the provinces) which would expand in perimeter based on area of the province; smaller for a small province, larger for the largest provinces. The other variations come in the form of the larger the population the more floors each pavilion would receive to house more programmable volumes that are provided and filled as desired by the provinces; and density indicates the height above the ground as all pavilions are elevated to allow for ease traversing the site and connecting the two sides of the neighborhood. The interior volumes are elevated via columns that represent the density per square kilometer of each province (5.8 people per square kilometer would equate to 6 columns that are visible.) The project is intended to vitalize the area and create life, to provide a space to gather in during large events, to use the seemingly generic facades to project movies in the park on the face, to light up and become a beacon for the rest of Buenos Aires.

BUENOS AIRES

liniers

parque avellenda

MATADEROS

INSPIRATION

project location

site layout design

site plan

LESS

building sizes

LESS

BASE AREA

POPULATION

DENSITY

facade design EQUAL

EXTRUDE

SLICE

TRANSPARENCY

SKEW

JOIN

PUSH

VOILA! FACADE

elevation

floor plans 1 -2

plans 3-4

plans 5 - 6

ESTCODE

ENTRANCE TO PAVILION

section

elevations

structure axon

ENTRANCE TO CLASSROOM

CIRCULATION STRUCTURE CONCRETE WALK-THROUGH

Fall 2013

INTERIOR STRUCTURE (STAND ALONE) METAL | WOOD

EXTERIOR FACADE POLYCARBONATE

VIEWING AREA/SEATING

under pavilion

entrance to site

pavilion facade

night atmosphere

Graduate Final Year Architecture / Landscape Architecture / Urban Design: Advanced Architectural Studio III / Advanced Landscape Architecture Studio III / Advanced Urban Design Studio III

Student: Danielle Sheldon Faculty: Claudio Vekstein

Spring 2014

Undergraduate Second Year Architecture / Landscape Architecture: Design Fundamentals IV

Student: Mariana Fernandes De Larcerda Faculty: Allyce Hargrove

FRACTURED

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

ISSUE: LIFE EXPECTANCY & MORTALITY

ALA 226 SPRING 2010

BRIMHALL

MITCHELL BUGLEWICZ

EXISTING SITE PLAN 1"=20'

SCALE: 1:100

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Linear Views / Progression

Central View / Focus

SITE PLAN

C-C

SCALE: 3/32”=1’-0”

B-B

CONCEPT STATEMENT

A new, contrasting way to look at grave placement, not in the conventional grid pattern. Takes the person(s) on a unique path/journey to their loved one that provides adequate shade. Bring the building and the landscape into one another. Bring life back into the site.

COMBINED

CONTEXT SITE PLAN

PARTIS / CONCEPTS

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Broken Views

CALLIANDRA ERIOPHYLLA PINK FAIRY DUSTER SIZE: 3’ x 4’ FLOWER: PINK POWDERPUFFS SEASON: SPRING TO FALL

SALVIA CLEVELANDII CHAPARRAL SAGE SIZE: 4’ x 4’ FLOWER: BLUE TO VIOLET CLUSTERS SEASON: SPRING TO SUMMER

PASSIFLORA FOETIDA BAJA PASSION VINE SIZE: 10’ x 10’ FLOWER: WHITE AND PURPLE SEASON: SUMMER

VERBENA PULCHELLA MOSS VERBENA SIZE: 1’ x 3’ FLOWER: PURPLE CLUSTER SEASON: SPRING TO FALL

POURED CONCRETE FUNNEL / VASE FOR IRONWOOD PLANTER

EXPOSED STEEL BEAMS FOR WALL AND ROOF STRUCTURE

REFLECTION

HISTORY

LAMINATED GLASS

6” STEEL PIPES WITH “KNOWN” INDIVIDUALS’ NAMES LASER CUT. ILLUMINATED FROM WITHIN

STAINED PERFORATED BOARD FORM POURED CONCRET FOR ROOF STRUCTURE

HARDSCAPE

RAMMED EARTH WITH IMRESSIONS OF “UNKNOWN” INDIVIDUALS’ NAMES FOR WALLS

STEEL RIBS FOR STRUCTURE

ROUGH TEXTURED IMPRESSION CONCRET FOR FLOORING

PATH TO MATCH EXISTING. EXT. EXHIBITION TO BE SCATTERED STONE & POLISHED CONCRETE AREA BELOW ANY TREE TO HAVE GRASS FOR COMFORTABLE RECREATION/ RELAXATION. UNEVEN TAN COLORED SLATE FOR ALL RETAINING WALLS. ALOE FEROX CAPE ALOE SIZE: 5’ x 3’ FLOWER: ORANGE-RED SPIKES SEASON: WINTER TO SPRING

SUCCULENT

PENSTEMON PSEUDOSPECTABLILIS CANYON PENSTEMON SIZE: 1.5’ x 1.5’ FLOWER: HOT PINK SPIKES SEASON: SPRING

PERENNIALS

CAESALPINIA GILLIESII YELLOW BIRD OF PARADISE SIZE: 6’ x 5’ FLOWER: YELLOW w/ RED STAMENS SEASON: SPRING TO FALL

PERFORATED STEEL FOR SKIN ABOVE GROUND

GRASSES

FEROCACTUS CYLINDRACEUS COMPASS BARREL SIZE: 2’ x 1.5’ FLOWER: YELLOW, ORANGE SEASON: LATE SPRING TO EARLY SUMMER OPUNTIA SANTANA-RITA PURPLE PRICKLY PEAR SIZE: 4’ x 5’ FLOWER: YELLOW SEASON: SPRING

CACTI

ACACIA STENOPHYLLA SHOESTRING ACACIA SIZE: 30’ x 20’ FLOWER: CREAM PUFFBALL SEASON: SPRING TO WINTER

RAMMED EARTH WALLS

LIGHT GREEN & YELLOW STAINED POLISHED CONCRETE FOR FLOORING

MEMORIAL

STRUCTURES

SECTION C-C SECTION B-B SECTION A-A 3/32”=1’-0” 3/32”=1’-0” 3/32”=1’-0” TREES SHRUBS

LANDSCAPE

ECHINOCACTUS GRUSONII GOLDEN BARREL SIZE: 1.5’ x 2’ FLOWER: YELLOW SEASON: SPRING

OLNEYA TESOTA IRONWOOD SIZE: 25’ x 25’ FLOWER: DUSTY LAVENDER SEASON: SPRING

VINES

Spring 2014

PARKINSONIA FLORIDA BLUE PALO VERDE SIZE: 30’ x 30’ FLOWER: YELLOW SEASON: SPRING

C-C

A-A

B-B

A-A

ALOE VERA MEDICINAL ALOE SIZE: 2’ x 5’ FLOWER: YELLOW SPIKES SEASON: SPRING ALOE VARIEGATA PARTRIDGE BREAST ALOE SIZE: 1’ x 1’ FLOWER: SALMON SPIKES SEASON: WINTER TO SPRING BULBINE FRUTESCENS YELLOW BULBINE SIZE: 1’ x 2’ FLOWER: YELLOW SPIKES SEASON: WINTER TO SPRING MUHLENBERGIA CAPILLARIS PINK MUHLY SIZE: 3’ x 3’ FLOWER: PINK AIRY PLUMES SEASON: FALL

Undergraduate Second Year Architecture / Landscape Architecture: Design Fundamentals IV

Student: Mitchell Buglewicz Faculty: Douglas Brimhall

Architecture / Landscape Architecture: Design Fundamentals IV

Student: Cesar Del Castillo-Horta Faculty: Claudio Vekstein

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Overview to Southwest

The Pioneer and Military Memorial Park evokes a wide range of emotions, strongest of which may be the profound difference be-

steps in life

Notables & Unknowns. This Dichotomy between the known and the unknown tween the

A design that is all about people

created a powerful feeling which became the basis for the project. The circulation is derived from multiple scaled map overlays

Steps in Life is a project within the Pioneer and Military Memorial Park (PMMP). This project consists of a park and new burials for the PMMP. It is a simple, yet rich design made for people. All spaces are carefully designed to attend people's need and allow them to explore and experience different moments and activities at the same time that represents the history of the 3600 individuals buried at PMMP. The design provides HISTORICAL, CULTURAL, NATURAL, EDUCATIONAL, and RECREATIONAL activities to the public.

Links

creating between city context and existing cemetery structure. The memorials invert importance, creating a memorial which shows all people in equal importance. The reflection space uses beams of light to celebrate the notables and the unknowns together. The new graves are marked by large slabs of granite that denote exactly where the body is located, ensuring none of the new graves

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Region

will become “unknown”. To fit the , the plants are all native to Arizona and use little water. Bloom color schemes are coordinated with yellow in Spring and purple and white in Summer.

PERSPECTIVES AND DETAILS

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Site plan plays with different levels (terraces) to present steps in life. Site is very vegetated with native plants.

History Center roof extends to the park. Red brick path breaks to represent “life stops” and tells the history of the people.

Reflection Space plays with natural (mexican fencepost) and structural (water feature) levels and it is densely vegetated quite place.

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT PRODUCED BY BY AN AN AUTODESK AUTODESK EDUCATIONAL EDUCATIONAL PRODUCT PRODUCT PRODUCED

Plaza is located to the left of HC on site plan and it is designed for outdoor events (rise funds) and holds the memorial walls with all the names of the people buried at PMMP.

Wall has 4 different hights. Free circulation. Connection with Smurfwaite House. Courtyards for graves create enclosure (security feeling) = private and accessible. PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Wall is made of collumns (4 differeny hights) that represent the life expectancy of those burried in the site.

W Jefferson Street

bus stop direct access to Smurfwaite House

direct access to History Center

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

R PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

reflection space

S 13th Ave

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT PRODUCED BYBY ANAN AUTODESK EDUCATIONAL PRODUCT PRODUCED AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PLAN 1”=17’ PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

NORTH

Section Facing North

conference reception Section Facing West

exhibition

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

research office archive

kitchen

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

main entrance to PMMP

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Glass | History Center

Concrete | paths

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Exterior title that mimics wood | History Center facades

Metal

R|S SECTION scale 1’= 40’’

N|S SECTION scale 1’= 17’’

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Concrete | benches and terraces

HARDSCAPE

SITE PLAN scale 1’= 17’’

Avenue of Flags, looking South

Materials Dark Gravel Grave Beds

Interior of History Center, looking East

Vegetation Chilean Mesquite

Prosopis chilensis

30 ft., wide crown shape Pale yellow bloom in Spring

White Granite Headstones

PRODUCED BY BY AN AN AUTODESK AUTODESK EDUCATIONAL EDUCATIONAL PRODUCT PRODUCT PRODUCED PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

W|E SECTION scale 1’= 17’’

Rammed Earth

Palo Brea

Cercidium praecox

25 ft., umbrella shape Yellow bloom in Spring

Foothills Palo Verde

Cercidium microphyllum

15 ft., shrub-like Yellow bloom in late Spring

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

INSPIRATIONAL PROJECTS

WORK PROGRESS

View to North down East side of History Center

Reflection Space Section

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Stabilized Decomposed Granite

Mix of grasses (blue Grama, Pink Muhly, and Deer Grass) and groundcovers (Bush Morning Glory, damianita, and Trailing Gazania).

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Memorial and East side of History Center Sandstone Tile

PRODUCED PRODUCED BY AN BY AUTODESK AN AUTODESK EDUCATIONAL EDUCATIONAL PRODUCT PRODUCT PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Colored Concrete-Board Formed PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Blue Palo Verde

Brittlebush

Langman’s Sage

Beargrass

30ft., vase shape Yellow bloom in Spring

3 ft., mounded shape Yellow bloom in Spring

5 ft., rounded, dense shape Purple bloom in Summer

3 ft., clumped

Cercidium floridum

Texas Ebony

Pithecellobium flexicaule

20 ft., irregular shape Yellow bloom in late Spring

Encelia farinosa

Leucophyllum langmaniae

Bush Morning Glory

Chihuahuan Sage

2 ft., mounded shape White bloom in Spring

4 ft., rounded, open shape Purple bloom in Summer

Convolvulus cneorum

Leucophyllum laevigatum

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Site Analysis PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

water: very low Mix of perenials, annuals, cactus, succulents, and rocks.

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

35'

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Existing Mesquite Trees

15'

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

water: very low

0' 5' PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Hybrid Palo Verde 25’X25’ semievergreen

Blue Palo Verde 30’hX30’w semievergreen

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

MATERIALS

Chaste Tree 15’hX15’w evergreen water: low Foothills Palo Verde 15’hX15’w semievergreen water: very low okay to grow near electric lines

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Mexican Fencepost 10’hX6’w water: very low Smooth Agave 3’hX3’w water: very low Golden Barrel 1-1/2’hx2’w water: very low Purple Prickly Pear 4’hx5’w water: very low Langman’s Sage 5’hX5’w water: very low Brittlebush 3’hX4’w water: very low Ocotillo 12’hX10’w water: very low

LANDSCAPE

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

- |

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

MATERIALS

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Remembering Forgotten

Opportunities and Constraints

Understanding the Surroundings Main Entrance

Architecture / Landscape Architecture: Design Fundamentals IV

Student: Mariana Fernandes De Larcerda Faculty: Allyce Hargrove

Architecture / Landscape Architecture: Design Fundamentals IV

Student: Ryan Kiefer Faculty: Scott Murff

Nolina microcarpa

Deer Grass

Muhlenbergia rigens

4 ft., clumped, mounded

Age at Death & Condition of Headstones

es & Age at Death

hley Whitesides

3,600 people were buried in the Pioneer Military Memorial Park cemeteries. However, only 600 of these graves are marked today and many are in poor condition. An analysis of the condition of the headstones in the cemetery in relation to the age of death revealed that young people (0-20) were almost 15% more likely to have poorly maintained headstones than those who died after the age of 70. The inspiration for the project concept was derived from this idea that people die unexpectedly and eventually become forgotten about like the unmarked 3,000 and these children.

existing site plan 1"=40"

INTERPRETIVE MAP: CONDITION OF HEADSTONES & AGE AT DEATH ALA 226 | Ashley Whitesides | Kelley | Scale: NTS Unexpectedly lost (Left)

West Jefferson Street

South 15th Avenue

Inevitably Forgotten

Concept This proposal for the Pioneer Military Memorial Park Memorial is based on the concept of uncertainty in death, specifically the idea that you never know when you will die. It responds to the way that our lives are influenced by death, demonstrates the randomness by which we leave this life, and reflects on the idea that we all eventually become forgotten about after we die.

