Architecture Fall 2017 Design Excellence Winners by The Design School at Arizona State University

from the outside in this project aims to integrate an intimate connection with nature into our daily lives, while also providing a shared outdoor space that faciliates a sense of community.

downtown phoenix context map

an internal outdoor room becomes the heart of each dwelling space, enclosed by sliding glass doors that open and break the boundary between outdoors and indoors.

form development

site plan 1”=20’

north elevation 1”=20’

east elevation 1”=20’

unit section 1/8”=1’

unit plans 1/8”=1’

programmatic diagram

street view

communal garden view

entrance of unit view

landscape view

ADE 321: Fall 2017 Architectural Studio I

Student: Mariana Barros Instructor: Victor Irizarry

adaptive design

flexibility - create community - grow food

this housing project focused on college students due to how close it is from downtown. its hard for a student to find where to live in downtown but is harder to find a place that creates a WELCOMING COMMUNITY. the housing part of the project is lifted 20 ft out of the ground to leave all the ground level to public use. the ground floor has a library and a coffee place to be used by the public as well as the students living there.

this drawing inspired the ground floor because a big plaza with just a big concrete slab was not suitable for this project. it inspires the change in elevation of the slabs and the materiality of it. also, it dictated what areas were going to be the FOOD PLANTING areas.

ground floor

context

1st and 2nd floor

section aa

unit 1

unit 2

to achieve FLEXIBILITY, only a part of the unit was design the rest was free to the user to uses in different ways. the part that was predesign was a rectangle with the essential. there were two different variants of the same design. one with 2 bedroom and 2 bathrooms and the other with 2 bedrooms and 1 bathroom, replacing the other bathroom with a studio space. the extra space of the unit was for the user to design as they wish or need. also, the walls of that space are panels so the user can decide how much light they need.

ADE 321: Fall 2017 Architectural Studio I

Student: Adrian Castro Instructor: Victor Irizarry

ADE 321: Fall 2017 Architectural Studio I

Student: Tara Dejolie Instructor: Joseph Pritchard

Spotlight on the City

North Elevation Site Specific Design The site at Jefferson and 13th Street is currently undeveloped. It surrounded by some sparse homes, and some newer apartments. There are churches, schools, and parks nearby. None of the surrounding developments are higher than four stories. The site feels residential, but is still connected to the city. There is a light rail stop a short walk away. However, the area is largely missing restaurants and retail shops within walking distance. I believe it important for any design on this site to incorporate mixed-uses to help shape the area into one that is livable and walkable.

Site Plan Design for the Future of Phoenix must be versatile. It should take the current situation of the city into account, while also preparing for the city of the future. Good design does not merely exist in the city, but can also help to shape the city’s future. Phoenix’s future lies in higher density living and infill design. It is necessary to redesign comfortable interaction into the city of Phoenix. New design should be sustainable, in its energy usage, as well as in its land usage. It should thoughtfully provide space for integrated work-home life, as more people are finding ways to work from home in new industries. It must help to shape the city into a place where people want to be.

Second Floor

Third Floor

Typical Unit Plan 3 levels 2 bedrooms 2 baths 1255 square feet

Clarity A place in one’s home which is purposely left clear distinguishes the home from the rest of the city as a place of rest. This place stands out both in its form and in its material, which signify it as space to enjoy for what it is – a mere empty space.

View of Covered Outdoor Space

Transparency The internal circulation of the units becomes visible to the street, providing a visual understanding of the building. Through transparency, the internal components of the architecture become the facade. There is open communication between inside and outside.

West Elevation

Views from Inside Units

ADE 321: Fall 2017 Architectural Studio I

Student: Anika Hirsch Instructor: Thomas Hartman

offset

site van buren / downtown phx fifth avenue & monroe

notable surroundings

1 grand avenue arts district

2 comerica theatre 3 the van buren

4 orpheum theatre 5 crescent ballroom

connection

6 valley bar

site is in close proximity to notable art and music spaces. the surrounding context is influential in the creation of an urban park, accessible via ramp leading from downtown phoenix onto a platform that acts like a stage. almost half of the site is given back to the city. the design is a beacon that calls for west expansion.

the urban park

van buren st

5th ave

6th ave

movie theatre amphitheatre raised/sunken gather aperture structure

monroe st a site plan 1” = 20’-0”

growth

van buren was once an important gateway to phoenix, but the area developed a reputation for crime and drugs. the historical development is influential in the design of the building form, appearing as though it may give way.

a west section 1/16” = 1’-0”

entire site rests on 4’ platform

b north section 1/16” = 1’-0”

red apertures are featured on building + ground level

unit plans

ground floor

1/8” = 1’-0”

each unit goes through a process of stacking and offsetting, allowing the roof of the first level to become a balcony for the second and so on

ADE 321: Fall 2017 e c o n d f l o o rI Architectural sStudio

+ 15 units 10 2B2B units 5 1B1B units + 3 floors 10’ floor to floor + 1,150 sq. ft. per unit

Student: Amberley Johnson t h i Joseph rd floor Instructor: Pritchard

CREATING NEW BOUNDARIES As a form of expression, street art touches on the concept of layering, while serving as both a permanent and semi-permanent surface. In essence, this project is taking a museum and flipping it inside out. By reversing the traditional museum typology, the building becomes its own canvas. The artwork is displayed for what it is—art—and enables the users to define the structure. Through the resident’s display of their own artwork, a community is born. Community “billboards” layer announcements of nearby shows and events, becoming another form of street art throughout the intimate spaces.

ENTRANCE

COMMUNITY SPACE

SITE: 5TH AVE & MONROE PHOENIX, AZ

INTIMATE SPACE

STREET ART

PEEL ING

S PL IT T ING

S KEW

BOX

ALLEY CONNECTING TO THE NORTH BOUNDARY

S ECO ND

GRO U ND

The building splits into two sections which allows the ground level to provide a path to the alley turned public space

T H IRD

The terrace of the gallery allows the user to connect to the city

F O U RT H

Moving the facilities to the back of the unit creates a larger gallery within the personal space

SECTION A

SCALE 1/32” = 1’-0”

SECTION B

SCALE 1/32” = 1’-0”

ADE 321: Fall 2017 Architectural Studio I

Student: Alexandra Patrick Instructor: Joseph Pritchard

INFINTY GARDEN

Infinity Garden was created to respond to the social and environmental issues of the 21st century with 5 core values in mind. To connect people, encourage sustainability, celebrate diversity, strengthen the local economy, and create a more vibrant downtown. The mixed-use project creates shade, green space, commerce, and a sense of community. The diagrams to the left demonstrate the need for enhanced pedestrian route, green streets and park areas. The site was within the area where all 3 factors were in high demand. The goal was to create a comfortable place where the community and travelors can establish connections.

