Student Exhibition Catalog 2013

Page 1


The 2013 summer exhibition highlights The Design School’s students. This exhibition catalogue contains examples of student work from all of the school’s programs including architecture, industrial design, interior design, landscape architecture, urban design, and visual communication design. This year’s volume highlights the strength of each of our respective disciplines and of our ability to investigate complex contemporary problems through a range of disciplinary methods and practices. Cover and opposite:

Photographs from under solar panel umbrella above parking structure adjacent to The Design School



This year our curriculum included a focused semester long collaborative studio experience offering students an opportunity to explore complex contemporary problems through a range of disciplinary methods and practices. Undergraduates from the school’s five design disciplines were bundled into multi-disciplinary design teams in order to explore the complex question of energy in the 21st century. Over the course of the semester the teams collaborated sharing their research, brainstorming, ideation, and final projects as they developed integrated responses to questions of sustainable uses of energy.


The work of the bundle studios was exhibited in downtown Phoenix and is represented in this volume. I invite you to review the projects contained within this catalogue which represent both work of the respective student authors and serve as a summary of the intellectual values of a community of distinguished colleagues committed to re-imagining design education, design practice as a means of improving the quality of the built environment and enhancing the public realm. Craig Barton Director




BELOW THE SURFACE

BURST

HYPOTHESIS: design a habitat that supports the Burrowing Owl and allows human observation. PROJECT STATEMENT: stabalize an environment for the owls to thrive in, including a non-intrusive design that integrates with the habitat.

A

A gesture of the desert LOCATION:

papago park, tempe az.

pavillion location

transect 8

C

case study

site analysis

There is rocky terrain on a steep elevation at point A. Vegitation is constant is distance from each other and type, creosote bush. A large site understanding butte is located to conceptual: Uneven terrain guides a stumbling path down to the east. The road the heart of the park. cringing shadows from the rough shrubs and provides a barrier rocks head east as the sun parts west. to the desert, push-

thick section

B In response to the rich vegetation that bursts forth from the cracks in the desert, the project captures this elemental energy through the experience of a roadrunner habitat. Guiding movement and isolating a unique moment of aviary interaction, the structure enhances the natural form while drawing the visitor into motion.

An innovative design made this new space both attractive and environmentally case study: desert botanical garden sensitive. Historic conxet: Recreate suitable education spaces, research centers preservation andand administration centers. Also provide solutions for large gathering spaces and entry reorganization, including 240 additional parking natural prospaces. tection were

D

E

F

Chuckling noise to alert others. Young may chirp like rattlesnake rattle if threatened

material pallete

G

Burrowing owls are primarily active at dusk and dawn. Lives in dry, open areas with no trees and short grass. They lays 2–12 eggs, in their CASE STUDY: burrowing owl Diet: of insects, scorpions, small mammals, birds, amphibians, and burrow which are built for them, or are reptiles.Catches food with feet. Hunts by walking, hopping, or existing vacant holes. Perches on posts or trees on look out

plant pallete

athene cunicularia

1”=100’

RELATION TO PEOPLE

DIET

APPEARENCE

H

1/8”=1’

=

+

1/4”=1’

viewing area

gathering space

TOPOGRAPHIC CONTEXT

HABITAT 2: ARID ZONE

VIEWS INTERACTION ZONE

1/4”=1’

THEMATIC CONCEPT

HABITAT 1: RIPARIAN ZONE

FINAL DESIGN -

Fall 2012

Undergraduate Second Year Architecture / Landscape Architecture: Design Fundamentals III

Student: Chazandra Kern Faculty: Kim Steele

EXISTING PATHWAYS

Architecture / Landscape Architecture: Design Fundamentals III

Student: Angela Lufkin Faculty: Adam Tate


INDIGO INDIGO INDIGO INDIGO INDIGO JOURNEY JOURNEY JOURNEY JOURNEY JOURNEY INDIGO JOURNEY INDIGO INDIGO JOURNEY JOURNEY INDIGO JOURNEY

SOUND NAVIGATION

Transect #2 at Moeur Park

Northern Mockingbird Mimus Polyglottos

The site is on the western part of Moeur Park, in Papago Park. Other than its Sonoran Desert characteristics Moeur Park, in particarly has a numerous of interesting context. It holds the history of the Hohokam residents who were the first ones to reside and create a community at Papago Park. Moeur Park has also the non-existing railroad tracks that were never built but left the scar in the Papago Park.

20-28 CM

31-38 CM

Site Analysis + Opportunities and Constraints

The Northern Mockingbird can be found in the southern part of the United States and Mexico. It is very small to see but not hard to hear. The Northern Mockingbirds are known for their singing. They can mimic over 200 sounds. The Northern Mockingbirds have a sharp sound that they repeat up to six times before going on to the next sound. They can use their sound for many different purposes. They can sing to defend territory or to mate.

Process Work

Sound Analysis N.T.S

Since the Northern Mockingbirds are known for their rhymed mimicking, the main back wall has windows that represent a rhythm beat. The rhythm does change looking at them from the outside of the pavilion then from looking at them from the inside, but the openings still maintain a rhythm.

Steel Steel Steel Steel Steel Steel Concrete Concrete Concrete Concrete Concrete Concrete Rammed Rammed Rammed Rammed Rammed Rammed Blue Blue Blue Blue Palo Blue Palo Palo Palo Blue Palo Palo Velvet Velvet Velvet Velvet Velvet Velvet Foothills Foothills Foothills Foothills Foothills Palo Palo Foothills Palo Palo Palo Chilhuahuan Chilhuahuan Chilhuahuan Palo Chilhuahuan Chilhuahuan Chilhuahuan Turpentine Turpentine Turpentine Turpentine Turpentine Turpentine Flame Flame Flame Flame Flame Flame Steel Concrete Rammed Blue Palo Velvet Foothills Palo Chilhuahuan Turpentine Flame Steel Steel Concrete Concrete Rammed Rammed Blue Palo Blue Palo Velvet Velvet Foothills Palo Foothills Chilhuahuan Palo Chilhuahuan Turpentine Turpentine Flame Flame Steel Concrete Rammed Blue Palo Velvet Foothills Palo Chilhuahuan Turpentine Flame Earth Earth Earth Earth Earth Earth Verde Verde Verde Verde Verde Verde Mesquite Mesquite Mesquite Mesquite Mesquite Mesquite Verde Verde Verde Verde Verde Verde Sage Sage Sage Sage Sage SageBush Bush Bush Bush Bush Bush Bush Honeysuckle Honeysuckle Honeysuckle Honeysuckle Honeysuckle Honeysuckle Earth Verde Mesquite Verde Sage Bush Honeysuckle Earth Earth Verde Verde Mesquite Mesquite Verde Verde Sage Sage Bush Honeysuckle Honeysuckle Earth Verde Mesquite Verde Sage Bush Honeysuckle

Site Analysis N.T.S

Opportunities and Constraints N.T.S

Process Work

Concept ACOUSTIC, having the ability to CAPTURE sound. The

Goals

structure will be built by specific materials that allows the sound to be PROJECTED within the pavilion. The sound will be coming from the birds’ habitat, TRAVELING upwards toward the pavilion. The bird’s SOUND will easily travel because of the wind and the massive amount of Honey Mesquite trees that will be planted to block the excessive noise coming from the nearby freeway.

1. Having the ability to capture sound 2. Letting the people hear the bird if they cannot see it. 3. Satisfying the people’s neccessities as well as the birds’ neccesities. 4. Block the noise coming from the freeway by planting heavy vegetation. 5.Create an experience for the people when they walk behind the structure with the musical note windows.

Drawings

A Hardscape + Landscape

Prosopis Glandulosa Common name: Honey Mesquite Size: 30w x 30h ft

Palette

B

Architecture / Landscape Architecture: Design Fundamentals III

Student: Dallen Olsen Faculty: Rachell Green

Architecture / Landscape Architecture: Design Fundamentals III

Concrete

Crataegus Rivularis Common Name: River Hawthorn Size:12 - 36h ft

Rammed Earth

Celtis Ehrenbergiana Common Name: Desert Hackberry Size:6-12h ft

Steel Sheet

Muhlenbergia Righens Common name: Deer grass Size: 4w x 4h ft

Student: Cassandra Ortega Faculty: Allyce Hargrove


RiHaB Riparian Habitat Block

owl barnowl ftffffffff tiffffffff ffffffff ffffff tiffffff ffffffffffffff ffff ffffff fffffftiffff ffffffffffffti ftffffff ffffffff ffffffffffff ffffff ffffff ffffff ffffffff ffff ffffffffff ffffffffffffffffff ffffffffffffffff ffffffffffffffffffffff ffffff ffffffff ffffffffffffffff ffffffffffffff ffffffffffffffffffff ffffffffffffffff fffftitiffff ffffffffffffffffffffffffti

RiHaB aims to envigorate Meour Park by creating a place that engages Phoenicians with a vital desert ecosystem and a native species, the Pipistrelle Bat.

moeur park ftffffffff ffffff fffftiffffffffff ffffffff ffffffffff ffffffffffff ffffffff ffffffffffffff ffffffffffffffffffff ffffff ffffffffti ff ffffffffff ffffffff ffffffffffffff ffffff fffftiffff ffffffff ffffttiffff ffff tiffffff ffff ffffff ffffffff ffffffti ffffff ffffff ffffffffti ffffffffffff ffffff fffftitiffffff ffffff ffffffff ffff ffffff ffffff ffff ffffffffff ffffffffffff ffffff ffffffti

key tiffff Offfffffffffftiffff tiffffffffffffffffff tiffffffff tiffffff tiffffffffffff tifffftiffff tiffffffffffff ffffff tiffffff tiffffffffff tiffffffff

Deeper still, RiHaB encourages an experience of wonder and exploration while expressing a fact:

“Human existence depends upon the long-term viability of natural systems.”

siteanalysis tiffffffffffff ffff ffffffffffffff ff fffftiffffffff ffffffff ffffffffff ffffff ffffff tiffffffffff ffffff fffftiffffffffffff ffffff ffffffff ffffff ffffffffffffffff ffff ffffffffffffffffff ffffff tiffffff ffffff’ff ffffffffff ffffffffffffffti Iffff ffffffffffffff ffff ffff ffffffffffffff ffffff ffffff ffffff ffffffff ffffffff ffffffffffffff ffffffffffti

S-1

10’

concept statement

ftffff ffffffffffffff ffffffffffffffffffff ffffff tiffffff ffffff’ff ffffffff ffffffffff ffffff ffffffffffffff ffff ffffffffffffffff ffffffffffff ffff ffffff ffffffffti fffftiffffff ffffffffffffffffffffff ffffffffffffff ffffff ffffft ffffff ffff ffffffffffff ffffffff ffffff ffffffffffti ftffff ffffft ffffff ffffffffffff ffffffffffffffffff ffffffffffffff ffffff ffffffffff ffffff ffffffffffff ffffffffffffti ftffff ffffffffffffff ffffffffff ffffff ffffffftff ffff ffffff ffffffff ffffffffffffti

20’

design process

Initial Condition

shelter Interaction

Feeding

Drinking

Roosting

Degraded: stunted

ecosystem, lack of human engagement.

Response

ffffffffffff ffffff ffffffff ffffff ffffffffffffff ffff ffffffff ffff ff ffffff ffff ffffff ffffff tiffffff ffffffff ffff ffffffffff fffffftiffff fffftiffffffffti ftffff ffffffffffffff ffffffffffffffff ffff ff ffffffffffff ffff ffffftffffff ffffffff ff ffffffffffffff ffffff ffffffff ffffffffffffff ffff ffffffffff ffffff ffffffffti ffff ffffffffffff ffffff ffttfffftiffff ffff ffffffffffffffff ffffff ffff ffffff ffffffffffffff ffffff ffff ffffff fffffftiffff ffffffffffffffti tiffffti ffffff ffffffffffffffff ffffffffffffffff ffffff ffffffffff ffffff ffffffff ffffffffti

materials tiffffff fitiffff ffffff fffffffftiff fffftiffffffffffff tiffffffffffffffffff ffffffffffffffffffffffff ffffffffffffffffff ffffffffffffffff tiffffffffffffffffff ffffffffff titi fftiffffffff fffftiffffff

Expand Water: encourage

riparian growth necessary for desert survival.

bridge

ftffff tiffffffffff ffffff ffffffffff ffff ffffffffffffff ffffff ffffff ffffffff ffff ffffff ffffffff ffff ffffff ffffffffti Iff tifftiffffff ffffff ffffffffff ffff ffffff tiffffff ffffff’ff ffffffffffff ffffffff ffffffffff ffffffffffffffff ffffff ffffffffffffff tiff ffffffffffffffffff ffffffffff ffff ffffff ffffffffti

Extrude Earth: provide roosting structure for Pipistrelle Bat.

S-1

Extend Walkway: encourage

human interaction and exploration of Riparian Ecosystem.

10’

20’

By anchoring elevated walkways and viewing platforms to concrete roosting structures within a Riparian corridor, RiHaB creates a physical and symbolic relation to the landscape of Meour Park. S-2

S-2

Fall 2012

final

10’

20’

Undergraduate Second Year Architecture / Landscape Architecture: Design Fundamentals III

Student: Dillon Smith Faculty: James Coffman

Architecture / Landscape Architecture: Design Fundamentals III

Student: Madison Strakele Faculty: Byron Sampson


MEESAW

MeeSaw is a single teeter-totter seating device design for children four to five years old. It’s made mainly of durable plastic with a metal suport frame. The seating device is strong enough to be used inside the house or outside enviroment. The mechanics involve the use of a trosion spring that assist the pivoting motion and acts as a one-sided lever and fulcrum. Childs weight forces seat down

The torsion springs pushes the child up

IDEATION

Industrial Design: Industrial Design I

Student: Anouza Banyavong Faculty: Joseph Velasquez

Industrial Design: Industrial Design I

Student: Aleksandr Kuznetsov Faculty: Joseph Velasquez



Undergraduate Second Year Interior Design: Interior Design Studio I: Residential

Student: Karlin Marg Faculty: Susan Norman


MIRRIM Chicago, IL

Inspired by the play between the long linear structures and Chicago’s historic landmark, “Cloud Gate,” MIRRIM draws upon the concept of reflection in both form and function.

Basement

Floor 1

Floor 2 Library

Studio

Guest Bedv

Master Bath

Guest Bath

Master Bed Master Closet

Powder Closet Closet Mech. Main Entry

Elevator

Elevator

Open to Living Room Below

Elevator

Storage FR

Kitchen

FP Laundry/ Mudroom

MW OV

Living Room

FP

TV Room

Dining

N

Patio Driveway

Driveway

Stairs

Inspired by the Chicago Bridges

Steel Cable Boundary {floor to ceiling} Clear Silicone Tubing on 4 corners shows water falling conversation starter rain harvester Extruded Metal Base Steel Steps Thin float-like feel

Chrome Mirror

Inspired by “Cloud Gate”

Hollow Chrome Coated Metal Polished and Mounted

Rain Harvester

Hand Sculpted and Coated Reflects city into home

Top Butterfly Roof

Filters

Screen Filters Heaters Overflow Gutter

Gravity in replace of pump

Pillow/ Bladder Tank

Floor 2

Floor 1 Ground Level

Ramp

Basement

Fall 2012

Undergraduate Second Year Interior Design: Interior Design Studio I: Residential

Student: Karlin Marg Faculty: Susan Norman

Interior Design: Interior Design Studio I: Residential

Student: Nicole Pannuzzo Faculty: Susan Norman


Visual Communication Design: Design Drawing I

Student: Ben Jackson Faculty: Andrew Weed

Visual Communication Design: Letterform

Student: Stephanie Williams Faculty: Andrew Weed


URBAN PROJECTION PREFABRICATED URBAN PROJECTION URBAN PROJECTION STUDENT HOUSING PREFABRICATED PREFABRICATED

STUDENT HOUSING STUDENT HOUSING

approaching from light rail approaching approaching from from light light rail rail

south on terrace rd

courtyard

on terrace southsouth on terrace rd rd

courtyard courtyard

embedded circulation

east on apache blvd

ground level groundlevel level ground embedded circulation embedded circulation

on apache east east on apache blvd blvd 1/16”=1’- 0”

amenities 1 courtyard 2 vehicle parking 3 1 amenities amenities bike parking 4 2 courtyard courtyard vehicle parking parking 3 one-wayvehicle circulation bike parking bike parking 4 cross ventilation drainage one-way circulation one-way circulation ventilation cross cross ventilation drainage drainage

1/16”=1’1/16”=1’0” 0”

1 1

1

3 3

3

4 4

4 2

1 2

2

1

1

1 1

1

units units units

1/8”=1’- 0” 1/8”=1’1/8”=1’0” 0”

studio

4 bedroom

2 bedroom

sections sections sections studio studio

2 bedroom 2 bedroom 1/16”=1’- 0”

4 bedroom 4 bedroom

1/16”=1’1/16”=1’0” 0”

Fall 2012

Undergraduate Second Year Visual Communication Design: Visual Communication I

Undergraduate Third Year Student: Scott Biersack Faculty: Eric Montgomery

Architecture: Architectural Studio I

Student: Dean Feldhausen Faculty: Wendell Burnette

4 bedroom 4 bedroom 4 bedroom

1 2 3 4


La Vecindad

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Vecindad: A term used in Spanish language meaning: neighborhood, home and city district. By activating this small lot with multi family housing, retail and grocery the Uptown neighborhood can begin to flourish. The goal of La Vecindad housing is to foster a strong community presence and investment both within itself and the surrounding area. Resulting in a safer, richly dense and prosperous neighborhood.

PROGRAM: MARKET RATE (100% AFFORDABLE)

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

1: BIKE SHOP 2: TIENDA 3: LAUNDRY 4: ELEVATOR 5: COURTYARD 6: STAIRS

SITE: UPTOWN (19TH AVE & CAMELBACK)

4.

UNITS: 24 PARKING: 24

3. 5.

B

DENSITY: 48% 2.

1.

RETAIL: GROCERY | BIKE SHOP

6.

GROUND FLOOR PLAN 1/16”=1’-0”

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

SOUTH ELEVATION 1/16”=1’-0”

PROPOSED RETAIL TIENDA - 100% locally stocked market. This would provide residents and the community with access to healthy, fresh food.

2ND, 3RD, 4TH FLOOR PLAN 1/16”=1’-0”

BICYCLE SHOP - Compliments the TOD (Transit Oriented Development) zoning by providing the community with showers, lockers, bike rental and full service bike repair.

SECTION B 1/16”=1’-0”

Student: Zheng (Zoe) Liu Faculty: Jack DeBartolo III

Architecture: Architectural Studio I

Student: Angelica Navarro Faculty: Joby Dutton

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Architecture: Architectural Studio I


Fall 2012

Undergraduate Third Year Industrial Design: Industrial Design III

Student: Heman Au Faculty: Lauren McDermott

Industrial Design: Industrial Design III

Student: Warren Stoneburner Faculty: Lauren McDermott


ELEVATION IDEAS

thatbe can be easily be assembled into multiple Parts that can beassembled easily be assembled into multiple PartsParts that can easily be into multiple Parts that caneasily bebeeasily be assembled into multiple Parts that cancan be be easily assembled intointo multiple Parts that be assembled multiple configurations and easily adaptable into smaller configurations and easily adaptable into smaller configurations and easily adaptable into smaller configurations andadaptable easily adaptable into smaller configurations andand easily intointo smaller configurations easily adaptable smaller spaces because of its modular and flexible design. spaces of itsand modular and flexible design. spaces because ofbecause its modular flexible design. spaces because its modular and design. flexible design. spaces because of its andand flexible spaces because of modular itsof modular flexible design.

ELEVATION IDEAS

neo tokyo

BMWi Kit of Parts

FINAL MODEL ITERATIONS FINAL MODEL ITERATIONS

pattern. form. light. pattern. form. flora. culture. futurism.

BMWi is the future of technology that embraces the essence of BMW’s past. The forms of the BMWi car series were translated into this Kit of Parts that can be easily be assembled into multiple configurations and easily adaptable into smaller spaces because of its modular and flexible design.

This Gamesthese pavilion emphasizes nature’s Inspired by theInspired city streets, these models reflect models a mixture of empowering by Olympic the city conceptual streets, conceptual reflect a mixture of presence hard and soft forms, andsoft the co-existance the natural. hard and forms, and theofco-existance ofand thethe futuristic and the historic significance in futuristic the technologically evolving citynatural. of Tokyo, Japan.

culture. futurism. flora.

BMWi Exploded View BMWi Exploded View

This Olympic Games pavilion emphasizes nature’s empowering presence and historic significance in the technologically evolving city of Tokyo, Japan.

This Kit of Parts is This Kit of Parts is composed of modular composed of modular pieces that can be locked pieces that can be locked together to create various together to create various configurations. The center configurations. The center This Kitpieces of Partsare is illuminated with This of Parts iswith pieces areKit illuminated composed oflighting. modular LED They are composed ofare modular LED lighting. They pieces that canwith be locked made reinforced that can be locked madepieces with reinforced togetherfiberglass to createand various acrylic together create various fiberglass and to acrylic configurations. The center panels. This Kit of Parts is This Kit of Parts is This Kit of Parts is configurations. The This ofis Parts This Kit ofcenter Parts panels. This Kit ofKit Parts is is are illuminated with pieces composed of modular composed of modular composed of modular pieces arecomposed illuminated composed of modular ofwith modular composed of modular LED lighting. They pieces that can be locked pieces that can be are locked pieces that can be locked LED lighting. They are pieces that canlocked bewith locked pieces that cancan be be locked pieces that made reinforced together to create various together to create various together to create various made with reinforced together tovarious create various together to create together to create various fiberglass and center acrylic configurations. The configurations. The center configurations. The center Inspired by the city streets, these conceptual models reflect a mixture of fiberglass and acrylic configurations. The center configurations. The center configurations. The center hard and soft forms, and the co-existance of the futuristic and the natural. panels. pieces are illuminated with with pieces are illuminated pieces are illuminated with panels. pieces pieces are illuminated are illuminated withwith with pieces are illuminated LED lighting. They are LED lighting. They are LED lighting. They are This Kit of Parts is LED lighting. They LED lighting. They are LED lighting. They are are with reinforced with reinforced mademade withmade reinforced composed of modular made with reinforced made with reinforced made with reinforced pieces that can be locked fiberglass and acrylic fiberglass and acrylic fiberglass and acrylic fiberglass and acrylic fiberglass andand acrylic fiberglass acrylic together to create various Inspired by the city streets, these conceptual models reflect a mixture of panels. panels. configurations. The center panels. panels. panels. hard and soft forms, and the co-existance of the futuristic andpanels. the natural.

BMWi Exploded View BMWi Exploded View BMWi Exploded View BMWi Exploded View BMWi Exploded View BMWi Exploded View BMWi Exploded View BMWi Exploded View

ELEVATION IDEAS

ELEVATION IDEAS

FINAL MODEL ITERATIONS

FINAL MODEL ITERATIONS

BMWi Exploded View

light. pattern. form.

BMWi Materials BMWi Materials

light. pattern. form. 20theolympic design design 2020 olympic

The purple flora in Tokyo’s Olympic logo symbolizes friendship. Thisfriendship. pavilion This pavilion The purple flora in Tokyo’s Olympic logo symbolizes offers quick technology, however the visual sculptures invite guests toinvite linger. offers quick technology, however the visual sculptures guests to linger.

pieces are illuminated with LED lighting. They are made with reinforced fiberglass and acrylic panels.

BMWi Materials BMWi Materials ACRYLIC / REINFORCED FIBERGLASS

BMWi Materials BMWi Materials BMWi Materials BMWi Materials BMWi Materials BMWi Materials BMWi Simulation BMWi Materials neo tokyo neo tokyo BMWi Simulation ACRYLIC / REINFORCED FIBERGLASS

the 2020 olympic design

EW TO PATIO SECTION OF INTERIOR VIEW TO PATIO

SCALE: 1:48 (1/4”=1’-0”)

The purple flora in Tokyo’s Olympic logo symbolizes friendship. This pavilion offers quick technology, however the visual sculptures invite guests to linger.

SCALE: 1:48 (1/4”=1’-0”)

gn is unconventional in its pattern, in its pattern, The final design is unconventional yo’s natural landscapes, integrating driven by Tokyo’s naturalwhile landscapes, while integrating nologies fiberglass and architecture. modernand technologies fiberglass architecture. SECTION OF INTERIOR VIEW TO PATIO

neo tokyo

ACRYLIC / REINFORCED FIBERGLASS ACRYLIC / REINFORCED FIBERGLASS

STAINLESS STEEL FINISHFINISH ACRYLIC / REINFORCED FIBERGLASS POLISHED PORCELAIN FLOORS STAINLESS STEEL FINISH ACRYLIC / REINFORCED FIBERGLASS POLISHED PORCELAIN FLOORS STAINLESS STEEL FINISH ACRYLIC / REINFORCED FIBERGLASS POLISHED PORCELAIN FLOORS STAINLESS STEEL ACRYLIC / REINFORCED FIBERGLASS POLISHED PORCELAIN FLOORS

STAINLESS STEEL FINISH / REINFORCED FIBERGLASS POLISHED PORCELAIN STAINLESS STEEL FINISHFINISH ACRYLIC / REINFORCED FIBERGLASS POLISHED PORCELAIN FLOORS STAINLESS STEEL ACRYLIC /ACRYLIC REINFORCED FIBERGLASS POLISHED PORCELAIN FLOORS FLOORS

WITH LED LIGHTS AT NIGHT

CUSTOM BUILT REFRESHMENTS LED LIT GLASS

INTERIOR VIEW TO PATIO: INTERIOR VIEW TO PATIO: INTERIOR VIEW TO PATIO: INTERACTIVE PODS FOR TICKETS / MAPS INTERACTIVE PODS FOR TICKETS / MAPS INTERACTIVE PODS FOR TICKETS / MAPS NEAR ELECTRONIC VIEWING WALL NEAR ELECTRONIC VIEWING WALL NEAR ELECTRONIC VIEWING WALL

the 2020 olympic design SUSTAINABLE POLISHED CONCRETE

SUSTAINABLE SUSTAINABLE POLISHED CONCRETE POLISHED CONCRETE

ETCHED GLASS SLIDING DOORS WITH TOKYO OLYMPIC LOGO

BMWi Born Electric. BMWi Born Electric.

INTERIOR VIEW TO PATIO: INTERIOR VIEW TO PATIO: INTERIOR VIEW TO PATIO: OUTDOOR LOUNGE WITH LIT SCULPTURES OUTDOOR LOUNGE WITH LIT SCULPTURES OUTDOOR LOUNGE WITH LIT SCULPTURES INTEGRATED INTO THE LANDSCAPE INTEGRATED INTO THE LANDSCAPE INTEGRATED INTO THE LANDSCAPE

The purple flora in Tokyo’s Olympic logo symbolizes friendship. This pavilion SIMULATION THAT LETS THE USER EXPERIENCE THE JOY OF DRIVING A BMWi SERIES VEHICLE. offers quick technology, however the visual sculptures invite guests to linger. SIMULATION THAT LETS THE USER EXPERIENCE THE JOY OF DRIVING A BMWi SERIES VEHICLE. SIMULATION THAT LETS THE USER EXPERIENCE THE JOY OF DRIVING A BMWi SERIES VEHICLE.

BMWi Born Electric.

DOUBLE INSULATED GLASS (COLOR TINTED ON EXTERIOR, LED TV SCREEN ON INTERIOR) MAINTAINS INDOOR COOLING

ETCHED GLASS SLIDING DOORS WITH TOKYO OLYMPIC LOGO

SIMULATION THAT LETS THE USER EXPERIENCE THE JOY OF DRIVING A BMWi SERIES VEHICLE. SIMULATION THAT LETS THE USER EXPERIENCE THE JOY OF DRIVING A BMWi SERIES VEHICLE.

NORTH PLAN SCALE: 1:48 (1/4”=1’-0”)

SCULPTURAL FIBERGLASS SUPPORTED BY STEEL

LED LIT GLASS

STAINLESS STEEL FINISH

BMWi Simulation BMWi Simulation

NORTH NORTH PLAN SCALE: 1:48 (1/4”=1’-0”) PLAN SCALE: 1:48 (1/4”=1’-0”)

SCULPTURAL FIBERGLASS SCULPTURAL FIBERGLASS PLEXIGLASS LANDMARKS SUPPORTED BY STEEL SUPPORTED BY STEEL

LED LIT GLASS

POLISHED PORCELAIN FLOORS

STAINLESS STEEL FINISH

POLISHED PORCELAIN FLOORS

BMWi Simulation

The final design is unconventional in its pattern, driven by Tokyo’s natural landscapes, while integrating

CUSTOM BUILT REFRESHMENTS

STAINLESS STEEL FINISH

POLISHED PORCELAIN FLOORS

STAINLESS STEEL FINISH

BMWi Simulation BMWi Simulation BMWi Simulation BMWi Simulation BMWi Simulation BMWi Simulation

SCALE: 1:48 (1/4”=1’-0”)

modern technologies and fiberglass architecture. PLEXIGLASS LANDMARKS PLEXIGLASS LANDMARKS WITH LED LIGHTS AT NIGHT WITH LED LIGHTS AT NIGHT

M BUILT SHMENTS

POLISHED PORCELAIN FLOORS

BMWi Born BMWi Electric.Born Electric.

DOUBLE DOUBLE INSULATED GLASS ETCHED GLASSINSULATED GLASS (COLOR TINTED ON EXTERIOR, (COLOR TINTED ON EXTERIOR, SLIDING DOORS LED TV SCREEN ON INTERIOR) LED TV SCREEN ON INTERIOR) WITH TOKYO MAINTAINS MAINTAINS INDOOR COOLING OLYMPIC LOGO INDOOR COOLING

SIMULATION THAT LETSTHAT THE USER JOY OF DRIVING A DRIVING BMWi SERIES VEHICLE. SIMULATION LETS EXPERIENCE THE USER JOY OF A BMWi SERIES VEHICLE. SIMULATION THAT LETS THE USER EXPERIENCE THE JOYEXPERIENCE OFTHE DRIVING ATHE BMWi SERIES VEHICLE.

SIMULATION THAT USER EXPERIENCE THE JOY OFADRIVING A BMWi SERIES VEHICLE. SIMULATION THAT LETS USER EXPERIENCE THE JOY OFJOY DRIVING A BMWi SERIES VEHICLE. SIMULATION THATTHE LETS THELETS USERTHE EXPERIENCE THE OF DRIVING BMWi SERIES VEHICLE.

neo tokyo BMWi Born Electric. BMWi Born Electric. BMWi Born Electric. BMWi Born Electric. BMWi Born Electric. BMWi Born Electric. SECTION OF INTERIOR VIEW TO PATIO

SCALE: 1:48 (1/4”=1’-0”)

The final design is unconventional in its pattern, driven by Tokyo’s natural landscapes, while integrating modern technologies and fiberglass architecture.

THIS KIT INCLUDES TWOKIT TOUCHSCREEN FOR PURCHASINGTABLES MERCHANDISE THEPURCHASING OTHER TO CUSTOMIZE YOUR VEHICLE.AND THIS INCLUDESTABLES TWOONE TOUCHSCREEN ONEAND FOR MERCHANDISE

PLEXIGLASS LANDMARKS WITH LED LIGHTS AT NIGHT SCULPTURAL FIBERGLASS SUPPORTED BY STEEL

Interior Design: Jenny Pei Chang INTERIOR VIEW Student: TO PATIO: INTERACTIVE PODS FOR TICKETS / MAPS NEAR ELECTRONIC VIEWING WALL Interior DesignLEDStudio II: Hospitality and Retail Faculty: Kimberly Harris LIT GLASS

CUSTOM BUILT REFRESHMENTS

SUSTAINABLE POLISHED CONCRETE

THE OTHER TO CUSTOMIZE YOUR VEHICLE.

THIS KIT INCLUDES TWO TOUCHSCREEN TABLES ONE FOR PURCHASING MERCHANDISE AND THE OTHER TO CUSTOMIZE YOUR VEHICLE.

THIS KIT INCLUDES TWO TOUCHSCREEN TABLES ONE FOR PURCHASING MERCHANDISE AND THE OTHER TO CUSTOMIZE YOUR VEHICLE. THIS KIT INCLUDES NORTH TWO TOUCHSCREEN TABLES ONE FOR PURCHASING MERCHANDISE AND THE OTHER TO CUSTOMIZE YOUR VEHICLE. PLAN SCALE: 1:48 (1/4”=1’-0”)

INTERIOR VIEW TO PATIO: OUTDOOR LOUNGE WITH LIT SCULPTURES INTEGRATED INTO THE LANDSCAPE

Interior Design: Student: Azarel Marrufo THIS KIT TWO INCLUDES TOUCHSCREEN TABLES ONE FOR PURCHASING MERCHANDISE AND THE OTHER TO OTHER CUSTOMIZE YOUR VEHICLE. THIS KIT TWO INCLUDES TWO TOUCHSCREEN TABLES ONE FOR PURCHASING MERCHANDISE AND THE CUSTOMIZE YOUR VEHICLE. THIS KIT INCLUDES TOUCHSCREEN TABLES ONE FOR PURCHASING MERCHANDISE AND THE OTHER TO CUSTOMIZE YOUR TO VEHICLE. THISTWO KIT INCLUDES TWO TABLES ONE FOR PURCHASING MERCHANDISE AND THE OTHER TO CUSTOMIZE YOUR VEHICLE. THIS KIT INCLUDES TOUCHSCREEN TABLES ONE FOR PURCHASING MERCHANDISE AND THE OTHER TO CUSTOMIZE YOUR VEHICLE. THIS KIT INCLUDES TWO TOUCHSCREEN TABLES ONE FOR PURCHASING MERCHANDISE AND THE OTHER TO CUSTOMIZE YOUR VEHICLE. Interior Design Studio II: TOUCHSCREEN Hospitality and Retail Faculty: Elizabeth Minchew


Bolin Memorial Park Context Map A

Entrance

E

URS O C OFF

Context Map B

My goal for this project was to redesign the Phoenix Memorial Park into a more functional and usable space. The already existing memorials on my site was the start of my inspiration. These memorials mainly consist of all the historic United States wars. My thought process involved the idea of an unbalanced landscape, as war is always the unexpected. This idea formed the name of my memorial park design which is called “Off course.� Using elevation changes and a diverse plant palette, I created a dynamic landscape for the everyday people to use and enjoy.

Vehicular Access

Pedestrian Circulation

Form 1

Program

Form 2

Memorial Program

Section B

North/South

Section A

West/East

Form 3

Observation Point Rain Collection 1

Detail 1

Rain Collection 2

Detail 2

Section 1

Memorial List 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29.

Wesley Bolin Memorial Marker Father Kino Statue Bushmasters Memorial Arizona Pioneer Women Memorial Ten Commandments Memorial Civilian Conservation Corps Memorial 4th Marine Division, World War II Law Enforcement Memorial World War I Memorial Confederate Troops Memorial Jewish War Veterans Memorial Dr. Martin Luther King Jr. Memorial Armenian Martyrs Memorial Desert Storm Memorial American Merchant Seaman Memorial Father Braun Memorial Arizona Peace Officers Memorial Korean War Memorial USS Arizona Mast USS Arizona Anchor Vietnam Veterans Memorial Ernest W. McFarland Memorial Purple Heart Memorial Arizona Workers Memorial/ El Pasaje Arizona Crime Victims Monument Arizona Law Enforcement Canine Memorial Arizona 9/11 Memorial Navajo Codetalkers Memorial Operation Enduring Freedom Memorial

Site Plan B

Section 2

8

6 5

11 12

2

14

16

10 3

Section3

13

7 9

4 19

20

26

27

Father Kino

U.S.S AZ

15

25 24

17

1 A

21

22

28

18

A

29

23

0

Reflection

Shade Area

10 20 30

50

Allee Prespective View

Plant Palette Blue Palo Verde

Water: Low Size: 30 x 30 Shape: Vase -Shape Flower: Bright Yellow

Features: Seasonal litter, Small Thorns, Vivid spring color, nesting for birds

Chinese Pistache

Water: Moderate Size: 40 x 35 Shape: Rounded Crown Flower: Green (nonshowy)

Features: seasonal litter, no thorns, dense shade tree, striking fall color, red fruit on female trees.

Desert Willow

Water: Low Size: 25 x 20 Shape: Irregular Flower: white, pink, purple, trumpet-shaped

Features: Leafless in winter, beautiful flowers, attract hummingbirds.

Chilean Mesquite

Water: Low Size: 30 x 30 Shape: Wide Crown Flower: yellow-green

Features: Seasonal litter, Variable thorns, Limit water to control, rapid growth and windstorm uprooting.

Texas Ebony

Water: Low Size: 20 x 15 Shape: Irregular Flower: Cream to yellow

Features: Moderate litter, thorns, rich green foliage color, bark sunburns if tree is overprunned.

BrittleBush

Features: Water: Low Good for naturalistic Size: 3 x 4 landscapes. Seeds Shape: Mounding Flower: Yellow Daisylike attract birds.

Creosote Bush

Water: Low Features: Size: 6 x 6 Good infromal Screen. Shape: Open, Angular Foliage is fragrant after Flower: Small yellow rain.

Texas Sage

Water: Low Features: Size: 6 x 6 Good infromal hedge. Shape: Rounded Responds to monsoon Flower: White, Pink, or rains by flowering. Purple

Red Bird of Paradise

Water: Moderate Features: Size: 6 x 6 Showy summer color. Shape: Rounded, Open Attracts butterflies and Flower: Orange and hummingbirds. yellow

Golden Barrel

Water: Low

(Cercidium Floridum)

(Pistacia Chinesis)

Trees

(Chilopsis Linearis)

(Prosopis Species)

Site Plan

(Pithecellobium Flexicaule)

Underpath Tunnel

(Encelia Farinosa)

Shrubs

(Larrea Tridentata)

(Leucophyllum Candidum)

(Caesalpinia Pulcherrima)

(Echinocactus Grusonii) Size: 1.5 x 2

Shape: Globe Shape Flower: Yellow

Water: Low Size: 4 x 5 Shape: Shrublike Flower: Yellow

Features: Cold or dry weather causes pads to take on striking purplish color.

Suguaro

Water: Low Size: 20 x 10 Shape: Columnar Flower: White Showy

Features: Consider mature size. Red fruits are enjoyed by birds.

Bougainvillea

Water: Moderate Size: 15 x 20 Shape: Sprawling Flower: Many bright colors

Features: Accepts hot exposures. Shrub forms are available.

Cacti

Material Palette

(Carnegiea Gigantea)

Red Rock Pathway

Concrete

Asphalt

Decomposed Granite

Natural Earth

Fertilizer

Grass

Red Earth

Undergraduate Third Year Landscape Architecture: Landscape Architecture I

Student: Connor Covey Faculty: Kevin Kellogg

Landscape Architecture: Landscape Architecture I

Student: Kevin Klassman Faculty: Charles Anderson

Vines

Rammed Earth

Features: Striking accent. attractive in groupings.

Purple Prickly Pear

(Opuntia Santa-Rita)

Fall 2012

100

B

(Bougainvillea Spectabilis)


X K A P E

X K A P E

HOT E L & SPA

HOT E L & SPA

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Fax:

646 325 6678

Email:

guests@xkape.com

Phone:

212 998 4143

We b s i t e :

yourxkape.com

1 1 2 4 W. N i r v a n a S t . N e w Yo r k , N Y 1 0 0 0 1

Fax:

646 325 6678

Phone:

212 998 4143

1 1 2 4 W. N i r v a n a S t . N e w Yo r k , N Y 1 0 0 0 1

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1 1 2 4 W. N i r v a n a S t . N e w Yo r k , N Y 1 0 0 0 1

X K A P E HOT E L & S PA

Visual Communication Design: Technology for Design I

Student: Cynthia Chen Faculty: K. Larkin / A. C. Sanft

Fax:

646 325 6678

Phone:

212 998 4143

Email:

guests@xkape.com

We b s i t e :

yourxkape.com

Visual Communication Design: Technology for Design I

Student: Esther Kim Faculty: K. Larkin / A. C. Sanft


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Visual Communication Design: Visual Communication III

Student: Esther Kim Faculty: M. Patel / L. Pena


OASIS OASIS

UPTOWN PHOENIX 2050

Promoting urban infill, energy efficiency, and walkability for a new Phoenix of 2050

Conceptually, the foundation of this project is found in the combination of three elements: water, oasis, and shade.