West Madison Street

The placement of the graves of these young people became the parti for the design. Almost all of these children were buried on the south side of the cemetery so a horizontal division line was created between these graves and the rest of the cemetery, which became the central axis of the design and the threshold between the life-representing northern side and the death-representing southern side of the park. A vertical line was extended from this line to each of the childrens’ graves, becoming secondary paths that visitors take through the ‘death’ side of the park.

Site Context Plan & Research Overlay Scale: 1” =60’-0” Functional Diagrams

Parti diagram Scale: NTS

Landscaping The landscaping in this design is determined by its ability to conform to the concept of life at the North end of the site and death in the south side of the site as well as by hartiness and ability to survive with full sunlight and little water for a more sustainable design.

Vegetation

On the north side there are several flowering bushes that populate the planters as well as flowering trees. They were chosen so that at least one type of bush will be flowering all year long so that the sense of life and cheerfulness is maintained even through the winter season.

The design also responds to site conditions such as sun orientation, summer and winter wind patterns, existing pedestrian circulation systems, and unsatisfactory views to create a comfortable environment for visitors.

PARTI ALA 226 | Ashley Whitesides | Kelley | Scale: NTS (Above) student: Ashley Whitesides existing site plan 1"=40"

Death vs. Condition of Headstone 0'

10'

20'

instructor: Kristian Kelley

40'

Circulation

Automobile Traffic

Pedestrian traffic Sea Lavender Limonium Perezii Sun: full sun Water: low Size: 18”h, 24”w Used in the north side of site because of it’s year-round colorful blooms

Seating

Summer Wind

View of Unattractive Building Memorials

The South side of the site is populated by a multitude of Mexican ebony trees, chosen because of their deciduous nature to give shade during the hot summer months and to look dead in the winter when shade is not as necessary.

m r

u n

Winter Wind

Topography

Site Analysis Map Scale: NTS

Site Plan Key

North: Representing Life The northern side of the park presents visitors with an experience of life, through the use of flowering plants, flexible gathering spaces, clean white surfaces, and indirect natural lighting, that is at the same time heavily influenced by the paths from the south side of the park the represent death. This represents the way that death affects our daily lives. The history center gives only glimpses into the memorial park, alluding to the way that we think about death, but can’t see or understand everything about it while we are still living.

Blue Grama Grass Bouteloua gracilis Sun: high Water: low Size: 18”h Used inside the empty wire mesh walls for ground cover around the vines.

Burials

Gallery Interior View

Outdoor Gallery / Gathering space

East / West Section Scale: 1/16” = 1’-0”

Entrance A Bus Stop Flexible Gathering / B Outside Gallery Space History Center Entry & Reception / C Secondary Gallery Space D Main Gallery Space E Office F Kitchen G Storage H Conference Room I Bathroom - Women J Bathroom - Men K Archive Park & Memorial L Water Feature M Brick Memorial Wall: names of those buried in the cemetery with grave markers N Concrete Memorial Benches*: names of those buried in the cemetery without grave markers Burials* O Reflection Space P Smurthwaite House Q Funeral Parking R S Avenue of Flags

Wall Section Scale: 1/4” = 1’-0”

Entry: Maximum Direct Sunlight

Influence of Death Diagram Scale: NTS

Blue Palo Verde Botanical Name Sun: high Water: low Size: 15’h, 20’w Used in the North side of the site because of it’s bright yellow color in the spring.

Stucco Exterior building walls Chosen because it looks clean and bright and continues what the plaster does on the interior of the building.

Aloe “Blue Elf” Sun: full sun Water: low Size: 18”h, 24”w Used in the north side of site because of it’s colorful blooms in the winter/spring and its hartiness.

Plaster Interior Building walls Chosen because it will make the spaces seem open and light and will reflect ambient light into the space well.

Desert Marigold Baileya multiradiata Sun: part shade Water: low Size: 10”-30” Used in the north side of site because of it’s colorful blooms in the spring, summer, and fall.

Plastic Wood Used on top of concrete benches in the North side of the site to make benches more comfortable to sit on in the hot climate.

Grape Ivy Cissus trifoliata Sun: full sun Water: low Size: 15’h, 20’w twining Used in the empty wire mesh gabion walls in gathering space in place of rocks.

Glass Building windows Lets natural light into the building, which creates a more open space. It also allows visitors to connect with building context.

* Repeated element

USB HOME RECORDING INTERFACE

Welded Wire Mesh Empty gabion walls in reflection space, gathering area, and bus stop Used because it creates a permeable barrier boundary wall that plants can grow within.

3 2

D E M

Q F

K H

Brick Used in the huge brick memorial wall. Some bricks will have names engraved in them o the people who are buried in the cemetery and have headstones.

N Concrete (salt or broom finished) Used as paving outside the building and chosen because it acts as a continuation of both the existing sidewalk and the polished concrete floor of the building.

7 P

Concrete (Memorial) Cast in Place Used in memorial benches in the South side of the site and will have names of the unknown people who died in the cemetery.

B South: Representing Death

Site Plan Scale: 1” =10’

A one-foot drop in elevation, deciduous tree-lined walkways, dry desert grasses, and deteriorating pathways give a sense of death and being forgotten about. Memorial benches are placed based on where the forgotten children were buried, The new burials and the reflection center, which resembles a fragment that has been broken off of the history center with crack-shaped benches in the walls, reflecting the way people are forgotten and headstones crumble.

North / South Section Scale: 1” =10’

The North-South paths break down from smoother salt finished concrete to exposed aggregate concrete and finally to stabilized decomposed granite that then blends into the dirt of the existing cemetery.

Spring 2014

Main Circulation Path Facing East

Memorial Detail View South

Seasonal vegetation Study

Memorial Detail View South

Chilean mesquite Prosopis chilensis Sun: full Water: low Size: 30’h, 30’w Used around the avenue of flags and Smurthwaite house.

Exposed Aggregate Concrete Used in the middle of the paths on the South side of the site as a transition element between salt finished concrete and decomposed granite.

Mexican Ebony Pithecellobium mexicanum Sun: full sun Water: low Size: 15’h, 15’w Used in the South end of the park because of it’s deciduous nature.

Decomposed Granite Used at the ends paths on the south side of the site to create a seamless transition from the pathway to the ground in the rest of the cemetery.

Many USB recording interfaces and mixing boards have the user plug all electronics into the top of the interface. This can potentially lead to the cables getting in the user’s way and obstructing the actual controls on the console.

Faz is set up in a way that allows for organization of chords and cables. It shoots everything away from the user and allows the controls to be unobstructed. Faz keeps everything you can control at your fingertips; moving everything else out of your way.

Salt Finish Concrete

Exposed Aggregate Concrete

Stabilized Decomposed Granite

Path Deterioration

Reflection Space Re-

Deer Grass Botanical Name Sun: partial to full Water: low Size: 3’h,5’w Used in sunken planters in the South side of the site because of it’s muted color.

Undergraduate Second Year Architecture / Landscape Architecture: Design Fundamentals IV

Student: Ashley Whitesides Faculty: Kristian Kelley

Industrial Design: Industrial Design II

Student: Jack Marple Faculty: Joseph Velasquez

BON FEU

A STRE AMLINED TORCH FOR THE MODERN KITCHEN

PROCESS: va.pœr Medical Cannabidiol Isolator, is designed with the intent to assist in the use of Medical Cannibis specifically the Cannabidiol (CBD) Compound. Through use of variable temperature coils, Vapure is able to purge away high Tetrahydrocannabinol (THC) vapor, and provide the user with a safe dosage of high CBD vapor. Users can expirience the benefits of CBD for their condition without the worry of feeling high.

CBD

THC

Vaporizes

Vaporizes 157°C 314.6°F

188°C 370.4°F

Purge

CBD is currently used to treat Severe Myoclonic Epilepsy of Infancy (SMEI) also known as Dravet’s Syndrome in children (Dravet Syndrom Organization), along with showing promise in the treatment of Parkinson's disease, Cancer pain, Cancer resistance, and Ischemia.

INSPIRATION FINAL:

1950’s Studebaker Bulletnose

1950’s Mercury Hood Ornament

USB Rechargable Lithium Ion Battery

GRASP TORCH

Grasp torch handle and place pointer finger on trigger.

Aluminum silica alloy die casting

Aluminum silica castings are common in the automotive industry for their ability to sustain high temperatures. This is important as the vaporizing coils generate up to 370 degress Farenheit.

SWITCH SAFETY

Switch safety button to the “on” position.

Polypropylene (PP)/titanium dioxide (TiO2) nano-composites

(PP)/(TiO2) is a polypropylene based polymer with the addition of titanium dioxide as a antibacterial additive, the dioxide also strengthens the polymer. Polyethylene terephthalate (Clear PET)

PET is an excellent moisture barrier, to house the CBD oils. It is commonly found in beverage containers as it also acts as an insulator.

Industrial Design: Industrial Design II

Student: Alexander Schreer Faculty: Joseph Velasquez

PULL TRIGGER

Pull trigger to release flames and proceed with cooking.

Industrial Design: Industrial Design II

Student: Muriel Shields Faculty: Joseph Velasquez

Undergraduate Second Year Visual Communication Design: Visual Communication II

Student: Kelley Kemp Faculty: Marsha Minniss

The coffee factory brings fresh coffee bean smelling into this area to recover the stink smell. The using purpose of factory is separated into two main functions. The first function of the factory is to provide space for workers to process coffee beans, provide space to storage coffee products, including factory office, and staff room. The other main function of the factory is to serve as coffee house. And it also has a small coffee book store.

TEXURE FLOOR PLAN

FINAL FLOOR PLAN

MODELS IN FLOOR PLAN

CONCEPT

COFFEE FACTORY

Rising from the ashes of what was once a casket manufacturing warehouse, Jefferson Funeral Home redefines what a funeral home should be. By bringing a fresh face to a sector of hospitality that is often ignored, the space redefines the traditional funeral home with not-so traditional elements.

SOUTH WALL ELEVATION ATMOSPHERE

coffee house floor plan

SOUTH WALL

A lily inspired structure in the center of the lobby becomes the hub of commonality, a meeting place that acts as a shelter, and a safety net lending a hand to those who are lost. Soft ambient lighting creates a calming and peaceful ambiance and acts as a canopy to the space below.

coffee house Elevation atmosphere

The form of the ceiling panels reflects the comfort found in anothersâ&#x20AC;&#x2122; helping hands, and provides a sense of intimacy and warmth in the chapel. Jefferson Funeral Home is a space that transcends all previous connotations of the traditional funeral home.

coffee house 3D atmosphere

coffee book store 3d atmosphere

3D exterior view

Spring 2014

Undergraduate Second Year Interior Design: Interior Design Studio II: Hospitality

Students: L. Chen / Z. Wang Faculty: Elena Rocchi

Interior Design: Interior Design Studio II: Hospitality

Students: A. Carr / L. Copeland / N. Le / H. Massarat Faculty: Nick Marotta

Visual Communication Design: Typography

Student: Sawyer Hardebeck Faculty: Andrew Weed

Visual Communication Design: Visual Communication II

Student: Kelley Kemp Faculty: Marsha Minniss

LUCKY’S MARKET YOUTH CENTER ADAPTIVE REUSE

LUCKY’S YOUTH CENTER ADVOCATES YOUNG ADULTS TO EXPERIENCE ALL THE RESOURCES AND OPPORTUNITIES PRESENTED TO THEM WHICH ARE ACCESSED BY ARCHITECTURAL PROMENADES GUIDED BY LIGHT, MATERIALITY, AND ELEVATION CHANGES.

IN ORDER FOR THE YOUNG ADULTS PARTICIPATING IN THE YOUTH CENTER TO BE AWARE OF THE RESOURCES PROVIDED TO THEM, TWO RAMPS LINKING ALL THE PROGRAMS ARE EXPRESSED ON BOTH THE GROUND AND UPPER FLOOR. BY UTILIZING TRANSPARENT CONCRETE BLOCKS AND COPPER MESH, THEIR MOVEMENT CAN BE ARTICULATED. IN ADDITION, CAREFULLY PLACED LIGHT SOURCES, TACTILE CHANGES IN MATERIALITY, AND ONE’S RELATIONSHIP TO THE COURTYARD CONSTANTLY CHANGING DRIVES USERS TO EXPLORE THE ENTIRETY OF THE YOUTH CENTER.

6 7

FIRST FLOOR PROGRAMS 1. ENTRY/RECEPTION GUIDED BY MEZZANINE LIGHT

2. CAFE

COURTYARD VIEWS

3. RESTROOMS

4. OFFICE

7. PERFORMANCE AREA

LINE OF SIGHT

10. COMPUTER ZONE

RAISED 2.5’ ABOVE LIVING ROOM

5. WORKSHOP

11. STUDY SPACE

8. LIVING ROOM

6. COLLABORATIVE STUDIO

12. MENTOR SPACE

9. COURTYARD

DOUBLE HEIGHT SPACE

SECOND FLOOR

SECTION

NORTH ELEVATION

Spring 2014

Undergraduate Second Year Visual Communication Design: Visual Communication II

Undergraduate Third Year Student: Sheriden Vanhoy Faculty: Patrick Clark

Architecture: Architectural Studio II

Student: Cathleen Kebert Faculty: Marthe Rowen

CENTRO JUVENIL COLMENA

MY DESIGN APPROACH WAS TO BRING OUT THE BEST QUALITIES OF THE EXISTING STRUCTURE. WE SAW THE OPPORTUNITY TO DISPLAY THE ADOBE BRICK WALLS, AND CONSTRUCT A DESIGN AROUND THE EXISITING LAYOUT. WE CHOSE TO INSERT A SINGLE MASS THAT WOULD SERVE MULTIPLE FUNCTIONS WITHIN THE TEEN CENTER. THE MASS WOULD SOON BECOME A SPANNING TRUSS STRUCTURE, WRAPPED IN MATERIALS THAT ARE NATIVE TO THE BARRIO. SUNLIGHT AND LANDSCAPE WERE THEN CONSIDERED TO FINE TUNE THE NEW TEEN CENTER, WHILE VERTICAL INTERIOR ELEMENTS CONNECTED VARIOUS SPACES.