B-B A-A Circulation diagram Section A-A

Section B-B

ADE 321: Fall 2017 Architectural Studio I

Student: Mallory Payne Instructor: Victor Irizarry

TRANSITION PHOENIX GOAL

REDEFINING HOMELESSNESS IN THE PHOENIX METRO AREA

In an area struggling with a high demographic of homelessness, the Transition Phoenix housing center provides missing resources which both aid and unite the key demographic --homeless families--and the surrounding community. While many Phoenix organizations provide relief, the transition phoenix community would allow separate centers providing housing or food to bring collective relief to a localized center.

34%

OF THE U.S. HOMELESS POPULATION ARE FAMILIES

30%

OF ARIZONA’S HOMELESS POPULATION ARE TEENAGERS AND CHILDREN M O N R O E S T.

37%

OF THE HOMELESS POPULATION IN ARIZONA ARE FAMILIES

RESOURCES

EXISTING COMMUNITY

+ DESIGN

5 T H A V E.

HOMELESS FAMILIES

CONTEXT

Through programs such as a library, childcare, and resident shops, the surrounding community is encouraged to be involved with events and families of the center. With these programs residents can gain work experience, have their children in safe hands, and if dinner cannot be cooked in, a dining commons is provided.

CROSSWALKS OPEN STOREFRONTS

BIKE SHARING

PUBLIC ENTRANCE

SOUTH-EAST CORNER

CENTER COURT

LIBRARY

BIKE SHOP

GREEN LIGHTWELLS

APARTMENTS/PRIVATE

RESIDENT ACCESS

LEVEL 3

COMMUNITY ACCESS

CHILDCARE ROOF GARDEN

2 BED, 2 BATH UNITS STAIR ACCESS + CIRCULATION CHILDCARE PLAY + GARDEN

AIR+LIGHT COVES

LEVEL 2 3 BED, 2 BATH UNITS STAIR ACCESS + CIRCULATION WASH + MAIL ROOM + PUBLIC LIBRARY

OPEN AIR STAIR CORE

RESIDENT SHOPS + NONPROFIT OFFICES DINING COMMONS (WEST) + CHILDCARE (EAST)

LEVEL 1

LIBRARY AMPHITHEATER

PARKING STAIR ACCESS + BIKE ZONE

CENTER COURT

COMMUNITY SPACE + PUBLIC LIBRARY

SECURE FAMILY BIKE LOCKERS

RESIDENT SHOPS + NONPROFIT OFFICES

SCALE: 1” = 32’-0”

ADE 321: Fall 2017 Architectural Studio I

5’

32’ 10’

Student: Brandon Powell Instructor: Thomas Hartman

URBAN SOUK B A L A T A R E F U G E E C A M P, P A L E S T I N E

O U R O B S E R VAT I O N S WATER SECURITY

FOOD SECURITY

There is no reliable supply of clean drinking water available to the residents of Balata. Supply is dependent on shipments from Israeli forces which are limited to 10 gallons (37 liters) a week per household.

The lack of suitable resources such as land and water has caused the agricultural sector to dwindle. Produce is shipped in from Israel but is heavily regulated and very unreliable.

COMMUNITY

Community members and vendors of the camp are faced with expensive and limited fresh produce from Israeli forces. Along with this space is very limited in the confines of the refugee camp leaving vendors no choice but to set up their markets in the streets, creating circulatory issues and unhealthy environments.

OUR PROPOSAL

School

Markets

12,000 kWh/Year per Shade Structure

Cultural Center

Site

Key Non residential programing Site Satellite Hub 8 - 12 Inches of Rainfall/Year 6,000 - 9,000 Gallons/Year per Shade Structure

I M P L E M E N TAT I O N

PHASE 1

PHASE 2

PHASE 3

1 4 5

2 Key 1 Vendor/Market Space 2 Green Space 3 Educational Space 4 Outdoor Seating 5 Restrooms

N.T.S

ADE 421: Fall 2017 Architectural Studio III

Students: O. Alharthi, M. Calvendra, E. DiBella, C. Martorano, Y. Kamali Instructors: P. Horton, S. Murff

Agents of Change and Growth A Palestinian Refugee Camp Implementation

FO OD

& WA T

Restrictions placed over the camps creates an economy heavily reliant on external aid.

ELLNESS

DENSITY

CURIT Y

UES IN

Balata is the most dense refugee with 30,000 people in a .25 sqkm area.

JOB

YME

HOPE Palestinians are left feeling hopeless that they’ll ever have a true home again.

NSITY

N ENDE

CULTURAL IDENTITY Palestinian’s long, rich culture has since been taken from them.

AT I O N

RESOURCE SECURITY Refugees are forced to buy what little resources are allotted to them from Israel.

AT F O R M

TECHNOLOGY

NOM

Swivel oriented

nd s wi

coop

ENDEN

ENTITY

ane ls rien ted Sou

A LT H

ted Water is harves

OY ME

ELL

NES

Wa rm

tho

stru c HE

U C AT I O

sol ar p

late s reg u

CYCLE

TURA UL

Sha de

tur e

A STE &

ligh t an

d te

Downdraft evaporative cooling tower

CURITY

era tur e

EMENT

Tech/Education:

& WA

P E AT E

ONOM

RE VIS

Schools are overcrowded and deteriorating, causing a limited quality of, and access to education.

MISIN

PLACE

EDUCATION

IN G CI OT

LAR

PROM

C AT I O DU

HOPE

ENTITY

EMPLOYMENT Finding jobs and a steady source of income is quite difficult in Balata.