PROBLEMS

SOLUTIONS TACTICS

PROJECTED GROWTH

Population: 143,390 people Density: 14,339 people/sqmile Population Increase: 114,000 people Required Housing: 42,223 units

CLOSED LOOP DEVELOPMENTS: “HUBS”

PROJECT STATEMENT

Phoenix has the potential to be a green and connected city, but the current issues, such as vacant lots, large amounts of single family residencies, sprawl, and no pedestrian friendly walkways, are creating a barrier for advancement. We strive to create a walkable, pedestrian-friendly city by implementing hub cities full of amenities, such as mixed use, multi-family housing, and green walkways for the surrounding neighborhoods to provide accessability for residents.

Series of miniature closed loop developments, or “hubs” throughout site, circling around neighborhoods and allowing equal access to amenities to residents. Each hub has programs such as: bike rentals, parking structures, mixed use, multifamily, small grocery stores, urban parks, pedestrian streets, bus stops and a recycling collection system.

The main objective of ourfoundation project is to create a building that is found Conceptually, the of this project provides a centralized outdoor “oasis” for students, staff, in combination of their three elements: water, oasis, andthe visitors to escape to from demanding schedules. The physical mass of the structure is moldedof around this and shade. The main objective our project is to courtyard, creating a semi-private and enclosed environcreate a building that provides a centralized outdoor ment. In order to avoid heat gain, a north-south orientation “oasis” for students, staff, and escape to for the building was chosen. The views fromvisitors the interiortoare mainly directed into the courtyard by placing the majority of from their demanding schedules. The physical mass natural fenestration along the innermost side of the building of theThe structure around thisconsist courtyard, facade. main wallsisonmolded the exterior of the school of a panel system with few windows; intention being creating a semi-private andtheenclosed environment. that this will encourage a sense of introspection by pointing In order to avoid heat gain, a north-south orientation the occupants’ views inward to the courtyard. The interior for theisbuilding The viewsenfrom the interprogram divided intowas threechosen. zones where individuals gage, interact, and produce ideas. Following that order, the ior are mainly directed into the courtyard by placing spaces evolve from more public to private, allowing for a the majority of natural fenestration along the innerenvironments. Thethe overall aesthetic facade. of the project wasmain de- walls on most side of building The signed using local and sustainable materials with the intent the exterior of the school consist of a panel system of celebrating the building’s context in a contemporary way. with few windows; the intention being that this will encourage a sense of introspection by pointing the occupants’ views inward to the courtyard. The interior program is divided into three zones where people engage, interact, and produce ideas. Following that order, the spaces evolve from more public to private, allowing for a good amount of flexibility- a crucial element for educational environments. The overall aesthetic of the project was designed using local and sustainable materials with the intent of celebrating the building’s context in a contemporary way.

UPTOWN PROBLEMS low density Single family residencies take up land and create driving isolation and higher carbon footprints. Little support of local businesses and infrastructure. transportation Lack of successful public bus and transit systems lead to large commute times. Transportation costs double around Phoenix edges. landscape Poor canopy coverage and green space along main streets and walkways minimizes pedestrian use and maximizes urban heat island effect.

A

waste Single family residences create large amounts of material and energy waste. No form of recycling strictly enforced.

LEVEL 2

B

FIVE BIG IDEAS

parking Large amounts of surface parking take up valuable land space, maximize urban heat island effect, and minimized pedestrian use. abandonment The vast numbers of single family residencies creates a low density area. This leads to abandoned buildings and lots.

Energy Efficiency

Improved Transit Network

Reactivate City Center

Activity Hubs

Green Links A

SITE PLAN

ENERGY

N

20’

40’

80’

A

LEVEL 1

LEVEL 2

20’

N

B

40’

80’ B

ENERGY GOALS + DESIGNS

EXISTING PROBLEM

Due to the large amount of single family homes in our site, there is a large amount of energy being used by each household. With buildings being one of the largest producers of energy in the U.S, this is especially a problem in our site, both in commercial and residential buildings.

To combat this energy crisis, we are introducing new zoning laws suggesting the current single family homes install some sort of solar collection system to their house. We are also demanding that any new buildings constructed must have a solar collection system and get a majority of their energy on site. By 2050 all new buildings constructed should be self sustaining.

residential energy breakdown

commercial energy breakdown

A

SITE PLAN -

world energy con sumption

-

U.S energy consump tion

N

20’

40’

80’

COURTYARD AND OUTDOOR LABS

ENTRY

OPEN OFFICE

IDEA NURSERY

LEVEL 1

B

U.S building sector

TRANSIT

TRANSIT

EXISTING PROBLEM

GOALS + DESIGNS

To prevent large amounts of traffic and promote pedestrian use, we will repurpose streets by turning car lanes into bike lanes and buffers. The bus system will also get altered, with it running more frequently and the routes will be more flexible, making it easier for residents and users to get around.

Uptown Phoenix is lacking a successful public transit system. Although there is a lightrail, it does not connect areas of interest at the moment. There is also a poor bus system, with very few stops easily accessable to the neighborhoods, and very infrequent pick ups.

CITY CENTER

CITY CENTER

EXISTING PROBLEM

GOALS + DESIGNS

Because of the problem of urban sprawl, there are a lot of empty lots throughout the site, creating a sparse, barren city center, lacking activity. This causes a lack of pedestrian use because there are no points of interest in the city along the roads, causing people to isolate themselves in their cars or homes.

To combat this issue urban sprawl is causing, we will be focusing on urban infill. Instead of tearing down existing buildings, we will be filling in the empty lots and repurposing abandoned buildings. This will bring density back to the city and provide new points of interests for visitors and residents.

COURTYARD AND OUTDOOR LABS

ENTRY

SECTION A

ACTIVITY HUB

N

ACTIVITY HUB

EXISTING PROBLEM

10’

20’

40’

GOALS + DESIGNS

The existing condition of Uptown Phoenix is very car-oriented, stifling social interactions between residents. With very minimal public spaces, there is no where for residents to gather and interact. Uptown Phoenix feels very barren and isolated because everyone gets in their car to go from place to place, not interacting with people in the process.

By creating hubs within the city, there is opportunity to provide amenities that create social interaction. Public spaces will be put into the city, such as small urban parks and courtyards along main roads, in neighborhoods, and between buildings. Providing public buildings along streets brings people to the open, creating social interaction.

GREEN LINKS

air movement

commercial

people movement

dewsc

oasis moments

core

oasis courtyard

ssebe

GREEN LINKS

EXISTING PROBLEM

tours

OPEN OFFICE

IDEA NURSERY

GOALS + DESIGNS

The lack of trees along main roads and walkways minimizes pedestrian activity in the site and maximizes the use of the car.

We plan to drastically increase the canopy coverage along main walkways and streets. Bike lanes and pedestrian walkways will increase walkability in the city. We plan to promote pedestrian use with small urban parks throughout neighborhoods, attached to green alleys between the houses, and pave the canal on the south end of the site to turn it into a green connection.

The small amount of vegetation and parks in the site also maximize the urban heat island effect, raising temperatures in the site and, once again, minimizing pedestrian activity.

MATERIALS PALETTE

PROGRAM

CONCEPT

SECTION A SECTION B

N

5’

10’

tours commercial dewsc

2013 Bike rental Station (south of camelback and central) 2013 Provide a pass that allows you to use any

to support the new road system

transit system as well as the bike rental stations.

2021 Smaller scale grocery stores

2021 Central (north of camelback) closes one lane on

core

implement the recycling collecting and returning system.

each side to remodel as more pedestrian oriented.

ssebe

2

2036 Canopy coverage is increased 75% to support the new road system and to lower the energy cost of buildings in cooling.

2036 Pavement of the walkways (addition of bike lanes) gets completed with addition of trees and the local food green space placement.

2045 Build 48 new parks in

2050

MATERIALS PALETTE

PROGRAM

or incinerator is reduced by 75%.

Undergraduate Fourth Year Architecture: Architectural Studio III

Students: T. Adams / J. Choi / A. Warrayat Faculty: Scott Murff

Architecture: Architectural Studio III

Students: S. Beltran / L. Hreniuc / P. Rachford Faculty: Catherine Spellman

CONCEPT

20’


BIO-REACTION REACTION AS POPULATIONS GROW THE DEMAND FOR OIL AND ITS BYPRODUCTS WILL INCREASE AS OUR SUPPLIES BEGIN TO DWINDLE. WHEN OUR RESOURCES RUN DRY HOW WILL WE FUEL OUR OIL-DEPENDANT SOCIETY? BIO-REACTION IS A RESPONSE TO THIS VERY REAL QUESTION. THE SOLUTION IS ALGAE. WITH 75% - 90% OF ITS BIOMASS ABLE TO BE CONVERTED TO OIL CERTAIN SPECIES OF ALGAE ARE PERFECT FOR CREATING BIODIESEL. THE SOUTH FACADE OF THIS FACILITY HARNESSES ARIZONA’S CLEAR SKIES AND LONG DAYLIGHT HOURS FOR ALGAE CULTIVATION. THIS FACADE ALSO ACTS AS A SCREEN, PROVIDING SHADE FOR THE INTERIOR. THE LARGE AMOUNTS OF WATER NEEDED IS PROVIDED BY GREY WATER FROM NEIGHBORING BUILDINGS AND RETURNED CLEAN ENOUGH TO DRINK.

Vivid is interactive projector. The idea or story behind the product was that mickey’s fantasia hat has fallen over allowing the magic to spill out on to the wall.

BIODIESEL PRODUCTION PROCESS C02

ALGAL OIL CULTIVATION

HARVEST

CONVERSION

EXTRACTION

BIODIESEL

BY-PRODUCTS

This magic allows kids to go on adventures and interact with their favorite Disney characters. The projector can also be used to play movies and has the ability to take childrens apps / games from your iphone or ipad and scale them to a larger size for multiple players. While not in use the projector is tipped up and used as a night light.

RECYCLED WATER

BIO-REACTION STACKING

CULTIVATION

4139 SF

RECYCLED WATER

GREY WATER PROCESSING

Algae Beds

GREY WATER PROCESSING

FOURTEENTH FLOOR PLAN

HARVEST

Balcony 2741 SF

EXTRACTION

THIRTEENTH FLOOR PLAN

BIODIESEL

CONVERSION

Lab + Storage 465 SF Residence

DN

1107 SF

UP Residence 1150 SF

Nimbus is a product that generates 3D forms using bubbles. Air nozzles underneath a soap soaked cloth create the image based on the timing sequence of each individual nozzle. At night these bubble creations can be lit up using LED’s located on the plat-form beneath. New shapes and forms, cre-ated by the user, can be downloaded to Nimbus allowing for a childs imagination to become engaged.

BIODIESEL DISTRIBUTION TYPICAL FLOOR PLAN - 5, 7, 9, 11,13

UP

Algae Facility

Staff Support

3283 SF

2182 SF

TYPICAL FLOOR PLAN - 4, 6, 8, 10, 12

ALGAE SCREEN BIO-REACTOR ALGAE TUBES - ABSORB SOUTHERN SUNLIGHT - PROVIDES SHADE FOR INTERIOR

Office 6267 SF

THIRD FLOOR PLAN STRUCTURAL SKIN

Office 5646 SF

- SUPPORT FOR ATTACHED ALGAE TUBES

SECOND FLOOR PLAN

DN

UP

Navi is an treasure hunting game using GPS. The idea for this product was devel-oped around geocaching.

Fall 2012

Navi was developed for kids to play this same kind of treasure hunt within there neighborhoods. The wrist band gives the user locations of other players beacons. Once a beacon is found the hider of that treasure is notified and told to hide his or her beacon in a new location. This prod-uct was designed to get kids out of the house and interacting with other kids in their neighborhoods.

Undergraduate Fourth Year Architecture: Architectural Studio III

Student: Daniel Griffin Faculty: Reid Johnson

Industrial Design / Management / Visual Communication Design: Collaborative Design Development I

Students: M. Cisneros / R. Fulbright / A. Jonas / J. Siao Faculty: P. Boradkar / D. Frakes / M. Fehler / C. Hedges / S. Peck


a particularly harmful sector.

They account for the ma jority of land use and have low protein output,

for beef.

What’s the deal with

sible ible alternative

ENTOMOPHAGY?

ary to cut our production of our intake.

(en-toh-mah-fuh-gee)

What is a suitable replacement?

Or, the practice of eating insects and how we can use it help you and the earth.

THE CURRENT CRISIS Food production will not be able to meet the

The current US food production system uses:

needs>ofbugs population projections er easy to grow aregrowth quite hardy simply and require little space. because current food production techniques sustainable, rather, not energy-efficient emely healthyare>nottons of protein, low fat and plenty of vitamins. and some of these food products take y tasty > a variety of flavors, both tofamiliar considerably more energy produce and than new. 50% 80% 18% others. land area fresh water fossil energy y on the environment > insects as a crop are not resource-intensive.

With the projected population expected at 9

billion by 2050,

all safe > poisonous dangerous and require special Therebugs willarenot be enough food forpreparation. everyone. alent stigma > the biggest hurdle by far; the psychology of it. Livestock are are a particularly harmful sector.

They account for the ma jority of land use and have low protein output,

Activity Frequency Lecture

Activity Frequency Preformance

for beef.

don’t like the idea of eating bugs high

a possible alternative

in consumer groups:

It is not necessary to cut our production of

II I our intake. oncern is high meat, and just arereduce willing Gourmand ventronaut What is a suitable replacement? Ok, I’ll try it!

Yeah, let’s do it!

nt. Unaware and

unbriefed

informed

Super easy to grow > bugs are quite hardy and require little space. unwilling. Extremely healthy > tons of protein, low fat and plenty of vitamins. Very tasty > a variety of flavors, both familiar and new. Easy on the environment > insects as a crop are not resource-intensive.

willingness

BUgs! bugs!

concern is high but are sects.

Acoustic Diogram

Acoustics Diogram

CES IEN ities PdEoRn the activ EX base

vironmental damages but III IV cts. Not all safe > poisonous are dangerous and require special preparation. hardbugs hatter dawdling Prevalent stigma > the HECK biggest of it. no. hurdle by far; the psychology I don’t think so...

NG

RI ATE +C CE nt SPA + Eve g ION IBIT cializin So

will target I, II, IV.

EXH

low

people don’t like the Awareness idea of eating bugs

ded

Sha

solution

I. Environmental concern is high and are willing to eat insects.

ate

Priv

II

Gourmand

ventronaut

Ok, I’ll try it!

Yeah, let’s do it!

informed

Trend factor III. A tough segment. Unaware and unwilling.

> novelty and social benefits ndy, safe and fun. are important for trying new things. IV. Unaware of environmental damages but Access > people need an easy dawdling way to get hard hatter ual deception. willing to eat insects. edible insects. The new product will target I, II, IV. Education > information is vital for cooking low and eating insects. Awareness III

HECK no.

Sha

Extro

ive

Pass

ate

Priv

ve

Acti

lic

Pub

IV

ed

vert

ed

vert

Intro

ded

ed

vert

ed

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Intro

I don’t think so...

ve

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Pass

a bold solution

mind, there should be a method for willing (and not-so-willing) individuals to nsects in a familiar and safe environment, so they can see for themselves Some important needs for future consumers: How might we encourage the adoption of tasty alternative insects can be. entomophagy ? Trend factor > novelty and social benefits trendy, safe and fun.

A key factor is visual deception.

are important for trying new things. Access > people need an easy way to get edible insects. Education > information is vital for cooking and eating insects.

ake-home kits for Combined with a specialized tool set, vailable at supermarkets.

Grasshopper Stir-Fry

can(and create consumer Keeping these in mind, there should be a methodWe for willing not-so-willing) individuals to purchase so they can see themselves Ant powder edible insects in a familiar and safe environment, tiers catering tofor those what a great and tasty alternative insects can be. who wish to try it only

once, to those who tool wish Make a line of take-home kits for Combined with a specialized set, ento-cooking, available at supermarkets. to adopt insects into Ant powder

can create consumer their dailyWe diet. tiers catering to those

who wish to try it only once, to those who wish to adopt insects into their daily diet.

Grasshopper Stir-Fry

Beetle Tacos

s move entomophagy forward let’s move entomophagy forward This is a work in progress. This poster demonstrates the research and ideation phase. Current phase is This is a work in progress. This poster demonstrates aesthetic development. Stay tuned for the final result. the research and ideation phase. Current phase is Stay tuned for the result. Scan the code on theaesthetic right development. for a video relating tofinal this Scan the code on the right for a video relating to this project (it features me eating insects as insects well).as well). project (it features me eating

Industrial Design: Design Project I

Student: Arianna Trujillo Faculty: Peter Wolf

Del E. Webb

NEW SCHOOL OF SUSTAINABILITY & CONSTRUCTION

Interior Design: Interior Design Studio IV: Work Environments

ve

ive

Pass

Priv d

ose

Exp

Extro

Acti

lic

Pub ate

willingness

unbriefed

ed

vert

Intro

d ade

Sh

ed

vert

d

ose

Exp

RDEN GA e BLES erienc ETA p VEG ory Ex Sens

I

II. Environmental concern is high but are courage the adoption of Some important needs for future consumers: unwilling to eat insects.

By making it

lic

Pub

high

There are four main consumer groups:

d

ose

Exp

Y LOG ction ra HNO TEC + Inte ening

Scre

Students: J. Bailey / F. Bellaloum / L. Chen / T. Nguyen Faculty: Julie Hutchison


collaboration + coworking + community

ARIZONA STATE UNIVERSITY

ASU iCOURSE CAMPUS

case study LOCATION

MISSION/VISION/GOALS

DESERT RIDGE 1.2 sq ft of retail space of interactive shopping, dining, and entertainment experience. KIERLAND COMMONS Location of Westin Kierland Resort & Spa along with outdoor retail space.

What? Utilizing ASU Online as a platform to provide a hybrid campus in the business-oriented area of north Scottsdale. Desert Ridge

101

Hybrid Courses Student-Business Hub Private-Public-Partnership

Pima Fwy

site

TPC Golf Course Phoenix Open Site

NF r

kL yd lo ig Wr

51

Scottsdale Airpark

TPC GOLF COURSE PGA Tour affiliate

Blv d

Scottsdale Quarter

SCOTTSDALE AIRPARK Over 800 businesses 2nd largest employment center in AZ. Major Companies located within Scottsdale Airpark (JDA Software Group, Go Daddy Group, Van gaurd Group, Kyocera Solar, Firedrum Interactive Marketing)

101

business/office

retail

local event

USERS/COMMUNITY B Number of Residents

51

17

CITY OF SCOTTSDALE

350

Population

280

217,385

210

3. Reach 11 Trail System 4. American Express Campus

yo

A

3

6

PROGRAMS School of Medical Professional Development

School of Health Sciences

Estimated Household Income 5

10

15

20

25

30

35

40

45

50

55

60

65

males

70

75

80

$71,658

85

females

ENERGY

Educational Attainment (%)

Mesa 35

60

d

41 YEARS OLD

70

Age

Tempe

blv

6. Arizona Canal

10 Phoenix

Ma

5. 101 Freeway

202

Airport

5

1

2

4

Median Age

140

0

Scottsdale

2. Existing Mayo Clinic

School of Graduate Medical Education

Medical School

420

Peoria

CONTEXT

1. Proposed Site

ACADEMIC

Distribution of Residents’ Ages

101

Glendale

ht

Kierland Commons

site

TRANSPORATION

SCOTTSDALE QUARTER Home of the premiere iPic Theaters, featuring a mix of entertainment of art and fashion shows.

101

Scottsdale Municipal Airport

ASU pushing online courses Lack of engagement in online courses Untapped demographics of Working Professionals - Opportunity to provide education for those working a 9am-5pm job Connecting ASU student body to the professional industry

an

Why?

Mayo Clinic Hospital

VISION

Arizona State University’s Mayo Clinic Campus is an extension of the Current Mayo Clinic - Phoenix location. Located just to the right of the Mayo Clinic, this 12.3 acre site is a gateway generating a powerful and innovative partnership between two dominant entities. Aiming to enhance student and institutional advancements within the medical field, the primary focus of the campus is on research and patient interfaces. Located within an untouched Sonoran Desert landscape, the opportunity to showcase and demonstrate a range of energy, material and water sustainability was figured prominently into the nature of the project.

56th st

CO LAB

SOLUTIONS

28 21

10

14

Intercampus Shuttle Route Tempe-Scottsdale Campus

7 0

Scottsdale Less than High School

High School or Equivalent

Less than 1 Year of College

1 or more Years of College

Associate Degree

Bachelor’s Degree

Master’s Degree

Professional School Degree

Doctorate Degree

Arizona Average

*Scottsdale has a higher concentration of citizens with higher education.

site + planning

Grey and rainwater collection

Stormwater collection On-site material collection

Solar energy collection

GOAL

To integrate back into the natural landscape. Create a large open area in front of the building to create a base for the building of rest behind.

SITE PLAN

CONTEXTUAL

1. Proposed Site

- Riparian context along with existing Mayo programs influenced design as well as on-site programs.

4. Existing + proposed wash corridor

4

- Progresses through site and future mayo construction into Reach 11 trail system.

m

ay

o

3

blv

d

2. Existing Mayo Clinic

5. Proposed Reach 11 Trailhead

- 2011 partnership between ASU / Mayo influenced location and placement of site.

sculpture garden

- Provides access for ASU / Mayo personnel as well as recreational users.

2

3. Proposed Parking Lot sculpture garden

Native southwest produce

1

- Form derived from existing wash corridor.

SCULPTURE GARDEN The sculpture garden is a playful environ-ment where the online world meets the physical and emotional world. Recogniz-able online text is taken out of the com-puter and turned into art. These three pieces; WWW, @ and the cursor are places in key spots in the garden. Amongst the sculptures are massive swaths of mass planting of many different shrubs, cacti, succulents and trees.

5 50’

100’

200’

VITALIZE

MEDICINAL LIFE LEARN

HEALING CORRIDOR

TASTE

SUSTAIN

WILDLIFE GATEWAY

WINDOW

TEXTURE

MATERIAL

RESEARCH

CONCEPT THERAPEUTIC

PLANT PALET

IMAGES

NATIVE REVEGETATION

Creosote Bush, Bursage, Jojoba, Desert Mari-gold, Prickly Pear, Saguaro, Teddy Bear Cholla, Foothill Palo Verde, Ironwood Tree, Chilopsis Linearis, Native Velvet Mesquite, Yucca Bacata.

VIEWS

CONNECTION SIGHTS

REVIVE RE-VEG UPLIFT ORGANIC SENSES SMELL

TEACH

SOUND

SITE PLAN

SOUTH GARDEN

1. Swale / Wildlife corridor

2. Retention basin / cistern

1

SCULPTURE GARDEN

cafe courtyard

main entrance

3. Outdoor classrooms

Yucca Rigida, Justicia Californica, Justicia Specigera, Muhlembergia Rigens, Hesperal-oe Finifera, Hesperaloe Parvifolia, Larrea Tridentata, Simmondsia Chinensis, Nightblooming Cereus, Golden Barreii, Cacuts, Nolina Macrocarpa, Agave Villmoriniana,

4. Cafe / Tree grove

6

5. Turf 6. Green wall

3 8

7

Encelia Farinosa, Aloe Vera, Aloe x Blue Elf, Salvia Gregll, Ruellia Tweediana, Agave Perrii, Agave Desmettiana, Agave Bovicorn-ute,

7. Loggia

5 2

8. Show case of native medicinals / produce

4

interior design

9. Bus stop

9

10. Bike stalls

PROGRAMMING We are building an ASU Campus catered towards distance and hybrid courses. ASU Online is the baseline for the courses where we are creating a space that will subsidize ASU online courses to make them more attractive to those wanting a more involved and engaging classroom. The building will have two different functions during the daytime and nighttime. The day-time environment will perform more as a business environment, while the nighttime environment will perform more of a univer-sity environment. Mixing the different types of functions (business, education, and administration) within the three buildings will provide an opportunity for the building to always be utilized. Adding the element of businesses within the space will allow the space for profit opportunities.

25’

IMAGES

50’

100’

NORTH GARDEN

SITE PLAN 1. Existing wash / Wildlife corridor

1

2. Outdoor room (typical) 3. Maintenance / Bathrooms

lounge area

3

2

4. Garden Pavilion

4

25’

N first level office space

1

first level floorplan

50’

100’

ENERGY PERFORMANCE

WATER PERFORMANCE

MATERIAL PERFORMANCE

HUMAN HEALTH PERFORMANCE

- Placement of windows - Orientation of building - Materials - Efficient electrical systems - Use of vegetation to cool building

- Low water fixtures - Efficient drip system - Roof catchment system - Rainwater and Stormwater storage - Seasonal distribution

- Reuse salvaged materials and plants - Use recycled content - Rammed earth walls constructed with 90-95% on site soil as typical of rammed earth construction - Use regional materials and plants - Use of native plants

- Use of sustainable produce practices - Promote sustainability awareness - Provide spaces for outdoor interaction - Provide views of vegetation - Provide quite outdoor spaces for mental restoration - Provide educational opportunities in regards to sustainable practices and botanical uses

BUILDING B

second level office space

Storage Space / Service elevator / Elevator stairs Restrooms

BUILDING A

STRESS RELIEVER ROOM PAITENT EXPERIENCE MAYO PARTNERSHIP EXPERIENCE

Lounge / Seating space

BUILDING B

Storage Space / Service elevator / Elevator stairs Restrooms

LECTURE SPACE COMPUTER LAB

Building A

Building B

Stress reliever room

Conference room

CONFERENCE

ROOM Patient experience

Private study rooms

BOOKSHELVES experience Mayo partnership

Bookshelves

PRIVATE STUDY ROOMS

FRONT DESK

Lounge / Seating space

INTERIORS

Front desk

Lecture space

Front desk

Computer FRONTLab DESK

Anatomy reference room

ANATOMY REFERENCE ROOM BOOKSHELVES

BUILDING A

BUILDING

Bookshelves

MICROSCOPE REFERENCE ROOM

Microscope room

GROUP STUDY / TUTOR AREA / LOUNGE SPACE

Group study / Tutor area

LEVEL 1

LEVEL 2

LEVEL 3

BASEMENT

BUILDING B

2

second level floorplan

Storage Space / Service elevator / Elevator stairs

N BUILDING A

Restrooms

GYM / LOCKER ROOM DAYCARE CENTER CAFETERIA / OUTDOOR PATIO SPACE

second level balcony

Gym / Locker room

Bookstore

COMPUTER STORE / Daycare centerSUPPORT COMPUTER

Computer store

BOOKSTORE

BISTRO QUICK PRINT COMPUTER Cafe / Outdoor patio STATION ADMINISTRATION

Lounge / Seating space

Bistro Quick print station Administration

Various labs Storage Space / Service elevator / Elevator stairs Restrooms

Fall 2012

Undergraduate Fourth Year Interior Design: Interior Design Studio IV: Work Environments

Students: C. Miller / M. Reyes / J. Yoon Faculty: Stephanie Fanger

Landscape Architecture: Landscape Architecture III

Students: E. Korn / T. Penunuri / R. Sawdey Faculty: Kenneth Brooks


Arizona StateUniversity University Arizona State VISIONDISCIPLINES DISCIPLINES VISION VISION DISCIPLINES

School ofofUrban & Transitional Studies School Urban Design & Transitional Studies Arizona StateDesign University Urban Planning

Urbanof Planning School Urban Design & Transitional Studies Landscape Architecture Landscape Architecture Urban Planning Architecture Architecture Landscape Architecture Interior Design School of Urban Architecture Interior Design Sustainability Urban Planning Interior Design Sustainability

DISCIPLINES

Arizona State University

My senior thesis focuseson on water usageusage within power plants, power plants, My senior thesis focuses water within and this clock was made to visually represent the continuous and this clock visually cyclewas of freshmade water andto waste water withinrepresent them. I chose to the continuous have only an hour hand to emphasize the cycle, while the cycle of fresh andhand waste waterthewithin discwater for the second would represent continuousthem. I chose to output of energy. It was made from laser cut styrene. have only an hour hand to emphasize the cycle, while the disc for the second hand would represent the continuous output of energy. It was made from laser cut styrene.

Design & Transitional Studies

Landscape Architecture

VISION

Sustainability Architecture • Provide a convenient mixture of retail, residential, and educational facilities • Integrate the extended campus areas via circulation, open space, Interior Designto adjacent • Provide a and convenient mixture of retail, residential, and educational facilities civic space, architecture • Provide a convenient mixture of retail, and educational facilitiesopen space, Sustainability • Integrate the extended campus toresidential, adjacent areas via circulation, • Create a comfortable both indoors • Integrate the extendedenvironment campus to adjacent areasand via out circulation, open space, civic mixed space,use and architecture • Make programs accessible to the public in all possible cases civic space, and architecture • Divide building types to ensure day both longmixture activations public/private spaces • Create comfortable environment bothofindoors and outand educational • Provide a convenient retail, residential, facilities • Create aa comfortable environment indoors andofout • Integrate the extended campusthe to adjacent areas circulation, open space, • Narrow streets to promote alternative transportation methods create a cases • Makemixed mixed use programs accessible public in and allviapossible • Make use programs accessible to the to public in all possible cases civicpedestrian space, and experience architecture safer, more convenient • Divide building types toa ensure dayenvironment long activations of and public/private spaces • Divide building types to ensure day long activations of public/private spaces • Create comfortable both indoors out • Maintain the architectural identity of existing campus buildingsand create a • Narrow to promote alternative transportation • Narrowstreets streets to promote alternative transportation methods and create • Make mixed use programs accessiblemethods to the public in all possible cases a • Incorporate xeric planting design that has aesthetic appeal safer, convenient pedestrian experience • Divide building types toexperience ensure day long activations of public/private spaces safer,more more convenient pedestrian • Utilize progressive design ideas to of encourage innovative student thought • Narrowidentity streets to promote alternative transportation methods and create a • Maintain the architectural existing campus buildings • Maintain thespaces architectural identity oftoexisting campus buildings • Acknowledge surrounding the site promote future development safer, more convenient experience • Incorporate xeric planting design that haspedestrian aesthetic appeal • Incorporate xeric planting thatidentity has aesthetic appealbuildings • Use design strategies that consider the safety of users in all spaces thedesign architectural of existing campus • Utilize progressive • Maintain design ideas to encourage innovative student thought • Most importantly, increase the ideas walkability ofdesign the expanded campusstudent • Incorporate xeric planting that innovative has aesthetic appeal thought • Utilize progressive design • Acknowledge spaces surrounding theto siteencourage to promote future development • Utilizesurrounding progressive design to innovative student thought • Acknowledge spaces theideas site toencourage promote future development • Use design strategies that consider the surrounding safety of users in all spaces • Acknowledge spaces the site to promote future development • Use importantly, design strategies that consider the safety of users in all • Most increase the walkability of the expanded campus • Use design strategies that consider the safety of users inspaces all spaces

• Most importantly, increase the walkability of the expanded campus • Most importantly, increase the walkability of the expanded campus

CAMPUS USE DIAGRAMS

CAMPUS USE DIAGRAMS CAMPUS USE DIAGRAMS

CAMPUS USE DIAGRAMS

Existing Buildings

Existing Buildings Existing Buildings Studio Classrooms Existing Buildings -Five Stories -71,475 Sq. Ft. Studio Classrooms Studio Classrooms -Five Stories -Five Stories -71,475 Sq. Ft. -71,475 Sq. Ft. Lecture Halls Studio Classrooms -4 Auditoriums -Five Stories Lecture Halls -22,035 Sq. Ft. -71,475 Sq. Ft. -4 Auditoriums Lecture Halls -Each seats 150-200 students -22,035 Sq. Ft. -4 Auditoriums -Each seats 150-200 students -22,035 Sq. Ft. Classrooms -Each seats 150-200 students Classrooms Lecture Halls -Approx. 150 rooms -Approx. 150 rooms -Five Stories -4 Auditoriums Classrooms -159,030-Five Sq. Stories Ft. -22,035 Sq. Ft. -159,030 Sq. Ft. -Approx. 150 rooms -Each seats 150-200 students -Five Stories Resident Housing -159,030 Sq. Housing Ft. Resident -580 Total Units including those those aboveabove -580 Total Units including Classrooms the first floor in floor the 4inbuildings northnorth the first the 4 buildings Resident -Approx. 150 rooms of the YMCA of theHousing YMCA -1,153 Residents -580 Total Units including those above -1,153 Residents -Five Stories -547,458 Sq. the first floor theFt.4 buildings north -547,458 Sq. Ft.in-159,030 Sq. Ft. of the YMCA Mixed Use Mixed UseResidents -1,153 -27 Vacant Units -27 Vacant Units -55,092 -547,458 Sq. Ft.Sq. Ft. -55,092 Sq. Ft.Resident Housing Mixed Use -580 Total Units including those above -27 Vacant Units the first floor in the 4 buildings north Utility -55,092 Sq.Access Ft. theexisting YMCA -Connectionsof with alleyways are Utility Access hiddenwith from the pedestrian rightare of way -1,153 Residents -Connections existing alleyways -547,458right Sq.ofFt.way hidden from the pedestrian Utility Access Mixed Use alleyways -Connections with existing are Pedestrian & Automobile Circulation -27 Vacant Units hidden from the pedestrian right of way Pedestrian & Automobile Circulation -55,092 Sq. Ft.

Pedestrian & Automobile Circulation Planted & Green Space -Storm gardens, rainwater harvesting & xeric Utility enhance Accessan ecological urban system plant material

Planted & Green with botanical existinggarden alleyways are -Serves Space the-Connections downtown as a small -Storm gardens, rainwater harvesting & xeric hidden from the pedestrian right of way plant material enhance an ecological urban system Planted Green Space as a small botanical garden -Serves&the downtown -Storm gardens, rainwater harvesting & xeric plant material enhance an ecological urban system Pedestrian Automobile Circulation -Serves the downtown as a & small botanical garden

MASTER PLAN HARDSCAPE MATERIALS

MASTER PLAN

Pervious Concrete

Turf

HARDSCAPE MATERIALS

Tumbled ‘Barcelona’ Paver

Navajo Brown DG

Madera ‘Firenze’ Stone Paver Turf

Tuscany Brown DG

3

MASTER PLAN

Pervious Concrete

HARDSCAPE MATERIALS

Grey Yorkshire Tumbled ‘Barcelona’ Paver Stone Paver Pervious Concrete

Santa Fe Brown DG Navajo Brown DG Turf

Madera ‘Firenze’ Stone Paver Tumbled ‘Barcelona’ Paver

Tuscany Brown DG Navajo Brown DG

Grey Yorkshire Madera ‘Firenze’ Stone Paver Stone Paver Pistacia chinensis

Santa Fe Brown DG Tuscany Brown DG Caesalpinia cacalaco Bluish Grey DGCascalote Santa Fe Brown DG

TREE PALETTE

MASTER PLAN

Chinese Pictache

Grey Yorkshire Ulmus parvifolia Stone Paver Littleleaf Elm TREE PALETTE HARDSCAPE MATERIALS Olneya tesota

Ironwood Pistacia chinensis Pervious Concrete

TREE PALETTE Chinese Pictache

TREE

Prosopos velutina Velvet Mesquite

Ulmus parvifolia Tumbled ‘Barcelona’ Paver Pistacia chinensis Parkinsonia microphylla Littleleaf Elm Littleleaf Palo Verde Chinese Pictache Olneya tesota Acacia farnesiana Madera ‘Firenze’ Stone Paver Ulmus parvifolia Ironwood Sweet Acacia Littleleaf Elm Prosopos velutina Parkinsonia floridum Olneya tesota GreyMesquite Yorkshire Blue Palo Verde Velvet Ironwood Stone Paver Ebenopsis ebano Parkinsonia microphylla Prosopos velutina Littleleaf Palo Verde Texas Ebony Velvet Mesquite Acacia berlandieri Acacia farnesiana Guajillo, Thornless Catclaw Parkinsonia PALETTE Sweet Acaciamicrophylla Littleleaf Palo Verde Parkinsonia floridum CAMPUS BUILDINGS Acacia farnesiana Blue Palo Verde Pistacia chinensis Sweet Acacia Chinese ebano Pictache Ebenopsis Parkinsonia Texas Ebony floridum Ulmus parvifolia Blue Palo Verde Acacia berlandieri Littleleaf Elm EbenopsisThornless ebano Catclaw Guajillo, Texas Ebony Olneya tesota

Ironwood Acacia berlandieri CAMPUS BUILDINGS Guajillo, Thornless Catclaw Prosopos velutina Velvet Mesquite CAMPUS BUILDINGS Parkinsonia microphylla Littleleaf Palo Verde

Bluish Grey DG

3

3

Aloysia virgata Sweet Almond

3

Bluish Grey DG

Eucalyptus torquata

Coral Gum Caesalpinia cacalaco Turf Acacia aneura Cascalote

43

3

1

Mulga Acacia

Aloysia virgata Navajo Brown DG Caesalpinia cacalaco Acacia schaffneri Sweet Almond Twisted Acacia Cascalote EucalyptusTuscany Brown DG torquata Geoffroea decorticans Aloysia virgata Coral Gum Chilean Palo Verde Sweet Almond Acacia aneura Quercus fusiformis Santa Fe Brown DG Eucalyptus torquata Southern Live Oak Mulga Acacia Coral Gum Bursera microphylla Acacia schaffneri Bluish Grey DG Acacia aneura Twisted Acacia Elephant Tree Mulga Acacia Geoffroea decorticans Acacia schaffneri Chilean Palo Verde Twisted Acacia Quercus fusiformis Geoffroea decorticans Southern Live Oak Caesalpinia cacalaco Chilean Palo Verde 1 Cascalote Bursera microphylla Quercus Tree fusiformis Elephant virgata SouthernAloysia Live Oak

a’

b

2

3

b’

4

1 a

a’

4

1

3 b

2

b’

2

b

2

a’

b’

a

2

Sweet Almond

Bursera microphylla ElephantEucalyptus Tree torquata

a 2

Coral Gum

4

Acacia aneura Mulga Acacia

2

1

1

2

Acacia schaffneri Twisted Acacia

1

PERSPECTIVE a’

2

SECTION

Geoffroea decorticans Chilean Palo Verde

Parkinsonia floridum Blue Palo Verde

Quercus fusiformis Southern Live Oak a

Acacia berlandieri Guajillo, Thornless Catclaw

3 3

Acacia farnesiana Sweet Acacia

Ebenopsis ebano Texas Ebony

Planted & Green Space -Storm gardens, rainwater harvesting & xeric 3 plant material enhance an ecological urban system 3 -Serves the downtown as a small botanical garden

b

2

2

b’

a’

Bursera microphylla Elephant Tree3

a

2

Main Mall Overview

PERSPECTIVE

Sunken Garden

2

CAMPUS BUILDINGS

SECTION

PERSPECTIVE

2

SECTION a

1

a’

Sunken Garden & Student Center Entry

Main Mall Overview

4

3

a Sunken Garden

2

a’

b

b’

Main Mall Overview

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2

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Landscape Architecture: Landscape Architecture III

Students: R. Maves / S. Okeson Faculty: Kristian Kelley

Visual Communication Design: Visual Communication Design V

Student: Hannah Diaz Faculty: W. Heywood / A. C. Sanft


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EX PA N D EX PA N D

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A compilation of all the sources I have found informative

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This is a types visual representation of an Urban Island digital book, which was made as a website. The title section uses parallax A list of the various of presentations I’veHeat done scrolling in which the background moves at a different speed than the typical scrolling speed. The rest of the images are fixed with a related quote that scrolls by, which are then wiped into other images by the section headers. When the buttons are clicked, the corresponding information is then displayed for further analysis. For the full web experience, visit: andrewsapiens.com/urbanheatisland

THE RESEARCH

This is a visual representation of an Urban Heat Island digital book, which was made as a website. The title section uses parallax EXPAND A compilation of all the sources I have found informative scrolling in which the background moves at a different speed than the typical scrolling speed. The rest of the images are fixed with a

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The Montessori Patch

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corresponding information is then for further analysis. thesection full web experience, visit: andrewsapiens.com/urbanheatisland related quote that scrolls by, whichdisplayed are then wiped into other imagesFor by the headers. When the buttons are clicked, the corresponding information is then displayed for further analysis. For the full web experience, visit: andrewsapiens.com/urbanheatisland

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THE RESEARCH THE PRESENTATIONS compilation of all the sources I have found A listA of the various types of presentations I’veinformative done THE RESEARCH A THE compilation of all the sources I have found informative RESEARCH

The Montessori Patch School connects and extends the physical space and the learning opportunities from the school’s students to the larger community. Through transparency and shared spaces, the design blurs boundaries between teachers, students, school and community.