Y ST. KENNED

CENTRO JUVENIL COLMENA

BARRIO LIBRE

TUSCON, AZ

AVE. ENT CONV

EXISTING SITE

E. R AV

MEYE

mentor center yard

tech studio street cafe 2ND LEVEL PLAN 9. PRIVATE CREATIVE SPACE 10. CREATIVE “FREE” SPACE 11. DIGITAL SPACE 9 10

KENNEDY ST.

SITE PLAN 3

1. ENTRY SPACE 2. COURTYARD 3. CAFE 4. GALLERY 5. FLEX SPACE 6. RESTROOMS 7. PRIVATE OFFICE

8. STORAGE / KITCHENETTE

5 1

MEYER AVE

6 6 7

IN - FILL MOUND COMPOSED OF RECYCLED ROOF MATERIALS

DIGITAL CREATIVE SPACE

FLEXIBLE STAIRCASE / SOCIAL ZONE

SKYLIGHT

PRIVATE CREATIVE AREA

116’

COURTYARD

MEYER AVE.

12’

24’ 20’

9’

SITE PLAN 1/8th” = 1’ SECTION A / SCALE: 1/8” = 1’

Architecture: Architectural Studio II

Student: Rebecca Manhardt Faculty: Max Underwood

Architecture: Architectural Studio II

Student: Austin Nikkel Faculty: Victor Irizarry

RECIPROCATING SAW RHINO 18-V

The Rhino Reciprocating Saw responds to construction and remodeling needs while benefitting other DIY users too. It creates an ergonomic yet versatile solution for making overhead cuts and flush cuts against the floor. The removable hand-grip prevents the userâ&#x20AC;&#x2122;s wrist from uncomfortably rotating to hold the core of the body. It also accomodates various power source preferences by allowing a plug-in for an extension cord in the battery housing, minimizing the nuisance of an attached cord.

FEATURES flat top for flush cuts against floor

lock button foot for stability during cuts

injection molded body

blade release function ergonomic hand brace

textured grip

release tab for battery

battery housing modifies to become a corded power tool

outtake and intake venting for motor

removable hand brace for a variety of contexts and users

PROCESS

DIMENSIONS

9.76 cm

21.5 cm

44.5 cm

Spring 2014

Undergraduate Third Year Industrial Design: Industrial Design IV

Student: Dizhou Luo Faculty: Roozbeh Mehdigholi

Industrial Design: Industrial Design IV

Student: Jessica Petney Faculty: Donald Herring

A DIALOGUE BETWEEN INTERIOR AND EXTERIOR

Concept To appreciate the natural landscape of Arizona and the history of Mill as a harbor that linked Tempe, the supplier of farm goods, to the City of Phoenix. This project will emphasize the notion of linking five different categories: people, activities, nature, structure, and the street.

Model Photographs

Floorplans SECTION A

SECTION B A

FIRST FLOOR

GALLERY

CAFE

LIBRARY

MASSING

SECOND FLOOR

LIVING ARCHITECTURE

THIRD FLOOR

Commercial Area - Cafe/Retail

Stair-Cafe/Retail

Bar Area - Cafe

POS - Retail

Detail Model-Cafe/Retail

LIBRARY CHILDREN’S SECTION

DIGITAL MAPPING CREATES AN INTERACTIVE EXPERIENCE FOR THE CHILDREN’S SECTION.

Art Venue - Exhibition Space

LIBRARY CENTRAL CIRCULATION

LIBRARY YOUNG ADULT SECTION

Art Gallery Skylight

WOOD GRAIN TEXTURED CONCRETE

Art Gallery - 2nd Floor

BLACK LIMESTONE

WALNUT - CLEAR SATIN FINISH

SNOW WHITE QUARTZ

CONCRETE - HIGH GLOSS SEALER

SWITCHABLE GLASS

ANODIZED BLACK ALUMINUM

LIGHT OAK - CLEAR SATIN FINISH

Art Gallery Entrance

Library

Library Adults - POS

Library Adults - Stacks

Library Adults - South View

LIBRARY FACADE

FRONT FACADE OF COMPLEX

LIBRARY FACADE

Library Children

Interior Design: Interior Design Studio III

Library Children - Playground

Students: F. Agusta / R. Alkhuzai / D. Alzahim Faculty: Jose Bernardi

Interior Design: Interior Design Studio III

Students: A. Curtis / K. Love / K. Marg Faculty: Maura Gonzales

GREEN WALL

Optimizing gammage

Vicinity Map

Existing site photos

Arizona State University (ASU) past President Grady Gammage had a vision to create a distinct university auditorium on the campus of ASU. He called on close friend and famed architect Frank Lloyd Wright to assist with the project. During a tour of the campus, Wright took a liking to an athletic field and said, ‘I believe this is the site. The structure should be circular in design and yes, with outstretched arms, saying “Welcome to ASU!” ASU Gammage was completed in September 1964 and is the only public building in Arizona designed by Wright.

Gammage Auditorium

RESPONDING, ACKNOWLEDGING, WELCOMING Concept:

We will Respond, Acknowledge, and Welcome by focusing on three elements: ENTRANCES, CIRCuLATION, and SPACES The landscape, circulation, and proposed spaces will provide a new gateway to Arizona State university. ultimately, we will anchor Gammage Auditorium to its site and achieve a friendlier and more comfortable environment for visitors as well as students.

Responding to the History

Responding to the functionality of existing spaces by adding new program and proposing new spaces.

EXISTING SPACES AND CIRCULATION

Opportunities and Constraints

Site issues and project goals

The Challenge Note, the building was originally designed for a hilltop site in Iraq, and though it sits responsively to the curve of Apache Boulevard/Mill Avenue, what might have functionally worked in Iraq has caused access egress problems here.

Site Issue: Connectivity Over-reliance on the automobile, coupled with the lack of a pedestrian-friendly environment, has hindered the potential of this landscape and created a solitary use of the space.

Goal: Rich Composition The Master Plan of Gammage should offer residents, workers, students, and visitors a compelling experience of urban design, green space, social interaction (encounter, meet, play), water features, public art - and a lesson in sustainable design.

Site Issue: Parking Lot As long as vehicles, roads, and parking spaces cover a significant portion of the landscape and dictate the design of nearly everything else, Gammage will continue to be dysfunctional and choked with traffic, especially during events.

Goal: Formal Simplicity Utilizing various design principles, it is necessary to simplify the parking lot design, decrease the occupancy by twenty percent, increase pedestrian access and determine which entrances and exits require supplemental focus.

The Opportunity Gammage has the opportunity to go beyond its doors to change lives for the better and make a difference in the community through the shared experience of the arts. Experiencing art communally with others, creates and strengthens social bonds, leading to an increased feeling of trust, mutual understanding and shared values that are vital for a healthy community. Through the use of design strategies and technologies, the design of the Gammage auditorium can optimize its relationship between the ASU campus, Downtown Mill Avenue and neighboring communities.

Acknowledging the Present

Enhance and acknowledge a pedestrian friendly environment along with vehicular circulation

Welcoming the future

Design a landscape which will welcome users throughout the site

PROPOSED SPACES AND CIRCULATION

Concept Gammage is responsible for uniting neighboring communities, future Tempe street car passengers, guests of Downtown Tempe, ASU campus students and faculty, and visitors of Gammage. By designing points at which all pathways begin and choosing strategic spots to concentrate attractive amenities, the site design has the potential of enhancing ones experience and optimizing social interaction. To reinforce the social bonds of the community and its connection to ASU Gammage, trailheads (plaza spaces) were established that are located at the NE and the SW edges of Gammage. These spaces are adjacent to vehicle and equestrian parking along with gathering areas and other amenities. The redesigned pathways offer visually powerful views of Gammage paired with complimentary vegetation. The guests of Gammage can now find themselves linked up to the urban network.

Major and minor Trailheads

PLAZAS • TO ACCOMODATE FOR A MORE uSEFuL PEDESTRIAN SOCIAL GATHERING AREA

Campus Quadrant There are a variety of options for pedestrians within the campus quadrant. Students may utilize the patios by studying for an upcoming exam at any of the provided tables. Large, medium or small groups can collaborate at any of the designated learning circles. To make areas comfortable for either the winter or summer time, shade was dispersed unevenly. Elevated planting beds bind lawn areas that are essentially a passive space for sitting, strolling, relaxation and social interaction. These spaces are also readily accessed from several directions as various pathways have been opened up and linked to this space.

• TO IMPROVE THE FuNCTIONALITY OF THE HISTORIC FOuNTAINS • TO SAFELY HELP DIRECT PEDESTRIAN TRAFFIC FROM PARKING LOT TO GAMMAGE • AuDITORIuM Site Issue: Views Numerous visionary elements of the Frank Lloyd Wright building have been obstructed from view by inappropriately placed vegetation and the absence of “compression and release” techniques within the landscape’s circulation.

Goal: Presence In spite of originally being a space specifically referencing Iraqi history and culture, any successive transformations of the adjacent neighborhood in social standard, or ASU public facilities and infrastructures have the ability to give Gammage a

Building foreground Seating along the plaza space and pathways creates a connection between inside of the building and the square itself. 5’

As well as freestanding chairs and benches, the elevated planting beds along the pathways serve as seating. This gives the square an altogether wide variety of informal seating options.

RAMP

28’ PLAZA SPACE

6’

40’

FOuNTAIN ADDITION

EXISTING FOuNTAIN

5’ 17’ FOuNTAIN PLAZA SPACE ADDITION

The square is widely used in the evenings and lighting is an important feature in the design at night. LED-lights are in-layed in steps and contribute to define the curved lines of the square. The facade of the building and the Chitalpa tashkentensis trees are lit up with lighting in warm tones.

18’ ONE WAY VEHICLE LANE

GREENWAYS • TO ACCOMMODATE AN ‘AFTER SHOW’ SPACE FOR VISITORS TO GATHER

Master site plan

• TO CREATE INTIMATE SPACES AND LARGE GATHERING AREAS WITH MOVEABLE FuRNITuRE WHERE STuDENTS CAN STuDY AND SOCIALIZE • TO WELCOME NEW PROGRAMS ASu CAN HOLD, SuCH AS FOOD MARKETS AND RESIDENTIAL COMMuNITY EVENTS

Legend a Ticket entrance b Fountains

c Tiered seating 18’ 9’ 25’ 4’ 45’ 4’ RAMP STAIRS VEGETATION LAWN GATHERING AREA RAMP SIDEWALK PAVED GATHERING MAJOR AREA CIRCuLATION

d Parking Lots e Elevated planting beds

50’ PAVED GATHERING AREA

f Lawn area h g Plaza space

EDUCATIONAL SPACES

h Learning circles i

• TO ENHANCE THE uSE OF THE EXISTING SPACES BY ADDING NEW FEATuRES

Bar code mosaics

• TO PROVIDE A SPACE WHERE STuDENTS CAN PERFORM, LEARN AND SHOWCASE THEIR WORK

• TO ESTABLISH A CONNECTION TOO CAMPuS FROM GAMMAGE AuDITORIuM

e d

28’ AMPHITHEATER

GAMMAGE AUDITORIUM MASTER PLAN

Plant palette

20’ STAGE

20' STAGE 28' AMPHITHEATRE

35’ SEATING AREA

32’ VEGETATION BuFFER

11’ 11’ 3’ 2’3’ SECONDARY SECONDARY CIRCuLATION CIRCuLATION VEGETATION BuFFER

32' VEGETATION BUFFER

3' 2' 3' 11' 20' 20' SEATING AROUND GARDEN SECONDARY THE GARDEN CIRCULATION VEGETATION BUFFER

20’

GARDEN

35' SEATING AREA

PLant and Materials Pallet

Building foreground

Blue Palo Verde (Parkinsonia florida)

Arizona Native Mesquite ( Prosopis juliflora

Texas Mountain Laurel (Sophora secundifu;ora)

Botanical Name: Chitalpa tashkentensis Common Name: Chitalpa Form & Character: Partially to fully deciduous small tree, open, airy, festive when in bloom, white to pale or dark pink flowers.

Texas Ebony ( Ebonopsis ebano)

Botanical Name: Ulmus parvifolia Common Name: Chinese Elm Form & Character: Deciduous to semi-evergreen tree in mild winter climates, open canopied with umbrella topped, small branches are weeping.

Chaste Tree (Vitex agnus Castus Thornless Cascalote (Cascalote caealpinia Smoothie) Red Push Pistache (Pistacia x “Red Push)

Mexican Plum (Prunus Mexicana)

Botanical Name: Eucalyptus microtheca Common Name: Coolibah Form & Character: An evergreen tree, variably upright, rugged to rounded with age, reserved because of it’s glaucous tint.

Botanical Name: Pistacia chinensis Common Name: Chinese Pistache Form & Character: Deciduous tree, umbrella top, coarse branch architecture, and canopy outline is oval to rounded, bare at maturity, lustrous dark

By integrating visual elements into the proposal, such as: dancing pavement patterns, dramatic use of vegetation, and musical qualities like the splash of water onto the ground- artful activities are being emphasized in each visitor’s encounter with the landscape. Once again, this lays stress upon integrating art into all aspects of one’s life.