N O MI CO

NSE OF SE

L ATA

RTUNIT

U U LT R A L

N S PA C

P LO

CURITY EM

TRE ME

RGY

INDEPENDENCE

VESTIN

ENE

E AT I N G

A LT H & H

VESTIN

HEALTH & WELLNESS Balata is home to both a physically and psycologically unhealthy environment.

& WA

RONMEN

& WA

A LT H I E

air

rise s

from roof

& cir culat es ou t

e is Sit l

ered to p ool co ow

o l ai r

Storage Tank

MARKET

NOM

ENDEN

CURITY

A STE &

CYCLE

U C AT I O

ENTITY

A LT H

OY ME

ELL

NES

TURA UL

Market:

EMENT

& WA OD

P E AT E

PLAZA / AMPHITHEATER

NOM

ENDEN

CURITY

A STE &

TURA UL

R ID

CYCLE

U C AT I O

ENTITY

A LT H

OY ME PL

ELL

NES

Plaza/Ampitheater:

EMENT

& WA OD

P E AT E

INTERFAITH

NOM

ENDEN

CURITY

A STE &

CYCLE

A LT H

OY ME

ELL

NES

Node:

U C AT I O

ENTITY

TURA UL

Interfaith:

EMENT

& WA OD

P E AT E

ADE 421: Fall 2017 Architectural Studio III

Students: D. Bernhard, H. Chavez, E. Karenzi Instructors: P. Horton, S. Murff

OPEN SPACE

O P E N S PAC E

DESIGN TEAM: AUSTIN SMITH & ZACH BUNDY C L A S S I F I C AT I O N G U I D E

Lack of Public Space

Why Does it Matter?

The current urban condition of the Balata camp in Palestine is one of intense density. In less than a square mile, a population of 27,000 people clutter into small dwellings; entire families are confined into single rooms. With an extremely high birth rate, the conditions of the camp will only become more intolerable.

This project builds upon the legacy of successful refugee camp plazas such as the one created in Al Fawaar. Despite initial public resistance against these projects in their incipience, they have been eventually been recognized by locals as important community centers.

Usability

The simple solution of clearing rubble, paving, adding adjustable roman shades, and imprinting these plazas with marks of cultural heritage, is one which works towards making the hyper-dense environment of Balata more livable.

Despite its long history with the UNRWA and a long list of NGOs and charities, Balata has become so dense that it has become impossible for foreign aid to effectively work in the camp. Organizations are relegated to working on the perimeter, making it very difficult to access the public.

Israeli Occupation Balata is located in Zone B of Palestine, placing under the jurisdiction of both the Palestinian Authority and Israel. Periodic bombardment by the Israeli Military has caused the destruction and haphazard reconstruction of a substantial amount of Balata’s homes.

By designing an empty space, one which is inherently democratic in many ways, we are creating “invisible monuments” of resistance against an occupation which seeks to make even basic needs inaccessible to Palestinians.

Although we are architects, our team’s solution is not architectural in a traditional sense; in order to deal with increasing population and building density, our team aspires to selectively destroy, rather than construct new buildings. By maximizing the amount of non-programmed space, we are lowering the amount of space which is not being used at any time of the day, and allowing residents and business owners to appropriate space according to different needs and different times of the day. Simultaneously, we are increasing the ability of NGOs such as the UNRWA to function more effectively within the camp, rather than be relegated to operating outside of the perimeter. Current Conditions: Overpopulated, lack of public space. Small shops and dense residential run along center thoroghfare of camp.

Step 1: Bulldoze, targeting particularly run-down buildings.

Step 2: Pave, provide shade, and add small kiosk with reception desk, police office, restrooms, storage, and solar panels.

Step 3: Inhabitation: open-air events and non-permanent booths can be set up by NGOs and individuals according to time of day and needs.

Step 4: Different plazas are arranged to fit certain needs. For example, this space is geared towards providing space for merchant stalls in order to enhance the commercial district.

PLAZA & ALLEY

MOSQUE

ARTERIAL STREET

MARKET

I N T E G R AT I O N I N TO CAMP

PLAZA & KIOSK

KIOSKS & OPEN SPACE

T H O R O U G H FA R E

PLAZA & MARKET

THOROUGHFARE

INTEGRATION OF DESIGN

ADE 421: Fall 2017 Architectural Studio III

Students: Z. Bundy, A. Smith Instructor: Philip Horton

CO N CRE

PHOENIX LAND USE OVER TIME

DENSITY

ADE 421: Fall 2017 Architectural Studio III

Student: Lindsey Griffith Instructor: Brian Maddock

WTOWER01 Balata, a town in which 27,000 displaced people are crammed into an area of about 27 hectares, or 66 acres. According to the United Nations Relief and Works Agency, the refugee camp produces 1,600 cubic meters of solid waste each month. These statistics are daunting, however there is an opportunity to be found in this crisis: Recycling plants in the su rounding Nablus region have achieved great success by incentivizing people to collect and deliver plastic and metal waste. By designing an efficient infr structure which builds on the current efforts of factory owners and everyday trash collectors, our team aspires to build a resilient circular economy that benefits all refugees by improving health, moral, and economical independance.

Nablus, West Bank, Palestine. Homes three refugee camps built in the 1960’s, including Balata Camp.

PALESTINE-ISRAEL AFTER 1947 US PARTITION PLAN

- United Nations Relief and Works Agency for Palestine Refugees in the Near East. “Balata Camp” Publication. www. unrwa.org, December 31, 2016.w

1947

iii

2000

The WEST BANK (pink) and the GAZA STRIP

Balata Camp, our site. The most populated refugee camp in Palestine (1km^2 area).

挀椀爀挀氀攀

WHAT Our team hopes that through a cooperative platform of urban and architectural design combined with independent organizations dedicated to human development work, a series of waste collection towers can begin a paradigm shift in the way Palestinians think about trash. Hoping that in a near future the towers can become a source of civic pride, and a symbol of passive resistance; rather than simply being waste distribution centers. These towers will be seen as important economic centers and functional monuments in a new circular economy.

HOW

POWER CONVERT

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COMBUST

㐀洀㌀

SORT

㔀㜀洀㌀

HARVEST

STEP 1

STEP 3 PROCESSING: Paper, metal, and plastic are crushed and redistributed to other factories inside Palestine. Organic waste (biomass) is burned in an enclosed system; the heat causes water to evaporate into steam which runs a turbine. According to the Solid Waste Association of North America, 1 ton of unrecyclable waste produces as much electricity as .25 tons of coal.