“When he [student] knows that the life of the plants that have been sown depends upon his care in watering them ... without which the little plant dries up, ... the child becomes vigilant, as one who is beginning to feel a mission in life.” (Montessori, 1912)

EXPAND

CLO S E

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A compilation of all the sources I have found informative

THE PRESENTATIONS

The symbiotic relationships often found in our ecology informed the design and was developed in different scale, from students to community prompting cooperation, interdependence and vigilance. The school’s layout encompasses a series of ecological patches that are integrated to each classroom, creating a sense of continuity with the environment.

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A list of the various types of presentations I’ve done

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A list of the various types of presentations I’ve done

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EXPAND

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THE MOTION PROJECT

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An aspect of my topic represented by a stop motion video

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Montessori Patch Context

THE MOTION PROJECT THE PRESENTATIONS An aspect of my topic represented by a stop motion video THE RESEARCH

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Sonoran Desert

CLOSE

A list of the various types of presentations I’ve done

THE MOTION PROJECT

A compilation of all the sources I have found informative

The Desert Ecological Patch map

Peoria, AZ

AZ Upland

EX PA N D

Sonoran desert

Lower Colorado Valley

Creation of the classrooms form

EXPAND

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-Ecological patches mitoses

Arizona Upland

W. North Ln.

Peoria Avenue

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Foothills of Sonora

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67th Avenue

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75th Avenue

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Foothills of Sonora

Ira A. Murphy Elementary School

W. Cheryl Dr

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Educational PAtches x Ecological Patchs

Layout Diagram Extending the landscape into the site

Creation of a plaza for dinamic interface between School and community

Educational Patches

Educational Patches

Park

Connecting the school program to the park

Park

SITE

Administration

Interior Indoor learning

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native plants

Exterior Outdoor learning

-

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Blur the boundaries between inside and outside

EX PA N D Bring the Community Together

Offer a hands-on environment that encourages Exploration

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A visual representation of my topic in the form of a clock

THE MOTION PROJECT

Administration

Exterior

Educational patch

The mission

EX PA N D CLO SE

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THE PROJECT PRESENTATIONS THE CLOCK A list of the various types of presentations I’ve done

passive irrigation Vegetation

Park

Park -

Art , music and cafe

Organic made compost

Soil

Ecological patch

Muilty-use Space

Park

Muilty use Space

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Water

Plant Nursery

Plant Nursery

Park

Classroom patch

Students

Wild life

Organisms

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Park and School Shared Stage

Neghborhood park

An aspect of my topic represented by a stop motion video

THE MOTION PROJECT

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Parking lot Muilti-use Space

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Foothills of Sonora classrooms

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Plains of Sonora classrooms

Lower Colorado Valley classrooms

Lower Colorado Valley Classroom

Pre-School

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Plains of Sonora outside learning environment

A list of the various types of presentations I’ve done

Four Peaks Play Area

Entrance

Pre-School

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Native Trees Nursery

Music Room

Administration Entrance

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EX PA N D Music Stage

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Site plan

THE CLOCK PROJECT

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EX PA N D

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THE CAMPAIGN

Park and School Shared Stage

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School Front and School Plaza

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Music Stage, Exhibition Space and Community Cafe

Administration Section

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A pending strategy to help Phoenix deal with the issue

Fall 2012

THE CAMPAIGN Undergraduate A pending strategy to help Phoenix deal with the issue Fourth Year THE CAMPAIGN

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Visual Communication Design: Andrew Sapiens A pending strategy to help Phoenix deal with the Student: issue CAMPAIGN THETHE CAMPAIGN PROJECT ATHE pendingCLOCK strategyDesign to help PhoenixV deal with the issue CLOSE Visual Communication Faculty: W. Heywood / A. C. Sanft A visual representation of my topic in the form of a clock EX PA N D

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EX PA N D

EX PA N D EX PA N D

Graduate Three Plus Year Architecture: Core Architectural Studio I

Student: Jussara Scarle Faculty: Jose Pombo

Multi-use Space Section


Inspirations

Rick Joy Studio

Ram earth wall

Montessori Canal Elementary

Tucson,AZ

First Assembly of God

Montessori Canal Elementary locates on the corner of the open field between Lofts on Rio Salado and the north of Freeway 202 and east of Priest Dr. Rick Joy’s studio becomes an important point of reference for this project. Ram earth wall was used to determine the rhythm and orientation for the whole school as a sequence of bands that define both the classrooms and courtyards. On one side they are classrooms and on the other side they are courtyard spaces. These walls, serve as protection against the sun from the west and contributes to the overall energy system because of its thermo comfort characteristics. In this project there are totally 22 classrooms. All of them queue up in the line of the stretching ram earth walls on their right hand side. The 18 elementary classrooms are divided into three units, in which four downstairs and two upstairs. Four Pre-K classrooms locate on the southeast corner

which is closer to the parking lotto provide a better drop and pick up experience for Pre-K kids and their parents. In each classroom, there is: an attached garden, a food preparation area, a gathering space and their study corners on maths, language and culture. Since kids like working on the ground, a platform is designed by the window. Gym, multifunctional bar and administration were on the north end of each ram earth wall, approaching the future road. The space in the middle then becomes the playground. Meanwhile the slightly rotated multifunctional bar and administration form an acute angle—the main entrance. In this project, bearing walls and slabs are mostly used. Trusses are used in the spanning gym and the handicap friendly skywalk. Since the structures in this project is scattered, individual AVA unit is applied for each two classrooms.

Rotated bars provides spatial diversity

Phoenix, AZ

The Hill House David Coleman

boundary of school and public

Winthrop, WA

Keystone Montessori

Garage door extends indoor space towards outside

Phoenix, AZ

Site + Planing

Section1

Section2

Urban Contact 1st Floor Section3

View 2

Structure concrete bearing wall and beam

View 1

Structure truss in spanning gym View 3

Structure truss on skywalk

Sections + Elevations

2nd Floor

Air Conditioner individual AVA unit on the roof of each classroom

South Elevation

North Elevation

Section1

Section2

Section3

Renderings

view 2

Architecture: Core Architectural Studio I

view 1

view 3

Student: Xi Zhu Faculty: Milagros Zingoni

Industrial Design: Core Industrial Design Studio I

Student: Benjamin Schaub Faculty: Joseph Velasquez


standardwax 8

Telluride is a small ski resort in the southwest corner of Colorado. Tucked away in a box canyon, surrounded by the peaks of the San Juans, Telluride started off as a mining town in the 1800’s and later on, in 1973, became a ski resort. Telluride is a National Historic District with Victorian architecture and a well-preserved downtown filled with restaurants and shops. In 1963, the town was officially designated a National Historic Landmark District because it commemorated the design of the mining boom era from 1878 to 1913. A sense of history is an important part of community identity in Telluride. Preservation of the connection with the town’s history is a high priority for citizens in the community.

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78"

2 3/4"

60"

30"

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6 1/2"

3/4” plywood

3"

metal wall bracket

3 1/2"

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18"

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11

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Fall 2012

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Graduate Three Plus Year Interior Design: Core Interior Architecture Studio I

Student: Kirsten Keane Faculty: Michael Kroelinger

Visual Communication Design Core Visual Communication Design Studio I

Student: Benjamin Gerster Faculty: Mookesh Patel


INNOVATION CENTER

Flying to Win Battleground States

PROGRAM SCENARIOS + INITIAL CONFIGURATIONS

A look at the 2013 presidential candidates’ travel beginning on the day of the republican convention up to election day.

PLATFORMS

TRSANSIT-STATION 2268 sf = 810 sf + 1458

ABSORB

LEARNING CENTER

CAMPUS

6318 sf LIGHT RAIL

FUTURE EXTEND

s

INSTITUTE

l 10 Min

Light Rai

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10

N

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WALKING BUS STOP /LIGHT RAIL

COLLEGE

N

MAIN ENTRANCE

E Orange St

PRODUCE

WORKSHOP + LAB

E Victory Dr

3240 sf

SPREAD

S Price Rd

Light Rail

101/price Fwy

Apache Blvd

S Lebanon Ln

E Mcarthur Dr S Price Rd

E Home Ave

S River Dr

TRANSFORM DRIVING

s

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Adding: 40 stalls

SITE

SITE

CULRURAL

COMMERCIAL

GREEN LAND SINGLE FAMILY

MUTI-FAMILY

WEEKEND

20%

8%

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TYPES OF CURRENT FLOWS WORKER

LOCAL ARTIST

TEACHER

STUDENT

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22%

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Rail Track

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N

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60%

THOUGHTFUL EXPERIENCED

15%

10%

10%

20%

5%

80%

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Occupancy

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Connection

“Green” Infrastructure

Total: 160 stalls

Open

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Roof Garden

Water Treatment

A-A Section

B-B Section

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Site Model

Physical Model

Physical Model

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CORE -- BRANCH

PARKING

CLOSED LOOP SYSTEM WORKSHOP + LAB

LEARNING CENTER

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TRANSIT STATION

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COMERCIAL SERVICE

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PARKING

WORKSHOP + LAB

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N

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N

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Ground Perspective - Main Entrance

Graduate First Year Visual Communication Design Core Visual Communication Design Studio I

Student: Jennifer Testamarck Faculty: Mookesh Patel

Architecture: Advanced Architectural Studio I

Student: Guangyu Cen Faculty: David Newton


Apache & 101 Transit Station and Urban Farm Universit y D r

101

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the Apache/101 site exist

tion of nearly 4.3 million

throughout the city partly

spaces could be bet-

people the Phoenix metro

as a response to zoning

ter utilized? What if this

area is faced with unique

ordinance requirements

space could flex and

transportation and urban

and partly as a response

adjust programmatically

lifestyle problems. The use

to cultural necessity.

throughout time to ad-

of automobiles is prev-

These lots are often times

just to the ebbs and flows

alent and the negative

underutilized as they are

of urban needs? What

externalities of extensive

designed for the maxi-

if these urban ebbs and

automobile use such as

mum projected use even

flows were intertwined

pollution, loss of green

though that maximum may

with natural flows to cre-

space, and gradual con-

only exist for a short peri-

ate beneficial community

tinuous amoebic sprawl

od of time throughout the

spaces centered on a new

are all evident throughout

life of the site.

distributed urban farming system?

Phoenix. Large paved parking areas such as

Apache Blvd

M

ax

Ar

im u ea m R es id 8/ en 10 tia th l F m ile ee di ra ng di us

101

Broadway Rd

Urban kit-of-parts

Expansion into Exiting Urban Fabric The methodology and process

The same process used on another

velop from the local site context

used to design the building on the

site will produce different results as

differently.

Apace & 101 site can be used on

the pieces and parts the building

other locations around the city.

is created from react to and de-

Site 1

SOCIALIZING SPACES

E xpansion Site 1 lies northeast of the Apache site. Currently the site is an empty lot which could be better utilized by adding a small

LOBBY

farm tucked behind the neighborhood homes. A small fa rmer’s ma rket may be ideal within the site as it has the possibly to serve the surrounding neighborhood in a way

LOCKERS

similar to an urban convenience store.

RESTROOMS

SHADED AREAS

COMMUNITY SPACE

Site 2 E xpansion site 2 covers a large parking lot currently used by local businesses. Because the site is currently completely paved over, a modu-

INDOOR RESTAURANT SEATING

lar planting bed system could be implemented. A central market and nearby shaded spaces provide a space for the local business employees to enjoy a break or

OUTDOOR RESTAURANT SEATING

to visit quickly after work to pick up food before heading home.

BAR

BACK-OF-HOUSE

FARMING GREENSPACE

Site 2

Kale-2

Broccoli-3

Beets-3

Pumkins-4

Parsnips-4 Celery-5

Peas-5

Dec

Nov

Oct

Dec

TRANSIT

The initial program of the site

Future? All por tions of the second lev-

The lower level of the ga rage

The combined squa re footage

allows enough parking to be

is solely dedicated to park-

el parking can be converted

of the elevated urban farm

used as a park and ride as

ing while the upper floor has

over to green-space. This el-

and surrounding permanent

well as for the additional pro-

a couple strips of community

evated urban farm by itself is

farm on site totals nearly

gram added to the site.

gardens that slice the lev-

now large enough to provide

210,000 SF.

el into strips. These gardens

enough food for nearly 4,000

provide places of rest but also

people that live within about

provide an optimistic glimpse

a half mile radius of the site.

of what the parking garage will become in the future.

Adaptability of Parking Structure

Adaptability of City Existing

Simplified Existing

Simplified Proposed

Current

Transition

Human Scale

Fall 2012

Graduate First Year Architecture: Advanced Architectural Studio I

Student: Ann Rothove Faculty: Chris Lasch

Architecture: Advanced Architectural Studio I

Student: Ryan Short Faculty: Dan Clevenger

No plant variety available to fill space during given month

Total SF available for planting during given month

Total number of distinct species available to plant

Total SF available for Total SF available for planting during given month u ri li a ng g i fvoern m o n t h Tpol taanl t Si nF ga d va ble planting during given month

Present

Total number of distinct species available to plant

Total harvest

Carrots-5

Sep

Aug

Planting and Harvesting Schedule

B e eTt o s -t3a l n u m b e r o f d i s t i n c t s p e c i e s a v a i l a b l e t o p l Taontta l h a r v e s t abv e a ri l a Tsopteacl i neus m ob f ldei sttoi npc lta n t s ps -e5c i e s a v a i l a b l e t o p l a n tN o p l a n t v a r i e t y a v a i l a b l e Pea N o p l a n t v a r i e t y a v a i l a b l teo f i l l s p a c e d u r i n g g i v e n Total SF available for to i ll la snpt avcaer i e dtuyr i a n vgagi l iav b e lnem o n t h C a r rNo ot s -fp5 planting during given month tm o of n i l tl hs p a c e d u r i n g g i v e n month Total harvest Total harvest

Total harvest

Planting and Harvesting Schedule

Peas-5

Sweet Corn-2 Peppers-4

Number of distinct species available

Celery-5 Artichokes-5

Dec

Broccoli-3

Cabbage-4

Nov

Spinich-2

Oct

Aug

Spinich-2

Lettuce-3

15

Parsnips-4

Peanuts-5

15 Cauliflower-4 Planting and Planting aa gne -d Cabb 4 No plant variety available PHl a a rnvtei ns g snip fill space during given t PiCanera gns -d S4 cHhaerdvuelset i n g S c h e d u tmloe lery-5 onth Lettuce-3 H a r v e s tAir n ticg h o k eS s - 5c h e d u l eT o t a l n u m b e r o f d i s t i n c t Mustard-2

Nov

Oct

D eDce c

Kale-2 Mustard-2

Mar

Jan

Carrots-5

Feb

Peas-5

Carrots-5

Sep

Aug

O cOt c t

July

S e Spe p

Jun

A uAgu g

May

J u Jl yu l y

Apr

Mar

Number of distinct species available

Carrots-2

15

Spinich-2

Cabbage-4

July

Celery-5 Artichokes-5

Jun

Parsnips-4

50,000

Kale-2 Mustard-2

Lettuce-3 Broccoli-3 Cauliflower-4

Sunflowers-4

May

Cabbage-4

Beets-3

Peas-5 Carrots-5

Number of distinct species available

Cauliflower-4

Sweet Potatos-4

Apr

30

Carrots-5

J u Jnu n

Jan

M aMr a r

Beets-3 Peas-5

July

Sweet Corn-2

Jun

Sweet Corn-2 Peppers-4 Sweet Corn-2

Basil-3

Beans-3 Melons-3

Spinich-2 Lettuce-3

Artichokes-5

AC rte i cl e h royk-e5 s - 5

B e e tAsr-t 3i c h o k e s - 5

Okra-3 Blackeyed Peas-3 Kale-2 Mustard-2

Broccoli-3

Cauliflower-4

Sweet Corn-2

CPaabrbs n a igpes - 4 P aCr e s nl ei pr ys -- 5 4

Peppers-4

F e Fbe b

Spinich-2

Lettuce-3

l i -e3r - 4 CBar uolci fcl oow Cual b Ca i fb l oawgeer--44

Peppers-4 Peanuts-5

Mar

Jan

Pumkins-4

Carrots-5 Peppers-4

15 15

LBer o t tcuccoel-i 3- 3

Pumkins-4 Sunflowers-4

P en a fsl-o5w e r s - 4 Su Sunflowers-4 Carrots-5 Peanuts-5 Peanuts-5 Pumkins-4

Peanuts-5

Sweet Potatos-4

Artichokes-5

Peas-5

MKuas lt ea-r 2d - 2 Mustard-2 Spinich-2

Cucumbers-2

30 100,000

Sep

M eCl oe n l es r-y3- 5

Sweet Potatos-4 Carrots-2 Sweet Potatos-4

Pumkins-4

May

50,000

Celery-5 Artichokes-5

Sunflowers-4

Melons-3

Melons-3

Parsnips-4

Carrots-2

Carrots-5

J a Jna n

Kale-2

Cabbage-4

Parsnips-4

Melons-3

Sweet Potatos-4

Beans-3

N oNvo v

Peas-5 Carrots-5

Basil-3 Blackeyed Peas-3

C a u l i f l oB w e earn- 4s - 3

Mustard-2

Carrots-2 Peas-5

Okra-3

OB karsai l--33

Spinich-2

Cabbage-4

Re-Adaptability Over Time

Beans-3

Cucumbers-2 Okra-3

Basil-3 Blackeyed Peas-3 Lettuce-3 Blackeyed Peas-3 Broccoli-3 Beans-3

Kale-2

Cauliflower-4

AC rte i cl e h royk-e5 s - 5

CarrA o rt tsi -c2h o k e s - 5

PARKING

Cucumbers-2

Kale-2 Mustard-2

Broccoli-3

50,000

CPaabrbs n a igpes - 4 P a r s n i p sC - 4e l e r y - 5

Cucumbers-2

Apr

100,000

Lettuce-3

Spinich-2 Lettuce-3

LBer o t tcuccoel -i 3 -3

Cual b Ca i fb l oawgeer--44

Blackeyed Peas-3

Spinich-2

B r o c cC oa l i u- 3l i f l o w e r - 4

50,000 50,000

Basil-3

Feb

100,000

Okra-3

Feb

MKuas lt ea-r 2d - 2 Mustard-2 Spinich-2

30 30

Cucumbers-2

M aMya y

100,000 100,000

Kale-2

150,000

150,000

A pAr p r

OFFICE

150,000 150,000

SF available for planting and harvest SF

S F SaF vaavi laai b l al eb l feo rf opr l a p nl at inntgi n a g nadn h d ahr vaer vs te sStF S F

COMMUNITY NURSERY

SF available for planting and harvest SF

200,000

200,000

200,000 200,000

30

150,000

N uNmubmebr eor f odf i sdt ii sntci nt cs tp sepcei ecsi eas vaavi laai b l al eb l e

FARMERS MARKET

SF available for planting and harvest SF

200,000

50 Years


AGORA

Aγορά - GATHERING PLACE, ASSEMBLY

waste density/ severe street flooding

2yr flooding

10yr flooding

100yr flooding

urban schematic [event] social gathering eating resting sorting

The Park-and-Ride at Apache Blvd and Price Fwy currently bears witness to an array of variables. The Park-and-Ride consists of very distinct ebbs and flows that vary from day to night, week to weekend, summer to winter. Various types of transportation inhabit the site including the Valley Metro Bus and Light Rail, vehicular, bike, and pedestrian traffic. The Light Rail has turned Apache Blvd into an essential connective artery that is rapidly gentrifying and growing the community.

10-20 cartoneros starts 18:00typically

centro verdes proposed site extents cartonero gathering

9.0

7 km

10. 12 km 9.9 1 km

cartonero

gathering 30m residential

7.97

The Agora consists of several main programs: transit center,retail, café, grocery, theatre, daycare, and health/wellness/community center. These programs can be found throughout Tempe, but are greatly disbursed poorly connected. The Agora weaves together the site’s various types of transportation and programs to create a space that adapts to the site’s daily rhythms and expands over time. The arrangement of the fixed programs stems from the natural diagonal pedestrian circulation that bisects the site. The flexible programs wax and wane along the site’s horizontal grain. The programs also take advantage of several shared spaces to ensure the spaces’ viability from day to night. Parking and pedestrian activity are blended together via a series of iterative folds. The arrangement of the programs in a series of modular slices allow for easy future expansion and programmatic repurposing.

30m residential

barracas

40m residential

1

10m existing

centro verde

20m technology research

20m

Overall, these key attributes work in concert to create a breathable space for people to gather and build community.

technology research

urban axon

30m residential

10m existing

30m residential

2

site systems

section B

time diagramming

time dependent programming [urban scale] [year] [month] [week] [day]

[hour] [minute] path ecology

centro verde

not-time specific

20 spontaneous program

event space

15 10

EXISTING PEDESTRIAN CIRCULATION

[sudestada]

3

night program

month

0

pedestrian circulation

EXISTING VEHICULAR CIRCULATION

cartonero/CV

5

constructed wetlands sustainable storm drain system exposed maldonado stream path native species arboretum avian habitat gardens urban agriculture pedestrian path bicycle path skate park bike park competitive swimming pool amphitheater sculpture exhibit performance playground street vendor restaurant retail restrooms sorting [i] eating [i] gathering [i] composting [e] x waste [e] semi truck/vehicle access [e] parking [e] time

programmatrix [urban scale]

[month]

centro verde

columns 0

50

100

200

300

year

500

20

annual days of percipitation 20 average monthly rainfall (cm) month 15 week day 20 10 15

5 20 0 15

[oct] 13.9cm

10 5

[sep]

20

20

[annual rainfall(cm)]

linear benches

15

planters

[dec]

12.1cm

5

20

20

15

15

10

10

5

5

5

[storm water] [july]

0

[june]

5

7

5.0cm

percipitation event year month week

1985 Sudestada 300mm in 24hr

20 103mm

15

days/month of rain days/month of rain month week day

Centro Verdes

9.2cm

[june]

[sudestada event(cm)]

tributary runoff(liters)] Centro Verde plazas

[may]

5.3cm

decade

10.7cm

0

year

Apache Blvd

[mar] 15.4cm

[apr] 10.7cm

6

8 [july]

5

[feb] 12.2cm

8

6.3cm

0

[apr]

av. days of rain/month month week day

9

7 [aug]

0

5.0cm

12.1cm

10

7.8cm

9.2cm

0

[jan]

9 9

[sep]

10 [mar] 15.4cm

10

[may]

[dec]

9 10

9

15

12.2cm

year

10.3cm

[nov] 13.1cm

[oct] 13.9cm

20 [feb]

5

15

5.3cm

permeable plazas

10

0

20 0

15

0

[jan]

5 0

20

10

6.3cm

saturation duration day hour 10min

15

5

0

10 [aug]

cm

10

10.3cm

5

[sudestada duration]

20

10

10

7.8cm

0

24hr

15

15

[nov] 13.1cm

[dec]

234,930,434 liters

10 20 15

[jan]

[nov]5

121mm 275,986,238 liters

131mm 298,795,018 liters

0

10 103mm

[oct]

[dec]

230,952,930 liters

[feb]

5

122mm 278,267,116 liters

139mm 0 317,042,042 liters

[jan]

[nov]

20

121mm 214,963,881 liters

131mm 232,729,491 liters

15 10

[feb]

[oct]

roof structure

[sep]

site structure

0

[mar] 154mm 273,590,394 liters

native trees

[apr]

[aug]

107mm 244,053,946 liters

63mm 143,695,314 liters

[apr]

[aug]

107mm 190,092,027 liters

63mm 111,923,343 liters

[may]

[july] 53mm 120,886,534 liters

riparian trees

53mm 94,157,733 liters

[june]

50mm 114,043,900 liters

92mm 163,443,612 liters

[B]

92mm 209,840,776 liters

[june]

[may]

[july]

50mm

light columns

[mar]

154mm 351,255,212 liters

78mm 177,908,484 liters

78mm 177,908,484 liters

101

5

[sep]

122mm 216,740,442 liters

139mm 138,571,758 liters

[A]

88,828,050 liters

[tributary area]

water flow

400 350 300 250 200 150 100 50 0

stormwater and pocket wetlands

truss structure

berms

[B] 1,776,561 sq m tributary area

detention basins

30,398,932 liters/storm event

[B] -5% coefficient permeable, -5% evap. =27,359,038 liters/24hr storm event

liters/storm event [A] 39,028,356 -5% coefficient permeable, -5% evap.

existing vegetation structure

columns

=35,125,520 liters/24hr storm event

400 350 300 250 200 150 100 50 0

retail restaurant development

[A] 2,280,878 sq mtributary area

previous/existing railroad

new development

roof structure and centro verde program

[B]

existing sewer

12,453,012 liters/24hr (X3)

[A]

Vehicular circulation

project site

7,025,104 liters/24hr (X5)

time based site programming 0

7

6

5

4

3

2

Community Education Center

Daycare/ Nightclub

Vertical Circulation

Auditorium

Grocery/Market

Retail

1

17

17

6

site

watershed area

17

6

6

Transit Center

storm drain

KIT OF PARTS Adapts to daily rhythms / expands over time

12

RETAIL Outdoor Displays, Shopping

[spatial use(hr)]

[spatial use(hr)]

park accessible pedestrian cartonero

park accessible pedestrian cartonero

park accessible pedestrian cartonero

centro verde

centro verde

centro verde

[circulation]

0

[circulation] water pedestrian cartonero truck

[circulation]

water pedestrian cartonero truck

water pedestrian cartonero truck

28m2

17

public private seperated by service corridor

53m2

9m2

GROCERY STORE Small Outdoor Market

Centro Verde

3

[program]

centro verde

[program]

centro verde plaza restrooms/service

Centro Verde

2

centro verde [non-program]

centro verde plaza restrooms/service

[program]

centro verde plaza restrooms/service

Centro Verde

sorting module-2 9m

centro verde [program]

2

container storage 28m

2

1

centro verde [spatial use(hr)]

12

2

storage 9m

accesable

2

kitchen 28m

flexible sorting space2 53m flexible sorting space 38m

x

social main hours-work

kitchen module2 9m

cv space modules date existing adjacencies + new events

solid

-

a fe

city the of

a sant

section 1/16= 1’-0”

plaz

[x4]

5m

5m 10m 52m

existing

typology

x

solid constructed space opens during use only

amount of people

EXISTING centro verde typology

cartonero use

public day use

WEEKEND: NIGHT RETAIL Outdoor Displays, Shopping

night line

THEATER Concert Art Walk/Show

4

of

the

city

k

par

NIGHTCLUB (Bar) Dance Floor COMMUNITY CENTER Informal Performance/ Movement Space Outdoor Reception

2012

3

Centro Verde

2022

2014

constructed wetland

day

HEALTH+WELLNESS

green roof

park

line

of

the

city

steel tray

WEEKEND: DAY

corrugated metal roof deck steel beam

5

RETAIL Outdoor Displays, Shopping

steel plate trim

RESTAURANT/CAFE Outdoor Dining

transluscent polycarbonate paneling

GROCERY STORE Farmer’s Market THEATER Seminar/Demonstration

COMMUNITY CENTER Outdoor courses, gatherings HEALTH+WELLNESS Outdoor group exercise Exercise Classroom

7

steel framing

DAYCARE Play Space

6

cast in place concrete floor

NEW contruction Centro Verde Module Typology park

FUTURE EXPANSION/PROGRAMMATIC REPURPOSING

Centro Verde

2

2012

2014

2022

10 year event typical low flow

typical low flow

typical section grey water pocket wetland

typical section storm water wetland system

8

centro verde

2024

Centro Verde

1

section B

2014

centro verde

2012

public pool

space transformed by events, people, time

Architecture: Advanced Architectural Studio I

Student: Alexander Tsaparis Faculty: Thomas Hartman

Landscape Architecture: Reading and Conference

Students: T. Fischer / S. McClure Faculty: Claudio Vekstein

2

2

x

existing time based usage

RESTAURANT/CAFE Outdoor Dining Market/Grocery

centro verde [adaptable] container storage 28m

centro verde

HEALTH+WELLNESS Outdoor group exercise Exercise Classroom

3

permeable

descarga de residuous

16m

COMMUNITY CENTER Outdoor courses, gatherings

2

sorting module-2 9m

38m2

centro verde

centro verde

line

DAYCARE Play Space Outdoor Play Area

storage module2-9m

6

7.8m2/cartonero

public private seperated by service corridor

public private seperated by service corridor

THEATER Closed

centro verde pavilion adapts to: scales of use adjacent events climate site peculiarities

28m2

RESTAURANT/CAFE Outdoor Dining

extents of surface area runoff treated by parque

centro verde

centro verde

[spatial use(hr)]

WEEK: DAY

1

12

12

centro verde

time duration of use

8 Health & Wellness Center

storm sewers 0

0

centro verde

flexible sorting space2 53m flexible sorting space 38m

km



Graduate First Year Urban Design: Advanced Urban Design Studio I

Student: Alba Rodriguez Faculty: Max Underwood


South Lake Union’s grass roots urbanism seattle. washington

b

NORTH

lake union park

queen ann

2

READY FOR DEVELOPMENT $50K HOMES 20+% VACANT 0-2,500 PPL/SQ MILE 20+% POVERTY

3

INNOVATION DISTRICT SCALE

6

seattle center

TEST

1. PROXIMITY 2. ACCESSIBILITY 3. LOW VALUE PROPERTY 4. SOCIAL MOVEMENT

APPLY

4 5

IDEATE 1

a

a'

denny park

DISCOVERY TRIANGLE

olympic scultpture park

ACCESSIBILITY AMENITY belltown james corner's future intervention for the waterfront

b'

elliot bay

0

overall plan

proposed gardening venue

Legend: seattle center

existing biotech companies

proposed green parking lots

existing hotels

proposed venues for landscape

5 min walking distance/ neighborhoods

proposed parks

neighborhood connections

proposed gardening venue

1 story office 1 story restaurant

5 story proposed hotel green parking lot

2 story office

proposed gardening venue

exist./ proposed emergency services (base on population increase)

proposed green parking lot (food truck location)

month january musical film/ theater show/ expo parade holiday food/ drink run/outdoor cultural

february

march

april

may

june

6 story apartments proposed gardening venue

proposed 8 story amazon building # 3 168,704 gsf

july

august

6 story hotel

holiday inn

3 story office

ENVIRONMENTAL COLLECTS WATER RUNOFF/WASTE HABITATS/BIODIVERSITY PASSIVE CONDITIONING/AIR FLOW DIMINISHES HEAT ISLAND

OA

SI

9 story hotel

7 story hotel

1 story autoshop

proposed green parking lot

aerial view september

ECONOMIC CONDENSED INVESTMENT PARTNERSHIP INVESTMENT: LAND VALUE PUBLIC SYNERGIES: HUMAN INTERACTION INFRASTRUCTURAL EFFICIENCIES

1 story retail

6 story apartments

partial enlargement event

2 story office

5 story hotel

john street

6 story office

king broadcasting

1 story office 3 story apts. proposed green parking lot

6 story hotel

proposed 8 story amazon building # 1 93,790 gsf

proposed 8 story amazon building # 2 175,627 gsf

6 story office

proposed pedestrian street

2 story office

5th ave.

proposed green parking lot

proposed green parking lot proposed 8 story amazon building # 5 127,133 gsf

thomas street

taylor ave.

proposed amazon mixed use (retail/ residential)

proposed gardening venue

4th ave.

proposed amazon mixed use (retail/ office)

space needle

1000'

2 story warehouse/ office 6 story seattle

aurora ave.

proposed green street

500'

pacific hotel

6th ave.

existing medical facilities

et

existing open space/ parks

existing amazon campus

st re

existing recent development

elec. station emp

oa d

blocks available for development

br

landmarks/ known buildings

200'

SOCIAL 3RD PLACE: OWNERSHIP & PROPINQUITY MIXER: STITCH SOCIAL FABRICS AMENITY: PROGRAMMED USE 3RD RETREAT: COOLER AIR TEMP. CELEBRATES PHOENIX

S

pike's market

october

november

BUILDING NEIGHBORHOODS WITH PARK OASES:

EASTLAKE FAMILIES

YUPPIE

INNOVATION HQ

december

1

2

3

4

5

6

7

8

9 10

11

RELIGIOUS NETWORKS

outstanding community events South lake union in Seattle is becoming hq to amazon. they are adding 3.6 million sq feet to their existing 1.8 million sq feet. This presents a unique urban development opportunity for a unique industrial city. South lake union is a community oriented. there is high neighborhood involvement. they are resilient and adaptable. By aligning human and natural systems with social activism - grass roots; and by developing and weaving the existing fabric with the new structures, the existing community activism with the newcomers the project proposes enhancing the neighborhoods. Proposed buildings and Amazon’s new employees will become part of the existing urban community and fabric.

1.promenade st.

2.connection to lake union

3.connection to lake union

4.pocket parks

5.discover the neighborhood

6.new parks

section a-a' looking north

section b-b' looking west

buildings

landscape

infrastructure

elements

Fall 2012

Graduate First Year Urban Design: Advanced Urban Design Studio I

Graduate Second Year Student: Alba Rodriguez Faculty: Max Underwood

Architecture: Advanced Architectural Studio III

Students: J. Lackie / A. Johnson Faculty: John Meunier


c a sc ai st i at a dde em a r ims o al c ra si i st ao dl e ス ウェ ー・ハ ウ ス

ス ウェ ー・ハ ウ ス

casita de marisol casita de marisol ス ウェ ー・ハ ウ ス

casita de marisol

“ AR CHITECTUR E COM ES ALIV E W HEN IT IS CO NNECTED TO THE N ATURAL WO RLD . ” - A KIHISA HIRATA

PRODUCED BY AN AUTODESK STUDENT PRODUCT

CLIENT : MS MARISOL RUIZ

“ ARCHITECTURE COMES ALIV E W HEN IT IS CO NNECTED TO THE N ATURAL WO RLD . ” - A KIHISA HIRATA

ス ウェ ー・ハ ウ ス

CLIENT HOB B IES : EXCERCIS E /GARDENIN G PRODUCED BY AN AUTODESK STUDENT PRODUCT

CLIENT: MS MARISOL RUIZ

EXISTIN G B UILDIN G AREA: 1,465 SQ FT (13% DENSITY ) PROPOS ED STRUSTURE US E : DW ELLIN G

PRODUCED BY AN AUTODESK STUDENT PRODUCT

SITE AREA: 11,150 SQ FT (1/4 ACRE )

LOCATION: 815 N. PALMAS DR | GOODY EAR AZ

DW ELLIN G DIMEN SION S : 15’ x15’ (225 s f)

FA MILY COMPOSITION: MARISOL+MOTHER+SISTER

casita de marisol PARTI: CONNECTIONS WITH NA-

CLIENT OCCUPATION: TELECOMMUNATION, COX

location

PRODUCED BY AN AUTODESK STUDENT PRODUCT

“ARCHITECTURE COMES ALIVE WHEN IT IS CONNECTED TO THE NATURAL WORLD. ” “ AR CHITECTUR E COMES ALIV E W HEN IT IS CONNECTED TO THE NATUR AL WOR LD . ” -AKIHISA HIRATA “AR CHITECTUR E COM ES ALIV E W HEN IT IS CO NNECTED TO THE NATUR AL WO R LD . ” - A KIHISA HIR ATA The main structure is a center steel tree column which mimicks the form Taking many of our cues from the strikingly efficient and well crafted archit e c t u r e d u r i n g o u r tス r i p tウェ o J a p a nー・ハ , t h i s p r o j eウ c t iス s a small dwelling designed for a young professional.

to use built environment as a platform to enhance health and wellbeing by providing equitable and affordable access to health education and care.

Best Prac tice

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PRODUCED BY AN AUTODESK STUDENT PRODUCT

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records

VISION NEO NATAL

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records

TRIAGE

community education

outpatient

community education NGO COLLABORATION

pharmacy

inpatient ISOLATION

MOBILE HEALTH

IT CAPABLITIES

records

et

Phasing

PRODUCED BY AN AUTODESK STUDENT PRODUCT

ase

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PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

pharmacy

inpatient

Dise

DENTAIL

admin HEALTHCARE IT

records

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Quality

PRODUCED BY AN AUTODESK STUDENT PRODUCT

tion

GARDEN

kitchen

maternity

STAFF TEAM ROOM

current

Health Promo

PRESENTATION PLATFORM

GYNOCOLOGY

STAFF EDUCATION

outpatient

Budg

PARTI: CONNECTIONS WITH NA-

administration

FAMILY PLANNING

WAITING AREA

laboratory

cies

Adjacen

mm

T h e m a i n s t r u c t u r e i s a c e n t odefw ret hl l ei nsgt rtet eeo ewb ehl i cc hotl utrhmeen -epf rr oe jeec, c ota l rlloeuws ii dmn eg snau ns dewea rmh. l eTi shcsi s hc po en rnmme ictitsimoon ni ebcectkow resneenr tionhfs i tedhee f o r m o f t h e t r e e w h i c h t h e p r o j e c ta2 n8 dri noecuhtses siiddei n tewoi st thh et huge rnou usdne deo, frf ug. rl tahsTes r hsel imi dspi nh ga psdi zoeionrrg. mcT oh ine nt eesnc tt ii rooen ndt wo eenl lai tncugr oei sTrbasynkui pnneklgaercnm- a on y f o f tohu r ec u e s f r o m t h e s t r i k i n g l y e f f i c i e n t a n d w e l l c r a f t e d a r c h i tecture during our trip to Japan, this project is a small dwelling designed for d w e l l i n g t o b e c o l u m n - f r e e , adi nwgl el lt lohi ne wg u, siaenr c goa nt neeaycet i ol senv eet ol awt himteh sl t keh ye sihsse rpbr ocgv aiodr dened nnv ioeau tacs i dst kei y. ol Fi grnho tm wbwh iei tchhti nwpg raotehvyei oed ue nns g pi r no f se s is di o nea l . AGGLOMERATION OF PARTS vgi e lwas stOR o st hLOVE e s s lk iy daFOR ni dn ngaTHE t u dr a loUGLY s ou nrl i .g h t Tt oh een t e re. nT h te i srk ey l i g hdt w i s ea l sl ol i oTnph rega bml aei i, sn s t sr u uc t unr ek i es na c e n t e r s t e e l t r e e c o l u m n w h i c h m i m i c k s t h e f o r m a n d o u t s i d e w i t h t h e u s e o f DAME, allowing for natural ventilation to occur. of the tree which the project resides under. This permits one corner of the 2 8 i n c h e s i n t o t h e g r o u n d , f u r t h e r e m p h a s i z i n g c o n n e c t i o n t o n a dt wue lrl i en g t bo yb e cpo l lu am nc- f -r e e , a l l o w i n g a s e a m l e s s c o n n e c t i o n b e t w e e n i n s i d e u t s i d e w i t h t h e u s e o f g l a s sAGGLOMERATION s l i d i n g d o o r . T h e e n t OF i r e PARTS dwelling is sunken i n gABSTRACTING t h e u s e r NATURE a t e y e l e v e l w Di IAGR t h AGGLOMERATION t h e h e r b g a r dOFe nPARTS o u t s i d e . F rABSTRACTING o m w i DAME, t a2hn8 di i nnoNATURE cgh eOR s t i nhLOVE t oe t h e g FOR r o u n d , THE f u r t h eUGLY r emphasizing connection to nature by placAM S d w e l l i n g , a c o n n e c t i o n t o t h e s k y i s p r o v i d e d v i a a s k y l i g h t w h i cdi nwhg e lt lhipne gru, soae rvc oai nt dneeeycetsi ol env et ol wt hi teh st kh ye ihse rpbr ogv ai dr de ed n v ioau tas i ds ke y. l Fi gr ho tm wwh ii tchhi n pg r ot hv ei d e s views to the sky and natural sunlight to enter. The skylight is also oprable, v i e w s t o t h e s k y a n d n a t u r a l s u n l i g h t t o e n t e r . T h e s k y l i g h t i s a al l sl o woi n gof opr rn aa t ubr al l ev ,e n t i l a t i o n t o o c c u r . DAME, OR LOVE FOR THE UGLY a l ABSTRACTING l o w i n g f o r NATURE n a t u r a l v e n t i l a t i o nAGGLOMERATION t o o c c u r . OF PARTS

TB TESTING

kitchen maternity

Co

PR O POS ED STR USTUR E US E : DW ELLIN G DIAGRAM v i e w s t oS t h e s k y a n d n a t u r a l s u n l i g h t t o e n t e r . T h e s k y l i g h t i s a l s o o p r a b l e , T h e m a i n s t r u c t u r e i s a c e n t e r s t e e l t r e e c o l u m n w h i Dc hI AG m iRmAMS i c k s t h e fDW o r mELLIN G DI MEN SIO N S : 15 ’ x15 ’ ( 225 s f ) allowing for natural ventilation to occur.

site plan:

PRODUCED BY AN AUTODESK STUDENT PRODUCT

TRAIGE

operational budget

healthcare space program

PRODUCED BY AN AUTODESK STUDENT PRODUCT

Taking many of our cues from the strikingly efficient and well crafted architecture during our trip to Japan, this project is a small dwelling designed for a young professional.