Nodes

Elevation change

Texas Redbud (Cercis canadensis var. texensis)

Texas Sage Ice Plant Bush Morning Glory Arizona Poppy Asparagus Blanket Flower Sun Gold Sun Gold Red Brick/ Pavers

Colored Concrete

Botanical Name: Tipuana tipu Common Name: Tipu Tree Form & Character: Evergreen to partially deciduous, upright and broadly spreading with age, open umbrella-like canopy.

Botanical Name: Washingtonia robusta Common Name: Mexican Fan Palm Form & Character: Evergreen fan palm, upright, strong vertical effect, oasis feel, ends of mature frond pinnae characteristically droop, coarse texture.

Turff

Concrete Sidewalk

Exposed Aggregate

Decomposed Granite

Grasses can add motion to the landscape as blades and stalks sway in the breeze. The color and form of grasses change through the year, creating seasonal interest, and birds are attracted to seed-laden spikes after the bloom period. Botanical Names: Bouteloua curtipendula, Bouteloua gracilis, Muhlenbergia capillaris, Muhlenbergia dumosa, Muhlenbergia rigens, and Stipa tenuissima.

Spring 2014

In order to maintain certain views to Gammage, the taller vegetation was planted along the perimeter of the site and shorter vegetation was positioned within the landscape. Botanical Names of shrubs and succulents: Caesalpinia mexicana, Calliandra californica, Dalea frutescens, Agave parryi, Aloe vera, and Asclepias subulata.

There will be two-dimensional ‘bar codes’ embedded into the pavement to reveal a wealth of information about upcoming shows, ticket information, visitor information, and community outreach programs. The bar codes will be created using the same black and white pavement patterns that decorate the plaza and patio spaces. Students, community members and visitors now have the ability to download an application to their smart phones or tablets and then photograph the icon to access Gammage’s information.

The design captures Gammage’s legacy and the sites distinct features. The topography of Arizona is reflected in the slightly raised planters with concrete steps forming a semi-enclosed space and the gently sloped swales filled with vegetation, aggregate and/ or rip-rap. The pathways are established at grade, meandering through the landscape. Elevating the edges of the site strengthened and focused view lines to the building.

Undergraduate Third Year Landscape Architecture: Landscape Architecture II

Student: Sophia Essian Faculty: John Ball

Landscape Architecture: Landscape Architecture II

Students: T. Ibanez / C. Ortega / J. Rizo Faculty: James Coffman

Program Book

Visual Communication Design: Technology for Design II

Student: Hannah McLean Faculty: K. Larkin / A. C. Sanft

Visual Communication Design: Visual Communication IV

Students: H. McLean / C. Nunez / A. Robinson / B. Stevens Faculty: S. Curtis / L. Pe単a

P LAYGROUND Creative Academy

Donate Smart. Donate Cash. A 30-second Public Service Announcement video for the USAI D Center for International Disaster Information illustrating Smart Compassion in support of disaster relief.

Oftentimes, in an attempt to

concept

help disaster victims,

we donate goods such as clothing, canned food,

and bottled water.

But the time and money it takes

to transport these goods

often make these donations

counterproductive.

However,

cash and monetary donations

are easy to transport

and can be put towards exactly what is needed

in any emergency situation.

So do your part, donate smart.

Donate cash.

Spring 2014

Undergraduate Third Year Visual Communication Design: Visual Communication IV

Undergraduate Fourth Year Student: Stephanie Williams Faculty: S. Curtis / L. Pe単a

Architecture: Architectural Studio IV

Students: F. Bie / W. Cheng Faculty: Elena Rocchi

LA NUBE

Revolucion

Education

Liberacion

everytyhing in one place Invasion

Internvention

Liberacion

Final Project Proposal Book

Program

program elements

form

Circulation

geometry

connections

classrooms

plan

circulation points

connectivity

undulation

first floor circulation

action action

Expand your visibility Senior Show Exhibit

reaction reaction

Structure

intervention: intervention:

an area or stretch of land having a particular characteristic, an area purpose, or stretchorofuse, landorhaving subjecta toparticular particularcharacteristic, restrictions. purpose, or use, or subject to particular restrictions.

Corrugated steel Cladding

w wide Flange frame

M Miscellaneous Wide Flange

Branding Application and Commercial

Architecture: Architectural Studio IV

Students: A. Ayala / J. Diaz / A. Navarro Faculty: Claudio Vekstein

Industrial Design / Management / Visual Communication Design: Collaborative Design Development II

Students: S. Brown / M. Gaynor / C. Terminel Iberri / T. Kawase / L. Snyder. Faculty: P. Boradkar / M. Fehler / D. Frakes / C. Hedges / S. Peck

Undergraduate Fourth Year Landscape Architecture: Honors Thesis

Student: Coby Bruckner Faculty: Rebecca Fish Ewan

FLARE

On Time, In the Right Direction

A2B

A2B is a wearable device for individuals with visual disabilities. A2B allows users to identify landmarks with out visual perception with a tactile compass pointer. A2B points towards saved locations, acts as a magnetic compass, or as a tactile watch to provide both directional orientation and time awareness.

Communication device for Search and Rescue, with offline location tracking capabilities. Also available to enthusiasts for recreational and lifestyle use.

Your most reliable companion.

2-way satellite text communication between SAR Flare devices

INITIAL GOAL: How can a wearable technology device make Search and Rescue efforts (specifically communication) more efficient and effective in remote areas and difficult terrain?

GPS location tracking, with ability to track other SAR team members Backup location tracking for offline estimates and/or periodic GPS calibration Backup solar charging and two offset attachment points for clips to secure to pack

A2B uses currently available technology in the form of GPS, gyroscopic stabilization, and electric motors to provide an affordable navigation solution for individuals with visual disabilities. A2B consolidates the essential functions of cumbersome, current devices in to one simple, attractive product.

11:43 PM

INCOMING MISSION MISSION ID: 3618

MISSION BRIEF

COMMUNICATION

AKAWSKI

USER

GPS

PASSWORD OK

2 Q

3 W

A Z

4 E

5 R

S X

6 T

F C

7 Y

G V OK

8 U

H B

9 I

J N CLR

0 O

MAPS & TRACKING

...

SETTINGS

B B

10 8

N S

Created for SAR members, but also made for outdoor enthusiasts. Lifestyle features, such as a regular check-in, give loved ones peace of mind.

A+B

Spring 2014

50% Battery

Undergraduate Fourth Year Industrial Design: Design Project II

Student: Nick Althouse Faculty: T. Dhadphale / J. Minyard

Industrial Design: Design Project II

Student: Anna Kawski Faculty: T. Dhadphale / J. Minyard

PTSD in the Military We hear stories about heroic acts from our military members, or about the tragedy faced by thousands when a natural catastrophe strikes. The part of the story that is left out is always the aftermath. What happens when the reporters leave and these people try to get on with their lives but can’t? Who takes care of them? Where do they go for treatment for any lingering symptoms? Combat trauma, personal trauma, and sexual trauma affect thousands, including veterans every day.

Mind Matters Design Guidelines for Posttraumatic Stress Disorder

This 240-page book strives to understand the functional design requirements of healthcare environments involved with Posttraumatic Stress Disorder (PTSD) treatment. Whether you are a designer, caregiver, or family member, these research-driven design guidelines will inform readers about the significant impact that design and the built environment can have on a person’s holistic state of wellness.

Brain without PTSD

Brain with PTSD

Healthcare Themes for PTSD The environments where people live, move, eat, and heal impact their physical, mental, and emotional sense of wellbeing. Challenges with PTSD may include personal triggers, social anxiety, and hypersensitive levels of stress in everyday situations. The best treatment and approach to care may vary from patient to patient. We have developed 8 themes that apply to each design guideline in the book, all addressing the various needs of veterans suffering with PTSD.

Interview Process In addition to literature reviews and the latest case studies of healthcare design, interviews with veterans have helped guide the points in this book. We took the CITI certification tests and submitted the required documentation in order to conduct IRB (Institute Review Board) interviews.

Impression of a facility – “Having to hear other veterans breathe and wheeze around you – you really need stuff to take your mind off of it.” – Veteran

“Sad, like you’re going to a prison.” – Veteran

Making an Impact These guidelines address patient, visitor, and staff needs of mental health in building architecture, interior design, and product design. Site Components: Site Context Parking Building Architecture Natural Environments Interior Components: Space Planning Wayfinding Lighting Acoustics Materials and Finishes Furniture, Fixtures, Equipment (FF&E)

For those who feel... flashbacks w weak

struggle

addiction dictio

tram trama disturbance pessi pessimistic

triggers gers ntme resentment scared

powerless irritat irritated paralyzed fatigue nightmares

misunderstood unseen unsee diffe different shocked ocked detached detac neglected glecte neglecte wounded ound wounde

Co-occurring conditions of PTSD include depression, anxiety, substance use disorder, and intimate partner violence.

22 veterans commit suicide every day.

...your Mind Matters.

Interior Design: Interior Design Studio V

Students: C. Benson / J. Chang / K. Griffin / L. Miller / O. Munoz Faculty: E. Minchew / J. Shraiky

Landscape Architecture: Honors Thesis

Student: Coby Bruckner Faculty: Rebecca Fish Ewan

Coralation

URBAN AIR

The world’s coral reefs are being destroyed. Reducing local pressures to

The organic circular shapes highlight the three key threats that are

offset increasing global effects is critical to their recovery. Current

relevant to coral reef degradation as well as solutions targeted toward

trajectories show if human behavior is not changed threatened reefs will

consumers in Arizona. The lines connecting the circles identify the

increase from 60% to 90% by 2030. Coralation is a campaign focused

correlation between each threat and the combined affects. Coral bleaching

on the importance of reef recovery and protection by making changes

is the most common visual recognition of reef endangerment and occurs

at the local scale. The exhibit identifies three threats; seafood consumption,

when the reef is left vulnerable by these threats in combination with the

energy usage, and plastic waste, showing a statistic of the impact and

affects of global warming, therefore the illustration of the coral is void of

a way that we can help by making small steps toward simple solutions.

color to signifiy the death of the reefs due to our impacts on land.

THE PROBLEM

“If we pollute the air, water, and soil that keep us alive and well and destroy the biodiversity that allows natural systems to functions, no amount of money will save us.” - David Suzuki

Emissions

}

Noise

Visual

Carbon Dioxide Particulate Matter VOC (Volatile Organic Compound) Nitrous Oxide

120,000 cars daily

Graduate Level or Doctoral Degree

Not Hispanic or Latino (Whtie Race)

Bacherlors Degree

Not Hispanic or Latino (of any race)

Associates Degree

Hispanic or Latino (of any race)

>Greater to $100,000

3.43%

$25,000 to $50,000

Some College

20.7%

Families Living in Poverty Status

3.70%

$50,000 to $100,000

6.45% 4.35%

High School Graduate

<Less than $25,000

14.51%

9th to 12th Grade

ETHNICITY 65.2%

Household Income

15.03%

34.8%

FAMILIES 10,488

15.06%

<Less than 9th Grade

EDUCATION 27.13% 28.56%

22.56%

46.33%

59.23%

“In order to solve today’s social and environmental problems, we need architecture that is able to grow.”

Users can interact with the exhibit to get more information on the three threats by swinging the circular panel either direction. This level of interactivity engages users to take a closer look at the information in areas where they can make an impact. The book and take away items also allow users to connect with the exhibit to make a more memorable impression in hopes of initiating the call to action to be a conscious consumer.

THE SOLUTION

“As a black person in America, I am twice as likely as a white person to live in an area where air pollution poses the greater risk to my health” - Majora Carter

Spring 2014

The book design highlights the relationships between people and coral reefs

The keychains remind people to “Be a Concious Consumer” while also

through biodiversity, coastal protection, fisheries, medicine, and tourism.

incorporates the coral illustration engraved on the reverse side.

Undergraduate Fourth Year Landscape Architecture: Landscape Architecture IV

Students: C. Rico Rodriguez / M. Rico Rodriguez Faculty: A. Hargrove / K. Kelley

Visual Communication Design: Visual Communication VI

Student: April Oberst Faculty: Alfred C Sanft

YOU DONâ&#x20AC;&#x2122;T SEE ME

How can we help children who suffer from Autism?

Organization

Therapy

Communication

OX Organizing iPad Application

Built In Compression

Picture Exchange Communication App

Those suffering from Autism prefer a familiar schedule and can fixate on specific objects

90% of those affected by Autism reported reduced anxiety after deep pressure therapy

Roughly 25% of people living with Autism speack very few or even no words at all

Pack

Straps

EACH YEAR, 4,000,000 PEOPLE ARE COERCED INTO LABOR OR COMMERCIAL SEX AGAINST THEIR WILL. M U C H O F T H I S H U M A N R I G H T S V I O L AT I O N O C C U R S IN ARIZONA, RIGHT IN FRONT OF YOUR EYES.

I translated my campaign against modern-day, local human trafficking into an exhibit to expose the issue to the guests at the 2014 The Design School show. One of the easiest and safest ways that victims escape trafficking is when someone sees a small, suspicious situation and then reports it to the national hotline for human trafficking. Between the lenient laws regarding human trafficking in Arizona and the fact that we are a border state, much of this global issue occurs right here in Arizona.

The type brings attention to the scale of the problem and then informs the viewer that simple calls to the National Human Trafficking Resource Center Hotline are one of the easiest and safest ways for victims to be rescued. The exhibit directs the viewer to the website: youdontsee.us. The website provides more information about human trafficking, educates the viewer on the signs and indicators of local trafficking, and directs the viewer to the national hotline where they can report suspicious situations.