DETAIL

1/16”-1’-0”

REDISTRIBUTION: Factories sell or distribute finished paper, metal, and plastic goods to local stores which, in turn, sell the products back to Palestinians. Theoretically, residents will have more purchasing power in a market which avoids the economic blockades. After being transformed into biomass, the leftover digestate is made available as fertilizer for the farms which surround Balata. This will increase farm yield, while simultaneously lowering the cost and raising the quality of food grown in the vicinity.

1/16”-1’-0”

TRASH AS A RAW MATERIAL: Tall silos are erected and used as temporary collection and distribution centers for waste. Residents use these silos to sort and dispose of paper, metal, plastic, and organic waste. Paper, metal, and plastic are siphoned to the bottom of the silo where they are collected and transported to local recycling plants by free-lance recyclers (“Cartoneros” in Buenos Aires). Organic waste is collected and delivered to waste-to energy converters on the Eastern edge of Balata, near the farmland.

STEP 2

BALATA YEAR 2047 : RECYCLE-FUELED ECONOMY

ADE 421: Fall 2017 Architectural Studio III

Students: B. McConnville, L. Medina, A. Rivera Instructors: P. Horton, S. Murff

CITADEL

A future desert city prototype for 5,000 - 10,000 people meant to replace the urban sprawl of the suburbs. A city made to survive and thrive in the desert landscape, and adapt and change as the climate of Arizona becomes more harsh. A city made for the desert and yet hardly touches it.

City Breakdown The Suburbs

The City

Transportation & Services Columns

The Park

The Catacombs

Farming Sector

Suburb and Unit Types Scale: 1/4” = 1’- 0”

Dining/Office/Bedroom

Main Bedroom

Kitchen

Bedroom/Office/ Open Loft Space

Loft

Living Room

Open to Below

Level 1

Level 2

Scale: 1/4” = 1’- 0”

Dining/Office/Bedroom

BedroomB

edroom

Main Bedroom or Loft

Loft

Living Room

Outdoor Area Open to Below

Level 1

ADE 421: Fall 2017 Architectural Studio III

Level 2

Level 3

Student: Monique Paulis Instructor: Bryan Maddock

Alternative Desert City In the future of Phoenix, Arizona, a large scale housing project proposes 5000 people to live in a desert city. By addressing problems of traditional skyscrapers, a conservative footprint typology creates an opportunity for platforms to network in the sky.The project aims to mend the tragedy of urban sprawl by promoting vertical growth through the projectâ&#x20AC;&#x2122;s network. Hybrid use spaces and density are used to meet all the needs of different living styles within Phoenix. In response to the environment, the project provides connections and large amounts of shading that supports a close and walkable environment to live in.

Concept Diagram (Left), Form Diagram (Right)

Low Density Unit Type + Voids, Floor Plans

High Density Unit Type + Working Space, Floor Plans

Air Flow Diagrams (Old Type, New Type)

Summer Shadow Diagrams

Urban Change (10Years, 20Years, 30Years)

Model Photos

ADE 421: Fall 2017 Architectural Studio III

Student: Yuchen Zhao Instructor: Bryan Maddock

FLAGSTAFF

F.A.B.R.I.C

WHO IS F.A.B.R.I.C ? Fashion And Business Resource Innovation Center

F.A.B.R.I.C is a fashion incubator - the first of its kind in Arizona - founded by Angela Johnson and Sherri Berri in the heart of downtown Tempe. F.A.B.R.I.C provides fashion designers and students a place to learn, source, manufacture, market and celebrate their works. After the initial success in Tempe, Johnson and Berri are planning to extend their business, starting with a new incubator in the Historic Downtown of Flagstaff

匀吀

WHERE IS THE NEW F.A.B.R.I.C ? Innovative Fashion Incubator Meets Historic Downtown Flagstaff

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Tree Density Tourist Pattern

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FIELD CONDITION STUDY

䤀䌀刀

SITE PLAN - DOWNTOWN FLAGSTAFF

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FLAGSTAFF TOPOGRAPHY

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Urban Trails/Bike Lanes Landscape vs Cityscape

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Extensive study on different aspects of the region shapes the design and fosters the relationship between the building and its surrounding.

SITE PHOTOS

CONCEPT : The city of Flagstaff emerges as the landscape unraveling, creating a dialogue between nature and man-made structures. The project is a response to this unique urban fabric of Flagstaff. It is an opportunity to give back part of the missing habitat, closing the gap between the remaining greeneries within the city limit. As the building unfolds, green elements are introduced to continue the dialogue of the surrounding context.

WHAT IS THE FUTURE OF F.A.B.R.I.C ? Unifying People, Community, Culture and Craftsmanship

A - EXTERIOR STOREFRONT

THIRD LEVEL FLOOR PLAN

B - ROOFTOP GARDEN / RUNWAY

SECOND LEVEL FLOOR PLAN

A D

C - COURTYARD / RUNWAY

FIRST LEVEL FLOOR PLAN

F.A.B.R.I.C Flagstaff not only caters to the needs of those who work and live there, but also aims to capture and retain passing visitors. The new fashion incubator provides a much needed center for creators to work and showcase their designs. Flex-working spaces and spacious maker floor extend the invitation to all creators beyond fashion related work. The addition of cultural center with Navajo weaving and dyeing classes attracts and educates tourists on the culture and history of the region. The grand exterior staircase rises from the courtyard, where the structure pulls apart to allow nature to flow through. Trailing along a habitat green wall, the staircase lets people experience fashion at different levels, while fully immerse in an natural-filled environment. During the fashion show, the staircase can be transform into a unique runway. Starting from the top, the models travel through the courtyard before flowing into the alley and become part of downtown Flagstaff nightlife.