PRODUCED BY AN AUTODESK STUDENT PRODUCT

ABSTRACTING NATURE AGGLOMERATION OFPARTI: PARTS CONNECTIONS WITH DAME, OR LOVE FOR THE UGLY e main structure is a center steel tree column which mimicks the form “AR CHITECTUR E COM ES ALIV E W HEN IT IS CO NNECTED TO THE N ATUR AL WO R LD . ” FAMILY COMPOSITION: MARISOL +MOTHER+SISTER T a k i n g m a n y o f o u r c u e s f r o m t h e s t NArikingly efficient and well crafted archit h e t r e e w h i c h t h e p r o j e c t r e s i d e s u n d e r . T h i s p e PR r m i tO s oPOSED n e c o r n e r o fSTRUSTURE the USE: DWELLIN - A K IHISA HIR ATA t e c t u r e d u r i n g o u r t r i p t o J a p a n , t h i s p r o j e DIAGRAMS ct is a small dwelling designed for lumn G w h i c h m i m i cTELECOMMUNATION, ks the form OCCUPATION: COX e l l i n g t o b e c o l u m n - f r e e , a l l o w i n g a s e a m l e s s c o n n e cTTt aihokeni nmbgea tmi wn ae nes nyt r ui oncfsti udo reuer icsu ea s c fer no tme r t hs et e se tl r ti kr ei ne g lcyo CLIENT eTf hf ii cs i ep ne tr ma int ds wo ne el l ccor ranf et er d o fa rtchhei a young professional. d o u t s i d e w i t h t h e u s e o f g l a s s s l i d i n g d o o r . T h e e n t ior fe tdhwee l tl ri ne ge i ws hs iucnhk et nh e p r o j e c t r e s i d e s u n d e r . CLIENT IES: EXCERCISE/GARDENING t e c et ul lri en gd utG r i n ge ocuorl utEN r i p troe eJ, a pa al lS: no ,w it 15’ rs oe j ae mc (225 tl e isss acHOBB nh gi s a px15’ os sf nmnae) l cl t di owne lbl ient gw edeens i ignnsei dd e f o r i n c h e s i n t o t h e g r o u n d , f u r t h e r e m p h a s i z i n g c o n nDW e c t di ownELLIN t o n a t u or e b bDIM y p l a c m- n - fSION T h e m a i n s t r u c t u r e i s a c e n t e r s t e e l t r e e c o l u m n w h i c h m i m i c k s t h e f o r m SITE AREA: 11,150 SQ FT (1/4 ACRE) CLIENT : MS MAR ISO L R UIZ t h e u s e r a t e y e l e v e l w i t h t h e h e r b g a r d e n o u t s i d e . aaFnrydoomuonuwgti st hpi di rnoegf ewt hsi ets hi o tnhael . u s e o f g l a s s s l i d i n g d o o r . T h e e n t i r e d w e l l i n g i s s u n k e n o f t h e t r e e w h i c h t h e p r o j e c t r e s i d e s u n d e r . T h i s p e r m i t s o n e cPARTI: o r n e r o f t h e CONNECTIONS WITH NAe l l i n g , a c o n n e c t i o n t o t h e s k y i s p r o v i d e d v i a a s k y 2l i 8g h it n wc hh iec sh ipnr toov i dt he es g r o u n d , f u r t h e r e m p h a s i z EX i n ISTING g c o n BUILDING n e c t i o n AREA: t o n a1,465 t u r e SQ b y FTp l(13% a c - DENSITY) d w e l l i n g t o b eLOcCATIO o l u m nN- :f r815 e e ,Na. PALMAS l l o w i n g DR a s| eGOO a m l e DY s s EAR c o nAZ nection between inside h i en gf ot rhme w s t o t h e s k y a n d n a t u r a l s u n l i g h t t o e n t e r . T h e s k yTil nihggeh t tmhi ase i anul sssoet rr oupacrttauber lyee e, i sl e av e cl ewn it tehr t sht ee ehl e tr rbe eg acr od lPROPOSED eu nm no uwt sh ii dcSTRUSTURE eh . mF irmo imc kUSE: ws i tt hDWELLING a n d o u t s i d e wFAi t MILY h t h eCOMPOSITIO u s e o f g l a Ns s: MAR s l i d ISO i n g L+dMOTHER o o r . T h+eSISTER entire dwelling is sunken odfw tehl lei n tgr ,e ea wc ho incnhe ct ht i eo np rt oo j et ch te r se ks yi d iess pur no dv ei dr .e dT hvi isa pae rsmk iyt lsi g oh nt e w ch oi cr nh e pr r oo fv i tdhees owing for natural ventilation to occur. 28 inches into the ground, further emphasizing connection to nature by placDWELLING DIMENSIONS: 15’x15’ (225 sf) CLIENT O CCUPATIO N : TELECOMMUN ATIO N , COX dv wi eewl l si n tgo t toh eb es kc yo l au nmdn -nf ar et ue r, a al l sl ouwn il ni ggh ta t so e ae mn tl ee rs . s Tchoen ns ek cy tl ii go hn t bi es t wa el seon oi np sr ai dbel e , i n g t h e u s e r a t e y e l e v e l w i t h t h e hPARTI: e r b g a r dCONNECTIONS e n o u t s i d e . F r o m WITH w i t h i n g NAthe aa nl ldo wo iunt gs i df oe r wn i at ht u rt ah el vuesnet i ol af t igol na st so sol ci dc i un rg. d o o r . T h e e n t i r e d w e l l i n g i s s u n k e n d w e l l i n g , a c oCLIENT n n e c t i Ho On Bt Bo IESt h: eEXCER s k y CIS i s Ep/GAR r o v i dDENIN e d v iGa a s k y l i g h t w h i c h p r o v i d e s ac nhEA di - :n 11 a t ,u15r a0l SQ s u nFTl i g( 1h /4 t t ACR o e nE t) e r . T h e s k y l i g h t i s a l s o o p r a b l e , 2 8 i n c h e s i n t o t h e g r o u n d , f u r t h e r e m p h a s i z i Tnagk i nc go nmnaency t i oof n o ut or cnuae tsu rf reo mb yt h pe l as tcr -i k i n g l y e f f i c i e n t a nv di e ww se l lt oc rt ah fet esSITE dk ya rAR RAMS iagt nu er da l f vo er n t i l a t i o n t o o c c u r . i n g t h e u s e r a t e y e l e v e l w i t h t h e h e r b g a r d et enc t ou ur et s di du rei .n gF ro ou mr t rwi pi t ht oi n Jga pt ah ne, t h i s p r o j e c t i s a s m a l la ldl ow we il nl i gn gf odr e snEX ISTIN G B UILDIN G AR EA : 1 , 4 6 5 SQ FT ( 13 % DEN SIT Y ) ABSTRACTING NATURE AGGLOMERATION OF PARTS DAME, OR LOVE FOR THE UGLY d w e l l i n g , a c o n n e c t i o n t o t h e s k y i s p r o v i d e da yv oi au n ga ps rko yf el isgs hi ot n awl h. i c h p r o v i d e s

CONSULTATION

laboratory

DE VE

PRODUCED BY AN AUTODESK STUDENT PRODUCT PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

goals

operational model AN A

SS SE

ZE LY

PARTI: CONNECTIONS WITH NA-

Gaps

a young professional.

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

EXDWELLING ISTIN GDIMENSIONS: B UILDIN G AREA : 1,465 LOCATION: SQ FT 815(13% DENSITY) 15’x15’ (225 sf) N. PAL MAS DR | GOODYEAR AZ

As a multi-disiplinary team, we have addressed the challenges and opportunities faced by the healthcare system in Rwanda through the lense of best practice and site specific design.

s

k i n g m a n y o f o u r c u e s f r o m t h e s t r i k i n g l y e f f i c i e n SITE t a EXISTING n d wAR e l l cEA rBUILDING a f t:e d11,150 a r c AREA: h i - 1SQ ,4 6 5 FT SQ FT(1/ (134 % DENSITY) ACRE) t u r e d u r i n g o u r t r i p t o J a p a n , t h i s p r o j e c t i s a s m a l lT ad kw ienl gl i n mg adne ys i go nf e do uf ro r c u e s f r o m t h e s t r i k i n g l y e f f i c i e n t a n d w e l l c r a f t e d a r c h i PROPOSED STRUSTURE USE: DWELLING CLIENT : MS MARISOL RUIZ oung professional. tecture during our trip to Japan, this project is a small dwelling designed for

The interdisciplinary team of graduate Sta students worked within a flexible structure to tistic s explore research methods across disciplines Initia tives during the design process. The following wheel represents the team’s process, entitled “A Holistic Process Approach”, was the framework, which drove ples the final design. This Holistic Approach was Guiding Princi developed based upon current strategies used in n Desig the fields of health promotion, design research, ural itect Arch and healthcare innovation.

Need

SITE AREA: 11 ,15 0 SQ FT (1/4 ACRE)

CLIENT OCCUPATION: TELECOMMUNATION, COX

approach

PRODUCED BY AN AUTODESK STUDENT PRODUCT

The main structure is a center steel tree column which mimicks the form of the tree which the project resides under. This permits one corner of the dwelling to be column-free, allowing a seamless connection between inside and outside with the use of glass sliding door. The entire dwelling is sunken CLIENT HOBBIES: EXCERCISE/GARDENING 2 8 i n c h“eAR s i nCHITECTUR t o t h e g r o u n dE, COM f u r t h e r ES e m pALIV h a s i zEi n W g cHEN o n n e c IT t i o nISt oCO n a t NNECTED u r e b y p l a c - TO THE N ATUR AL WO R LD . ” SITE AREA: 11,150 SQ FT (1/4 ACRE) ing the user at eye level with the herb garden outside. From withing the - A K IHISA HIR ATA EXISTINGCONNECTIONS BUILDING AREA: 1,465 WITH SQ FT (13%NADENSITY) PARTI: dwelling, a connection to the sky is provided via a skylight which provides PROPOSED STRUSTURE USE: DWELLING views to the sky and natural sunlight to enter. The skylight is also oprable, DWELLING DIMENSIONS: 15’x15’ (225 sf) allowing for natural ventilation to occur. FAMILY COMPOSITION: MARISOL +MOTHER+SISTER

PRODUCED BY AN AUTODESK STUDENT PRODUCT

CLIENT HOB B IES: EXCERCISE/ GARDENIN G DWELLING DIMENSIONS: 15 ’x15 ’ (225PARTI: sf) CONNECTIONS WITH NA-

vision

existing kintobo health post

unity Comm

LOCATION: 815 N. PAL MAS DR | GOODYEAR AZ

PRODUCED BY AN AUTODESK STUDENT PRODUCT PRODUCED BY AN AUTODESK STUDENT PRODUCT

PROPOSED STRUSTURE USE: DWELLING CLIENT HOBBIES: EXCERCISE/GARDENING

ELLIN G DIM ENSIO NS : 15’x15’ (225 sf )

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

OPOS ED STR USTURE US E: DWELLING

SITE AREA: 11 ,15 0 SQ FT (1/4 ACRE) DIAGRAMS FAMILY COMPOSITION: MARISOL+MOTHER+SISTER

EXISTINGOCCUPATION BUILDING AREA: 1 ,4 6:5 TELECOM SQ FT (13 % DENSITY) CLIENT CLIENT OCCUPATION: TELECOMMUNATION, COX MUN ATION , COX

PRODUCED BY AN AUTODESK STUDENT PRODUCT

- A K IHISA HIR ATA

Taking many of our cues from the strikingly efficient and well crafted architecture during our trip to Japan, this project is a small dwelling designed for a young professional.

CLIENT: MS MARISOL RUIZ

CLIENT HOBBIES: EXCERCISE/GARDENING

815 N. POSITION PALMAS DR | GOODYEAR AZ FALOCATION: M ILY COM : M ARISOL+MOTHER+SISTER

STING BUILDING AREA: 1,465 SQ FT (13% DEN SITY)

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

CLIENT: MS MARISOL RUIZ

ENT HOBBIES: EXCERCIS E/GARDENIN G

E AREA : 11 , 15 0 SQ FT (1/4 ACRE)

DWELLING DIMENSIONS: 15’x15’ (225 sf)

“ ARー・ハ CHITECTUR TO THE NATUR AL WORPARTI: LD . ” CONNECTIONS WITH NAス ウェ ウ スE COMES ALIV E W HEN IT IS CONNECTED “ AR CHITECTUR E COM ES ALIV E W HEN IT IS CO NNECTED TO THE N ATUR AL WO R LD . ” - A KIHISA HIR ATA

PRODUCED BY AN AUTODESK STUDENT PRODUCT

ENT O CCUPATION: TELECOMMUNATION , COX

PROPOSED STRUSTURE USE: DWELLING

PRODUCED BY AN AUTODESK STUDENT PRODUCT

ENT: MS MAR ISOL RUIZ

CATIO N : 815 N. PALMAS DR | GOO DYEAR AZ

- AK IHISA HIR ATA

casita de marisol

of the tree which the project resides under. This permits one corner of the dwelling to be column-free, allowing a seamless connection between inside and outside with the use of glass sliding door. The entire dwelling is sunken CLIENT: MS MARISOL RUIZ 28 inches into the ground, further emphasizing connection to nature by placgRUIZ t h e u s e r aAZ t eye level with the herb garden outside. From withing the LOCATION: 815 N. DR i| nGOODYEAR CLIENT : MS MPALMAS ARISOL dwelling, a connection to the sky is provided via a skylight which provides FAMILY COMPOSITION: MARISOL+MOTHER+SISTER views to the sky and natural sunlight to enter. The skylight is also oprable, LOCLIENT CATION : 815 TELECOMMUNATION, N . PALM a l l o w iAS n g f o DR r COX n a t u| r aGOODYEAR l v e n t i l a t i o n t o o c c uAZ r. OCCUPATION:

PRODUCED BY AN AUTODESK STUDENT PRODUCT

SITE AREA : 11,150 SQ FT (1/4 ACRE)

EXISTING BUILDING AREA : 1,465 SQ FT (13% DENSITY )

M ILY COM POSITIO N: M ARISO L+MOTHER+SISTER

enable the community of Kintobo to move from managing health; to create a design that empowers enhances health and wellness; cultural and environmental context; to provide outstanding health services to the population of kintobo; aligns with the long term goals of the population of Kintobo; equitable; contributes to the well being of individuals and community members; to create a health center that is culturally and environmentally appropriate.

CLIENT HOBBIES: EXCERCISE/GARDENING

Ope

CLIENT OCCUPATION : TELECOMMUN ATION, COX

mission

The last fifteen years have been full of change and development for the country and people of Rwanda. Rebuilding and growing as a culture and people challenges everyone to move from a condition of self-preservation to self-actualization, then selfimprovement. As they have continued to self-evaluate, they have determined one of the best opportunities for actualization and improvement lies in the healthcare system and education, specifically in the remote outlying villages. Partnering with Non-Governmental Organizations like Rwanda Works, Spark MicroGrants, Gardens for Health, and many others. Communities across Rwanda are collaborating to empower themselves towards a new, more fruitful, future. As graduate students from Arizona State University we endeavor to join this effort to develop comprehensive, collaborative, and holistic strategies in order to play some small part in this extraordinary effort.

a Rwanda Works initiative

casita de marisol

FAMILY COMPOSITION : MARISOL+ MOTHER+SISTER

project narrative

STR AT

ス ウェ ー・ハ ウLOCATION ス : 815 N . PALMAS DR | GOODYEAR AZ

KINTOBO COMMUNITY HEALTH CENTER

P LO

ス ウェ ー・ハ ウ ス

marisol

ス ウェ ー・ハ ウ ス

PRODUCED BY AN AUTODESK STUDENT PRODUCT

DIAGRAMS

PRODUCED BY AN AUTODESK STUDENT PRODUCT PRODUCED BY AN AUTODESK STUDENT PRODUCT

BSTRACTING NATURE

DAME, OR LOVE FOR THE UGLY

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

D I AG R AMS

PRODUCED BY AN AUTODESK STUDENT PRODUCT

support services staff/admin PRODUCED BY AN AUTODESK STUDENT PRODUCT

public

DAME, OR LOVE FOR THE UGLY

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT G R AY WAT E R F I LT R AT I O N SYSTEM

P R O CES S 不等角投影図

healthcare facts

| 3/4”=1’

culturally sensitive design element delivery kintobo averages 4 births during the day & 2 births at night.

efficient use of natural resources through water collection

6

visual design to enhance security & team collaboration

G R AY WAT E R F I LT R AT I O N SYSTEM

separation of staff and patient flow centralized ancillary services

TR AN SV ERS E S ECTIO N | 3 / 4 ” = 1 ’ 横断面

PRODUCED BY AN AUTODESK STUDENT PRODUCT E A S T E L E VAT I O N | 1 / 4 ” = 1 ’ イ ー スト ビ ュ ー

storage of sterile supply & disinfection of medicinal materials

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

G R AY WAT E R F I LT R AT I O N SYSTEM

annotated plan:

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

横断面

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY ANPRODUCED AUTODESKBY STUDENT PRODUCT AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCED BY AN PRODUCT AUTODESK STUDENT PRODUCT

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横断面

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HER B GAR DEN

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WAT E R F I LT R AT I O N SYSTEM

G R AY WAT E R F I LT R AT I O N SYSTEM

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HER B GAR DEN

G R AY WAT E R

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HER B GAR DEN

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performative section

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G R AY WAT E R F I LT R AT I O N SYSTEM

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community

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GAR DEN

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HERB PRODUCED BY AN AUTODESK STUDENT PRODUCT

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SYSTEM PRODUCED BY AN AUTODESK STUDENT PRODUCT

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community

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DAME, OR LOVE FOR THE UGLY

HER B GAR DEN

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AGGLOMERATION OF PARTS

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ABSTRACTING NATURE

waiting

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AGGLOMERATION OF PARTS

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inpatient outpatient ancillary

ABSTRACTING NATURE

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program key

DAME, OR LOVE FOR THE UGLY

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DIAGRAMS

AGGLOMERATION OF PARTS

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bio-safety 5

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multi-purpose space separate space for personal hygiene children’s inpatient 52% of deaths in nyabihu district are under the age of 5.

healing garden the percent of deficiency of pediatric malnutrition is twice the national rate.

inpatient kintobo is among the highest incidence of stomach/intestinal parasites

connection to nature integrated systems infrastructure for future growth and flexibility & reduction of long-term operating costs

seating and shelter from rain, wind and sun isolation precaution

passive ventilation

LEGEND 1. BENCH 2 . TA B L E + D ES K 3 . K I TC H E N 4 . B AT H

LEGEND

5 . HER B GAR DEN

1. BENCH

6. ORCHARD

2 . TA B L E + D ES K

7. ENTRY

3 . K I TC H E N 4 . B AT H

3 . K I TC H E N

5 . HER B GAR DEN

LEGEND 4 . B AT H

6. ORCHARD

1. BENCH 5 . HER B GAR DEN

7. ENTRY

3 . K I TC H E N 7. ENTRY

health promotion, food safety and nutrition (gardens)

design responds to topography infection control through separation of well and sick

healthcare professional continuing education

second floor

2 . TA B L E + D ES K

2 . TA B L E + D ES K 6. ORCHARD

integration into the community offering opportunities for education, social services and engagement

4 . B AT H 5 . HER B GAR DEN

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6. ORCHARD

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1

P R O CES S 不等角投影図

1. BENCH

3 . K I TC H E N 5

isolation precaution patient and family involvement

P R O CES S LEGEND 不等角 投影図

2

medical records/insurance 58% of kintobo community is without insurance coverage.

6

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first floor

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separate space for personal hygiene

triage stab wounds are among the most common reasons for visiting health post in kintobo

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family planning 99% single women in kintobo reported that they used no method of contraception.

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P R O CES S 不等角投影図

P R O CES S 5 不等角投影図

support to combat HIV/AIDS, tuberculosis and malaria HIV consultation HIV/AIDS incidence rate in nyabihu district is 5.5%.

patient education

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P R O CES S 不等角投影図

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tb analysis tb is the number one cause of laboratory infections.

wayfinding to enhance accessibility with a clear entrance point

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Architecture: Advanced Architectural Studio III

Student: Esteban Loya Faculty: Jason Griffiths

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Architecture: Advanced Architectural Studio III: Collaborative Studio: Rwanda P R O CES S 不等角投影図

Students: N. Almon / C. Bowman / A. Brenden / C. Chu / C. Craft / C. Hans / J. Lauring / O. Lopez / A. Matter / E. Mohaupt / S. Nye / D. Pachek / K. Petterson / C. Rogers / W. Ryczek / M. Thomas / D. Wingler / T. Yoon. Faculty: G. Lamb / M. Rotondi / J. Shraiky. Consultants: R. Fish-Ewan / M. Underwood / L. Voyles


REDWOOD CITY : RECLAIMING THE WATERFRONT

STUDIO MISSION

reclaim the waterfront as a vibrant public amenity that reconnects with downtown redwood city and engages and activates the community to deliver a development model that reconciles urban systems with san francisco bay

activating the trailhead

activating pedestrian bridges

amphitheater

temporary markets Walking Time 2, 5 and 10 mins Pedestrian connection Activation of edge Temporary Event Space Infrastructre Development 2 min

2 min

5 min

10 min

park and marina

A. PARK / RETAIL - 12.7 ACRES - 3 BUILDINGS - 9,000 SF RETAIL B. MARINA - 11,290 SF COVERED AREA - 3,250 SF INTERIOR - 12,500 SF PLAYGROUND C. BATHS & SAUNA - 11,000 SF HIGHTIDE POOL - 22,000 SF LOWTIDE POOL - 4,000 SF. SAUNA D. HOUSING / RETAIL - 5 buildings - 67,600 SF RETAIL - 114 RESIDENTIAL UNITS - 3,890 SF PLAYGROUND

10 min

20 min

PHASE I

CREATING AWARENESS AND INTEREST FOR INNER HARBOR AREA

20 min

shipping containers used for temporary events

art installation

5 min

floating dock

park , housing and retail

E. MULTI-PURPOSE PUBLIC BUILDING - 11,800 SF COMMERCIAL / RESTAURANT F. PARKING - 158 PARKING SPACES FOR HOUSING - 14 PARKING SPACES FOR MARINA G. ECO-EDGE - 2,577 LINEAR FT EXISTING WATER EDGE - 5,217 LINEAR FT NEWLY CREATED WATEREDGE

G

E

D

C

B

A

F

PHASE 2

INVESTMENT IN INFRASTRUCTURE THAT LEADS TO DEVELOPMENT WITH THE CONSTRUCTION OF PUBLIC SPACE AND THE FIRST ECO-EDGE SEGMENT

view of housing

mervyns’ and the creek

sauna/ bath

PHASE 3

CONSOLIDATING THE LINES OF CONNECTION WITH DOWNTOWN (REDWOOD CREAK & WALNUT STREET) WHILE THE ECO-EDGE ENVIRONMENTAL INFRASTRUCTURE SPREADS TO THE BAY

Fall 2012

Graduate Second Year Architecture / Urban Design: Advanced Architectural Studio III / Advanced Urban Design Studio III

Students: R. Elliot / L. Haught / R. Hauser / E. Hoar / V. Jacot / N. Jalori / U. Kumar / R. Locklear / N. Thiagarajan / M. Williams Faculty: Gabriel Montemayor

Architecture: Thesis

Student: Ranojoy Dutta Faculty: Agami Reddy


The Modular Rehabilitation Platform is a device that is used to re-train individuals who are suffering from debilitating injury. The device can be used to train patients to avoid slip-falls and improve overall balance and issues related to perturbed balance. Because of its modularity and adjustable spring-resistance it can also be used as an exercise device for physical therapy patents. Preliminary testing has shown that there may be many other poetical uses not known at this time. The device is comprised of several small modular platforms. Two of the platforms have an integrated slip mechanism that is resistance adjustable and slides back and forth to imitate a slippery surface. The slip portions are comprised of several ball bearings attached to a steel plate and connected to two adjustable tensioned springs, which have the effect of automatically centering the slip platform after inactivity. All the inner workings of the device are housed in and protected by additional steel plates which are attached to and are located under the slip portion of the platform.

Industrial Design: Human Factors Systems and Documentation

Students: J. Ferguson / Z. Wang / Y. Zhou Faculty: Donald Herring


I nte gr a t i o n

The development of this project derives from the existing orthogonal plot grids on the cemetery site. This notion of grid lines is the continuity of the existing city’s grid lines generating the idea of integrationby disecting these grid lines into feathered edges .TheThe concept of integration of life derives and death depicted development of this project fromisthe existing in the early stages of this design orthogonal plot grids on the through cemetery the site.implementation This notion of grid linesedges. is the continuity of theand existing grid linesmaterials generating of feathered The living thecity’s non-living the ideawith of integrationby disecting grid lines into feathered are integrated one another to these achieve uniformityand edges .The concept of integration of life and death is depicted proportionality throughout the design. This design emerges in the early stages of this design through the implementation through the overlay of the feathered edge plot grid lines upon of feathered edges. The living and the non-living materials the existing plot foranother the new The areconstruction integrated with one to visiting achieve center. uniformityand zoning within this site for differentthe programs is based upon the proportionality throughout design. This design emerges through the overlay edged of the feathered edge grid plot grid lines upon intensity of the feathered orthogonal lines found existingsite construction plot for the new visiting center. The among thethe building of the cemetery. Throughout the project zoning within this site for different programs is based upon the “Integration”,it is not only the design that is integrative but intensity of the feathered edged orthogonal grid lines found also the materials the site plants that are used throughout the among theand building of the cemetery. Throughout the project site. The notion of integration is embedded design but of “Integration”,it is not only the designwithin that isthe integrative also the materials and the plants that are used throughout the the buildings on site through the emergence from the ground Thethat notion of integration is embedded within the design of showing insite. a way nature reproduces the artificial structure.

I nte gr a t ion

PEOPLE to PLACE phoenix / az

the buildings on site through the emergence from the ground showing in a way that nature reproduces the artificial structure.

sedimenting our city

phoenix / az

Material Palette

Material Palette

WEST JEFFERSON STREET

WEST JEFFERSON STREET

White Marble

WEST MADISON STREET

WEST MADISON STREET

MASONS

Existing Grids

Circulation

Circulation

Wo o d

Mesquite

Site + Grids

I.O.O.F.

CITY

Site + Grids

I.O.O.F.

Building

Building

K. OF P.

Burials

Integration

K. OF P.

Initial Site Context

Burials Initial Site Context

Integration

Polished Ste el

Polished Ste el

Pl a n t P a l e t t e

PIONEER

Crushed Granite

Crushed Granite

AND

MILITARY

Tinted Glass

MEMORIAL PARK

Tinted Glass

Pl a n t P a l e t t e

MASONS

CITY

Black Granite

Black Granite

Wo o d

Existing Grids

a sr t e r W h i tW e hPi tl ea sPtl e

Park White Marble

South 13th Ave

South 15th Ave

Avenue of Flags

ROSEDALE

South 15th Ave

ROSEDALE

South 13th Ave

Avenue of Flags

e d C o n c rP e tree c a s t P c acsrte C P o l i s h e d C oP noclri seht e Croe n t eo n c r e t e

te E x i s t i n g S iEt xei s t i n g SPi a rk

Mesquite

B l u e P a l o Ve r d e

B l u e P a l o Ve r d e We b e r ’s A g a v e

Bush Dalea

We b e r ’s A g aCvree o s o t e B u s h B u s h D a B l eaaj a R u e l l i a

Eve rgre e n Elm

Eve rgre e n Elm Angelita Daisy

A n g eTu l i rt fa GDr aasi s sy

The concept of “Integration” is implemented through the use of integrative materials and vegetations allowing the burials and the park spaces to become as a single entity. Not only nature integrate within the design but also artificial C r e o s o t e B uelements sh B aas j a the R u eprecast llia r f G rand a s s concrete such concreteTu paths walls are integrated within the realm of natural elements. These man-made concrete walls are not through only integrated The concept of “Integration” is implemented the within the design site but also bleed into the side walks.

use of integrative materials and vegetations allowing the burials and the park spaces to become as a single entity. Not only nature integrate within the design but also artificial elements such as the precast concrete paths and concrete walls are integrated within the realm of natural elements. These man-made concrete walls are not only integrated within the design site but also bleed into the side walks.

THE DESIGN The project seeks to reveal the role of the individual in the creation of a place. The pioneers are thus memorialized as the first layer of Arizona. The monumentality of the history center stands to mark our compositing history in the landscape for years to come.

s.b

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11

S i t e Pl a n s.a

S i t e Pl a n

Longitudinal Section

Tr a n sve r s e S e c t i o n

Longitudinal Section

Tr a n sve r s e S e c t i o n

Spring 2013

Undergraduate Second Year Architecture / Landscape Architecture: Design Fundamentals IV

Student: Aung Tun Lin Faculty: Christopher Lasch

Architecture / Landscape Architecture: Design Fundamentals IV

Student: Angela Lufkin Faculty: Johanna Collins


(UN)KNOWN PROVIDE A DYNAMIC JOURNEY FOR THE VISITORS OF THE CEMETERY, WHILE REFLECTING ON THE PAST AND INTRODUCING THE FUTURE.

(UN)KNOWN (UN)KNOWN

PROVIDE A DYNAMIC JOURNEY FOR THE VISITORS OF THE CEMETERY, WHILE REFLECTING ON THE PAST AND INTRODUCING THE FUTURE. PROVIDE A DYNAMIC JOURNEY FOR THE VISITORS OF THE CEMETERY, WHILE REFLECTING ON THE PAST AND INTRODUCING THE FUTURE. UNMARKED GRAVES

SITE

LINE DIAGRAM

(UN)KNOWN UNMARKED GRAVES

SITE

LINE DIAGRAM

A

PROVIDE A DYNAMIC JOURNEY FOR THE VISITORS OF THE CEMETERY, WHILE REFLECTING ON THE PAST AND INTRODUCING THE FUTURE. UNMARKED GRAVES

SITE

LINE DIAGRAM

CONCEPT

SITE PLAN KEY

There are over a hundred children in the Pioneer Cemetery, the majority of them no older than the age of one. Considering children mortality then and now and the ffects of their deaths on society inspired the overall meaning in the design.

A. Connecting with the existing cirulation of the PIoneer Cemetery creates a grid-like pattern. This ultimately created the layout of the site. Random cells within the grid are selected and given different programs within the park (i.e. burial, memorial, and reflection spaces)

A

UNMARKED GRAVES

SITE

LINE DIAGRAM

B. Monolithic walls surround the site creating a sense of privacy for the visitors.

A

C. The surrounding walls become permeable with sporadic openings. The excessive material is used to create seating throughout the park. D. Negative space is created throughout the cemetery as spaces for reflection.

A

W JEFFERSON ST

LANDSCAPE PHILOSOPHY

SITE PLAN SITE PLAN

LANDSCAPE PHILOSOPHY

AVE OF FLAGS

LANDSCAPE PHILOSOPHY SITE PLAN APPLY A LAYER OF DECOMPOSED GRANITE TO FADE WITH THE EXISTING GRAVES.

LANDSCAPE PHILOSOPHY

PLANT LONG GRASSES ALONG THE BUILDING ELEMENT AND WRAP A METAL-MESH PATHWAY AROUND THE BUILDING ELEMENTS.

ALLOW FOR THE GRASSES TO GROW IN AREAS OF LESS FOOT TRAFFIC, AND SPROUT UP THROUGH THE MESH. WALKWAYS ARE FORMED NATURALLY.

SITE PLAN

S 13TH AVE

THE DESIGN CONCEPT THAT I TOOK ON WITH THIS PROJECT WAS THE IDEA TO REPRESENT THE FUTURE, PAST, AND THE UNKNOWN. I USED THE ABOVE GROUND LANDSCAPING TO REPRESENT THE FUTURE. WITHIN MY SITE PLAN, I DID NOT INCLUDE ANY WALKING PATHS OR SET ARTHE DESIGN CONCEPT THAT I TOOK ON EAS TO CONGRETE. THIS ALLOWED FOR WITH THIS PROJECT WAS THE IDEA TO THE PEOPLE TO CREATE THE AREASTHE OF FUTURE, PAST, AND THE REPRESENT CONGREGATION, JUST LIKEUNKNOWN. HOW WE CREI USED THE ABOVE GROUND LANDSCAPING TO REPRESENT THE FUATE THE FUTURE EACH AND EVERY DAY. UPPER LEVEL OF THE SITE THE DESIGN CONCEPT THAT I TOOK ON TURE.THE WITHIN MY SITE PLAN, I DID NOT I ALSO WANTED TO PROJECT CONTINUE WITH THIS WAS THENEW IDEA TO INCLUDE ANY WALKING PATHS OR SET ARBURIAL WITH THE EXISTING GRAVES. REPRESENT THE FUTURE, PAST, ANDITHE EAS TO CONGRETE. THIS ALLOWED FOR UNKNOWN. I USED THE ABOVE GROUND ALSO USED THE BUILDING PROGRAM TO THE THE DESIGN CONCEPT THAT I TOOK THE ON AREAS OF PEOPLE TO CREATE LANDSCAPING TO REPRESENT THE FUFORM A MONUMENT, WITH AND REPRESENT THIS PROJECT WASJUST THE IDEA CONGREGATION, LIKETO HOW WE CRETURE. WITHIN MY SITE PLAN,FUTURE, I DID NOT REPRESENT PAST, AND THE THE HISTORY OF THE SITE ASPATHS AI THE MOMENT ATE THE FUTURE EACH AND EVERY DAY. UNKNOWN. USED THE ABOVE GROUND INCLUDE ANY WALKING OR SET ARI ALSO WANTED TO CONTINUE THE NEW IN TIME. EAS TO CONGRETE. LANDSCAPING TO REPRESENT THE FUTHIS ALLOWED FOR

UPPER LEVEL OF THE SITE APPLY A LAYER OF DECOMPOSED GRANPLANT LONG GRASSES ALONG THE BUILDALLOW FOR THE GRASSES TO GROW WITHIN MY SITE THE PLAN,EXISTING BURIAL WITH THE PEOPLE TOTURE. CREATE THE AREAS OF I DID NOT GRAVES. I ITE TO FADE WITH THE EXISTING GRAVES. ING ELEMENT AND WRAP A METAL-MESH IN AREAS OF LESS FOOT TRAFFIC, AND INCLUDE ANYUSED WALKING PATHS OR SET ARALSO BUILDING PROGRAM TO CONGREGATION, JUST HOW THE WE PATHWAY AROUND THE BUILDING ELESPROUT UP THROUGH THE MESH. WALKEAS TO LIKE CONGRETE. THISCREALLOWED FOR FORM A EVERY MONUMENT, ANDOF REPRESENT ATE THE FUTURE AND DAY. MENTS. ARE FORMED NATURALLY. THEEACH PEOPLE TO CREATE THE AREAS UPPER LEVEL OF THE SITE APPLY A LAYER OF DECOMPOSED GRANPLANT LONG GRASSES ALONG THE BUILDALLOW FOR THE GRASSES TO WAYS GROW HISTORY OF THE SITE AS A MOMENT JUST LIKE HOW WE CREI ALSO WANTEDCONGREGATION, TOTHE CONTINUE THE NEW ITE TO FADE WITH THE EXISTING GRAVES. ING ELEMENT AND WRAP A METAL-MESH IN AREAS OF LESS FOOT TRAFFIC, AND ATE THE FUTURE EACH AND EVERY DAY. IN TIME. PATHWAY ELE-FOR THE GRASSES SPROUT TO UP GROW THROUGH THE MESH. WALKBURIAL EXISTING GRAVES. UPPER LEVEL OF THE SITE APPLY A LAYER OF DECOMPOSED GRANPLANT LONG GRASSESAROUND ALONG THE THE BUILD-BUILDING ALLOW OFFICE / STAFF SPACEWITH THE EXHIBIT SPACE I THE NEW I ALSO WANTED TO CONTINUE ITE TO FADE WITH THE EXISTING GRAVES. ING ELEMENT AND WRAP A METAL-MESH IN AREAS OF LESS WAYS FOOT TRAFFIC, AND NATURALLY. MENTS. ARE FORMED ALSO USED THEBURIAL BUILDING PROGRAM TO PATHWAY AROUND THE BUILDING ELESPROUT UP THROUGH THE MESH. WALKWITH THE EXISTING GRAVES. I T. MENTS. WAYS ARE FORMED NATURALLY. FORM A MONUMENT, AND REPRESENT F A. OFFICE 1. MAIN ENTRANCE WITH ALSO USED THE BUILDING PROGRAM TO 17-FLIGHT STAIRS DOWN INTO MAIN 0 E THE HISTORY OF THE ASITE AS A MOMENT 21 FORM MONUMENT, AND REPRESENT B. CONFRENCE ROOM SPACE. RECEPTION AREA AND ELEVATOR LOCATED ON GROUND THE HISTORY OF THE SITE AS A MOMENT IN TIME. C. ARCHIVE SPACE LEVEL.

BUILDING PROGRAM

LOWER LEVEL PLAN

BUILDING PROGRAM BUILDING PROGRAM BUILDING PROGRAM

LOWER LEVEL PLAN

D. STORAGE ROOM / KITCHEN IN TIME. 2. OPEN EXHIBIT SPACE E. MEN’S / WOMEN’S RESTROOMS OFFICE3. EXHIBIT DISPLAY 1 / STAFF SPACE EXHIBIT SPACE F. RECEPTION AREA 4. EXHIBIT DISPLAY 2 5.OPEN EXHIBIT SPACE A. OFFICE 1. MAIN ENTRANCE WITH 17-FLIGHT STAIRS DOWN INTO MAIN OFFICE SPACE EXHIBIT EXHIBIT SPACE SPACE. RECEPTION AREA AND ELEVATOR LOCATED ON GROUND OFFICE / STAFF SPACE SPACE B./ STAFF CONFRENCE ROOM 6. EXHIBIT DISPLAY 3 C. ARCHIVE SPACEVOID LEVEL. 7. ENTRY A. OFFICE 1. MAIN ENTRANCE WITH 17-FLIGHT STAIRS DOWN INTO MAIN A. OFFICE 1. MAIN ENTRANCE WITH 17-FLIGHT STAIRS DOWN INTO MAIN D. STORAGE / KITCHEN 2. OPEN EXHIBIT SPACE B. CONFRENCE ROOM ROOM SPACE. RECEPTION AREA AND ELEVATOR LOCATED ON GROUND 8. REFLECTION AREA B. CONFRENCE ROOM SPACE. RECEPTION C. ARCHIVE SPACE LEVEL. AREA AND ELEVATOR LOCATED ON GROUND

LOWERLEVEL LEVEL PLAN LOWER PLAN 2

E. MEN’S / WOMEN’S RESTROOMS 3. EXHIBIT DISPLAY 1 ROOM / KITCHEN 2. OPEN EXHIBIT 4. SPACE C. ARCHIVE SPACE D. STORAGE LEVEL. F. RECEPTION AREA EXHIBIT DISPLAY 2 MEN’S / WOMEN’S RESTROOMS 3. EXHIBIT DISPLAY 1 D. STORAGE ROOM /E.KITCHEN 2. OPEN EXHIBIT SPACE 5.OPEN EXHIBIT SPACE RECEPTION AREA 4. EXHIBIT DISPLAY 2 E. MEN’S / WOMEN’S F.RESTROOMS 3. EXHIBIT DISPLAY 1 6. EXHIBIT DISPLAY 3 5.OPEN EXHIBIT SPACE F. RECEPTION AREA 4. EXHIBIT DISPLAY 2 DISPLAY 3 6. EXHIBIT 7. ENTRY VOID 5.OPEN EXHIBIT SPACE 7. ENTRY VOID 8. REFLECTION AREA 8. REFLECTION AREA 6. EXHIBIT DISPLAY 3 7. ENTRY VOID 8. REFLECTION AREA

5

6

MATERIALS / LAYOUT CLOSED

GLASS

GLASS

GLASS

GLASS

28 FT.

28 FT.

81 81 FT.F T.

81 FT . A

8

B

A

C

GLASS OPEN

B

A 81 FT B.

EACH VOID SERVES A DIFFERENT PURPOSE WITHIN MY DESIGN.