IF YOU SEE THE SIGNS OF HUMAN TRAFFICKING, R E P O R T T H E M T O T H E N AT I O N A L H U M A N TRAFFICKING RESOURCE CENTER: 1-888-373-7888

Visual Communication Design: Visual Communication VI

Student: Meryl Pritchett Faculty: Alfred C Sanft

Visual Communication Design: Collaborative Design Development II

Student: Duncan Thomson Faculty: Michelle Fehler

The first project of our architecture design studio was to design a display case for a special object. I chose to display pieces of beach glass from the collection formed by my family, particularly the women on my mother’s side.

From Display Case to Display Building

The display of a special object exercise and the development of my building concept. Just as the carved wall encased my special object, the walls of my building act as massive open storage cases. Integrating the object into the architecture and choreographing the visitor’s circulation around the objects became the driving force behind all of my design decisions.

I designed a wall in a similar design method as in the chapel of Notre Dame du Haut by Le corbusier. This method used diffused natural light to illuminate my frosted glass pieces.

Ceramic Gallery Program Development

Facade Development A folded paper design reveals two different images depending on the orientation of the viewer. Similarly, the building facade is folded to create dynamic views of particular ceramics while pedestrians walk along Mill Avenue. Each direction offers a new experience with the collection. The east facade folds face towards the exterior to connect both the visitors and pedestrians with the ceramic collection. The west facade focuses on just the relationship between the visitor and the art. Because of this the folds are oriented into the building resulting in a different experience.

Facade and Circulation Design Progression

East Elevation

West Elevation A

Roof Floor Plan 1/8" = 1'0"

Fifth Floor Plan 1/8" = 1'0" A

Fifth Floor Plan 1/8" = 1'0" B

Fourth Floor Plan 1/8" = 1'0"

Fourth Floor Balcony Plan 1/8" = 1'0"

Third Floor Plan 1/8" = 1'0"

Third Floor Balcony Plan 1/8" = 1'0"

Second Floor Plan 1/8" = 1'0"

Second Floor Balcony Plan 1/8" = 1'0"

Section A-A 1/4” = 1’0”

First Floor Plan 1/8" = 1'0"

Roof Shade Structure Design Development

Section B-B 1/8” = 1’0”

Structure and Mechanical System The structure of the Ceramic Gallery depends on precast concrete slabs, beams, trusses, and structural glass. The building uses a Packaged Unit System with the condensers and compressors locate on the roof and air evaporative coolers on each floor.

ASU CERAMIC

Spring 2014

RESEARCH CENTER

Graduate Three Plus Year Architecture: Core Architectural Studio II

Student: Lauren Bucher Faculty: John Meunier

Industrial Design: Core Master of Industrial Design Studio II

Student: Bhairavi Warke Faculty: John Takamura

THE AGORA

“The Agora was a central spot in ancient Greek city-states. The literal meaning of the word is “gathering place” or “assembly” ”. This place was for citizens to speak out ideas, share the knowledge, and sustain political and public life. The concept of the project derives from the Agora, place for citizens of the city that they can undertake cultural activities while learning and sharing. Sharing knowledge, sharing art, improve social communication and coalescence is the aim of the project -sustainable community, sustainable architecture-. It has been depicted as a place with columns and greenery with an axis at the center which is called the Dromos or Panathenaic Way, a road that cuts diagonally across the Agora. Along this road the procession of the Panathenaia moved, which was the most important of the Athenian festivals. Mimicking that idea an axis constitutes the parti of the project, that pulls in the pedestrians who pass the Mill Avenue. Repeating the vertical elements and greenery (bamboo trees) conveys the vertical architecture of ancient Greek.

ASU GAMMAGE AUDITORIUM CONTEXT PROJECT OBJECTIVE

ANALYSIS HISTORIC

This master plan is designed to create a more functional and efficient site while respecting existing features of cultural and/or historic value. Panathenaic Way

The Panathenaic procession passing through the Athens Agora

FLOOR PLANS

LOCATION

Prominence, Fountains and 360° Circulation

FUNCTION

Important Views and Palm-Lined Apache Curve

Axial Connection to Campus

Pedestrian Circulation

Vehicular Circulation

AUDITORIUM GOAL “To entertain and challenge our audience by presenting new, diverse and thought provoking

AUDITORIUM PROGRAM • • • • • • • • • •

FIRST LEVEL

SCALE 1/8” = 1’-0” B

Concerts Theatre Comedians Awards Ceremonies Graduations Lectures Meetings Seminars Demonstrations Training Sessions

Ingress & Egress Nodes

ECOLOGY

ASSESSMENT

1. Many historic features have been determined to be significant and require preservation and/ or rehabilitation. 2. The existing vehicular circulation dominates the site surrounding ASU Gammage Auditorium. It is currently an unsafe place for people to be. Many areas of the site are currenly unused because the vehicle routes that surround them creates a barrier for pedestrians.

Large Pools of Asphalt

Many Unused Turf Areas

3. Large pools of asphalt with little shade absorbs and radiates heat. The parking lot is uncomfortable, non-porous and contributing to out urban heat island. The site contains many small patches of thirsty turf.

INTENTION RESPECT FEATURES OF HISTORICALLY SIGNIFICANT VALUE • Protect and Enhance Important Views • Retain Prominence of the Auditorium • Create Vibrant Defining Features

IMPROVE SITE FUNCTION • Prioritize Pedestrian Safety and Comfort • Maintain Access for Vehicles • Create “People Places” by drawing Auditorium Program Elements Outdoors

SECOND LEVEL

SCALE 1/8” = 1’-0”

SECTIONS

REDUCE ENVIRONMENTAL IMPACT • Reduce Contribution to Urban Heat Island Effect • Capture Rainwater & Reduce Surface Run-Off • Re-establish Desert-Adapted and Native Plants

SECTION A

SECTION B

IMPLEMENTATION

SCALE 1/8” = 1’-0” Small library areas/functions:

SCALE 1/8” = 1’-0”

- Entrance (Lobby Vestibule) - Collection: Children - Collection: Young Adult - Collection: Adult - Computing Commons (Public) - Media (DVD, Audio) - Study Rooms (inclusive of integrated technology) - Public Service (self check, copier, printer) - Reference / Service Desk - Circulation Services (staff offices, storage, staff lounge) - Public, Staff + Family Restrooms - Mechanical + Electrical Rooms / Data IT Closet / Janitorial (not to exceed 20% of overall program)

Art Venue

- Live / Work Studio (studio space, residences) - Storage (art medium) - Shared Exhibit Space - Independent Access

Commercial area: - Restaurant /café

• • • •

PARKING

CAMPUS CONNECTION

Permeable Paving Stablized Granite Added Shade Trees People are the Priority

• Shade Tree Allee • More Defined Crosswalks • Path Through Lawn

Terraces:

- “living architecture”

THE PROGRAM OF AGORA

MODELS DAY AND NIGHT VIEWS

0’

40’

80’

160’

GAMMAGE PLAZA

Interior Design: Core Master of Interior Architecture Studio II

Student: Pinar Orman Faculty: Jose Bernardi

Landscape Architecture Design: Core Landscape Architecture Studio I

• Framed View from Apache Curve • Extended Intermission Space • New Event Space to Enhance and Expand Current Gammage Program • Dense Desert Plantings Form a Memorable Garden • Light-colored Permeable Pavers Tred Lightly on the Environment

Student: Jennifer Robertson Faculty: James Coffman

Cash is best – Video for PSAid Annual Contest T A C O M A

A R T

M U S E U M

Brief Introduction This video illustrates the reasons why cash is best so as to inform and encourage people to donate cash instead of materials after international disasters.

- Engage the street - Similar experience from street & parking

Animation

- Lobby level circulation

- Iconic art piece

vimeo.com/94428869 dn

VIEW TOWARDS MAIN ENTRY - Visual connection through building

- Gallery level circulation

- Conveyed art through brush stroke

- Better access/views to coffee shop & lobby entry - Push back from street to enhance community presence

- Access from street & parking - Vertical circulation

- Stroke applied to building

- Creation of plaza following force lines of site - Catalyst space for new social hub

-Light, circulation, gallery & filtering systems

- Stroke wrapping building & connecting to existing

VIEW THROUGH PLAZA

FRONT VIEW STREET ACCESS

1 - Classroom 2 - Family Interactive Space 3 - Classroom 4 - Patio 5 - Gallery 6 - Lounge 7 - Balcony

1 4 2 3 5

UPPER LEVEL (+1)

5 6

8 - Event Space 9 - Orientation 10 - Museum Store 11 - Cafe 12 - Ticketing 13 - Restrooms 14 - Reception & Coat Check 15 - Coat Check 16 - Sculpture Gallery 17 - Storage 18 - Electrical Closet 19 - Mechanical Rm.

SCULPTURE HALLWAY & EVENT SPACE 13

9 10

12 11

15 16

LOBBY LEVEL (0)

SECOND LEVEL ABOVE LOBBY

OFFICE LEVEL (-1)

20 21

22 23 24

20 - Mechanical Rm. 21 - Control Rm. 22 - Black Box Gallery 23 - Exhibition Space 24 - Mechanical & Shaft Rm. 25 - Storage

PARKING LEVEL (-2)

VIEW TO PARKING ENTRY FROM LOBBY

FLOOR PLANS & PROGRAM

REAR ENTRY VIEW

PERFORATED METAL PANEL SKIN

Glass Fin Mullion Mullion Connection Wood Flooring And Acoustic Matt Radiant Heating 5” Concrete On Metal Deck 6” Rigid Insolation

1 2 3 4 5 6

STEEL TUBE CTURE STRUCTURE

7 Steel Beam 8 Light 9 Wooden Slat Ceiling 10 Metal Panel Siding 11 Steel Pipe Welded To Steel Beam 12 Space Truss Made Of Steel Pipes

1 2 10

3 4

5 6 7 8

DE FACADE MBLY ASSEMBLY

10 9

DETAIL OF SCREEN CONNECTION

Spring 2014

Graduate Three Plus Year Visual Communication Design: Core Visual Communication Design Studio II

BUILDING SECTION DETAIL

Graduate First Year Student: Minhua Zhu Faculty: Mookesh Patel

Architecture: Advanced Architectural Studio II

Students: M. LeMieux / F. Zucchi Faculty: Greg Brickey

Tacoma Art Museum Expansion

Tacoma, Washington l Haub Gallery Addition and Existing Museum Renovations Issues

The Haub Art Collection Western Art Collection

George Catlin (1796-1872)

Top: Traditional Stories (written, movies. television); Bottom: The Art of Storytelling (live story teller)

Thomas Moran (1837– 1926)

Manifestation

The current architecture tells a one-dimensional story that cannot be read by the public.

Existing + Addition

Above: Entrance view along Pacific Avenue

The existing museum is shown in gray and the expansion is shown in blue. A public amphitheater is highlighted in purple.

There is a disconnect and lack of engagement between the city, public, and the art. Above: Panorama of the plaza on Pacific Avenue

Layering in the museum, city, art, and public program.

RESEARCH | two current master plans in motion

HAUB GALLERY EXPANSION “Tacoma Art Museum serves the diverse communities of the Northwest through its collection, exhibitions, and learning programs, emphasizing art and artists from the Northwest. Their vision is to be a national model for regional museums by creating a dynamic museum that engages,

The Haub Expansion creates multi-dimensional spaces through the layering of multiple programs and publics.

inspires, and builds community through art” - TAM

Tacoma Art Museum is located in an area encountering two master plans, the University of Washington-Tacoma and the Prairie Line Trail development making this site a vital art loop destination and part of the museum district. Although the museum host a lot of various events, its prescence is not felt and does not engage with the public realm. ISSUE: There is a misconception of museums by the youth. A belief that museums are a white glove monochromatic experience. Meaning, that is only for your parents or grandparents. POSITION: A Museum Not Museum becomes the exact inversion of the current’s museum epitome. The MnM will allow the museum to be flexible enough to host a variety of events.

There is a lack of spatial variety to fit museum and public needs.

MANIFESTATION: The new expansion would create a new socio-economical sustainable program through an event based arts experience, breaking the old concept of museum. Flexible spaces, amenities to the public, and a diversity experienes would significantly increase the presence of the museum. Moreover, making it a destination where different and common interests come a like.

Above: Site in purple. The blue shows the connective tissue that binds the site to a large museum district, business district, University of Washington Tacoma, and an art walk down to the water.

Position

The Fourth Wall. The “Fourth Wall” is a membrane that allows for diffusion between art, city, and public. The fourth wall includes a number of decision points where the visitor can create his or her own experience. In the fourth wall, visitors will reimagine the boundaries between self, art, and the city.

“An approach to form is the creation of layered spaces and planes - and thus the creation of a layered story. In this way, users and visitors would catch glimpses of other activities and functions relative to the [museum and city]. This form then becomes part of the ‘new whole’ described by Peter Zumthor - one is aware of the space inhabited, as well as how that space interacts with others and thus other layers of the city.”1

Theater + Museum As Theatre l The Fourth Wall

NEW REVENUE MODEL | new socio-economical sustainable program

UNSTABLE PROGRAM | what if?

WHITE GLOVE/MnM | reconfiguration

WHAT IF?...

GALLERY 3 EXPANSION A

GALLERY 3 EXPANSION B

3A 41

EXPANDED COLLECTION STORAGE

GALLERY 3 EXISTING A

32- filter fabric 33- sheet metal protection 34- moisture retention layer 35- aeration layer 36- flashing 37- 5” rigid insulation 38- engineered soil 39- 2” x 4” blocking 40- louvers 41- skylight 42- 3’ deep Steel Truss 43- steel c channel 44- high polished stainless steel reflective surface 45- steel wide flange 46- argon gas insulation 47- double pane glass w/ white frit

GALLERY 3 EXISTING B

73’ - 0” Roof

GALLERY 2 EXISTING

GALLERY 2 EXPANSION

1 STAGE CONFIGURATION

61’ - 0” Catwalk

Creating Decision Points. The museum expansion and renovation allows for the user to create his or her own experience through a series of decision points.