SECTION LOOKING NORTH

E - RETAIL/ INFORMATION CENTER

D - ALLEY / RUNWAY

F - MAKER SPACE

ADE 511: Fall 2017 Core Architectural Studio I

Student: Nhu Le Instructor: Max Underwood

ADE 511: Fall 2017 Core Architectural Studio I

Student: Cody Short Instructor: Max Underwood

RIVER TRAIL COMMUNITY This masterplan project aims to make the best use of an existing landfill site along the Salt River and make a pattern by which future development will occur. The Site has vaious limits and conditions which include: - Access to Public Transit - Neighborhood Context - Soil quality - Street Frontage - Proximity to Salt Rive r - Walkability

ZONE 1

ZONE 2

ZONE 3

ZONE 4

LIGHT RAIL NEIGHBORHOOD SHUTTLE RIO SALADO SCENIC DRIVE

CENTRAL AVENUE

RIPARIAN

SKY HARBOR AIRPORT

SPARSE DESERT

ORGANIC FLOW

CITY GRID

AUDUBON CENTER FUTURE TRANSIT CENTER PROJECT SITE UNIERSITY OF PHOENIX CAMPUS

FUTURE DEVELOPMENT FUTURE DEVELOPMENT

MORE DENSITY

LESS DENSITY

BROADWAY ROAD

PEDESTRIAN PATHS

BICYCLE PATHS

VEHICULAR PATHS

MASTER PLAN SCALE : 1”= 300’

Commercial Building

Residential Building

Shade Structure Added

SECTION AT OBSERVATION BALCONY SCALE : 1”= 20’ 1

Corridors introduced

Section at Rec Center outlook 1" = 20'-0"

Rotated and Divided

VIEW DIAGRAM

A301

at OBSERVAION PAVILLION

PLAN AT MIXED USE BUILDING

SCALE : 1”= 30’

SECTION AT CORRIDOR section at basement cafe 1" = 20'-0"

Detail Section at Building Opening 1" = 20'-0"

SECTION AT FRONT WALKWAY 2

section at basement cafe 1" = 20'-0"

SCALE : 1”= 30’

SITE PLAN

PLAN AT MULTI-FAM HOUSING

SCALE : 1”= 100’

SCALE : 1”= 30’

PRIVATE PATIO

COMMUNITY AREA

PRIVATE PATIO

SECTION AT TOWNHOMES SCALE : 1”= 30’

ADE 521: Fall 2017 Advanced Architectural Studio I

A303

SCALE : 1”= 30’

Students: Aaron Amundsen Instructor: Jacob Atherton

ADE 521: Fall 2017 Advanced Architectural Studio I

Student: Serghei Sariterzi Instructor: Michael Underhill

Rio Salado Revitalization Project Ecology

Built Environment Revitalization

S 16th St.

S 7th St.

master plan N

0 70'

210'

420'

E Elwood St. master plan analysis view to downtown PHX downtown PHX

es mil 2.5

2.3

Sky Harbor s Airport e il

detail development area wild open space, low density vegetation

south mountain

low density vegetation

medium density vegetation

close water, high density vegetation

the existing bird habitats around site & green connection

historic wash flow tendency of RioSalado in the site

site location & historic wash flow tendency of RioSalado from south mountain in 1930sâ&#x20AC;&#x2122;

high density vegetation

floodplain urban space

view to downtown PHX

low density vegetation

high density vegetation

medium density vegetation

f loodplain

office/mix use residence retail public facilities phase3 parking structure

phase2 phase1

vehicle/parking circulation

A master plan

site plan analysis usual time

flooding time close water, high density vegetation

wild open space, low density vegetation

urban space low density vegetation medium density vegetation high density vegetation

view to downtown PHX

f loodplain

office/mix use residence retail public facilities parking structure

A site plan N

vehicle/parking circulation 200'

50' 100'

retail

green axis river view

office/studio

view to downtown PHX

green axis green axis

garage services at back

terrain

river view visual axis

section1

physical path to the north side of river

connect from city to wash sky walk provide shade

section2

Trail along the Rio Salado

Office atrium facing to river

terrance garden

shaded outdoor space

residence

shade structure

stepping down configuration

residence

garage

rain water collection

view to wash

2 bed room 1400-1600sf

view to wash

rain water collection

1 bed room 1100-1300sf

view to wash

condensate + water view to wash

Retail pesdestrian street

Green axis view from city

3 bed room 1900-2200sf rain water collection

view to courtyard

view to courtyard 2 bed room 1400-1600sf

Residence courtyard

rain water collection

rain water collection rain water collection

7 2 bed room 1400-1600sf

1 bed room 1900-2200sf

6 5

4 flow to wash 2

View from north side of Rio Salado river view

wash view

A-A section

ADE 521: Fall 2017 Advanced Architectural Studio I

Student: Yan Wang Instructor: Jacob Atherton

RESeTROOMS Mind the gap. That was the motto for this interdisciplinary, global engagement studio focusing on mindfulness at Arizona State University. Working towards this goal as a studio, the Design School at ASU was taken as a prototype. Gaps between stimulus and response throughout the Design School were identified and their latencies were harnessed in order to elevate the spaces. Being that restrooms breaks are already a necessary gap within everyone’s day, the restrooms were an obvious opportunity. While everyone experiences these spaces, unfortunately in their current condition they are repelling. The moment you enter the space your awareness is peaked through an engagement of the senses brought about by the unpleasant characteristics of the restrooms. Through exploiting these circumstances and redesigning them to be positive encounters, these spaces can be shifted to a more constructive engagement of the senses. Through an understanding of the Design School and the existing context, emotions were assigned to each of the eight “resetrooms” that drove the experiential qualities of the spaces. Color, texture, smell, sound, etc. were all utilized to create an encompassing experience of that emotion and those similar to it. Taking a gender neutral stance for the redesigning of the restrooms, the spaces are no longer designed for gender, but for experience instead. Once acquainted with the various experiences of the spaces, the users can choose to utilize the “resetroom” that best suits their current state, either encouraging them to lean into emotions they are experiencing or opt to experience a new emotion in hopes of shifting their mood. It is our hope that these restrooms would shock the senses of it’s inhabitants, cleansing the palette, resetting and preparing the student, faculty or visitor for the next phase of their day.

