C O N D U C I V E P E R C E P T I O N
UTILIZING THE PRESENCE OF SIMPLISTIC FRAMING IN NATURE TO EVOKE A PROGRESSION OF PERCEPTIONAL THOUGHTS, ULTIMATELY INSPIRING THE CREATIVITY PROCESS WHILE CHALLENGING THE MIND TO VOYAGE INTO AREAS NEVER EXPERIENCED BEFORE.
GESTURE LINE INITIATED FROM DISCOVERY OF FRAMED VIEWS AROUND SITE BEST VIEWS REPRESENTED BY VIEW-CONES.
BUILDING SITE CHOSEN BASED ON HEAVIEST PARKING LOT CHOSEN BY PROXIMITY TO OLD GESTURE LINE PROGRESSES FROM BEST OVERLAPPING OF LINES, WHICH MEANS MORE PARKING TO KEEP THE PARKING CONGESTION IN VIEWS, BUT NOW THROUGH EXTENDED OPPORTUNITIES FOR SURROUNDING VIEWS ONE AREA, DROP OFF PLAZA CHOSEN FOR EASIEST GEOMETRY OF THESE LINES TO ACCESS FOR CARS TO DROP OFF WITHOUT HAVING ACCENTUATE THE IDEA OF EXPANDING PAST TO TRAVEL FURTHER THAN NECESSARY SIMPLICITY
ALVARO SIZA CARLOS RAMOS PAVILION
SIMPLICITY THAT PROMOTES NOT ONLY VIEWS OF NATURE, BUT EMPHASIZES VIEW OF FELLOW USERS AS WELL
SOUTH MOUNTAIN BRANCH LIBRARY
VIEWS OF NATURE
INTERNAL CONCENTRATION OF FOCUS
OPTIMAL VIEWING OF BOTH NATURE AND PEOPLE
STACKING OF GEOMETRY, COHESIVE USE OF MATERIAL THAT BRIGHTEN INTERIOR WHILE REFLECTING ITS SURROUNDINGS
GEOMETRY BRIGHT, REFLECTIVE MATERIALS
INTIMATE STUDY ROOMS PROMOTE CONVERSATION
SITE PLAN 1’ = 1/128” N
FIRST FLOOR PLAN 1’ = 1/32” N
SECOND FLOOR PLAN 1’ = 1/32” N
THIRD FLOOR PLAN 1’ = 1/32” N
SECTION A 1’ = 1/8”
SW AXONOMETRIC 1’ = 1/32”
ADE 321: Fall 2015 Architectural Studio I
Student: Casey Rowden Instructor: Claudio Vekstein