GALLERY 1 EXISTING

GALLERY 1 EXPANSION STAGE CONFIGURATION

MODULAR SYSTEM

50’ - 9” Gallery 2

MECHANICAL ELECTRICAL DATA ROOM

SECURITY OFFICE

STAIRS ELEV.

Flat floor

28 27

21 19- 2” x 4” timber ceiling finish in 4’ removable panels 20- light gauge steel channel 21- steel hinge 22- 3/16” closed steel stringer 23- 3/16” steel riser 24- 2” dark stained heavy timber tread 25- steel railing 26- 1/2” glass barrier 27- open web steel joist 28- 3” metal decking 29- concrete on metal decking

20 19

Interstitial Moment (frames).

25 24 23 22

Membranes are created by using the in-between space of our space frame trusses and glass lift frames. As visitors move through or up the space frames, they will experience multiple layers of art, public, program and the city. The frames allow for the unique spatial variety within the expansion.

FOUR WORK STATIONS

45’ - 6” Black Box Theater

FUNDRAISING PARTIES music djs catering acrobats dancers performers stage tables BIRTHDAY PARTIES twenties thirties forties fifties sixties seventies eighties nineties WEDDINGS civil religious formal informal double group civil religious formal double religious CONCERTS chamber symphony orchestra philharmonic string quartet rock jazz bluessponsorships education programmes exhibitions arts fellowships DONATIONS DONATIONS DONATIONS PERFORMANCES theater opera drama musical dance large medium small extra BIG CHECKS BIG CHECKS fifty forty thirty twenty ten eight five three two one percent

100%

60%

CEREMONIES graduation university high school prom FESTIVITIES new year’s dia de los muertos halloween fourth of july christmas KEYNOTES western art technology design celebrities -isms movements monographies PANEL DISCUSSIONS artists entrepenuers designers psychologists politicians sociologists FASHION SHOWS formal runway shows la production shows informal ny fashion show week BOOK CLUBS thrillers fiction suspense non-fiction spiritual history romance self-improvement EVENTS print it! drawing djs catering alcohol related dances life drawing lunch & learn workshops EDUCATION senior adult college students young teenagers children school enhance program

percent one two three five ten twenty thirty

corporate gift aids memberships GIFTS

COAT CHECK

MECHANICAL DATA

JANITOR

CAFE KITCHEN

SCULPTURE GARDEN

CURATOR’S OFFICE

CONFERENCE ROOM

CAFE

40%

ORIENTATION SPACE

LOBBY

GIFTS

NEW COLLECTION STORAGE

STORE ENTRY

W: STABLE W: stable

STAGE CONFIGURATION

Proscenium

FAMILY ROOM

MnM: FLEXIBLE MnM: unstable Runway

MATERIALIZATION | concept The museum must have a variety of spatial relationships and adjacencies to tell the story of the museum, city and art. This is achieved through a multiple-layered language. The multi-dimensional quality will allow visitors to create his or her own experience.

I 19’ - 3” Haub Gallery 1+3

1- compacted earth 2- concrete foundation 3- 6” concrete floor slab on 3” insulation 4- telescoping hydraulic pistons 5- car buffers 6- control cabinet 7- oil reserve tank 8- pump + motor 9- valves 10- hydraulic piping 11- concrete footing 12- roller guides 13- door operator 14- car frame 15- glass car walls 16- translucent glazing 17- 8” x 8” HSS steel tube

12 13 14 15 16 17

The museum will create thresholds through layering. They will mediate between the city, public, museum, and art allowing for traditional walls to be broken down.

6 7 8 9

0’ - 0” Parking Level

The museum will redefine spatial relationships between art and the viewer; the museum and the public; and the museum and the city.

-0’ - 0” Foundation

2 3

10 5

0. ISSUES

1. INTERVENTION

the current state of the museum does not speak the same language to its community.

the idea is to introduce elements that will act as the contradiction of the existing museum’s epitome.

4 11

2. ELEMENT I | THE HOOK

3. ELEMENT II | HABITABLE INSTANCES

a free open environment that allows the public realm to embrace the space as its own.

the second element acts as the canopy for the public as well as the interior space for the melting of experiences.

Roof Deck

4. ELEMENT III | BACK TO SQUARE

5. ANCHOR

the third element is a summation of i & ii. it brings these elements into a private environment.

two punctures that tie the three elements together and act upon the needs of every element.

III

Looking down Amphitheater

Juliet Balcony in the “Fourth Wall”

Main Gallery

SMARTBOX | galleries configuration through detachable panel doors

DEMATERIALIZATION | isometric Project elements: A A. green roof with skylights B. perforated stainless steel C. truss D. HVAC | two air handling systems E. underbelly, made of cedar strips F. concrete floor plates for element one G. porous brick envelope for shafts B H. shafts for structural support and circulation

SCAN FOR VIDEO

BLACK BOX

b F ...FUTURE

YEAR ONE...

Lobby 1:40

Second Floor 1:20

Third Floor 1:40 G

conf eren room ce

store expa collecnded tion

office

fam

ily roo

coa

t che

ck cub

spac

icle

offic

lobby

ves tibu le

H restroom circulation

circulation

collection collection Circulation

storage

event space

civic space

gallery 3a

gallery 2

SECOND FLOOR | ADMINISTRATION

a. n-s section looking east

On the Stage

Architecture: Advanced Architectural Studio II

circulation

mech

circulation

hallw sculpture

cafe

event space

gallery 3b

gallery 1 collection. Circulation

equip storage &

circulation

THIRD FLOOR | LOBBY

FOURTH FLOOR | GALLERIES

b. e-w section looking north

Looking North on Pacific Avenue

Students: A. Buettner / M. Mendoza Faculty: Richard Labonte

EVENT BASED ARTS EXPERIENCE

Architecture: Advanced Architectural Studio II

Students: A. Alhajji / S. Tolosa Faculty: Philip Horton

...going to to a museum is like to going to a cinema?

Graduate First Year Industrial Design: Advanced Industrial Design Studio II

Student: Haichen Wu Faculty: Dosun Shin

Graduate First Year Interior Design: Advanced Interior Architecture Studio II

Student: Alyssa Hitt Faculty: Milagros Zingoni

SMOKE SENSOR Your guard against smoke

The smoke sensor is designed within 10 dollars retail price. From the aesthetic aspect, the design language is innovative and minimal. I change the original reset button to a bigger one for resetting more easier. The light go through the hush button and the beep sound go through the small holes on the both sides.

MILK Userfriendly form

RFID Technology

Clean interface

Data Storage

Gadget Functions

LED light

Data Sharing Sunction cup

Reminder Function

Physical

Technology

IDEATION

SPECIFICATION

OUTSURFACE

INSIDE Display screen

Buttons

Interaction

Touch screen

MPU

RF Circuit RFID Reader Circuit

RFID Reader Module

RFID Module Circuit

- Need to climb up to test or hush false alarm - Small alarm/ testing/ hush button

chips

Connector

Rower module

Battery Flash Memory RAM ROM Memory Module

- Large alarm/ testing/ hush button - Easy to push the reset button with a broom

Medal Sheet

68mm

30mm

Rare Earth Magnet 120mm

Grab the button and rotate to open it.

Use magnet to connect to ceiling

EXPLOSIVE VIEW

Recipe cooked

Cupboard

Freezer

Plastic Plate

Baked Penne

Badge earned

Sukie Sun

3 people family

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Saved

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102,66

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with Chicken ,Sun-Dried Tomatoes

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1 tbsp olive oil 1/4 cup diced onion 1/4 cup diced red bell pepper 1 clove garlic, minced 1/4 cup frozen corn kernals 1/4 cup canned black beans, drained 5 oz (1 cup) chicken, shredded 1/4 tsp pepper 1/2 cup shredded cheddar cheese.

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Zihan Xiao , MID , IND590 , Spring 2014 , Joseph Velasquez

Spring 2014

Graduate First Year Industrial Design: Advanced Industrial Design Studio II

Student: Haichen Wu Faculty: Dosun Shin

Industrial Design: Advanced Industrial Design Studio II

Student: Zihan Xiao Faculty: Joseph Velasquez

3 place the Design School Lobby intervention

WATERING HOLE

CAMPFIRE

CAVE

A place to learn from experts or story tellers. A place for whole-group discussions.

A space for small group discourse and collaboration.

A space for individual sutdy, reflection, quiet reading and creative flow.

Using the language and rhythm of “the system”, a connection between the Design North and South buildings can begin to emerge.

The concept of this project is broken down into two parts. The first part is to bring the identity of the Design School into the lobby and the second is to create an environment that fosters healthy study and collaboration habits. The materiality of “the system” will bring samples of new materials to showcase the five disciplines within the college. In order to create the optimal learning and collaboration setting, I am implementing the three styles of learning (campfire, waterhole and cave) into “the system”.

Diagrams

Location

Arizona State University: Tempe, Arizona

Plans

College of Design North Building

Library

RCP First Floor 1/16" = 1'

CDN

A DN

Charlie's Cafe

CDN Entrance

CDS N

First Floor Plan 1/8" = 1'

sections

AA Section 3/32" = 1'

Second Floor Plan 1/16" = 1'

BB Section 3/32" = 1'

Interior Design: Advanced Interior Architecture Studio II

Student: Alyssa Hitt Faculty: Milagros Zingoni

Landscape Architecture / Urban Design: Advanced Landscape Architecture Studio II / Advanced Urban Design Studio II

Students: N. Bochniak / M. Cai / M. Carras / N. Ciota / G. Kaur, S. Liu / X. Qu / A. Rodriguez Del Pozo / A. Rothove / J. Su / Y. Wang. Faculty: Darren Petrucci

Spring 2014

Graduate First Year Landscape Architecture / Urban Design: Advanced Landscape Architecture Studio II / Advanced Urban Design Studio II

Students: N. Bochniak / M. Cai / M. Carras / N. Ciota / G. Kaur, S. Liu / X. Qu / A. Rodriguez Del Pozo / A. Rothove / J. Su / Y. Wang. Faculty: Darren Petrucci

Landscape Architecture / Urban Design: Advanced Landscape Architecture Studio II / Advanced Urban Design Studio II

Students: N. Bochniak / M. Cai / M. Carras / N. Ciota / G. Kaur, S. Liu / X. Qu / A. Rodriguez Del Pozo / A. Rothove / J. Su / Y. Wang. Faculty: Darren Petrucci

EXEMPLARY ZOO EXHIBIT DESIGN Zoos are evolving. In the beginning, zoos were private menageries used to display exotic animals (and wealth). Modern zoos, however, can be centers for conservation and environmental education. With millions of visitors a year, urban zoos have the potential to impact large masses of people. By creating a zoo exhibit rubric, design practitioners and zoo ofﬁcials will have the necessary tools to ensure that impact is positive and to inspire people to protect our environment.

GOALS:

BENEFITS:

BEST

BETTER

GOOD

Photo credit: Joel Sartore’s Photo Ark

1) Create a three-tiered rubric to identify the elements of an exemplary zoo exhibit; and

By the end of this project, one will have the tools to assess evaluate, and design an exemplary zoo exhibit.

2) use the rubric to design a prototype.

At first pass, this project will benefit design practitioners and zoo officials. Ultimately, a well-designed zoo benefits patrons, the animals on display, and animals in the wild.

THE ZOO EXHIBIT RUBRIC ARD ND

STA

CHECKLIST FOR STANDARD ZOO EXHIBITS

Animals shall be exhibited only for periods of time and under conditions consistent with their good health and well-being. Suitable off-exhibit spaces will be provided for the animal.

No. of Benchmarks Checked:

Art

EXEMPLARY EXHIBIT RESULTS BENCHMARKS

Humboldt Penguin Exhibit Woodland Park Zoo

Elephant Odyssey San Diego Zoo

Ecosystem Elephants of Asia California Science Center Los Angeles Zoo

African Elephant Crossing Cleveland Metroparks Zoo

Paws On Brevard Zoo

Giants of the Savanna Dallas Zoo

Polar Frontier Columbus Zoo & Aquarium

Madagascar Bronx Zoo

REQUIRED BENCHMARKS 1 All the criteria of “Standard” and “Good” exhibits have been met. Comment:

Glacier Run Louisville Zoo

NAMES OF AWARDWINNING ZOO EXHIBITS

Museum of Living Art Fort Worth Zoo

Exhibits take a holistic approach grouping different animals (in separate enclosures) that share the same ecosystem.

Madagascar Bronx Zoo

Glacier Run Louisville Zoo

Predators of the Serengeti Oregon Zoo

McNeil Avian Center Philadelphia Zoo

Minnesota Trail Minnesota Zoological Gardens

Sea Lion Sound St. Louis Zoo

100% 100% 100%

Viewers feel they are immersed in an exhibit (not outside looking in).

100%

A multi-sensory approach is used in the exhibit (e.g. sound, sights, scents, touch, etc.).

100%

EXEMPLARY ZOO EXHIBIT ANALYSIS

The exhibit is sustainable and addresses the environment, economics, aesthetics, and people (the quadruple bottom line). The exhibit is engaging to people of all ages.

Views are child-friendly (e.g. children climb rocks to see animals, pathways allow children in strollers to see animals).

Comment:

The exhibit is designed for 4 clients: the animals ex situ, the animals in situ, the zoo staffers, and zoo visitors.

The display encourages natural, in situ behaviors of the animal. The display is designed not only for the absence of negative behaviors but for the evidence of positive behaviors.

Source: United States. Department of Agriculture. Animal Welfare Act and Animal Welfare Regulations. Washington, D.C.: U.S. Dept. of Agriculture, Animal and Plant Health Inspection Service, 2013. Print.

There is a strong narrative to the exhibit. Interpretive information is displayed in a variety of ways (signage, murals, art, play structures, smart phone apps, curators, docents, etc.).

100%

100% 100%

Views are child-friendly (e.g. children climb rocks to see animals, pathways allow children in strollers to see animals).