Pe a c e f u l

Cu r io u s

Hopeful

E xc it e d P la n

Ner vo us

E xc it e d

Ne utral

S o m b e r P la n

Irrita ted

Somber

Design South

ADE 621: Fall 2017 Advanced Architectural Studio I

Design North

Student: B. Bailey, N. Calic and J. Clark Instructors: Michelle Fehler, Darren Petrucci

Feel it is the upper level of the bridge between the design south and design north buildings. CONCEPT

Our proposal revolves around reducing the disturbances caused by people walking through this space during presentations, enhancing the walking experience and dividing the space for different uses.

Video Projection

DRAWING

A curved interactive partition, divides the width of the bridge into two parts one for circulation and the other for working or viewing presentations. The partition which is made of felt plays multiple roles.

The partition which is made of felt plays multiple roles such as mitigating sound, bifurcating the space and interacting with the users passing by. The partition is made up of multiple flippable panels with different colors on either side, which the users passing

by can flip to to get a peek a boo of what is happening inside the presentation. This flipping eventually creates trails of people moving in and out everyday. The pattern of trails keep changing, giving a dynamic quality to the space.

The railing in the viewing part of our proposal is designed as a piece of furniture, which provides a space for people to sit, view and work. The west wall is used to duplicate the presentation that is happening

at the lower level. When there is no presentation, a plan view or elevation of the outside of the building, from that perspective is projected, to create a connection to the outside.

ADE 621: Fall 2017 Advanced Architectural Studio I

Students: H. Dadashi, W. Mu, S. Jayakumar, R. Shi Instructor: Darren Petrucci

The Gateway Existing Conditions

Project Description The goal of the studio was to create mindful experiences on ASU’s campus. To encourage students to be more aware of their surroundings and be present in the moment. As a studio we were charged with constructing and assemble a process that can be implemented at other colleges. 1. The gap between stimulus and response. Use the “gaps” as a leverage point to create change in the Design School. 2. Name the “gaps”. By giving the gap a name it helps to understand the space. 3. Identify the latent potential and employ system thinking to focus on physical experiences. 4. What type of experience are you creating? Enhance, Deamiliarized, etc 5. Implement the changes.

Existing Materials

Arizona Flagstone

Blue Steel Piping

Looking West From Top of Stairs

Looking East From Bottom Level

East Stair

Looking East

Looking West From Bottom Level

West Stair

Our proposal for the sunken stairway was to take the existing stone and use texture and 3D dimensions to create an oasis in the desert. Pushing and pulling the existing wall tiles to intensify visual interest. Using crushed tile, polished, and matte tiles generate alternative paths for the user to choose from. The combination of ﬂowering desert plants and one consistent material allows for the occupant to defamiliarize themselves from their surroundings and take a moment to themselves. Concrete

Trees and Plants

Observations

Floor Plan Matte Tile

Polished Tile

Crushed Tile n Vegetation

Section

Connection Section Our project is the GATEWAY to the rest of the campus. To most who use these stairs on a daily basis it is the ﬁrst and last impression they have of the Design School. As they descend down the stairs the student becomes fully submerged in the overall experience. This through section indicates how the sunken stairs link to other projects. There is a visual, and spacial relationship between the spaces. Creating multiple mindful spaces through the school, enables the students to choose which space ﬁts them for that day.

Looking West

ADE 621: Fall 2017 Advanced Architectural Studio I

Overall

Students: H. Gurwell, S. Nesbit, X. Xu Instructor: Darren Petrucci

ADE 621: Fall 2017 Advanced Architectural Studio I

Students: Kaisu Liu, Ziao Wang Instructor: Catherine Spellman

ADE 621: Fall 2017 Advanced Architectural Studio I

Student: Kevin Reyes Instructor: Catherine Spellman

(IN)FORMAL COMMONS MADRID, SPAIN

the spot medicine bottles x10 eyeglass cases x5

Informal Commons is the space for people and communities

hair brushes x4

to claim ownership over the city, and for informal situations

children toys x3

to unfold, fostering inter-personal connections locally with

various cases x3

the means of personal mobility. A one-week trip to Madrid

syringes x2

preceded the project.

smartphone cases x2

The Spot (to the right) is an arrangement of objects found

umbrella pieces x2

within the “radical“ landscape between two neighbourhoods,

rubber bands

separated by the river and infrastructures.

miscellaneous: scissors, bra,

the Project is envisioned as:

toothbrush, facial cleaner, old

newspaper, broken

• “Common ground” between the two disconnected

ceramic dish and shards of another

neighborhoods.

one, bracelet, tin

• A “gateway“ to the fragmented landscapes to the east of the site.

can, oyster shell, etc.

• A landscape without an exterior and interior.

• Legazpi and Usera neighborhoods are separated by the river and the highways.

• A “necklace“ of events on the “string” of existing infrastructures. • An intervention into the present space.

research

urban situation

• Both neighborhoods are relatively new and underdeveloped.

commons “The commons is a way of describing resources that belong

• Rio Madrid Park designed by West 8 is located ~200 m from the bicycle bridge.

equally to a community, be that community an organization, a locality or a state.” Charlie Tims A Rough Guide To The Commons. 2017. Eurozine. Accessed October 21 2017. http://www.eurozine.com/a-roughguide-to-the-commons.

democratic deficit

100m

• Parcels of the unused land inside the neighbourhood adjacent to the railroad are looking

“...the gap between the decision-makers and the citizens...” “...the culture crisis directly deprives the most vulnerable groups of their fundamental cultural rights. These groups embrace ... citizens affected by policies that restrict their participation in cultural and social life.”

parcel analysis

parcel 2

connectivity

plan v.2

parcel analysis

plan v.1

connectivity

infrastructure

the “corridor”

infrastructure

plan v. 2

follies

infrastructure

the bumps

“necklase“ structure

focal points

leftover spaces

disassemblage

the wall

parcels 1&2

connection study

the wall

Katarina Pavić New Models Of Governance Of Culture. 2017. Eurozine. Accessed October 21 2017. http://www.eurozine.com/ new-models-of-governance-of-culture.