C

A

ORANGE: THE PURPOSE OF THESE VOIDS IS TO ACT AS THE REFLECTION SPACE. THE LARGER SPACE IS THE MAIN REFLECTION AREA WHERE B PEOPLE CAN COME AND REFLECT ON THEIR EXPERIENCE WITH THE CEMETERY. THE SMALLER VOID IS INTRODUCTORY VOID THAT BASICALLY THE BACKGROUND STORY TO THE CEMETERY AND THE MAIN REFLECTION SPACE. EACH VOID SERVES A AN DIFFERENT PURPOSE WITHIN MY GIVES DESIGN. IT HAS A CENTRAL BLOCK THAT EXTENDS UP INTO THE AIR WITH ALL THE NAMES LISTED OF THOSE WHO HAVE BEEN BURRIED WITHIN THE CEMETERY WITHOUT ANY RECOGNITION. BOTH EACH VOID SERVES A DIFFERENT PURPOSE WITHIN MY DESIGN. OF THESE SPACES CONNECT DIRECTLY TO THE BURIAL AREA. C

OPEN

OPEN

longitudinal section

28 FT.

7

OPEN

OPEN

28 FT.

2 4

7

8

GLASS

GLASS GLASS OPEN

OPEN

OPEN

8

GLASS

CLOSED

PIONEER MILITARY MEMORIAL CEMETERY

4

GLASS GLASS

GLASS

site plan

D

F

2

2

4

7

7

8

6

F

E D

1

2

4

5

6

CLOSED

CLOSED

E

F

3

6

E

F 1

3

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1

D

3 . FT

1

MATERIALSMATERIALS / LAYOUT/ LAYOUT MATERIALS / LAYOUT

0

21

5

3

D

T.

0F

21

T.

F 10

C

ORANGE: THE PURPOSE OF THESE VOIDS IS TO ACT AS THE REFLECTION SPACE. THE LARGER SPACE IS THE MAIN REFLECTION AREA WHERE PEOPLE CAN COME AND REFLECT ON THEIR EXPERIENCE WITH THEWITHIN CEMETERY. THETHE SMALLER VOID AN INTRODUCTORY VOID THAT BASICALLY GIVESREFLECTION THE BACKGROUND STORY TO PEOPLE THE CEMETERY AND THE MAIN REFLECTION SPACE. GREY: THE GREY VOIDS SERVE AS THESE DYNAMIC SPACES EXHIBIT AREA. THEY ARE ALLIS ACCESSED BY THE MAIN STAIRCASE FOUND AT ENTRANCE OF THE CEMETERY. ALL OF ORANGE: THE PURPOSE OF VOIDS IS TOTHE ACT AS REFLECTION SPACE. THE LARGER SPACE ISTHE THE MAIN AREA WHERE CAN COME AND REFLECT ON THEIR EXVOIDS OPEN A UPDIFFERENT TO EACH SPAN INTO THESE OPEN EXHIBIT AREAS. EXTEND ABOVE THE GROUND SURFACE AND ARE COVERED A GLASS TOP. WITHIN THE CEMETERY WITHOUT ANY RECOGNITION. BOTH EACH THE VOID SERVES PURPOSE WITHIN MY DESIGN. IT OTHER HAS AAND CENTRAL BLOCK THAT EXTENDS UPABOVE INTO GROUND, THE AIRTHEY WITH ALL THE NAMES LISTED OF THOSE WHO HAVEWITH BEEN BURRIED PERIENCE THE CEMETERY. THE SMALLER ANBRINGS INTRODUCTORY VOID THAT BASICALLY GIVES THE BACKGROUND STORY TO THE CEMETERY AND THE MAIN REFLECTION SPACE. THE LIGHTWITH THAT ENTERS THE SPACES REALLY ILLUMINATES THEVOID SPACESIS AND THE DISPLAY AREAS OF THESE SPACES CONNECT DIRECTLY TO THE BURIAL AREA. TO LIFE. IT HAS A CENTRAL THAT EXTENDS UPTHE INTO THE AIR SPACE. WITH ALL NAMES OF THOSE WHO HAVE BEEN BURRIED WITHIN CEMETERY ANY RECOGNITION. BOTH ORANGE: THE PURPOSEBLOCK OF THESE VOIDS IS TO ACT AS REFLECTION THE THE LARGER SPACELISTED IS THE MAIN REFLECTION AREA WHERE PEOPLE CAN COME AND THE REFLECT ON THEIR WITHOUT EXBLACK: THIS VOID SERVES AS THE MAIN ENTRANCE TO THE BELOW GROUND OFFICES AND EXHIBIT. INSIDE THE SPACE IS A FRONT DESK WITH AN OPEN RECEPTION AREA. THE SPACE ALSO PERIENCE WITH THE CEMETERY. THE SMALLER VOID ISSERVE AN INTRODUCTORY THAT BASICALLY GIVES THE BACKGROUND STORY TO THE CEMETERY ANDSTAIRCASE THE MAIN REFLECTION SPACE. OF THESE SPACES CONNECT DIRECTLY TO THE BURIAL AREA. THE GREY VOIDS AS DYNAMIC SPACES WITHIN THE EXHIBIT AREA. THEY ARE ALL ACCESSED BY MAIN FOUND AT THE ENTRANCE OF THE CEMETERY. ALL OF HOUSES AN ELEVATOR AND GREY: A STAIR CASE THAT BOTH LEAD DOWN INTO THE EXHIBITVOID SPACE. THE ROOF IS CLOSED TO REALLY CAPTURE THE UNKNOWN FEELING, ANDTHE DRAW CURIOSITY IT HASTOWARDS A CENTRAL BLOCKLEVEL. THAT EXTENDS UP INTO AIR WITH ALL AND THE SPAN NAMES LISTED OF THOSE WHO HAVE BEENABOVE BURRIED WITHIN THEY THE CEMETERY WITHOUT RECOGNITION. THE LOWER THE VOIDS OPEN UP THE TO EACH OTHER INTO THESE OPEN EXHIBIT AREAS. GROUND, EXTEND ABOVE THEANY GROUND SURFACEBOTH AND ARE COVERED WITH A GLASS TOP. OF THESE SPACES CONNECTTHE DIRECTLY TO THE BURIALTHE AREA. LIGHT THAT ENTERS SPACES REALLY ILLUMINATES THE SPACES AND BRINGS THE DISPLAY AREAS TO LIFE. GREY: THE GREY VOIDS SERVE AS DYNAMIC SPACES WITHIN THE EXHIBIT AREA. THEY ARE ALL ACCESSED BY THE MAIN STAIRCASE FOUND AT THE ENTRANCE OF THE CEMETERY. ALL OF

ENTRANCE

THE VOIDS OPEN UPSERVE TO EACH OTHER AND SPAN INTO THESE AREA. OPEN EXHIBIT AREAS. ABOVE THE GROUND, THEY EXTEND ABOVE THE GROUND SURFACE AND ARE COVERED WITH A GLASS TOP. GREY: THE GREY VOIDS AS DYNAMIC SPACES WITHIN THEMAIN EXHIBIT AREBELOW ALL ACCESSED MAIN STAIRCASE FOUNDTHE AT THE ENTRANCE OF THE CEMETERY. ALL OF BLACK: THIS VOID SERVES AS THE ENTRANCETHEY TO THE GROUNDBY OFFICES AND EXHIBIT. INSIDE SPACE IS A FRONT DESK WITH AN OPEN RECEPTION AREA. THE SPACE ALSO THE LIGHT THAT ENTERS THE SPACES ILLUMINATES THE SPACES AND BRINGS THE DISPLAY AREAS TO LIFE. THE VOIDS OPEN UP TO EACH OTHER SPANREALLY INTO THESE OPEN EXHIBIT AREAS. ABOVE THEY EXTEND ABOVE THE GROUND AND ARE COVERED WITH A GLASS TOP. HOUSES AND AN ELEVATOR AND A STAIR CASE THAT BOTH LEAD GROUND, DOWN INTO THE EXHIBIT SPACE. THE ROOFSURFACE IS CLOSED TO REALLY CAPTURE THE UNKNOWN FEELING, AND DRAW CURIOSITY THE LIGHT THAT ENTERS THE SPACES REALLY ILLUMINATES THE SPACES AND BRINGS THE DISPLAY AREAS TO LIFE. TOWARDS THE LOWER LEVEL.

transverse section

PLANTS

BUILDING MATERIALS

BLACK: THIS VOID SERVES AS THE MAIN ENTRANCE TO THE BELOW GROUND OFFICES AND EXHIBIT. INSIDE THE SPACE IS A FRONT DESK WITH AN OPEN RECEPTION AREA. THE SPACE ALSO BLACK: THIS VOID SERVES AS THE MAIN ENTRANCE TO THE BELOW GROUND OFFICES AND EXHIBIT. INSIDE THE SPACE IS A FRONT DESK WITH AN OPEN RECEPTION AREA. THE SPACE ALSO HOUSES AN ELEVATOR AND A STAIR CASE THAT BOTH LEAD DOWN INTO THE EXHIBIT SPACE. THE ROOF IS CLOSED TO REALLY CAPTURE THE UNKNOWN FEELING, AND DRAW CURIOSITY HOUSES AN ELEVATOR AND A STAIR CASE THAT BOTH LEAD DOWN INTO THE EXHIBIT SPACE. THE ROOF IS CLOSED TO REALLY CAPTURE THE UNKNOWN FEELING, AND DRAW CURIOSITY TOWARDS LOWER LEVEL. TOWARDS THETHE LOWER LEVEL.

EXHIBIT

ENTRANCE REFLECTION

SANDSTONE

METAL-MESH WALKWAY

DECOMPOSED GRANITE

BLACK SLATE

GLASS

ENTRANCE

ENTRANCE

EXHIBIT EXHIBIT

REFLECTION EXHIBIT REFLECTION

REFLECTION

SANDSTONE SANDSTONE

SANDSTONE

METAL-MESH WALKWAY

METAL-MESH WALKWAY

DECOMPOSED GRANITE

DECOMPOSED GRANITE

METAL-MESH WALKWAY

BLACK SLATE

DECOMPOSED GRANITE

BLACK SLATE

GLASS

Common Name: Palo Blanco Hybrid Palo Verde Botanical Name: Acacia Willardiana Cercidium Hybrid

GLASS

BLACK SLATE

Mexican Thread Grass

White Concrete

Canvas

Poly Carbon Fiber

GLASS

The plant palette refelects characteristics of children. Each plant is fragile and non-obtrusice. They also are wind manipulative and provide a whimsical feel like the canvas canopy that extends from the history center.

SECTION A

The building materials compliment the overall meaning of the design. White concrete is used throughout as white represents purity and innocence. The canvas canopy is supported by metal columns that are topped with poly carbon fiber tubes. Like fishing rods the tubes are flexible and can be manipulated by wind. This ultimately pulls the canvas creating different undulating forms.

SECTION A SECTION A

SECTION A INSIDE REFLECTION SPACE

REFLECTION SPACE ENTRANCE

MAIN ENTRANCE

INSIDE REFLECTION SPACE

INSIDE REFLECTION SPACE REFLECTION SPACE ENTRANCE

INSIDE REFLECTION SPACE

VIEW FACING NORTHEAST FROM REFLECTION

MAIN ENTRANCE

VIEW INSIDE EXHIBIT - VOID 4

MAIN ENTRANCE

MAIN ENTRANCE

VIEW FACING NORTHEAST FROM REFLECTION

REFLECTION SPACE ENTRANCE

The site is surrounded to the north and east by monolithic walls to create a private and protected space for the visitors. The sporadic openings across them are derived from an underlying grid pattern. Depending on the time of day, light shines through the openings and onto the walkway surrounding the site. It creates this illuminated path that represents the cucle of loss and finding the path to acceptance.

The north façade of the history center consists of a series of glass panels at different transparencies. It symbolizes childhood memories with the clearest glass panels being the most memorable and the impervious glass panels being the forgotten. This allows limited views into the exhibit and of the park space below the canopy from the street, ultimately creating a point of interest to attract people walking by.

Behind the walls the park is very densely vegetated with Palo Blancos and Palo Verdes. Amongst them are bays of ornamental grass. Their placement creates cutout openings to the sky. This difference in elevation represents loss and the inability to replace loved ones.

Over on the south side, the archives are featured as an architectural element. They are enclosed in a cloudy glass room that is lined with shelves. The shelves take on the same grid pattern that is throughout the site and showcase the history center’s collection.

VIEW INSIDE EXHIBIT - VOID 4

VIEW FACING NORTHEAST FROM REFLECTION

VIEW FACING NORTHEAST FROM REFLECTION

Architecture / Landscape Architecture: Design Fundamentals IV

REFLECTION SPACE ENTRANCE

VIEW INSIDE EXHIBIT - VOID 4

Mimicking the tops of the trees is a canvas canopy that extends from the history center. Held up by a series of metal columns, the design was inspired by a child’s ‘blankie’ and it evokes the same feelings of comfort and protection. The structure is designed as a wind element to constantly change forms and simulate the creases and fold of a blanket. Extending from the canopy area are smaller bays of grass (park space) and decomposed granite (burial space). The Palo Blancos and Palo Verdes that frame the bays line up with the canopy’s columns. This creates a similar language between the architecture and landscape. Beneath the trees canopies are benches. There are a total of 30 benches throughout the park, and they represent the number of children in the Pioneer Cemetery that are less than a year old.

VIEW INSIDE EXHIBIT - VOID 4

Student: Austin Nikkel Faculty: Scott Murff

Architecture / Landscape Architecture: Design Fundamentals IV

Student: Madison Strakele Faculty: Scott Murff


Pioneers Memorial Park Life Line park

A Poem About Life

Life is eternal

Pioneer and Military Memorial Cemetery

ala 226 spring 2013

Life is like a line. It is a single line, endless from beginning to start. You can only see as far as your horizon takes you, and that is why the line is endless.

That line remains, and only you make it move. You can make it move every time you make a decision. Every time you deviate from what makes you still, it moves… in beautiful vibrations of life

15th Ave

| instructor: Byron Sampson | student: Wang Siying

10-1

10-2 10-3

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10-6 10-12 10-13

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10-14A

9-10 9-11 9-12 10-21

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10-28

10-31 10-32

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9-21 9-22 9-23

10-25

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9-25

9-24

9-26

existing site plan 1” = 40’

10-17

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10-16 10-18

9-8

10-14B

10-15

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10-41

9-29

10-40

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9-28

13th Ave

Site Analyse site Plan FLOOR PLAN

SITE PLAN

Spring 2013

Undergraduate Second Year Architecture / Landscape Architecture: Design Fundamentals IV

Student: Siying (Nicole) Wang Faculty: Byron Sampson

Architecture / Landscape Architecture: Design Fundamentals IV

Student: Seyedeh Sara Alavi Zadeh Faculty: Filiz Ozel


pure Water Treatment

Pure is a self-contained water treatment system that is able to turn the dirtiest pond into some of the best tasting drinking water. Water is filtered through a ceramic filter that is able to remove particles, bacteria, cysts, and parasites larger than 0.2 microns. The water is then filtered through activated charcoal, removing chemicals that account for the bad taste of most filtered water.

ideation

study models

function Insert tubing

Push to release prefilter

Rotate pump

Drop prefilter in water Direction of water flow

Replace acticvated charcoal

Unscrew filter

Industrial Design: Industrial Design II

Student: Chase Bailey Faculty: Joseph Velasquez

Industrial Design: Industrial Design II

Student: Tyler Lippert Faculty: Joseph Velasquez


REGISTRATION

SUITE

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Upper levels-Guest Suites

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Emergent

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Second level yponaC

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Vertical Emphasis Foliage Rich Ceiling Fixture Flooring and Ceiling Correlate Architectural supports emphasized

Canopy

Vertical Emphasis open to emphasize architecture Light fixtures to mimic foliage Connection first floor with second

roolF tseroFForest Floor

level niaM

all while pushing the user experience to a new level.

zilian design, Mpression captures the culture and soul of Rio de Janeiro.

Atrium

Understory

CATWALK

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Though sharp symmetry symmetry andand patterns seen the hotel washotel further conceptualized from conceptualized the psychol-from the Though sharp patterns are visually, seen the further conceptualized psycholThough sharp symmetry andarepatterns arevisually, seen visually, thewas hotel was further from the psycholmemory. Before the the design, we “Whatourselves, drives people“What to go on vacation andon toto vacation ogyogyofofogy memory. Beforebeginning beginning design, we ourselves, asked “What drives people to go and to and to of memory. Before beginning theasked design, we ourselves, asked drives people go on vacation go to a hotel?” The answer is simply to create a memory. We are always searching to create new experiences, go and to aingohotel?” The answer isSosimply toarecreate avisually, memory. We are always searching to create new experiences, Though symmetry patterns seen hotel was further conceptualized from the psycholtosharp acreate hotel?” The and answer simply to create athe memory. We are always searching to create new experiences, turn, memories. whatiscreates a memory? Through study and research, we discovered a few ogyin and ofthings. memory. the design, “What drives people go on and atofew a few andcore turn, memories. Sobywhat creates aasked memory? Through study and research, wevacation discovered increate turn,Before create memories. So whatwe creates aourselves, memory? Through study andtoremember research, we discovered Memories arebeginning created associations, repetition, and interaction. Many people don’t gothings. tocore a hotel?” TheMemories answer isnicest simply create a visited. memory. Werepetition, areand always searching to create neware experiences, corewhat Memories are bytoassociations, repetition, interaction. Many don’t remember color the floor was in thecreated restaurant What they will remember, however, ispeople if they things. are created bytheyassociations, and interaction. Many people don’t remember andcolor in turn, memories. creates a memory? Through and research, we which discovered reminded ofthe acreate past experience knowledge (association), encounter something several what floorthe was theor So nicest restaurant theyif they visited. Whatstudy they willthey remember, however, isa iffewthey what color floorin was in what the nicest restaurant they visited. What willtimes remember, however, is ifarethey are causes anofassociation (repetition), with something newinteraction. which come in the form ofremember corereminded things. areexperience created bytheyassociations, repetition, Many people don’t reminded a Memories past oror ifknowledge (association), ifand they something several times which of aexperience past orinteracted knowledge (association), ifencounter theycould encounter something several times which service, art, orthetechnology (interaction). We have created that is both appealing and functional, what an color floor was in the nicest theya design visited. theyvisually willnew remember, however, is if they causes association (repetition), or restaurant if they withWhat something which theare form causes an the association (repetition), ifinteracted they interacted with something new could which come could income in theofform of all while pushing user experience to a new or level. reminded of a past experience or knowledge (association), if they encounter something several times which service,service, art, or technology (interaction). We have a designa design that is that bothisvisually appealing and functional, art, or technology (interaction). Wecreated have created both visually appealing and functional, causes an association (repetition), or if they interacted with something new which could come in the form of all service, whileallpushing the usertheexperience toWea new while user experience to alevel. new level. art, orpushing technology (interaction). have created a design that is both visually appealing and functional,

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Comada Da

Main level

letoh fo ”toor“ eh T secaps desolcne etamitn I ser utxet pm uts eer T/dooW leets dna doo w fo tsartnoC

The “root” of hotel Intimate enclosed spaces Wood/Tree stump textures Contrast of wood and steel

Open to Lobby Below

Ocean View

Main Entry

tnegremE

Emergent

etiuS tseuG

Open to Open to Open toBelow Lobby Below Lobby Lobby Below

Ocean View Ocean View

Main Entry Main Entry

Ocean View

Main Entry

SUITE BAR/LOUNGE

Guest Suite

SUITE

SUITE SUITE SUITE

BAR/LOUNGE

SUITE

FIRST FLOOR

SECOND FLOOR

FIRST FLOOR

SECOND FLOOR

FIRST FLOOR FIRST FLOOR etiuS moordeb

ecapS ecerefnoC & moorllaB

Ballroom & Conferece Space

yponaC REGISTRATION REGISTRATION

The hanging art installation is one of the key features in Mpression. It is inspired by the peak of Sugarloaf Mountain inThe Riohanging deTheJaneiro, anisinteractive art and installation oneisofone theartofkeyfountain. in in hanging artis also installation thefeatures key features With the technology of the Arduino open source mirco Mpression. It is inspired by thebypeak Sugarloaf Mountain Mpression. It is inspired the ofpeak of Sugarloaf Mountain controller, it is able to be programmed to just about in Rio indeRio Janeiro, and is also an interactive art fountain. Janeiro, an interactive anything. As adeperson walksand by,isthealso fountain releases aart fountain. With the technology of the Arduino open source mirco With the technology of the Arduino open source mirco single droplet of water simply telling the guest that they are is able be programmed justtoabout ittherefore istoable tocreating be programmed just about acontroller, part ofcontroller, thisithotel a newtoexperience.

LOBBY

Ballroom & Outdoor Seating

nalproolF leveL dnoceS

Second Level Floorplan

ybboL

Lobby

Understory

gnitaeS roodtuO & moorllaB

muirtA

Atrium

yrotsrednU

The hanging art installation is one of the key features in Mpression. It is inspired by the peak of Sugarloaf Mountain in Rio de Janeiro, and is also an interactive art fountain. With the technology of the Arduino open source mirco controller, it is able to be programmed to just about anything. As a person walks by, the fountain releases a single droplet of water simply telling the guest that they are a part of this hotel therefore creating a new experience.

LOBBY FROM ENTRY

Canopy

moorhtaB

LOBBY FROM ENTRY

Bathroom

bedroom Suite

SECOND FLOOR SECOND FLOOR

anything. As a person walks walks by, theby,fountain releases a a anything. As a person the fountain releases singlesingle dropletdroplet of water simplysimply tellingtelling the guest that they of water the guest thatare they are a part aofpart thisofhotel creating a newaexperience. this therefore hotel therefore creating new experience.

LOBBY

LOBBY LOBBY LOBBY LOBBY The hanging art installation is one of the key features in Mpression. It is inspired by the peak of Sugarloaf Mountain inTheRiohanging de Janeiro, and is alsoisanoneinteractive fountain.in art installation of the keyartfeatures With the technology of theby Arduino source mirco Mpression. It is inspired the peakopen of Sugarloaf Mountain controller, it is ableand to be programmed to justartabout in Rio de Janeiro, is also an interactive fountain. anything. As a personofwalks by, the open fountain releases With the technology the Arduino source mircoa single droplet water telling thetoguest that they are controller, it is ofable to besimply programmed just about aanything. part of this therefore a new experience. As ahotel person walks creating by, the fountain releases a single droplet of water simply telling the guest that they are a part of this hotel therefore creating a new experience.

LOBBY FROM ENTRY

REGISTRATION

LOBBY FROM ENTRY

REGISTRATION

muirtA yrarbiL & noitartsigeR

LOBBY FROMFROM ENTRY LOBBY ENTRY

roolF tseroF

BAR/LOUNGE

SUITE

SECOND FLOOR SECOND FLOOR BAR/LOUNGE CATWALK

SUITE

Another key interactive feature, in the hotel, is the Second Floor Catwalk. While walking to school, we noticed a paper on the ground that had been run over by a bicycle. We loved how this little piece of paper could hold such a memory. To bring that inspiration into our hotel, we designed a flooring system using ZeroTouch technology, that captures your footprints as you walk over it, and fades away slowly back into a clean slate.

SUITE SUITE

nalproolF leveL niaM

Main Level Floorplan

yrarbiL & egnuoL ,noitartsigeR

BAR/LOUNGE BAR/LOUNGE

SUITESUITE Ocean View

Registration, Lounge & Library

Main Entry

troseR fo leveL niaM

Main Level of Resort

Main Entry

Forest Floor

REGISTRATION REGISTRATION

FIRST FLOOR FIRST FLOOR

Registration & Library Atrium

Open to Lobby Below

Ocean View

Open to Lobby Below

CATWALK

raB

AnotherAnother key interactive feature,feature, in the inhotel, is the is the key interactive the hotel, SecondSecond Floor Catwalk. While While walkingwalking to school, we no-we noFloor Catwalk. to school, ticed aticed papera paper on theonground that had a by a the ground thatbeen had run beenover runbyover bicycle.bicycle. We loved of paper could could hold hold We how lovedthis howlittle thispiece little piece of paper such asuch memory. To bring into ourintohotel, a memory. To that bringinspiration that inspiration our hotel, we designed a flooring systemsystem using using ZeroTouch technolwe designed a flooring ZeroTouch technology, that your footprints as youaswalk andit, and ogy,captures that captures your footprints youover walkit,over fades fades away slowly back into cleana clean slate. slate. away slowly backa into

Though sharp symmetry and patterns are seen visually, the hotel was further conceptualized from the psychology of memory. Before beginning the design, we asked ourselves, “What drives people to go on vacation and to

Spring 2013

Rio de Janeiro is an incredibly vibrant, lively, and bold city and we reflected that into our design. With inspiration from the graphic elements of Brazil’s well-known landscape architect and artists, Roberto Burle

egnuoL

Marx, to showvibrant, the impactful through hotel.that into our design. With Rio deMpression Janeiro is isanhere incredibly lively, anddesign bold city and aweluxury reflected inspiration from the graphic elements of Brazil’s well-known landscape architect and artists, Roberto Burle Burle was aisground-breaking artist through that left aa luxury large impression Marx, Marx Mpression here to show thedesigner impactfulanddesign hotel. on how landscape architecture is perceived. He was committed to nature-based aesthetics, the use of native plants, and creating

Lounge

go to a hotel?” The answerandis patterns simply toarecreate memory.theWehotel are was always searching to create new Though sharp symmetry seenavisually, further conceptualized fromexperiences, the psycholand ofin memory. turn, create memories. So what createswea memory? Through“What studydrives and research, few to ogy Before beginning the design, asked ourselves, people towegodiscovered on vacationa and core Memories are created repetition, andalways interaction. Manytopeople go tothings. a hotel?” The answer is simplybytoassociations, create a memory. We are searching createdon’t newremember experiences, what floormemories. was in theSonicest visited.Through What they is if they are and incolor turn,the create whatrestaurant creates a they memory? studywillandremember, research,however, we discovered a few reminded a past experience or knowledge (association), if they several which core things.of Memories are created by associations, repetition, and encounter interaction.something Many people don’ttimes remember causes an association or ifrestaurant they interacted with something couldhowever, come inistheif they form are of what color the floor was(repetition), in the nicest they visited. What theynew will which remember, service, (interaction). We have created a design that is bothsomething visually appealing and functional, remindedart,ofora technology past experience or knowledge (association), if they encounter several times which all whileanpushing the user experience a new level. with something new which could come in the form of causes association (repetition), or iftothey interacted service, art, or technology (interaction). We have created a design that is both visually appealing and functional, all while pushing the user experience to a new level.

Bar

landscapes and gardens that were inspired by modern art. One of his most famous works, the Ipanema Burle Marx was a ground-breaking designer and artist that left a large impression on how landscape Calcadao sidewalk, is located steps awaytofrom the front doors of Mpression, servedplants, as inspiration architecture is perceived. He only was committed nature-based aesthetics, the use and of native and creating during the development thewere hotel.inspired Mpression took Burle and reimagined into a landscapes and gardensofthat by modern art. Marx’s One ofcurvilinear his most famous works, thethem Ipanema modern luxery hotel.isBylocated combining graphic elements natural and the modern BraCalcadao sidewalk, only steps away from thewith front doorsmaterials of Mpression, andprinciples served asofinspiration zilian Mpression ofcaptures theMpression culture andtook soulBurle of RioMarx’s de Janeiro. duringdesign, the development the hotel. curvilinear and reimagined them into a modern luxery hotel. By combining graphic elements with natural materials and the principles of modern Brazilian design, Mpression captures the culture and soul of Rio de Janeiro.

Another key interactive feature, in the hotel, is the Second Floor Catwalk. While walking to school, we noticed a paper on the ground that had been run over by a bicycle. We loved how this little piece of paper could hold such a memory. To bring that inspiration into our hotel, we designed a flooring system using ZeroTouch technology, that captures your footprints as you walk over it, and CATWALK CATWALK fades away slowly back into a clean slate.

Undergraduate Second Year Interior Design: Interior Design Studio II: Hospitality

Students: Z. Albean / A. Schactner Faculty: Susan Norman

Interior Design: Interior Design Studio II: Hospitality

Students: K. Marg / N. Pannuzzo Faculty: Susan Norman


Visual Communication Design: Typography

Student: Phylander Kirk Faculty: Patrick Clark

Visual Communication Design: Typography

Student: Hannah McLean Faculty: Andrew Weed


[prevail]

prevail is a nature retreat in flagstaff, arizona that uses minimal gestures to showcase the inherit qualities of nature. the program is separated into multiple volumes that create framed views, natural ventilation, and exterior gathering spaces. the project was developed by amplifying the strengths and weaknesses of the site, utilizing sustainable elements such as wind turbines and water cisterns, and using reclaimed wood materials from the area to minimize the impact on the site.

[site]

7

1 2 3 4 5 6 7

2

parking amphitheatre community center lodge gathering space bathrooms cabins

1

6

3

4 5

[lodge] A

1

7 B

2

6 1 2 3 4 5 6 7

staff living administrative dining hall patio gathering steps classroom lodge

3

5

A

4 B

south

north

A

[cabins]

type a

Spring 2013

Undergraduate Second Year Visual Communication Design: Visual Communication II

type b

B

type c

Undergraduate Third Year Student: Cailey Nunez Faculty: Marsha Minniss

Architecture: Architectural Studio II

Students: B. Bailey / D. Feldhausen / K. Selby Faculty: Catherine Spellman

type d


HBF: Harrington-Birchett Forest An urban locked oasis, fittingly located on Forest Avenue just north of Arizona State University. The HarringtonBirchett House undergoes a redaptive transition from a charming Tudor Style home into an extended satellite campus for The College of Design. Located near new development, College Avenue Commons, this will become the perfect stop for every busy student looking for that coffee break between classes amongst the vegetation only a forest of Forest can provide. 8

10

8

10

5

6 9 5

4

7

3

6 1

2

1. Entry 2. Enclosed Porch 3. Living Room 4. Dinning Room 5. Kitchen 6. Bedroom 7. Bathroom 8. Garage 9. Garden 10. Storage

EXISTING PLAN 8’ - 0”

24’ - 0”

40’ - 0”

5

D

7

SECTION A

7

10

10

10

10

8

6

N

9

A

ative merican Arts of Tucson

4

7

5 3

Museum

10 B 1

2

1. Entry 2. Lobby 3. Gallery 4. Outdoor Space 5. Kitchen 6. Bedroom 7. Bathroom 8. Exhibition Space 9. Garden 10. Studio

SECTION B

1

GROUND FLOOR 8’ - 0”

24’ - 0”

C

A

40’ - 0”

3

2

SECTION C Renderings

1

1. Exhibition Space 2. Event Space 3. Outdoor Patio

SECOND FLOOR

History

8’ - 0”

24’ - 0”

40’ - 0”

SECTION A

Site Diagrams

SECTION B

SECTION C

Material Studies

Architecture: Architectural Studio II

Student: Zheng (Zoe) Liu Faculty: Christopher Lasch

SECTION D

Architecture: Architectural Studio II

Student: Maxwell Smith Faculty: Marthe Rowen


COMPACT ROUTER REDESIGN

FACT: Visually impaired users are capable of using powers drills at work or at home. HOWEVER, drills are not designed with them in mind.

How might we design a power drill that a blind person can use as easily as a sighted user? Flat Top

Power Switch Easily distinguishable ON/OFF positions

Provides convenient stability for bit change process

Redesigned User Handle Lateral handles allow for increased safety and visibility

Soft Start Spindle lock 1/4” Shank Bits

Power Connection Horizontal side mount keeps cord away from work surface

“Off-hand” Handle Increased stability during use

A new aesthetic for power tools: Clean, soft, warm and reassuring.

Edges wrapped with textured rubber. It outlines the silhouette of the drill, increasing visibility.

Depth Adjustment Dial

Dust Collection Attachment LED lighting

Fits both 36mm and 27mm standard hose sizes

Funnel-shaped hex shank bit holder makes attaching bits effortless. Bits snap on magnetically.

Interchangeable Base Plates

Yellow and black provides the most contrast for colour blind users. Painted yellow ring on drill bit makes it identifiable in most work spaces.

Enlarged control interfaces improve usability. The speed control button and battery indicator lights are hard to miss.

‘Part-line vents’ allow for a cleaner aesthetic without sacrificing performance.

Big and clear fonts smartly arranged to maximise size.

“If it is better for us, it is better for everyone.” - Dan M., legally blind DIY-er

Standard Vertical Motor Force and torque levels consistent with current compact routers

Spring 2013

Undergraduate Third Year Industrial Design: Industrial Design IV

Student: Joleen Jansen Faculty: Don Herring

Industrial Design: Industrial Design IV

Student: Wen Shu Kwek Faculty: Don Herring


LEVEL LEVEL LEVE LEVEL LEVEL

LEVEL LEVEL LOCATION LOCATION Mill Ave., Tempe, Arizona Mill Ave., Tempe, Arizona existing building

perspective of rooftop residential units

existing building

Youth, students, and business people perspective of rooftop residential units Youth, students, and business people

DEMOGRAPHY DEMOGRAPHY

existing building

perspective of rooftop residential units

tempe hardware building renovationbuilding tempemixed-use hardware building tempe hardware

GEOGRAPHY GEOGRAPHY Urban environment historic references Urban environment withwith historic references

mixed-userenovation renovation mixed-use

project description:

site map site map

site map

LOCATION LOCATION LOCATION Mill Ave., Tempe, Arizona Mill Ave., Mill Ave., Tempe, Tempe, Arizona Arizona LOCATION LOCATION LOCATION LOCATION Mill Ave., Tempe, Arizona DEMOGRAPHY DEMOGRAPHY DEMOGRAPHY Mill Ave., Tempe, Arizona Mill Ave., Tempe, Arizona Mill Ave., Tempe, Arizona Youth, students, and business people Youth, Youth, students, students, and and business business people people DEMOGRAPHY DEMOGRAPHY DEMOGRAPHY DEMOGRAPHY Youth, students, and business people Youth, students, and business people Youth, students, and business people Youth, students, and business people GEOGRAPHY GEOGRAPHY GEOGRAPHY Urban environment with historic references Urban Urban environment environment withwith historic historic references references GEOGRAPHY GEOGRAPHY GEOGRAPHY GEOGRAPHY Urban Urbanenvironment environmentwith withhistoric historicreferences references Urban environment with historic references Urban environment with historic references CONCEPT CONCEPT CONCEPT CONCEPT

third level

third level

third level third level single studio living / swimming pool

single singlestudio studioliving living/ /swimming /swimming swimmingpool pool single studio living pool

level pool single studio living third /third swimming level single studio living / swimming pool

third level third level

CONCEPT CONCEPT

LEVEL

third level

CONCEPT CONCEPT

single studio living / swimming pool

To the convergence of solidness and voidness with strong presence of verticality and To celebrate thedynamic dynamic convergence ofTo solidness and voidness with strong presence ofsolidness verticality and To celebrate the dynamic convergence of solidness and voidness with strong presence of verticality and Tocelebrate celebrate the dynamic convergence of solidness and voidness with strong presence of verticality and To celebrate celebrate the dynamic the dynamic convergence convergence of of solidness and and voidness voidness withwith strong strong presence presence of verticality of verticality and and CONCEPT horizontality. horizontality. horizontality.

The historic Tempe Hardware Building on Mill Avenue in Tempe, Arizona offers a small residential housing cooperative for active, independent older couples ordynamic olderconvergence singleconvergence Toincelebrate the of solidness and voidness strong presence of verticality horizontality. horizontality. horizontality. celebrate dynamic of solidness and voidness withwith strong presence of verticality and and The historic Tempe Hardware Building on Mill To Avenue Tempe,the Arizona offers a small adults. It serves as an activity center for the local community. In doing so, this mixedThe historic Tempe Hardware Building on Mill Avenue in older Tempe, Arizona offers a small residential housing cooperative for active, independent couples or older single To celebrate the dynamic convergence ofapplication solidness and with strong presence of verticality and iron and the Level’s design are from horizontality. Level’s designelements elements aredrawn drawn fromthe theeff effective ective applicationof of ironvoidness andwood woodthroughout throughout theMill Mill horizontality. Level’s design elements are drawn from the eff ective application of iron and wood throughout the Mill use space also promotes sustainable living, the arts, lifelong learning, and wellness. adults. housing It serves as an activity center for theindependent local community. In doing so, or thisolder mixedresidential cooperative for active, older couples single Ave. Ave. ective ironeff and throughout the Mill and Level’s design elements are drawn from the eff Level’s design elements are drawn from the effwood ective application of iron wood throughout the Mill Level’s design elements areapplication drawn fromof the ective application of iron and wood throughout the Mill horizontality. Ave. useItspace promotes sustainable living, arts, lifelong learning, and wellness. adults. servesalso as an activity center for the the local community. In doing so, this mixedLevel’s design elements are drawn from the eff ective application of iron and wood throughout the Mill Residents are vibrant, active, and independent older adults whoelements are interested indrawn Ave. Ave. Ave. Level’s design are from the eff ective application of iron and wood throughout the Mill use space also promotes sustainable living, the arts, lifelong learning, and wellness. the arts and maintaining close ties their community. By deciding to downsize and Residents are vibrant, active, andto independent older adults who are interested in Level’s design elements are drawn from the effective application of iron and wood throughout the Mill Ave. Ave. the arts maintaining closehomes, ties to their community.they By deciding to downsize and east-west double sacrifice the and ownership of large in exchange want access to activities east-westsection section doublestudio studioliving living SUN second SUNPATH PATH& &HEAT HEATGAIN GAINSTUDY STUDY secondlevel level---mezzanine mezzanine east-west section double studio living SUN PATH & HEAT GAIN STUDY second level mezzanine Residents arethe vibrant, active, and independent older adults who aretointerested in Ave. ownership of large homes, in exchange access activities and asacrifice community of like -minded neighbors that will they allowwant them to maintain the fullest the arts maintaining close ties to their community. Bythem deciding to downsize and andand a community of like -minded neighbors that will allow to maintain the fullest and healthiest lives possible. east-west section sacrifice the ownership of large homes, in exchange they want access to activities double studio living east-west east-west section section second and healthiest lives possible. SUN PATH & HEAT GAINSUN STUDY second level - mezzanine SUN PATH PATH & HEAT & HEAT GAIN GAIN STUDY STUDY second level -level mezzanine - mezzanine and a community of like -minded neighbors that will allow them to maintain the fullest east-west section second doubleliving studio living east-west section double studio SUN PATH & HEAT GAIN second - mezzanine The space offers residents and locals an on-site gardening program where they raise STUDY SUN PATH & HEAT level -level mezzanine space offers residents and locals an on-site gardening program whereGAIN they raiseSTUDY and The healthiest lives possible. and sell crops in an outdoor farmers’ or provide providesupplemental supplemental produce east-west section double studio living SUN PATH & HEAT GAIN STUDY second level - mezzanine andtheir sell their crops in an outdoor farmers’market market or produce in theinadjoining public cafe. Classes and studio forpainting, painting, ceramics, jewelry 12:00 PM 12:00 PM 12:00 PM the adjoining public cafe. andon-site studio space space for ceramics, The space offers residents andClasses locals an gardening program wherejewelry they raise making, dance, yoga, and performances offered.Throughout Throughout public making, dance, yoga, and performancesare are also also offered. thethe public 12:00 PM and sell their crops in an outdoor farmers’ market or provide supplemental produce 12:00 PM spaces, the various art art that is created willbe bedisplayed displayed and sold. spaces, the various that is createdininthe thestudios studios will and sold. in the adjoining public cafe. Classes and studio space for painting, ceramics, jewelry 12:00 PM making, dance, yoga, and performances are also offered. Throughout the public spaces, the various art that is created in the studios will be displayed sold. floorand plans

project description:

project description:

12:00 PMPM 12:00 12:00 PM

8:00 AMAM 8:00 8:00 AM

floor plans

8:00 AM

8:00 AM

6:00 PMPM 6:00 6:00 PM

8:00 AM

floor plans

8:00 AM

6:00 PM

second secondlevel level second level

8:00 AM

double living doublestudio studio living 6:00 PM double studio living

6:00 PM

6:00 PM

6:00 PM

8:00 AM

6:00 PM

second level second second level level Heat Heat Heat

double studio living

second level

level 5

level 5

second second level level

doubleliving studio living double studio Cool Cool Cool

double studio living

IDEATION IDEATION///STUDY STUDYMODELS MODELS IDEATION STUDY MODELS fififirst rstlevel level rst level

artist artiststudios studios/ /music /music musicavenue avenue artist studios avenue

level 5

Cool

Cool

spacing diagram level 4 MODELS IDEATION / STUDY IDEATION / STUDY MODELS

spacing diagram spacing diagram

Cool

Heat

IDEATION / STUDY MODELS IDEATION IDEATION / STUDY / STUDY MODELS MODELS IDEATION / STUDY MODELS

level 4 level 4

Heat

Cool

Heat

Cool

Heat

Heat

Cool

Heat

first level first level first level

first level first level

artist studios / music avenue

artist/ studios / music avenue artist studios music avenue

recessed recessed(3 (3ft) ft)level level recessed (3 ft) level

first level

fine nedining dining/ /wine /wine winebar bar fifine dining bar

artist studios / music avenue

EXTERIOR EXTERIOR EXTERIOR

level 3

level 3

recessed (3 ft) level recessed (3 ft) level recessed (3 ft) level

level 3

recessed (3 ft) level

EXTERIOR

EXTERIOR EXTERIOR level 2

recessed recessed (3 ft) level (3 ft) level

fine dining / wine bar

fine dining fine dining / wine bar/ wine bar fine dining / wine bar

EXTERIOR EXTERIOR

EXTERIOR

level 2 level 2

residence model light & shadow detail level 1 scale: 1/16” = 1’-0”

residence model light & shadow detail level 1

residence model light & shadow detail

level 1

scale: 1/16” = 1’-0”

reception & retail

gallery space & art studios

scale: 1/16” = 1’-0”

garden & ceramic studio INTERIOR INTERIOR INTERIOR fififine nedining dining ne dining

reception & retail

gallery space & art studios

garden & ceramic studio

reception & retail

gallery space & art studios

garden & ceramic studio

property south section

dance & yoga studio

dance & yoga studio dance & yoga studio

wine winebar bar wine bar

fififine nedining dining---section sectionperspective perspective ne dining section perspective

dance & yoga studio model feature wall

property south section

INTERIOR INTERIOR

INTERIOR INTERIOR

fine dining

fine dining fine dining

INTERIOR

fine dining fine dining

property south section elevation cafe counter

INTERIOR

fine dining

cafe terrace

dance & yoga studio model feature wall dance & yoga studio model feature wall

THE THECONVERGENCE CONVERGENCE THE CONVERGENCE

cafe counter elevation cafe counter elevation

residence kitchenette

ballroom cafe and multi-function lounge

cafe terrace cafe terrace wine bar wine bar wine bar

cafe terrace model shadow detail

co-op kitchen & dining

residence kitchenette residence kitchenette

wine bar

fine dining - section perspective

ballroom cafe and multi-function lounge ballroom cafe and multi-function lounge

cafe terrace model shadow detail

co-op kitchen & dining

co-op library

cafe terrace model shadow detail

co-op kitchen & dining

co-op library

Interior Design: Interior Design Studio III

fine dining - section perspective

wine bar wine bar fine dining - section perspective fine dining - section perspective

co-op library

THE CONVERGENCE CONVERGENCE Students: J. Hale / J. Horlyk / K.THE Valenzuela Faculty: Elizabeth Minchew

THE CONVERGENCE

THE THE CONVERGENCE CONVERGENCE

Interior Design: Interior Design Studio III

THE CONVERGENCE

Students: J. Hernandez / H. Wu Faculty: Jose Bernardi

fine dining fine dining - section - section perspective perspective



Undergraduate Third Year Visual Communication Design: Technology for Design II

Student: Echo Gillette Faculty: K. Larkin / A. C. Sanft


Goals Goals Goals Goals

Parti Parti PartiParti

1.) Foster a strong interaction between community 1.) Foster a strong interaction between community 1.) Foster a strong interaction between between community 1.) members Foster athrough strong interaction community and public space. members through openopen and public space. members through open andpublic public space. members through open and space. 2.) Emphasize pedestrian activity by reducing the of use of 2.) Emphasize pedestrian activity by reducing the use 2.) Emphasize pedestrian activity by reducing the use of 2.) car Emphasize pedestrian activity by reducing the use of the car through street land design, the through street and and land design, the car through street and land design, 3.) Allow for community all community members bemile 1/4 mile 3.) Allow for all members todesign, beto1/4 the car through street and land 3.) Allow for all community members to be 1/4 mile anyfor open green space. members to be 1/4 mile from any open green space. 3.) from Allow all community from any open green space. 4.) Allow for design to affect policy within 4.) Allow for design to affect policy within the the from any open green space. 4.) Allow for design to affect policy within the community. community. community. 4.) Allow for design to affect policy within the 5.) Respond to ecological factors through urban form. 5.) Respond to ecological factors through urban form. 5.) Respond to ecological factors through urban form. community. 6.) Create a stong sense of identity while allowing 6.) Create a stong sense of identity while allowing for for 6.) Create a stong sense of identity while allowing for to factors through urban form. aRespond diversity of ecological groups to flourish. a5.) diversity of groups to flourish. a diversity of groups to flourish. 7.) Allow for the community to become a facilitator 7.) forathe community to a facilitator of of for 6.)Allow Create stong sense ofbecome identity while allowing 7.) Allow for the community to become a facilitator of economic social demands. economic and and social demands. a diversity of groups flourish. economic and socialto demands. Centralize public space creating a concentration 8.) Centralize public space creating concentration 7.) 8.) Allow for the community toabecome a facilitator of 8.) Centralize public space creating a concentration of people through multiple areas of the and and flowflow of people through multiple areas of the and flow peopledemands. through multiple areas of the economic andof social community. community. community. public space creating a concentration 8.) Centralize

Vistas al Desierto Mission

The mission of this design is to create a sense of place for everyone. The community will provide all the services necessary for a good and sustainable community. The community will utilize natural features for recreational, educational, and living purposes. The result will be a sustainable community that engages the residents with the natural environment.

and flow of people through multiple areas of the community.