OUTSTANDING ELEMENTS Information includes elements of humor and

100%

Active areas and passive areas are provided to the visitors as well as the animal.

The exhibit informs visitors about what they can do in their everyday lives to help with conservation.

73% 60%

Multi-generational design is considered for the animals. The exhibit is designed with the life span of the animal in mind as well as life milestones along the way.

All the criteria of a “Standard” zoo exhibit have been met. Comment:

60%

The exhibit is designed to be responsive and The exhibit allows the visitor to see behind the scenes to encourage zoo transparency and trust.

D OO

53%

The zoo staff has flexibility to manage the animal in a variety of spaces.

47%

Interpretive signage is displayed in English and another language.

47%

Off-exhibit space is equally as important and enriching as on-exhibit space.

EXE

The exhibit is designed for 4 clients: the animals ex situ, the animals in situ, the zoo staffers, and zoo visitors. Comment:

Interpretive information is displayed in a variety of ways (signage, murals, art, play structures, smart phone apps, curators, docents, etc.). Comment:

Visitors have the option of participating in in situ conservation programs. Comment:

The display encourages natural, in situ behaviors of the animal. The display is designed not only for the absence of negative behaviors but for the evidence of positive behaviors. Comment:

Front-end formative evaluations are done to determine what is needed in an exhibit. Comment:

There is a strong narrative to the exhibit. Comment:

Children have an opportunity to play near the exhibit. Comment:

Views are child-friendly (e.g. children climb rocks to see animals, pathways allow children in strollers to see animals). Comment:

Active areas and passive areas are provided to the visitors as well as the animal. Comment:

87% 80%

SUPPLEMENTAL BENCHMARKS 21 Art and culture are woven into the exhibit. Comment:

27%

28/38 = 74%

31/38 = 82%

32/38 = 84%

27/40 = 68%

29/38 =76%

29/38 = 76%

28/38 = 74%

35/38 = 92%

27/38 = 71%

28/38 = 74%

27/38 = 71%

Information includes elements of humor and fun to engage the visitor. Comment:

Interpretive signage is displayed in English and another language. Comment:

A majority of the space is devoted to animal needs, then public needs, followed by education. Comment:

Off-exhibit space is equally as important and enriching as on-exhibit space. Comment:

The exhibit informs visitors about what they can do in their everyday lives to help with conservation (e.g. small, behavioral changes). Comment:

The natural topography, geology, hydrology, and vegetation existing on the site are used when possible and appropriate to the animal species. Comment:

Animals have options when off-exhibit as well (e.g. sleeping in their night quarters or outside). Comment:

The exhibit addresses multiple needs of the zoo as a whole (e.g. a closed loop system). Comment:

Actual stories of the exhibited animals are told to encourage understanding and empathy. Comment:

27/38 = 71%

with a warning mechanism, and emergency backup systems must be available. Comment:

EXEMPLARY ZOO EXHIBITS

The exhibit is designed to be responsive and ﬂexible as changes may be necessary after the animal has adapted to the new space. Comment:

Friendly species share exhibit space from time to time (e.g. giraffes and elephants). Comment:

Multi-generational design is considered for the animals. The exhibit is designed with the life span of the animal in mind as well as life milestones along the way. Comment:

Not only can people interact with the animals, the animals have ways of interacting with the people (e.g. bears have the ability to squirt water at the visitors). Comment:

Source:The Accreditation Standards and Related Policies 2014 Edition. Publication. Association of Zoos and Aquariums, 2014. Web. 13 Mar. 2014. <https://www. aza.org/uploadedFiles/Accreditation/AZA-Accreditation-Standards.pdf>.

GOOD ZOO EXHIBITS

Exhibits where animals are rotated are designed to be enriching to all species in the enclosure (not designed to the lowest common denominator).

13% 7%

31/38 = 82%

20%

28/38 = 74%

31/38 = 82%

20 Benchmarks identified as 100%

Species on Display:

The Exemplary category is a combination of required and supplemental benchmarks. EXHIBITS MUST MEET ALL 20 OF THE REQUIRED BENCHMARKS AND A MINIMUM OF 6 OF THE SUPPLEMENTAL BENCHMARKS TO EARN AN “EXEMPLARY” RATING. If you feel that a benchmark is not appropriate to the species, write NA on the corresponding circle and explain the justiﬁcation in the comments section.

80%

27%

SUPPLEMENTAL ELEMENTS 35/38 = 92% 27/38 IN EACH EXHIBIT

The zoo exhibit is a sanctuary for rescued or geriatric animals. Not only can people interact with the animals, the animals have ways of interacting with the people (e.g. bears have the ability to squire water at the visitors).

LARY MP

CHECKLIST FOR EXEMPLARY ZOO EXHIBITS Name of Exhibit:

33%

The exhibit addresses multiple needs of the zoo as a whole (e.g. a closed loop system).

Actual stories of the exhibited animals are told to encourage understanding and empathy.

All benchmarks (38 possible)

100%

47%

The natural topography, geology, hydrology, and vegetation existing on the site are used when possible and appropriate to the animal species. Animals have options when off exhibit as well (e.g. sleeping in their night quarters or outside).

Number of optional benchmarks (18 total) checked

100%

53%

Exhibits where animals are rotated are designed to be enriching to all species in the enclosure (not designed to the lowest common denominator).

The exhibit is engaging to people of all ages. Comment:

80%

The exhibit is designed to be responsive and flexible as changes may be necessary after the animal has adapted to the new space.

Conservation must ZOO be a keyEXHIBITS component of the interpretive program. CHECKLIST8 FOR GOOD Conservation is understood to be active stewardship of the natural environment, including wildlife, plants, energy, and other natural resources. of Exhibit: Species on Display: Conservation messages will be displayed in a variety of ways throughout The goals ofName the exhibit’s design are clearly stated. the design. Comment: ALL 20 BENCHMARKS ARE REQUIRED TO EARN A “GOOD” RATING. If you feel that a benchmark is not appropriate to the species, write NA on the Comment: circle explain the justification in the comments section. Education iscorresponding a key component of and the exhibit’s message. 9 The enclosure looks like the animal’s natural habitat. Comment: 14 If animals are housed either long-term or permanently in indoor facilities, Comment: 20 Animals should be presented in a manner that balances the animals’ functional welfare requirements with public viewing opportunities. the appropriate UV spectrum the their species (based on the knowledge 4 All animals are in appropriate groupings whichfor meet physical, available to date) should be provided in these enclosures. A means forexhibit mustComment: 10 The demonstrate responsible energy and natural resource psychological, and social needs. emergency lighting must be available. conservation through such activities as waste minimization (e.g., recycling, Comment: Comment: composting, etc.), water conservation initiatives, reduced energy 5 Exhibit interpretation may include information regarding the animal’s consumption, use of other alternative energy sources, and other “green” 15 conservation, The animal iscare displayed in a respectful, manner and in a manner that practices. natural history, and welfare, ecology, safe relation does not misrepresent or degrade the animal. Comment: to humans, correct taxonomic identification and current status (i.e. Comment: as well as botanical collections, and specific endangered or threatened), environmentally responsible behaviors visitors are being encouraged 11 The exhibit interpretive devices are based upon current scientific 16 Where ever possible, a retreat area is provided so that animals have a knowledge and reflect current interpretive methods. to take. choice in participation. Comment: Comment: Comment: 12 Display of single animals is avoided unless biologically correct for the 6 The enrichment program applies to animals off-exhibit as well as when 17 Exhibitsand follow therequired guidelines suggestions within Animal Care species and/or individual animals. If animals that are normally compatible on-exhibit. Equipment space forand enrichment are included the incompatible, adequate space for individual species is included in the design. Manuals (ACMs). A listing of Board-approved ACMs is available onbecome Association of Zoos and Aquarium’s s website at: http://www.aza.org/ in the design. Comment: animal-care-manuals/. Comment Comment: 7 Enrichment equipment and programming is based on current information 13 Animals are provided the opportunity to choose among a variety of in biology. environments within their day enclosures (water play, lounging on a rock, Comment: 18 The exhibit must have a regular program of monitoring water quality for fish, pinnipeds, cetaceans, other aquatic animals, and animals climbing that a platform, etc). interact with streams, ponds, and lakes. Comment: Comment: R E S U LT S 19 CriticalStandards Source:The Accreditation and Related 2014 including Edition. Publication. Association of Zoos and Aquariums, 2014. Web. 13 Mar. 2014. <https://www. life-support systems forPolicies the animals, but not limited to No. of Benchmarks Checked: / 20 aza.org/uploadedFiles/Accreditation/AZA-Accreditation-Standards.pdf>. plumbing, heating, cooling, aeration, and filtration, must be equipped 1

Viewers feel they are immersed in an exhibit (not outside looking in). Comment:

80%

Friendly species share exhibit space from time to time (e.g. giraffes and elephants).

Species on Display:

Simulated nature interacts with the enclosure (e.g. waves crashing through rocks at a penguin exhibit). Comment:

100% 93% 87%

The exhibit informs visitors about what they can do in their everyday lives to help with conservation.

ALL 20 BENCHMARKS ARE REQUIRED TO EARN A “GOOD” RATING. If you feel that a benchmark is not appropriate to the species, write NA on the corresponding circle and explain the justiﬁcation in the comments section.

The exhibit is sustainable and addresses the environment, economics, aesthetics, and people (the quadruple bottom line). Comment:

% OF EXHIBITS 100% THAT CONTAIN ONE 93%ELEMENT

Art and culture are woven into the exhibit. Information includes elements of humor and fun to engage the visitor.

A majority of the space is devoted to animal needs, then public needs, followed by education. A majority of the space is devoted to animal needs, then public needs, followed by education.

Name of Exhibit:

The exhibit ﬁts into the zoo’s long-range strategic plan. Comment:

100%

Front-end formative evaluations are done to determine what is needed in an exhibit. Children have an opportunity to play near the exhibit.

Art and culture are woven into the exhibit.

D OO

A multi-sensory approach is used in the exhibit (e.g. sound, sights, scents, touch, etc.). Comment:

The exhibit is multi-level and can be seen at different elevations. Comment:

100% 100% 100%

Visitors have the option of participating in in situ conservation programs.

fun to engage the visitor.

People enter into exhibits with minimal disturbance to the animals (e.g. tunnels). Comment:

100% 100% 100%

Active areas and passive areas are provided to the visitors as well as the animal.

STANDARD ZOO EXHIBITS

Exhibits take a holistic approach grouping different animals (in separate enclosures) that share the same ecosystem. Comment:

100%

Interpretive graphics display the latest in scientific information. The exhibit fits into the zoo's long-range strategic plan.

The exhibit has an overarching theme. Messages and submessages throughout the exhibit support this theme. Comment:

100%

The exhibit has an overarching theme. Messages and submessages throughout the exhibit support this theme.

TOTAL

100%

People enter into exhibits with minimal disturbance to the animals (e.g. tunnels). The exhibit is multi-level and can be seen at different elevations. Simulated nature interacts with the enclosure (e.g. waves crashing through rocks at a penguin exhibit).

/ 18

CHECKLIST FOR GOOD ZOO EXHIBITS

Species on Display:

STA

All local, state, and federal laws and/or regulations are being followed. Comment:

Name of Exhibit:

7 Supplies of food and bedding shall be stored in facilities which adequately ARD ND such supplies against deterioration, molding, or contamination CHECKLIST FOR protect STANDARD ZOO EXHIBITS by vermin. Comment: The facility must be constructed of such material and of such strength Name of Species on Display: as appropriate forExhibit: the animals involved. The indoor and outdoor housing 8 Temperature in indoor housing facilities shall be sufficiently regulated by facilities shall be structurally sound and shall be maintained in good repair BENCHMARKS REQUIRED EARN A “STANDARD” RATING. you feel that a benchmark is not from appropriate to the species, write NA on the heatingIf or cooling to protect the animals the extremes of temperature, to protectALL the18 animals from injuryARE and to contain theTO animals. corresponding circle and explain the justification in the comments section.to provide for their health and to prevent their discomfort. Comment: Comment: 12 A suitable 17 All outdoor housing facilities must be enclosed by a perimeter fence shall be provided eliminate rapidly, excess e that tha 3 Indoor housing facilitiessanitary must bemethod capable of controlling thetotemperature water from indoor within and outdoor housing facilities. drains are is offacilities sufficient height to keep animals and unauthorized ou ut. shall be adequately ventilated by natural or persons out. within the building or structure the limits set forth for thatIfspecies of used, 9 Indoor housing as, they shall be properly constructed and kept inand good less than 8forfeet for and potentially dangerous animals, such as mechanical Fences means to provide thehigh health to prevent discomfort animal, of maintaining humidity levels of 30 to 70 percent of repair rapidlyto avoid foul odorsfrom and within installed as to prevent any backup of sewage. The method butatnot large felinesshall (e.g., tigers, leopards, etc of the animals all limited times. to, Such facilities belions, provided with fresh cougars, etc.), eliminating odors theso building. rhinoceros, elephants, or less than 6 feet high for other ot air either by bears, meanswolves, of windows, doors, and vents, fans, or air-conditioning Comment: of drainage shall comply with applicable Federal, State, and local laws and regulations relating to pollution control or the protection of the and shall beanimals must in drafts, writingodors, by the and Administrator. ventilated so be as approved to minimize moisture environment. Comment: 4 Indoor housing condensation. facilities must be an enclosure created by the continuous Comment: Comment: connection of a roof, floor, and walls (a shed or barn set on top of the 18 The fence must be constructed so that it protects the animals by restrict restricting ground does not have a continuous connection between the walls and the 13 When sunlight isand likely to are cause overheating or discomfort of the animals, animals and unauthorized persons from through it or under it and 10 Animals housed in the same primary enclosure mustgoing be compatible. ground unless a foundation floor provided). secondary all having theanimals animals, and so thatwith it can function Animals shall not becontact housedwith near that interfere their healthas ora second Comment: sufficient shade by natural or artificial means shall be provided to allow animals kept outdoors to protect themselves from direct sunlight. fro cause them containment discomfort. system for the animals. It must be of sufficient distance from Comment: betwee 5 Indoor housing Comment: the outside of the primary enclosure to prevent physical contact between facilities must have at least one door for entry and exit animals inside and animals or persons outside the perimeter fence. Such Suc that can be opened and closed (any windows or openings which provide 14 must Natural artificialwith shelter appropriate to the such local climatic for fences less than feet ample in distance frombythe primary enclosure 11 Indoor housing facilities shall 3have lighting, natural or artifi cial must be natural light beor covered a transparent material as glassconditions the species concerned shall be provided for all animals kept outdoorsmeans, to approved. or both, of good quality, distribution, and duration as appropriate or hard plastic). Comment: for the species involved. Such lighting shall be uniformly distributed and Comment: afford them protection and to prevent discomfort to such animals. Comment: of sufficient intensity to permit routine inspection and cleaning. Lighting 6 Reliable and adequate electric power and adequate potable water shall of primary enclosures shall be designed to protect the animals from 15 Enclosures shall be constructed and maintained so as to provide suffiexcessive cient illumination. be available on the premises. Comment: Comment: space to allow each animal to make normal postural and social adjustments with adequate freedom of movement. Inadequate space may be indicated by evidence of malnutrition, poor condition, debility, stress, or abnormal behaviorof patterns. Source: United States. Department Agriculture. Animal Welfare Act and Animal Welfare Regulations. Washington, D.C.: U.S. Dept. of Agriculture, Animal and Comment: Plant Health Inspection Service, 2013. Print. R E S U LT S 1

LARY MP

CHECKLIST FOR EXEMPLARY ZOO EXHIBITS

Species on Display:

ALL 18 BENCHMARKS ARE REQUIRED TO EARN A “STANDARD” RATING. If you feel that a benchmark is not appropriate to the species, write NA on the corresponding circle and explain the justiﬁcation in the comments section.