“third landscape“ “A garden is inevitably the result of man’s intervention in nature, without it there would be no garden. If there is no gardener, there is no garden. The wild spaces are a space apart that I call the “the third landscape” (tiers paysage).” “The sides of roads are extremely precious places. More attention should be paid to them, because there you find a diversity that has been driven out elsewhere.” Gilles Clément The Planetary Garden and Other Writings. Penn Studies in Landscape Architecture. 2015. Pages 83-84.

infrastructure Plan 1:500

forensics of a space

plan development

lost item

homeless person

lost item

aperitif

watching the kid playing

met the boy

have a rest

raining

25 50

infrastructure 1 1- Infrastrcucture 1:2000

hide’n’seek

2 - The Forum 1:

have a rest

Plan 1:500

2 1 - Infrastrcucture 1:2000

a walk with her son

Plan 1:500 3 - Plants 1:2000

“want to buy roller skates“

Plan 1:500

watched a movie with the son

local committee meeting

the son

stall with accessories

lost item

black market

met a girl

read a book

site plan

the wall

2 topologies 3 - The Follies 1:2000

2 - The Forum 1:2000

3 - Plants 1:20

0 5 10 25 PLAN: Parcel 1 was chosen for development because of its placeent within the newer and developing neighborhood of Almendrales. 3 forum(s) 1 - Infrastrcucture 1:2000 2 - The Forum 1:2000

100

3 - The Follies 1:2

PLAN: Parcel 1 was chosen for development because of its p newer and developing neighborhood of Almendrales.

1 - Infrastrcucture 1:2000 Plan 1:500

2 - The Forum 1:2000

3 planting 3 - Plants 1:2000

3 - The Follies 1:2000 0

25 50

topologies

situations

sport

PLAN: Parcel 1 was chosen for development because of its placeent within the newer and developing neighborhood of Almendrales.

• 1 - Infrastrcucture 1:2000

2 - The Forum 1:2000

3 - The Follies 1:2000

3 - Plants 1:2000

100

BMX, skater, bikes, rolling team games jogging group fitness street boxing

• • • •

100

entertainment

PLAN: Parcel 1 was chosen for development because of its placeent within the newer and developing neighborhood of Almendrales.

• • • •

hide’n’seek chess cards movie screening

trading •

temporal stores bartering fairs black market café

• • • •

social life •

activities groups clubs local government

• •

vulnerabilities • • • • •

homeless LGDP refugees prostitution drugs

manufacturing • • •

section 1-1

section 2-2

key 1. cafe 2. triangular plaza 3. brick wall 4. retaining wall

workshops exchange classes

5. amphitheater 6. tower 7. pond 8. brick retaining wall

1 7

ADE 621: Fall 2017 Advanced Architectural Studio I

Student: Veronika Volkova Instructor: Catherine Spellman

ALA 225: Fall 2017 Design Fundamentals III

Student: Boyana Babanovski Instructor: Catherine Spellman

WEAVING SPACES

TREE INFLUENCE

MOVEMENT THROUGH SITE ADAPTING TO SPACE

F O R M F O L L O W S N AT U R E

T h e d e s i g n c o n c e p t i s t h e re l a t i o n s h i p b e t w e e n t h e a n a t o m y o f t h e t re e s a n d t h e w a y p e o p l e m o v e d u e t o t h e l o c a t i o n o f t h e t re e s o n t h e s i t e .

LIGHT

B e a m s o f l i g h t s h i n e t h ro u g h t h e v o i d s i n t h e c a n o p y. S t r u c t u re s f i l l t h e v o i d s , e x t r u d i n g u p w a rd s . S t re t c h i n g t o t h e s k y

Aluminum

Receptive

Paying attention to how the E x t e r i o r Wa l l s f a c e d w i t h a ro u g h a l u m i n u m c o m p o s i t e t o p ro v i d e a s o f t M e s q u i t e b r a n c h e s s t re t c h a n d w e a v e t h ro u g h o u t t h e s i t e i n s p i re d re f l e c t i o n . the floorplans configuration.

STUDIO VIEW

SOUTH WEST VIEW

S T U D I O S PA C E

KITCHEN INTERIOR SKYLIGHT

NIGHT VIEW

SITE SECTION 1/4” = 1’ - 0”

CONTEXT PLAN

SITE PLAN 1/8” = 1’ - 0” PROCESS MODELS

FIRST STUDY MODEL SCALE 1/16” = 1’ - 0”

1/8”=1’-0”

REFERENCES

SECOND STUDY MODEL SCALE 1/8” = 1’ - 0” ATTEMPT AT AMPLIFYING ORIGINAL MODEL

ALA 225: Fall 2017 Design Fundamentals III

WALKWAY DESIGN The Screen Li Xiaodong Atelier Ningbo, China

ROOF STRUCTURE

Norwegian Mountaineering Cernter Ramstad Arkitekter Norway

Student: Zachary Bursi Instructor: Scott Murff

I solated on the Water

PARTI

Shifting the box to create different experience and fit with the environment. The simple shape of each box can create a speical spacial experience.

OPENING & HEAT

Big and wide opening on the wall. How many light in the shelter depends on the opening. Opening can influence the heat.

regular concrete to MATERIAL Using create a simple frame for the openining

SHAPE

Shifting space to make the shelter more spacial. Providing a diferent experience for people who are in the shelter.

Interior View of the Shelte looking from inside to outside

Night View of Shelter

Exterior view to show the work space during the sunset

Exterior view from the outside to show the shelter above the water

Exterior view to show the bridge and living space

Exterior View

Interior view of living space

Section

Interior view of Kichen

Context plan of Basin

Site Photo

Site Plan

“Tadao Ando-natural light in space” This project inspires me to bring the natural light into the shelte, and use the opening to create special view of the outside environment. Every opening creates different experience of teh space. The opening is also the connection between inside space and outside space.

“Between Stone Sky”, Laulasmaa, Estonia. This project is made of different size of rectanguler, which inspire me how to use shifting to make the inerior more interesting and provide different experience when people moving forward to the next space. The easy way to make the shelter more spacial.

“Scholar’s Library” This project has not been built yet. But the design brings me a strong idea about the isolation. The Library is different to the exterior environment and look like isolated to the outside. The material and experience is totally different to the context.

ALA 225: Fall 2017 Design Fundamentals III

“The Floating Kayak Club”, Denmark The Floating Kayak Club is located on teh water pulled away from the shore, which inspires me to make my shelter projecting out from the hillside and place the working space at the center of the water. The prjecting part looks like floating above the wter.

Students: Rongting Jin Instructor: Scott Murff

SURROUNDED

PARTI

LIGHT

Light is a major part to this project. The many openings are needed to make the space feel natural.