Goals Community engagement

Community Master Plan 1”= 660’ Community Master Plan 1”= 660’ Community Master Plan 1”= 660’

Diagrams Diagrams Diagrams

LAND Acreage: LAND USE:USE: Acreage: LAND USE: Acreage: Live/Work Live/Work 20 20 Live/Work 20 Attached Townhomes Attached Townhomes 200 200 Attached Townhomes 200 Senior Co-housing40 40 Senior Co-housing Senior Co-housing 40 Stacked Flats Stacked Flats 100 100 Stacked Flats 100 LAND USE: Acreage: Vertical Mixed-Use70 70 Vertical Mixed-Use Vertical Mixed-Use 70 General Commercial 30 General Commercial 30 20 Live/Work General Commercial 30 School Townhomes School 10 10 Attached 200 School 10 Library 2 Library 2 Senior Co-housing 402 Library Community Center3 3 Community Center Community Center 100 3 Stacked Flats Green Space 190 Green Space 190 Green Space 70190 Vertical Mixed-Use

Green Space/ Green Space/ Green Space/ Water Management Water Management Water Management

Community Master Plan 1”= 660’

History

Healthy lifestyle

Diagrams

Green Space/ Water Management

Location Map

General 30 TOTAL:Commercial TOTAL: 665 665 TOTAL: 665 Green Space Percent28.57% Green Space Percent28.57% School 10 Green Space Percent- 28.57% age: age: Library 2 age: Dwelling Units/Acre Dwelling Units/Acre 19.819.8 Community Center Dwelling Units/Acre3 19.8 35,000 Approx Approx Pop:Pop: 35,000 Approx Pop: 35,000 Green Space 190 TOTAL: Green Space Percentage: Dwelling Units/Acre Approx Pop:

Education

Design Process Community

Bike+Pedestrian Bike+Pedestrian Bike+Pedestrian

665 28.57%

Scottsdale

19.8 35,000

Arizona

Bike+Pedestrian

Bus Route Bus Route Bus Route

Community Master Plan

Bus Route

Solar Solar Solar

Solar

N NN

Sections NTS Sections NTS Sections NTS Typical Block Typical Block 1 11 Typical Block

Library

5 acres

School

10 acres

Commercial 45 acres Mix-use 42 acres Senior Housing 30 acres

N

Typical Block Typical Block 2 22 Typical Block

Attached Town homes 55 acres Checkerboard single-family 320 acres Estate single-family 50 acres

Sections NTS Miles

Typical Block 1 0

1/4 1320

1/2

1

2640

5280

Major collector road Minor collector road local road

Feet

Perspectives Perspectives Perspectives

Master Plan

Edge

Downtown

E STAGECOACH PASS

Typical Block 2

L EG

ND

TRA IL P A RK

W AY

00

28

E

Opps/Cons Diagram

Legend

N

E WESTLAND DR

Opps/Cons Diagram Large Trail head

N PIMA RD

Medium Trail head

Perspectives

Camping Ground Backpack Camping

Constraint+Opportunity

Large drainage system on site. This provides plant and wildlife diversity. Perfect for learning areas and community parks. However, this limits buildability on site. The new community has to adjust to drainage system.

Opportunity

Burnt area. Perfect for development.

Opportunity

The grade and soil are perfect for development.

E STAGECOACH PASS

Entry Node Power lines

E LONE MOUNTAIN RD

0

280

TRA IL P A RK ND

L EG

Trails Interpretive Trail

W AY

Scenic Road

E

N

E WESTLAND DR

New Community Opportunity

N PIMA RD

Sanctuary Preserve

Existing community provides an extension of amenities for future development.

N A L MA

HOOL RD SC

E DIXILETA DR

E LONE MOUNTAIN RD 240

E DYNAMITE BLVD

0

Constraint+Opportunity

N

Existing community of rock outcroppings. Perfect for community activities, such as rock climbing. Limits development on site.

Opportunity

Existing roads provide easy access to site. 0

0.25

0.5

1

1.5

2

E DIXILETA DR

Archeological site. Limits development. Perfect for educational area.

N A L MA

HOOL RD SC

Miles

Constraint+Opportunity

Spring 2013

Undergraduate Third Year Landscape Architecture: Landscape Architecture II

Student: Connor Covey Faculty: James Coffman

Landscape Architecture: Landscape Architecture II

Student: Clemente Rico Rodriguez Faculty: Allyce Hargrove

2400

E DYNAMITE BLVD


Visual Communication Design: Technology for Design II

Student: Echo Gillette Faculty: K. Larkin / A. C. Sanft

Visual Communication Design: Visual Communication IV

Student: Echo Gillette Faculty: Mookesh Patel


Scottsdale Disability Center

Site Analysis

west elevation

south elevation ’

scottsdale disaility center 2 1

site setback

3

residential neighborhood

public park

open lot 1

2

piping - 4” past column

3

piping - 3” past wall Footing - 16” deep

footing - 16” deep, 4’+ past column

Program

view looking east

view from parking lot

private pod space

rk

ic bl

Pa

Pu

Western Bay

Center Bay

Eastern Bay

Pod Space

Light Study

8:00 AM

9:00 AM

10:00 AM

11:00 AM

12:00 PM

1:00 PM

2:00 PM

3:00 PM

4:00 PM

This calendar is a perpetual calendar. Each block has 6 sides (obviously). Four are colored, one wood-tone and one blank. You have a couple options when using this calendar... A) Assign each color a meaning and display the correct color on the corresponding day (i.e. birthdays are blue, travel is green, etc.) B) Make pretty designs out of the colors. C) Forget eveything I just said and make up your own way of using it.

Construction/Materials

Colored Glass Study

D) Turn them all to the blank side and pretend its a swanky piece of contemporary artwork.

x1 x1

x4

Existing Conditions/Funding Initial Setback the initial setback would only allow additional structure to extend out three and a half feet beyond the existing building. (20' beyond the property line)

x1

jeslyjane.com

Budget the current budget was made available by a grant provided by Scottsdale Public Art for $20,000

Magnum Steel cost for fabrication and labor is estimated at $35,000

Polygal material cost is estimated at about $5,700

Property Line existing building shade structure is an extension of the existing building

HIDA Project Funding ($10,000) and platFORM grant (up to $4,000) have both been applied for and are currently being processed

Polycarbonate

Polycarbonate is a light and impact resistant material The UV resistant properties of this type of plastic will protect the ocotillo and prevent it from deteriorating in the sun.

Ocotillo

Historically used in the Sonoran Desert for fencing and shade canopies. Contextually rich plant to the southwest and the individual site that the shade structure is being built on. The irregular plant structure provides a dynamic shadowing effect

x1

x1

x2

Steel

x2 x2

Benches parks and recreation department donates benches for seating under shaded structure

Allowed Setback being a city project altering the required setback was granted to better accommodate to project design

Available by the City

Spring 2013

Undergraduate Third Year Visual Communication Design: Visual Communication IV

Concrete city donates concrete for new pathways, estimated cost of demolishing existing slabs as well as paving new slabs and foundations would have been about $12,000

Ocotillo city donates ocotillo clippings that are regularly cut for city maintenance

Structural Engineer city hires a structural engineer at a discounted rate

Thin profile allows for a delicate aesthetic The inherent strength in steel makes long spans possible Steel holds up in the Arizona sun for long periods of time

Staff Review Application package presentation required for application of approval by the city, students we able to collaborate with the Scottsdale Planning Department and the Public Art Department for assistance

Undergraduate Fourth Year Student: Jessica Scott Faculty: Lisa Pena

Architecture: Architectural Studio IV

Students: L. Carr / M. Koczwara / Y. Liu / M. Mendoza / A. Paladino / A. Warrayat Faculty: J. Griffiths


Site Analysis

Context

Views

CDN / Shop

Pedestrians

Porosity

ASU School of Architecture

Northwest Corner at 10am: Farmers Market

Northwest Corner at 8pm: Hip Hop Battle

Solid Mass

Structural Module

Carve Program & Void

Carve Light Wells

Arrange Work Spaces Near Light

Classroom Masses Cradle Light Zones

Canopy modules shelter exterior studio spaces

Structural Module+Conditioned Support Space

Section A

Gallery

Studio

Studio

Art Studios

Section A 1/20”= 1’-0”

Section B

Cafe Children’s Center Design Shop

Ground Floor Plan

1/32”=1’

B

A

Lower Level

Level 1

Level 2

Level 3

Level 4

Level 5

Exterior Studio Space

Central Courtyard

Study Model Progression

View of Downtown View of Santa Catalinas 25’ Precedence Visual connection over tracks towards downtown

Private Engage future multi-purpose path

Practice/Performance

Section A

Architecture: Architectural Studio IV (Honors)

Students: Paul Giordano Faculty: Renata Hejduk

Street

1/16”=1’

Architecture: Architectural Studio IV

Students: Lydia Hreniuc Faculty: Tommy Suchart

Gradient Movement



Undergraduate Fourth Year Industrial Design / Management / Visual Communication Design: Collaborative Design Development II

Students: R. Bone / P. Georgiou / Y. Lai / C. Miranda Faculty: P. Boradkar / M. Fehler / D. Frakes / C. Hedges / S. Peck


US DEPARTMENT OF ENERGY SOLAR DECATHLON 2013: TEAM ASUNM

Student Community Center The Project unites ASU Campus and the downtown community around a common goal of healthy Living. The program is centered around an outdoor dining hall that doubles as a flexible event space which activates a positive Phoenix night life and continues to encourage community interaction. The unique situation of the site/context allows the project to become the destination of Taylor Mall by enclosing civic space park. The protective facade addresses the movement of the city on multiple scales and becomes a back drop to the Eckelman piece.

C

WHAT IS SHADE?

BC Campus

Dining

Fresh Food

Team ASUN M - a collaboration across the vibrant Southwest - is building a campaign, highlighted by an inviting residence, to educate our communities on and stimulate a new direction for affordable, adaptable, solar-powered homes that root themselves in our suburban landscape, fostering sustainable growth of both family and ecosystem. 1

Entertainment

=

1 one square foot of solar

FRAMING P UBLIC S PA C E

P EDE STRIAN O RIENTED

one square foot of shade

Community

H EALTHY LIVING

MODULES

SCREENS

EXTERIOR SPACES

ADAPTABILITY

SOLAR CANOPY

DESERT CONTEXT

COUPLE

HOME OFFICE

1 ST A VE

GUEST BEDROOM

INDOOR ENTERTAINING OUTDOOR ENTERTAINING

TAYL O R M ALL

DESERT LANDSCAPE 26

16

27

29

28

30

31 32

14

XERIC GARDEN

20

21

15

17 Bougainvillea

6

12 22

2

1

13

9

15

24

3

6

10 7

9

13

12

1

13

25

8

SHADING ELEMENTS

18 Rio Salado Mesquite

19 Yellow Bells

13

21 Sparklet

23 Penstemon

PRODUCTIVE GARDEN

26 Cabbage

29 Carrots

28 Arugula

31 Lettuce

32 Tomato

1 ST A VE

25 Fairy Duster

27 Watermelon

STRUCTURE & SYSTEMS

24 Honeysuckle

22 Hesperaloe

20 Sparky

6

4 TH F LOO R

15 Jojoba

16 Angelita Daisy

HUMMINGBIRD GARDEN

5 23

13 Creosote Bush

11 Slipper Plant

6 Golden Barrel

17

TAYL O R M ALL

14 Deer Grass

10 Purple Heart

5 Saguaro

19 11

12 Brittlebush

9 Blue Elf Aloe

8 Parry’s Agave

4 Pink Muhly 25

4

7 Queen’s Agave

3 Elephant’s Food

2 Lady’s Slipper

18

33

1 Fence Post

33 Spinach

30 Collard Greens

1

2

9 7 6

3

3 RD F LOO R

4

10

5

8 11

1 ST F LOO R

2 ND F LOO R

WALLS & FLOOR

CEILING & ROOF

MODULE SEAM

1

Framing

4

Phase Change Materials

7

The Module Connection

2

The Stud System

5

Radiant Cooling/ Heating

8

The Soffit

3

American Clay

6

High Efficiency Roof

SYSTEMS

A

EXTERIOR CONDITIONS 9

The Solar Canopy

10

The Exterior Rainscreen

11

Thermally Broken Windows and Doors

PASSIVE SYSTEMS

1

Highly Efficient Thermal Shell

3

Humidity Buffering

5

Efficient Living

2

Phase Change Materials

4

Shade

6

Natural Ventilation

7 4

1

2

6

9

8

10

3

5

A UDITO RIUM

ACTIVE SYSTEMS LIGHTING CONTROLS Kitchen

Overhead Island

Living Pendant

7

Photovoltaic (PV) Canopy

9 Radiant Heating / Cooling

THE PROBLEM

8

OFF

ON

Whole House Automation

10 Air and Ventilation System

OF SPRAWL D INNING H ALL

1950

1970

MEDITERRANEAN

RANCH STYLE

2010

1990

SPANISH TILED ROOFS

THE MCMANSION

2030

SHADE

LOGISTICS+

CONSTRUCTION

C O MMUNITY E VENT

1

fab west fab west 1 3/8" = 1'-0" 3/8" = 1'-0"

1

fab west fab west 1 3/8" = 1'-0" 3/8" = 1'-0"

B

2

courtyard courtyard 2 3/8" = 1'-0" 3/8" = 1'-0"

2

courtyard courtyard 2 3/8" = 1'-0" 3/8" = 1'-0"

TRUCK 1: Solar Canopy

CA

SEC TIO N C D ETAILS

IRVINE

1

2

3

street street 3 3/8" = 1'-0" 3/8" = 1'-0"

3

street street 3 3/8" = 1'-0" 3/8" = 1'-0"

3

street street 3 3/8" = 1'-0" 3/8" = 1'-0"

3

street street 3 3/8" = 1'-0" 3/8" = 1'-0"

3

street street 3

375MI

AZ PHOENIX

The first truck carries the solar shade canopy. The canopy base was part of an intergrated chassis which makes it easier for transportation and on site assembly. The canopy fold down for shipping, and unfolds at the Great Park.

TRUCK 2: South Module

The module containing the kitchen and west exterior patio is lighter than the North module and carries the largest window. This module is on an intergrated chassis which allowed for a larger module to be transported safely.

The SHADE house is built, assembled, and documented in Phx, AZ before being disassembled and trucked to Irvine, CA. The modules were transported separately by integrated truck chassis that allowed the modules to be easily shipped and maneuvered TRUCKS 4 + 5: Landscaping into place at the competition. Landscape planters and accessory TRUCK 3: North Module elements are then trucked on flatbed and assembled around This module is the heaviest and widest. It combines The last trucks carry one of the key components the private spaces as well as the mechanical, of the house; Landscape. Planter boxes and all the house modules in Irvine. electrical and plumbing core of the house.

the accessories the home will need.

fab west fab 1west 1 3/8" = 1'-0" 3/8" = 1'-0" 2

1

1

courtyard courtyard 2 3/8" = 1'-0" 3/8" = 1'-0"

2

fab west fab west 1 3/8" = 1'-0" 3/8" = 1'-0" courtyard courtyard 2 2 3/8" = 1'-0" 3/8" = 1'-0"

1

fab west fab 1west 3/8" = 1'-0" 3/8" = 1'-0"

C

Spring 2013

2

courtyard courtyard 2 3/8" = 1'-0" 3/8" = 1'-0"

Undergraduate Fourth Year Architecture: Architectural Studio IV

Students: Lee Lamoreaux Faculty: W. Burnette / J. Pombo

Architecture: Architectural Studio IV / Advanced Architectural Studio IV: Solar Decathlon

Students: O. Bracamontes / A. Choi / K. Christensen / J. Cribbs / R. Elliott / R. Garkhail / N. Landreville / J. Malon / J. Purcell / M. Rubo / T. Sternberg / E. Sydnor / A. Taqi / J. Washington. Faculty: Philip Horton


Full responsive website

T H E E L E VAT I N G W H E E LC H A I R Full responsive website Full responsive website

R E ACH U P I N C R EAS E S U S E R R EAC H BY TE N I N C H E S

SOCIAL S P E A K I N G AT E Y E L E V E L I S P O S S I B L E W H E N U S I N G U P

TIME U P SAVE S TI M E W ITH ITS S I M P LE LI FT P R O C E S S

Behind footage footage of developing AERof developing AER Behind

Behind footage of developing AER

Intermittent Catheter System

Industrial Design / Management / Visual Communication Design: Collaborative Design Development II

Students: R. Bone / P. Georgiou / Y. Lai / C. Miranda Faculty: P. Boradkar / M. Fehler / D. Frakes / C. Hedges / S. Peck

Industrial Design / Management / Visual Communication Design: Collaborative Design Development II

Students: K. Salem / A. Shemsedini / E. Urcadez / J. Zielinski Faculty: P. Boradkar / D. Frakes / M. Fehler / Intermittent Catheter System C. Hedges / S. Peck


THE

ICE HOUSE

vive

E x T E r I O r r E S O l U T I O n 1.0

H

Vive is an alarm clock that is designed with college students as the main target market focusing on their problem of sleep deprification that leads to difficulties in waking up in the morning. A lot of college students ended up waking up late in the morning and causing a de-screase in daily work productivity. Vive is an alarm system to wake you up in the morning by forcing you to get out of bed and excercising your brain to restore your brain function early in the morning. in the morning and slowly restore your life balance. By increasing your productivity,

light

historical

proposed

2.0

lIgHT STUdy

Treatment Suite

+

Exams

Imaging

Office

Labs

Radiation

button to set up the alarm

Public

LED ringS THAT NEEDS TO BE ALIGNED to turn off alarm SOUND. the shape randomly changes every morning. V West Jackson

Treatment Suite

Exams

Bluetooth connected SPEAKER, in which alarm will ring every morning

a clock to conveniently view what time it is

H

P

Floor 0 .3

Imaging Floor 0 .2

07:00

Floor 0 .1

Office

Floor b. 0 Labs

a phone app created to control VIVE: set alarm, monitor sleep schedule

Radiation

Public

10:00 am

1:00 am

noon

prOgrammIng

3.0

I n T E r I O r r E S O l U T I O n 4.0

Spring 2013

Undergraduate Fourth Year Industrial Design: Design Project II

Student: Amanda Widjaya Faculty: Dosun Shin

Interior Design: Interior Design Studio V: Institutional Design

Students: J. Bailey / A. Price Faculty: Luis Cruz-Martinez

4:00 am

7:00 am


HE

SP

ALT

AR

K.

EM

P O W E R. E V

H&W

DED O L V E.

IC A

B

CITYSCAPE

TE

ELLN ESS C

CENTRAL AVE.

1ST AVE.

WASHINGTON ST.

ENT

ER

C

JEFFERSON ST.

01

IDENTIFIED PROBLEM

PEOPLE IN ARIZONA ARE OBESE

OBESITY

WHICH EQUALS TO ADDTIONAL OF 477,649 PEOPLE THAN 10 YEARS AGO

AZ IS 10TH IN THE NATION FOR OBESITY

RESEARCH & FACTS

=

Only 4 out of 10

POOR NUTRITION

will exercise even if their life depends on it

PHYSICAL INACTIVITY

MADISON ST.

02

US AIRWAYS CENTER

20.4% OF ADULTS 18 YEARS OF AGE AND OVER MEET THE PHYSICAL ACTIVITY GUIDELINES FOR BOTH AEROBIC & MUSCLE-STRENGTHENING PHYSICAL ACTIVITY

POOR MENTAL CONDITIONING

JACKSON ST.

CONTRIBUTING FACTORS CANCER : 22.7% 1/3 of cancer cases are related to poor diet and lack of exercise

1 out of 9 people in Arizona have diabetes, of those, 7 are overweight

04

POOR MENTAL CONDITIONING

PHYSICAL INACTIVITY

POOR NUTRITION

MORTALITY in ARIZONA (2010)

SOUTHERN PACIFIC RR

in 2008

9,883 hospitalizations in AZ were due to diabetes

HEART DISEASE : 21.2%

DIABETES : 16%

That is 27 hospitalizations each day in Arizona

Parts of our brain often work against us

D

when we try to overcome bad habits that have created pathways in our brain

SOLUTION STATEMENT

Usually adding an extra 7%

BUCHANAN ST.

To create a facility that promotes a balanced lifestyle through both short and long term programs; the components of which include community education regarding proper nutrition, engaging in physical activity, and the importance of restoring positive mental conditioning.

SITE PLAN & TARGET MARKET The site is in North Scottsdale, accessible by the loop 101, Scottsdale Road and Frank Lloyd Wright Blvd. Demographics of the area show a target market that is from 35-65, upper middle class with a small family size. The SEED fulfills an inherent need for health and wellness by creating an environment that promotes a sense of community and empowers members to meet both long and short term goals.

NORTH SCOTTSDALE

NORTH SCOTTSDALE

NORTH SCOTTSDALE SOUTH PHOENIX

2018

SOUTH PHOENIX

4TH ST.

of adults of age 18 years and over, who meet the Physical Activity Guidelines for both aerobic and muscle-strengthening physical activity

3RD ST.

ONLY 20.4%

is from a fast food restaurant is eaten in front of TV / computer is eaten in the car

03

2ND ST.

95.98% of all people who lose weight gain it back within 5 years.

WHO UNDERTAKE A DIET AND EXERCISE PROGRAM

1 OUT OF 4 MEALS

A

1ST ST.

95% OF PEOPLE

Obesity by itself increases risk for heat disease by 75%

05

//PHOENIX is an analysis and proposal for a renewed warehouse district at the heart of Downtown Phoenix. Making use of vacant lots, under-utilized buildings, and new structure, a powerful raised diagonal ‘slash’ through the site encourages movement from the popular Cityscape plaza, light-rail, and a new 52 story, multi-use residential building to the reinvented sector of the city. By leading people southwest, a primal connection to Phoenix’s South Mountain, a landmark not often visible from the street, becomes apparent again. A land-bridge raises to meet the line of the slash over Central Avenue, creating an opportunity to bring heavy planting up and above the street where the existing condition is far from ideal.

CHANDLER

2019

2024

0

ILLUSTRATIVE SITE PLAN

100

200

A

400

N

ROOFTOP GARDEN SYSTEM

B

LOWERED TERRACE

01

BUILDING PLAN : 1ST FLOOR 3

5 6

C

COVERED WALKWAY

4

2 LEGEND & AREA OF FOCUS CLINIC + RESEARCH FACILITY HEALING SPA MARKET + COMMUNITY GARDEN

1

LOBBY AREA + OUTREACH PROGRAM GYM + FITNESS CENTER

SCALE : 1/32” = 1’ - 0”

VEGETATED WALK AND COVERED WALK

02

D

IRONWOOD BOSQUE OBSERVATION

DURING RAIN EVENT

5TH ST

2ND ST

1ST ST

1ST AVE

LIGHT RAIL

03

1. COMMUNITY GARDEN

CENTRAL AVE

LAND-BRIDGE LOOKING DOWN TO PLAZA WASHINGTON ST

WASHINGTON ST

CENTRAL AVE

JEFFERSON ST

JEFFERSON ST

4TH ST

3RD ST

1ST ST

2ND ST

1ST AVE

2ND AVE

Circulation

JACKSON ST

JACKSON ST

Pedestrian Vehicular

5TH ST

CENTRAL AVE

Light Rail

N

BUCHANAN ST

CIRCULATION

Open Space

2. FITNESS CENTER

3. SWIMMING POOL

BRIDGE OVERLOOKING RAILROAD

04

OPEN-SPACE NETWORK

Rooftop Gardens

4. HEALING SPA

5. OUTPATIENT CLINIC ROOFTOP GARDEN

05 ROOFTOP GARDENS

Buildings New Old

GROUND-LEVEL ALONG RAILROAD

NEW VS. EXISTING STRUCTURES

6. SEED LOBBY AREA

Interior Design: Interior Design Studio V: Institutional Design

Students: C. Hernandez Villa / E. Lassiter / P. Rachford / J. Scarfo / E. Suwanto Faculty: James Shraiky

Landscape Architecture: Landscape Architecture IV

Students: C. Hayashi / J. Meyer / J. Younkin Faculty: Charles Anderson


ECOCLINE ECOCLINE ECOCLINE ECOCLINE ECOCLINE ECOCLINE

The R o Sa ado Th oughou he pa de ade he Sa R e ha be ome a amed and m d e The e ha a o mbeen u ed a a dump w h N a e e o and and upe und e o a ed a ong he ban Man a ea ha e a o been e a a ed o g a e and agg ega e Toda hem e m m a unde ed and d onne ed om ou da e Ou goa o b ng a ue hab a and The R o Sa ado awa ene ohehepa ede ade he Sa R e ha be ome a amed and m d e The e Th oughou ha a o been u ed a a dump w h a e e o and and upe und e o a ed a ong m emen as ea ha e a o been e a a ed o g a e and agg ega he ban E Man e Toda hem e m N m W ed om ou da a unde d onne e Ou goa o b ng a ue hab a and The R o Sa ed adoand N W awaoughou ene Gohehe ede ade he Sa R e ha be ome a amed and m d e The e Th pa C Stormwater outlet on a day of mild rain. C m u ed a a dump Stormwater ha a o mbeen w houtleta on aeday eof mildorain. and and upe und e o a ed a ong R C Rio Salado- Central Ave-7th Ave outlet on a day of mild rain. emenas ea ha e a o been e a a ed o g a e and aggStormwater he ban E Man ega e Toda he e N m W The R o Sa ed adoand d onne ed om a unde ou da e Ou goa o b ng a ue hab a and m N W Stormwater outlet on a day of mild rain. Th oughou R he Wpa de ade he Sa R e ha be ome a amed and m d e The e awa Stormwater outlet on a day of mild rain. N ene Go heC e Cm u ed a a dump w h a e e o and ha aN o been and upe und e o a ed a ong N CAve Rio Salado- Central R Ave-7th on a day of mild rain. he ban E Man ea ha e a o been e a a ed o g a e and aggStormwater ega e outlet Toda he e emen C m asw N a unde Ned d onneW ed om ou da e Ou goa o b ng a ue hab a and m and m W Nawa ene m Ro he W e N G C

A e e o n e g ad ng o m p oduced w h n a g oup n a one o n e g ada on be ween m wo d nc e eco og ca n che m

ECOCLINE ECOCLINE

-A series intergrading -A series of intergrading formsofproduced within forms produced within -Ainseries ofaof intergrading produced within group in forms a zone of intergradation between a group a zone intergradation between a group in a zone of intergradation between two distinctive (ecological) niches two(ecological) distinctive (ecological) niches m niches two distinctive

ECOCLINE ECOCLINE ECOCLINE ECOCLINE ECOCLINE ECOCLINE ECOCLINE ECOCLINE ECOCLINE -A series of intergrading forms produced within -Aintergradation series of produced intergrading -A series intergrading forms a group in a of zone of between within forms produced within group in a(ecological) zone of intergradation between a group inm a zone of intergradationRiobetween Salado- Central Ave-7th Ave twoadistinctive niches Rio Salado- Central Ave-7th Ave two distinctive (ecological) niches

two distinctive (ecological) niches m

-A series of intergrading forms produced within Rio Salado- Central Ave-7th Ave Rio Salado- Central Ave-7th Ave a groupforms in aproduced zone ofwithin intergradation between -A series of intergrading m of intergrading forms produced within -A series a group in a zone of intergradation between two distinctive (ecological) niches Concept Diagrams m a group in a zone of intergradation between two distinctive (ecological) niches Concept Diagrams two distinctive (ecological) niches

Looking Southeast from North Bank Looking Southeast from North Bank

Existing Rio Salado

Existing Rio Salado

Central Ave.

Central Ave.

-AN series of intergrading forms produced within -Aofseries of intergrading forms produced -A series forms produced within within -A series ofintergrading intergrading forms produced within -A series of intergrading forms within N a-A group ina azone of intergradation between -A series of intergrading -A series forms ofproduced intergrading forms produced within aofgroup in a zone of intergradation between ainDiagrams group inproduced a intergradation zone intergradation between awithin group of between series ofzone intergrading forms produced within Concept Looking Southeast from North Bank Concept two distinctive (ecological) niches a group inbetween a of zone intergradation Looking Southeast a group in a zone of aintergradation group inDiagrams a zone intergradation between two distinctive (ecological) nichesfrom North Bank twoin distinctive niches CN two distinctive niches aof group a(ecological) zone between of(ecological) intergradation between Rio Salado- Central Ave-7th Ave Stormwater outlet on a day of mild rain. Concept Diagrams SaladoStormwater outlet on a day of mild rain. The R Central o Sa ado Ave Looking Southeast from North Bank Rio Salado- Central Rio two distinctive (ecological) Ave-7th Ave Stormwater outlet on a day of mild rain. two distinctive (ecological) two distinctive niches (ecological) nichesniches two distinctive (ecological) niches E RAve-7th emen C m C sw Th oughouN he pa m de adeW he Sa R e ha be ome a amed and m d e The e N Looking East from N 7th Ave. m W Looking East from 7thAve-7th Ave. Ave ha a o mbeen u ed a aStormwater dump wa dayhof mild a rain.e e o and and upe und e o a ed a ong N Rio SaladoCentral outlet on R WC Rio Ave-7th Ave Rio SaladoCentral AveSalado- Central G on arain. mild rain. outlet on a day of mild rain. Rio Salado- Central Ave-7th Ave Ave-7th Stormwater outlet of mild m Concept Diagrams The Rio Salado: Looking Southeast from North a Bank he ban Man ea ha e aoutletoonbeen e Stormwater aon aadayoutlet ed odaygofStormwater a e and agg ega e Toda he e The Rio RioCentral Salado-Ave-7th CentralAve Ave-7th AveSalado- Central Ave-7th Ave Stormwater a day of mild rain. outlet on a day of mild rain. C on a day Rio Salado- Central Ave-7th Ave Rio SaladoStormwater outlet mildStormwater rain. and outlet on ariver. day of mild rain. Rio Stormwater Throughout theSalado: past decades the Salt N River has become a oftamed timid The river a unde ed and d onne ed om ou da e Ou goa o b ng a ue hab a and N Rio Throughout decades the Salt River has become a tamedsites and timid river. 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The cleaning process separated into 4into stages andspills ends with ahealthy constructed Phase Urbanism 2is 1 Phase 4: Urbanism Phase 4: Urbanism Phase 3: 4: Habitat Phase 4: Urbanism 2healthy 1clean wetland. there, excess clean water spills into Riowater. Salado to create healthy habitat. W We study mplants wetland. From there,wetland. excess clean From From water there,looking spills excess into the Rio water Salado spills to into the Rio athe Salado habitat. toand create abridge. habitat. The resulting wetlands are as areas to and thate areh capable ph o create emed amhealthy on Pede an aaSalado e and aplants owed otest ob e capable and mo ough we and ofwabout ha The resulting wetlands are used as research areas toresearch test study plants that are of resulting wetlands are used as research areas toused test and study that capable of wetland. 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Pedestrians are allowed to observe and move through the wetlands with a with The resulting wetlands areplants used as research areas to test and study plants that are capable of the oo don ou hcleaning app oa hthat 3000 feet. The process is separated into 4 through stages endswith with 3 m phytoremediation. Pedestrians are allowed todon’t observe andapproach. move through themove wetlands a runoff phytoremediation. Pedestrians phytoremediation. are allowed Pedestrians to observe aredon’t and allowed move tothrough observe the and wetlands move through with a the wetlands with awith “look touch” “look touch” approach. The existing storm water practices takes all from Phoenix and forces it into “look don’t touch” approach. phytoremediation. Pedestrians are allowed to observe and through the wetlands with downtown a wetland. From there, excess clean water2 spills intoWater the Rio Salado to create a healthy habitat. 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Pedestrians are allowed to observe and move through the wetlands with a he One> exh b a ed ob e e o n e a w h he exh b by p a ng a e on W m W m Arts District Phase 3: Habitat Phase 3: Habitat 2 Phase 3: Habitat Bioremediation : approach. Axonometric of Phases: Civic Buildings 3000don’t feet. touch” The cleaning process is separated into 4 stages and ends with a constructed “look 2 Phase Habitat 3 Phase 3: Habitat Phase 3: Habitat Phase Urbanism Phase 2: 3: Stormwater Phase 3:4: Habitat Wetland pedestrian ramp looking at stages 3 and 4 Wetland, amphitheater and pedestrian bridge. 3 amphitheater Phase 2: Stormwater Wetland pedestrian ramp lookingexisting at stagesFrom 3 and 4storm Wetland, and pedestrian bridge. The water practices takes all runoff downtown forces ithabitat. into a map o he G ea e Phoen x a ea Ea h ob e e had he ho e o e he a b ue o wetland. there, excess clean water spills intofrom the Rio Salado Phoenix to createand a healthy 3 N N

Axonome c o Phases View to Tower 7th Street

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7th Street

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7th Street 7th Street

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Arterial roads Collector roads Pedestrian Bridges Riverwalk Lightrail Green Corridor Trail

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7th Street

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Phase 4: Urbanism

Central Ave.

7th Street

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Arterial roads 7th Street Mix use Swale Collector roads Commericial Mix use Pedestrian Central Ave.Central Ave. Green Research/Tech Bridges Commericial Live Work Riverwalk Green Research/Tech Arts District CirculationLightrail Live Work Green Corridor Civic Buildings Arts District Trail Civic Buildings

7th Street

7th Street

Phase 3:

Urban Open Space Mix use Mix use Transition Zone Commericial Urban Open Space Commericial Over Bank Zone Green Research/Tech Transition Zone Green Research/Tech Bank Zone WorkBank Zone Live Work ToeLive Over Zone ArtsBank District Zone Arts DistrictConstructed Wetlands Buildings Zone Civic BuildingsCivicToe

Mix use Commericial Green Research/Tech Live Work Habitat Arts District Civic Buildings

Swales Corridor Biofiltration Stage 1 Biofiltration Stage 2 Biofiltration Stage 3 Biofiltration Stage 4 Wetland Phoenix Stormwater Swale Gray Water System Arterial roads Swales Corridor Swales Corridor Collector roads Biofiltration Stage 1 Biofiltration Stage 1 Pedestrian Biofiltration Stage 2 Biofiltration Stage 2 Swales Corridor Swales CorridorCentral Ave. Central Ave. Central Ave. Swales Bridges Biofiltration Stage 3 Biofiltration Stage Corridor 3 Stage 1 Biofiltration StageBiofiltration 1 Biofiltration Stage 1 Riverwalk Biofiltration Stage 4 Biofiltration Stage 4 Stage 2 Biofiltration StageBiofiltration 2 2 LightrailCentral Ave. Wetland Wetland Biofiltration Stage Stage 3 Central Ave. Biofiltration StageBiofiltration 3 Central Ave. Biofiltration Stage 3 Stormwater Green Corridor Phoenix Arterial 4roads Stage 4 Phoenix Stormwater Biofiltration StageBiofiltration Biofiltration Stage 4 Trail Swale Swale Wetland Collector roads Wetland Wetland Gray Water System Gray Water System Phoenix Stormwater Phoenix Pedestrian Stormwater Phoenix Stormwater Swale Swale Central Ave. Swale BridgesGray Water System Gray Water System Gray Water System

7th Street Arterial roads Arterial roads Collector roads Collector roads Pedestrian Pedestrian Arterial roads 7th Street Central Ave. Arterial roads BridgesSwales Corridor Central Ave. Central Ave. Bridges Collector roads Biofiltration Stage 1 Riverwalk Collector roadsRiverwalk Pedestrian Biofiltration Stage 2 Pedestrian Lightrail Lightrail Bridges Central Ave. Biofiltration Stage 3 Central Ave. Bridges Green Corridor Green Corridor Riverwalk Biofiltration Stage 4 Riverwalk Trail Trail Lightrail Wetland Lightrail Water Management Green Corridor Phoenix Stormwater Green Corridor Trail Swale Trail Gray Water System

Swales Corridor Biofiltration Stage 1 Biofiltration Stage 2 Biofiltration Stage 3 Biofiltration Stage 4 Wetland Phoenix Stormwater Swale Gray Water System

Central Ave.