EXE

Name of Exhibit:

The exhibit allows the visitor to see behind the scenes to encourage zoo transparency and trust. Comment:

The zoo exhibit is a sanctuary for rescued or geriatric animals and designed with these animals’ special needs in mind. Comment: The zoo staff has ﬂexibility to manage the animal in a variety of spaces. Comment: R E S U LT S No. of Required Benchmarks Checked: No. of Supplemental Benchmarks Checked:

/ 20

/ 6+

THE PROTOTYPE RESIDENTS

SITE [THE PHOENIX ZOO] PROPOSED JAGUAR EXHIBIT

EXISTING ELEMENTS OF ZOO INCORPORATED INTO EXHIBIT siamang

HARRY IS A 4-YEAR-OLD MALE. CAIPORA IS AN 8-YEAR-OLD FEMALE.

TROPICS TRAIL Plaza de los Ninos

paddleboat dock

THE ZOO HAS HOPES OF BREEDING THE TWO AND HAVING A CUB AT THE ZOO. SO FAR, HARRY AND CAIPORA HAVE NOT PRODUCED AN OFFSPRING.

future Sumatran tiger exhibit

HARMONY FARM cafe seating

lagoon

JAGUAR EXHIBIT

playground

elephant barn

future elephant expansion

Safari Train

barn

Van Buren Street

Galapagos tortoise

paddleboats

Aldabra tortoise pelican feeding

50 ft

Orang-hutan: “People of the Forest”

rhinoceros iguana

N 0 ft

CHANGES IN THEIR ENVIRONMENT MAY HELP WITH STRESS.

elephant exhibit

W WC

Photo Credit: Phoenix Zookeeper Debbie Eastman

THE PHOENIX ZOO CURRENTLY HAS TWO JAGUARS: HARRY AND CAIPORA [PICTURE ON RIGHT].

Andean bear

100 ft

THE RUBRIC AS A DESIGN TOOL S

CAIPORA’S DAY

YARD TWO G

LIVE TREE

POND

PLATFORM

SITE PLAN

VISITOR WALKWAY

AVG. CAT LENGTH

AREA OF CURRENT OUTSIDE ENCLOSURE

JAGUAR

5 FT

RECOMMENDED DEPTH OF JAGUAR POOL 1 METER

TIGER

1,112 SQ FT

11,463 SQ FT

11,067 SQ FT

5.5 FT

VIEWS & SCENTS

[HUMAN POV]

RURAL COSTA RICAN SCHOOL HOUSE

CISTERN FOR RAINWATER HARVESTING

AVIARIES

CLIMBING TREE

ENTRANCE

CROPS

NIGHT HOUSE

ELEVATED PEDESTRIAN WALKWAY

DEN CAM

11 10 3

JAGUAR BRIDGE

STORAGE/ACCESS BUILDING

SAFARI TRAIN

YARD TWO

COSTA RICAN FARM HOUSE

EXIT

BORROWED SCENERY

11 14

3 3

15 6

[JAGUAR POV]

0 ft

CONCEPT: CROSSING PATHS

JAGUAR STATUE

RAINWATER CISTERN

15 ft 30 ft

Concept: A series of human paths and jaguar paths weave through a rural C Costa Rican i a ea area are that includes crops natural o and n habitat. Sometimes paths me me the pa cross and sometimes m m humans a and jaguar share e space.

SCHOOL PROJECTS

ma and m d jaguars Message: Humans ly coexist. c t can peacefully ble em While originally the p problem, a b com me e tthe agriculture can become e i gc se solution by creating conservation e farmers. am corridors with tthe

CIRCULATION

HUMAN PATH JAGUAR PATH

CROSSED PATHS AND SHARED SPACE

N 0 ft

10 ft

20 ft

FARM HOUSE [SHARED SPACE]

Graduate Final Year Master of Science in Design: Applied Project

Student: Yun Zhou Faculty: Lauren McDermott

Conservation Issue: Agriculture has fragmented the jaguars’ habitat leaving the cats with dwindling resources and lack of reproductive partners. These factors have put the jaguar on “Near Threatened” status.

SCHOOL HOUSE

CLIMBING TREE

6 5

YARD ONE

PLAZA DE LOS NINOS

5.5 FT

LION

Landscape Architecture: Applied Project

Student: Starin Butler Faculty: Kenneth Brooks

View from existing rest stop. Though this view was not designed, as in, not directly visible from eye level, it brings an interesting new perspective to the viewer. The landscape overwhelms one with sky and ground, so much so, that when a simple panoramic view presents itself a completely new experience can be had, one that accentuates the mountains and their reflection.

Dissipate Michael Heizer, 1968 Consider Michael Heizer’s Dissipate, installed in Nevada's Black Rock desert in 1968. The piece consisted of five rectangular Cor-Ten steel trays, depressed in the desert floor and sloping from shallow to deep. The noteworthy thing to me about this piece is not the iconic image but the unseen excavation, the desert removed. The dust from the excavation may even have produced a dune somewhere else on the playa. Space, itself, is excavated. The by-product is dust.

Site

Salt Lake City

Provo

Silver Island Mountains To Salt Lake City

Bureau of Land Management

3’ 4’

End of Art Installation

1’ 2’

UTAH

Center of Art Installation

Wendover Beginning of Art Installation

Bonneville Salt Flats International Speedway

Soundscrapers is written by Nick Sowers

4’ 2’ 1’

Site

I-80 RR Art Installation

room single bed

minimum space for sleeping

V5 V4

(24) Rooms - 400 sf each

cafe / restrooms

live work research outpost

make

minimum space for work

Phase 3

Restaurant (not shown) Salt Baths (not shown)

manufacturing and retail

Program Phase 1

Phase 2

research outposts

Existing Rest Stops

Cafe / Shop - 1,500 sf Restrooms / Shower - 1,500 sf Public Space - 5,000 sf (24) Rooms - 400 sf each

5’-0”

Salduro Loop Existing Berm

3’

S1 V2 S2 V1

Scale: 1”=150’

main circulation corridor

surface cuts

room entry

bathing

Spring 2014

sleeping

fire pit

Graduate Final Year Architecture: Advanced Architectural Studio IV

Student: Conor Patton Faculty: Michael Rotondi

Architecture: Advanced Architectural Studio IV

Student: Jesse Slim Faculty: Wendell Burnette

outdoor sleeping

Chair: James Shraiky Co-Chair: Dr. Renata Hejduk Advisor: Jack DeBartolo 3

Ana Matijevic Shelby Riddell

A r v o P ä r t C e n t r e Ryan Short Dan Clevenger + M a x U n d e r w o o d

Co-chairs A r vo P ä r t , b. 1 9 3 5 , i s o n e o f

T h e C e n t r e wa s fo u n d e d i n

c e n t e r h e r e , P ä r t ’s t u m u l t u o u s

t h e m o s t r e ve r e d an d i n fl u e n t i al

2 0 1 0 by A r vo P ä r t a n d h i s fa m i l y

p a s t o f b e i n g e x i l e d a n d r e t u r n-

c o n t e m p o rar y c o m p o s e r s an d

w i t h t h e m i s s i o n o f c r e at i n g

i n g h o m e c a n b e a d d r e s s e d an d

c o n t i n u e s t o w o r k w i t h m a ny

o p p o r t u n i t i e s f o r p r e s e r v i n g an d

h i s m u s i c c an a g a i n b e r e - c o n-

o f t h e g r e a t e s t m u s i c i an s a n d

r e s e a r c h i n g t h e c r e a t i ve h e r i-

t e x t u al i ze d w i t h i n E s t o n i a .

o r c h e s t ra s o f o u r t i m e . P r o fe s-

t a g e o f t h e c o m p o s e r i n h i s n a-

s o r A n d r e w S h e l t o n , o f L o n d o n ’s

t i ve l a n d o f E s t o n i a . T h e C e n t r e

Roya l C o l l e g e o f M u s i c , h a s o b-

is to be situated in Laulasmaa,

s e r ve d , “ t h e m u s i c o f A r vo P är t

a small coastal town on the

i nv i t e s u s t o a c c e p t i t a s a p o i n t

w e s t e r n s i d e o f t h e c o u n t r y. T h e

o f d e p a r t u r e fo r a n e w o r d i f-

project site is blessed with mag-

fe r e n t s p i r i t u a l e x p e r i e n c e w i t h

n i f i c e n t n a t u ral s u r r o u n d i n g s

music that is elegantly simple,

b l an ke t e d w i t h o l d p i n e s a n d i s

d e c e p t i ve l y c o m p l e x , v i s c e ra l

e l e vat e d s l i g h t l y a b ove t h e L a-

a n d r e m a r k a b l e .”

h e p e r e B ay l o c a t e d a m e r e q u ar-

T h e n e w A r vo P ä r t C e n t r e will focus on preserving, celeb ra t i n g , a n d e x t e n d i n g t h i s e ngagement to further help shape t h e h i s t o r i c a l , e t h n o g ra p h i c , an d t h e o r e t i c al a p p r o a c h e s , i n t e rpretations, and implications of A r vo P ä r t ’s i d e a s , c o m p o s i t i o n a l methods, and music.

t e r m i l e away. By l o c at i n g t h e

“Art is in fact nothing else than pouring your thoughts or spiritual values in a most suitable artistic form or expressing them in artistic ways.”

architecture AGAINST DOMESTIC VIOLENCE how design protects + rehabilitates

SURVIVORS OF ABUSE

institutional

institution

Arvo Part’s sketches of his compositional history

institutional vs neighborhood elements

= residential

1. heightened security with greater resident density 2. negative stigma associated with institutional housing

neighborhood

-Arvo Pärt

1. integrated community environment 2. security of camouﬂage undermined by new technology

integrated

1. heightened security with greater resident density 2. integrated community environment

overall concept

overall

storage + utility

residential

civic

T h e s e ar e e l e m e n t s w i t h p r o g ra m m at i c a l l y u n d e t e r m i n e d fu n ct i o n s a n d d i ff e r i n g

a r c h i t e c t u ra l m an i fe s tations throughout the site.

Wanderings

linear + ribbon parks

second level site plan

retail + storage T h i s l i g h t e r t h a n ai r

program components

40’

e l e m e n t fl o a t s e ffo r t l e s s l y a b ove a n d controls the light and sound of the space. In s o m e s p a c e s t h e c ano py m ay a l l o w d a p p l e d s u n l i g h t t o g i ve c o l o r or texture to specific spaces or in others it m ay o p e n u p t o a l l o w t h e e x p l o s i ve e n e r g y o f A r vo P ä r t ’s m u s i c o u t into the landscape.

Canopy

01 linear park

02 ribbon park

03 interstitial space

I n i t s n at u ra l m a n i f e station it is the trees t h at p o p u l a t e t h e e x i s t i n g s i t e b u t al s o manifests itself in the careful structuring of new trees or in the s t r u c t u r e o f t h e b u i l ding.

Rhythm

T h e fi r s t i s t h e s u rfa c e o f t h e e a r t h , t h e t o p o g ra p hy o f t h e s i t e which is an unaliena b l e fe a t u r e o f t h e s i t e which cannot be ignored. This element is o n e t h a t c a n b e m a n i pu l a t e d i n t h e way t h a t

04 interstitial space

section of residential unit

05 interstitial space

i t i s p u s h e d a n d fo l d e d on the site.

Surface

Site Plan

Spring - Concert

Summer - Gallery

N 0’-0”

Fall - Wanderings

Winter - Archive

view of shared kitchen

Spring - Visiting musician practicing in one of the outdoor pavilions

community center courtyard

community center gallery

community center lobby Summer - Concert in the amphitheater under the archive and gallery

section of community center

Architecture: Independent Capstone Project

Spring - Concert in the performance space

Students: A. Matijevic / S. Riddell Faculty: R. Hejduk / M. Underwood

Architecture: Independent Capstone Project

Student: Ryan Short Faculty: R. Hejduk / M. Underwood

2 0 ’- 0 ”

4 0 ’- 0 ”

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