EXTERIOR VIEW

INTERIOR VIEW

EXTERIOR VIEW

INTERIOR VIEW

EXTERIOR VIEW

VIEW

View is a major part to this project. Finding the specific views to capture the essence of the site was a conflict when designing.

FORM

Form is a major part to this project. Since there are so many trees located in the site the form had to be placed a certain way.

SITE SECTION 1/8” = 1’ - 0”

SITE PLAN 1/8” = 1’ - 0”

SITE PHOTOS

CONTEXT PLAN

REFERENCES

Eric Degenhardt

Nielsen Schuh Architects: Sonoma Mountain House

RP House by CMA Arquitectos

Pinewood of Marina by Massimo Fiorido Associati

Juvet Landscape Hotel

STUDY MODELS

ALA 225: Fall 2017 Design Fundamentals III

Student: Mollie Melbourn Instructor: Scott Murff

ALA 225: Fall 2017 Design Fundamentals III

Student: Nasrynn Chowdhury Instructor: Catherin Spellman

Standing Tree

Parti Diagram Focus: Simple block design, multiply by 3, create structure based off trees.

COMBINE.

First Floor

View of Standing Tree from the rear facing north.

Second Floor

Third Floor

View from first floor looking up at exposed structure mimicing tree branchings from surrounding environment.

Floor Plan and East Section View

Context Plan View from the exterior front facade facing south.

Model

LIGHT, WATER, VIEW -Triangles stick to the design of three. -Reflects mirror image of trees at different angles. -Allow water to strike surface and pour down with waterfall effect.

Inspirations

Sketches

View: Structure mimics trees to provide view of outside and the

Muji House, Muji Architects, Japan

Cabin Lille ArĂ¸ya, Oslo Architecture Studio, Norway

ALA 225: Fall 2017 Design Fundamentals III

Student: Andrew Talero Instructor: Catherine Spellman

C O-EXISTE A RADICAL COEXSISTANCE BETWEEN GREENLANDIC TRANSLUCENCE AND DESERT OASIS..

DEVELOPED FROM THE GEOMETRIC SHAPE OF ORGANIC ICEBERGS, ALLOWING NATURE AND “ARTIFICIAL NATURE” TO COEXSIT.

A BED IN STUDIO? A SMALL STUDIO IN BEDROOM?

INTERIOR VIEW OF KITCHEN

INTERIOR VIEW OF STUDIO+BEDROOM

WHAT CAN POSSIBLY CREATE THE MOST DRAMATIC CONTRAST TO THE VAST DESERT LANDSCAPE? -ICE. INSPIRED BY THE INSTALLATION ART PIECE “ICE WATCH” BY THE DANISH ARTIST, OLAFUR ELIASSON, THIS PROJECT AIMS TO BUILD AN EXPERIMENTAL ENVIRONMENT IN THE PHOENIX AREA, CONNECTING ALL THREE ART STUDIOS AND THE NEARBY ASU CLIMATOLOGY CENTER. GLOBAL CLIMATE CHANGE HAS ALREADY HAD OBSERVABLE EFFECTS ON THE ENVIRONMENT, ESPECIALLY ON THE LAND WHERE WE LIVE, ARIZONA. IT IS CURRENTLY THE FASTEST WARMING BIG CITY IN THE US, ACCORDING TO METEOROLOGISTS. INSTEAD OF DESIGNING EACH PARTICULAR STUDIO INDIVIDUALLY, IT IS MORE IMPORTANT TO CARRY A CONSISTENT DESIGN LANGUAGE THROUGHOUT EACH STUDIO, TO FIND A RELATHIONSHIP IN WHICH THEY STAND STRONG ON THEIR OWN, BUT ALSO COMPLIMENT ONE ANOTHER. MOST IMPORTANTLY, IN THIS LABORATORY OF JUXTAPOSITION THE HOUSE USERS(ARTISTS)IS PROVIDED WITH A SHELTER TO WORK AND LIVE IN, THAT ALSO BENEFITS THE COMMUNITY BY CREATING THIS PUBLIC ART IN THE CHAOTIC DESERT..

AN ICEBERG BEING TRANSPORTED FROM GREENLAND.

MELTING ICEBERGS ARE INSTALLED AT THE PLACE DU PANTHÉON DURING THE CLIMATE CHANGE CONFERENCE IN PARIS.

PEOPLE INTERACTING WITH THE ICEBERGS.

SECTION SHELTER WITHIN BASIN SCALE 1/8” = 1’ - 0”

INTERIOR VIEW OF BATHROOM MODEL VIEW OF OUTLOOK OVER WASH

INTERIOR VIEW OF BEDROOM WITH OPENING TO THE WASH

VIEW FROM SHELTER FACING NORTH

SITE VEGETATION

SITE SECTION

SITE CIRCULATION scale 1”=16’

E LAKE VIEW DRIVE

STUDIO IN BASIN

RED MOUNTAIN FW

PLAN SHELTER WITHIN BASIN SCALE 1/8” = 1’ - 0”

PREFER TO HAVE MY HEART BROKEN ON A RAINY DAY, ALTHOUGH IT ONLY RAINS TWICE A YEAR HERE.

ALA 225: Fall 2017 Design Fundamentals III

Student: Ke Zhang Instructor: Elizabeth McLean

I solated on the Water

PARTI

Shifting the box to create different experience and fit with the environment. The simple shape of each box can create a speical spacial experience.

OPENING & HEAT

Big and wide opening on the wall. How many light in the shelter depends on the opening. Opening can influence the heat.

regular concrete to MATERIAL Using create a simple frame for the openining

SHAPE

Shifting space to make the shelter more spacial. Providing a diferent experience for people who are in the shelter.

Interior View of the Shelte looking from inside to outside

Exterior view to show the work space during the sunset

Night View of Shelter

Exterior view from the outside to show the shelter above the water

Exterior view to show the bridge and living space

Exterior View

Interior view of living space

Section

Interior view of Kichen

Context plan of Basin

Site Photo

Site Plan

GRA 621: Fall 2017 Global Engagement Studio

Students: D. Carlson, Z. Howser, Y. Zhao Instructor: Darren Petrucci