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7th Street

Arterial roads Collector roads Pedestrian Bridges Riverwalk Lightrail Green Corridor7th Street Trail

Central Ave.

1

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Mix use Commericial Green Research/Tech Live Work Arts District Civic Buildings

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Central Ave.

Arterial roads Collector roads Pedestrian Bridges Riverwalk Lightrail Green Corridor Trail

2

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Swales Corridor Biofiltration Stage 1 Biofiltration Stage 2 Biofiltration Stage 3 Biofiltration Stage 4 Wetland Phoenix Stormwater Swale Gray Water System

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7th Street

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Arterial roads Collector roads Pedestrian Bridges Riverwalk Lightrail Green Corridor Trail

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Arterial roads Collector roads Pedestrian Central Ave. Bridges Riverwalk Lightrail Green Corridor Trail

Central Ave.

7th Street

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Urban Edge Swale Landmark View

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7th Street

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Collector roads Pedestrian Bridges Riverwalk Lightrail Green Corridor Trail

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4

Central Ave.

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Swales Corridor Biofiltration Stage 1 Biofiltration Stage 2 Biofiltration Stage 3 Biofiltration Stage 4 Wetland Phoenix Stormwater Swale Gray Water System

Swales Corridor Biofiltration Stage 1 Biofiltration Stage 2 Biofiltration Stage 3 Biofiltration Stage 4 Wetland Phoenix Stormwater Swale Gray Water System

Swales Corridor Biofiltration Stage 1 Biofiltration Stage 2 Biofiltration Stage 3 Biofiltration Stage 4 Wetland Phoenix Stormwater Swale Gray Water System

7th Street

7th Street

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Urban Open Space Swale Transition Zone Stage 1 Over Bank Swale Zone Stage 2 Zone Stage 1 Bank Stage 3 Toe Zone Stage 2 Stage 4 3 Swale ConstructedStage Wetlands Wetland Stage 4 Stage 1 Wetland Stage 2

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Wetland pedestrian ramp looking Wetland at stagespedestrian 3The and 4 each ramp looking at stages 3 and 4 gathers Wetland, amphitheater and pedestrian Wetland, bridge. pedestrianWetland, Phase 4: Urbanism Wetland pedestrian ramp looking at stages 3 andrunoff 4 amphitheater amphitheater and pedestrian bridge. green cooridor storm water with bioswales thateventually eventually drain into The eachgreen green cooridor cooridor gathers storm water runoff withThe bioswales drain 3 each gathers storm runoff with Each bioswales that eventually drain 3 3 he Rtheir o water Sa ado eexcess gthat eenwa a aeinto on heintointo own ha a e Ea h oo do o e a un que 3 From there, clean water spills 2 the Rio Salado to create a healthy habitat. 1wetland. North entrance toSalado. wetlands. These greenways take the RioThe on own character. offers unique 2cooridor the RioSalado. Salado. These take on their own character. 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Each cooridor he Rthat ogreenways Sa ado The etheir geventually eenwa ethat on he own ha a e offers Ea ha unique oo do o e a un que the gathers Rio Salado. These take own character. Each cooridor a unique thecooridor Rio Salado. These greenways take onThese their own character. Each cooridor offers a offers unique The each green cooridor gathers storm wateron runoff with bioswales eventually drain into m Swale Palm Walk Green Corridors theSalado. Rio Salado. These greenways take on their own character. Each offers a unique Wetland pedestrian ramp looking at stages 3cooridor and 4 create Wetland, amphitheater and pedestrian bridge. the Rio Salado. 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Phase 2: Stormwater

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Stage 4 Wetland

Swale Stage 1 Stage 2 Stage 3 Stage 4 Wetland

Swale Stage 1 Stage 2 Stage 3 Stage 4 Wetland

Palm Walk

Existing Rio Salado

Central Ave.

Retaining Wall

Existing Rio Salado Retaining WallRetaining Wall Existing Rio Salado

Phase 1: Infrastructure Phase 1: Infrastructure

Palm Walk

Retaining Wall

Retaining Wall

Mesquite Mall

Retaining Wall

Mesquite Mall

Palm Walk

experience by using specific trees to3 create pedestrian walkways. experience by using experience specific trees by to using create specific pedestrian trees to walkways. create pedestrian walkways. experience by using specific trees to create pedestrian walkways. Stage 3 Ash Ave

Phase 1: Infrastructure

N

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Palm Walk Palm Walk

Central Ave.

Phase 2: Stormwater

N

7th Street

Central Ave. Central Ave.

Central Ave.

Phase 2: N Stormwater

7th Street

N

Palm Walk

7th Street

7th Street 7th Street

7th Street

7th Street

7th Street

7th Street

Phase 1: Infrastructure

Spr ng 2013

Elm Way

Undergradua e Phase 1: Infrastructure Four h Year

mW

Swale Stage 1 Existing Rio Salado Stage 2 Stage 3 Stage 4 Wetland

Green Corridors Green Corridors

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Existing Rio Salado

Palm Walk

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Ash Ave

Mesquite Mall Ash Ave Ash Ave

Existing Rio Salado

Central Ave.

Mesquite Mall Mesquite Mall

Mesquite Mall

Palm Walk Palm Walk at stages Ash 3 and Ave 4

N

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Ash Ave

Mesquite Mall Ash Ave

Mesquite Mall Mesquite Mall

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G

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2

3

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Mesquite Mall

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Central Ave.

Phase 1: Infrastructure

7th Street

Palm Walk

Ash Ave

Wetland

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Existing Rio Salado

7th Street

Central Ave.

7th Street

Stage 4 N

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Phase 1: Infrastructure

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SW!TCH studio | multi media & visual communication design | artisan live / work space | roosevelt row district, downtown phoenix arizona

facade | week day

facade | first fridays

employee work area

private office

courtyard & transition space

private library

custom benching sytem configurations

solar panels hvac package unit

DOWN

UP

DOWN

DOWN

roof terrace

roof level

private library

storage

DOWN

UP

DOWN

private office

living area

second level

section A

parking

work shop UP WH

entry

courtyard

UP

A

B employee work area meeting area kitchen

ground level

section B

UP

UP

UP

WH

UP

WH

UP

ground level configurations

Graduate Three Plus Year Visual Communication Design: Visual Communication VI

Student: Andrew Sapiens Faculty: W. Heywood / A. C. Sanft

Architecture: Core Architectural Studio II

Student: Michael LeMieux Faculty: John Meunier

WH

UP



Graduate Three Plus Year Industrial Design: Core Industrial Design Studio II

Student: Breck Byington Faculty: John Takamura


Haymaker Guitars

Breck Byington Spr. 2013 | Studio Takamura

Live/Work design

Proposed Site: Roosevelt Arts District Site Analysis Deck Park

Haymaker Guitars Mission Statement Craftmanship for the sake of craftmanship

P O W E R TOOL

Emphasis on materials, process and details

Central

Integration into the music community A place for enthusiasts to gather

1st Street at Portland Street Portland

World Population

2nd Street at Portland Street

Live in Developing Areas

Deck Park/Phx Library Roosevelt

85% Proposed Haymakers Site

Proposed Rambla/Green space

Proposed Artisan Community Existing building/infrastructure

Proposed path through communiy (connecting Monorchid to Phx Library)

Live in Rural Areas

44%

Innovative solutions for repurposing materials and products is prevalent in developing communities such as SUAME MAGAZINE in Ghana

Design Evolution scheme The design evolution is predominantly driven by the rectilinear constraints of the site and acoustic points of interest (based on program). The Collision of waves within this space begins to inform the shape and design. Designing with the notion of inside out and not outside in.

Existing condition of Artisan Venue:

Location:7th and Palm. Issues: Limited foot traffic. Limited visibility and security issues. Limited space.

MODULAR DESIGN

Axonometric drawings - Strucutural design

Plan Views

Scale: 1/8 inch = 1 foot

allows for variety of combinations

(Light gage steel & Wide Flange steel framing)

- HVAC Design Package unit (chilled water unit) venting through ceiling ducts.

? Modular Furniture system:

In order to enhance the flexible/open space of this design. All work space furniture is designed to move via castor system. All moveable furniture is designed to fit along open space on side walls.

Future considerations: Branding his Craft

N Community integration

Flexible Door System:

Large facade door is designed to rotate along ball bearing track. Alowing themassive door to be manipulated with great ease. Varying degrees or aperature will alow for customization of light and sound within the space.

Gasoline Powered

A place for Music Enthusiasts (Lounge)

A place for teaching (Luthier)

Chuck Key / A s s e m b l y To o l

Drill Use

A place for Craft

Physical Basswood Model

Engine Start

Spring 2013

Idle Adjustment

Graduate Three Plus Year Architecture: Core Architectural Studio II

Student: Nestor Mena Faculty: Max Underwood

Industrial Design: Core Industrial Design Studio II

Student: Breck Byington Faculty: John Takamura

Drill Direction Adjustment


Loop 202

5

6 3

H AY D E N 2

J

U

N

C

3

T

I

O

N

4

1

MISSION TO ESTABLISHA COMMUNITY THAT WILL WORK WITHING THE PRESERVE.

E. Stagecoach Pass

E. Woodley Way

Co

Mil

l Av

ue ven eA

enu

e

lleg

project site

6

10

VISION THE LEAF WILL BE A LIVING COMMUNITY, WHERE PEOPLE CAN LEARN LIVE WITH LESS IMPACT ON THE ENVIORNMENT

E. Hawkins Rd.

gen d Tr ail

Pk

wy

GOALS BE A LEADER IN COMMUNITY NET ZERO LIVING. N. Legend Trail Pkwy

8

DOWNTOWN TEMPE 1

THE LEAF AT BROWNS

5

9

N. Le

7

University Drive

2

“a” mountain

3

light rail

4

tempe city hall

5

7

tempe center for the arts

8

arizona state university

9

tempe beach park

10 sun devil stadium

tempe town lake

OBLIQUES

PARKS

COMMERCIAL/ MIX USE- 30AC, 150

GENERAL PRE-

LIVE/WORK- 18 AC, 450 DU

WASHES

SCHOOL

ESTATE- 50 AC, 100 DU SINGLE FAMILY HOMES-120AC, TOWNHOMES- 100AC, 3,000DU

COMMUNITY CENTER INTERGRATED SENIOR HOUSING 338 AC, 6,400 DU 14,080 RESIDENTS

4

TOWNHOMES N.T.S.

1

retail

senior center

3

site plan - level 1

restaurant/bar

maint.

DOWNTOWN N.T.S.

CHECKERBOARD SINGLE FAMILY N.T.S.

COMMUNITY DIAGRAMS

3

working artist studio

working artist studio

working artist studio

lobby to upstairs studios

N. Legend Trail Pkwy

art gallery

PARKS & PRESERVES

PARK CHARACTER

DOWNTOWN DOWNTOWN

2 3

site plan - level 2

student studio

restaurant

N. Legend Trail Pkwy

N. Legend Trail Pkwy

student studio rooftop terrace

PARK CHARACTER

TOWNHOMES

TOWNHOMES

N. Legend Trail Pkwy

student studio

PARKS & PRESERVES

N. Legend Trail Pkwy

3

student studio

student studio

CHECKERBOARD SINGLE FAMILY

LIVE/WORK

LIVE/WORK

4

CHECKERBOARD SINGEL FAMILY

3 N. Legend Trail Pkwy

longitudinal section

INTERGRATED SENIOR HOUSING

SCHOOL

INTERGRATED SENIOR HOUSING

SCHOOL AND COMMUNITY CENTER

SITE SECTIONS Prompted by Tempe’s centennial in 1971, Mill Avenue was

4

Prompted by Tempe’s centennial in 1971, MillinAvenue Prompted by Tempe’s centennial 1971,was Millestablished Avenueaswas established anshopping entertainment andthe shopping district. Today, an entertainmentas and district. Today, City of Tempe is nationally established as an entertainment and shopping district. Today, recognized the homeisofnationally ASU, the Insight Bowl and as events as the the City ofasTempe recognized thesuch home of P.F. ASU, the CityRock of Tempe is nationally recognized as the of Chang’s ‘n’ Roll and Arizona Marathon and Ironman Arizona. It ishome the seventh the Insight Bowl events such as the P.F. Chang’s Rock ‘n’ largest Arizona, with an and economy basedsuch on commerce, tourism and ASU,city thein Insight Bowl events as the P.F. Chang’s Roll Arizona Marathon and Ironman Arizona. It is the seventh technology. Rock ‘n’ Roll Arizona Marathon and Ironman Arizona. It is the

transverse section

largest city in Arizona, with an economy based on commerce,

seventhand largest inuse Arizona, with an economy based Hayden is a city mixed commercial/residential site at 520 S. Mill on Avenue tourismJunction technology. incommerce, Tempe that houses a restaurant, a retail space, a senior activity center, an art tourism and technology. gallery, working artist studios, and student studio apartments. This is a bustling Hayden Junction mixed usecommercial/residential commercial/residential siteby Hayden isis aavisitors mixed use site atat area of the Junction city and draws spanning many generations, as evidenced the programming of HaydenTempe Junction.that The houses goal of theadesign is to encourage 520 S. a aretail 520 S. Mill Mill Avenuein Avenuein Tempe that houses arestaurant, restaurant, retail interaction between the generations by providing spaces that attract the younger space, space, aa senior senior activity activity center, center,an anart artgallery, gallery,working workingartist artist college set as well as seniors leading active lifestyles.

COMMUNITY CENTER AND DOWNTOWN

studios, studios, and and student student studio studioapartments. apartments.The Thegoal goalofofthe thedesign

The meant tonteraction draw visitors into the corridor to further Hayden isdesign tolayout encourage between the generations bywhat providing isis to encourage nteraction between theexplore generations by Junction has to offer. The seniors are encouraged toset interact withset the on site spaces that attract the younger as well as artists seniors providing spaces that attract thecollege younger college as well and to enjoy the restaurant and retail spaces with the younger generation.

leading active lifestyles. as seniors leading active lifestyles.

5 details not to scale

WASH

art gallery

corridor

DOWNTOWN PLAZA

student studio

outdoor seating

Interior Design: Core Interior Architecture Studio II

outdoor seating

Student: Kristen Keane Faculty: Jose Bernardi

Landscape Architecture Core Landscape Architectural Studio I

Student: Nathan Bochniak Faculty: James Coffman



Graduate Three Plus Year Architecture: Advanced Architectural Studio II

Students: I. Hercegovac / R. Mosman Faculty: Peter Rutti


THE MENIL COLLECTION CAMPUS

alabama st.

auditorium yupon st.

mulberry st.

menil park

menil collection museum

sul ross st. interstitial playground

twombs

HOUSTON, TEXAS

bookstore

sculpture park

DRAWING INSTITUTE CAFE BOOKSTORE AUDITORIUM

drawing institute + café

w. main st.

SITE GOALS

N richmond ave.

DRAWING INSTITUTE + CAFE

+ strengthen richmond ave. presence to the south + enhance connections + maintain quirky “stumble upon” quality of the site + revitalize south sculpture park + create interstitial playground

landmark / indicative of process / engages with neighborhood

2400 SF LIGHT GALLERY 1700 SF DARK GALLERY 1000 SF LOBBY/CHECK-IN 600 SF LIBRARY/READING ROOM 400 SF CONFERENCE 400 SF RESTROOM

MECHANICAL ZONE 1 GALLERIES, LOBBY, LIBRARY

MECHANICAL ZONE 2 STORAGE, RESTORATION, OFFICE, CURATORIAL

2300 SF TREASURE ROOMS/MONOGRAPHIC STORAGE 750 SF PRESERVATION/RESTORATION LAB 800 SF CURATORIAL/ADMIN OFFICE 1000 SF LOADING DOCK, STORAGE, SECURITY

2400 SF 1700 SF 1000 SF 600 SF 400 SF 400 SF

LIGHT GALLERY DARK GALLERY LOBBY/CHECK-IN LIBRARY/READING ROOM CONFERENCE RESTROOM

MECHANICAL ZONE 1 GALLERIES, LOBBY, LIBRARY

PRODUCED BY AN AUTODESK STUDENT PRODUCT

MECHANICAL ZONE 2 STORAGE, RESTORATION, OFFICE, CURATORIAL

auditorium wall section

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

2300 SF TREASURE ROOMS/MONOGRAPHIC STORAGE 750 SF PRESERVATION/RESTORATION LAB 800 SF CURATORIAL/ADMIN OFFICE 1000 SF LOADING DOCK, STORAGE, SECURITY

drawing institute wall section

PRODUCED BY AN AUTODESK STUDENT PRODUCT

AUDITORIUM

BOOKSTORE

Spring 2013

Graduate Three Plus Year Visual Communication Design: Core Visual Communication Design Studio II

landmark / adapts to various performances / integrates with menil park

destination / cites bungalow form / visual connection to surrounding landmarks

Graduate First Year Student: Haejin Park Faculty: Mookesh Patel

Architecture: Advanced Architectural Studio II

Students: A. Alajmi / A. Matijevic / A. Tsaparis Faculty: Tom Powers


Th e Men i l Co l l ect ion Ca m pu s

The Menil Collection Campus

Drawing Institiute

Auditorium

Cafe/Bookstore

Study

Hall

Drawing Institute Section 1/2” = 1’’-0” Drawing Institute Plan 1/8” = 1’’-0”

THE MENIL DRAWING INSTITUTE

Lobby

Drawing Institute

4

Study

RR

Drawing Institute Plan 1/8” = 1’’-0” Gallery

Gallery

Gallery

Gallery Mechanical

RR

Lobby

Drawing Institute

4

Study

Conservation

Storage

RR

Loading

Storage

Workspace

Gallery

Gallery

Gallery

Gallery Mechanical

RR

Storage

Breakroom

” = 1’’-0”

Lobby

Drawing Institute

4

Study

Storage

Conservation

Storage

RR

Loading

Storage

Workspace

Gallery

Gallery

Gallery

Gallery Mechanical

RR

Storage

Breakroom

4

Conservation

Storage

Loading

Storage

Workspace

Gallery

Storage

Gallery

3 2

1

6 4

7

Gallery Mechanical Storage

Breakroom

Storage

The Menil Collection Campus

Drawing Institiute

Auditorium

Auditorium

Cafe/Bookstore

Study

Hall

Auditorium

Gallery

Drawing Institute Section 1/2” = 1’’-0”

Auditorium Section 1/2” = 1’’-0”

Drawing Institute Plan 1/8” = 1’’-0”

Lobby

4

Study

Conservation

Storage

RR

Storage

Loading

Workspace

Gallery

Gallery

Gallery

Gallery

REGLET

REGLET

REGLET

Storage

REGLET

REGLET

RUN ROOF MEMBRANE UP WALL CANT STRIP

RUN ROOF MEMBRANE UP WALL

CANT STRIP

8" MIN

8" MIN

RUN ROOF MEMBRANE UP WALL

8" MIN

Storage

8" MIN

Breakroom

8" MIN

Mechanical

RR

CANT STRIP RUN ROOF MEMBRANE UP WALL

RUN ROOF MEMBRANE UP WALL CANT STRIP

CANT STRIP COMPRESSIBLE FILLER W18 STRUCTURAL STEEL BEAM COMPRESSIBLE FILLER W18 STRUCTURAL STEEL BEAM

COMPRESSIBLE FILLER

COMPRESSIBLE FILLER

W18 STRUCTURAL STEEL BEAM COMPRESSIBLE FILLER

W18 STRUCTURAL STEEL BEAM

W18 STRUCTURAL STEEL BEAM TAPERED INSULATION

METAL DUCT

BEAM POCKET IN PRECAST PANEL

GYP FINISH

CANT STRIP

CANT STRIP

SUPPLY

GYP FINISH 3/4" PLYWOOD 6" MTL. STUD

W18 STRUCTURAL STEEL BEAM SUPPLY

0' - 5 1/2"

COMPRESSIBLE FILLER W18 STRUCTURAL STEEL BEAM

SUPPLY

MULLION FLUSH WITH GYP. BD.

LINEAR SUPPLY SLOT DIFFUSER GYP CEILING FLEX DUCT AS REQUIRED LINEAR SUPPLY SLOT TO DIFFUSER DIFFUSER METAL DUCT FLEX DUCT AS REQUIRED TO DIFFUSER GYP FINISH METAL DUCT 3/4" PLYWOOD

W18 STRUCTURAL STEEL BEAM

2. ceiling at concrete panel

(2) LAYERS RIGID INSULATION

GYP CEILING

0' - 6"

TAPERED INSULATION 4" CONCRETE ROOF DECK ON(2) STEEL DECKING LAYERS RIGID INSULATION W12 STRUCTURAL 4" CONCRETESTEEL ROOF BEAM DECK TAPERED INSULATION ON STEEL DECKING

0' - 6"

RECESSED CEILING EDGE

SUPPLY

1

MTL. STUD GYP. BD.

PERFERATED PANEL.

GYP FINISH

GLAZING

6" MTL. STUD ROOF EDGE ANGLE

BEAM POCKET IN ROOF EDGE ANGLE PRECAST PANEL

8" MINIMUM

RUN ROOF MEMBRANE UP CURB TO SKYLIGHT

6" METAL STUD W/ BATT INSULATION

W12 STRUCTURAL STEEL SKYLIGHT FRAMING

3/4" PLYWOOD

RECESSED POCKET AROUND SKYLIGHT FRAME

RUN ROOF MEMBRANE UP CURB TO SKYLIGHT CANT STRIP

CANT STRIP

GYP FINISH 6" MTL. STUD

PITCHED SKYLIGHT

RECESSED POCKET RUN ROOF MEMBRANE AROUND UP CURB SKYLIGHT TO SKYLIGHT FRAME

GYP FINISH

3/4" PLYWOOD

W12 STRUCTURAL STEEL SKYLIGHT FRAMING

BEAM POCKET IN PRECAST PANEL

W12 STRUCTURAL 1/2" CHAMFERED JOINT, W/ SKYLIGHT BATT STEEL SEALANT TO MATCH6" METAL STUD INSULATION FRAMING ADJACENT PRECAST CONCRETE DOOR HEAD

(2) LAYERS RIGID W18 STRUCTURAL INSULATION STEEL BEAM

W18 STRUCTURAL STEEL BEAM

PRECAST CONCRETE WALL PANEL W/ SMOOTH FINISH

Cafe/Bookstore 1/8” = 1’’-0”

PRECAST CONCRETE 1/2" CHAMFERED JOINT, WALLTO PANEL W/ SEALANT MATCH SMOOTH FINISH ADJACENT

1/2" CHAMFERED JOINT, SEALANT TO MATCH ADJACENT PRECAST CONCRETE DOOR HEAD

PRECAST CONCRETE DOOR HEAD

TAPERED INSULATION

4" CONCRETE ROOF DECK ON STEEL DECKING

6" METAL STUD W/ BATT INSULATION

PRECAST CONCRETE 6" METALWALL STUDPANEL W/ BATT W/ INSULATION SMOOTH FINISH

1/2" CHAMFERED JOINT, SEALANTCONCRETE TO MATCH PRECAST ADJACENT DOOR HEAD

GYP CEILING

(2) LAYERS RIGID INSULATION GYP CEILING TAPERED INSULATION 4" CONCRETE ROOF DECK WALL WASHING LED ON(2) STEEL DECKING LAYERS RIGID STRIP LIGHT FIXTURE INSULATION GYP CEILING W18 STRUCTURAL WALL WASHING LED BEAM STEEL 4" CONCRETE ROOF DECK STRIP TAPERED LIGHT FIXTURE INSULATION ON STEEL DECKING

CANT STRIP

PRECAST CONCRETE WALL PANEL W/ SMOOTH FINISH

BEAM POCKET IN PRECAST PANEL

3/4" PLYWOOD 6" MTL. STUD

5. perferated panel at glazing

6. gallery skylight detail

GYP CEILING PITCHED SKYLIGHT WALL WASHING LED STRIP LIGHT FIXTURE RECESSED POCKET

7. head/jamb detail at gallery entrance

AROUND SKYLIGHT FRAME PITCHED SKYLIGHT

RUN ROOF MEMBRANE RECESSED POCKET UP CURB TO SKYLIGHT AROUND SKYLIGHT FRAME RUN ROOF MEMBRANE PITCHED SKYLIGHT CANT STRIP UP CURB TO SKYLIGHT RECESSED POCKET AROUND SKYLIGHT FRAME CANT STRIP RUN ROOF MEMBRANE UP CURB TO SKYLIGHT W12 STRUCTURAL STEEL SKYLIGHT FRAMING

6" METAL STUD W/ BATT INSULATION

CANT STRIP W12 STRUCTURAL STEEL SKYLIGHT FRAMING

6" MTL. STUD BEAM POCKET IN GYP FINISH PRECAST PANEL ROOF EDGE ANGLE 3/4" PLYWOOD

PRECAST CONCRETE WALL PANEL W/ 6" METAL STUD W/FINISH BATT SMOOTH INSULATION 1/2" CHAMFERED JOINT, PRECAST SEALANTCONCRETE TO MATCH WALLADJACENT PANEL W/ SMOOTH FINISH

W12 STRUCTURAL STEEL SKYLIGHT FRAMING

BEAM 6" MTL.POCKET STUD IN PRECAST PANEL

4

RECESSED POCKET TAPERED INSULATION AROUND SKYLIGHT (2) LAYERS RIGID FRAME INSULATION RUN ROOF MEMBRANE 4" CONCRETE ROOF DECK UP CURB TO SKYLIGHT PITCHED SKYLIGHT ON STEEL DECKING RECESSED POCKET AROUND SKYLIGHT W18 STRUCTURAL PITCHED SKYLIGHT FRAME CANT STRIP STEEL BEAM

W12 STRUCTURAL STEEL SKYLIGHT FRAMING GYP FINISH

FLEX DUCT AS REQUIRED TO DIFFUSER METAL DUCT

6" MTL. STUD GYP FINISH

GYP FINISH

W18 STRUCTURAL RECESSED CEILING STEEL BEAM EDGE

3/4" PLYWOOD ROOF EDGE ANGLE 6" MTL. STUD

GYP FINISH CEILING RECESSED EDGE 3/4" PLYWOOD

3 2

PITCHED SKYLIGHT

TAPERED INSULATION

W18 STRUCTURAL 4" CONCRETE ROOF DECK STEEL BEAM ON STEEL DECKING GYP CEILING

6" MTL. STUD ROOF EDGE ANGLE BEAM POCKET IN PRECAST PANEL

3/4" PLYWOOD ROOF EDGE ANGLE

FLEX DUCT AS REQUIRED GYP FINISH TO GYPDIFFUSER CEILING 3/4" PLYWOOD METAL DUCT LINEAR SUPPLY SLOT 6" MTL. STUD DIFFUSER GYP FINISH FLEX DUCT AS REQUIRED 3/4" PLYWOOD TO DIFFUSER 6" MTL. STUD METAL DUCT

3/4" PLYWOOD 6" MTL. STUD

RECESSED CEILING EDGE

GYP CEILING

GYP CEILING

W12 STRUCTURAL STEEL BEAM

0' - 6"

SUPPLY

SUPPLY

GYPSTRUCTURAL FINISH W12 STEEL BEAM 3/4" PLYWOOD

LINEAR SUPPLY SLOT DIFFUSER

GYP CEILING RECESSED CEILING EDGE

(2) LAYERS RIGID W12 STRUCTURAL INSULATION STEEL BEAM 4" CONCRETE ROOF DECK ON STEEL DECKING

GYP CEILING FLEX DUCT AS REQUIRED TO DIFFUSER LINEAR SUPPLY SLOT METAL DUCT DIFFUSER

SUPPLY

PRECAST CONCRETE DOOR HEAD

4. hvac diffuser at ceiling/wall joint

TAPERED INSULATION

LINEAR SUPPLY SLOT DIFFUSER

PRECAST CONCRETE WALL PANEL W/ SMOOTH FINISH 1/2" CHAMFERED JOINT, SEALANT TO MATCH ADJACENT

WALL WASHING LED STRIP LIGHT FIXTURE

3. parapet at concrete panel

GYP CEILING

6" METAL STUD W/ BATT INSULATION

6" MTL. STUD GYP FINISH 3/4" PLYWOOD 6" MTL. STUD

COMPRESSIBLE FILLER GYP CEILING WALL WASHING LED STRIP LIGHT FIXTURE

1. ceiling at glazing

STEEL SKYLIGHT

FLEX DUCT AS FRAMING REQUIRED TO DIFFUSER GYP CEILING METAL DUCT

RUN ROOF MEMBRANE UP WALL

COMPRESSIBLE FILLER

3/4" PLYWOOD 6" MTL. STUD

GYP BD. CEILING

0' - 6"

ROOF EDGE ANGLE

0' - 6"

6" MTL. STUD

FLEX DUCT AS REQUIRED TO DIFFUSER

RECESSED CEILING EDGE GYP CEILING

WOOD SIDING

(2) LAYERS RIGID INSULATION TAPERED INSULATION

4" CONCRETE ROOF RIGID DECK (2) LAYERS ON STEEL DECKING INSULATION GYP

LINEAR LIGHTING FLUSH WITH CEILING CEILING

4" CONCRETE ROOF DECK ON STEEL DECKING

RIGID INSULATION

W12 STRUCTURAL STEEL BEAM

LINEAR SUPPLY SLOT DIFFUSER W12 STRUCTURAL

8" MIN

3/4" PLYWOOD

LINEAR SUPPLY SLOT DIFFUSER

W12 STRUCTURAL 4" CONCRETE ROOF DECK STEEL BEAM ON STEEL DECKING

GYP CEILING

RUN ROOF MEMBRANE UP WALL

(2) LAYERS RIGID INSULATION

0' - 6"

CANT STRIP GYP FINISH

GYP CEILING

(2) LAYERS RIGID INSULATION TAPERED INSULATION

4" CONCRETE ROOF RIGID DECK (2) LAYERS ON STEEL DECKING INSULATION

CANT STRIP

W18 STRUCTURAL STEEL BEAM

GYP CEILING RECESSED CEILING EDGE TAPERED INSULATION

TAPERED INSULATION

8" MINIMUM 8" MINIMUM

8" MIN

0' - 6"

REGLET RUN ROOF MEMBRANE UP WALL

W12 STRUCTURAL STEEL BEAM

8" MINIMUM8" MINIMUM

RECESSED POCKET AROUND SKYLIGHT FRAME RUN ROOF MEMBRANE UP CURB TO SKYLIGHT

8" MIN

W12 STRUCTURAL STEEL BEAM

SUPPLY

8" MINIMUM

W18 STRUCTURAL STEEL BEAM

REGLET

RECESSED CEILING EDGE

4" CONCRETE ROOF DECK ON STEEL DECKING

8" MINIMUM

GYP CEILING

4" CONCRETE ROOF DECK ON STEEL DECKING

W12 BEAM

(2) LAYERS RIGID INSULATION PITCHED SKYLIGHT

0' - 6"

4" CONCRETE OVER MTL. DECK

THE MENIL CAFE AND BOOKSTORE

ON STEEL DECKING

(2) LAYERS RIGID INSULATION

4" CONCRETE ROOF DECK ON STEEL DECKING

TAPERED INSULATION

(2) LAYERS RIGID INSULATION 4" CONCRETE ROOF DECK REGLET

TAPERED INSULATION

8" MINIMUM

(2) LAYERS RIGID INSULATION

TAPERED INSULATION

TAPERED INSULATION (2) LAYERS RIGID INSULATION

6

6" METAL STUD W/JOINT, BATT 1/2" CHAMFERED PRECAST CONCRETE INSULATION SEALANT TO MATCH DOOR HEAD ADJACENT PRECAST CONCRETE

ROOF EDGE ANGLE

WALL PANEL W/

SMOOTH FINISH PRECAST CONCRETE DOORJOINT, HEAD 1/2" CHAMFERED SEALANT TO MATCH ADJACENT

BEAM POCKET IN PRECAST PANEL

GYP CEILING

7

PRECAST CONCRETE DOOR HEAD

WALL WASHING LED STRIP LIGHT FIXTURE GYP CEILING WALL WASHING LED STRIP LIGHT FIXTURE GYP CEILING WALL WASHING LED STRIP LIGHT FIXTURE

Drawing Institute 1/4” = 1’’-0”

REGLET

8" MIN

REGLET

REGLET

REGLET

REGLET

RUN ROOF MEMBRANE UP WALL

8" MIN

RUN ROOF MEMBRANE UP WALL

CANT STRIP

8" MIN

8" MIN

8" MIN

CANT STRIP

RUN ROOF MEMBRANE UP WALL

CANT STRIP RUN ROOF MEMBRANE UP WALL

RUN ROOF MEMBRANE UP WALL CANT STRIP

CANT STRIP COMPRESSIBLE FILLER W18 STRUCTURAL STEEL BEAM COMPRESSIBLE FILLER W18 STRUCTURAL STEEL BEAM

COMPRESSIBLE FILLER

COMPRESSIBLE FILLER

W18 STRUCTURAL STEEL BEAM COMPRESSIBLE FILLER

W18 STRUCTURAL STEEL BEAM

W18 STRUCTURAL STEEL BEAM TAPERED INSULATION

6" MTL. STUD

FLEX DUCT AS REQUIRED TO DIFFUSER

ROOF EDGE ANGLE

METAL DUCT

BEAM POCKET IN PRECAST PANEL

GYP FINISH

CANT STRIP

CANT STRIP

GYP FINISH 3/4" PLYWOOD 6" MTL. STUD

COMPRESSIBLE FILLER

3/4" PLYWOOD 6" MTL. STUD

W18 STRUCTURAL STEEL BEAM SUPPLY

0' - 5 1/2"

COMPRESSIBLE FILLER W18 STRUCTURAL STEEL BEAM

SUPPLY

MULLION FLUSH WITH GYP. BD.

GYP CEILING

2. ceiling at concrete panel

(2) LAYERS RIGID INSULATION

GYP CEILING

0' - 6" 0' - 6"

RECESSED CEILING EDGE GYP CEILING RECESSED CEILING EDGE

(2) LAYERS RIGID W12 STRUCTURAL INSULATION STEEL BEAM

GYP CEILING

4" CONCRETE ROOF DECK ON STEEL DECKING

GYP FINISH CEILING RECESSED EDGE 3/4" PLYWOOD

W12 STRUCTURAL STEEL BEAM

6" MTL. STUD GYP FINISH

GYP FLEXCEILING DUCT AS REQUIRED TO DIFFUSER LINEAR SUPPLY SLOT METAL DUCT DIFFUSER

3/4" PLYWOOD ROOF EDGE ANGLE 6" MTL. STUD

0' - 6"

SUPPLY

SUPPLY

SUPPLY

1

FLEX DUCT AS REQUIRED GYP FINISH TO DIFFUSER GYP CEILING 3/4" PLYWOOD METAL DUCT LINEAR SUPPLY SLOT 6" MTL. STUD DIFFUSER GYP FINISH FLEX DUCT AS REQUIRED 3/4" PLYWOOD TO DIFFUSER 6" MTL. STUD METAL DUCT

3 2

GYP FINISH 3/4" PLYWOOD 6" MTL. STUD

PRECAST CONCRETE DOOR HEAD

SUPPLY

BEAM POCKET IN GYP FINISH PRECAST PANEL ROOF EDGE ANGLE 3/4" PLYWOOD BEAM 6" MTL.POCKET STUD IN PRECAST PANEL

4

ROOF EDGE ANGLE BEAM POCKET IN PRECAST PANEL

GYP CEILING WALL WASHING LED STRIP LIGHT FIXTURE

WOOD SIDING

GYP CEILING

W18 STRUCTURAL RECESSED CEILING STEEL BEAM EDGE

ROOF EDGE ANGLE

3/4" PLYWOOD

GYP FINISH 6" MTL. STUD

6" MTL. STUD

FLEX DUCT AS REQUIRED TO DIFFUSER PERFERATED PANEL.

GYP FINISH

GLAZING

ROOF EDGE ANGLE

BEAM POCKET IN ROOF EDGE ANGLE PRECAST PANEL

BEAM POCKET IN PRECAST PANEL

8" MINIMUM

RECESSED POCKET AROUND SKYLIGHT FRAME

W12 STRUCTURAL STEEL SKYLIGHT FRAMING W12 STRUCTURAL STEEL SKYLIGHT FRAMING

(2) LAYERS RIGID W18 STRUCTURAL INSULATION STEEL BEAM 4" CONCRETE ROOF DECK ON STEEL DECKING W18 STRUCTURAL STEEL BEAM

CANT STRIP

STEEL CHANNEL FRAME FRO RTATING PANELS

PRECAST CONCRETE WALL PANEL W/ SMOOTH FINISH

BLOCKING PANEL FRAME BEARINGS FOR ROTATING PANEL

W12 STRUCTURAL 1/2" CHAMFERED JOINT, W/ SKYLIGHT BATT STEEL SEALANT TO MATCH 6" METAL STUD INSULATION FRAMING ADJACENT PRECAST CONCRETE DOOR HEAD

BATT INSULATION SHEATING RIGID INSULATION WOOD CLAPBOARD SIDING DRIP EDGE

6" METAL STUD W/ BATT INSULATION

PRECAST CONCRETE 6" METALWALL STUDPANEL W/ BATT W/ INSULATION SMOOTH FINISH

PRECAST CONCRETE WALL PANEL W/ SMOOTH FINISH

PRECAST CONCRETE 1/2" CHAMFERED JOINT, WALLTO PANEL W/ SEALANT MATCH SMOOTH FINISH ADJACENT

WALL BEYOND

CONCEALED TRACK BEYOND

CONCEALED TRACK BEYOND

INSULATED OPAQUE OPERABLE PANEL IN "OPEN" POSITION

NO LIGHT TRANSMISSION THRU PANEL TO ALLOW FOR PRESENTATIONS

STRUCTURAL FRAME FOR LIFTING PANEL WALL ACTUATOR OPPERATED FLOOR CLOSER (IN CLOSED POSITION)

WALL BEYOND

WALL BEYOND

CONCEALED TRACK BEYOND PANELS IN "CLOSED" POSITION BEING VERTICALLY HOISTED TO OPEN WALL

FLUSH TRANSITION WHEN INDIVIDUAL PANELS ARE IN "OPEN" POSITION

PANELS IN "CLOSED" POSITION UP SLOPE

ACTUATOR OPPERATED FLOOR CLOSER (IN "OPEN" POSITION)

ACTUATOR OPPERATED FLOOR CLOSER (IN "OPEN" POSITION) SLOPE

SLOPE

INSULATED OPAQUE PANEL

1/2" CHAMFERED JOINT, SEALANT TO MATCH ADJACENT

1/2" CHAMFERED JOINT, SEALANTCONCRETE TO MATCH PRECAST ADJACENT DOOR HEAD

PRECAST CONCRETE DOOR HEAD

PRECAST CONCRETE DOOR HEAD

TAPERED INSULATION (2) LAYERS RIGID INSULATION GYP CEILING TAPERED INSULATION 4" CONCRETE ROOF DECK WALL WASHING LED ON(2) STEEL DECKING LAYERS RIGID STRIP LIGHT FIXTURE INSULATION GYP CEILING W18 STRUCTURAL WALL WASHING LED BEAM STEEL 4" CONCRETE ROOF DECK STRIP TAPERED LIGHT FIXTURE INSULATION ON STEEL DECKING

HOISTWAY GAP FOR PANELS 6" METAL STUD

6" METAL STUD W/ BATT INSULATION

BEAM POCKET IN PRECAST PANEL

3/4" PLYWOOD 6" MTL. STUD

5/8" GYPSUM 1 3/8" METAL STUDS PANEL HOIST CABLE

RUN ROOF MEMBRANE UP CURB TO SKYLIGHT

RUN ROOF MEMBRANE UP CURB TO SKYLIGHT CANT STRIP

GYP FINISH

3/4" PLYWOOD

PITCHED SKYLIGHT

RECESSED POCKET RUN ROOF MEMBRANE AROUND UP CURB SKYLIGHT TO SKYLIGHT FRAME

CANT STRIP

GYP FINISH

3/4" PLYWOOD ROOF EDGE ANGLE 6" MTL. STUD

METAL DUCT

RECESSED POCKET TAPERED INSULATION AROUND SKYLIGHT (2) LAYERS RIGID FRAME INSULATION RUN ROOF MEMBRANE 4" CONCRETE ROOF DECK UP CURB TO SKYLIGHT PITCHED SKYLIGHT ON STEEL DECKING RECESSED POCKET AROUND SKYLIGHT W18 STRUCTURAL PITCHED SKYLIGHT FRAME CANT STRIP STEEL BEAM

W12 STRUCTURAL STEEL SKYLIGHT FRAMING

6" MTL. STUD

BEAM POCKET IN PRECAST PANEL

LINEAR SUPPLY SLOT DIFFUSER

PITCHED SKYLIGHT

(2) LAYERS RIGID INSULATION TAPERED INSULATION

W18 STRUCTURAL 4" CONCRETE ROOF DECK STEEL BEAM ON STEEL DECKING GYP CEILING

8" MINIMUM8" MINIMUM

RECESSED CEILING EDGE

RIGID INSULATION

TAPERED INSULATION

4" CONCRETE ROOF RIGID DECK (2) LAYERS ON STEEL DECKING INSULATION

RECESSED CEILING EDGE GYP CEILING

GYPSTRUCTURAL FINISH W12 STEEL BEAM 3/4" PLYWOOD

MTL. STUD GYP. BD.

LINEAR LIGHTING

FLUSH WITH CEILING GYP CEILING

4" CONCRETE ROOF DECK ON STEEL DECKING

GYP CEILING

4. hvac diffuser at ceiling/wall joint

TAPERED INSULATION

TAPERED INSULATION 4" CONCRETE ROOF DECK ON(2) STEEL DECKING LAYERS RIGID INSULATION W12 STRUCTURAL 4" CONCRETESTEEL ROOF BEAM DECK TAPERED INSULATION ON STEEL DECKING

LINEAR SUPPLY SLOT DIFFUSER

PRECAST CONCRETE WALL PANEL W/ SMOOTH FINISH 1/2" CHAMFERED JOINT, SEALANT TO MATCH ADJACENT

WALL WASHING LED STRIP LIGHT FIXTURE

3. parapet at concrete panel

GYP CEILING

6" METAL STUD W/ BATT INSULATION

6" MTL. STUD GYP FINISH

W18 STRUCTURAL STEEL BEAM

WALL WASHING LED STRIP LIGHT FIXTURE

1. ceiling at glazing

LINEAR SUPPLY SLOT DIFFUSER GYP CEILING FLEX DUCT AS REQUIRED LINEAR SUPPLY SLOT TO DIFFUSER DIFFUSER METAL DUCT FLEX DUCT AS REQUIRED TO DIFFUSER GYP FINISH METAL DUCT 3/4" PLYWOOD

3/4" PLYWOOD 6" MTL. STUD

COMPRESSIBLE FILLER GYP BD. CEILING

STEEL SKYLIGHT

FLEX DUCT AS FRAMING REQUIRED TO DIFFUSER GYP CEILING METAL DUCT

SUPPLY

(2) LAYERS RIGID INSULATION

W12 STRUCTURAL STEEL BEAM

LINEAR SUPPLY SLOT DIFFUSER W12 STRUCTURAL

RUN ROOF MEMBRANE UP WALL

(2) LAYERS RIGID INSULATION TAPERED INSULATION

W12 STRUCTURAL 4" CONCRETE ROOF DECK STEEL BEAM ON STEEL DECKING

GYP CEILING

RUN ROOF MEMBRANE UP WALL 8" MIN

3/4" PLYWOOD

W18 STRUCTURAL STEEL BEAM

GYP CEILING RECESSED CEILING EDGE TAPERED INSULATION

TAPERED INSULATION

4" CONCRETE ROOF RIGID DECK (2) LAYERS ON STEEL DECKING INSULATION

CANT STRIP

0' - 6"

GYP FINISH LINEAR SUPPLY SLOT DIFFUSER

W12 STRUCTURAL STEEL BEAM

0' - 6"

8" MIN

CANT STRIP

GYP CEILING

0' - 6"

8" MIN

0' - 6"

REGLET RUN ROOF MEMBRANE UP WALL

SUPPLY

RECESSED POCKET AROUND SKYLIGHT FRAME RUN ROOF MEMBRANE UP CURB TO SKYLIGHT

8" MINIMUM 8" MINIMUM

W18 STRUCTURAL STEEL BEAM

REGLET

RECESSED CEILING EDGE

W12 STRUCTURAL STEEL BEAM

4" CONCRETE ROOF DECK ON STEEL DECKING

8" MINIMUM

GYP CEILING

4" CONCRETE ROOF DECK ON STEEL DECKING

PITCHED SKYLIGHT

0' - 6"

4" CONCRETE OVER MTL. DECK W12 BEAM

(2) LAYERS RIGID INSULATION

8" MINIMUM

ON STEEL DECKING

(2) LAYERS RIGID INSULATION

4" CONCRETE ROOF DECK ON STEEL DECKING

TAPERED INSULATION

(2) LAYERS RIGID INSULATION 4" CONCRETE ROOF DECK REGLET

TAPERED INSULATION

8" MINIMUM

(2) LAYERS RIGID INSULATION

TAPERED INSULATION

TAPERED INSULATION (2) LAYERS RIGID INSULATION

5. perferated panel at glazing

GYP CEILING PITCHED SKYLIGHT WALL WASHING LED STRIP LIGHT FIXTURE RECESSED POCKET

6. gallery skylight detail

auditorium door head detail

7. head/jamb detail at gallery entrance

auditorium door detail

AROUND SKYLIGHT FRAME PITCHED SKYLIGHT

RUN ROOF MEMBRANE RECESSED POCKET UP CURB TO SKYLIGHT AROUND SKYLIGHT FRAME RUN ROOF MEMBRANE PITCHED SKYLIGHT CANT STRIP UP CURB TO SKYLIGHT RECESSED POCKET AROUND SKYLIGHT FRAME CANT STRIP RUN ROOF MEMBRANE UP CURB TO SKYLIGHT W12 STRUCTURAL STEEL SKYLIGHT FRAMING CANT STRIP W12 STRUCTURAL STEEL SKYLIGHT FRAMING

W12 STRUCTURAL STEEL SKYLIGHT FRAMING

6" METAL STUD W/ BATT INSULATION PRECAST CONCRETE WALL PANEL W/ 6" METAL STUD W/FINISH BATT SMOOTH INSULATION 1/2" CHAMFERED JOINT, PRECAST SEALANTCONCRETE TO MATCH WALLADJACENT PANEL W/ SMOOTH FINISH 6" METAL STUD W/JOINT, BATT 1/2" CHAMFERED PRECAST CONCRETE INSULATION SEALANT TO MATCH DOOR HEAD ADJACENT PRECAST CONCRETE

6

WALL PANEL W/ SMOOTH FINISH

PRECAST CONCRETE DOORJOINT, HEAD 1/2" CHAMFERED SEALANT TO MATCH ADJACENT PRECAST CONCRETE DOOR HEAD

7

GYP CEILING WALL WASHING LED STRIP LIGHT FIXTURE GYP CEILING WALL WASHING LED STRIP LIGHT FIXTURE

Drawing Institute 1/4” = 1’’-0”

Architecture: Advanced Architectural Studio II

Auditorium 1/4” = 1’’-0”

Students: I. Hercegovac / R. Mosman Faculty: Peter Rutti

Architecture: Advanced Architectural Studio II

Students: C. Samdal / R. Short Faculty: Thomas Harman

Carrie Samdal / Ryan Short / ADE 522 / Spring 2013 / Hartman


MENIL DISTRICT EXPANSION

cap flashing

4x2 wood cladding @ 6” o.c. kalwall panel

w 36 x 160 girder

counter flashing 2x6 wood blocking 2x4 light gauge steel framing

cant strip roof sheathing

3/4 in non-combustible treated plywood

w 8x48 beam

steel rigid frame 1’ solar louver light diffusing fabric

metal deck

1/2 in. fireproof gypsum sheathing 1in. pressure eaqualizing air space 8 in batt insulation

kalwall panel steel rigid frame 1’ solar louver light diffusing fabric

w 18 x 97 steel girt

6 in tongue + groove cyprus weatherboards back groove relieve expansion pressure, boards fixed to studs with stainless steel screws and secret nailed

kalwall mullion aluminum flashing steel channel gutter louver pivot

dual pane glazing w/ 1/2 in air space spider fitting 1/2” glass mullion

w 18 x 97 steel girt

8” light gauge stud wall w/ 8” batt insul.

kalwall mullion (typ.) aluminum flashing steel channel gutter louver pivot 6” light gauge stud wall w/ 6” batt insul.

kalwall panel 4” fire supression riser to 1 1/2” branch lines electrical conduit hss 4x4x1/4 beam return air intake 5/8” gypsum board

electrical conduit 1 1/2” fire suppression branch line w/ sprinkler hss 4x4x1/4 beam 5/8” gypsum board

slatted wood cladding kalwall glazing panel steel rigid frame w 18 x 97 steel girts adjustable louver system kalwall mullion louver pivot fire supression system light diffusing fabric steel channel gutter

light gauge framed wall batt insulation return air intake

supply air diffuser 6” n.w. concrete on mtl. deck steel floor structure hvac ductwork 2’ x 2’ concrete column 4” Floor Slab

Spring 2013

Graduate First Year Architecture: Advanced Architectural Studio II

Students: J. Snittjer / Angela Sullivan Faculty: Greg Brickey

Industrial Design: Topic: Applied Project

Student: Farzaneh Eftekhari Faculty: John Takamura


[ APPLIED

RESEARCH COLLABORATIVE STUDIO] The applied research collaborative studio operated as a multi-disciplinary design laboratory where faculty and students explored integrative design between science, technology and policy relative to the urban condition of the city of Phoenix, AZ. The following considerations were addressed: a) Existing & Emerging Nanotechnologies; b) Climatic Responsive Design; c) Urban Adaptation Strategies; d) Social Responsibility; e) Political Policy; f) Material Culture; g) Regulation. Through the study of socio-political and physical implications of a nano-enhanced urban environment relevant to new strategies for urban adaptation & integration of design thinking with scientific scenario building, the studio derived 4 alternate futures for the city of Phoenix existing in the year 2050.

Mesa, Arizona

Urban Retrofit + Mixed-Use Project Shaheen Gazvini

Master of Architecture: Spring 2013 Instructor: Milagros Zingoni

of asphalt and concrete Problems: -- fields vehicle oriented destinations

Thesis Statement

Case Study: Palermo_Buenos Aires

Revitalized Infrastructure

REDUCING MESA’S DEPENDENCY ON THE AUTOMOBILE WILL NOT OCCUR UNLESS ITS VEHICLE-ORIENTED INFRASTRUCTURE

+ increased density + local program + short-range destinations + walkability + permeability of street edge

IS RECONFIGURED IN A MANNER THAT STITCHES TOGETHER THE SMALLER INTROVERTED COMMUNITIES TO ONE ANOTHER

1/4 Radius

NIGHT

ENTERTAIN

M E N T

AT THE SCALE OF THE HUMAN, WHICH, IN TURN, WILL SERVE

NIGHT

ENTERTAIN

- WALKABILITY Analysis: Traffic Count - PUBLIC TRANSPORTATIONS Analysis: Traffic Count

DESTINATIONS, PROMOTE WALKABILITY AND PROVIDE THE

12:00AM

6:00AM

12:00PM

6:00PM

12:00AM

12:00AM

6:00AM

12:00PM

6:00PM

12:00AM

12:00AM

6:00AM

12:00PM

6:00PM

12:00AM

12:00AM

6:00AM

12:00PM

6:00PM

12:00AM

1,000

CARS PER HOUR

1,000

CARS PER HOUR NIGHT

PLATFORM FOR SERENDIPITOUS SOCIAL INTERACTIONS TO

ENTERTAIN

NORTHBOUND NORTHBOUND TRAFFIC TRAFFIC

M E N T

AS THE CATALYST THAT HELPS GENERATE SHORT-RANGE

M E N T

NIGHT

ENTERTAIN

800

CARS PER HOUR

800

CARS PER HOUR

900

CARS PER HOUR

900

CARS PER HOUR

8TH STREET

SHORT-RANGE DESTINATIONS:

B B

NIGHT

ENTERTAIN

M E N T

UNIVERSITY DRIVE

B

B

C

C

- VEGETATION/SHADE B B - POCKETS OF GREEN SPACE - SCALE OF STREET WIDTHS - PEDESTRIAN ORIENTED LIGHTING - PC ERMEABILITY OF STREET EDGE C - MIXED LAND USES

UNIVERSITY DRIVE

ALLOWS THE BUILT ENVIRONMENT TO CATER TO THE SCALE OF

C C

B B

12:00AM

6:00AM

12:00PM

6:00PM

12:00AM

12:00AM

6:00AM

12:00PM

6:00PM

12:00AM

900

CARS PER HOUR

900

CARS PER HOUR

SOUTHBOUND SOUTHBOUND TRAFFIC TRAFFIC

8TH STREET

MAIN STREET

THE HUMAN AS OPPOSED TO THE SCALE OF THE AUTOMBILE

1,200

CARS PER HOUR

D D

A SOUTHERN

A

US-60 US-60

1,100

AVENUE

12:00AM

6:00AM

12:00PM

A

6:00PM

F F

12:00AM

800

12:00AM

6:00AM

CARS PER HOUR

12:00PM

6:00PM

12:00AM

A

CARS PER HOUR

900

CARS PER HOUR

900

B

C

1,200

C

C

12:00AM

900

CARS PER HOUR

6:00AM

12:00PM

6:00AM

6:00PM

CARS PER HOUR

E

D BROADWAY ROAD

1,200

E

C

D

D

1,400

CARS PER HOUR

F

F

F

6:00AM

12:00PM

6:00AM

6:00PM

12:00AM

6:00PM

12:00AM

1,000

F

1,400

E 12:00AM

CARS PER HOUR

6:00AM

D

12:00PM

12:00AM

1,800

6:00PM

12:00AM

6:00PM

12:00AM

SOUTHBOUND TRAFFIC

1,600

CARS PER HOUR

12:00PM

6:00AM

CARS PER HOUR

12:00PM

1,000

CARS PER HOUR

SOUTHBOUND TRAFFIC

F

1,000

CARS PER HOUR

COUNTRY CLUB DRIVE

AD RO ON

DO BS

101 FREEWAY

F

ALMA SCHOOL ROAD

AVENUE

SOUTHERN

US-60

E

E

CARS PER HOUR

12:00AM

D

6:00AM

12:00PM

6:00PM

12:00AM

12:00AM

6:00AM

12:00PM

6:00PM

12:00AM

12:00AM

6:00AM

12:00PM

6:00PM

12:00AM

12:00AM

6:00AM

12:00PM

6:00PM

12:00AM

D

1,000

CARS PER HOUR

1,000

CARS PER HOUR

1,600

CARS PER HOUR

1,600

CARS PER HOUR

E E

1,800

CARS PER HOUR

1,800

CARS PER HOUR

2,000

CARS PER HOUR

2,000

F F

CARS PER HOUR

12:00AM

D 12:00AM

CARS PER HOUR

E

1,400

F F

12:00AM

CARS PER HOUR

AVENUE

SOUTHERN

US-60

6:00PM

NORTHBOUND TRAFFIC

E

12:00PM

12:00AM

12:00AM

12:00AM

1,000

MAIN STREET

Diagram: Urban Retrofit Plan

12:00AM

B CARS PER HOUR

D

C

SOUTHBOUND TRAFFIC

C

D

NORTHBOUND TRAFFIC

D

C

B

SOUTHBOUND TRAFFIC

MAIN STREET

UNIVERSITY DRIVE

BROADWAY ROAD

12:00AM

6:00PM

6:00PM

NORTHBOUND TRAFFIC

C

B

ALLOWS FOR INFORMAL SOCIAL INTERACTIONS TO OCCUR.

CARS PER HOUR

AD AD RO RO N N S O BS O DO BDO

A PLACE OUTSIDE OF THE HOME AND WORK SETTING THAT

101101 FREEWAY FREEWAY

UNIVERSITY DRIVE

8TH STREET

6:00PM

NORTHBOUND TRAFFIC

12:00PM

OL ROAD OL ROAD SCHOSCHO ALMA ALMA

6:00AM

12:00PM

12:00PM

SOUTHBOUND TRAFFIC

THIRD PLACE:

B 12:00AM

1,400

CARS PER HOUR

E VE DRIVDRI CLUBCLUB COUNTRY COUNTRY NORTHBOUND TRAFFIC SOUTHBOUND TRAFFIC

SOUTHBOUND TRAFFIC

800

900

B

6:00AM

6:00AM

1,000

CARS PER HOUR

SOUTHBOUND TRAFFIC

A

CARS PER HOUR

A B

A

NORTHBOUND TRAFFIC

A

B

C C 12:00AM

12:00AM 1,000

CARS PER HOUR

E E

NORTHBOUND TRAFFIC

20 2 FR EEWAY 8TH STREET

20 2 FR EEWAY

1,200

CARS PER HOUR

12:00AM

CARS PER HOUR

AVENUE

F F

6:00PM

SOUTHBOUND TRAFFIC

E E

NORTHBOUND TRAFFIC

1,000

CARS PER HOUR

1,100

CARS PER HOUR

SOUTHERN

12:00PM NORTHBOUND TRAFFIC

12:00AM 6:00PM 6:00AM 12:00PM 12:00AM

6:00AM

1,000

CARS PER HOUR

E E

OUTDOOR PUBLIC SPACES AND

SOUTHBOUND TRAFFIC

12:00AM

Analysis: Traffic Count Count BROADWAY ROAD Analysis: Traffic

Analysis: Traffic Study

“THIRD PLACES” INTO THE CITY FABRIC WHICH WILL ALLOW A “LIVE, WORK, PLAY” CONDITION WITHIN PEDESTRIAN DISTANCES.

D D

D D

BROADWAY ROAD

AS: GROCERY STORES, RESTAURANTS, RETAIL AND SERVICES,

NORTHBOUND TRAFFIC

THROUGH THE INTEGRATION OF FINAL DESTINATIONS SUCH

NORTHBOUND TRAFFIC

MAIN STREET

NORTHBOUND NORTHBOUND TRAFFIC TRAFFIC

A A

A A

A A

NORTHBOUND NORTHBOUND TRAFFIC TRAFFIC SOUTHBOUND SOUTHBOUND TRAFFIC TRAFFIC

Thesis Definitions

20 2 FR EEWAY 20 2 FR EEWAY

A A

NORTHBOUND NORTHBOUND TRAFFIC TRAFFIC SOUTHBOUND SOUTHBOUND TRAFFIC TRAFFIC

1,100

NORTHBOUND NORTHBOUND TRAFFIC TRAFFIC SOUTHBOUND SOUTHBOUND TRAFFIC TRAFFIC

1,100

CARS PER HOUR

CARS PER HOUR

NORTHBOUND NORTHBOUND TRAFFIC TRAFFIC

SOUTHBOUND SOUTHBOUND TRAFFIC TRAFFIC

M E N T

OCCUR.

F

SOUTHBOUND TRAFFIC

Diagram: Cross Section Analysis throughout Dobson Road 2,000

COUNTRY CLUB DRIVE

1,600

CARS PER HOUR

E

6:00AM

12:00PM

2,000

F

CARS PER HOUR

8th Street

6%

University Drive

6:00PM

5%

6%

12:00AM

NORTHBOUND TRAFFIC

12:00AM

1,800

CARS PER HOUR

SOUTHBOUND TRAFFIC

ALMA SCHOOL ROAD

ON

DO BS

101 FREEWAY

202 Freeway

AD RO

CARS PER HOUR

SCENARIO 2: PRIVATIZED & SECURITIZED Society has responded to urban sustainability problems (internally and externally created) by concentrating power in large administrative units that assert control over all aspects of society, technology, and infrastructure.

- introverted communities - wall condition

SOUTHBOUND SOUTHBOUND TRAFFIC TRAFFIC

SCENARIO 1: GREY GOO REVISITED Society has responded to urban sustainability problems by allowing people with the ability to manipulate the system to affect the quality of their own life and their community (if they are inclined to do so).

7%

16%

40%

20%

HOUSE - HOUSE

HOUSE - RETAIL

Main Street/ Apache Blvd

101 Freeway

Dobson Road

RETAIL - RETAIL

HOUSE - OFFICE

Revitalized Bike Path

Redesigned Vehicular Infrastructure (Future)

Redesigned Vehicular Infrastructure

Stitched Together Introverted Communities

Linear Park Node: Architectural Intervention METRO Light Rail

Mixed-Use Project Room & Garden Project

APARTMENT - RETAIL

HOUSE - APARTMENT

@ +1.25 FLOORS 2

ABOVE GRADE

2 @ +1.50 FLOORS ABOVE GRADE

MODULE LENGTH “Y”

1

3 1

MODULE WIDTH “X”

LIVING

1

2

3

3

@ +1.00 FLOOR

ABOVE GRADE

4

4

4 @ +2.50 FLOORS

ABOVE GRADE

@ GRADE

SCENARIO 3: CITIES & CITIZENS Society has developed a unique practice of collectively addressing urban sustainability problems. Responses rely on intensive and continuous collaboration across multiple scales and different sectors of society; civic literacy and engagement is very high.

PORCH

A

MODULE LENGTH “Y”

MODULE WIDTH “X”

2

Existing Site Condition: walled-off 7-lane vehicular infrastructure SCALE: 1/8” = 1’-0”

1 (4)

3

PUBLIC REALM

B

+

A

FUTURE MIXED-USE DEVELOPMENT

DARTMOUTH STREET KEY 4B 6

4D

1. APARTMENT: T Y P E 1 6 UNITS: 1,300 SQ FT (2-BEDROOM) + 170 SQ FT (PATIO)

2C

2. APARTMENT: T Y P E 2

5

6 UNITS: 460 SQ FT (STUDIO) + 175 SQ FT (PATIO)

8

3. APARTMENT: T Y P E 3 1B

6 UNITS: 580 SQ FT (1-BEDROOM) + 260/490 SQ FT (PATIO)

1B

4. APARTMENT: T Y P E 4 6 UNITS: 870 SQ FT (2-BEDROOM) + 220/520 SQ FT (PATIO)

5. SOCIAL SPACE: C O U RT YA R D 1A

1A 6. SOCIAL SPACE: M U LT I P U R P O S E

5 8

7. SOCIAL SPACE: C A F E

2A

7

3A

3B 8. SERVICE

4A 6

4C

2B

PERMEABLE PARKING FUTURE MIXED-USE DEVELOPMENT

5 8 1B

1B

1A

1A

DES MOINES CIRCLE

5 8

2A

7

3A

3B

4A 6

4C

2B 5

8 1B APARTMENT

1A

APARTMENT

1A

PORCH

UP

PORCH

1A

UP

UP

2A

1B

1A

1A

DN

5

UP

UP UP

8

UP

APARTMENT

PORCH

2A

7

2A

DN

PORCH

3A

APARTMENT

DOBSON ROAD

SANTA ANNA

3A

APARTMENT

4A

3A

3B

3B

DECATUR STREET APARTMENT

APARTMENT

3B

SITE PLAN

AT

1ST FLOOR

SITE PLAN

AT

GRADE

SITE PLAN

AT

2ND FLOOR

4B

SCALE: 1” = 20’-0”

SCALE: 1” = APARTMENT 20’-0” 2B

PORCH

4A

PORCH

4B DN

UP

UP UP

UP

PORCH

2B DN

UP UP

UP

PORCH APARTMENT

1B

1B

APARTMENT

1B

APARTMENT

1A

SECTION A-A

APARTMENT

1A 1A

PORCH

A

A B

UP

PORCH

UP

UP

2A

B

DN

A

A

B

B

UP

UP UP

UP

DN

C APARTMENT

PORCH

2A

C

3A

C

APARTMENT

APARTMENT

PORCH

D

APARTMENT

E 2B

C

3B

D

4A

E APARTMENT

3B

APARTMENT

D

D

SCENARIO 4: WILL THE SUN RISE IN ARIZONA? Societal responses to urban sustainability challenges have not progressed and adapted to the increasing pressures that result from the lack of social cohesion and justice, livelihood opportunities, as well as resource depletion and large-scale contamination.

PORCH

3A

SECTION E-E

4B

E

E

4A

PORCH

4B DN

UP

UP UP

UP

F PORCH

F

F

A

SIM.

F

2B DN

UP UP

A

TRASH UP

SIM.

A

A

FUTURE MIXED-USE

SIM. PORCH APARTMENT

BUILDING

SIM.

DEVELOPMENT

1B

1B

APARTMENT

1B

APARTMENT

1A

SERVICE UP

COURTYARD

CAFE SERVICE

CAFE

APARTMENT

1A 1A

PORCH

SECTION D-D UP

PORCH

UP

UP

2A

DN

1ST FLOOR PLAN

2ND FLOOR PLAN

UP

UP

UP

UP

APARTMENT

DN

PORCH

2A

PORCH

3A

3B

MULTIPURPOSE APARTMENT

3A

APARTMENT

3B

APARTMENT

4B

COURTYARD

UP

BUILDING SERVICE

APARTMENT

APARTMENT

2B

PORCH

4A

BICYCLE RACK

4A

PORCH

4B DN

UP

UP

SECTION C-C

UP

UP

PORCH

2B DN

UP UP

A

A

TRASH UP

FUTURE MIXED-USE DEVELOPMENT PORCH BUILDING

APARTMENT

1B

1B

APARTMENT

1B

MODULE A

SERVICE

B

B

UP

COURTYARD

C

CAFE SERVICE

C

CAFE

D

D

E

E SECTION B-B

MULTIPURPOSE

F

MODULE B

F COURTYARD

UP

BUILDING SERVICE

A

A

SIM.

SIM.

BICYCLE RACK

TRASH FUTURE MIXED-USE DEVELOPMENT

BUILDING SERVICE

SCALE: 1/8” = 1’-0”

SECTION F-F

UP

GRADE PLAN

COURTYARD

CAFE SERVICE

CAFE

MULTIPURPOSE

COURTYARD

UP

BUILDING SERVICE

BICYCLE RACK

Graduate Second Year Architecture: Advanced Architectural Studio IV

Students: P. Bailey / C. Craft, C. Curiel / P.Far / N. Jalori / J. Kravitz / U. Kumar / J. Lauring / R. Locklear / S. Ozcelik / C. Rogers / W. Ryczek. Faculty: Darren Petrucci

Architecture: Advanced Architectural Studio IV

Student: Shaheen Gazvini Faculty: Milagros Zingoni



Graduate Second Year Landscape Architecture Advanced Landscape Studio IV: Applied Project

Student: Idaly Corella Faculty: Gabriel Montemayor


“Not just an institution that trains lawyers, but a multifaceted legal studies center that engages in developing solutions to the world’s challenges”

arizona center for law &

SOCIETY

Project Description Request for Qualifications

“Should we move away from a litigation model of education?”

“Transform Society: ASU Catalyzes Social Change by Being Connected to Social Needs”

National Forum on the Future of Legal Education April 25-26, 2010

The Justice Gap $284 1: 6,415 average hourly billing rate for attorney’s in the United States

ratio of free legal services attorney’s available to the number of low-income americans who need one

100 m ill i o n

budget reduction to Legal Services Corporation | 2010-2012

63

million

issue laws are made to protect society | lawyers act as advocates for

1of2

<

people who seek legal aid are turned away

number of lowincome Americans qualifying for free legal aid in 2010

New American University Design Aspirations

society | much of society not represented

20%

position

low income legal needs being met

1.2

million

law school must be integrated with society | not just about educating lawyers but its impact on surrounding community | social functions must be broadcast to community

manifestation

people in Arizona qualify for legal assistance per Legal Services Corporation means test

society serving program is brought down to meet community | town square cut into school bring society up into building, provide gathering spaces for public discourse | vertical library projects as monumental icon of public domain | block of student space acts as bridge between school and public elements

arizona state university+opera publica+government of the autonomous city of buenos aires, argentina URBAN DETRITUS PROJECT: THE PUBLIC WELL BEING ECOLOGY

Buenos Aires

Metabolica To use the available resources from Buenos Aires, Argentina that will create a “metabolic urban machine” which is as critical as any one system for the essential growth and sustainability of the city.

STREET LIBRARY

²

VERTICAL

tes

³

re

EIGHTEENTH FLOOR

Sta

mechanical

(CURRENTLY)

po

ELEVENTH FLOOR

meeting space

d

lounge

Buenos Aires⁴

ga

NINTH FLOOR

admin

3

ite

roof park

admin

class

38

Sin

class

54

Un

¹

class

ds

SIXTH FLOOR

FOURTEENTH FLOOR

class

conference center

THIRD FLOOR

dean

ar

A

TENTH FLOOR

career services

nm

SEVENTH FLOOR

faculty offices

¹ um lgi

mezzanine

retail

conference

5

Be

restaurant

conf.

¹

student services

lan

retail

admissions CLS great hall

business office

faculty offices

3

en

conference

3

4

1

an

conf.

1 0%

35 27

ia¹

C

94

54

49 39

34

er

VIEW FROM CIVIC PARK

13

30% 20% 10%

Food waste Plastics Paper, cartons Glass Yard Waste Ferrous metals Non-ferrous metals Miscellaneous Wood Leather, rubber & cork Textiles Construction & demolition Diapers Medical waste Hazardous waste

landfill waste type

the vision energy

incinerator

5 percent ash byproduct to landfill

garbage truck proposed pick up “metabolic (to remain) urban machine”

truck entry

VIEW FROM SOUTH-WEST

59

60 70

th

financial CRISIS 2001 unemployment = 30%

industrial connection

library floor

6

33

42

48 60

65

50% 40%

imported

CABA source

61.9%

38.1%

energy demand vs. deficiency

proposed recycle and waste to energy system cartonero pick up (to remain)

B

70% 60%

7000 tons of waste per day

existing green center

industry

turbine generator

Up to 49 percent of the waste captured will not be recycable. This waste will go directly to the incinerator process. Water is required for cooling water for the furnace area. The incinerator will also require a stack that is approximately 35 meters high.

manufacturer

VIEW FROM NORTH-WEST

Global Response to Municipal Waste

RECYCLED

90% 80%

ed

existing centro verde

INCINERATED

100%

De

global response to municipal waste

manufacturer

“Jose Leon landfill distribution Suarez” landfill $62 per ton

LANDFILLED

rm

PROGRAM

1 of 3 three transfer centers

str

ANALYTIQUE

garbage truck pick-up

Au

SITE PLAN

centro middle verde man

and waste system

Sw

BRIDGE

green truck

cartonero

the cartonero

Ne

In July 2012, the Province of Buenos Aires seizes all waste deposits from BA to the “Jose Leon Suarez” landfil. BA was forced to enforce the “Zero Waste Law” enacted in 2005 which promises to increase the use of recycling and the elimination of waste into landfills. BA has made the effort to expand their green centers “centro verdes”. The city’s first centro verde is in Barracas, Buenos Aires and has requested to evaluate this existing green center and provide a plan for expansion.

current recycle system

Ge

ALCS

the evolution

reverse osmosis The industrial facility will require a minimum amount of water per day to operate. The incineration plant will require a minimum amount of cooling water per day. The reverse osmosis plant will be able to meet these demands and have surplus for distribution and sale in the immediate community.

The cooling water that is used for the incinerator will run through the turbine generator to create a source of energy. The energy that is produced will return back directly to the plant for operation. When the City installs a smart grid system, they will be able to take advantage of this new energy source.

waste Proposed 600 tons of waste to come into the facility. The waste facility consists of a waste reception area where existing trucks can deposit waste. A shovel tractor or mechanical claw will move waste into hoppers that will direct waste into waste to recyclables separators.

recycle plant

industry

Up to 49 percent of waste coming in potentially recycable or approximately 300 tons of from waste.The major nutrients captured at the facilty will be cardboard, paper, glass and plastic. The recycables will go through a second phase of sorting which will be operated by workers.

commercial

The recycables captured at the facility will be able to taken to the first phase of industrial production. For example, glass will be taken to a cullet plant on site which will clean and separate glass for resale to glass manufacturers. Cardboard will be produced to pulp on site as so with paper at a higher quality.

The commercial coponent will have a decicated program to the sale and distribution to recycled products to mass consumers. This will include a store that will produce custom handmade paper. The commerical area will also program leasable space for daily markets for small business owners.

economic initiative waste recycle plant

process

incinerator

industry commercial

By introducing the industry and the commercial components avenida 9 de julio as the first phase of the (entry to ba) “metabolic urban machine”, the existing centro verde can remain and provide current recycled paper pulp material to the industry. This will allow the middle man to be eliminated, and increase the price for recycled materials, directly feed a commercial aspect to allow the project to increase employment and become economically viable.

“metabolic urban machine”

reverse osmosis

commercial

commercial connection

market

elevated entry

custom paper

bus stop

entry to the new BA

VIEW FROM TAYLOR MALL

the emerging system

the site is located near the entry to BA, the project becomes an iconic entry to the city. Iconic in the form of the physical effort that BA is making to enforce their “Zero Waste” law.

paper pulp SECTION A

3RD FLOOR BRIDGE

industrial zone

the site

LIBRARY MAIN FLOOR

BA entry

a avenid

truck entry SECTION B

lio 9 de ju

commercial zone

Riachuelo

barracas, BA elevated entry

LIBRARY 14TH FLOOR

process

TOWN SQUARE/PARK 6TH FLOOR

bus stop

the market custom paper

The project has the opportunity for pedestrian connectivity to the existing commercial zone and existing bus stop by creating a series of markets and commercial spaces and connect to the industry component. The industry component has the opportunity to connect to the existing centro verde and begin the first phase of the manufacturing PROCESS of the recycled resources such as cardboard, plastic and glass and connect to the existing industrial zone. SECTION C

Spring 2013

TOWN SQUARE 10TH FLOOR

Graduate Second Year Architecture: Advanced Architectural Studio IV

Student: Scott Nye Faculty: Richard Labonte

Architecture: Advanced Architectural Studio IV

Student: Martin Ramirez Jr Faculty: Claudio Vekstein


[re] C o n n e C t I n g c h i l d r e n to “nature”

DIsCovery throUgh PlaysCaPes

A School for the 21st Century focusing on ambient learning and the design of a new k-5 school for the 21st century; promoting a new model for integrating: young children’s creative imagination, haptic hands-on discovery through project-based learning; and collaborative mobile interfaces using global data and communication networks.

ambient learning CREATIVE IMAGINATION

+

PROJECT-BASED COLLABORATIVE COLLABORATION

MOBILE INTERFACE

MOBILE INTERFACE

+

HOW DO WE BUILD A RESILIENT COMMUNITY?

MOBILE LEARNING

MOBILE LEARNING NETWORK

GLOBAL NETWORKS

children & the e n v i r o n m e n t site c r i t e r i a Children’s access to space and time for play has drastically changed over the twentieth century and the beginning of the twenty-first (century). A decrease in children’s interaction with “natu-ral” environments result from general global trends such as the loss of space, the interference of adult monitoring in children’s free time, adults’ prohibition to unrestricted outdoor play, and the alarming of out- door space.

extent to main transport circulation

ecological value

children density in area [+ household data]

connectivity to schools + neighboring communities

green connectivity

connectivity to green space within site

[proximity to canal + south mountain]

Today, children seem to be disconnected from the natural environment previous generations had the opportunity to interact with. However, is there a way to reconnect this disintegration? Can we lead this new generation of overdone fears, exaggerated safety rules, and electronic technologi-cal attractions; to the previous path of natural freedom that enlightened the childhood of past generations?

Such trends have resulted in an increase of serious concerns regarding children development, long-term health and quality of life. Children’s developmental period

begins at an early age; a period of discovery and imagination that should be enriched with a nurturing environment. Currently, children’s access to outdoor space is limited and the natural environment has become almost nonexistent.

Children spend 30% of their week in child care, kindergarten and schools, 5 days a week, 50 hours in total. This has left us with the school

[plAyground] as being the last source to reconnect children with natural environment and creating a future generation that values and preserves nature. The following proposed research will

ana-lyze the relationship between the development of children and the en-vironment and the reconnection of children to “nature”; focusing on the importance of considering the development of children in the process of designing outdoor spaces for children.

[direct + indirect connectivity to green space]

[ lost space within the neighborhood ]

children developmental r e l a t i o n s h i p s [early ChIlDhooD] > 6 years old

[later Childhood] 8-12 years old

during the early childhood, children see the world through 3 sets of senses.

1 year old physical senses

12 years old problem solving

social | emotive senses imaginative | fantasy senses development of long term memory

Touch, smell, hear, taste, bal- Emotions- happy, sad, an- Pretending, magic, & believing ance & muscle joint | move- ger, excitement, etc. ment sense. -Space for running -Space for gathering | -Social pretend play -Play hills meeting -enclosed spaces for hiding -Physical play structures for -Small group play -Secret play tunnels challenging movements. -open grass for ball -Manipulative sand & water, games & cooperative play loose parts

Long term memory -Spaces that stimulate the memory -Spaces that allow you to travel to the past and future

apply rules and are able to perform problem solving tasks. -Spaces that offer challenge & task collaboration

why Play ? improve motor skIlls reDUCe stress! improve soCIal skIlls build stamIna + enDUranCe Problem solvIng CreatIvIty

physical active z o n e

children’s orchard

[net play structure + play skills]

Children help plant, water, grow, and maintain garden and orchard. Children’s growing and harvesting efforts serve the larger neighborhood community during the weekend farmer’s market.

Activities that enCourAge movement and the development of motor And pHySiCAl SkillS

D I s C o v e r y through P l a y s C a P e s activity collaboration idleness

4 = [ 3 in 1 ] + [ 1 ] common ground

imaginary zone 1

collaboration zone 2

physical active zone 3

common area [ 4 ]

[ unprogrammed | free space | neutral ]

zone overlays [ no edges ]

Physical active zone play Hills net play Structure

Unprogrammed Flexible zone Main Circulation Secondary Circulation lounging Area

2586’

2586’ 2250’

Sand Play

exIstIng topo

2415’

2000’

1883’

1750’

Cimbing Trees

1500’

Mural Painting

1250’ 1080’

Cave Creek

RIo Salado North Mountain Preserve South Mountain 5 mi

10 mi

15 mi

20 mi

25 mi

30 mi

35 mi

Collaborative zone Vermiculture

Weekend Farmer’s Market polycultural garden

Imaginative zone Ecological Zone rain garden

DesIgneD topo Basin and range province

parents Sitting Area Work shop Area Habitat building Play building Collaborative play for Small groups

Educational Wetland

condensation

demonstration Site precipation

evaporation

precipation

transpiration

evaporation

surface runuff

percolation

groundwater flow

Water | Canal system site water runoff collection neighborhood water collection Hohokam Canal System Hydrological Cycle

Idle Play Views to Canal & South Mountain

artificial (urbanized)

views to downtown phoenix Skyline + [north mountian in the background]

natural

Connecting Bridge

Western Canal views to South Mountain

views to Western Canal

N

DesIgn scheme Site Program selection natural- ecological | South [canal] Social- urban \ north [street-neighborhood]

sIte design

e x P e r I e n C I n g through the s e n s e s imaginative z o n e [educational wetland]

Activities that StimulAte Self expreSSion and Adventure.

canal g a t e w a y

Architecture: Advanced Architectural Studio IV: Capstone Independent

Student: Nathan Korkki Faculty: Renata Hejduk

Landscape Architecture Advanced Landscape Studio IV: Applied Project

collaborative z o n e

[habitat workshops]

Activities that fACilitAte Cognitive developmenT while promoting teAm Work

canal c o n c e p t

Student: Idaly Corella Faculty: Gabriel Montemayor

(ecological)

39.6 mi



Catalogue printed on Forest Stewardship Council certified Mohawk Options

Printed by Prisma Graphic Phoenix

Responsible Forestry Certified SCS Global Services

Prismagraphic.com (602) 243 5777

Pages 4, 5, and 76 Photographs by Akshay Pulipak, James Shraiky, and Tim Trumble

Catalogue and Exhibit Production by Hannah McLean and Stephanie Williams

Cover, Page 1 Photograph, and Catalogue Design by Andrew Weed


The Design School

PO Box 871605 Tempe, AZ 85287-1605 design.asu.edu


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